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This programme contains some strong language from the start. | 0:00:02 | 0:00:04 | |
-What are you looking for? -Nootka Sound treaty. | 0:00:04 | 0:00:06 | |
I may need to prove the land was acquired by treaty, not conquest. | 0:00:06 | 0:00:09 | |
Pettifer said if Delaney wanted to trade with the Indians at Nootka, | 0:00:09 | 0:00:11 | |
the only merchandise you could possibly use would be gunpowder. | 0:00:11 | 0:00:14 | |
-Where the fuck are we? -My new factory. | 0:00:14 | 0:00:17 | |
I have a theory that the introduction of several | 0:00:17 | 0:00:19 | |
barrels of saltpetre can cut the leaching stage down to four weeks. | 0:00:19 | 0:00:22 | |
There is only one place where one can find refined saltpetre. | 0:00:22 | 0:00:26 | |
The warehouse of the East India Company at Wapping Wall. | 0:00:26 | 0:00:28 | |
And I'm planning a robbery. | 0:00:28 | 0:00:30 | |
-You tell Carlsbad my name. -And who's Carlsbad? | 0:00:31 | 0:00:34 | |
Carlsbad is the head of | 0:00:34 | 0:00:36 | |
the American Society of Secret Correspondence in London. | 0:00:36 | 0:00:39 | |
At all times, your life is in our hands. | 0:00:39 | 0:00:42 | |
As is your name in mine. Carlsbad. | 0:00:42 | 0:00:44 | |
If they invited us both, then they probably know. | 0:00:44 | 0:00:47 | |
Who knows? | 0:00:47 | 0:00:48 | |
I challenge James Delaney to a duel, to the death. | 0:00:48 | 0:00:52 | |
-YELLS: -Do you accept?! | 0:00:52 | 0:00:53 | |
This programme contains some strong language, | 0:00:53 | 0:00:56 | |
scenes which some viewers may find upsetting | 0:00:56 | 0:00:59 | |
and some scenes of a sexual nature. | 0:00:59 | 0:01:02 | |
Good morning. | 0:03:37 | 0:03:38 | |
The Gypsy woman owns this island between two parishes. | 0:03:41 | 0:03:46 | |
It is tradition she offers duellists a little token of good luck. | 0:03:46 | 0:03:50 | |
Three shillings each for heather and goose feathers. | 0:03:50 | 0:03:53 | |
This is not a fairground. | 0:03:53 | 0:03:54 | |
Gentlemen, | 0:03:56 | 0:03:58 | |
a slight has been perceived | 0:03:58 | 0:04:01 | |
and one of you seeks satisfaction. | 0:04:01 | 0:04:03 | |
Which? | 0:04:03 | 0:04:04 | |
Here is my pistol for inspection. | 0:04:05 | 0:04:07 | |
This is my second, Mr Hope of Trinity Lane. | 0:04:09 | 0:04:12 | |
May I see your pistol? | 0:04:13 | 0:04:15 | |
Can we please get on with it? This fog is pestilential. | 0:04:20 | 0:04:24 | |
Where is your second? | 0:04:28 | 0:04:29 | |
I don't have one. | 0:04:29 | 0:04:31 | |
The code requires you have a second. | 0:04:31 | 0:04:32 | |
I don't have one. | 0:04:32 | 0:04:33 | |
Let's just say this woman is yours and she is late. | 0:04:34 | 0:04:37 | |
Could you not find a boat like a normal person? | 0:04:41 | 0:04:45 | |
I was bored and I've never seen a man shot before. | 0:04:45 | 0:04:48 | |
Why don't you go and stand over there by the fire and keep warm? | 0:04:51 | 0:04:54 | |
Duellists, stand apart with the attorney between you. | 0:05:00 | 0:05:03 | |
No lack of faith in either party, but I need payment in advance. | 0:05:06 | 0:05:11 | |
On my instruction, the duellists will take up position at the points. | 0:05:12 | 0:05:18 | |
Anyone firing a l'outrance will be fair game to be shot. | 0:05:20 | 0:05:23 | |
You will duel to first blood... | 0:05:26 | 0:05:27 | |
To the death! | 0:05:27 | 0:05:28 | |
To first blood. | 0:05:30 | 0:05:32 | |
According to the Irish code of 1777, | 0:05:33 | 0:05:37 | |
any man wounded will be tended by the doctor. | 0:05:37 | 0:05:41 | |
And no second shot will be fired by either gun. | 0:05:41 | 0:05:45 | |
Gentlemen, take up your positions. | 0:05:53 | 0:05:56 | |
The aggrieved party, at the nearest point. | 0:05:56 | 0:05:59 | |
When I drop this handkerchief, you will walk towards each other. | 0:06:15 | 0:06:21 | |
And, at a time of your choosing, | 0:06:21 | 0:06:23 | |
there will be a polite exchange of bullets. | 0:06:23 | 0:06:26 | |
SHE GASPS | 0:06:37 | 0:06:39 | |
Dear God, have mercy on my soul. | 0:06:52 | 0:06:55 | |
Satisfied? | 0:07:14 | 0:07:15 | |
My apologies. | 0:07:18 | 0:07:20 | |
That was an excellent shot. | 0:07:22 | 0:07:23 | |
I can only assume that your second is a Company man. | 0:07:27 | 0:07:31 | |
Since he failed to load a ball in your pistol. | 0:07:31 | 0:07:33 | |
Dear God! | 0:07:40 | 0:07:41 | |
It would appear that my life is more precious than yours. | 0:07:50 | 0:07:53 | |
Good day. | 0:07:57 | 0:07:58 | |
HE COUGHS | 0:08:03 | 0:08:05 | |
FOOTSTEPS APPROACH | 0:08:15 | 0:08:17 | |
SHE GASPS | 0:08:29 | 0:08:31 | |
DOOR OPENS, CLOSES | 0:08:45 | 0:08:48 | |
You have ash on your hands. | 0:08:59 | 0:09:01 | |
Where is the maid? | 0:09:06 | 0:09:07 | |
I sent her out. | 0:09:09 | 0:09:10 | |
For champagne? | 0:09:22 | 0:09:24 | |
Or potatoes? | 0:09:24 | 0:09:26 | |
Or both? | 0:09:26 | 0:09:28 | |
So, how did it resolve itself? Did you both see sense? | 0:09:35 | 0:09:38 | |
No. | 0:09:38 | 0:09:40 | |
I shot him. | 0:09:40 | 0:09:43 | |
Between the eyes. | 0:09:43 | 0:09:44 | |
And a host of devils flew out of the hole in his head and down the river. | 0:09:45 | 0:09:49 | |
In that event, it would be potatoes, wouldn't it? | 0:09:51 | 0:09:55 | |
Simple sustenance. | 0:09:55 | 0:09:56 | |
Life goes on. | 0:09:57 | 0:09:59 | |
Before you drink any more, could you tell me what happened? | 0:10:05 | 0:10:07 | |
But in the event... | 0:10:07 | 0:10:09 | |
..of a messenger coming to tell you | 0:10:10 | 0:10:13 | |
that he had killed me, | 0:10:13 | 0:10:16 | |
well, | 0:10:16 | 0:10:19 | |
champagne! | 0:10:19 | 0:10:20 | |
All the wild possibilities. | 0:10:21 | 0:10:23 | |
In truth, neither is the case. | 0:10:30 | 0:10:32 | |
It was void. | 0:10:34 | 0:10:35 | |
How? | 0:10:38 | 0:10:39 | |
Go and wash your hands. | 0:10:43 | 0:10:44 | |
No need for any more questions. | 0:10:45 | 0:10:47 | |
Not when half of London will be retelling the story anyway. | 0:10:49 | 0:10:53 | |
So I shall hear through gossip? | 0:10:53 | 0:10:55 | |
As I hear about you. | 0:10:57 | 0:10:58 | |
So, how was the party? | 0:11:09 | 0:11:10 | |
Well, it was entertaining. | 0:11:10 | 0:11:13 | |
And how did you end up in the duck pond? | 0:11:13 | 0:11:15 | |
She was legless. She tried to catch a salmon with her feet. | 0:11:15 | 0:11:18 | |
If he stayed to eat the eggs I boiled for him... | 0:11:20 | 0:11:23 | |
..he would hear MY story of last night. | 0:11:25 | 0:11:28 | |
Soldiers in red. Soldiers in blue. | 0:11:28 | 0:11:32 | |
Running by the window. | 0:11:32 | 0:11:34 | |
Out there on the foreshore. | 0:11:34 | 0:11:37 | |
Stopping the river traffic and searching every barge going east. | 0:11:37 | 0:11:41 | |
You see, Miss Bow, last night there was a robbery. | 0:11:42 | 0:11:46 | |
From the East India Arsenal. | 0:11:46 | 0:11:48 | |
Ingredients for making gunpowder, | 0:11:52 | 0:11:54 | |
stolen from under the Company's noses. | 0:11:54 | 0:11:56 | |
Insurrectionists, they say. | 0:12:01 | 0:12:04 | |
Frenchmen. | 0:12:04 | 0:12:05 | |
Though not one of them spoke French. | 0:12:09 | 0:12:11 | |
The Company have already stated those involved will hang. | 0:12:15 | 0:12:18 | |
The lady and I will take our breakfast on the foreshore | 0:12:21 | 0:12:24 | |
this morning, thank you. | 0:12:24 | 0:12:26 | |
And, when they come, let them in. You can open every door. | 0:12:26 | 0:12:31 | |
We have nothing here to hide. | 0:12:33 | 0:12:35 | |
HE CHUCKLES SOFTLY | 0:12:39 | 0:12:41 | |
You will hang. | 0:12:43 | 0:12:45 | |
They will catch you and hang you. | 0:12:47 | 0:12:49 | |
I need you to bring me the trunk with my father's belongings today. | 0:12:52 | 0:12:55 | |
Explain how you will not hang. | 0:12:55 | 0:12:57 | |
Explain to me why you crossed a river to watch me get shot. | 0:12:58 | 0:13:02 | |
It was shallow and I needed a better view. Your turn. | 0:13:05 | 0:13:08 | |
The saltpetre we stole had already been sold to the Royal Navy. | 0:13:10 | 0:13:14 | |
So it belonged to the Crown. | 0:13:18 | 0:13:20 | |
So therefore, the Prince Regent has an excuse to prosecute the Company | 0:13:20 | 0:13:24 | |
for negligence, as the powder was in their charge at the time. | 0:13:24 | 0:13:27 | |
The Company can cause me a lot of difficulties, | 0:13:29 | 0:13:31 | |
but only the King can have me hanged. | 0:13:31 | 0:13:34 | |
The Crown will choose to make a deal. | 0:13:34 | 0:13:36 | |
So I will not hang. | 0:13:37 | 0:13:38 | |
Look, I'm very happy to admit that I don't want James Delaney to die. | 0:13:43 | 0:13:48 | |
But can you also admit that you don't want James Delaney to die? | 0:13:49 | 0:13:52 | |
You'll get me my trunk today. That's your business. | 0:13:52 | 0:13:55 | |
All right? | 0:13:55 | 0:13:56 | |
I don't want James Delaney to die either. | 0:14:09 | 0:14:12 | |
Who are you? | 0:14:13 | 0:14:14 | |
I'm Winter. | 0:14:14 | 0:14:16 | |
They say he's the devil, | 0:14:16 | 0:14:19 | |
but not to me. | 0:14:19 | 0:14:20 | |
He promised to take me to America. | 0:14:22 | 0:14:24 | |
Yeah, if he lives beyond sunset. | 0:14:26 | 0:14:28 | |
SHOUTS: Check the barrels! All of them! | 0:14:30 | 0:14:32 | |
There's got to be something here. | 0:14:32 | 0:14:35 | |
Search everywhere! | 0:14:35 | 0:14:37 | |
Move! Come on! Search the boat. Come on! | 0:14:37 | 0:14:40 | |
Get them off! Come on! | 0:14:40 | 0:14:43 | |
Check below. You, check the bilges. | 0:14:43 | 0:14:46 | |
-There's nothing. -Well, it can't have just vanished. | 0:14:49 | 0:14:51 | |
What's this? | 0:14:51 | 0:14:53 | |
Cellar empty. Apart from rats and river water, sir. | 0:14:55 | 0:14:58 | |
Keep looking! | 0:14:58 | 0:15:00 | |
Carry on. | 0:15:00 | 0:15:01 | |
HE SCREAMS IN PAIN | 0:16:17 | 0:16:19 | |
You've had a fall. | 0:16:31 | 0:16:32 | |
You probably don't remember who you are, so let me remind you. | 0:16:34 | 0:16:37 | |
You've been following me, haven't you? | 0:16:37 | 0:16:41 | |
Now. Are you King or are you Company? Hm? | 0:16:41 | 0:16:46 | |
It doesn't matter. | 0:16:48 | 0:16:50 | |
Now there is nothing up that road for you apart from death | 0:16:53 | 0:16:57 | |
and anybody like you. | 0:16:57 | 0:16:58 | |
So you run along and tell your friends | 0:16:58 | 0:17:00 | |
how you almost lost your heart. | 0:17:00 | 0:17:02 | |
HE SCREAMS | 0:17:06 | 0:17:08 | |
Love thy husband, | 0:17:41 | 0:17:42 | |
look to thy servants, cherish thy guests. | 0:17:42 | 0:17:45 | |
Now, Hal, to the news at court, for the robbery lad. | 0:17:46 | 0:17:51 | |
How is that answered? | 0:17:51 | 0:17:53 | |
How is it answered, Mr Delaney? | 0:17:56 | 0:18:00 | |
The Company is looking. | 0:18:02 | 0:18:04 | |
I think the Prince may be amused. | 0:18:05 | 0:18:07 | |
Hm. | 0:18:09 | 0:18:11 | |
All these chemicals I ingest... | 0:18:11 | 0:18:12 | |
..chase lines of Shakespeare out of me sometimes unbidden. | 0:18:14 | 0:18:17 | |
Which brings me to that rather delightful woman | 0:18:21 | 0:18:24 | |
you were at the party with. | 0:18:24 | 0:18:26 | |
An actress, she told me. | 0:18:26 | 0:18:28 | |
Is she yours or... | 0:18:30 | 0:18:32 | |
..could a chemist call upon her? | 0:18:34 | 0:18:36 | |
For tea or something? | 0:18:38 | 0:18:39 | |
Show me the cargo. | 0:18:45 | 0:18:46 | |
Brace! | 0:19:04 | 0:19:06 | |
Brace, can you come and help me? | 0:19:08 | 0:19:10 | |
What the hell happened here? | 0:19:13 | 0:19:15 | |
Bloody soldiers raided the house. | 0:19:15 | 0:19:17 | |
Did you hear me shouting? | 0:19:19 | 0:19:21 | |
Can't you see I'm busy? | 0:19:22 | 0:19:23 | |
Where's James? | 0:19:29 | 0:19:31 | |
How the hell should I know? | 0:19:31 | 0:19:32 | |
Brace... | 0:19:42 | 0:19:43 | |
..what's the matter? | 0:19:45 | 0:19:47 | |
I thought he'd burned that damned trunk on the foreshore along | 0:19:51 | 0:19:54 | |
with everything else. | 0:19:54 | 0:19:56 | |
It would float. | 0:19:58 | 0:20:00 | |
Slip it into the ebb tide and let the river take it. | 0:20:00 | 0:20:03 | |
Or it could burn. | 0:20:06 | 0:20:07 | |
-Do you know what's inside it? -Aye. | 0:20:08 | 0:20:11 | |
The truth. | 0:20:11 | 0:20:12 | |
If it was up to me, I'd burn it. | 0:20:15 | 0:20:17 | |
Less chance the river might bring it back. | 0:20:18 | 0:20:21 | |
I've asked the Weasel for some sailcloth | 0:20:27 | 0:20:30 | |
to cover it against the rain. | 0:20:30 | 0:20:31 | |
I've already breakfasted on a little of it. | 0:20:34 | 0:20:36 | |
The quality's exceptional. | 0:20:36 | 0:20:39 | |
Almost as good as the bat shit distillations of Burma. | 0:20:39 | 0:20:42 | |
Why don't you just fix the roof? | 0:20:45 | 0:20:47 | |
Because a canvas sheet would protect the powder perfectly well | 0:20:49 | 0:20:52 | |
and be much cheaper. | 0:20:52 | 0:20:53 | |
And you think she's beautiful? | 0:20:56 | 0:20:58 | |
Who? | 0:20:58 | 0:20:59 | |
The actress. | 0:21:01 | 0:21:02 | |
Hm! | 0:21:02 | 0:21:04 | |
Not only is she among the large number of women I would sleep with, | 0:21:04 | 0:21:07 | |
she's also among the much smaller group of women | 0:21:07 | 0:21:09 | |
I would masturbate over. | 0:21:09 | 0:21:11 | |
Well, this is fun, isn't it? | 0:21:15 | 0:21:17 | |
So, can I call on her or not? | 0:21:23 | 0:21:26 | |
No. | 0:21:26 | 0:21:28 | |
So she is yours? | 0:21:28 | 0:21:29 | |
Given the quality of the saltpetre, | 0:21:34 | 0:21:36 | |
how long will it take to make gunpowder? | 0:21:36 | 0:21:38 | |
Four weeks, and I'll need an assistant. | 0:21:38 | 0:21:41 | |
Hm. | 0:21:41 | 0:21:42 | |
DOOR OPENS | 0:21:57 | 0:21:59 | |
I need you... | 0:22:17 | 0:22:18 | |
..to fetch me a ship's sail to cover my delivery. | 0:22:19 | 0:22:22 | |
Go. | 0:22:32 | 0:22:33 | |
Stay. | 0:22:33 | 0:22:34 | |
Sit. Sit there. | 0:22:43 | 0:22:46 | |
I haven't told that boy anything. I didn't think it safe. | 0:22:50 | 0:22:55 | |
The sacks of saltpetre in the barn were stolen. | 0:23:01 | 0:23:04 | |
Why burden him? | 0:23:04 | 0:23:06 | |
They were stolen from the Honourable East India Company. | 0:23:06 | 0:23:10 | |
All right? | 0:23:10 | 0:23:11 | |
Now anybody who knows of its whereabouts but does not report it | 0:23:11 | 0:23:16 | |
is liable to hang. | 0:23:16 | 0:23:18 | |
So, you are now one of us. | 0:23:24 | 0:23:26 | |
Your apprentice. | 0:23:44 | 0:23:45 | |
Lick. | 0:23:56 | 0:23:57 | |
Lick your finger. | 0:23:59 | 0:24:00 | |
Now, gentlemen, before I go on the subject of confidence... | 0:24:32 | 0:24:36 | |
and betrayal, | 0:24:36 | 0:24:38 | |
I hear that the Company are offering £10 for any information. | 0:24:38 | 0:24:43 | |
Hm? | 0:24:43 | 0:24:45 | |
I also know that one of you has already considered collecting. | 0:24:45 | 0:24:52 | |
Let me be very clear. | 0:24:55 | 0:24:57 | |
I know which one of you it is. | 0:24:58 | 0:25:00 | |
And I want you to know that there will be | 0:25:00 | 0:25:03 | |
no place for that man on my ship when we sail to the New World. | 0:25:03 | 0:25:08 | |
Because he will be of no use to me. | 0:25:10 | 0:25:13 | |
He will be of no use. | 0:25:14 | 0:25:17 | |
For he will have no thumb. | 0:25:21 | 0:25:22 | |
HE SCREAMS | 0:25:26 | 0:25:28 | |
Hm? | 0:25:28 | 0:25:29 | |
HE CONTINUES SCREAMING | 0:25:29 | 0:25:32 | |
I am inside your heads, gentlemen. | 0:25:36 | 0:25:38 | |
Always. | 0:25:41 | 0:25:43 | |
£2 for broken doors and smashed windows. | 0:25:56 | 0:25:59 | |
Hm. | 0:25:59 | 0:26:00 | |
Damn soldiers! You owe me Delaney! | 0:26:02 | 0:26:05 | |
Now... | 0:26:07 | 0:26:09 | |
They have reports that say that some of the robbers were women. | 0:26:09 | 0:26:12 | |
But only the Company are aggrieved, | 0:26:14 | 0:26:16 | |
so no-one can take you to the clink or to the poultry tower. | 0:26:16 | 0:26:20 | |
So, if a Company man comes calling, | 0:26:20 | 0:26:25 | |
they have no legal jurisdiction. | 0:26:25 | 0:26:27 | |
So you get word to me. | 0:26:29 | 0:26:30 | |
And I will deal with it. In my way. | 0:26:35 | 0:26:37 | |
And in return... | 0:26:39 | 0:26:40 | |
..you choose. | 0:26:44 | 0:26:45 | |
Ah! | 0:27:00 | 0:27:03 | |
James Delaney is laughing at us. | 0:27:03 | 0:27:06 | |
The Crown, Coop, the Prince, all sniggering at us. | 0:27:06 | 0:27:12 | |
Talk of prosecutions for negligence, investigations... | 0:27:14 | 0:27:20 | |
..talk of complicity, | 0:27:21 | 0:27:24 | |
and all the while, sniggering behind our backs. | 0:27:24 | 0:27:29 | |
Can you hear it? Coming from down from Regent Street? | 0:27:29 | 0:27:32 | |
Well, we know who. We know why. | 0:27:32 | 0:27:35 | |
We just have to find out where. | 0:27:35 | 0:27:39 | |
And we can use every resource we have. Every resource. | 0:27:39 | 0:27:44 | |
We are richer than God. | 0:27:44 | 0:27:46 | |
I blaspheme with impunity because the Company is at my heel. | 0:27:46 | 0:27:52 | |
Now, we've screwed Maharajas, we've screwed moguls, | 0:27:55 | 0:27:59 | |
and this man... | 0:27:59 | 0:28:00 | |
this man is merely a London mongrel. | 0:28:00 | 0:28:04 | |
So... | 0:28:05 | 0:28:07 | |
Come on! Ideas? | 0:28:11 | 0:28:14 | |
GRUNTING | 0:28:22 | 0:28:23 | |
Who's helping Delaney? | 0:28:29 | 0:28:31 | |
Quick, Bill! It's Pearl. | 0:28:32 | 0:28:34 | |
Where's he making the powder? | 0:28:35 | 0:28:37 | |
He'll be East fucking India. | 0:28:41 | 0:28:42 | |
Let it be known along the Wapping Wall, | 0:29:04 | 0:29:06 | |
it was the work of the devil Delaney. | 0:29:06 | 0:29:09 | |
Ready? Good boy. | 0:29:59 | 0:30:02 | |
What the hell are you doing here, | 0:30:12 | 0:30:14 | |
at whatever the hell time of night it is? | 0:30:14 | 0:30:16 | |
I thought I heard an explosion. | 0:30:18 | 0:30:20 | |
No. | 0:30:21 | 0:30:23 | |
All is well. | 0:30:24 | 0:30:25 | |
Be careful. | 0:30:29 | 0:30:30 | |
Making gunpowder and being careful are good bedfellows. | 0:30:35 | 0:30:39 | |
What? What do you see? | 0:30:49 | 0:30:51 | |
He's just scared of you. | 0:30:57 | 0:30:58 | |
Everybody's scared of you. | 0:31:01 | 0:31:03 | |
Thankfully. | 0:31:06 | 0:31:07 | |
Did you find out how much the Company are offering as reward? | 0:31:12 | 0:31:15 | |
Work faster. | 0:31:17 | 0:31:19 | |
Steady as we go. | 0:31:27 | 0:31:28 | |
Good boy. | 0:31:32 | 0:31:33 | |
What the hell are you doing? | 0:32:18 | 0:32:19 | |
No! | 0:32:22 | 0:32:25 | |
The letters your father wrote to you are beautiful. | 0:32:25 | 0:32:28 | |
Oh. How would you know that? | 0:32:28 | 0:32:31 | |
Because I read them. Have you even looked at them? | 0:32:31 | 0:32:34 | |
No. | 0:32:34 | 0:32:35 | |
Pictures and paintings from all over the world. | 0:32:37 | 0:32:40 | |
The oil in the paint is burning very nicely, thank you. | 0:32:42 | 0:32:45 | |
I am looking for a particular document. | 0:32:49 | 0:32:53 | |
A treaty. That is all. | 0:32:53 | 0:32:56 | |
A treaty between my father and the Nootka Indian tribe. | 0:32:56 | 0:33:02 | |
A treaty in which Nootka land was bought for gunpowder... | 0:33:02 | 0:33:07 | |
and lies! | 0:33:07 | 0:33:09 | |
Along with my mother. | 0:33:11 | 0:33:12 | |
His first wife. | 0:33:16 | 0:33:17 | |
Who he bought for beads. | 0:33:20 | 0:33:22 | |
And when his wife would not play the Spanish princess | 0:33:30 | 0:33:34 | |
or the Italian countess, | 0:33:34 | 0:33:37 | |
whatever it was she refused to play... | 0:33:37 | 0:33:39 | |
..he had her sent to Bedlam Insane Asylum. | 0:33:42 | 0:33:44 | |
Ohhh... | 0:33:49 | 0:33:50 | |
Have you never bought a soul for beads? | 0:34:06 | 0:34:09 | |
I'm told Your Majesty has some paperwork regarding the East India? | 0:34:55 | 0:35:00 | |
Ah! | 0:35:00 | 0:35:01 | |
Some little Scotsman in the War Office | 0:35:03 | 0:35:05 | |
who wants to crawl up my arse | 0:35:05 | 0:35:07 | |
dug it up and brought it to me. | 0:35:07 | 0:35:09 | |
In time of war, a failure to secure His Majesty's gunpowder against | 0:35:11 | 0:35:15 | |
the enemy is a criminal offence, and the same goes for saltpetre. | 0:35:15 | 0:35:20 | |
-You wish to charge the East India with negligence? -Worse. | 0:35:20 | 0:35:23 | |
We could allege potential complicity within the organisation. | 0:35:23 | 0:35:26 | |
Then we can send in inspectors. We need to shake the impasse. | 0:35:26 | 0:35:30 | |
Why do you always look down your nose at my plans? | 0:35:35 | 0:35:38 | |
I'm not. We should prosecute over the lost saltpetre. | 0:35:38 | 0:35:43 | |
HE CHUCKLES | 0:35:43 | 0:35:45 | |
You are jealous of the little Scotsman. | 0:35:45 | 0:35:48 | |
No, Your Highness. | 0:35:52 | 0:35:53 | |
So... | 0:35:53 | 0:35:54 | |
Improve on the little Scotsman. | 0:35:54 | 0:35:57 | |
Oh. A charge of negligence would be action against the Company. | 0:35:57 | 0:36:04 | |
And Strange would be able to accommodate it | 0:36:04 | 0:36:08 | |
or allocate blame as he chooses. | 0:36:08 | 0:36:11 | |
A warehouseman or two would hang. | 0:36:11 | 0:36:14 | |
I have begun to believe that it might be more effective | 0:36:15 | 0:36:19 | |
if we went after Sir Stuart himself. | 0:36:19 | 0:36:22 | |
The night of the robbery I... | 0:36:25 | 0:36:28 | |
I found these... | 0:36:28 | 0:36:30 | |
in a bottom drawer. | 0:36:30 | 0:36:32 | |
HE GRUNTS | 0:36:42 | 0:36:44 | |
Who the devil is George Chichester? | 0:36:46 | 0:36:48 | |
The Sons of Africa? | 0:36:52 | 0:36:54 | |
Excuse me, sir. Sir! | 0:37:02 | 0:37:04 | |
No-one is allowed in here. | 0:37:04 | 0:37:06 | |
There's been an outbreak of cholera. | 0:37:06 | 0:37:08 | |
I am immune. | 0:37:08 | 0:37:11 | |
Tell your doctor I'll be waiting for him downstairs. | 0:37:11 | 0:37:14 | |
FOOTSTEPS ON STAIRS | 0:37:18 | 0:37:20 | |
Personally, I question the miasmatic theory of cholera, | 0:37:27 | 0:37:32 | |
but even so, it's wise to take precautions. | 0:37:32 | 0:37:34 | |
I'm assuming this disease is of your own making? | 0:37:34 | 0:37:37 | |
So many soldiers and Company men treading heavily in your footsteps, | 0:37:39 | 0:37:43 | |
I thought I'd make this place a little less attractive to them. | 0:37:43 | 0:37:47 | |
That's why we've also moved down here. | 0:37:47 | 0:37:49 | |
I'm busy. What do you want? | 0:37:53 | 0:37:55 | |
You have something I need. | 0:37:57 | 0:37:59 | |
The blockade at Sligo, running short of gunpowder. | 0:38:02 | 0:38:06 | |
The Irish are being prevented from running fishing boats. | 0:38:06 | 0:38:09 | |
The bellmen and the newspapers tell me there's a new source | 0:38:13 | 0:38:15 | |
of prime-grade powder in town. | 0:38:15 | 0:38:17 | |
No royal charter required. | 0:38:17 | 0:38:19 | |
I'm afraid I don't have any powder. | 0:38:21 | 0:38:23 | |
You ride the Hendon road three miles. | 0:38:26 | 0:38:29 | |
There is a pond called The Source. | 0:38:29 | 0:38:31 | |
Beyond that, an area of low land. | 0:38:31 | 0:38:33 | |
Hatchett's Ground they call it. A tannery. | 0:38:33 | 0:38:38 | |
A windmill. | 0:38:38 | 0:38:39 | |
And hidden just behind that, a cattle farm with a water wheel. | 0:38:39 | 0:38:44 | |
No organisation is watertight, James. | 0:38:47 | 0:38:49 | |
You're just lucky it's our pot | 0:38:50 | 0:38:52 | |
the informant pissed in and not the Company's. | 0:38:52 | 0:38:55 | |
Though, we do offer better rewards. | 0:38:55 | 0:38:57 | |
Our guns will fall silent in ten days. | 0:38:59 | 0:39:02 | |
We need powder in eight. | 0:39:02 | 0:39:04 | |
-That's not possible. -Yes, it is. | 0:39:04 | 0:39:06 | |
Ask your chemist. | 0:39:08 | 0:39:09 | |
Mr Cholmondeley. | 0:39:10 | 0:39:12 | |
Ask him about the French experiment. | 0:39:13 | 0:39:15 | |
The French experiment was - how can I put it? - | 0:39:21 | 0:39:23 | |
entirely French in conception and execution. | 0:39:23 | 0:39:26 | |
And therefore a total disaster. | 0:39:26 | 0:39:29 | |
It was John Company, I think, and the King who'd just attacked | 0:39:29 | 0:39:33 | |
Mauritius, and the French needed powder in a hurry. | 0:39:33 | 0:39:36 | |
So the foolish fucking French added chlorate to the mix. | 0:39:36 | 0:39:40 | |
And? | 0:39:43 | 0:39:44 | |
Well, viewed purely from the standpoint of making gunpowder | 0:39:45 | 0:39:48 | |
very fast, it was a wild success. | 0:39:48 | 0:39:51 | |
However, if you add chlorate, | 0:39:54 | 0:39:57 | |
you have to stir and stir | 0:39:57 | 0:40:00 | |
and stir, and not stop stirring | 0:40:00 | 0:40:03 | |
round the clock. | 0:40:03 | 0:40:05 | |
You need shifts. And men. | 0:40:05 | 0:40:07 | |
And even with the constant, careful stirring, | 0:40:07 | 0:40:11 | |
even then, even if you do everything correctly to the finest degree, | 0:40:11 | 0:40:15 | |
still, potentially... | 0:40:15 | 0:40:17 | |
boom! | 0:40:17 | 0:40:19 | |
As in your premonition. | 0:40:22 | 0:40:23 | |
The French, blew Mauritius | 0:40:26 | 0:40:29 | |
almost in half. | 0:40:29 | 0:40:30 | |
And where do we get this chlorate? | 0:40:35 | 0:40:36 | |
HE LAUGHS No, no, no. | 0:40:36 | 0:40:39 | |
You need to ask a far more important question, | 0:40:39 | 0:40:41 | |
which is, where will you get a chemist insane enough to work | 0:40:41 | 0:40:44 | |
for you if you decide to add fucking chlorate to these vats? | 0:40:44 | 0:40:47 | |
We either get the chlorate, or we will all hang in about eight days. | 0:40:49 | 0:40:52 | |
You'd risk the life of your son for chlorate? | 0:41:02 | 0:41:05 | |
He is, isn't he? | 0:41:08 | 0:41:09 | |
Mm-hm. | 0:41:12 | 0:41:13 | |
They have your name, Mr Cholmondeley. | 0:41:15 | 0:41:19 | |
They have your name, | 0:41:21 | 0:41:23 | |
and you will be first on the list of their conspirators. | 0:41:23 | 0:41:26 | |
How do they know so much? | 0:41:28 | 0:41:30 | |
Hm. | 0:41:32 | 0:41:33 | |
Get the chlorate. | 0:41:35 | 0:41:37 | |
Yes? | 0:41:37 | 0:41:39 | |
I will get you men. | 0:41:39 | 0:41:40 | |
DOOR OPENS | 0:42:00 | 0:42:01 | |
James... | 0:42:11 | 0:42:13 | |
SHE BREATHES HEAVILY | 0:42:17 | 0:42:19 | |
You said his name! | 0:42:32 | 0:42:33 | |
In your sleep. | 0:42:35 | 0:42:36 | |
You said his name. | 0:42:37 | 0:42:39 | |
YOU said his name! | 0:42:41 | 0:42:44 | |
Get him out. | 0:42:44 | 0:42:46 | |
I want him out. | 0:42:46 | 0:42:48 | |
Out! Get him out. Out! | 0:42:48 | 0:42:52 | |
That's right, good girl. Spit him out, spit, spit, spit him out... | 0:42:56 | 0:43:01 | |
No, no! No! | 0:43:15 | 0:43:18 | |
SHE SCREAMS | 0:43:18 | 0:43:20 | |
No, no, no! | 0:43:22 | 0:43:24 | |
Ah! | 0:43:24 | 0:43:26 | |
You need a priest, my dear. | 0:43:43 | 0:43:46 | |
SHE GRUNTS | 0:43:47 | 0:43:49 | |
Come. | 0:43:58 | 0:44:00 | |
Mr George Chichester, Esquire. | 0:44:00 | 0:44:02 | |
I don't. | 0:44:18 | 0:44:19 | |
In the day? | 0:44:19 | 0:44:21 | |
Or the night. | 0:44:21 | 0:44:22 | |
For nine years, Mr Chichester, | 0:44:42 | 0:44:44 | |
you have been writing to my office on an annual basis. | 0:44:44 | 0:44:48 | |
Every year, July 10th. | 0:44:49 | 0:44:53 | |
July 20th is the anniversary of the sinking... | 0:44:53 | 0:44:55 | |
Of the sinking of the sloop The Influence. | 0:44:55 | 0:44:58 | |
Not the ship's real name, of course. | 0:44:58 | 0:45:01 | |
Its name was changed and papers altered when it took on human cargo | 0:45:01 | 0:45:06 | |
in the port of Cabinda. | 0:45:06 | 0:45:08 | |
280 souls. | 0:45:10 | 0:45:12 | |
120 men, | 0:45:14 | 0:45:16 | |
-84 women.... -Yes, yes, and what is it...? -And... | 0:45:16 | 0:45:20 | |
What is your...? | 0:45:20 | 0:45:21 | |
And, sir... | 0:45:21 | 0:45:24 | |
..76 children. | 0:45:26 | 0:45:28 | |
All lost. | 0:45:31 | 0:45:33 | |
Drowned. | 0:45:33 | 0:45:34 | |
And what is your interest in the sinking? | 0:45:37 | 0:45:40 | |
Did you have relatives aboard? | 0:45:40 | 0:45:43 | |
HE LAUGHS | 0:45:43 | 0:45:45 | |
Mr Coop, | 0:45:47 | 0:45:49 | |
even though I am black, | 0:45:49 | 0:45:51 | |
I am not related by blood to every slave stolen from Africa. | 0:45:51 | 0:45:55 | |
So, The Sons of Africa. You write on their behalf. | 0:46:04 | 0:46:08 | |
I write on behalf of humanity. | 0:46:08 | 0:46:10 | |
As a man concerned with injustice. | 0:46:12 | 0:46:15 | |
Against your people. | 0:46:15 | 0:46:16 | |
Against people. | 0:46:16 | 0:46:18 | |
For nine years, you have been campaigning for a Royal Commission | 0:46:21 | 0:46:24 | |
to investigate the drowning of these 280 slaves, | 0:46:24 | 0:46:32 | |
which you say was done deliberately. | 0:46:32 | 0:46:34 | |
It is my belief that some very powerful men in London | 0:46:35 | 0:46:40 | |
were involved in an illicit shipment of slaves for personal profit... | 0:46:40 | 0:46:44 | |
..were complicit in the deaths of those slaves | 0:46:45 | 0:46:48 | |
and in the subsequent concealment of the facts. | 0:46:48 | 0:46:50 | |
And you believe that those men are senior directors | 0:46:50 | 0:46:54 | |
within the Honourable East India Company? | 0:46:54 | 0:46:57 | |
Yes, I do. | 0:46:57 | 0:46:58 | |
Well then, Mr Chichester, I have some good news for you. | 0:47:01 | 0:47:04 | |
From the Prince Regent himself. | 0:47:10 | 0:47:12 | |
HE SIGHS | 0:47:33 | 0:47:35 | |
Wilton! | 0:47:38 | 0:47:39 | |
To be continued, gentlemen. | 0:47:39 | 0:47:41 | |
Did you receive the box of bananas I sent you... | 0:47:42 | 0:47:46 | |
You will improve your game. | 0:47:47 | 0:47:49 | |
You have to improve your fucking game! | 0:47:49 | 0:47:52 | |
Those bastards at the palace | 0:47:54 | 0:47:56 | |
have opened a royal commission into the sinking of The Influence. | 0:47:56 | 0:48:01 | |
The-The-The Influence? Why? | 0:48:01 | 0:48:03 | |
Well, it's a personal campaign. A stab in my ribs. | 0:48:03 | 0:48:07 | |
Now, you will deal with it. | 0:48:08 | 0:48:10 | |
Hm? You and the Africa Desk. Hm? | 0:48:10 | 0:48:14 | |
A commission is not the King, so they can't subpoena, | 0:48:14 | 0:48:18 | |
so you will deal with it and treat them with disbelief. | 0:48:18 | 0:48:22 | |
They have appointed some educated blackamoor to prepare the evidence. | 0:48:23 | 0:48:28 | |
Now, you take your coat off, | 0:48:28 | 0:48:31 | |
go into your office and you write to him. | 0:48:31 | 0:48:35 | |
Offer him "full and unfettered co-operation" | 0:48:35 | 0:48:38 | |
on behalf of the Honourable East India. | 0:48:38 | 0:48:41 | |
No, no, no. "Full and willing cooperation." | 0:48:41 | 0:48:46 | |
Yes, sir. | 0:48:46 | 0:48:48 | |
And then...I will tell you which papers to burn. | 0:48:48 | 0:48:53 | |
Sir. | 0:48:54 | 0:48:56 | |
KNOCK ON DOOR | 0:49:06 | 0:49:08 | |
There is a Mr Delaney to see you, madam. | 0:49:11 | 0:49:13 | |
He's come from the river. He's in the garden. | 0:49:13 | 0:49:17 | |
If it's someone you fuck, please check if he came from east or west. | 0:49:18 | 0:49:23 | |
In the east, there is cholera. | 0:49:23 | 0:49:24 | |
You can catch it from fucking. | 0:49:24 | 0:49:26 | |
It isn't. And there isn't. | 0:49:26 | 0:49:30 | |
And you can't. | 0:49:30 | 0:49:31 | |
I will have your gunpowder in eight days. | 0:49:43 | 0:49:45 | |
Powder? | 0:49:46 | 0:49:48 | |
Yes. | 0:49:48 | 0:49:49 | |
Dumbarton said the need was very urgent. | 0:49:49 | 0:49:52 | |
Then it must indeed be urgent. | 0:49:54 | 0:49:57 | |
Hm. | 0:49:57 | 0:49:58 | |
If your business is not gunpowder, what is it? | 0:49:59 | 0:50:02 | |
My business is the deal. | 0:50:02 | 0:50:04 | |
I sent word of your offer, | 0:50:04 | 0:50:06 | |
with my own recommendation that we accept. | 0:50:06 | 0:50:08 | |
Accept what? | 0:50:08 | 0:50:10 | |
Nootka landing ground in return for the tea trade to Canton. | 0:50:10 | 0:50:14 | |
Hm. | 0:50:14 | 0:50:16 | |
And safe passage through your blockade. | 0:50:16 | 0:50:18 | |
But you must assign the treaty before you leave London. | 0:50:20 | 0:50:23 | |
Hmm! Well, that would require me to trust you. | 0:50:23 | 0:50:26 | |
Based on mutual self-interest. | 0:50:28 | 0:50:31 | |
Trust requires a little time. | 0:50:33 | 0:50:34 | |
Something we have very little of, Mr Delaney. | 0:50:40 | 0:50:42 | |
What's this? | 0:50:55 | 0:50:56 | |
-A book from a Mr Cholmondeley for Miss Bow. -Hm. | 0:50:59 | 0:51:02 | |
It came by post, with a letter. | 0:51:02 | 0:51:04 | |
-She obviously has an admirer. -Hm. | 0:51:08 | 0:51:11 | |
She asked me a lot of questions today. | 0:51:14 | 0:51:17 | |
And did you give her a lot of answers? | 0:51:17 | 0:51:19 | |
I told her nothing. | 0:51:22 | 0:51:23 | |
And yet, you have so much to tell. | 0:51:25 | 0:51:27 | |
FOOTSTEPS APPROACH | 0:51:27 | 0:51:28 | |
Oh, we need some more coal for my fireplace. It's freezing! | 0:51:28 | 0:51:32 | |
Why would we do that? This is the Delaney household. | 0:51:32 | 0:51:36 | |
We have no warmth here. | 0:51:36 | 0:51:37 | |
Mr Cholmondeley is not a suitable man for you. | 0:51:41 | 0:51:43 | |
Oh, no, no absolutely not. He's... | 0:51:43 | 0:51:47 | |
You must keep him all to yourself. | 0:51:49 | 0:51:52 | |
I shan't hinder your advances. | 0:51:53 | 0:51:55 | |
Zilpha. My love. My love. | 0:52:16 | 0:52:19 | |
This is a holy man of God. | 0:52:23 | 0:52:27 | |
He's practised in removing and discouraging demons. | 0:52:27 | 0:52:32 | |
Your husband reports a Barbason has been visiting you. | 0:52:33 | 0:52:37 | |
There is a ceremony of exorcism | 0:52:37 | 0:52:39 | |
which can eradicate the Barbason. | 0:52:39 | 0:52:42 | |
It's a very short process. And quite inexpensive. | 0:52:42 | 0:52:45 | |
I told the Priest how he visits you. | 0:52:45 | 0:52:47 | |
No. | 0:52:50 | 0:52:52 | |
-He visits you. -No, no... -He visits you. | 0:52:52 | 0:52:54 | |
No! No! Don't touch me. | 0:52:54 | 0:52:55 | |
-Will you at least acknowledge that...? -YELLS: Go to hell! | 0:52:55 | 0:52:59 | |
Goodness. A slight thing she is, but fearful! | 0:52:59 | 0:53:02 | |
Yes, I see it. I see it. | 0:53:04 | 0:53:06 | |
Is there somewhere we can pin her down? | 0:53:06 | 0:53:09 | |
Stop! Stop! | 0:53:09 | 0:53:10 | |
-SHE SCREAMS -Exi ergo, transgressor. | 0:53:10 | 0:53:13 | |
Exi, seductor, plene omni dolo et fallacia. | 0:53:13 | 0:53:16 | |
E virtutis inimici, innocentium persecutor. Eda locum, | 0:53:16 | 0:53:18 | |
dirissime, da locum, impiissime Eda locum Christo, | 0:53:18 | 0:53:20 | |
in quo nihil invenisti de operibus tuis - | 0:53:20 | 0:53:26 | |
qui te spoliavit Equi regnum tuum destruxit, | 0:53:26 | 0:53:32 | |
qui te victum ligavit, | 0:53:32 | 0:53:37 | |
et vasa tua diripuit. | 0:53:37 | 0:53:44 | |
You see those blemishes? | 0:53:44 | 0:53:49 | |
It is the evil coming to the surface. | 0:53:49 | 0:53:52 | |
It's almost done, my love. | 0:53:56 | 0:53:57 | |
Exi ergo, transgressor. | 0:53:57 | 0:54:01 | |
Exi, seductor, plene omni dolo et fallacia, virtutis inimici, | 0:54:01 | 0:54:04 | |
innocentium persecutor. | 0:54:04 | 0:54:06 | |
Da locum, dirissime, da locum, impiissime. | 0:54:06 | 0:54:11 | |
In nomine Patris, | 0:54:11 | 0:54:14 | |
et Filii, | 0:54:14 | 0:54:16 | |
et Spiritus Sancti. | 0:54:16 | 0:54:19 | |
Amen. | 0:54:28 | 0:54:30 | |
Amen. | 0:54:31 | 0:54:32 | |
Can we untie her now? | 0:54:38 | 0:54:40 | |
Leave her a few moments. | 0:54:41 | 0:54:43 | |
Let her reflect...and recover. | 0:54:44 | 0:54:48 | |
Will you come to bed? | 0:55:33 | 0:55:34 | |
Yes, of course. I'll be up in just a moment. | 0:55:35 | 0:55:38 | |
Teach me. | 0:56:07 | 0:56:08 | |
Guide me. | 0:56:14 | 0:56:15 | |
Zilpha? | 0:56:28 | 0:56:29 |