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-I'm planning a robbery. -'Ingredients for making gunpowder stolen from under the Company's noses.' | 0:00:02 | 0:00:05 | |
Failure to secure His Majesty's gunpowder against the enemy is a criminal offence. | 0:00:05 | 0:00:09 | |
It might be more effective if we went after Sir Stuart himself. | 0:00:09 | 0:00:14 | |
Those bastards at the Palace have opened | 0:00:14 | 0:00:17 | |
a Royal Commission into the sinking of the Influence. | 0:00:17 | 0:00:20 | |
It is my belief that some very powerful men | 0:00:20 | 0:00:22 | |
were involved in an illicit shipment of slaves | 0:00:22 | 0:00:25 | |
and were complicit in the deaths of those slaves. | 0:00:25 | 0:00:27 | |
The bellmen and the newspapers | 0:00:27 | 0:00:29 | |
tell me there's a new source of prime grade powder in town. | 0:00:29 | 0:00:32 | |
Our guns will fall silent in ten days. | 0:00:32 | 0:00:33 | |
We need the powder in eight. | 0:00:33 | 0:00:35 | |
I need more gunpowder. | 0:00:35 | 0:00:37 | |
You'd risk the life of your son for chlorate? | 0:00:37 | 0:00:39 | |
You are now one of us. | 0:00:39 | 0:00:41 | |
Why burden him? | 0:00:41 | 0:00:42 | |
Please understand that, from this moment, | 0:00:42 | 0:00:44 | |
I will burn your letters without opening them. | 0:00:44 | 0:00:46 | |
Then I will visit you in your dreams. | 0:00:46 | 0:00:49 | |
James... | 0:00:49 | 0:00:50 | |
I told the Priest how he visits you. | 0:00:50 | 0:00:52 | |
There is a ceremony of exorcism, which can eradicate the Barbason. | 0:00:52 | 0:00:56 | |
My mother's name was Salish. | 0:00:56 | 0:00:59 | |
My father had her sent to Bedlam insane asylum. | 0:00:59 | 0:01:03 | |
This programme contains some strong language and scenes which some viewers may find disturbing. | 0:01:05 | 0:01:11 | |
FOOTSTEPS | 0:02:23 | 0:02:26 | |
DOOR SLAMS, SHE GASPS | 0:02:27 | 0:02:29 | |
Mooning about in the chill. Staring into your head. | 0:02:30 | 0:02:33 | |
You're as bad as your da. | 0:02:35 | 0:02:37 | |
My father cast my mother into madness, | 0:02:38 | 0:02:41 | |
then jumped in straight after. | 0:02:41 | 0:02:43 | |
He's scarcely a man to follow. | 0:02:43 | 0:02:45 | |
He was a good man. | 0:02:45 | 0:02:47 | |
Yes. | 0:02:47 | 0:02:48 | |
Yes, a good man who killed his wife for convenience. | 0:02:49 | 0:02:52 | |
You know nothing. | 0:02:55 | 0:02:57 | |
Always cow-eyed about your sainted mother. | 0:02:58 | 0:03:01 | |
Or maybe it's about time you know about your mother. | 0:03:02 | 0:03:05 | |
I do. | 0:03:07 | 0:03:08 | |
Do you know she took you down to the river to drown you? | 0:03:11 | 0:03:14 | |
Carried you across the foreshore. A tiny baby in her arms. | 0:03:14 | 0:03:17 | |
Innocent and sweet. She waded in. | 0:03:17 | 0:03:20 | |
Held you under, until the bubbles stopped! | 0:03:20 | 0:03:22 | |
She was deranged, James! | 0:03:23 | 0:03:25 | |
That's why your father had her committed to Bedlam. To protect you. | 0:03:26 | 0:03:30 | |
To save your life, son. Desperate for your death! | 0:03:30 | 0:03:33 | |
It took three men to pull you apart. | 0:03:35 | 0:03:37 | |
She was clawing and spitting, | 0:03:37 | 0:03:40 | |
dragged from the river howling and screaming! | 0:03:40 | 0:03:41 | |
Be very, very careful now! | 0:03:41 | 0:03:45 | |
She wanted you dead, James. | 0:03:48 | 0:03:50 | |
DOOR CLOSES | 0:04:11 | 0:04:13 | |
FAINT VOICES CRYING OUT | 0:05:01 | 0:05:05 | |
Go away, Winter. | 0:05:40 | 0:05:41 | |
I'm not scared of you. | 0:05:46 | 0:05:47 | |
What are you scared of? | 0:05:53 | 0:05:55 | |
Of who they say you are. | 0:05:55 | 0:05:57 | |
The African devil. | 0:05:57 | 0:05:58 | |
HE SPEAKS IN TWI | 0:06:13 | 0:06:16 | |
Stop staring. You're scaring me. | 0:06:23 | 0:06:25 | |
Go home to your mother. | 0:06:32 | 0:06:35 | |
Helga loves you. You're safe there. Go to sleep. | 0:06:35 | 0:06:39 | |
All will be well. | 0:06:39 | 0:06:41 | |
Go. | 0:06:41 | 0:06:42 | |
Gentlemen, I want you to pay attention, | 0:06:59 | 0:07:01 | |
because all our lives will depend upon it. | 0:07:01 | 0:07:04 | |
This harmless-looking powder... | 0:07:06 | 0:07:09 | |
..is called chlorate. | 0:07:10 | 0:07:11 | |
And on its own, it is harmless. | 0:07:12 | 0:07:15 | |
But when it is added to the sulphur and charcoal in our vats, | 0:07:15 | 0:07:18 | |
it is anything but. | 0:07:18 | 0:07:19 | |
Think of it as like adding a baby to a marriage. | 0:07:21 | 0:07:24 | |
All was ordered and calm and now there is this thing | 0:07:25 | 0:07:30 | |
that demands attention. | 0:07:30 | 0:07:32 | |
Stops you sleeping, belches, farts, screams... | 0:07:32 | 0:07:37 | |
and she's going to make this whole process louder and wilder, | 0:07:37 | 0:07:41 | |
more insane, more impractical... | 0:07:41 | 0:07:43 | |
..and the only thing that will stop this entire enterprise | 0:07:46 | 0:07:49 | |
from erupting in a giant explosion the size of Mauritius is this... | 0:07:49 | 0:07:55 | |
..and dedication. | 0:07:57 | 0:07:59 | |
Because, from now on, until the powder is complete, we have to stir. | 0:08:00 | 0:08:05 | |
Continuously! | 0:08:07 | 0:08:09 | |
You. | 0:08:10 | 0:08:11 | |
You. | 0:08:12 | 0:08:14 | |
And Robert. | 0:08:18 | 0:08:19 | |
Stir. | 0:08:27 | 0:08:28 | |
Stir. | 0:08:30 | 0:08:31 | |
Stir. | 0:08:38 | 0:08:39 | |
Frightened rabbit. | 0:08:51 | 0:08:53 | |
Go to hell. | 0:08:54 | 0:08:56 | |
He is African. | 0:08:56 | 0:08:57 | |
They smell fear like dogs. | 0:08:57 | 0:09:01 | |
He's a trumped-up fucking... | 0:09:01 | 0:09:03 | |
..antiquarian. | 0:09:04 | 0:09:05 | |
Self-learnt. The worst. | 0:09:07 | 0:09:10 | |
Busiest in the head. Doesn't drink. | 0:09:10 | 0:09:13 | |
They should not be dropping him on us like a black cannonball. | 0:09:13 | 0:09:16 | |
-DOOR OPENS -Mr George Chichester. | 0:09:16 | 0:09:19 | |
Ah. | 0:09:19 | 0:09:21 | |
Gentlemen. How good of you to see me. | 0:09:21 | 0:09:25 | |
You can mystify it all you want, but in the end, that is what it is. | 0:09:27 | 0:09:31 | |
A cat in the middle of the desert, with no nose. | 0:09:31 | 0:09:35 | |
THEY LAUGH | 0:09:35 | 0:09:38 | |
But what...what an extraordinary achievement, gentlemen. | 0:09:38 | 0:09:42 | |
When you think that the pyramids and the great Valley Of The Kings | 0:09:42 | 0:09:47 | |
and the Sphinx were all manufactured by men | 0:09:47 | 0:09:50 | |
with skin almost as dark as my own. | 0:09:50 | 0:09:53 | |
It almost defies all your - our - current views of nature. | 0:09:56 | 0:10:01 | |
THEY CHUCKLE | 0:10:01 | 0:10:04 | |
You are very well travelled, sir. | 0:10:04 | 0:10:06 | |
I just wish I had seen those wonders without the benefit of chains | 0:10:07 | 0:10:11 | |
around my arms and legs. | 0:10:11 | 0:10:13 | |
Which brings me to this tragic business. | 0:10:15 | 0:10:17 | |
I have prevailed upon the Prince Regent to open | 0:10:19 | 0:10:23 | |
a Royal Commission into the sinking of an East India Company ship | 0:10:23 | 0:10:27 | |
called the Cornwallis on July 10th, 1804. | 0:10:27 | 0:10:31 | |
The Cornwallis? | 0:10:33 | 0:10:34 | |
I thought the name of the ship in question was the Influence. | 0:10:36 | 0:10:40 | |
Its real name is the Cornwallis. | 0:10:40 | 0:10:42 | |
But in the port of Cabinda on the West African coast, | 0:10:42 | 0:10:46 | |
its name was temporarily changed. | 0:10:46 | 0:10:49 | |
But wh-wh-why... wh-why was its name changed? | 0:10:49 | 0:10:52 | |
Because, on July the 5th, it was loaded with a cargo of slaves. | 0:10:52 | 0:10:56 | |
Which is strictly not illegal in 1804. | 0:10:59 | 0:11:02 | |
No. No. No. | 0:11:02 | 0:11:04 | |
But the return of the abolitionist Charles Grant into | 0:11:04 | 0:11:08 | |
the East India Court of Directors almost a year previously meant that | 0:11:08 | 0:11:14 | |
the East India no longer sanctioned the transportation of slaves. | 0:11:14 | 0:11:18 | |
But these slaves were loaded by East India Company directors anyway. | 0:11:18 | 0:11:24 | |
As part of a thriving illicit network. | 0:11:25 | 0:11:29 | |
It was done for personal profit. | 0:11:29 | 0:11:31 | |
The ship was officially registered as departing Cabinda empty. | 0:11:32 | 0:11:36 | |
That is why it sailed with only a skeleton crew. | 0:11:38 | 0:11:41 | |
And this scarcity of crew is almost certainly the reason why, | 0:11:42 | 0:11:48 | |
within four days, | 0:11:48 | 0:11:51 | |
the ship ran aground. | 0:11:51 | 0:11:53 | |
WOMAN'S LAUGHTER | 0:12:58 | 0:13:01 | |
Help yourself to breakfast. | 0:13:55 | 0:13:57 | |
It's been two days. | 0:14:06 | 0:14:08 | |
Why are you not looking for him? | 0:14:10 | 0:14:11 | |
We had words. | 0:14:15 | 0:14:16 | |
What words? | 0:14:16 | 0:14:18 | |
A family matter. | 0:14:20 | 0:14:21 | |
Well, I-I shall call on Mr Thoyt. | 0:14:24 | 0:14:25 | |
Perhaps we can glean some knowledge from him. | 0:14:25 | 0:14:28 | |
Oh, if there's any darkness, that articled pimp will know about it. | 0:14:28 | 0:14:32 | |
And then I intend to visit Zilpha Geary. | 0:14:32 | 0:14:34 | |
Why are you not worried? | 0:14:37 | 0:14:39 | |
He won't be dead, | 0:14:41 | 0:14:43 | |
and he won't be happy. | 0:14:43 | 0:14:45 | |
You can depend on that. | 0:14:45 | 0:14:47 | |
MEN GRUNT AND SHOUT | 0:14:53 | 0:14:56 | |
HE LAUGHS | 0:15:07 | 0:15:08 | |
MAN: Open up! KNOCKING | 0:15:11 | 0:15:13 | |
Open the door, we know you're in there! | 0:15:13 | 0:15:15 | |
-Darlin'? -What do you want? | 0:15:15 | 0:15:17 | |
COUGHING | 0:15:17 | 0:15:19 | |
DOG BARKS | 0:15:28 | 0:15:30 | |
James Delaney? | 0:15:39 | 0:15:40 | |
He then said the ship was doubly overburdened. | 0:15:47 | 0:15:50 | |
280 slaves in a ship of 150 tonnes. | 0:15:50 | 0:15:53 | |
The blackamoor then claimed that, when the ship ran aground, | 0:15:53 | 0:15:57 | |
the Captain ordered that the cargo hold be nailed shut. | 0:15:57 | 0:16:01 | |
So the slaves would all go down with the ship. | 0:16:01 | 0:16:04 | |
Leaving no evidence of the illicit cargo to incriminate those | 0:16:04 | 0:16:08 | |
who had arranged the shipment. | 0:16:08 | 0:16:10 | |
Then he asked about your brother, Sir. | 0:16:12 | 0:16:15 | |
And his sugar plantation at Jumby Bay, Antigua. | 0:16:17 | 0:16:21 | |
Chichester is their bishop. | 0:16:31 | 0:16:34 | |
The king is safe. | 0:16:34 | 0:16:36 | |
Delaney is a horse | 0:16:36 | 0:16:39 | |
and Prinny is their queen. | 0:16:39 | 0:16:41 | |
I think it's time we started moving some pieces. | 0:16:44 | 0:16:48 | |
Mr Cholmondeley. Wake up. | 0:17:08 | 0:17:10 | |
Change of guard! | 0:17:14 | 0:17:16 | |
Steady as she goes. | 0:17:19 | 0:17:21 | |
Steady as she goes. | 0:17:23 | 0:17:25 | |
Steady as she goes. | 0:17:29 | 0:17:32 | |
And may God have mercy on our souls. | 0:17:32 | 0:17:34 | |
FOOTSTEPS | 0:17:48 | 0:17:50 | |
I was calling on the lady of the house. | 0:17:54 | 0:17:56 | |
If your wife is indisposed, I will leave. | 0:18:01 | 0:18:03 | |
You thought the man of the house would be out, attending to business. | 0:18:03 | 0:18:06 | |
But I have no business. | 0:18:06 | 0:18:08 | |
Is your wife indisposed? | 0:18:08 | 0:18:09 | |
Your visit is regarding Mr James Delaney... | 0:18:11 | 0:18:13 | |
-I presume. -Yes, I thought Mrs Geary might know where he would be. | 0:18:13 | 0:18:17 | |
Why would my wife know where he is? | 0:18:18 | 0:18:21 | |
Well, she is his sister and I already tried his attorney. | 0:18:21 | 0:18:25 | |
You know, | 0:18:30 | 0:18:32 | |
there are so many awful rumours flying around London about him. | 0:18:32 | 0:18:37 | |
I heard one about an actress he keeps locked in his cellar, | 0:18:37 | 0:18:41 | |
-enjoys the beatings.... -I don't need to... | 0:18:41 | 0:18:43 | |
An actress | 0:18:44 | 0:18:45 | |
who enjoys walking with a man with human flesh in his teeth. | 0:18:47 | 0:18:52 | |
You know, you can even buy a song about Delaney now. | 0:18:52 | 0:18:54 | |
In Covent Garden, for a penny. | 0:18:54 | 0:18:56 | |
I-I'll return when you're sober... | 0:18:56 | 0:18:58 | |
It's about a cannibal who plans to eat the Prince Regent. | 0:18:58 | 0:19:00 | |
So it can only be about Delaney. | 0:19:00 | 0:19:02 | |
FOOTSTEPS | 0:19:02 | 0:19:03 | |
Forgive me, I was... | 0:19:17 | 0:19:19 | |
..just dressing. | 0:19:20 | 0:19:21 | |
He's been gone two days... | 0:19:21 | 0:19:23 | |
And she thought you might know where he is, because you are his sister. | 0:19:23 | 0:19:27 | |
I'm afraid I have no idea where he is. | 0:19:28 | 0:19:31 | |
I was just telling her about the rhyme they all sing about him now. | 0:19:31 | 0:19:34 | |
It's... | 0:19:34 | 0:19:35 | |
'Tis in Pall Mall there lives a pig | 0:19:38 | 0:19:41 | |
That doth this Mall adorn | 0:19:41 | 0:19:43 | |
So fat, so plump, so monstrous big | 0:19:44 | 0:19:48 | |
A finer ne'er were born. | 0:19:48 | 0:19:50 | |
This pig so sweet, so full of meat | 0:19:51 | 0:19:55 | |
He's the one I wish to kill... | 0:19:55 | 0:19:56 | |
My fowls resign on thee to dine | 0:19:59 | 0:20:02 | |
Sweet pig of fine Pall Mall. | 0:20:04 | 0:20:06 | |
They were singing that rhyme long before | 0:20:08 | 0:20:10 | |
Mr Delaney returned to London. | 0:20:10 | 0:20:12 | |
"Before Mr Delaney returned to London." | 0:20:12 | 0:20:15 | |
Ah, yes. | 0:20:17 | 0:20:18 | |
That golden age. | 0:20:19 | 0:20:21 | |
You want to know where he is? | 0:20:26 | 0:20:27 | |
My dear, the whole of London wants to know where he is. | 0:20:27 | 0:20:30 | |
His Majesty's Government wants to know where he is. | 0:20:30 | 0:20:33 | |
I'm afraid we cannot help you. | 0:20:33 | 0:20:35 | |
Miss Bowe, my husband and I would now like you to leave. | 0:20:41 | 0:20:44 | |
Of course. | 0:20:53 | 0:20:54 | |
Perhaps you be so kind as to order me a carriage? | 0:20:56 | 0:20:58 | |
No. | 0:20:58 | 0:20:59 | |
FOOTSTEPS, DOOR CLOSES | 0:21:09 | 0:21:12 | |
The enigma that is James Delaney. | 0:21:35 | 0:21:37 | |
You know, it's curious. | 0:21:39 | 0:21:40 | |
This cholera epidemic that you and I invented for our own convenience | 0:21:40 | 0:21:44 | |
has actually begun to claim lives. | 0:21:44 | 0:21:46 | |
Six people in Rotherhithe. | 0:21:46 | 0:21:48 | |
It's as if the disease is not transmitted by air or miasma, | 0:21:49 | 0:21:52 | |
but by false rumour. | 0:21:52 | 0:21:54 | |
Then it is the same as religion. | 0:21:54 | 0:21:56 | |
Or patriotism. | 0:21:59 | 0:22:00 | |
You have no God, certainly no country. What do you have? | 0:22:02 | 0:22:07 | |
Powder. | 0:22:10 | 0:22:12 | |
When will you deliver? | 0:22:13 | 0:22:14 | |
Tomorrow, at midnight. | 0:22:14 | 0:22:16 | |
BANGING ON DOOR | 0:22:24 | 0:22:25 | |
Zilpha, open this door! | 0:22:25 | 0:22:27 | |
Zilpha! | 0:22:27 | 0:22:28 | |
BANGING Open this door! | 0:22:28 | 0:22:31 | |
Zilpha! BANGING | 0:22:31 | 0:22:32 | |
Zilpha, open this door now! BANGING | 0:22:35 | 0:22:38 | |
BANGING Zilpha! | 0:22:41 | 0:22:44 | |
Australia! I swear it. I swear it. | 0:22:48 | 0:22:50 | |
A position in Sydney, Australia. | 0:22:50 | 0:22:52 | |
Ports and harbour assessor. | 0:22:52 | 0:22:55 | |
And the jurisdiction of an assizes. | 0:22:55 | 0:22:57 | |
And administration of felons through the docks. | 0:22:57 | 0:23:00 | |
Never lock your door or draw your robe against me again, | 0:23:02 | 0:23:06 | |
for I am an assessor! | 0:23:06 | 0:23:09 | |
I applied for the position three months ago. I didn't tell you. | 0:23:09 | 0:23:12 | |
Here. | 0:23:12 | 0:23:14 | |
Read it. Won't you? | 0:23:14 | 0:23:16 | |
Read. | 0:23:16 | 0:23:18 | |
Come now, all is forgotten, | 0:23:19 | 0:23:22 | |
all is forgotten. | 0:23:22 | 0:23:24 | |
How ridiculous it's all been. Duelling. | 0:23:24 | 0:23:26 | |
And you and I fighting like children. | 0:23:26 | 0:23:28 | |
Australia is too far. | 0:23:28 | 0:23:30 | |
Please leave. | 0:23:35 | 0:23:36 | |
Let me finish here. | 0:23:37 | 0:23:39 | |
All fires extinguished. | 0:24:12 | 0:24:14 | |
Gently, gently, gently, gentlemen. | 0:24:15 | 0:24:17 | |
Have the greatest of respect for the inhabitant of this coffin. | 0:24:19 | 0:24:23 | |
Famously volatile. | 0:24:23 | 0:24:25 | |
Given to explosive fits of rage. | 0:24:25 | 0:24:28 | |
May he rest in peace | 0:24:29 | 0:24:31 | |
until he's reignited with his Saviour. | 0:24:31 | 0:24:34 | |
Slow, slow, slow over the potted roads. | 0:24:36 | 0:24:41 | |
The chlorate is still there, | 0:24:41 | 0:24:43 | |
it's just sleeping. | 0:24:43 | 0:24:44 | |
"For the purpose of preventing contagion." Hm? | 0:24:55 | 0:24:58 | |
I saw you... | 0:25:01 | 0:25:03 | |
..and you saw something at the pond. | 0:25:04 | 0:25:07 | |
What did you see? | 0:25:07 | 0:25:08 | |
Nothing. | 0:25:10 | 0:25:12 | |
I strongly suggest you to continue to see nothing. | 0:25:19 | 0:25:22 | |
HE CHUCKLES | 0:25:31 | 0:25:33 | |
Move! | 0:25:53 | 0:25:54 | |
Hey. Whoa. Whoa. Whoa. | 0:26:37 | 0:26:41 | |
Whoa. | 0:26:41 | 0:26:43 | |
What's this? | 0:26:46 | 0:26:48 | |
Cholera. | 0:26:48 | 0:26:49 | |
Cholera? | 0:26:49 | 0:26:51 | |
Where's this cholera now? | 0:26:54 | 0:26:56 | |
Hendon Road. | 0:26:57 | 0:26:59 | |
It's coming down the Fleet and Kilburn Rivers. | 0:26:59 | 0:27:02 | |
Is that so? | 0:27:02 | 0:27:04 | |
How many? | 0:27:05 | 0:27:06 | |
Six. | 0:27:06 | 0:27:08 | |
And a child. | 0:27:09 | 0:27:10 | |
I see... | 0:27:12 | 0:27:13 | |
A child. | 0:27:16 | 0:27:17 | |
Yes, it's very sad, it's a whole family. Been dead for days. | 0:27:19 | 0:27:24 | |
We haven't heard about that. | 0:27:24 | 0:27:26 | |
We've being instructed to transport them under the cover of darkness. | 0:27:26 | 0:27:29 | |
So as not to alarm the populous. | 0:27:29 | 0:27:31 | |
Oh, cholera, you say? | 0:27:35 | 0:27:36 | |
Well... | 0:27:38 | 0:27:39 | |
..let's have a look, shall we? | 0:27:43 | 0:27:45 | |
Torch. | 0:27:55 | 0:27:56 | |
I wouldn't do that. | 0:27:58 | 0:27:59 | |
Oh, Jesus Christ. | 0:28:04 | 0:28:06 | |
Go on, go! | 0:28:07 | 0:28:08 | |
Go. Get out of here. Go. Move on. | 0:28:08 | 0:28:11 | |
-Get 'em out of here. -Go. | 0:28:14 | 0:28:15 | |
-What happened there? -No idea, get on the horse. | 0:28:15 | 0:28:17 | |
Go on. Go. Move on! | 0:28:19 | 0:28:21 | |
Good work, boy! | 0:28:24 | 0:28:25 | |
Go on. Move out of here! Go! | 0:28:27 | 0:28:29 | |
Gently. | 0:29:20 | 0:29:23 | |
Careful not to wake the dead... | 0:29:25 | 0:29:28 | |
..as they reach their final resting place. | 0:29:29 | 0:29:32 | |
I will tell Mr Madison I have made an extraordinary discovery. | 0:29:37 | 0:29:41 | |
A man in London who can be relied upon. | 0:29:41 | 0:29:43 | |
Hm. | 0:29:45 | 0:29:46 | |
Yes, you tell him that and I will rely upon him to give my ship | 0:29:46 | 0:29:51 | |
safe passage through the American blockade. | 0:29:51 | 0:29:55 | |
If my factory is discovered... | 0:29:58 | 0:30:00 | |
..I will know where to find you. | 0:30:02 | 0:30:04 | |
HE GRUNTS | 0:30:55 | 0:30:57 | |
You stink of cow shit. | 0:31:01 | 0:31:03 | |
It's horse shit, actually. | 0:31:03 | 0:31:04 | |
We thought you might have left for good. | 0:31:09 | 0:31:12 | |
And would that be good? | 0:31:14 | 0:31:15 | |
I visited your sister to ask where you were. | 0:31:20 | 0:31:22 | |
Three days and not a word? | 0:31:25 | 0:31:27 | |
Did you think it would go unnoticed? | 0:31:28 | 0:31:31 | |
The Company have men in every tavern asking where you are. | 0:31:33 | 0:31:37 | |
They're offering £10 to anyone with information. | 0:31:38 | 0:31:41 | |
Making threats. | 0:31:41 | 0:31:42 | |
Money being offered - it's only a matter of time, James. | 0:31:42 | 0:31:45 | |
You tell me one thing that isn't just a matter of time. | 0:31:47 | 0:31:50 | |
They say you're going to sell the gun powder to the Republicans. | 0:31:52 | 0:31:55 | |
Republicans haven't got any money, why would I sell it to them? | 0:31:57 | 0:32:00 | |
-They think you're going to start a revolution. -Ah. | 0:32:00 | 0:32:03 | |
If the Prince genuinely thought I was going to start a revolution, | 0:32:07 | 0:32:11 | |
I would be in the Tower. | 0:32:11 | 0:32:13 | |
He's not a safeguard. | 0:32:15 | 0:32:17 | |
If Crown and Company solve their little dispute, | 0:32:17 | 0:32:20 | |
they will crush you between them. | 0:32:20 | 0:32:22 | |
What did my sister say? | 0:32:38 | 0:32:39 | |
Zilpha? | 0:34:18 | 0:34:19 | |
HE GRUNTS | 0:34:21 | 0:34:24 | |
BANGING ON DOOR | 0:34:34 | 0:34:35 | |
BANGING CONTINUES | 0:34:43 | 0:34:45 | |
SHE EXHALES | 0:35:30 | 0:35:31 | |
What have you done? | 0:35:51 | 0:35:52 | |
I've killed him. | 0:35:55 | 0:35:56 | |
Just like you said. | 0:35:58 | 0:36:00 | |
Where is the body? | 0:36:11 | 0:36:13 | |
In the bedroom. | 0:36:13 | 0:36:14 | |
Are you sure he's dead? | 0:36:16 | 0:36:18 | |
Quite dead. | 0:36:18 | 0:36:20 | |
Sit there. | 0:36:22 | 0:36:23 | |
In the bedroom? | 0:36:44 | 0:36:45 | |
Yes. | 0:36:45 | 0:36:46 | |
When did I, um...? | 0:36:55 | 0:36:57 | |
What? | 0:36:58 | 0:36:59 | |
Nothing. | 0:36:59 | 0:37:01 | |
You stay here. | 0:37:07 | 0:37:09 | |
I will tell Brace to arrange a carriage. | 0:37:11 | 0:37:13 | |
By the time you get home, the body will be gone. | 0:37:13 | 0:37:16 | |
Home? | 0:37:16 | 0:37:18 | |
Yes. | 0:37:18 | 0:37:19 | |
-You are sending me home? -Of course... | 0:37:20 | 0:37:22 | |
..or you will hang. | 0:37:23 | 0:37:25 | |
I will get rid of the body. | 0:37:27 | 0:37:30 | |
No-one will know. | 0:37:30 | 0:37:31 | |
Of course. | 0:37:34 | 0:37:35 | |
For immediate burial. | 0:38:11 | 0:38:13 | |
MEN TALKING IN BACKGROUND | 0:38:31 | 0:38:34 | |
Gentlemen, | 0:38:34 | 0:38:35 | |
at last some good news. | 0:38:35 | 0:38:38 | |
This morning, a lost sheep returned to the fold. | 0:38:38 | 0:38:43 | |
A penitent sinner saw the light and spoke earnestly to the one true God. | 0:38:43 | 0:38:49 | |
A devil was exorcised. | 0:38:50 | 0:38:53 | |
A farmer, called Ibbotson, | 0:38:54 | 0:38:58 | |
confessed to the priest at St Mary's church, | 0:38:58 | 0:39:01 | |
Greyhound Road, Hendon, | 0:39:01 | 0:39:03 | |
that he had allowed the devil into his life. | 0:39:03 | 0:39:06 | |
He received absolution from the priest and, this morning, | 0:39:06 | 0:39:11 | |
the priest received his reward from the Honourable East India Company. | 0:39:11 | 0:39:16 | |
A reward in the sum of £25. | 0:39:16 | 0:39:19 | |
Gentlemen... | 0:39:23 | 0:39:24 | |
..we have Delaney's factory. | 0:39:27 | 0:39:29 | |
-Finally! -THEY CHUCKLE | 0:39:29 | 0:39:32 | |
James! | 0:39:58 | 0:39:59 | |
James. James. Catastrophe. | 0:40:01 | 0:40:04 | |
The farmer Ibbotson took confession... | 0:40:04 | 0:40:05 | |
-Calm down. -James... No. No. No. | 0:40:05 | 0:40:07 | |
You are betrayed. | 0:40:07 | 0:40:09 | |
You shouldn't be here. | 0:40:11 | 0:40:12 | |
I will deal with it. | 0:40:15 | 0:40:16 | |
Go home. | 0:40:19 | 0:40:20 | |
Mount up. | 0:40:32 | 0:40:34 | |
We have him, men. | 0:40:34 | 0:40:35 | |
Hurry up. | 0:40:35 | 0:40:36 | |
Keep moving! | 0:40:36 | 0:40:38 | |
To the heath! | 0:40:40 | 0:40:41 | |
He won't let us shift it. | 0:40:45 | 0:40:46 | |
James. | 0:40:56 | 0:40:57 | |
The powder that we moved last night was ready to be moved. | 0:40:58 | 0:41:01 | |
That's why we moved it. | 0:41:01 | 0:41:03 | |
The 50 kegs we have in storage is powder that is not ready | 0:41:03 | 0:41:06 | |
to be moved, because it is unstable. | 0:41:06 | 0:41:09 | |
If you put those kegs on a cart on a bone-hard road, they will explode. | 0:41:09 | 0:41:14 | |
We are leaving now, because we have being betrayed. | 0:41:15 | 0:41:18 | |
No excuses. | 0:41:23 | 0:41:25 | |
The talking is done. | 0:41:25 | 0:41:26 | |
Jesus Christ. | 0:41:30 | 0:41:31 | |
You, again. | 0:41:47 | 0:41:50 | |
Is there more to tell? | 0:41:50 | 0:41:51 | |
Check all the outhouses! | 0:42:11 | 0:42:12 | |
Search everywhere. | 0:42:14 | 0:42:16 | |
Search that building. | 0:42:16 | 0:42:17 | |
Quickly. Move! | 0:42:20 | 0:42:22 | |
It must be somewhere, keep looking. | 0:42:25 | 0:42:27 | |
DOOR OPENS | 0:42:58 | 0:43:00 | |
Oh, God! | 0:43:02 | 0:43:04 | |
Is this the face of abject failure? | 0:43:06 | 0:43:08 | |
He must have known we were coming. | 0:43:08 | 0:43:10 | |
How, how did he know? | 0:43:10 | 0:43:12 | |
Oh, God! | 0:43:14 | 0:43:16 | |
Very well. | 0:43:21 | 0:43:23 | |
We will allow him to think he is one step ahead... | 0:43:23 | 0:43:26 | |
..while we exploit what is undefended. | 0:43:28 | 0:43:32 | |
ORGAN PLAYS | 0:44:11 | 0:44:14 | |
CHURCH BELLS TOLL | 0:44:22 | 0:44:25 | |
And to you, your church on Earth and in Heaven, | 0:45:16 | 0:45:18 | |
we offer honour and glory, now and for ever. | 0:45:18 | 0:45:22 | |
-Amen. -Amen. | 0:45:22 | 0:45:25 | |
Take that dress off. | 0:46:26 | 0:46:27 | |
Take that fucking dress off now! | 0:46:35 | 0:46:37 | |
FLINT LIGHTER | 0:47:31 | 0:47:33 | |
HUBBUB | 0:48:08 | 0:48:11 | |
# I sailed aboard the Vincent | 0:48:15 | 0:48:17 | |
# She rolled this way and that | 0:48:17 | 0:48:20 | |
-CHILDREN: -# This way and that | 0:48:20 | 0:48:22 | |
# Then we turned her on the French the mouse for Wellington's cat | 0:48:22 | 0:48:26 | |
# The mouse for Wellington's cat | 0:48:26 | 0:48:28 | |
# And know you this I saw him there | 0:48:28 | 0:48:31 | |
# Standing on the deck... # | 0:48:31 | 0:48:32 | |
Mr Delaney. Sir Stuart just wants you to know... | 0:48:34 | 0:48:37 | |
..it's war. | 0:48:39 | 0:48:40 | |
The gloves are off. | 0:48:40 | 0:48:42 | |
# ..the mouse for Wellington's cat! # | 0:48:42 | 0:48:44 | |
# And know you this, I saw him there | 0:48:44 | 0:48:47 | |
# Standing on the deck | 0:48:47 | 0:48:49 | |
# It was the cursed Bonaparte! I threw a rope around his... # | 0:48:49 | 0:48:53 | |
SHOUTING, CHILDREN CRYING | 0:48:56 | 0:49:00 | |
LAUGHTER AND CHATTER | 0:49:26 | 0:49:29 | |
My ship is in fucking pieces, Godfrey. | 0:49:52 | 0:49:55 | |
It is in fucking pieces. | 0:49:55 | 0:49:57 | |
I swear, I swear I didn't know. | 0:49:59 | 0:50:00 | |
Now report. | 0:50:03 | 0:50:06 | |
War has begun. | 0:50:06 | 0:50:08 | |
Sorry about your news. | 0:50:39 | 0:50:41 | |
Marshall. | 0:50:43 | 0:50:44 | |
I need a ship. | 0:50:46 | 0:50:48 | |
And I need to ensure no-one else betrays me. | 0:50:49 | 0:50:51 | |
Your man did not heed my warning... | 0:50:58 | 0:51:01 | |
You don't want much, do you? | 0:51:01 | 0:51:02 | |
You were meant to be guarding his ship. | 0:51:17 | 0:51:19 | |
Two possibilities. | 0:51:50 | 0:51:52 | |
He sold you out, cos you cut off his thumb, | 0:51:54 | 0:51:57 | |
or you cut off his thumb, | 0:51:57 | 0:52:00 | |
cos you knew he was going to sell you out. | 0:52:00 | 0:52:02 | |
Possibility one - reason. | 0:52:06 | 0:52:08 | |
Possibility two - | 0:52:10 | 0:52:12 | |
witchcraft. | 0:52:12 | 0:52:15 | |
Leave this body where it will be found. | 0:52:19 | 0:52:21 | |
You can keep the heart. | 0:52:22 | 0:52:24 | |
Goodnight. | 0:52:26 | 0:52:28 | |
HE PANTS | 0:52:30 | 0:52:32 | |
The devil's here. | 0:52:45 | 0:52:47 | |
Go get some sleep. | 0:53:21 | 0:53:23 | |
I don't need to sleep. | 0:53:24 | 0:53:25 | |
I need...a ship. | 0:53:29 | 0:53:34 | |
Maybe have a fuck first. | 0:53:35 | 0:53:37 | |
Find a ship tomorrow. | 0:53:37 | 0:53:38 | |
Why don't you find a captain.. | 0:53:41 | 0:53:43 | |
..and you take him upstairs and slit his throat, | 0:53:44 | 0:53:48 | |
and I will take his ship? | 0:53:48 | 0:53:49 | |
No captains. No throat-slitting. | 0:53:49 | 0:53:52 | |
We can't find you a ship. | 0:53:52 | 0:53:54 | |
Mine! | 0:54:10 | 0:54:11 | |
HE MUTTERS | 0:54:29 | 0:54:32 | |
I need a ship! | 0:54:42 | 0:54:43 | |
Just give me a fucking ship. | 0:54:45 | 0:54:47 | |
-WINTER: -James. | 0:55:05 | 0:55:07 | |
What are you doing? | 0:55:07 | 0:55:10 | |
No. Go away. I'm busy. | 0:55:11 | 0:55:14 | |
I'm not fit to be near you now. | 0:55:14 | 0:55:16 | |
I brought this for you. | 0:55:25 | 0:55:27 | |
RASPING BREATHS | 0:56:09 | 0:56:11 |