Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# World, shut your mouth Shut your mouth... # | 0:00:02 | 0:00:04 | |
It's your family. You're all so intense. I can't see you again. | 0:00:04 | 0:00:07 | |
Blake finished with me. | 0:00:07 | 0:00:08 | |
I've got a reading week so I thought I'd go | 0:00:08 | 0:00:10 | |
and stay with my dad for a bit. | 0:00:10 | 0:00:11 | |
How is he autistic? I don't understand. | 0:00:11 | 0:00:13 | |
Right, no-one uses that word. If we label him now, it's over. | 0:00:13 | 0:00:16 | |
What do you think about that, then, eh, Joe? | 0:00:16 | 0:00:19 | |
Standing on top of the world. | 0:00:19 | 0:00:21 | |
-The first ten years, everything was Ralph. -Joe isn't Ralph. | 0:00:21 | 0:00:25 | |
The morning-after pill? Why did you do it behind my back? | 0:00:25 | 0:00:28 | |
I don't want another child. | 0:00:28 | 0:00:29 | |
-Except I do. -We have Joe. | 0:00:29 | 0:00:31 | |
He makes everything different. | 0:00:31 | 0:00:33 | |
-Then there will never be a right time, will there? -No. | 0:00:33 | 0:00:36 | |
WIND HOWLS | 0:00:39 | 0:00:41 | |
This programme contains some strong language | 0:00:43 | 0:00:50 | |
-Hey, Joe. -ENGINE STARTS | 0:01:11 | 0:01:12 | |
DOOR CLOSES | 0:01:32 | 0:01:33 | |
Someone's keen. | 0:01:44 | 0:01:45 | |
Says the man who slept here all night. | 0:01:45 | 0:01:47 | |
Are we ready? | 0:01:49 | 0:01:50 | |
We will be. | 0:01:55 | 0:01:56 | |
PHONE RINGS | 0:02:03 | 0:02:05 | |
OK, you're not picking up, I get it, | 0:02:11 | 0:02:13 | |
but we'll be there as soon as we can with the flowers so... | 0:02:13 | 0:02:16 | |
you can't avoid me forever. | 0:02:16 | 0:02:18 | |
HORN BEEPS | 0:02:18 | 0:02:19 | |
You'll be knackered. I love you. | 0:02:21 | 0:02:23 | |
Right, shall we get you ready? Come on, then. | 0:02:24 | 0:02:27 | |
Happy? | 0:03:05 | 0:03:07 | |
Well, let's not get ahead of ourselves, shall we? | 0:03:07 | 0:03:10 | |
I'm not sure we agreed on the Santa's Grotto, did we? | 0:03:10 | 0:03:14 | |
Or is that another line in the budget that you added | 0:03:14 | 0:03:16 | |
while I wasn't looking? | 0:03:16 | 0:03:17 | |
Yes, Gary, I know. | 0:03:19 | 0:03:21 | |
Got 100 things to do, but let me just have this moment, eh? | 0:03:21 | 0:03:24 | |
101, mate. Pot washer called in sick. | 0:03:24 | 0:03:27 | |
HE SIGHS | 0:03:27 | 0:03:28 | |
MOTOR WHIRS | 0:03:28 | 0:03:29 | |
-Terry? -I want her looking her best for her special day. | 0:03:40 | 0:03:44 | |
You're not opening up today. You're needed up the hill. | 0:03:44 | 0:03:46 | |
-But Alison said we were. Did she not tell you? -No. | 0:03:46 | 0:03:50 | |
-Not exactly on speaking terms at the minute. -Oh, right. | 0:03:50 | 0:03:54 | |
Hopefully that's nothing you want to talk about, is it? | 0:03:54 | 0:03:57 | |
I hope you're getting a move on, Joe. | 0:03:57 | 0:04:00 | |
Hey, what are you doing in Becky's room? | 0:04:09 | 0:04:12 | |
Hey. The sooner we get you ready, | 0:04:12 | 0:04:15 | |
the sooner you will see Becky | 0:04:15 | 0:04:17 | |
and your dad. Come on. Go, go, go. | 0:04:17 | 0:04:19 | |
Look at this. Look at this, hey? You little lovely. | 0:04:35 | 0:04:38 | |
You are so lucky, aren't you? Isn't this a cool-looking...? | 0:04:38 | 0:04:41 | |
Becky, just leave her alone, will you? | 0:04:41 | 0:04:43 | |
-If you ignore her for long enough, she'll go back to sleep. -Hi. Hi. | 0:04:43 | 0:04:47 | |
-Jesus Christ. -Bye, lovely sister. I'll see you next Saturday, won't I? | 0:04:47 | 0:04:51 | |
-Yeah? Yes, I will. Won't I? Eh? -Er... | 0:04:51 | 0:04:55 | |
Rebecca, love... | 0:04:55 | 0:04:57 | |
next Saturday is probably not going to be great for us. | 0:04:57 | 0:05:01 | |
SHE MOUTHS | 0:05:01 | 0:05:02 | |
When you've got a new baby in the house... | 0:05:02 | 0:05:07 | |
it's just, well, if people turn up without warning, | 0:05:07 | 0:05:10 | |
it just can be a bit... | 0:05:10 | 0:05:12 | |
You know? | 0:05:12 | 0:05:14 | |
People. Yeah, I get it. I'm people. | 0:05:14 | 0:05:16 | |
Come on, Becks, don't be like that. | 0:05:17 | 0:05:19 | |
You know how I'm fixed. | 0:05:19 | 0:05:21 | |
I've got four kids and a missus who's mainlining hormones. | 0:05:21 | 0:05:23 | |
You've got five kids, Dad. Five. | 0:05:23 | 0:05:26 | |
I didn't mean it like that. OK? Look, I'm not saying don't come. | 0:05:27 | 0:05:31 | |
I'm not. I'm not. I'm just saying... | 0:05:31 | 0:05:33 | |
I bet they need you at home, though, eh? With that brother of yours. | 0:05:39 | 0:05:42 | |
No, not really. He's just a kid. Normal kid. | 0:05:42 | 0:05:46 | |
DOOR CLOSES | 0:05:49 | 0:05:50 | |
-Thanks for dropping her off, Stewart. -No worries, Paul. | 0:05:54 | 0:05:57 | |
-Hey, good luck with the... -Yeah, it's looking good, eh? | 0:05:57 | 0:06:02 | |
ENGINE STARTS | 0:06:02 | 0:06:04 | |
You're more than welcome to come in for a drink and a bite to eat. | 0:06:04 | 0:06:07 | |
-All three, for gratis, for nothing. -Not really, bit of a rush. | 0:06:07 | 0:06:09 | |
Right, good. | 0:06:09 | 0:06:10 | |
Can you do me a favour today, love? | 0:06:17 | 0:06:20 | |
Can you keep an eye on Joe? | 0:06:20 | 0:06:22 | |
And if he's, you know, being a bit... | 0:06:22 | 0:06:25 | |
like, you know, just calm him down a little bit or maybe bring him | 0:06:25 | 0:06:28 | |
out here for a bit of a play. | 0:06:28 | 0:06:29 | |
Yeah, if he's embarrassing us I'll lock him in a cupboard somewhere. | 0:06:29 | 0:06:32 | |
No, come on - I didn't mean that, and you know it. | 0:06:32 | 0:06:34 | |
Why is it that parents always worry about their kids showing them up | 0:06:34 | 0:06:38 | |
when actually they are the embarrassing ones? | 0:06:38 | 0:06:40 | |
So, what do you need me for? Sous chef? | 0:06:40 | 0:06:42 | |
Sort of. | 0:06:42 | 0:06:43 | |
Um, couple of things, mate. | 0:06:43 | 0:06:45 | |
Never walk backwards in a kitchen, | 0:06:45 | 0:06:47 | |
and if you're carrying something behind people, | 0:06:47 | 0:06:49 | |
you always yell "backs". | 0:06:49 | 0:06:50 | |
-Backs. -Backs. | 0:06:50 | 0:06:52 | |
I'm liking it, Terry - quick on the uptake. | 0:06:52 | 0:06:53 | |
You'll be a chief potwasher in no time. | 0:06:53 | 0:06:55 | |
I'm actually a fully qualified barista, mate. | 0:06:55 | 0:06:57 | |
Online course, but even so. | 0:06:57 | 0:06:59 | |
-Paul. -Yeah. | 0:06:59 | 0:07:00 | |
You're going to have to ring the suppliers about these leaves. | 0:07:00 | 0:07:02 | |
-What's wrong with them? -I've seen more life in a pharaoh's dick. | 0:07:02 | 0:07:05 | |
Remind me why they turned you down for Saturday Kitchen again, Gary. | 0:07:05 | 0:07:08 | |
So, what do you want to talk about first? | 0:07:10 | 0:07:13 | |
You sleep in here last night? | 0:07:13 | 0:07:15 | |
Were you ignoring my calls this morning? | 0:07:15 | 0:07:17 | |
How about ice and lemon? Hmm? | 0:07:17 | 0:07:19 | |
It's the little things you forget, isn't it? | 0:07:19 | 0:07:21 | |
-Well, Gary doesn't mind, do you, Gary? -Mm. | 0:07:21 | 0:07:22 | |
I'm sure he's heard worse. | 0:07:22 | 0:07:24 | |
Have you any idea what temperature Eddie's keeping this Indian pale ale? | 0:07:24 | 0:07:27 | |
One degree either way and it tastes like Tonto's headband. | 0:07:27 | 0:07:30 | |
Why don't you ask Eddie, Maurice? | 0:07:30 | 0:07:32 | |
I would - but he's only just coming down from his call. | 0:07:32 | 0:07:35 | |
Must be an important one, eh, Nicola, | 0:07:35 | 0:07:37 | |
to get our Eddie going up a fell in two feet of snow? | 0:07:37 | 0:07:39 | |
Well, unless he comes with the Ten Commandments, | 0:07:39 | 0:07:41 | |
then he's due a bollocking. | 0:07:41 | 0:07:43 | |
Joe's going to be here the whole time, is he? | 0:07:43 | 0:07:45 | |
Do you think that's wise? | 0:07:45 | 0:07:46 | |
-See, it's you I'm worried about, Maurice. -Oh! | 0:07:46 | 0:07:48 | |
-Are you going to leave it like this?! -Not liking the Hacienda vibe, Dad? | 0:07:48 | 0:07:52 | |
Don't worry, we've got a velvet rope. | 0:07:52 | 0:07:53 | |
Rebecca, I want one of each colour in each vase, | 0:07:53 | 0:07:56 | |
and then a vase on each table. | 0:07:56 | 0:07:57 | |
All right? Joe can give you a hand. | 0:07:57 | 0:07:59 | |
This floor intentional? | 0:07:59 | 0:08:00 | |
It's like the unfinished look. | 0:08:00 | 0:08:02 | |
-It's not a criticism. -It never is. | 0:08:02 | 0:08:04 | |
At last. | 0:08:04 | 0:08:06 | |
I just thought it was a feature, you know? | 0:08:06 | 0:08:08 | |
Modern. | 0:08:08 | 0:08:09 | |
I wonder why you say "modern" like other people say "sewage". | 0:08:09 | 0:08:12 | |
This floor's going to come up brilliant, mate - | 0:08:12 | 0:08:14 | |
thematically consistent. | 0:08:14 | 0:08:16 | |
Yeah - if the theme is "we need to open before we run out of money". | 0:08:16 | 0:08:19 | |
Joe could get up here no problem. I'm just saying. | 0:08:19 | 0:08:21 | |
Well, he's not up there, is he, Maurice? You are. | 0:08:21 | 0:08:23 | |
And if you come through that floor, I'll bury you where you | 0:08:23 | 0:08:26 | |
stand, dead or alive. | 0:08:26 | 0:08:28 | |
-GLASS SMASHES -Oh... | 0:08:28 | 0:08:30 | |
OK, OK, don't panic. | 0:08:30 | 0:08:31 | |
-Oh, you're all right. -Don't panic - Rebecca, dustpan and brush. | 0:08:31 | 0:08:35 | |
Ohh - all right? | 0:08:35 | 0:08:36 | |
You all right? | 0:08:36 | 0:08:38 | |
-Joe? -Right, come here. | 0:08:38 | 0:08:40 | |
You stand here like a soldier, and when somebody gives you a glass, | 0:08:40 | 0:08:43 | |
bring it to the bar. OK? | 0:08:43 | 0:08:45 | |
Dad, he doesn't need supervising, he was just excited to see | 0:08:45 | 0:08:48 | |
Rebecca again - he'll be fine. | 0:08:48 | 0:08:50 | |
TRAY CLATTERS | 0:08:51 | 0:08:53 | |
It's all right - it's all right, it's all right. | 0:08:53 | 0:08:55 | |
Oh, I brought that dress I got you - that you never wear. | 0:08:55 | 0:08:57 | |
Hey, why don't you see what your grandad's doing, eh? | 0:08:57 | 0:09:00 | |
Don't look like that - it looks lovely on you. | 0:09:00 | 0:09:02 | |
You can change in the loo. Go on. | 0:09:02 | 0:09:04 | |
That's it. | 0:09:04 | 0:09:06 | |
Phew! | 0:09:06 | 0:09:07 | |
Bloody hell, it's freezing in here. | 0:09:12 | 0:09:14 | |
Yeah - I'll put the heating on when the punters arrive, all right? | 0:09:14 | 0:09:18 | |
DOOR CLOSES | 0:09:19 | 0:09:21 | |
Right... | 0:09:21 | 0:09:22 | |
-Finger-food preview. -Mm! | 0:09:22 | 0:09:24 | |
Cod brandade with squid in crackers, | 0:09:24 | 0:09:26 | |
-and a pine nut and cucumber granitas. -Mm! | 0:09:26 | 0:09:31 | |
Have you got anything that's actually looked over a fence? | 0:09:31 | 0:09:33 | |
HE SIGHS | 0:09:33 | 0:09:35 | |
Are you getting them, Dad? The lemony notes? | 0:09:35 | 0:09:37 | |
What's it matter to you? You're leaving, anyway. | 0:09:37 | 0:09:40 | |
He's changed his mind. | 0:09:41 | 0:09:42 | |
Has he? Good. | 0:09:42 | 0:09:43 | |
Cos this tastes better than Blondie's bathwater. | 0:09:43 | 0:09:45 | |
-Eww! -Parallel Lines tour, Lancaster Town Hall. | 0:09:45 | 0:09:48 | |
-Don't ask. -Ngh! | 0:09:48 | 0:09:50 | |
What? | 0:09:55 | 0:09:56 | |
-The phone call... -Mm-hm, what? | 0:10:02 | 0:10:04 | |
They've offered me the job in Manchester... | 0:10:04 | 0:10:07 | |
and...I've accepted. | 0:10:07 | 0:10:09 | |
-What, sorry? Eddie, you've what? -It's exciting. | 0:10:11 | 0:10:13 | |
For both of us. | 0:10:13 | 0:10:15 | |
It's the right thing. I know it, and, deep down, I think you do, too. | 0:10:15 | 0:10:18 | |
'Scuse me. | 0:10:20 | 0:10:22 | |
Backs. | 0:10:23 | 0:10:25 | |
Child. | 0:10:26 | 0:10:27 | |
STOVE SIZZLES | 0:10:27 | 0:10:29 | |
Joe, come on! | 0:10:30 | 0:10:31 | |
Hey, hey, hey! | 0:10:31 | 0:10:33 | |
What are you doing in here? | 0:10:33 | 0:10:34 | |
If you see an empty glass, just fill it, yeah? | 0:10:35 | 0:10:38 | |
Oh, see! Perfect! You look lovely. | 0:10:38 | 0:10:42 | |
Aren't I right, Tom? | 0:10:42 | 0:10:44 | |
Don't say a word. | 0:10:44 | 0:10:46 | |
Right, you can either have a great launch or you can have Joe here, | 0:10:46 | 0:10:49 | |
but you can't have both. | 0:10:49 | 0:10:51 | |
I've got to nip out for an hour - why don't I take him with me, | 0:10:51 | 0:10:53 | |
let you get up and running? | 0:10:53 | 0:10:55 | |
He's part of the family, Dad - he should be here. | 0:10:55 | 0:10:57 | |
Maurice, yes, that would be great. I don't think he should be here. | 0:10:57 | 0:11:01 | |
Come on. | 0:11:01 | 0:11:03 | |
Mm... | 0:11:09 | 0:11:10 | |
Oh, there we go - hold that look. | 0:11:10 | 0:11:12 | |
You won the argument. | 0:11:12 | 0:11:14 | |
Ooh... It's Ralph, innit? | 0:11:27 | 0:11:29 | |
I'm Maurice. This is Joe. | 0:11:29 | 0:11:31 | |
Does Mum know that you were coming? | 0:11:31 | 0:11:33 | |
-No. Um... -Mum! | 0:11:33 | 0:11:35 | |
There's this man back again. | 0:11:35 | 0:11:37 | |
Louise, er, this is Joe. Joe, this is Louise. | 0:11:41 | 0:11:45 | |
Hello, Joe. Pleased to meet you. | 0:11:45 | 0:11:47 | |
The gastro-pub's opening today. Soft opening, they call it - | 0:11:56 | 0:12:00 | |
-when it's not finished, like. -I know. | 0:12:00 | 0:12:03 | |
So, I was just wondering... | 0:12:03 | 0:12:05 | |
if you fancied it - and Ralph, of course - | 0:12:05 | 0:12:07 | |
there's plenty to drink, and finger food... | 0:12:07 | 0:12:09 | |
..squid...crackers and, er... | 0:12:11 | 0:12:14 | |
pine nuts that have been interfered with... | 0:12:14 | 0:12:17 | |
I don't think so. | 0:12:17 | 0:12:19 | |
There you go, Joe. | 0:12:21 | 0:12:23 | |
Hey, er, lads - you'll be all right together, | 0:12:27 | 0:12:29 | |
won't you, for five minutes? | 0:12:29 | 0:12:32 | |
Two lads together, while me and Louise go and have a chat. | 0:12:32 | 0:12:34 | |
They'll be all right, won't they? | 0:12:34 | 0:12:36 | |
Doesn't sound like me that needs convincing. | 0:12:36 | 0:12:39 | |
He wants to talk to you, Mum. | 0:12:40 | 0:12:41 | |
MUSIC PLAYS THROUGH HEADPHONES | 0:12:51 | 0:12:52 | |
CHATTER AND MUSIC | 0:12:56 | 0:12:57 | |
Hi! | 0:12:59 | 0:13:01 | |
Nice dress. | 0:13:07 | 0:13:09 | |
Yeah - you're here with your mum, so let's leave the dress out of it. | 0:13:09 | 0:13:12 | |
Who invited Luke? | 0:13:16 | 0:13:18 | |
Eh? Oh... | 0:13:18 | 0:13:20 | |
His mum must be on the mailing list. | 0:13:20 | 0:13:22 | |
Nightmare. | 0:13:22 | 0:13:24 | |
OK. | 0:13:24 | 0:13:25 | |
Luke! | 0:13:27 | 0:13:29 | |
Sorry, son - you're underage, and I've got my licence to think of. | 0:13:29 | 0:13:32 | |
How about some squash? | 0:13:32 | 0:13:34 | |
Wait, Luke, stop. | 0:13:42 | 0:13:44 | |
I only came to see you - | 0:13:44 | 0:13:45 | |
I didn't want to come to some poncey restaurant in the first place. | 0:13:45 | 0:13:48 | |
It's a gastro-pub, not a restaurant. HE SIGHS | 0:13:48 | 0:13:51 | |
No, wait, why did you want to see me? | 0:13:51 | 0:13:53 | |
I wrote this for you. | 0:13:55 | 0:13:56 | |
Probably won't be seeing me very much any more. | 0:13:58 | 0:14:01 | |
-You were right. -About what? | 0:14:17 | 0:14:19 | |
About Joe...and your lad. | 0:14:19 | 0:14:21 | |
-You were right. -Oh, well, yes, I know that already. | 0:14:21 | 0:14:24 | |
But I'm saying it now - and having two lads that are a bit different... | 0:14:24 | 0:14:28 | |
..well, grandson in my case... | 0:14:29 | 0:14:31 | |
Well, we've got that in common, for starters. | 0:14:32 | 0:14:35 | |
-Maurice, you're a lovely man... -I wouldn't go that far! | 0:14:35 | 0:14:39 | |
No. | 0:14:39 | 0:14:41 | |
Now, I know I can go in a bit two-footed from time to time, | 0:14:41 | 0:14:45 | |
and I'm not saying we're going to be cavorting | 0:14:45 | 0:14:47 | |
beside of Derwentwater, you know? | 0:14:47 | 0:14:48 | |
Not without a flask and knee bandages, at any rate! | 0:14:48 | 0:14:52 | |
But, you know, I wouldn't mind knocking about with you. | 0:14:52 | 0:14:56 | |
Maurice, when was the last time you asked a woman out? | 0:14:58 | 0:15:01 | |
I didn't ask Sandra out - | 0:15:01 | 0:15:02 | |
we just found ourselves snogging at a club when the lights went up. | 0:15:02 | 0:15:06 | |
Mm - can't beat a bit of musical tongues. | 0:15:06 | 0:15:08 | |
HE CHUCKLES | 0:15:08 | 0:15:09 | |
It's like an arranged marriage with a glitter ball! | 0:15:09 | 0:15:12 | |
Is that offensive to Muslims? | 0:15:12 | 0:15:14 | |
-I'm not sure what you can say or not... -The thing is, Maurice, | 0:15:14 | 0:15:18 | |
I can't be doing with strong emotion. | 0:15:18 | 0:15:21 | |
-Right. -I've got enough of me own - | 0:15:21 | 0:15:24 | |
and you strike me as a man that feels everything strongly, | 0:15:24 | 0:15:27 | |
even if you're not sure what it is you're feeling. | 0:15:27 | 0:15:30 | |
So, are you saying yes or no? | 0:15:32 | 0:15:34 | |
-Are we...? -Maurice... | 0:15:36 | 0:15:37 | |
Are we on or not? | 0:15:39 | 0:15:40 | |
Maurice, I've just said no in as many ways as I can think of, and... | 0:15:41 | 0:15:47 | |
-RALPH: -Mum, Mum! | 0:15:47 | 0:15:48 | |
He went outside in the garden, and then Joe wasn't... | 0:15:55 | 0:15:58 | |
When was this, Ralph? When did it happen? | 0:15:58 | 0:16:01 | |
-When did he go outside? -Joe?! | 0:16:01 | 0:16:02 | |
I don't know... I made him another drink... | 0:16:02 | 0:16:05 | |
Joe! | 0:16:05 | 0:16:07 | |
Joe? | 0:16:07 | 0:16:09 | |
Joe! | 0:16:09 | 0:16:11 | |
Joe?! | 0:16:13 | 0:16:15 | |
Joe! | 0:16:17 | 0:16:19 | |
Joe! | 0:16:19 | 0:16:20 | |
Joe! | 0:16:22 | 0:16:23 | |
Joe! | 0:16:25 | 0:16:26 | |
Joe! | 0:16:29 | 0:16:30 | |
Joe! | 0:16:38 | 0:16:39 | |
Joe! | 0:16:43 | 0:16:45 | |
Joe! | 0:16:45 | 0:16:47 | |
Joe! | 0:16:49 | 0:16:51 | |
Excuse me, have you seen a little lad? | 0:16:54 | 0:16:56 | |
-Have you seen him? -No. | 0:16:56 | 0:16:58 | |
Where did he go? Which way did he go? | 0:17:09 | 0:17:10 | |
-He went outside. -I know he went outside - | 0:17:10 | 0:17:12 | |
where did he go when he went outside? | 0:17:12 | 0:17:14 | |
Maurice! Stop shouting at the lad, you're scaring him. | 0:17:14 | 0:17:16 | |
I'll scare him if he's done anything to Joe! | 0:17:16 | 0:17:18 | |
Don't you dare talk to my son like that! Get out! | 0:17:18 | 0:17:22 | |
I'm sorry. | 0:17:22 | 0:17:24 | |
I'm sorry, son. | 0:17:24 | 0:17:25 | |
Can you just remember what happened? | 0:17:25 | 0:17:27 | |
He went into the garden. | 0:17:27 | 0:17:29 | |
Right - and where were you? | 0:17:29 | 0:17:30 | |
In here, making a drink. | 0:17:30 | 0:17:31 | |
And when you went outside, he was gone? You didn't see anything, | 0:17:31 | 0:17:34 | |
-you didn't hear anything? -Just calm down. Think about it. | 0:17:34 | 0:17:37 | |
Joe goes wandering off - you've said so yourself. | 0:17:37 | 0:17:39 | |
Now, will he have gone back home? | 0:17:39 | 0:17:40 | |
Well, not from here, I wouldn't have thought so. | 0:17:40 | 0:17:43 | |
So, will he have gone back to the gastro-pub? | 0:17:43 | 0:17:45 | |
You're right, he was enjoying himself. | 0:17:45 | 0:17:47 | |
I'll drive to the gastro-pub - I bet that's where he is. | 0:17:47 | 0:17:50 | |
Why don't you just phone Alison and ask her? | 0:17:50 | 0:17:52 | |
Because he'll be there, won't he? And if he's not there, | 0:17:52 | 0:17:54 | |
he'll be on the road, and she'll worry, | 0:17:54 | 0:17:56 | |
and they've got enough to worry about. | 0:17:56 | 0:17:57 | |
I'll find him, and...no harm done. | 0:17:57 | 0:18:00 | |
It's good, isn't it? | 0:18:09 | 0:18:11 | |
It's very good, yeah... | 0:18:11 | 0:18:13 | |
and it was very good when Simon Armitage wrote it. | 0:18:13 | 0:18:17 | |
What? No, Luke wrote it. | 0:18:17 | 0:18:19 | |
Luke wrote it OUT, Rebecca. | 0:18:19 | 0:18:20 | |
That isn't the same as writing it. | 0:18:20 | 0:18:22 | |
No way, look... | 0:18:23 | 0:18:25 | |
"But said some things and never meant them, | 0:18:25 | 0:18:27 | |
"sweet nothings anybody could have mentioned, | 0:18:27 | 0:18:29 | |
-"And left..." -"And left unsaid some things he should have spoken | 0:18:29 | 0:18:33 | |
"about the heart, | 0:18:33 | 0:18:34 | |
"where it hurts exactly, and how often." | 0:18:34 | 0:18:37 | |
Someone gave that poem to me, too, once. | 0:18:40 | 0:18:42 | |
Oh, right. | 0:18:43 | 0:18:45 | |
Eddie? | 0:18:45 | 0:18:47 | |
No. Not Eddie. | 0:18:48 | 0:18:50 | |
Come to think of it, I'm not even sure this is his handwriting. | 0:18:54 | 0:18:57 | |
Come on, Joe. | 0:19:11 | 0:19:13 | |
Come on, son, next corner. Come on, Joe. | 0:19:13 | 0:19:16 | |
Come on, son, next corner. | 0:19:16 | 0:19:18 | |
Oh, and just so you know, | 0:19:24 | 0:19:26 | |
I know you didn't write that poem. | 0:19:26 | 0:19:28 | |
It's fake - like you. | 0:19:28 | 0:19:29 | |
Like when I pretended to come, like as fake as that. | 0:19:29 | 0:19:32 | |
Enjoy the rest of your life. | 0:19:32 | 0:19:34 | |
Rebecca, not here, not now. Please, no phones. | 0:19:34 | 0:19:36 | |
-All right, I won't be needing it ever again, anyway. -Rebecca! | 0:19:36 | 0:19:39 | |
You are allowed to enjoy this, you know? | 0:19:47 | 0:19:49 | |
-I'll enjoy it when we start making money. -OK, outside. | 0:19:49 | 0:19:51 | |
-One minute only. -I don't have a minute. | 0:19:51 | 0:19:53 | |
Honestly, I don't have the time. | 0:19:53 | 0:19:55 | |
I can say it in here, or I can say it outside, | 0:19:55 | 0:19:57 | |
but I'm going to say it either way. | 0:19:57 | 0:20:00 | |
OK? Get your coat. | 0:20:00 | 0:20:02 | |
There. | 0:20:16 | 0:20:18 | |
Now... | 0:20:18 | 0:20:20 | |
You and me are in the middle of 30 shades of crap right now... | 0:20:20 | 0:20:22 | |
Yeah, I won't argue with that. | 0:20:22 | 0:20:24 | |
..and I lied to you about the morning-after pill, | 0:20:24 | 0:20:27 | |
and you lied to me about how having Joe really made you feel - | 0:20:27 | 0:20:30 | |
and I hurt you... | 0:20:30 | 0:20:32 | |
..and you hurt me. I know that much. | 0:20:33 | 0:20:35 | |
-As far as pep talks go, love, this is right up there. -Oh, shut up! | 0:20:35 | 0:20:37 | |
Before I kiss you again. | 0:20:37 | 0:20:39 | |
I love you, Paul Hughes, | 0:20:39 | 0:20:41 | |
and you love me. | 0:20:41 | 0:20:43 | |
Maybe if I hadn't talked you out of getting that tattoo | 0:20:43 | 0:20:45 | |
you wanted done in Blackpool that time, | 0:20:45 | 0:20:47 | |
I wouldn't have had to say this out loud - | 0:20:47 | 0:20:49 | |
I could've just pointed at that mermaid | 0:20:49 | 0:20:51 | |
with our names written on her breasts | 0:20:51 | 0:20:52 | |
-and you would have known what I meant. -OK. | 0:20:52 | 0:20:55 | |
We can sort this out. | 0:20:55 | 0:20:58 | |
All right? | 0:20:58 | 0:20:59 | |
You and me. | 0:20:59 | 0:21:00 | |
Do you believe me? | 0:21:02 | 0:21:05 | |
Yeah. I do. | 0:21:05 | 0:21:06 | |
Yeah, I do believe you - | 0:21:06 | 0:21:07 | |
but that doesn't mean that this is sorted out, OK? | 0:21:07 | 0:21:09 | |
I know, I know - but for now, for today... | 0:21:09 | 0:21:13 | |
buck your ideas up and get back in there with a smile, | 0:21:13 | 0:21:16 | |
cos we're going to make this work - all of it. | 0:21:16 | 0:21:18 | |
The restaurant, me, you... | 0:21:18 | 0:21:23 | |
Joe, Rebecca, all of it. | 0:21:23 | 0:21:25 | |
Because we always have, and we always will. | 0:21:25 | 0:21:28 | |
All right? | 0:21:28 | 0:21:30 | |
Thanks, love. | 0:21:32 | 0:21:34 | |
Now, get back in there and make the speech of your life. | 0:21:36 | 0:21:38 | |
Oh, no! No speeches. | 0:21:38 | 0:21:40 | |
MUSIC: Too Much Too Young by The Specials | 0:21:40 | 0:21:44 | |
There you go. | 0:21:44 | 0:21:46 | |
I don't think there's an appropriate moment to discuss this. | 0:21:50 | 0:21:52 | |
Maybe not, but there's an inappropriate moment, and it's now. | 0:21:52 | 0:21:55 | |
I'm late. | 0:21:55 | 0:21:56 | |
Why do you want to stay? | 0:21:56 | 0:21:58 | |
You don't even have a proper job, | 0:21:58 | 0:22:00 | |
-and all I get is heartache and earache. -I'm late. | 0:22:00 | 0:22:02 | |
For what? Thought I was the one that was supposed to be late. | 0:22:02 | 0:22:05 | |
Ugh, wish I hadn't started this now. | 0:22:05 | 0:22:07 | |
My period is late. | 0:22:07 | 0:22:09 | |
-Your period's never late. -I know. | 0:22:09 | 0:22:11 | |
That's one of the reasons I fell in love with you. | 0:22:11 | 0:22:13 | |
I think I might be pregnant. | 0:22:13 | 0:22:14 | |
That's why I don't want to move. | 0:22:17 | 0:22:19 | |
GLASS CLINKS | 0:22:19 | 0:22:20 | |
Ladies and gentlemen, can we have a bit of quiet, please, | 0:22:20 | 0:22:23 | |
while mine host says a few words? | 0:22:23 | 0:22:25 | |
Speech! | 0:22:25 | 0:22:27 | |
Er... | 0:22:27 | 0:22:28 | |
Go on, mate. | 0:22:28 | 0:22:30 | |
No pressure! | 0:22:31 | 0:22:33 | |
I told my wife Alison that I wouldn't be making any speeches, | 0:22:35 | 0:22:38 | |
and for those of you that know her, you won't be surprised to see me | 0:22:38 | 0:22:41 | |
standing here right now doing just that. | 0:22:41 | 0:22:43 | |
-LAUGHTER -Er... | 0:22:43 | 0:22:45 | |
So, yeah, I started with a book, | 0:22:45 | 0:22:47 | |
how to start and run your own gastro-pub, | 0:22:47 | 0:22:50 | |
and here we are, nine months later - | 0:22:50 | 0:22:52 | |
we've got a kitchen, 20 tables and a launch. | 0:22:52 | 0:22:55 | |
Still haven't read that bloody book. | 0:22:55 | 0:22:57 | |
-It shows. -I know. -LAUGHTER | 0:22:57 | 0:22:59 | |
Thank you, my love. Er... | 0:22:59 | 0:23:01 | |
Thank you for coming. | 0:23:01 | 0:23:02 | |
If I'd known the weather was going to turn out like this... | 0:23:02 | 0:23:05 | |
-Hey, you haven't seen Joe? -No, I thought he was with you. | 0:23:05 | 0:23:08 | |
Now, listen, if you've had a nice time, and you've enjoyed the food, | 0:23:08 | 0:23:11 | |
then please tell all your mates... | 0:23:11 | 0:23:13 | |
and if you haven't had a nice time, and you think the food is shite, | 0:23:13 | 0:23:16 | |
then, you know, keep quiet - it's free. | 0:23:16 | 0:23:18 | |
-LAUGHTER -The Fellside. Thank you. | 0:23:18 | 0:23:20 | |
ALL: The Fellside! | 0:23:20 | 0:23:21 | |
My lad's out there, and there's snow on the high ground | 0:23:47 | 0:23:50 | |
and the forecast is shit, | 0:23:50 | 0:23:51 | |
and there's people who want to get out there and get looking, what... | 0:23:51 | 0:23:54 | |
why are we wasting time doing this? | 0:23:54 | 0:23:56 | |
Trust me, the last thing we need | 0:23:56 | 0:23:58 | |
is a posse of well-meaning mint-cakers arse-deep in snow. | 0:23:58 | 0:24:02 | |
That's why my lads are just trying to get some ground rules in place. | 0:24:02 | 0:24:06 | |
First thing you need to know is that most five-year-olds are found | 0:24:06 | 0:24:09 | |
close by where they went missing. | 0:24:09 | 0:24:11 | |
We've got four officers on foot and we've got four patrol cars | 0:24:11 | 0:24:15 | |
looking in parks and streets within half a mile... | 0:24:15 | 0:24:18 | |
-Right, I've heard enough, I'm going. -Hang on, Alison. -Please, love. | 0:24:18 | 0:24:22 | |
Look, let's just wait till we hear from your home, OK? | 0:24:22 | 0:24:25 | |
If he's not there, we can scale up - and sharpish, believe me. | 0:24:25 | 0:24:29 | |
He'll have gone home, won't he? | 0:24:29 | 0:24:30 | |
Course he will. I bet you, eh? | 0:24:30 | 0:24:32 | |
There, that's the most recent one. I took that last week. | 0:24:32 | 0:24:35 | |
Thanks. | 0:24:35 | 0:24:37 | |
-Can we get that printed off? -Yeah, no problem. | 0:24:37 | 0:24:39 | |
Joe? | 0:24:46 | 0:24:48 | |
Joe? | 0:24:48 | 0:24:49 | |
Joe? | 0:24:49 | 0:24:51 | |
Joe?! | 0:24:51 | 0:24:52 | |
Joe? | 0:24:54 | 0:24:55 | |
Joe? | 0:24:55 | 0:24:57 | |
We know what he was wearing - headphones, likely, as well. | 0:24:57 | 0:25:01 | |
PHONE RINGS | 0:25:01 | 0:25:03 | |
Hello. | 0:25:03 | 0:25:04 | |
Yeah, well, look - just use a couple of hobby bobbies | 0:25:09 | 0:25:12 | |
to search near the garages and that near the house, yeah? | 0:25:12 | 0:25:15 | |
We have to tell him, you do know that, don't you? | 0:25:15 | 0:25:17 | |
Did you hear what he just said? He's most likely at home. | 0:25:17 | 0:25:19 | |
No, he didn't, Alison. He didn't say that. | 0:25:19 | 0:25:21 | |
Just... Look, what if we tell everyone about Joe's problems now | 0:25:21 | 0:25:24 | |
and then it turns out he was at home all along? | 0:25:24 | 0:25:26 | |
-Look... -Just think about it - think about it for one minute. | 0:25:26 | 0:25:29 | |
How would that be for him? | 0:25:29 | 0:25:30 | |
He'd be the autistic kid that went missing for the rest of his life. | 0:25:30 | 0:25:33 | |
Mum's right. Don't want him to be the village freak. | 0:25:33 | 0:25:36 | |
Maurice, surely you agree with me. | 0:25:39 | 0:25:41 | |
I don't know. | 0:25:41 | 0:25:42 | |
What do you mean, you don't know? | 0:25:42 | 0:25:43 | |
You always know! | 0:25:43 | 0:25:45 | |
Yeah, just like you knew he'd be safe with you. | 0:25:45 | 0:25:47 | |
So, er... | 0:25:49 | 0:25:51 | |
You say he does do a bit of wandering off on his own? | 0:25:51 | 0:25:54 | |
No, no, he doesn't go wandering off - | 0:25:54 | 0:25:56 | |
he goes for a walk every morning, just near the house. | 0:25:56 | 0:25:58 | |
On his own? At five years old? | 0:25:58 | 0:26:01 | |
We knew where he was. | 0:26:01 | 0:26:03 | |
And where was that? | 0:26:03 | 0:26:04 | |
PHONE RINGS | 0:26:04 | 0:26:06 | |
Sorry, guys. | 0:26:06 | 0:26:08 | |
Right. | 0:26:12 | 0:26:13 | |
Right, OK. Thanks. | 0:26:15 | 0:26:17 | |
Joe's not at the house. | 0:26:19 | 0:26:21 | |
They've searched the gardens and the outbuildings | 0:26:21 | 0:26:23 | |
and nearby farm buildings. | 0:26:23 | 0:26:25 | |
We'll scale our operation up, | 0:26:25 | 0:26:27 | |
but I need you to talk to the volunteers | 0:26:27 | 0:26:30 | |
and give them all the details you can. | 0:26:30 | 0:26:33 | |
You know, medical conditions. | 0:26:33 | 0:26:35 | |
You and Maurice both said he had a bit of a problem. | 0:26:35 | 0:26:38 | |
With his hearing. | 0:26:44 | 0:26:46 | |
Well, he's, um... | 0:26:50 | 0:26:51 | |
He's a bit different to, er...other five-year-olds. | 0:26:51 | 0:26:57 | |
And... | 0:26:57 | 0:26:59 | |
He doesn't always do what you think a kid his age might do. | 0:26:59 | 0:27:03 | |
Will you, er...tell them a bit more about that, Alison? | 0:27:04 | 0:27:08 | |
Well, um... | 0:27:09 | 0:27:11 | |
He might not want to talk to you, if you do find him. | 0:27:13 | 0:27:16 | |
And, er...he might... | 0:27:17 | 0:27:20 | |
No, he will - he will be wearing headphones, | 0:27:20 | 0:27:22 | |
so shouting his name isn't... | 0:27:22 | 0:27:24 | |
I mean, it will be worth a try, | 0:27:24 | 0:27:26 | |
but even if he isn't wearing headphones, | 0:27:26 | 0:27:28 | |
he tends to be a bit... | 0:27:28 | 0:27:29 | |
..just, dreamy. So... | 0:27:31 | 0:27:34 | |
..he could've gone off anywhere. | 0:27:36 | 0:27:38 | |
And, um... | 0:27:39 | 0:27:41 | |
Yeah, and he's not great with people talking directly to him, so... | 0:27:41 | 0:27:46 | |
He's, you know, he's not just going to come running if he sees you. | 0:27:46 | 0:27:51 | |
-He loves pop music. -Yeah. -A lot. -Yeah. | 0:27:51 | 0:27:54 | |
So, any music that you've got on your phones or your car stereos, | 0:27:54 | 0:27:58 | |
or your iPods, anything like that, just... | 0:27:58 | 0:28:02 | |
Cos he feels safe with music. | 0:28:02 | 0:28:04 | |
What Alison and Paul are trying to tell you is that, er... | 0:28:04 | 0:28:07 | |
he's on the, um... | 0:28:07 | 0:28:08 | |
..that...he's got autism. | 0:28:10 | 0:28:12 | |
Is that right? He's autistic. | 0:28:16 | 0:28:18 | |
Yes, Joe's on the autism spectrum. | 0:28:21 | 0:28:23 | |
And what does that mean, exactly, Alison? | 0:28:23 | 0:28:24 | |
You know, in terms of helping to find him. | 0:28:24 | 0:28:27 | |
It means a lot of things. It means... | 0:28:31 | 0:28:33 | |
The main thing is that he might not know that he's lost... | 0:28:35 | 0:28:39 | |
or in danger. | 0:28:39 | 0:28:40 | |
That's the difference, that's the real difference. | 0:28:40 | 0:28:43 | |
Right, groups of two or more people. | 0:28:45 | 0:28:48 | |
We do not want to waste time looking for you, as well. | 0:28:48 | 0:28:52 | |
How long were you in the living room with Louise? | 0:28:55 | 0:28:58 | |
I'd say 15 minutes. | 0:28:58 | 0:29:00 | |
Maurice, Joe's missing... | 0:29:00 | 0:29:02 | |
so, if you were upstairs shagging, and you're too embarrassed to say, | 0:29:02 | 0:29:06 | |
you'd better get over that. | 0:29:06 | 0:29:07 | |
For God's sake, we were in the living room. Why would I lie? | 0:29:07 | 0:29:10 | |
Did, um... | 0:29:11 | 0:29:13 | |
Did Ralph seem overfamiliar with Joe at all | 0:29:13 | 0:29:15 | |
when you saw them together? | 0:29:15 | 0:29:17 | |
What's this all about? All that stuff on the bus from years ago? | 0:29:17 | 0:29:20 | |
We both know that's bollocks - you said it was. | 0:29:20 | 0:29:23 | |
Yeah, it was, but...there's a child missing now, | 0:29:23 | 0:29:25 | |
so nothing's off the table. | 0:29:25 | 0:29:27 | |
Ralph did nothing wrong then, and he's done nothing wrong now. | 0:29:27 | 0:29:30 | |
-Joe ran off. -He wouldn't hurt a fly! | 0:29:30 | 0:29:33 | |
You KNOW that, do you? | 0:29:33 | 0:29:34 | |
It's just a feeling I get about people, | 0:29:34 | 0:29:36 | |
and I trust my feelings. | 0:29:36 | 0:29:37 | |
Trust your feelings enough to bet Joe's life on 'em? | 0:29:37 | 0:29:40 | |
Maurice? | 0:29:45 | 0:29:47 | |
Maurice, you can't go shooting off up the hills on your own, | 0:29:47 | 0:29:50 | |
like some tourist. | 0:29:50 | 0:29:51 | |
I know these hills like the back of my hand. | 0:29:51 | 0:29:53 | |
You lot can all go whistling into the wind. | 0:29:53 | 0:29:54 | |
I lost him, I'll find him. | 0:29:54 | 0:29:56 | |
Look, Alison doesn't really think that, Maurice! | 0:29:56 | 0:29:59 | |
Oh, doesn't she? Well, I do. | 0:29:59 | 0:30:00 | |
No, love, listen, it's best that you stay here for when he comes home. | 0:30:15 | 0:30:18 | |
Just call me if you hear anything, anything at all. | 0:30:18 | 0:30:21 | |
Yeah, of course, I will, course. | 0:30:21 | 0:30:23 | |
Right, then, love, are you ready? | 0:30:27 | 0:30:29 | |
I've said he's got autism because people don't understand | 0:30:29 | 0:30:32 | |
if you just say he's on the spectrum. | 0:30:32 | 0:30:34 | |
Good, yeah, that's great. | 0:30:34 | 0:30:35 | |
Right, come on, then. | 0:30:40 | 0:30:42 | |
Hang on, hang on. | 0:30:44 | 0:30:46 | |
It's just boys being stupid. | 0:30:49 | 0:30:50 | |
I just hope Joe understands why we did this when he's 16. | 0:30:51 | 0:30:55 | |
Once on the internet, always on the internet. | 0:30:55 | 0:30:57 | |
Yeah, exactly. | 0:30:57 | 0:30:59 | |
Exactly, just like what Luke and his mate are writing about you. | 0:30:59 | 0:31:04 | |
That's not what I was talking about, Dad. | 0:31:04 | 0:31:05 | |
I'm going to kick his arse from here to Barrow-in-Furness. | 0:31:05 | 0:31:08 | |
Well, that's not going to help find Joe, is it? | 0:31:08 | 0:31:10 | |
Now, you listen to me, you're worth 100 of him. | 0:31:10 | 0:31:12 | |
Don't you ever forget that. | 0:31:12 | 0:31:15 | |
He's a piece of shit that you need to scrape off your shoe. | 0:31:15 | 0:31:18 | |
Come on. | 0:31:21 | 0:31:22 | |
You've got nothing to be scared of. | 0:31:23 | 0:31:26 | |
The police just want to ask you some questions, | 0:31:26 | 0:31:28 | |
so you can help them find Joe. | 0:31:28 | 0:31:29 | |
I don't want to talk to the police. | 0:31:29 | 0:31:31 | |
It won't be like last time. | 0:31:31 | 0:31:32 | |
It won't. I'll knock them through. | 0:31:32 | 0:31:34 | |
Ralph, you can't go hitting policemen, love. | 0:31:36 | 0:31:38 | |
How long have we known each other, pal? | 0:31:38 | 0:31:40 | |
I told him to stay in his garden. | 0:31:40 | 0:31:42 | |
But you were here in the kitchen when he left. | 0:31:42 | 0:31:46 | |
I'm telling the truth. | 0:31:46 | 0:31:47 | |
I know, love, and so does Bob. | 0:31:47 | 0:31:49 | |
Don't you, Bob? | 0:31:49 | 0:31:50 | |
MUSIC: Mardy Bum by Arctic Monkeys | 0:32:03 | 0:32:08 | |
MUSIC: Upside Down by Paloma Faith | 0:32:14 | 0:32:18 | |
-THEY SING: -# Angels watching over me with smiles upon their face | 0:32:21 | 0:32:26 | |
# Cos I have made it through this far... # | 0:32:26 | 0:32:29 | |
Joe! | 0:32:29 | 0:32:31 | |
MUSIC: Going Underground by The Jam | 0:32:31 | 0:32:34 | |
Joe! | 0:32:34 | 0:32:35 | |
Joe! | 0:32:37 | 0:32:39 | |
Come on, fella! | 0:32:39 | 0:32:40 | |
Turn that up, turn that up. | 0:32:43 | 0:32:45 | |
# Going underground, underground | 0:32:52 | 0:32:55 | |
# Underground... # | 0:32:57 | 0:32:58 | |
SHE SIGHS | 0:33:03 | 0:33:05 | |
Joe! | 0:33:11 | 0:33:12 | |
Joe! Come on, son! | 0:33:17 | 0:33:19 | |
Stupid, stupid, stupid! | 0:33:36 | 0:33:39 | |
# Lost your love of life | 0:33:48 | 0:33:51 | |
# Too much apple pie | 0:33:51 | 0:33:53 | |
# Oh, have you lost your love of life? | 0:33:55 | 0:33:57 | |
# Too much apple pie | 0:33:58 | 0:34:00 | |
# Now Charlie's walked away | 0:34:02 | 0:34:05 | |
# With Johnny's wife. # | 0:34:05 | 0:34:07 | |
Joe! | 0:34:09 | 0:34:11 | |
Joe! | 0:34:11 | 0:34:12 | |
Joe! | 0:34:15 | 0:34:17 | |
MUSIC: The Story Of The Blues by The Mighty Wah | 0:34:20 | 0:34:24 | |
# Here in my bucket I've got the story of the blues... | 0:34:24 | 0:34:30 | |
# Cos it could be front-page news. # | 0:34:36 | 0:34:40 | |
SHE SIGHS | 0:35:01 | 0:35:02 | |
Joe! | 0:35:42 | 0:35:43 | |
MUSIC: Don't You Want Me by The Human League | 0:36:21 | 0:36:26 | |
Joe! | 0:36:30 | 0:36:32 | |
Joe! | 0:36:36 | 0:36:38 | |
Joe! | 0:36:48 | 0:36:50 | |
What is it? | 0:36:54 | 0:36:56 | |
What is it? What have you heard? Have they found him? | 0:36:56 | 0:36:58 | |
Nothing yet, I just thought you might want somebody with you. | 0:36:58 | 0:37:01 | |
Half the town's out looking for him | 0:37:01 | 0:37:03 | |
and there's something I want to tell you. | 0:37:03 | 0:37:05 | |
What do you...? | 0:37:10 | 0:37:11 | |
What do you think of Ralph? | 0:37:13 | 0:37:16 | |
Ralph, he's the lollipop man, I see him every day. Why? | 0:37:16 | 0:37:19 | |
Why are you asking me about Ralph? | 0:37:19 | 0:37:20 | |
I don't know, he was the last person to see Joe. | 0:37:20 | 0:37:23 | |
And he's Down's, so that means he's suspicious, does it? | 0:37:24 | 0:37:27 | |
No, not at all, it's just something Bob Herd mentioned, | 0:37:27 | 0:37:30 | |
well, reminded me of, really. | 0:37:30 | 0:37:32 | |
Something or nothing, but if I didn't tell you and you heard | 0:37:32 | 0:37:35 | |
-the rumours from somebody else... -What? What? | 0:37:35 | 0:37:37 | |
What rumours? What's Ralph supposed to have done? | 0:37:37 | 0:37:39 | |
Years back, a couple of bullies said he touched a girl's leg on the bus. | 0:37:39 | 0:37:44 | |
He was interviewed by the police. | 0:37:44 | 0:37:46 | |
There was nothing come of it, you know. | 0:37:46 | 0:37:49 | |
The lads admitted they were lying, you know, to wind Ralph up. | 0:37:49 | 0:37:53 | |
They're a pair of scumbags. | 0:37:53 | 0:37:54 | |
So, you've just told me that Ralph was accused of something | 0:37:56 | 0:37:59 | |
that he hadn't done a long time ago. | 0:37:59 | 0:38:01 | |
I don't... | 0:38:01 | 0:38:02 | |
What am I supposed to do with that? | 0:38:02 | 0:38:04 | |
Why would...? | 0:38:04 | 0:38:06 | |
Why are you telling me this?! | 0:38:06 | 0:38:07 | |
Because if, God forbid, something has happened to Joe... | 0:38:07 | 0:38:09 | |
Because God forbid that you might just feel a bit guilty | 0:38:09 | 0:38:12 | |
that Joe went missing on your watch! | 0:38:12 | 0:38:13 | |
There's no "might just" about it. | 0:38:13 | 0:38:16 | |
Ralph can't speak up for himself, | 0:38:17 | 0:38:19 | |
you might want to just think about that. | 0:38:19 | 0:38:21 | |
Oh, God. Can you just stay here? | 0:38:22 | 0:38:24 | |
Because someone has to be here in case Joe comes home. | 0:38:24 | 0:38:26 | |
Where are you going? | 0:38:26 | 0:38:28 | |
It's just a precaution at this stage. | 0:38:58 | 0:39:00 | |
Oh, it's stupid. I just thought I'd... | 0:39:13 | 0:39:18 | |
I thought if I saw the police, I would know where he went, | 0:39:18 | 0:39:20 | |
-like, by magic or something. -I get that. | 0:39:20 | 0:39:22 | |
Ralph, hiya. | 0:39:26 | 0:39:28 | |
Look, you know you're not in trouble, don't you? | 0:39:29 | 0:39:32 | |
Not with me and not with Joe's dad. | 0:39:32 | 0:39:34 | |
But if you remember anything, just anything, anything Joe said, | 0:39:36 | 0:39:40 | |
anything that you said... | 0:39:40 | 0:39:42 | |
Ralph? | 0:39:43 | 0:39:44 | |
Hey, come and sit down. | 0:39:47 | 0:39:49 | |
-I don't like Inspector Herd very much. Do you? -No. | 0:39:53 | 0:39:57 | |
-I don't like him. -Yeah. | 0:39:57 | 0:39:58 | |
Was there anything that happened, Ralph? Was... | 0:40:00 | 0:40:03 | |
Like, not on purpose. | 0:40:03 | 0:40:05 | |
But... | 0:40:05 | 0:40:06 | |
Were you playing a game? | 0:40:06 | 0:40:08 | |
-Maybe just get a bit mixed up? -Alison... | 0:40:09 | 0:40:12 | |
Ralph hasn't done anything to Joe. | 0:40:12 | 0:40:15 | |
He didn't do anything to Joe. | 0:40:15 | 0:40:18 | |
He's honest. | 0:40:19 | 0:40:20 | |
Too honest, if anything. | 0:40:20 | 0:40:23 | |
Now, I know you want to talk to him, | 0:40:23 | 0:40:24 | |
and I get that, really, but that's enough. | 0:40:24 | 0:40:27 | |
As one mum to another, I am telling you | 0:40:27 | 0:40:29 | |
he's had enough. | 0:40:29 | 0:40:31 | |
Got to ask you this... | 0:40:31 | 0:40:33 | |
Somebody said there was, like... | 0:40:33 | 0:40:35 | |
..like, a misunderstanding a few years back. | 0:40:36 | 0:40:39 | |
He was on a bus or something...? | 0:40:39 | 0:40:41 | |
God, that bastard Bob Herd told you that, did he? | 0:40:41 | 0:40:45 | |
A misunderstanding? | 0:40:45 | 0:40:47 | |
That boy was bullied, he was lied about, he was the victim. | 0:40:47 | 0:40:51 | |
Did Bob Herd tell you that? | 0:40:51 | 0:40:52 | |
I'm sorry, I've just got to find Joe. I feel like I'm the only person | 0:40:52 | 0:40:55 | |
that can find him. SHE INHALES SHARPLY | 0:40:55 | 0:40:58 | |
I know that, and I know you're in hell right now... | 0:40:59 | 0:41:03 | |
but Ralph doesn't know anything. | 0:41:03 | 0:41:05 | |
WATER LAPS | 0:41:09 | 0:41:11 | |
Joe?! | 0:41:15 | 0:41:16 | |
FROM PHONE: What Do I Get by The Buzzcocks | 0:41:26 | 0:41:28 | |
Joe?! | 0:41:28 | 0:41:29 | |
# I just want a lover like any other | 0:41:32 | 0:41:35 | |
# What do I get?... # | 0:41:35 | 0:41:36 | |
ALISON: Paul? | 0:41:36 | 0:41:38 | |
Paul? | 0:41:38 | 0:41:39 | |
Come here. | 0:41:39 | 0:41:40 | |
I just thought, you know, places that we'd been. | 0:41:43 | 0:41:46 | |
Yeah, I know, me too. | 0:41:46 | 0:41:47 | |
I was looking at his things. I was looking at his pictures, | 0:41:47 | 0:41:50 | |
and his writing, and his terrible, terrible colouring-in and I just... | 0:41:50 | 0:41:54 | |
-If we find him... -When we find him, Alison. | 0:41:54 | 0:41:56 | |
WHEN we find him. "When", not "if". | 0:41:56 | 0:41:58 | |
If I find him, I don't want to change anything about him any more. | 0:41:58 | 0:42:01 | |
I just want him back. I want Joe. | 0:42:02 | 0:42:06 | |
-Joe, as he is. -We'll find him. | 0:42:06 | 0:42:09 | |
-You remember the last thing that you said to him? -Don't do this. | 0:42:10 | 0:42:12 | |
-Don't do this now. -Can't remember the last thing I said to him, | 0:42:12 | 0:42:15 | |
and I think that I was short with him, and I just want him back. | 0:42:15 | 0:42:18 | |
I want our lovely little boy. | 0:42:18 | 0:42:20 | |
Come here. | 0:42:20 | 0:42:21 | |
We'll find him. I promise you, we'll find him. | 0:42:22 | 0:42:25 | |
-OK? I promise. -SHE SOBS | 0:42:25 | 0:42:27 | |
-MOBILE RINGS -Wait a minute. | 0:42:27 | 0:42:29 | |
Hello? | 0:42:29 | 0:42:31 | |
CHATTER ON POLICE RADIO | 0:42:34 | 0:42:36 | |
-Bob? -This must have been where | 0:42:37 | 0:42:39 | |
he was coming every day. | 0:42:39 | 0:42:41 | |
Look at that stuff he found. | 0:42:41 | 0:42:43 | |
Our lads missed it on the first sweep. | 0:42:44 | 0:42:47 | |
-Your sister-in-law found it. -This is new. | 0:42:47 | 0:42:50 | |
He only had this this morning. He's been here. | 0:42:50 | 0:42:52 | |
-Are you sure, Alison? -Yeah. | 0:42:52 | 0:42:54 | |
-There's loads of those toys around. -No, no, | 0:42:54 | 0:42:56 | |
because he wouldn't normally go for something like this. | 0:42:56 | 0:42:58 | |
It's only because Rebecca gave it to him this morning... | 0:42:58 | 0:43:01 | |
and she'd been away... | 0:43:01 | 0:43:03 | |
and he missed her. | 0:43:03 | 0:43:04 | |
Right, OK. | 0:43:09 | 0:43:10 | |
So what now, Bob? | 0:43:11 | 0:43:12 | |
We focus on this area. | 0:43:14 | 0:43:16 | |
We focus all our resources down here. | 0:43:16 | 0:43:17 | |
What fucking resources, though, Bob? I've seen about three coppers. | 0:43:17 | 0:43:20 | |
Come here. Come on, come on. | 0:43:20 | 0:43:22 | |
-Shh. -No, but when you see this on the news there's hundreds - | 0:43:22 | 0:43:24 | |
where is everybody? | 0:43:24 | 0:43:26 | |
Look... | 0:43:26 | 0:43:27 | |
with it being this close to the water, and with him being missing | 0:43:27 | 0:43:30 | |
for this amount of time, | 0:43:30 | 0:43:32 | |
we're getting the underwater team in. | 0:43:32 | 0:43:34 | |
(I can't...) | 0:43:44 | 0:43:46 | |
# Hashtag trophy Hashtag trophy... # | 0:44:03 | 0:44:06 | |
What are you doing? | 0:44:08 | 0:44:09 | |
What everybody's doing - trying to help find your brother. | 0:44:09 | 0:44:12 | |
We saw on your Facebook that he was missing. | 0:44:12 | 0:44:14 | |
Oh, yeah, you've been really busy online, haven't you? | 0:44:14 | 0:44:16 | |
My dad was well impressed. | 0:44:16 | 0:44:19 | |
-Is there a reward? -Yeah, a brain. | 0:44:19 | 0:44:21 | |
I'd go for it, if I were you. | 0:44:21 | 0:44:23 | |
You just parked. Like, what use is that? | 0:44:23 | 0:44:25 | |
He doesn't even like this kind of music. | 0:44:25 | 0:44:27 | |
All right. All right, sister. | 0:44:27 | 0:44:30 | |
Well, drive. | 0:44:30 | 0:44:31 | |
ENGINE ROARS, TYRES SQUEAL | 0:44:31 | 0:44:33 | |
The sort of prick who gives pricks a bad name. | 0:44:35 | 0:44:38 | |
# Hashtag Trophy Hashtag trophy... # | 0:44:41 | 0:44:43 | |
-Should we turn back and get him? -HE SCOFFS | 0:44:45 | 0:44:47 | |
Don't know how you put up with her for so long, you know what I mean? | 0:44:47 | 0:44:50 | |
Her mouth is the only reason I'm not making a move there myself. | 0:44:50 | 0:44:53 | |
She's all right. | 0:44:53 | 0:44:55 | |
In the dark, maybe. | 0:44:55 | 0:44:57 | |
If you're deaf. | 0:44:57 | 0:44:59 | |
Shut up, will you? | 0:44:59 | 0:45:00 | |
But it's not as though... You know what I mean, | 0:45:00 | 0:45:02 | |
once you've boned her, it's like, right - what have you got to talk about? | 0:45:02 | 0:45:05 | |
-HE SNIFFS -Anything, really. | 0:45:07 | 0:45:10 | |
Anything at all. | 0:45:10 | 0:45:11 | |
-Stop, stop, stop! -What? | 0:45:13 | 0:45:15 | |
-Pull over. Just pull over here. -Why? | 0:45:15 | 0:45:17 | |
-Just pull over. -Where are you going? | 0:45:17 | 0:45:19 | |
Just stay here - just wait. | 0:45:19 | 0:45:20 | |
Luke? | 0:45:20 | 0:45:22 | |
HE PANTS | 0:45:31 | 0:45:33 | |
Joe? | 0:45:35 | 0:45:36 | |
Are you all right, Joe? | 0:45:40 | 0:45:41 | |
A-Are you all right? | 0:45:44 | 0:45:46 | |
It so definitely is. | 0:46:01 | 0:46:03 | |
Joe? | 0:46:03 | 0:46:04 | |
Joe! | 0:46:04 | 0:46:06 | |
Oh, my boy! | 0:46:06 | 0:46:08 | |
My boy. | 0:46:08 | 0:46:09 | |
Let me look at ya. | 0:46:09 | 0:46:11 | |
Oh, let me just look at you. | 0:46:11 | 0:46:13 | |
-"My boy." -Yeah, you're my boy. | 0:46:13 | 0:46:15 | |
Oh, let me have a cuddle, come here. | 0:46:15 | 0:46:17 | |
Oh! | 0:46:17 | 0:46:19 | |
Top lad. | 0:46:19 | 0:46:20 | |
Top lad. What are you? | 0:46:21 | 0:46:24 | |
A top lad? | 0:46:24 | 0:46:25 | |
-Yes. -Yes, you are. | 0:46:25 | 0:46:27 | |
We'll get the doc by to check him out, but he seems fine. | 0:46:27 | 0:46:30 | |
He can't tell us anything, | 0:46:30 | 0:46:32 | |
but as far as we can make out he's nothing worse than cold and hungry. | 0:46:32 | 0:46:35 | |
Where did you find him? | 0:46:35 | 0:46:37 | |
-At a bus stop. -At a bus stop? | 0:46:37 | 0:46:39 | |
Hey, now. Come here. | 0:46:39 | 0:46:41 | |
Now, what were you doing at a bus stop, eh? | 0:46:41 | 0:46:44 | |
Where were you going? | 0:46:44 | 0:46:46 | |
Hey, big fella. | 0:46:46 | 0:46:47 | |
How'd you get that far? | 0:46:47 | 0:46:50 | |
You must have Grandad's lungs. | 0:46:50 | 0:46:52 | |
ALISON LAUGHS | 0:46:52 | 0:46:54 | |
Thank you. | 0:46:57 | 0:46:58 | |
Me and you will talk again. | 0:46:59 | 0:47:02 | |
-How do you mean? -Don't think that finding Joe | 0:47:02 | 0:47:04 | |
makes you a good person. | 0:47:04 | 0:47:05 | |
It just makes you a twat who did a good thing. | 0:47:05 | 0:47:08 | |
What was that about? | 0:47:13 | 0:47:15 | |
Bit of old-school parenting. | 0:47:15 | 0:47:16 | |
We should get you inside. Come on, let's go home. | 0:47:16 | 0:47:19 | |
Let's get home. | 0:47:19 | 0:47:21 | |
Come on. | 0:47:21 | 0:47:22 | |
Good job we found him when we did... | 0:47:37 | 0:47:40 | |
I think Bob Herd was about to go home and get his guitar. | 0:47:40 | 0:47:43 | |
Oh, God. | 0:47:43 | 0:47:44 | |
I blame you for this, you know. | 0:47:44 | 0:47:46 | |
All that hanging around at bus stops, you've given him ideas. | 0:47:46 | 0:47:48 | |
It was brilliant though, wasn't it, | 0:47:48 | 0:47:50 | |
the fact that he thought of going to a bus stop? | 0:47:50 | 0:47:52 | |
-On the wrong side of the road. -Can't have everything. | 0:47:52 | 0:47:54 | |
How do you know it was the wrong side of the road? | 0:47:54 | 0:47:56 | |
Maybe he was just trying to run away from this madhouse. | 0:47:56 | 0:47:59 | |
-Fair point. -He wasn't running away, though, was he? He was just walking. | 0:47:59 | 0:48:02 | |
We all decided he was running away, | 0:48:04 | 0:48:06 | |
but in his head he was just walking. | 0:48:06 | 0:48:08 | |
We're imposing our narrative on his inner state, which... | 0:48:08 | 0:48:12 | |
we have no way of knowing anything about. | 0:48:12 | 0:48:14 | |
Anybody else feel like they've just walked into a cryptic crossword? | 0:48:20 | 0:48:23 | |
That's what happens when you try and raise the tone, Nicola. | 0:48:23 | 0:48:26 | |
Come on, then. | 0:48:28 | 0:48:29 | |
Come on, what do we sing? | 0:48:30 | 0:48:31 | |
Oh, I'm not telling you that. | 0:48:31 | 0:48:33 | |
That's not a fair question. | 0:48:33 | 0:48:34 | |
No, come on - what did we sing when we all ran out of Joe's songs? | 0:48:34 | 0:48:37 | |
Maurice? Well, I might have dipped into me | 0:48:37 | 0:48:40 | |
Sinatra repertoire in a particularly dark moment. | 0:48:40 | 0:48:43 | |
Christ, no wonder he's waiting for a bus to Kendal. | 0:48:43 | 0:48:46 | |
Will you put him to bed for me, love? | 0:48:46 | 0:48:48 | |
I just need to go and see someone. | 0:48:48 | 0:48:49 | |
Yeah. | 0:48:49 | 0:48:50 | |
DOOR CLICKS SHUT | 0:48:56 | 0:48:57 | |
MUSIC SEEPS FROM HEADPHONES | 0:49:01 | 0:49:03 | |
Hiya. | 0:49:15 | 0:49:17 | |
I'm really sorry that you had to go through that. | 0:49:22 | 0:49:24 | |
I'm sorry that Ralph had to go through that. | 0:49:32 | 0:49:35 | |
I'd have done the same. | 0:49:35 | 0:49:37 | |
Didn't stop me from hating you all for doing it. | 0:49:37 | 0:49:40 | |
Right. | 0:49:41 | 0:49:42 | |
Well, it's been a long day, you know...? | 0:49:46 | 0:49:48 | |
Look... | 0:49:48 | 0:49:49 | |
..I hope my dad brings Joe round again. | 0:49:51 | 0:49:53 | |
Get to know you better. | 0:49:53 | 0:49:55 | |
And Ralph will always be welcome. | 0:49:55 | 0:49:57 | |
Yeah. | 0:49:57 | 0:49:59 | |
Because the village idiots have to stick together, right? | 0:49:59 | 0:50:02 | |
That isn't what I meant. | 0:50:02 | 0:50:03 | |
The angry villagers may not come to the door with pitchforks and torches any more... | 0:50:03 | 0:50:07 | |
but just check out his Facebook page. It's a delight! | 0:50:07 | 0:50:10 | |
People will forget. | 0:50:12 | 0:50:13 | |
Yes, but he won't and I won't. | 0:50:13 | 0:50:16 | |
You've got a child that is different and that's always going to be there. | 0:50:18 | 0:50:22 | |
You've got a child that's different, Alison, | 0:50:24 | 0:50:27 | |
so you know what I'm talking about. | 0:50:27 | 0:50:30 | |
Oh. | 0:50:44 | 0:50:45 | |
False alarm. | 0:50:49 | 0:50:51 | |
My period started. | 0:50:51 | 0:50:52 | |
Oh, right. | 0:50:53 | 0:50:56 | |
You're relieved, to be honest, hey? | 0:50:56 | 0:50:58 | |
Yeah. | 0:50:58 | 0:51:00 | |
You are relieved, aren't you? | 0:51:02 | 0:51:04 | |
Yeah, I am. | 0:51:04 | 0:51:05 | |
Sort of. | 0:51:05 | 0:51:06 | |
You didn't want to start a family right now, did you? | 0:51:08 | 0:51:11 | |
Ahem. | 0:51:23 | 0:51:25 | |
As displacement activities go, the dishwasher is a bit finite. | 0:51:25 | 0:51:28 | |
What I've got to say, there's just no way to say it. | 0:51:28 | 0:51:32 | |
Look, I know it's... | 0:51:34 | 0:51:36 | |
I know it wasn't planned. | 0:51:37 | 0:51:38 | |
-I know it's scary. -I'm not scared. Not of fatherhood, at any rate. | 0:51:40 | 0:51:44 | |
OK... | 0:51:44 | 0:51:46 | |
I'm scared of what I thought when you told me. | 0:51:46 | 0:51:50 | |
-Like what? -I thought, for a moment... I thought... | 0:51:53 | 0:51:57 | |
The very first thought I had when you told me... Am I the father? | 0:51:59 | 0:52:04 | |
-Who else could be the father? -The dates. | 0:52:14 | 0:52:16 | |
When you went to Manchester to see Michael. The dates, it would fit, you know? | 0:52:16 | 0:52:20 | |
Michael. | 0:52:20 | 0:52:21 | |
You don't really think that, do you? | 0:52:26 | 0:52:28 | |
I don't, if I am being rational, I don't. | 0:52:28 | 0:52:31 | |
But that little doubt, that terrible, | 0:52:31 | 0:52:35 | |
terrible idea just sweeps everything else away. | 0:52:35 | 0:52:38 | |
It just blocks out everything that's good about us. It kills everything. | 0:52:38 | 0:52:44 | |
When could this have happened? | 0:52:44 | 0:52:47 | |
When could this...? How could... how could I have slept with Michael? | 0:52:47 | 0:52:52 | |
And how can you think that about me after everything that we have done? | 0:52:52 | 0:52:57 | |
I don't want to be that kind of man, and I am. | 0:52:57 | 0:52:59 | |
I don't want to be in that kind of relationship. | 0:53:00 | 0:53:03 | |
I was looking at Ralph and all I could think was what if that was Joe, | 0:53:08 | 0:53:13 | |
sitting there with a broken heart? | 0:53:13 | 0:53:16 | |
What if that was Joe wondering what he had done wrong? | 0:53:18 | 0:53:21 | |
What if that was Joe that had spent his life being told | 0:53:24 | 0:53:27 | |
to trust the world, only to find that it didn't trust him back? | 0:53:27 | 0:53:31 | |
Well, we're just going to have to surround him | 0:53:34 | 0:53:36 | |
with a family that loves him so much he won't know anything but love. | 0:53:36 | 0:53:39 | |
I think he's got more family than any child should be asked to cope with! | 0:53:39 | 0:53:42 | |
-You know that thing I said? About not wanting to change him. -Yeah... | 0:53:49 | 0:53:56 | |
Well, I meant it when I said it. I don't think I think it now. | 0:53:56 | 0:53:59 | |
Well, I told God if he was safe I'd go to church for a year. | 0:54:03 | 0:54:08 | |
-Am I allowed to break that one too? -No. | 0:54:08 | 0:54:10 | |
Perhaps you could mean it for just a bit longer, hey? | 0:54:15 | 0:54:18 | |
-It feels like grief, doesn't it? -Mm? | 0:54:45 | 0:54:47 | |
Well, that's the nearest I've had to just feeling... | 0:54:50 | 0:54:53 | |
Knowing that there's a boy in there that we could have had, | 0:54:55 | 0:54:59 | |
but we didn't. | 0:54:59 | 0:55:01 | |
It feels like grief to me, anyway. | 0:55:06 | 0:55:08 | |
Eddie! Eddie, this is... | 0:55:24 | 0:55:28 | |
This is insane. | 0:55:28 | 0:55:31 | |
Everybody wants me to be strong and decisive. Well, | 0:55:31 | 0:55:33 | |
here it is, me being strong and decisive. | 0:55:33 | 0:55:35 | |
I think you're confusing strong and decisive with stupid and impulsive. | 0:55:35 | 0:55:39 | |
When I fell in love with you, it's because you said things like that, | 0:55:39 | 0:55:42 | |
and now it's things like that that drive me up the fucking wall! | 0:55:42 | 0:55:44 | |
That can be a pattern in relationships that are going through problems. | 0:55:44 | 0:55:48 | |
And that, too. You're always on the outside commenting on our marriage, | 0:55:48 | 0:55:51 | |
it never feels like you're actually inside it with me! | 0:55:51 | 0:55:55 | |
Eddie, please don't do this! | 0:55:55 | 0:55:57 | |
You know, if you want to move, we can move. | 0:55:57 | 0:56:00 | |
Do you really think that's what this is all about? Hmm? God. | 0:56:00 | 0:56:04 | |
You must think I am a bigger loser than I do. | 0:56:04 | 0:56:07 | |
DOOR SLAMS | 0:56:10 | 0:56:11 | |
DOOR REOPENS | 0:56:13 | 0:56:14 | |
DOOR SLAMS | 0:56:19 | 0:56:21 | |
Can I join in? | 0:56:28 | 0:56:29 | |
Course you can, baby! | 0:56:31 | 0:56:33 | |
Course you can. | 0:56:35 | 0:56:36 | |
# Secret heart, what are you made of? | 0:56:44 | 0:56:50 | |
# What are you so afraid of? | 0:56:51 | 0:56:57 | |
# Could it be three simple words | 0:56:57 | 0:57:04 | |
# Or the fear of being overheard? What's wrong? | 0:57:04 | 0:57:10 | |
# Let her in on your secret heart | 0:57:11 | 0:57:17 | |
# Secret heart, why so mysterious? | 0:57:22 | 0:57:28 | |
# Why so secret, why so serious? | 0:57:29 | 0:57:35 | |
# Maybe you're just acting tough | 0:57:35 | 0:57:41 | |
# Maybe you're just not man enough What's wrong? | 0:57:41 | 0:57:48 | |
# Let her in on your secret heart... # | 0:57:49 | 0:57:54 | |
# Secret heart, come out and share it | 0:58:00 | 0:58:06 | |
# The loneliness, few can bear it... # | 0:58:06 | 0:58:12 | |
# Your secret heart... # | 0:58:41 | 0:58:43 |