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This programme contains some violent scenes | 0:00:02 | 0:00:03 | |
The assassin we sent to kill Delaney is dead. | 0:00:03 | 0:00:05 | |
The British want you dead. | 0:00:05 | 0:00:06 | |
I stitch you up and you give me information. | 0:00:06 | 0:00:09 | |
I will cede sovereignty of Nootka Sound to whichever nation | 0:00:09 | 0:00:13 | |
offers me their monopoly. | 0:00:13 | 0:00:15 | |
All the tea in China. | 0:00:15 | 0:00:16 | |
As Horace Delaney's widow, I also own half of the trading post | 0:00:16 | 0:00:19 | |
at Nootka Sound. And I believe Nootka is of value to the King. | 0:00:19 | 0:00:23 | |
If you are in contact with the King, | 0:00:23 | 0:00:25 | |
then you are already in grave danger. | 0:00:25 | 0:00:27 | |
I hope I can trust you to keep the secrets of the past buried. | 0:00:27 | 0:00:31 | |
I am your sister. Let all else lie. | 0:00:31 | 0:00:34 | |
You take the minutes and you log every meeting. | 0:00:34 | 0:00:37 | |
I want that information. | 0:00:37 | 0:00:39 | |
You think your father's kid feeds himself? | 0:00:39 | 0:00:43 | |
Now you're back, I want payment. | 0:00:43 | 0:00:44 | |
-We were given your name. -I am not a courtesan. | 0:00:44 | 0:00:47 | |
Give her to me! | 0:00:47 | 0:00:48 | |
There appears to have been a misunderstanding. | 0:00:51 | 0:00:53 | |
She stabbed the Duke of Richmond. | 0:00:53 | 0:00:55 | |
They knew she was not a whore and that she would fight back. | 0:00:55 | 0:00:58 | |
And now they have a good reason to come for her. | 0:00:58 | 0:01:00 | |
This programme contains some strong language and some scenes of a sexual nature | 0:01:04 | 0:01:10 | |
BIRDSONG | 0:02:42 | 0:02:45 | |
FOOTSTEPS APPROACHING | 0:02:45 | 0:02:47 | |
Open this door, by order of the King! | 0:02:51 | 0:02:54 | |
James! James! They are here! James, for God's sake! | 0:02:58 | 0:03:00 | |
What's happening?! | 0:03:03 | 0:03:04 | |
They will want you to sign their papers or you will hang. | 0:03:05 | 0:03:08 | |
Hang for what? Saving my honour?! | 0:03:08 | 0:03:10 | |
You must hold out. You will hold out. Look at me. | 0:03:10 | 0:03:13 | |
These men are from the Crown. I will warn the East India | 0:03:13 | 0:03:15 | |
-and they will free you. -What are you talking about? | 0:03:15 | 0:03:18 | |
You must go with them now. I will be with you when you're inside | 0:03:18 | 0:03:21 | |
and you will know it. | 0:03:21 | 0:03:23 | |
Hold out. | 0:03:23 | 0:03:24 | |
Hello! Come with us! | 0:03:24 | 0:03:27 | |
I got another one for ya! | 0:03:34 | 0:03:36 | |
Aren't you a pretty one?! | 0:03:56 | 0:03:58 | |
Come on! | 0:03:59 | 0:04:00 | |
WHIMPERING | 0:04:05 | 0:04:07 | |
This is allocated. The famous Lorna Bow. | 0:04:08 | 0:04:11 | |
Think of the queue that'll form. | 0:04:13 | 0:04:15 | |
An actress, no less. | 0:04:15 | 0:04:17 | |
No. No! Don't leave me! No, please! | 0:04:18 | 0:04:23 | |
You will answer to God for this. | 0:04:31 | 0:04:32 | |
Probably. And for the many other evil tasks | 0:04:32 | 0:04:35 | |
I have carried out for the King of England. | 0:04:35 | 0:04:38 | |
DOOR SLAMS & LOCK TURNS | 0:04:40 | 0:04:42 | |
And the Prince Regent. | 0:04:42 | 0:04:43 | |
There was a misunderstanding. The Duke was given the wrong name. | 0:04:43 | 0:04:46 | |
Each ribbon represents a reason not to comply. | 0:04:46 | 0:04:50 | |
As each ribbon is untied, a reason disappears. | 0:04:50 | 0:04:54 | |
Let me explain. | 0:04:56 | 0:04:57 | |
Under English law, as Delaney's wife, you have the legal right | 0:04:57 | 0:05:01 | |
to contest his will, on the grounds of insanity. | 0:05:01 | 0:05:07 | |
There's a copy of a marriage certificate. Horace Delaney. | 0:05:08 | 0:05:11 | |
A legal precedent from 1755. | 0:05:12 | 0:05:15 | |
Now, that is an application to contest the will, | 0:05:16 | 0:05:18 | |
which we've already drawn up. The granting of leave | 0:05:18 | 0:05:21 | |
for that application, by King's Counsel. | 0:05:21 | 0:05:23 | |
Bravo. | 0:05:23 | 0:05:24 | |
And the successful outcome of that application, | 0:05:24 | 0:05:28 | |
dated one month from now. | 0:05:28 | 0:05:31 | |
Congratulations. | 0:05:31 | 0:05:33 | |
And finally... | 0:05:37 | 0:05:38 | |
..an agreement to assign your share of the Nootka trading post, | 0:05:39 | 0:05:42 | |
smoke house and tanning factory to the possession of the British Crown. | 0:05:42 | 0:05:45 | |
Or... | 0:06:11 | 0:06:12 | |
..a conviction for attempted murder, for which you hang. | 0:06:22 | 0:06:24 | |
No, this really is terribly simple. | 0:06:29 | 0:06:31 | |
Exposed as you are, in this hell. | 0:06:31 | 0:06:34 | |
You're weak. Men of all kinds. | 0:06:34 | 0:06:37 | |
Your hands shackled. | 0:06:39 | 0:06:40 | |
A key and a pen are your only weapons. | 0:06:42 | 0:06:44 | |
So, you take this pen in your hand, you sign your name | 0:06:44 | 0:06:47 | |
and I turn the key and you dress and you leave... | 0:06:47 | 0:06:51 | |
..with £1,000 for your trouble. | 0:06:56 | 0:06:59 | |
I have been told... | 0:07:12 | 0:07:13 | |
to await a better offer. | 0:07:13 | 0:07:15 | |
James said... | 0:07:20 | 0:07:22 | |
James?! Oh, James. James. | 0:07:22 | 0:07:24 | |
My God. I see. So soon. | 0:07:28 | 0:07:32 | |
You can go. | 0:07:33 | 0:07:34 | |
DOOR UNLOCKED | 0:07:42 | 0:07:45 | |
DOOR SLAMMED & LOCK TURNED | 0:07:45 | 0:07:48 | |
My wife is a strange fish. | 0:07:48 | 0:07:50 | |
I talk to her about my work, when we sit up in bed at night. | 0:07:51 | 0:07:54 | |
Her belief is that James Delaney is in league with Satan. | 0:07:55 | 0:08:00 | |
I believe that to be true, too. | 0:08:01 | 0:08:03 | |
So, as we...explore ways | 0:08:06 | 0:08:11 | |
to make you change your mind... | 0:08:11 | 0:08:14 | |
..these next few hours... | 0:08:16 | 0:08:18 | |
..we will be doing God's work. | 0:08:23 | 0:08:25 | |
Hurry up! | 0:08:30 | 0:08:31 | |
Miss Bow. | 0:08:56 | 0:08:57 | |
I can find my own carriage. | 0:08:59 | 0:09:01 | |
Mr Delaney has business... | 0:09:01 | 0:09:02 | |
..but he instructed me to make sure you get home safely. | 0:09:03 | 0:09:06 | |
Did he say "home"? | 0:09:06 | 0:09:08 | |
I don't quite recall. | 0:09:08 | 0:09:10 | |
Miss Bow, if you please. | 0:09:14 | 0:09:16 | |
We had a fucking agreement! | 0:09:20 | 0:09:23 | |
Common cause! | 0:09:24 | 0:09:26 | |
I saw the papers with my own eyes. The assignation they were trying to | 0:09:26 | 0:09:30 | |
make her sign gave Nootka to the Crown and only the Crown. | 0:09:30 | 0:09:33 | |
-Fucking snakes! -If we didn't have so much shit on the Duke of Richmond, | 0:09:33 | 0:09:36 | |
-they would have had her. -Who tipped you off? | 0:09:36 | 0:09:38 | |
Anonymous note. | 0:09:38 | 0:09:40 | |
Delaney. | 0:09:40 | 0:09:42 | |
He's turning London into his own private bear pit. | 0:09:43 | 0:09:46 | |
And what are we, the bear or the dogs? | 0:09:47 | 0:09:50 | |
Shit! | 0:09:53 | 0:09:54 | |
And that fat pig Prince Prinny plays the fool, | 0:09:56 | 0:10:01 | |
so he can better play the game. | 0:10:01 | 0:10:03 | |
I'll pop him. I swear to God. | 0:10:06 | 0:10:08 | |
I'll burst him, like a pig's bladder. | 0:10:08 | 0:10:11 | |
Get a message to Coop. | 0:10:14 | 0:10:16 | |
Tell him we withdraw our negotiators from the India talks. | 0:10:16 | 0:10:20 | |
The Prince Regent has decided to decline your offer. | 0:10:24 | 0:10:27 | |
-For crying out loud, Godders. -He will not offer you a monopoly. | 0:10:27 | 0:10:31 | |
So... | 0:10:38 | 0:10:39 | |
..doesn't that mean the game is up, James? | 0:10:41 | 0:10:43 | |
No, it's just begun. | 0:10:43 | 0:10:46 | |
What else? | 0:10:46 | 0:10:47 | |
The hand was raised. | 0:10:48 | 0:10:49 | |
They talked about gunpowder. | 0:10:52 | 0:10:54 | |
DELANEY GRUNTS | 0:10:57 | 0:10:58 | |
Pettifer said if Delaney Trading Company wanted to trade | 0:11:00 | 0:11:02 | |
with the Indians at Nootka, | 0:11:02 | 0:11:04 | |
the only merchandise you could possibly use would be gunpowder. | 0:11:04 | 0:11:08 | |
Wilton pointed out that in times of war, | 0:11:08 | 0:11:11 | |
the production of gunpowder is controlled by the Crown. | 0:11:11 | 0:11:13 | |
You will not be granted a licence to purchase. | 0:11:18 | 0:11:21 | |
Your name is already on a blacklist. | 0:11:23 | 0:11:25 | |
You will not get a single grain anywhere in England. | 0:11:27 | 0:11:30 | |
So, now... | 0:11:35 | 0:11:36 | |
..is the game up? | 0:11:38 | 0:11:39 | |
When they speak of you, there is such hatred now. | 0:11:43 | 0:11:47 | |
Before, they laughed. | 0:11:47 | 0:11:49 | |
They stopped laughing out there. That's good. | 0:11:49 | 0:11:51 | |
That's a good thing, Godders. | 0:11:52 | 0:11:55 | |
James. | 0:11:59 | 0:12:00 | |
For God's sake. | 0:12:07 | 0:12:08 | |
The Art Of War. | 0:12:10 | 0:12:11 | |
Poor motive, | 0:12:13 | 0:12:14 | |
poor strategy... | 0:12:14 | 0:12:16 | |
..poor outcome. | 0:12:18 | 0:12:20 | |
They can't kill you, but they will crucify your name... | 0:12:24 | 0:12:28 | |
..and crucify all those around you. | 0:12:30 | 0:12:33 | |
But I don't keep anybody around me that doesn't deserve what they get. | 0:12:36 | 0:12:40 | |
Does that include me? | 0:12:42 | 0:12:44 | |
Yes, that includes you. | 0:12:46 | 0:12:49 | |
Only half a man. | 0:12:51 | 0:12:53 | |
EXPLOSION / CROWD GASPS | 0:12:57 | 0:12:59 | |
APPLAUSE | 0:12:59 | 0:13:01 | |
Thank you. | 0:13:01 | 0:13:02 | |
Now, finally, here, I'm introducing chlorine gas | 0:13:03 | 0:13:08 | |
to a solution of sal ammoniac. | 0:13:08 | 0:13:10 | |
Ladies, beware, these are corrosive substances. | 0:13:10 | 0:13:14 | |
They will ravage your dresses. | 0:13:14 | 0:13:16 | |
So, the combination produces a yellow, oily fluid that will | 0:13:17 | 0:13:22 | |
explode with sunlight or heat or mere motion. | 0:13:22 | 0:13:26 | |
In order to show you most simply and safely its explosive effect, | 0:13:28 | 0:13:32 | |
I use this instrument... | 0:13:32 | 0:13:34 | |
..to transfer... | 0:13:36 | 0:13:37 | |
..very carefully... | 0:13:39 | 0:13:41 | |
..just a few drops. | 0:13:46 | 0:13:47 | |
And, again, beware. | 0:13:51 | 0:13:53 | |
Use your hand to protect your eyes. | 0:13:53 | 0:13:55 | |
The vessel is often shattered to atoms, by sheer force. | 0:13:57 | 0:14:00 | |
EXPLOSION | 0:14:07 | 0:14:09 | |
GASPING | 0:14:09 | 0:14:10 | |
APPLAUSE | 0:14:10 | 0:14:11 | |
-Terrific! -Magnificent! | 0:14:11 | 0:14:14 | |
Mr Cholmondeley. | 0:14:23 | 0:14:24 | |
I cancelled my appointment. | 0:14:26 | 0:14:28 | |
Blamed a headache. | 0:14:28 | 0:14:30 | |
Exposure to excitable chemical fumes, I imagine. | 0:14:30 | 0:14:33 | |
As a doctor, I ought to make sure you're fully recovered. | 0:14:34 | 0:14:37 | |
Something in your eye. | 0:14:41 | 0:14:42 | |
Do you have a husband? | 0:14:46 | 0:14:47 | |
Dead. | 0:14:47 | 0:14:48 | |
Thank God. | 0:14:48 | 0:14:49 | |
What did he look like? | 0:14:51 | 0:14:52 | |
A toad. | 0:14:52 | 0:14:54 | |
I have a question. | 0:15:00 | 0:15:02 | |
It concerns chemistry. | 0:15:02 | 0:15:04 | |
I hope now is not inconvenient. | 0:15:04 | 0:15:06 | |
Wait! | 0:15:11 | 0:15:12 | |
I wrote a fucking book about chemistry. | 0:15:12 | 0:15:15 | |
If you've got any questions about chemistry, then read that. | 0:15:15 | 0:15:18 | |
I already did. I was very impressed. That's why I'm here. | 0:15:18 | 0:15:21 | |
I have a use for you. | 0:15:23 | 0:15:25 | |
You know, semen not ejaculated at the point of passion | 0:15:25 | 0:15:29 | |
turns to poison and narrows the mind. | 0:15:29 | 0:15:31 | |
Eventually, you become an ape. | 0:15:33 | 0:15:35 | |
So, ejaculate. | 0:15:36 | 0:15:37 | |
Then, we can talk of business. | 0:15:39 | 0:15:41 | |
Is that gold? | 0:15:43 | 0:15:44 | |
Has the semen yet turned to poison? | 0:15:51 | 0:15:53 | |
I believe you invented a chemical process for verification. | 0:15:55 | 0:15:59 | |
Yeah. | 0:16:00 | 0:16:01 | |
So, what exactly is it you would use me for? | 0:16:05 | 0:16:07 | |
THUNDER RUMBLES | 0:16:08 | 0:16:11 | |
KEY JANGLES IN LOCK | 0:16:25 | 0:16:27 | |
I got a carpenter to take down those boards and put up a new door. | 0:16:34 | 0:16:38 | |
You should try a key next time. | 0:16:40 | 0:16:42 | |
They've turned a few things over. | 0:16:42 | 0:16:45 | |
We should bill the King. | 0:16:45 | 0:16:46 | |
-She's back, yes? -Aye. | 0:16:46 | 0:16:48 | |
How does she seem? | 0:16:49 | 0:16:50 | |
The same. | 0:16:50 | 0:16:51 | |
But then, she's an actress. | 0:16:51 | 0:16:53 | |
You knew they were coming to take her, didn't you? | 0:16:55 | 0:16:58 | |
All part of the plan. | 0:16:58 | 0:17:00 | |
I have things to do. | 0:17:00 | 0:17:02 | |
We're all just part of the plan, aren't we, sir? | 0:17:06 | 0:17:09 | |
Buy her some flowers. | 0:17:09 | 0:17:10 | |
Flowers. | 0:17:13 | 0:17:14 | |
You said I'm a weakness. | 0:17:21 | 0:17:22 | |
I wasn't weak. | 0:17:25 | 0:17:26 | |
I will fix that. | 0:17:27 | 0:17:29 | |
I'll get Brace to fix that. | 0:17:29 | 0:17:31 | |
In the cell, I called you "James". | 0:17:34 | 0:17:36 | |
I think that surprised them most. | 0:17:37 | 0:17:39 | |
Certainly surprised me. | 0:17:39 | 0:17:41 | |
If your intervention had been ten minutes later, | 0:17:41 | 0:17:44 | |
I would have been raped. | 0:17:44 | 0:17:46 | |
But the consequence for you was worth the risk to me, yes? | 0:17:47 | 0:17:50 | |
You see me as I am. | 0:17:51 | 0:17:53 | |
All of those that I gather are damned. | 0:17:53 | 0:17:56 | |
It's just part of a company policy of mine. | 0:17:56 | 0:17:58 | |
Perhaps now you will understand why it is better for you to leave | 0:17:58 | 0:18:02 | |
and let this business run its course. | 0:18:02 | 0:18:04 | |
Is that why you let it happen? To teach me a lesson? | 0:18:04 | 0:18:07 | |
No. That was to teach the King a lesson. And the Company. | 0:18:07 | 0:18:10 | |
But if you're absolutely resolute on staying... | 0:18:10 | 0:18:14 | |
..then I may agree to incorporate you into the organisation. | 0:18:15 | 0:18:19 | |
Oh. | 0:18:20 | 0:18:22 | |
Oh, I see. | 0:18:22 | 0:18:23 | |
I've passed a test. | 0:18:23 | 0:18:25 | |
No. | 0:18:25 | 0:18:26 | |
I will join the League of the Damned. | 0:18:29 | 0:18:31 | |
A group of people who are drawn together, | 0:18:31 | 0:18:33 | |
with a willingness to do exactly as I say. | 0:18:33 | 0:18:36 | |
-We are the ships, you are the river. -Mm. | 0:18:42 | 0:18:44 | |
First, I need you to bring me a trunk | 0:18:47 | 0:18:51 | |
full of my father's belongings. | 0:18:51 | 0:18:52 | |
I'm actually very tired, Mr Delaney. | 0:18:57 | 0:19:02 | |
Your conspiracies have made it a very tiring day. | 0:19:02 | 0:19:05 | |
I'll fix that. Sleep on it. | 0:19:11 | 0:19:12 | |
PANTING | 0:20:03 | 0:20:04 | |
Deliver us from evil, | 0:21:00 | 0:21:01 | |
for thine is the kingdom, the power and the glory, | 0:21:01 | 0:21:03 | |
for ever and ever. Amen. | 0:21:03 | 0:21:05 | |
John Company and the King are back at war. | 0:21:10 | 0:21:13 | |
The resolution again recedes. | 0:21:13 | 0:21:15 | |
Fuck him! | 0:21:17 | 0:21:18 | |
You woke me. | 0:21:20 | 0:21:21 | |
Please don't. Your coat's all wet. | 0:21:27 | 0:21:30 | |
And you're wet, too. | 0:21:37 | 0:21:39 | |
Who's in there? | 0:21:43 | 0:21:45 | |
Who's in there? | 0:21:46 | 0:21:47 | |
Where he leads, I will follow. | 0:21:50 | 0:21:53 | |
COCK CROWS | 0:22:25 | 0:22:27 | |
Where the fuck are we? | 0:23:05 | 0:23:07 | |
My new factory. | 0:23:07 | 0:23:08 | |
I flagged him down at St Pancras. | 0:23:12 | 0:23:14 | |
I told him two shillings. I guessed you'd pay. | 0:23:14 | 0:23:16 | |
Hold on. | 0:23:23 | 0:23:24 | |
Nitrous oxide. | 0:23:32 | 0:23:33 | |
They call it "laughing gas". | 0:23:35 | 0:23:36 | |
I provide it for entertainment at society parties. | 0:23:36 | 0:23:40 | |
It's good money. | 0:23:40 | 0:23:41 | |
Last night, it was, eh... | 0:23:42 | 0:23:44 | |
Oh, fuck, I can hardly remember. | 0:23:46 | 0:23:48 | |
Duck hunters and whores dressed as ducks...I think. | 0:23:48 | 0:23:53 | |
I had to partake of my own supply, just to get through it. | 0:23:53 | 0:23:55 | |
Pweugh! | 0:23:55 | 0:23:56 | |
Anyway....show me this cow shit. | 0:23:58 | 0:24:01 | |
Hmm.. | 0:24:11 | 0:24:12 | |
Pigeon shit? | 0:24:14 | 0:24:15 | |
COOING | 0:24:17 | 0:24:19 | |
Yeah, it's better. | 0:24:24 | 0:24:25 | |
Now...wood. | 0:24:25 | 0:24:27 | |
'Some birch, but it is mostly hazel.' | 0:24:29 | 0:24:31 | |
Oak is better. | 0:24:33 | 0:24:34 | |
There's not enough oak on the heath, dear boy. | 0:24:35 | 0:24:37 | |
So, buy offcuts from the shipyard. | 0:24:37 | 0:24:39 | |
Nothing we use can be purchased openly. | 0:24:39 | 0:24:41 | |
What about piss? | 0:24:44 | 0:24:46 | |
I'm sorry? | 0:24:46 | 0:24:47 | |
Human urine's by far the best for leaching the ash. | 0:24:47 | 0:24:50 | |
Especially if there are traces of alcohol. | 0:24:50 | 0:24:52 | |
How many humans live here? | 0:24:52 | 0:24:55 | |
Three. | 0:24:55 | 0:24:56 | |
-Where are they, by the way? -I sent them away this morning. | 0:24:57 | 0:25:00 | |
Do you own this farm? | 0:25:00 | 0:25:02 | |
Ask no more questions now and talk to me only of chemistry. | 0:25:03 | 0:25:06 | |
My simple question is, is it possible to achieve it here? | 0:25:13 | 0:25:16 | |
If you mix the pigeon shit and the cow shit | 0:25:18 | 0:25:20 | |
at a ratio of around 60:40 in favour of the pigeon. | 0:25:20 | 0:25:24 | |
I'd have to do tests. | 0:25:24 | 0:25:25 | |
Then, if you burnt all that stack of wood today, | 0:25:25 | 0:25:28 | |
you could soak the ash in 50 gallons of human piss | 0:25:28 | 0:25:30 | |
and leave it for a minimum of a year. Then, my friend, | 0:25:30 | 0:25:33 | |
you would, indeed, have gunpowder. | 0:25:33 | 0:25:35 | |
I don't have a year. | 0:25:36 | 0:25:38 | |
Well, I have a theory that the introduction of several barrels | 0:25:38 | 0:25:40 | |
of saltpetre that have already been refined at the start of the process | 0:25:40 | 0:25:43 | |
can cut the leaching stage down to four weeks. | 0:25:43 | 0:25:46 | |
"Theory"? | 0:25:47 | 0:25:48 | |
Yes, but my theories are always right. | 0:25:48 | 0:25:51 | |
As far as I know, there is only one place where one can find | 0:25:52 | 0:25:55 | |
-refined saltpetre. -Two. | 0:25:55 | 0:25:57 | |
The bat caves of Burma, where the bat shit refines itself, | 0:25:59 | 0:26:03 | |
or the warehouse of the East India Company at Wapping Wall. | 0:26:03 | 0:26:06 | |
Except, they're not selling, at the moment. | 0:26:06 | 0:26:09 | |
War going on. | 0:26:09 | 0:26:11 | |
Two wars, actually. | 0:26:11 | 0:26:13 | |
Or have we already won one of them? | 0:26:14 | 0:26:17 | |
You're hired, Mr Cholmondeley. | 0:26:18 | 0:26:20 | |
And as for your saltpetre, I will get it for you. | 0:26:21 | 0:26:24 | |
Hm? | 0:26:45 | 0:26:46 | |
LIQUID DRIPPING | 0:28:34 | 0:28:36 | |
He's the one. | 0:28:49 | 0:28:50 | |
METALLIC SLIDING | 0:29:01 | 0:29:02 | |
MAN SCREAMS | 0:29:02 | 0:29:03 | |
GROANING | 0:29:12 | 0:29:14 | |
Who are you? | 0:29:29 | 0:29:31 | |
I told your friends... | 0:30:04 | 0:30:07 | |
Nootka Sound is not for sale. | 0:30:07 | 0:30:09 | |
SCREAMS | 0:30:28 | 0:30:30 | |
Come on, then. | 0:30:32 | 0:30:34 | |
SCREAMING | 0:30:34 | 0:30:37 | |
How the hell can you walk around a house this old | 0:32:19 | 0:32:21 | |
without making a noise? | 0:32:21 | 0:32:22 | |
Because I own it, and I know every creak in it | 0:32:22 | 0:32:25 | |
and I can move around it without waking it up. | 0:32:25 | 0:32:28 | |
When was the last time you set foot inside a church, sir? | 0:32:30 | 0:32:33 | |
The lady asked me to wake her because she had a costume fitting. | 0:32:40 | 0:32:44 | |
I guessed you wouldn't want her going out. | 0:32:44 | 0:32:47 | |
No, the lady is free to come and go as she pleases. | 0:32:47 | 0:32:50 | |
The Crown will protect her from the Company. | 0:32:50 | 0:32:53 | |
And the Company will protect her from the Crown. | 0:32:53 | 0:32:56 | |
-And you are the joint in the seesaw. -Mm. | 0:33:00 | 0:33:03 | |
By the way, I found your red roses in the mud | 0:33:03 | 0:33:06 | |
when I threw out the oyster shells. | 0:33:06 | 0:33:09 | |
-Who's this? -Who the hell's what? | 0:33:09 | 0:33:12 | |
Brace, do not believe that I will not know | 0:33:12 | 0:33:16 | |
when you reseal my letters. | 0:33:16 | 0:33:18 | |
Countess Musgrove is, let me think, sir... | 0:33:21 | 0:33:24 | |
1,550 places above you in the social hierarchy of London. | 0:33:24 | 0:33:29 | |
Her husband is a little, fat German prick and she fucks... | 0:33:29 | 0:33:33 | |
You forgot to wake me. | 0:33:34 | 0:33:35 | |
Fucks what, Brace? | 0:33:36 | 0:33:38 | |
Countess Musgrove has a reputation as a lady of uncertain origin, sir, | 0:33:40 | 0:33:45 | |
who in the past used her beauty to beguile men of great influence, | 0:33:45 | 0:33:49 | |
thereby improving her position in society. | 0:33:49 | 0:33:53 | |
She also allows and even encourages the closed and turning waltz. | 0:33:53 | 0:33:57 | |
A ball. | 0:34:00 | 0:34:01 | |
And why would she invite a man who cannot dance? | 0:34:02 | 0:34:05 | |
Perhaps she likes oddities and curiosities. | 0:34:05 | 0:34:07 | |
Or if she knows you're in the house in the light, | 0:34:10 | 0:34:13 | |
you cannot be outside lurking in the garden in the dark scaring people. | 0:34:13 | 0:34:17 | |
There is another letter, sir. | 0:34:20 | 0:34:22 | |
Perhaps related to the first. | 0:34:22 | 0:34:24 | |
-This came from the same post? -Aye, sir. | 0:34:24 | 0:34:27 | |
The Americans. Wanting a place on the seesaw. | 0:34:31 | 0:34:34 | |
Well, it is an invitation for two. Miss Bow? | 0:34:39 | 0:34:43 | |
Do you dance? | 0:34:45 | 0:34:46 | |
Where is she? | 0:35:05 | 0:35:06 | |
Where's Helga? | 0:35:08 | 0:35:10 | |
I'll get her. | 0:35:10 | 0:35:11 | |
Winter said you looked impressed. | 0:35:26 | 0:35:28 | |
I am. | 0:35:28 | 0:35:30 | |
Oysters mask the smell of sex. | 0:35:33 | 0:35:34 | |
You like that. | 0:35:41 | 0:35:42 | |
Mm. | 0:35:42 | 0:35:44 | |
Yes, I might have a use for that, actually. | 0:35:46 | 0:35:49 | |
You may need to bring a couple of girls to the Dolphin with you. | 0:35:49 | 0:35:52 | |
Now, shut for the evening. | 0:35:52 | 0:35:53 | |
You're busy tonight. | 0:35:55 | 0:35:57 | |
Right, a request to hire men and boats to collect barrels | 0:36:00 | 0:36:03 | |
from the Prospect of Whitby pub | 0:36:03 | 0:36:05 | |
and ferry them up the Fleet River to Hampstead. | 0:36:05 | 0:36:09 | |
-Mm-hm. -Mm-hm. | 0:36:09 | 0:36:10 | |
Barrels will contain... | 0:36:11 | 0:36:13 | |
CHUCKLES | 0:36:13 | 0:36:14 | |
..whores' urine. | 0:36:14 | 0:36:16 | |
And that of the customers. Thruppence a barrel. | 0:36:16 | 0:36:20 | |
I want you to sign that right now | 0:36:20 | 0:36:22 | |
before whatever it is in your blood wears off. | 0:36:22 | 0:36:24 | |
And I'm planning a robbery. | 0:36:27 | 0:36:29 | |
At last. Back in the world of reason and rationality. | 0:36:30 | 0:36:33 | |
Who are we going to rob? | 0:36:33 | 0:36:35 | |
Elizabeth. | 0:37:08 | 0:37:10 | |
Violet. | 0:37:10 | 0:37:12 | |
-And Mary. -Thank you so much. | 0:37:12 | 0:37:16 | |
Now, if you will excuse me, ladies. | 0:37:17 | 0:37:19 | |
Come on. | 0:37:59 | 0:38:01 | |
Posy for the lady? | 0:38:09 | 0:38:10 | |
Much obliged, kind sir. | 0:38:15 | 0:38:17 | |
For you. | 0:38:21 | 0:38:22 | |
There's other business afoot tonight, none of which concerns you. | 0:38:24 | 0:38:29 | |
Miss Lorna Bow. | 0:39:03 | 0:39:05 | |
Mrs Lorna Delaney. | 0:39:08 | 0:39:11 | |
And Mr James Delaney. | 0:39:11 | 0:39:13 | |
Judging by the horror on the faces of the ladies, you are known. | 0:39:16 | 0:39:20 | |
Yes, and judging by the shame on the face of some of the men, | 0:39:20 | 0:39:22 | |
so are you. | 0:39:22 | 0:39:23 | |
Oh, if only I had been a whore, | 0:39:23 | 0:39:25 | |
I might have been as rich as Countess Musgrove, | 0:39:25 | 0:39:27 | |
who I presume is that creature. | 0:39:27 | 0:39:29 | |
Hello. Hello. Hello. Hello. Hello. | 0:39:33 | 0:39:36 | |
Hello. Hello. Hello. Hello. Hello. | 0:39:36 | 0:39:38 | |
Hello. Not hello. | 0:39:38 | 0:39:40 | |
-Who the hell is that? -I've no idea. | 0:39:42 | 0:39:44 | |
And who the hell was that? | 0:40:08 | 0:40:10 | |
LAUGHTER | 0:40:10 | 0:40:13 | |
-Why are you here? -Because I was invited. You? | 0:40:39 | 0:40:42 | |
Because my husband was invited. He has business of theirs in Berlin. | 0:40:42 | 0:40:46 | |
Ah, but it is a bit unexpected, isn't it? It's unusual. | 0:40:46 | 0:40:50 | |
I knew that when you saw me, you would come to me | 0:40:50 | 0:40:52 | |
and I realise that is how it always is. | 0:40:52 | 0:40:54 | |
-You always drive me... -It is a bit unexpected that we were both invited, is it not? | 0:40:54 | 0:40:58 | |
That we were invited, both together. | 0:41:00 | 0:41:02 | |
And if they invited us both, then they probably know. | 0:41:02 | 0:41:06 | |
Who knows? | 0:41:06 | 0:41:07 | |
Who knows? | 0:41:09 | 0:41:10 | |
Our American friends. | 0:41:11 | 0:41:13 | |
Ah! You feel me, don't you, when I break in? | 0:41:13 | 0:41:16 | |
-No. -Yes, you do. | 0:41:16 | 0:41:19 | |
-No. -You do. You feel me. | 0:41:19 | 0:41:21 | |
And I could come more often, but I spare you. | 0:41:21 | 0:41:24 | |
Then spare me. | 0:41:25 | 0:41:27 | |
I went to a doctor, | 0:41:29 | 0:41:30 | |
he took me to a priest who had been to a mission in Africa. | 0:41:30 | 0:41:33 | |
-Yes, what did he say? -He said that you visit as animals. | 0:41:33 | 0:41:37 | |
He couldn't even look at me after I'd told him. | 0:41:38 | 0:41:41 | |
When I left England, I thought I was mad, | 0:41:41 | 0:41:46 | |
but they taught me how to use it. Now it's a gift. | 0:41:46 | 0:41:49 | |
It's the devil. | 0:41:50 | 0:41:51 | |
Now, amongst other things, I am also a doctor. | 0:41:53 | 0:41:58 | |
And I'd say the lady is in danger | 0:41:58 | 0:42:00 | |
of catching more than just a chill out here. | 0:42:00 | 0:42:02 | |
Your half-sister. Am I right? | 0:42:03 | 0:42:05 | |
WHISTLES | 0:42:09 | 0:42:10 | |
You're quite a prize, Mr Delaney, quite a prize. | 0:42:13 | 0:42:17 | |
I was told what you did to our first resort. | 0:42:20 | 0:42:22 | |
Opened him up like a bull. | 0:42:24 | 0:42:26 | |
Nice work. | 0:42:27 | 0:42:28 | |
Now, I make no moral judgments. | 0:42:30 | 0:42:33 | |
And besides, Carlsbad said to say that you can have her. | 0:42:33 | 0:42:37 | |
You can have her as part of the deal. | 0:42:38 | 0:42:41 | |
Part of our second offering. | 0:42:41 | 0:42:42 | |
So why don't you just take her? | 0:42:42 | 0:42:45 | |
Just take her with you. | 0:42:47 | 0:42:48 | |
No more hiding. | 0:42:48 | 0:42:50 | |
We can guarantee you safe passage, anonymity... | 0:42:52 | 0:42:56 | |
..new worlds. | 0:42:57 | 0:42:58 | |
But look, if you don't want to deal with the obstacle, | 0:42:58 | 0:43:01 | |
we can certainly take care of that for you. | 0:43:01 | 0:43:03 | |
Say her husband gets drunk. No surprise. Falls from a bridge | 0:43:03 | 0:43:07 | |
or something. | 0:43:07 | 0:43:08 | |
Let me just make the point... | 0:43:10 | 0:43:12 | |
from an American point of view. | 0:43:12 | 0:43:15 | |
Love is now part of the deal that we are offering | 0:43:16 | 0:43:21 | |
over and above that which is on offer from your countrymen. | 0:43:21 | 0:43:25 | |
Hm? | 0:43:25 | 0:43:27 | |
I'll leave that with you. | 0:43:30 | 0:43:32 | |
And don't worry how we know so much. Hm? | 0:43:37 | 0:43:40 | |
We just know so much. | 0:43:42 | 0:43:43 | |
I were stowed'way from India on the Fairlie. | 0:44:19 | 0:44:23 | |
And I'm full with thirst and the temptations of the Tropics | 0:44:23 | 0:44:27 | |
and have a great need to ease 'em. | 0:44:27 | 0:44:29 | |
Pearl's good, isn't she? | 0:45:04 | 0:45:07 | |
Get in, come on, get in. | 0:45:34 | 0:45:37 | |
Good evening. | 0:46:10 | 0:46:12 | |
I'm just a complete stranger, plying my wares, | 0:46:13 | 0:46:16 | |
offering the gift of hysteria before the night is over. | 0:46:16 | 0:46:20 | |
That stranger that you've never met, | 0:46:27 | 0:46:29 | |
is he part of your League of the Damned? | 0:46:29 | 0:46:32 | |
Well, we could at least try? | 0:46:36 | 0:46:38 | |
Sorry. | 0:46:40 | 0:46:42 | |
-Would you like to dance? -No. | 0:46:42 | 0:46:44 | |
Careful. Careful. | 0:46:49 | 0:46:52 | |
He said a few drops. | 0:46:52 | 0:46:53 | |
Give it here. Give it here. | 0:46:53 | 0:46:55 | |
Get back. Get back. Get back. | 0:46:57 | 0:46:58 | |
Get the saltpetre! | 0:47:05 | 0:47:07 | |
Keep moving. | 0:47:07 | 0:47:09 | |
Keep moving. Two more. | 0:47:12 | 0:47:14 | |
Come on, keep moving. | 0:47:17 | 0:47:18 | |
Right. Come on, go, go, go, go, go! | 0:47:18 | 0:47:20 | |
Move, move! Get out! Go! | 0:47:20 | 0:47:23 | |
You know James Delaney? | 0:47:39 | 0:47:41 | |
No. | 0:47:41 | 0:47:43 | |
What? You mean in the way that no-one really knows James Delaney? | 0:47:43 | 0:47:48 | |
-Yes. -I've only not known James a little while. | 0:47:49 | 0:47:52 | |
But I have the feeling you've not known him a little longer. | 0:47:52 | 0:47:56 | |
-We were children... -Oh! | 0:47:59 | 0:48:01 | |
Thank you. | 0:48:05 | 0:48:07 | |
If I were to have intentions regarding James, | 0:48:08 | 0:48:12 | |
would I need to be wary of you? | 0:48:12 | 0:48:13 | |
No civilised woman would have intentions regarding him. | 0:48:20 | 0:48:23 | |
And you would not need to be wary of me. | 0:48:25 | 0:48:28 | |
We have the same father. | 0:48:28 | 0:48:29 | |
You are in every way an unopened box. | 0:48:48 | 0:48:52 | |
Just when I think it's empty, I hear a tiger roaring inside it. | 0:48:54 | 0:48:58 | |
I want you to bring the trunk with my father's belongings tomorrow. | 0:49:00 | 0:49:04 | |
I thought you might have gone. | 0:49:05 | 0:49:07 | |
Oh, you mean you waited? For me? | 0:49:10 | 0:49:12 | |
No... | 0:49:12 | 0:49:14 | |
I wanted to finish my pipe. | 0:49:14 | 0:49:17 | |
I want you to bring my father's possessions tomorrow | 0:49:17 | 0:49:20 | |
-or our association is finished. -James Delaney? | 0:49:20 | 0:49:24 | |
The Countess Musgrove. | 0:49:25 | 0:49:28 | |
I don't dance. | 0:49:28 | 0:49:30 | |
A gentleman called Colonnade told me that you do. | 0:49:30 | 0:49:32 | |
As hostess, I thought I would dance the outrageous dance | 0:49:39 | 0:49:42 | |
with an outrageous guest. | 0:49:42 | 0:49:45 | |
Yet I do not dance, madam. | 0:49:45 | 0:49:46 | |
Well, then we shall disappear. Come on. | 0:49:47 | 0:49:50 | |
The Countess Musgrove. | 0:49:52 | 0:49:55 | |
Just do as I do and all will be well. | 0:49:58 | 0:50:00 | |
As a rule, I do this trick with a beautiful woman... | 0:50:05 | 0:50:11 | |
-ALL: -Ooh! | 0:50:11 | 0:50:14 | |
..and a chimpanzee. | 0:50:14 | 0:50:16 | |
In the absence of a chimpanzee, a gorilla will have to do. | 0:50:17 | 0:50:23 | |
JEERING AND LAUGHTER | 0:50:23 | 0:50:25 | |
Please, madam, please, sir, | 0:50:28 | 0:50:31 | |
take a deep breath... | 0:50:31 | 0:50:33 | |
..and step into the beyond. | 0:50:36 | 0:50:39 | |
One wonders if they will ever be seen again! | 0:50:56 | 0:50:59 | |
I did my research on you. | 0:51:03 | 0:51:05 | |
Genevieve Decoux. | 0:51:05 | 0:51:07 | |
From New Orleans. | 0:51:07 | 0:51:09 | |
Please, Mr Delaney, we do not have much time. | 0:51:09 | 0:51:11 | |
You sent the giant to kill me? | 0:51:13 | 0:51:15 | |
The outcome persuaded us you should be courted instead. | 0:51:15 | 0:51:18 | |
What will the gorilla do with the lady, one wonders. | 0:51:19 | 0:51:23 | |
Eat her, perhaps! | 0:51:23 | 0:51:24 | |
Oh, where did they go? | 0:51:28 | 0:51:31 | |
Countess, I know this is business. | 0:51:31 | 0:51:35 | |
And I think I know who you are. | 0:51:35 | 0:51:36 | |
But know this. | 0:51:38 | 0:51:39 | |
I control the timing of this. | 0:51:40 | 0:51:43 | |
At all times your life is in our hands. | 0:51:43 | 0:51:45 | |
As is your name in mine. | 0:51:45 | 0:51:47 | |
Carlsbad. | 0:51:47 | 0:51:49 | |
Oh, it seems we have one... | 0:51:54 | 0:51:57 | |
but not the other... | 0:51:57 | 0:51:59 | |
-Where is my gorilla? -Get back in there, Lady Musgrove, | 0:51:59 | 0:52:03 | |
and find that humping gorilla of yours. | 0:52:03 | 0:52:06 | |
-I was told you wanted tea. A monopoly. -Hm. | 0:52:09 | 0:52:13 | |
-Fanciful, of course. -Hm. | 0:52:13 | 0:52:15 | |
-I want to meet with the Embassy in Paris. -Oh, no. | 0:52:17 | 0:52:21 | |
You assign to the United States, where someone will kill you. | 0:52:21 | 0:52:24 | |
This time, we will be more artful. | 0:52:24 | 0:52:28 | |
Hm! You will need to be. | 0:52:28 | 0:52:31 | |
Your own sister. Oh, goodness! | 0:52:38 | 0:52:41 | |
Is he here? | 0:53:24 | 0:53:26 | |
Is this real? | 0:53:28 | 0:53:29 | |
Why's he here? Is it him? You should get away. | 0:53:29 | 0:53:32 | |
Why is he here? | 0:53:34 | 0:53:35 | |
You fu...you fucked her! | 0:53:51 | 0:53:53 | |
He fucked her. | 0:53:54 | 0:53:56 | |
He fucked her! | 0:53:56 | 0:53:57 | |
He fu... | 0:53:59 | 0:54:00 | |
You need some air. | 0:54:27 | 0:54:29 | |
James. Please, don't. | 0:54:31 | 0:54:33 | |
James? | 0:54:48 | 0:54:49 | |
James? | 0:54:50 | 0:54:52 | |
You call this thing James? | 0:54:52 | 0:54:55 | |
You don't call him anything but nigger! | 0:54:59 | 0:55:02 | |
You fucked her. | 0:55:08 | 0:55:10 | |
And you lay your hands on me in MY society! | 0:55:10 | 0:55:14 | |
I know I will have my satisfaction. | 0:55:18 | 0:55:20 | |
I declare it! | 0:55:21 | 0:55:23 | |
I challenge James Delaney to a duel. | 0:55:24 | 0:55:27 | |
At dawn...to the death. | 0:55:28 | 0:55:31 | |
To the death. | 0:55:33 | 0:55:35 | |
Do you accept? | 0:55:35 | 0:55:36 | |
Do you accept?! | 0:55:39 | 0:55:41 |