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-Mr Scott, twice in one week. You're spoiling me. -Our secret's out. | 0:00:02 | 0:00:04 | |
-Is it such a bad thing? -Yes. | 0:00:04 | 0:00:05 | |
For the first time, today, I thought, "Might be OK, here." | 0:00:05 | 0:00:08 | |
That's a coincidence. For the first time, today, I thought, | 0:00:08 | 0:00:10 | |
"This is never going to work." | 0:00:10 | 0:00:12 | |
It's your family. You're all so intense. I can't see you again. | 0:00:12 | 0:00:14 | |
I'm going to Dad's for the weekend. | 0:00:14 | 0:00:16 | |
Any time you want a lift to your dad's, you only have to ask. | 0:00:16 | 0:00:19 | |
-I thought you hated him. -I do. | 0:00:19 | 0:00:21 | |
You do know that doing this without taking precautions is | 0:00:21 | 0:00:24 | |
how babies get made. | 0:00:24 | 0:00:26 | |
Would that be such a bad thing? | 0:00:26 | 0:00:27 | |
It felt like, for a few moments, I could see the real Joe. | 0:00:27 | 0:00:30 | |
We've got our very own Maya effect, of course. | 0:00:30 | 0:00:32 | |
Between me and you, we're trying for another baby. | 0:00:32 | 0:00:34 | |
Can you get me the morning-after pill? | 0:00:34 | 0:00:36 | |
I woke up this morning and just realised, it's not the right time. | 0:00:36 | 0:00:40 | |
MUSIC: Reward by The Teardrop Explodes | 0:00:40 | 0:00:42 | |
JOE SINGS ALONG: # Bless my cotton socks I'm in the news | 0:00:42 | 0:00:46 | |
# The king sits on his face | 0:00:48 | 0:00:50 | |
# But it's all assumed | 0:00:50 | 0:00:53 | |
# All wrapped up the same | 0:00:53 | 0:00:57 | |
# All wrapped up the same | 0:00:57 | 0:01:00 | |
# They can't have it You can't have it | 0:01:00 | 0:01:03 | |
# I can't have it, too | 0:01:03 | 0:01:05 | |
# Until I learn to | 0:01:05 | 0:01:07 | |
# Accept my reward... # CAR HORN | 0:01:07 | 0:01:10 | |
This programme contains some strong language | 0:01:11 | 0:01:18 | |
SIREN WAILS | 0:01:18 | 0:01:21 | |
# Prisoners stand in queues | 0:01:21 | 0:01:23 | |
# And stand accused | 0:01:23 | 0:01:25 | |
# Live in solitude | 0:01:27 | 0:01:29 | |
# Like Howard Hughes... # | 0:01:29 | 0:01:31 | |
MUSIC: Mardy Bum by Arctic Monkeys | 0:01:31 | 0:01:33 | |
THEY SPEAK OWN LANGUAGE | 0:01:33 | 0:01:37 | |
# Laughs and jokes around | 0:01:39 | 0:01:42 | |
# Remember cuddles in the kitchen | 0:01:42 | 0:01:44 | |
# Yeah, to get things off the ground | 0:01:44 | 0:01:46 | |
# And it was... # | 0:01:46 | 0:01:48 | |
Mind turning the music off? | 0:01:48 | 0:01:50 | |
-OK. -SHE TURNS THE MUSIC OFF | 0:01:50 | 0:01:52 | |
-HE TURNS IT ON -Joe. | 0:01:52 | 0:01:54 | |
SHE TURNS IT OFF # Oh, but it's right hard | 0:01:54 | 0:01:56 | |
# To remember that On a day like today | 0:01:56 | 0:01:58 | |
# When you're all argumentative | 0:01:58 | 0:02:00 | |
# And you've got your face on. # | 0:02:00 | 0:02:02 | |
Sorry, he's upset. He likes to sing. | 0:02:02 | 0:02:04 | |
He was wandering down the road. | 0:02:04 | 0:02:06 | |
We're taking him back to his parents. | 0:02:06 | 0:02:08 | |
So he's not actually your child? | 0:02:08 | 0:02:10 | |
No. We were just giving him a lift home. | 0:02:10 | 0:02:13 | |
Would you wait there a moment, please? Two-five to control... | 0:02:13 | 0:02:17 | |
THEY SPEAK OWN LANGUAGE | 0:02:17 | 0:02:20 | |
Mmm-hmm. | 0:02:23 | 0:02:25 | |
Yeah, it's a light-blue Transit. | 0:02:25 | 0:02:26 | |
It's Mike, Delta, Zero, Four, X-ray, Foxtrot, Foxtrot. | 0:02:26 | 0:02:31 | |
Yeah... | 0:02:31 | 0:02:32 | |
SHE EXHALES | 0:02:37 | 0:02:40 | |
-Morning. -Oh, God. | 0:02:40 | 0:02:42 | |
SHE GROANS | 0:02:46 | 0:02:48 | |
Mmm... | 0:02:54 | 0:02:56 | |
No, come on, it's too early for that. | 0:02:56 | 0:03:00 | |
Oh, I know. | 0:03:00 | 0:03:01 | |
Let's try for twins. | 0:03:01 | 0:03:03 | |
I don't think biology works that way. | 0:03:03 | 0:03:05 | |
-CAR HORN -No. Come on, no. | 0:03:08 | 0:03:10 | |
-That's Stuart dropping Becky off. -Oh, God. | 0:03:10 | 0:03:13 | |
Him and his car horn - sounds like a twat. | 0:03:13 | 0:03:15 | |
-Now, now, don't start. -HE SIGHS | 0:03:15 | 0:03:17 | |
I'm sorry we're here so early. | 0:03:17 | 0:03:19 | |
I forgot the roads were so empty around here. | 0:03:19 | 0:03:21 | |
Oh, surely the crowds gathered at the roadside to | 0:03:21 | 0:03:23 | |
-catch a glimpse of you(!) -Same old Alison. | 0:03:23 | 0:03:25 | |
Well, there's a sight I don't want to see any time soon. | 0:03:25 | 0:03:28 | |
Look at my new sister. Isn't she cute? | 0:03:28 | 0:03:31 | |
-Hi, Paul. Are you all right? -Hey. | 0:03:31 | 0:03:33 | |
Oh, what is it about Alison? | 0:03:33 | 0:03:34 | |
She always manages to find a man to run around after her. | 0:03:34 | 0:03:37 | |
HE LAUGHS WEAKLY | 0:03:37 | 0:03:39 | |
Rebecca tells me you're opening the restaurant soon. | 0:03:39 | 0:03:41 | |
Erm, gastro-pub. Yeah, not long, now. | 0:03:41 | 0:03:44 | |
The chef's doing his first cook-ups today, so... | 0:03:44 | 0:03:46 | |
It's very brave - pubs are closing left, right and centre. | 0:03:46 | 0:03:49 | |
-It's a gastro-pub. -Paul knows what he's doing. | 0:03:49 | 0:03:51 | |
I'm not saying he doesn't, | 0:03:51 | 0:03:52 | |
I'm just saying it's a difficult time to be opening anything up. | 0:03:52 | 0:03:55 | |
Especially in this conversation. | 0:03:55 | 0:03:57 | |
Paul's done his research. | 0:03:57 | 0:03:58 | |
It's a great location, great chef, locally sourced produce. | 0:03:58 | 0:04:01 | |
You don't know he's a great chef, yet, though, do you? | 0:04:01 | 0:04:03 | |
I mean, if he's only just doing his first cook-ups. | 0:04:03 | 0:04:06 | |
How's the caravan business, Stuart? | 0:04:06 | 0:04:08 | |
Camper van? Thriving, yeah. | 0:04:08 | 0:04:10 | |
It's just gone mad, actually. | 0:04:10 | 0:04:11 | |
A load of middle-aged couples, | 0:04:11 | 0:04:13 | |
going off to festivals after the kids have left home. | 0:04:13 | 0:04:15 | |
Well, with your ever-growing family, you're going to need it, eh? | 0:04:15 | 0:04:18 | |
Hey, who says I'll stop at four? Life is an adventure. | 0:04:18 | 0:04:20 | |
Married, still young - if I have more kids, then so be it. | 0:04:20 | 0:04:23 | |
-I'll race you to five. -Oh, yeah? -Five kids? Really? | 0:04:23 | 0:04:25 | |
Who are you marrying next(?) | 0:04:25 | 0:04:27 | |
Dad said that he's going to get me a camper van | 0:04:27 | 0:04:29 | |
when I've passed my driving test. How cool is that? | 0:04:29 | 0:04:31 | |
Ooh, yeah, very cool. | 0:04:31 | 0:04:33 | |
Very cool. | 0:04:33 | 0:04:34 | |
Maybe a bit big for your first car, do you think? | 0:04:34 | 0:04:36 | |
Not a camper van per se, but I'd rather have her driving | 0:04:36 | 0:04:39 | |
something than hanging around bus stops at night. | 0:04:39 | 0:04:41 | |
She'll have something to drive, Stuart. | 0:04:41 | 0:04:43 | |
-You don't need to worry about that. -Oh, right. | 0:04:43 | 0:04:45 | |
Are you going to get me a car, really? | 0:04:45 | 0:04:47 | |
-No... No promises. -Well, we'll... You know.. | 0:04:47 | 0:04:49 | |
-No, we'll talk about it. -We'll try but... | 0:04:49 | 0:04:51 | |
Sorry, Rebecca hadn't mentioned anything about that. | 0:04:51 | 0:04:53 | |
I don't want to tread on anyone's toes. | 0:04:53 | 0:04:55 | |
No, you're not treading on anyone's toes. | 0:04:55 | 0:04:57 | |
-Right, that's me off. OK, nice to see you again, Stuart. -Yeah. | 0:04:57 | 0:05:01 | |
Becca, back to reality I think. | 0:05:01 | 0:05:02 | |
You know you've got a tonne of homework to do, I think. | 0:05:02 | 0:05:05 | |
OK. BABY SQUEALS | 0:05:05 | 0:05:07 | |
Two of my three favourite girls in the world. Yeah, you. You. | 0:05:07 | 0:05:11 | |
-This one! -LAUGHTER | 0:05:11 | 0:05:14 | |
No, I'm glad you had a nice time. | 0:05:18 | 0:05:19 | |
I always do with Dad. | 0:05:19 | 0:05:21 | |
Well, you hardly see him - the novelty helps. | 0:05:21 | 0:05:24 | |
Trust me, the less you see of Stuart, the more you love him. | 0:05:24 | 0:05:27 | |
Mum! | 0:05:27 | 0:05:28 | |
I'm sorry. No, I'm glad you had a nice time with your dad. | 0:05:28 | 0:05:32 | |
He can't be all bad. I mean, look how lovely you are. | 0:05:32 | 0:05:35 | |
Although, I think that might be nurture more than nature. | 0:05:35 | 0:05:38 | |
You're doing it again! | 0:05:38 | 0:05:40 | |
It might not seem like it, but you being happy - | 0:05:40 | 0:05:43 | |
it's the most important thing in the world. | 0:05:43 | 0:05:45 | |
Apart from Joe coming home in a police car. | 0:05:48 | 0:05:51 | |
Maya's not Polish? | 0:06:00 | 0:06:02 | |
I'm sorry, of course she's Polish. | 0:06:02 | 0:06:04 | |
It turns out not. | 0:06:04 | 0:06:05 | |
She came from the Ukraine on a short-term study visa | 0:06:05 | 0:06:08 | |
-and she's overstayed it by seven months. -No, no, no, that's... | 0:06:08 | 0:06:10 | |
This isn't right. She's Polish. She's...she's legal. | 0:06:10 | 0:06:13 | |
She's like part of our family. She helps out with Joe. | 0:06:13 | 0:06:16 | |
Is that in a paid capacity? | 0:06:16 | 0:06:18 | |
No, it's... No... | 0:06:18 | 0:06:21 | |
It's... No, it's not in a paid capacity. | 0:06:21 | 0:06:23 | |
She's the girlfriend of the lad at my dad's brewery. | 0:06:23 | 0:06:25 | |
She's interested in teaching so she helps out now and... | 0:06:25 | 0:06:28 | |
Where is she now? I need to get Joe to school. | 0:06:28 | 0:06:30 | |
She's been taken to the police station to be interviewed. | 0:06:30 | 0:06:33 | |
She is being held in a police station? Here? | 0:06:33 | 0:06:36 | |
-This can't be happening. -They'll assess if she's at risk of fleeing | 0:06:36 | 0:06:39 | |
and, if not, they'll start the process of her being removed | 0:06:39 | 0:06:42 | |
or, more likely, going home voluntarily. | 0:06:42 | 0:06:45 | |
No, she's not going anywhere. | 0:06:45 | 0:06:46 | |
I don't think that's for you to say, madam. | 0:06:46 | 0:06:48 | |
-Who's your senior officer? -Inspector Herd. | 0:06:48 | 0:06:50 | |
OK, Bob Herd. | 0:06:50 | 0:06:53 | |
Great. OK. | 0:06:53 | 0:06:54 | |
Inspector Herd. | 0:06:54 | 0:06:55 | |
We'll just go and see Bob. He'll sort this out. | 0:06:55 | 0:06:58 | |
It doesn't work like that, madam. | 0:06:58 | 0:07:00 | |
It does work like that. | 0:07:00 | 0:07:01 | |
Believe me, for me, it very much works like that. | 0:07:01 | 0:07:04 | |
Come on, Joe. | 0:07:04 | 0:07:05 | |
-Everything OK? -Oh, yeah, fine. PC Plum turned up in person. | 0:07:06 | 0:07:10 | |
-Listen, would you be able to take Joe to school? -Oh, I'm already late. | 0:07:10 | 0:07:13 | |
Well, even better - look, now you've got an excuse. | 0:07:13 | 0:07:15 | |
Joe, will you go with Nicola, love? Joe, go with Nicola. OK? | 0:07:15 | 0:07:18 | |
Erm, OK. | 0:07:18 | 0:07:20 | |
Erm... Did you manage to talk to Paul? | 0:07:20 | 0:07:22 | |
I've got one or two other things on my mind right now. | 0:07:22 | 0:07:25 | |
See you later. | 0:07:25 | 0:07:26 | |
ENGINE STARTS | 0:07:28 | 0:07:31 | |
Yeah, I know. Here she is. | 0:07:31 | 0:07:35 | |
What? Slumming it today, then? | 0:07:35 | 0:07:37 | |
-His car knocked out. -You mean it broke down? | 0:07:37 | 0:07:39 | |
It's going to cost bare money to repair | 0:07:39 | 0:07:41 | |
and he ain't got it right now. | 0:07:41 | 0:07:44 | |
OK, why are you talking in that weird way? | 0:07:44 | 0:07:47 | |
People change. Get over it. | 0:07:47 | 0:07:50 | |
What's wrong with it? | 0:07:50 | 0:07:52 | |
The car, not the accent. | 0:07:52 | 0:07:54 | |
Probably all that wanking you were both doing in it | 0:07:54 | 0:07:57 | |
wrecked the suspension. | 0:07:57 | 0:07:58 | |
Oh, he'd know about that. Mmm. | 0:07:58 | 0:08:00 | |
I'm not sure that repartee is your strong suit, Dan. | 0:08:00 | 0:08:03 | |
Rebecca would know about it, too, from what I hear. | 0:08:03 | 0:08:06 | |
What? | 0:08:06 | 0:08:07 | |
Calm down, Becky. | 0:08:07 | 0:08:09 | |
I mean, from what Luke tells me, I couldn't keep up with you, anyway. | 0:08:09 | 0:08:13 | |
Who else have you told? | 0:08:13 | 0:08:16 | |
Is that your mum? | 0:08:16 | 0:08:18 | |
"Your mum"? Now you really are scraping the barrel. | 0:08:18 | 0:08:20 | |
No, your mum, there. | 0:08:20 | 0:08:22 | |
Dad, can you give me a call when you get this, please? | 0:08:34 | 0:08:36 | |
I'm at the police station. | 0:08:36 | 0:08:37 | |
Maya's been detained. Some immigration nonsense. | 0:08:37 | 0:08:39 | |
Or, better still, can you ring your mate Bob Herd? Inspector Herd. | 0:08:39 | 0:08:43 | |
Thanks. | 0:08:43 | 0:08:45 | |
Inspector Herd's in meetings all day. | 0:08:45 | 0:08:46 | |
Yeah, thank you. I'll wait. | 0:08:46 | 0:08:48 | |
-KIDS: -One, two, three, four, five, six, seven, eight... | 0:08:52 | 0:08:55 | |
I think you're going to school now. | 0:08:59 | 0:09:02 | |
Bye. | 0:09:02 | 0:09:04 | |
"I am packing you an extra pair of shoes - | 0:09:04 | 0:09:06 | |
"and your angry eyes, just in case." | 0:09:06 | 0:09:08 | |
Mrs Potato Head, Toy Story 2. | 0:09:08 | 0:09:11 | |
DOOR SLAMS | 0:09:21 | 0:09:23 | |
I can't really help right now, Alison. | 0:09:55 | 0:09:58 | |
I'm 14 blood samples behind. | 0:09:58 | 0:10:00 | |
Yeah, I just thought that you could get a GP's letter supporting | 0:10:00 | 0:10:03 | |
-her right to remain on medical grounds. -Erm, well... | 0:10:03 | 0:10:07 | |
I'll try, but it's a long shot. | 0:10:07 | 0:10:09 | |
Can't you just write it and get your prick of a boss to sign it? | 0:10:09 | 0:10:12 | |
Her prick of a boss can actually read! | 0:10:12 | 0:10:14 | |
Oh, God. | 0:10:16 | 0:10:17 | |
Sorry about that. | 0:10:17 | 0:10:19 | |
She wasn't being gratuitously offensive - | 0:10:19 | 0:10:21 | |
she really does just think you're a prick. | 0:10:21 | 0:10:23 | |
Fair enough. What about you? | 0:10:23 | 0:10:25 | |
I don't really have a strong opinion either way. | 0:10:25 | 0:10:27 | |
I'll count that as a result. You're late. | 0:10:27 | 0:10:30 | |
Georgie! | 0:10:30 | 0:10:31 | |
There's a GP trainee post just turned up in a mate's practice. | 0:10:31 | 0:10:34 | |
You should give them a call. | 0:10:34 | 0:10:36 | |
Georgie? | 0:10:36 | 0:10:38 | |
Are you sacking me? | 0:10:38 | 0:10:39 | |
I will, if that's what it takes to stop you | 0:10:39 | 0:10:41 | |
wasting your talent in this place. | 0:10:41 | 0:10:42 | |
You know that isn't how it works. | 0:10:42 | 0:10:44 | |
I need to apply for an Inter-Deanery Transfer. | 0:10:44 | 0:10:46 | |
Blah-blah-blah, official, yawn. | 0:10:46 | 0:10:48 | |
Let's just say I have connections, if you want it. | 0:10:48 | 0:10:51 | |
It's in Stockport. | 0:10:51 | 0:10:53 | |
It is, indeed, and, as you are now used to rain, | 0:10:53 | 0:10:55 | |
it shouldn't be too much of a culture shock. | 0:10:55 | 0:10:57 | |
This isn't about the phone call just now? | 0:10:57 | 0:10:59 | |
No. Call him, you'll get on. | 0:10:59 | 0:11:02 | |
he's less of a prick than me, | 0:11:02 | 0:11:04 | |
and Stockport has a hat museum. | 0:11:04 | 0:11:06 | |
Thanks for seeing me, Bob. | 0:11:08 | 0:11:09 | |
I'm not sure I had much choice, did I? | 0:11:09 | 0:11:11 | |
-She's being released. -Oh, great. Thank you. | 0:11:13 | 0:11:16 | |
Thank you so much. | 0:11:16 | 0:11:18 | |
She's coming to see us tomorrow to be issued with an IS-96 | 0:11:18 | 0:11:22 | |
and then she's agreed to go home to Ukraine. | 0:11:22 | 0:11:26 | |
She agreed...? She can't have agreed. That's... | 0:11:27 | 0:11:30 | |
Can't she appeal? | 0:11:30 | 0:11:32 | |
If she appeals, | 0:11:32 | 0:11:33 | |
we are obliged to investigate how she's been supporting herself. | 0:11:33 | 0:11:37 | |
Why are you saying it like that? | 0:11:37 | 0:11:39 | |
DRAWER SLAMS SHUT | 0:11:39 | 0:11:41 | |
How's Maurice? | 0:11:41 | 0:11:43 | |
Erm... He's...he's well, yeah. He's... | 0:11:44 | 0:11:49 | |
he's up a hill somewhere, raising sheep, or else he'd be here, too. | 0:11:49 | 0:11:53 | |
You do know there's nothing I can do, don't you? | 0:11:53 | 0:11:56 | |
Look, I don't know what my dad's told you about Joe, his grandson. | 0:11:56 | 0:12:00 | |
Nothing much, to tell the truth. | 0:12:00 | 0:12:02 | |
Erm, there's a problem with his hearing, I think he said. | 0:12:02 | 0:12:04 | |
That's right, yeah. It's a problem with his hearing, and Maya... | 0:12:04 | 0:12:10 | |
she's brilliant with him. She's got childcare qualifications | 0:12:10 | 0:12:13 | |
-from her own country. -Poland or Ukraine? | 0:12:13 | 0:12:14 | |
Does it matter? She's talented and she's unlocked something in Joe, | 0:12:14 | 0:12:17 | |
and he's your mate's grandson, so... | 0:12:17 | 0:12:21 | |
So? | 0:12:21 | 0:12:23 | |
So you must be able to turn a blind eye, Bob. | 0:12:23 | 0:12:27 | |
You can't seriously be asking me to break the law in a police station? | 0:12:27 | 0:12:31 | |
I'm seriously asking you to forget your job for a minute | 0:12:31 | 0:12:33 | |
and remember who you are. | 0:12:33 | 0:12:35 | |
You're my dad's oldest mate. | 0:12:35 | 0:12:36 | |
I'm seriously asking you to show some compassion, Bob. | 0:12:36 | 0:12:39 | |
I show compassion every day of my working life. | 0:12:39 | 0:12:42 | |
Maurice has always done all right by you, hasn't he? | 0:12:42 | 0:12:45 | |
The police Christmas party, the brewery, every year, | 0:12:45 | 0:12:47 | |
all that free beer... | 0:12:47 | 0:12:49 | |
Are you suggesting that all that free beer over the years was | 0:12:49 | 0:12:52 | |
him buying goodwill in case he needed it later on? | 0:12:52 | 0:12:54 | |
Are you telling me that you've never done a favour for a mate? | 0:12:54 | 0:12:58 | |
I am already turning a blind eye to the fact that she was | 0:12:58 | 0:13:01 | |
illegally working at the brewery and illegally working for you. | 0:13:01 | 0:13:04 | |
If I flagged that up, she could be asked to pay back her wages | 0:13:04 | 0:13:07 | |
and you and the brewery could be fined £10,000 apiece. | 0:13:07 | 0:13:10 | |
Now, if I were you, I'd leave, | 0:13:10 | 0:13:12 | |
while you still have an ounce of goodwill left | 0:13:12 | 0:13:15 | |
in the bank of Bob Herd. | 0:13:15 | 0:13:16 | |
The year my dad's had since my mum died... | 0:13:18 | 0:13:20 | |
He's just finished grieving and you'd do this to his grandson? | 0:13:20 | 0:13:24 | |
You're some fucking mate. | 0:13:24 | 0:13:26 | |
It's not over, Maya. Believe me. | 0:13:34 | 0:13:38 | |
I think it is over. I'm sorry. I should have told you. | 0:13:38 | 0:13:42 | |
No, no, we'll appeal. | 0:13:42 | 0:13:43 | |
If I appeal and lose, I won't be allowed back for ten years. | 0:13:43 | 0:13:47 | |
Hey, what about David? | 0:13:47 | 0:13:48 | |
What about him? | 0:13:48 | 0:13:49 | |
Well, you already live together, don't you? | 0:13:49 | 0:13:52 | |
Why don't you get married? | 0:13:52 | 0:13:53 | |
Are you making a joke? | 0:13:53 | 0:13:55 | |
No, he's an EU citizen. | 0:13:55 | 0:13:56 | |
You obviously love each other. Why don't you marry him? | 0:13:56 | 0:13:59 | |
Maybe one day... | 0:14:00 | 0:14:02 | |
but in the future. | 0:14:03 | 0:14:05 | |
Look, maybe that one day in the future is right now. | 0:14:05 | 0:14:10 | |
Eh? | 0:14:10 | 0:14:12 | |
Come on. | 0:14:12 | 0:14:13 | |
You're insane. | 0:14:13 | 0:14:14 | |
She isn't going to get married just cos you ask her to. | 0:14:14 | 0:14:18 | |
I wouldn't be so sure about that. | 0:14:18 | 0:14:20 | |
THEY SPEAK OWN LANGUAGE | 0:14:20 | 0:14:24 | |
She's already broken the law | 0:14:55 | 0:14:56 | |
and you want her to enter into a sham marriage? | 0:14:56 | 0:14:58 | |
Not a sham marriage - a premature marriage. | 0:14:58 | 0:15:01 | |
I got your messages. Is Joe all right? | 0:15:01 | 0:15:03 | |
Yeah, yeah, he's at school. He's fine. | 0:15:03 | 0:15:05 | |
It's Maya - she's being deported. | 0:15:05 | 0:15:07 | |
-Oh, shit. No. Why? -Yeah. | 0:15:07 | 0:15:10 | |
-I have just got off the phone to Bob Herd. -Oh, and? | 0:15:10 | 0:15:13 | |
And you're lucky he's a lovely fella who knows you're upset | 0:15:13 | 0:15:15 | |
and are not making any sense. | 0:15:15 | 0:15:17 | |
Well, did you ask if he can do anything? | 0:15:17 | 0:15:19 | |
I did, as a matter of fact. | 0:15:19 | 0:15:20 | |
I asked if he wouldn't charge you for trying to bribe | 0:15:20 | 0:15:22 | |
a police officer, and that he'd accept your apology. | 0:15:22 | 0:15:25 | |
When did you see Bob Herd? | 0:15:25 | 0:15:26 | |
-I'm not apologising. -You are. You've got to. | 0:15:26 | 0:15:28 | |
He's my best mate here, and you've just marched into that office | 0:15:28 | 0:15:31 | |
and shat all over that friendship. | 0:15:31 | 0:15:33 | |
-It's about the worst thing you could have done. -Not for Joe, it wasn't. | 0:15:33 | 0:15:36 | |
Oh, for God's sake, there are more things in this world than Joe. | 0:15:36 | 0:15:38 | |
-Not to me, there aren't! -There are, Alison. | 0:15:38 | 0:15:40 | |
I know you don't want to hear it but there are. | 0:15:40 | 0:15:42 | |
I'd love to stand here and argue with you all day, Dad, | 0:15:42 | 0:15:44 | |
but I've got to get help from people that give a shit. | 0:15:44 | 0:15:47 | |
Of course I give a shit. He's my grandson. | 0:15:47 | 0:15:49 | |
I'm just saying, you can't expect everybody to do your bidding | 0:15:49 | 0:15:51 | |
whenever you say the word "Joe". | 0:15:51 | 0:15:54 | |
Oy! | 0:15:54 | 0:15:56 | |
Alison! | 0:15:56 | 0:15:57 | |
Alison. | 0:15:57 | 0:15:59 | |
Nice, Maurice. | 0:16:03 | 0:16:05 | |
Oh, are you defending her? She tried to blackmail a police officer. | 0:16:05 | 0:16:08 | |
Well, I think blackmail's a bit strong, isn't it? | 0:16:08 | 0:16:10 | |
This is Bob Herd, we're talking about. | 0:16:10 | 0:16:12 | |
He'd turn a blind eye to murder if there was a pint in it for him. | 0:16:12 | 0:16:15 | |
She's out of control. | 0:16:15 | 0:16:16 | |
She tries to fix everything by willing it to happen | 0:16:16 | 0:16:18 | |
or shouting about it! | 0:16:18 | 0:16:20 | |
Oh, I wonder where she gets that from(!) | 0:16:20 | 0:16:22 | |
This is all your fault. | 0:16:27 | 0:16:28 | |
What were you thinking of, hiring a bloody Ukrainian? | 0:16:28 | 0:16:30 | |
Everyone thought she was Polish. CAR ENGINE STARTS | 0:16:30 | 0:16:34 | |
I see you're having this new conditioning vessel installed. | 0:16:34 | 0:16:37 | |
Yeah, I took an informed decision and went against your advice. | 0:16:37 | 0:16:40 | |
Well, I know that, that's why I had a word with the supplier, | 0:16:40 | 0:16:42 | |
and made sure you weren't being made a mug of. | 0:16:42 | 0:16:44 | |
What? You did what? | 0:16:44 | 0:16:46 | |
You can't do it, can you? | 0:16:49 | 0:16:50 | |
You just can't let it go! | 0:16:50 | 0:16:52 | |
Do you know what? I'm not sure that this is working out. | 0:16:55 | 0:16:59 | |
-Right. -I don't know. You know, round peg, square hole. | 0:17:00 | 0:17:03 | |
You might want to think about looking for something else. | 0:17:03 | 0:17:06 | |
Yeah. | 0:17:06 | 0:17:08 | |
I agree. | 0:17:08 | 0:17:09 | |
What? | 0:17:09 | 0:17:10 | |
You may not have noticed, but I actually like it here | 0:17:10 | 0:17:13 | |
and, to my surprise and yours, I'm actually good at it. | 0:17:13 | 0:17:16 | |
Not just the rebranding, the internet stuff, the marketing, | 0:17:16 | 0:17:19 | |
but the actual brewing - | 0:17:19 | 0:17:21 | |
the science, the precision, the magic. | 0:17:21 | 0:17:24 | |
You don't need to tell me about that. I've lived it. | 0:17:24 | 0:17:26 | |
I know, and that's the problem. | 0:17:26 | 0:17:29 | |
Dad, what's clear is that one of us has to walk away from this, | 0:17:29 | 0:17:32 | |
and it's never going to be you. | 0:17:32 | 0:17:35 | |
A couple of people I know from uni approached me | 0:17:35 | 0:17:37 | |
when I first moved back. | 0:17:37 | 0:17:38 | |
You know, people who actually think I might have something to offer. | 0:17:38 | 0:17:41 | |
Crazy as it sounds, people who might believe in me. | 0:17:41 | 0:17:44 | |
I see. I see. | 0:17:45 | 0:17:47 | |
I gave up my job to give you something to do. | 0:17:47 | 0:17:50 | |
You brew three ales and that's it. Brewing's done. Time to move on. | 0:17:50 | 0:17:54 | |
It isn't working out. You just said so yourself. | 0:17:54 | 0:17:56 | |
I said that because I'm pissed off with you. | 0:17:56 | 0:17:58 | |
No, you said that cos you were pissed off with Alison. | 0:17:58 | 0:18:02 | |
There is such a thing as being too clever, you know? | 0:18:02 | 0:18:05 | |
I'm sure there is, but I don't think it's something either of us | 0:18:05 | 0:18:08 | |
have to worry about any time soon. | 0:18:08 | 0:18:10 | |
See you tomorrow. | 0:18:18 | 0:18:19 | |
Can I... Can I have a word, Paul? | 0:18:22 | 0:18:25 | |
Yeah. Yeah. | 0:18:25 | 0:18:26 | |
Just so you know, Joe - he seemed a bit off today. | 0:18:26 | 0:18:29 | |
I couldn't get him to join in at all, | 0:18:29 | 0:18:31 | |
not even with the activities he likes. | 0:18:31 | 0:18:33 | |
Maybe he's feeling a bit under the weather. | 0:18:33 | 0:18:36 | |
Yeah, it'll be nothing. | 0:18:36 | 0:18:37 | |
-I just thought you'd like to know. -OK. Thank you. | 0:18:37 | 0:18:40 | |
Hiya, Mozart. | 0:18:42 | 0:18:44 | |
Hey? Come on. | 0:18:44 | 0:18:46 | |
Perfect. Come on. | 0:18:49 | 0:18:51 | |
Ah, there he is. | 0:18:54 | 0:18:56 | |
Eddie, a bit of bad news on the beer front, I'm afraid. | 0:18:56 | 0:19:00 | |
-Oh, yeah? -Yeah, the builders have just told me that | 0:19:00 | 0:19:03 | |
the plumbing behind the bar is not going to be | 0:19:03 | 0:19:05 | |
ready in time for the draught ales, so it's going to have to be bottled. | 0:19:05 | 0:19:08 | |
Fair enough. | 0:19:08 | 0:19:09 | |
Look, I'm sorry, mate. I know how much you put into that special. | 0:19:10 | 0:19:13 | |
It's only beer. | 0:19:13 | 0:19:16 | |
Right, good, good. | 0:19:16 | 0:19:18 | |
How's Joe, since his trauma this morning? | 0:19:18 | 0:19:20 | |
Trauma? | 0:19:20 | 0:19:22 | |
Yeah, he's absolutely fine. | 0:19:22 | 0:19:24 | |
Joe? | 0:19:26 | 0:19:27 | |
Me and your uncle Eddie, we once had a ride in the back of a police car, | 0:19:32 | 0:19:35 | |
when we were young lads, didn't we, Ed? | 0:19:35 | 0:19:38 | |
A bit older, maybe. | 0:19:38 | 0:19:39 | |
All done, now, though, eh? | 0:19:39 | 0:19:41 | |
That's the main thing, isn't it? | 0:19:41 | 0:19:45 | |
Come on, then. | 0:19:45 | 0:19:46 | |
I think he's forgotten it even happened. | 0:19:48 | 0:19:50 | |
No point making a big deal about it, get him upset... | 0:19:50 | 0:19:53 | |
-"Least said, soonest mended," and all that. -Yeah, sure. | 0:19:53 | 0:19:56 | |
-Come on, then, Joe. -After the morning I've had, | 0:19:56 | 0:19:58 | |
I think it should be the family motto. | 0:19:58 | 0:20:00 | |
Maya won't be coming to play with you for a little while. | 0:20:02 | 0:20:05 | |
She's got to go home. and be with her mum for a bit. | 0:20:05 | 0:20:08 | |
Yes. | 0:20:08 | 0:20:10 | |
And that might make you sad but Maya will come back. | 0:20:10 | 0:20:14 | |
Yes. | 0:20:14 | 0:20:15 | |
Do you understand, Joe? | 0:20:15 | 0:20:16 | |
Let me see, now... | 0:20:16 | 0:20:18 | |
Yes. | 0:20:20 | 0:20:22 | |
And Maya's going to come round and say goodbye to you before she goes. | 0:20:22 | 0:20:26 | |
Goodbye, goodbye, goodbye! | 0:20:26 | 0:20:28 | |
Joe, can you try and look at me? | 0:20:28 | 0:20:30 | |
Does he need to look at you, love? He gets it. | 0:20:30 | 0:20:31 | |
Love, do you get it? Maya is not going to be here with you any more. | 0:20:31 | 0:20:35 | |
Goodbye, goodbye, goodbye! | 0:20:35 | 0:20:37 | |
I think he gets it. There you go. | 0:20:37 | 0:20:40 | |
MUSIC PLAYS IN HEADPHONES | 0:20:42 | 0:20:44 | |
I know you like to bury everything, | 0:20:53 | 0:20:55 | |
but Joe needs to understand what's going on. | 0:20:55 | 0:20:57 | |
What if he understands perfectly and he's OK with it? | 0:20:57 | 0:21:00 | |
He can't be OK with it. He has a bond with Maya. | 0:21:00 | 0:21:02 | |
I don't want him to panic when she's not around. | 0:21:02 | 0:21:04 | |
It sounds like it's you that's panicking. | 0:21:04 | 0:21:06 | |
I spend my whole life panicking. | 0:21:06 | 0:21:08 | |
Are we doing the right thing? | 0:21:08 | 0:21:10 | |
Can we ever do the right thing? | 0:21:10 | 0:21:11 | |
Then there's Rebecca, us, the diner, the restaurant, | 0:21:11 | 0:21:15 | |
the baby you want so badly... | 0:21:15 | 0:21:17 | |
The baby WE want so badly. | 0:21:17 | 0:21:18 | |
I don't panic when Joe is with Maya, so, yes, I am. | 0:21:18 | 0:21:22 | |
I'm terrified that Maya's leaving. | 0:21:22 | 0:21:24 | |
The baby WE want so badly. | 0:21:24 | 0:21:25 | |
That's what I said! | 0:21:25 | 0:21:28 | |
SHE SIGHS | 0:21:28 | 0:21:30 | |
But there's only one good way of dealing with boys' gossip. | 0:21:35 | 0:21:37 | |
Ignore it, I know. | 0:21:37 | 0:21:39 | |
Ignore it? No. | 0:21:39 | 0:21:42 | |
Avenge it. | 0:21:42 | 0:21:43 | |
Really? | 0:21:43 | 0:21:44 | |
Get Luke on his own and intimidate him. | 0:21:44 | 0:21:47 | |
How am I going to do that, though? He chucked me. | 0:21:48 | 0:21:51 | |
Use something personal and hurtful | 0:21:51 | 0:21:54 | |
and make it count. | 0:21:54 | 0:21:57 | |
What if I... | 0:21:57 | 0:21:58 | |
I don't know, make it worse? | 0:21:58 | 0:22:01 | |
SHE SIGHS He's a teenage boy. | 0:22:01 | 0:22:03 | |
You know, he's 20 times more insecure than you, | 0:22:03 | 0:22:05 | |
despite the monkey walk and big shoulders. | 0:22:05 | 0:22:08 | |
I'm sure you'll think of something. | 0:22:08 | 0:22:09 | |
Well, monkey walk and big shoulders isn't a bad start. | 0:22:09 | 0:22:12 | |
You make sure you scare that little shit of an ex-boyfriend | 0:22:12 | 0:22:14 | |
from turning you into masturbation fodder for his virgin mates. | 0:22:14 | 0:22:18 | |
Don't let me down. | 0:22:18 | 0:22:20 | |
SWING SQUEAKS | 0:22:23 | 0:22:25 | |
MUSIC: Don't You Want Me by The Human League | 0:22:31 | 0:22:35 | |
Louise. | 0:22:35 | 0:22:36 | |
Maurice. | 0:22:36 | 0:22:37 | |
Are you here for open mike night? | 0:22:41 | 0:22:42 | |
No, no. | 0:22:42 | 0:22:44 | |
Well, for what it's worth, I think you're ready. | 0:22:44 | 0:22:47 | |
I'm just having a drink with a pal. | 0:22:48 | 0:22:50 | |
Well... | 0:22:52 | 0:22:54 | |
When you said your Alison wanted to apologise, | 0:22:58 | 0:23:01 | |
I thought you meant that Alison would actually be here in person, | 0:23:01 | 0:23:04 | |
apologising. | 0:23:04 | 0:23:06 | |
Don't be a stickler, Bob. Just enjoy your pint. | 0:23:06 | 0:23:08 | |
Fair enough. | 0:23:09 | 0:23:11 | |
I'm sorry about Alison. I really am. | 0:23:13 | 0:23:15 | |
She's a bit of an hothead. | 0:23:15 | 0:23:17 | |
Yeah, well, she was desperate. I could see that. | 0:23:17 | 0:23:19 | |
Have you got something going with that milf music teacher | 0:23:23 | 0:23:26 | |
with the backward lad? | 0:23:26 | 0:23:27 | |
-She keeps looking over. -Yeah, well, there's a reason for that. | 0:23:27 | 0:23:31 | |
Oh, yeah? Dark horse! | 0:23:31 | 0:23:33 | |
I can't stay long. | 0:23:40 | 0:23:41 | |
-What have you been saying to your mates about me and you? -Nothing. | 0:23:41 | 0:23:45 | |
Well, from what Dan said to me this morning, I don't think that's true. | 0:23:45 | 0:23:48 | |
You didn't tell me it was supposed to be a secret. | 0:23:48 | 0:23:50 | |
It's not a secret, it's private, | 0:23:50 | 0:23:51 | |
and, despite your new off-the-peg stupid act, | 0:23:51 | 0:23:54 | |
I thought you'd have known the difference. | 0:23:54 | 0:23:56 | |
It's not really that big a deal, is it? | 0:23:56 | 0:23:58 | |
I won't be masturbation fodder for your virgin mates. | 0:23:58 | 0:24:01 | |
It's a bit late for that now. | 0:24:01 | 0:24:03 | |
I just thought you should note that my auntie's a doctor | 0:24:05 | 0:24:08 | |
-at Dr Graves' surgery. -So? | 0:24:08 | 0:24:10 | |
So she has access to everyone's medical records, including yours, | 0:24:10 | 0:24:13 | |
so if there's anything in there | 0:24:13 | 0:24:15 | |
that you don't want the whole town to know about, | 0:24:15 | 0:24:17 | |
I'd be a bit more careful about what you say about me. | 0:24:17 | 0:24:22 | |
I feel like I don't know you any more. | 0:24:22 | 0:24:23 | |
Well, that's good, cos I'd rather you didn't. | 0:24:23 | 0:24:26 | |
HE SIGHS | 0:24:26 | 0:24:28 | |
It wasn't a serious thing, you know. | 0:24:31 | 0:24:33 | |
Louise was the first woman I'd had anything to do with | 0:24:33 | 0:24:35 | |
since I lost Sandra. | 0:24:35 | 0:24:37 | |
Well, don't play it down. It's still a result. | 0:24:37 | 0:24:40 | |
I think maybe I just wanted to know that life moves on after all. | 0:24:40 | 0:24:44 | |
Yeah. Yeah, yeah, I get that. | 0:24:44 | 0:24:47 | |
To tell you the truth, being with someone else, | 0:24:47 | 0:24:49 | |
you know, holding someone else like that, | 0:24:49 | 0:24:51 | |
I still felt lonely. | 0:24:51 | 0:24:54 | |
It made me miss Sandra more, not less. | 0:24:54 | 0:24:56 | |
Everything about it felt wrong. | 0:24:59 | 0:25:01 | |
There's nothing like a bit of wrong to get the juices flowing, eh? | 0:25:01 | 0:25:04 | |
Bloody hell. I'm opening my heart to you, here, Bob. | 0:25:04 | 0:25:07 | |
I know. You're scaring me. | 0:25:07 | 0:25:09 | |
Oh, come on, I'm only having a laugh. | 0:25:09 | 0:25:11 | |
So, is it definitely over between you and her, then? | 0:25:13 | 0:25:17 | |
Yeah. I'd say so. | 0:25:17 | 0:25:19 | |
So, how would you feel if I asked her out? | 0:25:19 | 0:25:22 | |
Fine. Yeah. | 0:25:24 | 0:25:27 | |
-Yeah? -Yeah. | 0:25:27 | 0:25:28 | |
-Yeah? -Absolutely. What are we? | 0:25:28 | 0:25:31 | |
A couple of teenagers riding up and down outside her house on our bikes? | 0:25:31 | 0:25:35 | |
After a decent interval, obviously. | 0:25:35 | 0:25:37 | |
Obviously. It goes without saying. | 0:25:37 | 0:25:39 | |
# ..To talk with, all by myself | 0:25:42 | 0:25:46 | |
# No-one to walk with | 0:25:46 | 0:25:48 | |
# But I'm happy on the shelf | 0:25:48 | 0:25:50 | |
# Ain't misbehaving | 0:25:50 | 0:25:53 | |
# Saving my love for you | 0:25:53 | 0:25:56 | |
# I know for certain | 0:25:59 | 0:26:01 | |
# The one I love | 0:26:01 | 0:26:03 | |
# I'm through with flirtin' | 0:26:03 | 0:26:05 | |
# It's just you that I'm thinkin' of | 0:26:05 | 0:26:07 | |
-# Ain't misbehavin' -Ain't misbehaving | 0:26:07 | 0:26:10 | |
-# Savin' all my love for you -Savin' my love for you. # | 0:26:10 | 0:26:14 | |
Joe, look at the photo. Who's that? | 0:26:18 | 0:26:20 | |
-Who's that? -Has anyone seen my English book? | 0:26:20 | 0:26:22 | |
-No. -Anyone? | 0:26:22 | 0:26:23 | |
Joe, it's Maya, isn't it? You know Maya. | 0:26:23 | 0:26:27 | |
She's going to be going away. | 0:26:27 | 0:26:29 | |
Does that make you sad? | 0:26:29 | 0:26:31 | |
It makes me sad, yes. | 0:26:32 | 0:26:35 | |
Does it really? | 0:26:35 | 0:26:36 | |
Joe, Joe, do you understand that Maya is going to be going away? | 0:26:40 | 0:26:43 | |
Has anyone seen my pen? | 0:26:43 | 0:26:45 | |
Oh, for God's sake! | 0:26:45 | 0:26:46 | |
For God's sake. | 0:26:46 | 0:26:48 | |
Hey, Joe, Joe... | 0:26:48 | 0:26:49 | |
-Rebecca. -I know you're upset. | 0:26:49 | 0:26:51 | |
Yeah, you know, this is hard for you. | 0:26:51 | 0:26:53 | |
# Lost your love of life? Too much apple pie | 0:26:53 | 0:26:56 | |
# Oh, have you lost your love of life? | 0:26:56 | 0:26:58 | |
# Too much apple pie. # | 0:26:58 | 0:27:00 | |
MUSIC FADES IN: Kennedy by The Wedding Present | 0:27:00 | 0:27:02 | |
HE SINGS ALONG: # And now Ari's walked away with Johnny's wife | 0:27:02 | 0:27:06 | |
# You've got to pick some people up | 0:27:08 | 0:27:11 | |
# You've got to let some people go | 0:27:11 | 0:27:15 | |
# But if Lee's name does come up | 0:27:15 | 0:27:18 | |
# Oh, well, I really want to know | 0:27:18 | 0:27:21 | |
# Because everybody loves a TV show... # | 0:27:21 | 0:27:26 | |
HE BREATHES HEAVILY | 0:27:34 | 0:27:36 | |
DISCORDANT MUSIC PLAYS | 0:27:46 | 0:27:50 | |
MUSIC GROWS LOUDER | 0:27:50 | 0:27:53 | |
MUSIC GROWS EVEN LOUDER | 0:27:55 | 0:27:58 | |
MUSIC FADES OUT | 0:28:03 | 0:28:06 | |
-GIRL: -Yeah! | 0:28:08 | 0:28:11 | |
HE BREATHES HEAVILY | 0:28:19 | 0:28:21 | |
-You're late. -Did you sleep with Bob Herd? | 0:28:25 | 0:28:28 | |
No. | 0:28:28 | 0:28:30 | |
Did you? | 0:28:30 | 0:28:31 | |
I have another student booked after you, so we'll have to cut it short. | 0:28:33 | 0:28:37 | |
# Everybody loves a happy ending | 0:28:37 | 0:28:41 | |
# But we don't even try | 0:28:41 | 0:28:45 | |
# We go straight past pretending | 0:28:45 | 0:28:49 | |
# To the part where everybody loves to cry | 0:28:49 | 0:28:54 | |
# Indoor fireworks... # | 0:28:56 | 0:28:59 | |
That was fine. Why did you stop? | 0:29:05 | 0:29:06 | |
Did you sleep with him? | 0:29:08 | 0:29:09 | |
No, I did not! | 0:29:09 | 0:29:11 | |
Then why was his car outside the pub this morning? | 0:29:11 | 0:29:14 | |
Because he drank too much and, being a police inspector, | 0:29:14 | 0:29:17 | |
he's more respectful than most of the drink-driving laws. | 0:29:17 | 0:29:19 | |
Well, I know that's not true, for a start. | 0:29:19 | 0:29:21 | |
SHE SIGHS | 0:29:21 | 0:29:23 | |
We drank too much because we couldn't stop talking about you. | 0:29:23 | 0:29:27 | |
Oh. | 0:29:29 | 0:29:32 | |
Right. | 0:29:32 | 0:29:33 | |
Dear me, Maurice, is this really still a thing? | 0:29:42 | 0:29:45 | |
Aged 56, and you don't fancy me until your best mate has | 0:29:45 | 0:29:47 | |
a crack at me, and then you decide you fancy me after all. | 0:29:47 | 0:29:49 | |
Good God, does nothing change at all? | 0:29:49 | 0:29:52 | |
I don't go much on analysis. | 0:29:52 | 0:29:53 | |
Clearly. | 0:29:53 | 0:29:55 | |
I'm sorry, I'm just very confused at the moment. | 0:29:55 | 0:29:58 | |
Maurice, we've been to bed together a couple of times. | 0:29:58 | 0:30:01 | |
We're not in a relationship. | 0:30:01 | 0:30:02 | |
You don't get to tell me you're confused. | 0:30:02 | 0:30:04 | |
You don't care about my feelings? | 0:30:04 | 0:30:06 | |
I don't care enough about your feelings to torture myself | 0:30:06 | 0:30:08 | |
trying to second-guess them. | 0:30:08 | 0:30:10 | |
Now, are you going to sing or are you going to leave? | 0:30:10 | 0:30:14 | |
SHE RESUMES PLAYING Indoor Fireworks by Elvis Costello | 0:30:17 | 0:30:23 | |
# We get to the part where I say that I'm gonna leave... # | 0:30:26 | 0:30:32 | |
I'll be back in ten minutes. I promise. | 0:30:33 | 0:30:34 | |
You'd better be. I've got a life too, you know. | 0:30:34 | 0:30:36 | |
I've got hot yoga for beginners at 2.30pm. | 0:30:36 | 0:30:38 | |
Yeah, I'll be back, I said. | 0:30:38 | 0:30:40 | |
Did you manage to talk to Paul about not wanting to get pregnant? | 0:30:40 | 0:30:44 | |
When you take Joe for an appointment, | 0:30:48 | 0:30:51 | |
-do you notice all the parents for the other children? -Ugh. | 0:30:51 | 0:30:54 | |
Mainly I notice the kids that are a lot worse than Joe | 0:30:54 | 0:30:56 | |
and feel guilty that I'm pleased. | 0:30:56 | 0:30:59 | |
Take a look at the parents next time, | 0:30:59 | 0:31:02 | |
or just a mum or a dad... | 0:31:02 | 0:31:06 | |
but never a couple. | 0:31:06 | 0:31:08 | |
Nicola, you're clever, but you're not relationship clever. | 0:31:08 | 0:31:11 | |
Paul and me - we're not the kind of couple that split up. | 0:31:11 | 0:31:14 | |
Everyone thinks that until they do. | 0:31:14 | 0:31:17 | |
TOOL BUZZES | 0:31:22 | 0:31:24 | |
Oh, hey-o. | 0:31:24 | 0:31:25 | |
Oof, a bit early, Dad. | 0:31:26 | 0:31:28 | |
I need a stiff drink, | 0:31:28 | 0:31:29 | |
in case my daughter starts telling me off again | 0:31:29 | 0:31:32 | |
and, if pub food doesn't taste good with beer, then it's all over. | 0:31:32 | 0:31:35 | |
Oh, too right. Got to be big on flavour. | 0:31:35 | 0:31:37 | |
I mean, you know, don't get me wrong, | 0:31:37 | 0:31:39 | |
I like a skate wing as much as the next guy, just never on a pub menu. | 0:31:39 | 0:31:42 | |
-You're talking my language, Gary. -Mmm-hmm. | 0:31:42 | 0:31:44 | |
-Stop taking over, Dad. -You won't know I'm here. | 0:31:44 | 0:31:46 | |
-All right, then, herbed, baked fish, could be battered. -Right. | 0:31:46 | 0:31:49 | |
-What do you think? -Yeah. | 0:31:49 | 0:31:50 | |
Lamb stew, venison sausages... | 0:31:50 | 0:31:52 | |
And a vegetarian option for them | 0:31:52 | 0:31:54 | |
that want to spoil it for everybody else. | 0:31:54 | 0:31:56 | |
All locally sourced. | 0:31:56 | 0:31:57 | |
Mint cake and sheep shit are locally sourced - | 0:31:57 | 0:31:59 | |
doesn't mean they should be on the menu. | 0:31:59 | 0:32:01 | |
I thought we wouldn't know you were here, Maurice? | 0:32:01 | 0:32:03 | |
Paul, I was thinking maybe one | 0:32:03 | 0:32:04 | |
-change before next week and then... -PHONE RINGS | 0:32:04 | 0:32:06 | |
-..depending on the day... -Sorry, sorry, it's my son's school. Hello. | 0:32:06 | 0:32:10 | |
-Right, OK. Yeah, half an hour? -Oh, very good. -All right, bye. | 0:32:12 | 0:32:16 | |
Sorry. | 0:32:16 | 0:32:18 | |
HE SIGHS | 0:32:24 | 0:32:27 | |
I remember when a scallop meant a slice of potato in batter. | 0:32:27 | 0:32:31 | |
-I want you to cut Eddie some slack. -On the scallop front? | 0:32:31 | 0:32:34 | |
I realise that Eddie doesn't correspond to your traditional | 0:32:34 | 0:32:37 | |
notion of masculinity and, therefore, you have issues | 0:32:37 | 0:32:39 | |
around treating him as a grown-up, but it's got to stop, Maurice. | 0:32:39 | 0:32:42 | |
-Whoa. Where has this come from? -You clearly have problems with him | 0:32:42 | 0:32:45 | |
knowing about your burgeoning relationship with Louise and... | 0:32:45 | 0:32:47 | |
There's no burgeoning going on of any description. | 0:32:47 | 0:32:50 | |
That ship has sailed. | 0:32:50 | 0:32:51 | |
It's over, whatever it was, and, secondly, | 0:32:51 | 0:32:54 | |
I only ever rode Eddie to see that his heart was in it, | 0:32:54 | 0:32:56 | |
and it turns out it isn't. | 0:32:56 | 0:32:58 | |
What do you mean? | 0:32:58 | 0:32:59 | |
What? He hasn't told you? | 0:32:59 | 0:33:00 | |
He's told me he's got other plans outside the brewery. | 0:33:00 | 0:33:03 | |
He hasn't told you. Really? Typical. | 0:33:05 | 0:33:08 | |
It seems to me it should be him you're bollocking. | 0:33:08 | 0:33:11 | |
TOOL BUZZES | 0:33:11 | 0:33:13 | |
Hey. Hi, Sweetheart. | 0:33:24 | 0:33:27 | |
-Shall we go in and see him? -Paul, Alison, come in. | 0:33:30 | 0:33:34 | |
He was very agitated when he came in, | 0:33:38 | 0:33:40 | |
and then he wouldn't come away from doing his little door dance. | 0:33:40 | 0:33:43 | |
He was tipping chairs over and throwing books around. | 0:33:43 | 0:33:46 | |
He was very upset. | 0:33:46 | 0:33:48 | |
Oh, something must have happened with another kid or something. | 0:33:48 | 0:33:51 | |
That's... Did you see anything? | 0:33:51 | 0:33:53 | |
Well, nothing that we're aware of. How has he been at home? | 0:33:53 | 0:33:57 | |
Well, actually, there's a... | 0:33:58 | 0:34:00 | |
There is a young lady that's been helping out and she's... | 0:34:00 | 0:34:03 | |
Unfortunately, she's going to have to leave, so maybe that's... | 0:34:03 | 0:34:06 | |
Or not. Or not. | 0:34:06 | 0:34:09 | |
He doesn't say how he feels, so, you know, who knows? | 0:34:09 | 0:34:13 | |
But we have been talking about it a lot. | 0:34:13 | 0:34:15 | |
This change at home, well, maybe it's something we could talk about. | 0:34:18 | 0:34:21 | |
-At home time, or story time, maybe... -No, look, sorry, no. | 0:34:21 | 0:34:24 | |
He doesn't need... | 0:34:24 | 0:34:26 | |
I just don't think he needs to dwell on it any longer than necessary. | 0:34:32 | 0:34:37 | |
Well, what I've been doing with Joe, | 0:34:37 | 0:34:39 | |
when he's been finding things a bit difficult, is using story cards. | 0:34:39 | 0:34:43 | |
He seems to quite like them. | 0:34:43 | 0:34:45 | |
Perhaps it's something you could try at home, if you have the time. | 0:34:45 | 0:34:50 | |
Perhaps. | 0:34:50 | 0:34:51 | |
Yeah, do you know? They actually sound really helpful. Thank you. | 0:34:54 | 0:34:58 | |
This does happen in the first term. | 0:34:58 | 0:35:00 | |
-It could happen to any child, not just a child... -A child like Joe? | 0:35:00 | 0:35:02 | |
Yeah, I know, we get it. | 0:35:02 | 0:35:05 | |
-Thanks. -BELL RINGS | 0:35:05 | 0:35:07 | |
Well, so much for him not feeling anything about Maya leaving. | 0:35:07 | 0:35:11 | |
So much for you putting ideas into his head. | 0:35:11 | 0:35:13 | |
Joe. | 0:35:13 | 0:35:15 | |
Where do you fancy going, then, kidder? | 0:35:16 | 0:35:19 | |
-JOE SIGHS -Anywhere. -Oh, anywhere. | 0:35:19 | 0:35:22 | |
Would that be anywhere with chips and a milkshake? | 0:35:22 | 0:35:26 | |
What are you doing? | 0:35:26 | 0:35:28 | |
You can't reward him wrecking a classroom. | 0:35:28 | 0:35:30 | |
I'm not. | 0:35:30 | 0:35:31 | |
I'm treating him because he's upset. | 0:35:31 | 0:35:33 | |
Oh, do what you like. I'm sick of playing bad cop. | 0:35:33 | 0:35:35 | |
CAR ENGINE REVS | 0:35:38 | 0:35:40 | |
He was fine with Maya leaving, | 0:36:10 | 0:36:12 | |
but you kept picking away at him until, finally, | 0:36:12 | 0:36:14 | |
he got so wound up that he flipped out at school, so, well done, you. | 0:36:14 | 0:36:18 | |
Next up, a nervous breakdown. | 0:36:18 | 0:36:20 | |
Yeah, well done, me, cos you know what? | 0:36:20 | 0:36:23 | |
I'm glad it happened. | 0:36:23 | 0:36:24 | |
Why? To satisfy your need for an emotional outburst? | 0:36:24 | 0:36:27 | |
His need, not mine. | 0:36:27 | 0:36:29 | |
I don't think you know the difference, do you? | 0:36:29 | 0:36:32 | |
All right, then, what are we having? | 0:36:38 | 0:36:40 | |
Same again, is it? | 0:36:40 | 0:36:42 | |
'Other people might think that this is an unnecessary activity | 0:36:47 | 0:36:50 | |
'for their children, so leave them doing it. | 0:36:50 | 0:36:53 | |
'My point is, having worked with a lot of kids, | 0:36:53 | 0:36:56 | |
'I can see it makes them happy. | 0:36:56 | 0:36:58 | |
'I can't see it costs them a lot. | 0:36:58 | 0:37:02 | |
'And I see a lot... I see loads of...' | 0:37:02 | 0:37:05 | |
Thanks. | 0:37:07 | 0:37:09 | |
Hey. Hey. | 0:37:09 | 0:37:11 | |
I think you should stay and watch this. | 0:37:11 | 0:37:14 | |
Later on, there's a boy who is three years old, | 0:37:14 | 0:37:18 | |
and his parents were told he was so severely autistic | 0:37:18 | 0:37:20 | |
that he would never talk, | 0:37:20 | 0:37:22 | |
and then he had intensive applied behavioural analysis. | 0:37:22 | 0:37:25 | |
He's now 16, a normal teenager, | 0:37:25 | 0:37:26 | |
and he plays badminton for his national team. | 0:37:26 | 0:37:29 | |
Wow, badminton, eh? | 0:37:29 | 0:37:31 | |
Oh, well, you can't have everything. | 0:37:31 | 0:37:33 | |
PAUL LAUGHS | 0:37:34 | 0:37:36 | |
What if he's right, Paul? | 0:37:39 | 0:37:42 | |
Eh? | 0:37:42 | 0:37:43 | |
What if he is right and we're wrong, | 0:37:43 | 0:37:45 | |
and we make jokes about this stuff, and then we turn around and Joe's 16 | 0:37:45 | 0:37:48 | |
and he's still flinging chairs around when he's upset, | 0:37:48 | 0:37:50 | |
but nobody thinks he's cute any more. | 0:37:50 | 0:37:52 | |
-Nobody thinks they can handle him any more. -How do you know he hasn't | 0:37:52 | 0:37:55 | |
just had enough of you telling him to be upset? | 0:37:55 | 0:37:58 | |
If he feels something, he has to learn to express it. | 0:37:58 | 0:38:02 | |
If that means turning a few chairs over at school now, | 0:38:02 | 0:38:04 | |
I think that's a small price to pay. | 0:38:04 | 0:38:06 | |
KNOCK AT DOOR | 0:38:06 | 0:38:08 | |
KNOCK AT DOOR Well, you'd better get that. | 0:38:10 | 0:38:14 | |
DOORBELL RINGS It might be the Emotion Fairy | 0:38:14 | 0:38:16 | |
with more feelings for you to scatter around. | 0:38:16 | 0:38:19 | |
HE SIGHS | 0:38:19 | 0:38:21 | |
DOORBELL RINGS | 0:38:21 | 0:38:23 | |
Hi, sorry, it's not a great time, guys. | 0:38:23 | 0:38:26 | |
Is your daughter home? | 0:38:26 | 0:38:28 | |
Lovely hall, by the way. | 0:38:30 | 0:38:31 | |
Can we come in? | 0:38:33 | 0:38:34 | |
Yeah, yeah, of course. Just come on through. | 0:38:34 | 0:38:37 | |
OK, let me get this straight, Rebecca. | 0:38:41 | 0:38:43 | |
You told Luke that you had access to his medical records. | 0:38:43 | 0:38:46 | |
I'm sorry, I didn't mean to get anyone into trouble. | 0:38:46 | 0:38:49 | |
I have to say, I admire your angle of attack. | 0:38:49 | 0:38:52 | |
Unfortunately, your friend told his mother, who rang the surgery. | 0:38:52 | 0:38:56 | |
Oh, my God. He told his mother? Really? | 0:38:57 | 0:39:02 | |
How lame is that? | 0:39:02 | 0:39:03 | |
Rebecca, the shocking bit is that you would do something | 0:39:03 | 0:39:05 | |
so stupid, not that he would tell his mum. | 0:39:05 | 0:39:07 | |
Although, I have to agree, that is pretty lame. | 0:39:07 | 0:39:10 | |
And you... you talked her round, his mum, yeah? | 0:39:10 | 0:39:13 | |
You seem to be forgetting how revered I am in this town. | 0:39:13 | 0:39:17 | |
Yes, I talked her round but, unfortunately, | 0:39:17 | 0:39:19 | |
I had to agree to sack Nicola. | 0:39:19 | 0:39:22 | |
Oh. | 0:39:25 | 0:39:26 | |
So, it's not just Nicola - | 0:39:29 | 0:39:31 | |
none of this family have a sense of humour. | 0:39:31 | 0:39:33 | |
None of this family have your sense of humour. | 0:39:33 | 0:39:35 | |
That's not the same thing. | 0:39:35 | 0:39:37 | |
Of course I didn't sack Nicola | 0:39:37 | 0:39:38 | |
but, if you want to get at your friend again, | 0:39:38 | 0:39:40 | |
then choose another way, OK? | 0:39:40 | 0:39:43 | |
All right, well, thank you for being so understanding. | 0:39:45 | 0:39:47 | |
Thank you. Yeah. | 0:39:47 | 0:39:48 | |
-All right. -I'm sorry. | 0:39:52 | 0:39:54 | |
We know. | 0:39:54 | 0:39:55 | |
Mind telling us why? | 0:39:55 | 0:39:58 | |
He hurt my feelings. He said some stuff. | 0:39:58 | 0:40:01 | |
What stuff, eh? I'll go round and give him a thump. | 0:40:01 | 0:40:04 | |
Well, you're good of good ideas, today, aren't you(?) | 0:40:04 | 0:40:06 | |
Sometimes audacious is the only thing that works. | 0:40:06 | 0:40:09 | |
Now you sound like Stuart. | 0:40:09 | 0:40:10 | |
So what? | 0:40:10 | 0:40:11 | |
Yeah, so what? | 0:40:11 | 0:40:12 | |
Thanks, Mum. | 0:40:12 | 0:40:14 | |
At least Graves saw the funny side. | 0:40:40 | 0:40:41 | |
He always sees the funny side. | 0:40:41 | 0:40:43 | |
That's part of what makes him so irritating. | 0:40:43 | 0:40:45 | |
If you had Maurice on your case all day, | 0:40:45 | 0:40:46 | |
then you'd have something to complain about. | 0:40:46 | 0:40:49 | |
Is that why you told him you had other plans - Maurice - | 0:40:49 | 0:40:51 | |
because he's on your case all day? | 0:40:51 | 0:40:53 | |
Were you being serious about that | 0:40:53 | 0:40:54 | |
or were you just saying it to get back at him? | 0:40:54 | 0:40:57 | |
I didn't say anything cos I was just exploring. | 0:40:57 | 0:41:00 | |
There have been a couple of approaches. | 0:41:00 | 0:41:03 | |
Nothing is certain but... a research post in Manchester. | 0:41:03 | 0:41:09 | |
Manchester? | 0:41:09 | 0:41:10 | |
Yes, Manchester - | 0:41:10 | 0:41:12 | |
a place with universities, libraries, public transport, | 0:41:12 | 0:41:16 | |
Wi-Fi, phone coverage, | 0:41:16 | 0:41:18 | |
and not a single member of my family, | 0:41:18 | 0:41:20 | |
so what do you say? | 0:41:20 | 0:41:22 | |
Fancy joining the escape committee? | 0:41:22 | 0:41:24 | |
I don't think so. | 0:41:24 | 0:41:26 | |
Oh... | 0:41:26 | 0:41:27 | |
I was approached about a job away from here. | 0:41:27 | 0:41:30 | |
-There's a trainee post not far from Manchester, as it turns out. -Really? | 0:41:30 | 0:41:35 | |
This is perfect, isn't it? | 0:41:35 | 0:41:36 | |
Well, it would be, except I said no. | 0:41:36 | 0:41:40 | |
I don't believe you. | 0:41:40 | 0:41:41 | |
I think... | 0:41:41 | 0:41:43 | |
We've just started to get happy here. | 0:41:44 | 0:41:46 | |
Next you'll be telling me you like my family(!) | 0:41:46 | 0:41:49 | |
Well, not "like" exactly, but I do kind of see the point of you all. | 0:41:49 | 0:41:53 | |
Come on. We can be happy somewhere else, can't we? | 0:41:53 | 0:41:56 | |
I don't know that. | 0:41:56 | 0:41:58 | |
Neither do you. | 0:41:58 | 0:42:00 | |
Our marriage is so shit, it can only work somewhere we both hate? | 0:42:00 | 0:42:04 | |
I'm starting to like it here, | 0:42:04 | 0:42:07 | |
and... | 0:42:07 | 0:42:09 | |
I understand you here. | 0:42:09 | 0:42:12 | |
You might not like to think it suits you here, but it does. | 0:42:14 | 0:42:18 | |
I love you here. | 0:42:18 | 0:42:20 | |
Jesus, I never thought I'd have a love that spans continents, | 0:42:20 | 0:42:23 | |
but I was hoping for more than a two-mile radius. | 0:42:23 | 0:42:25 | |
DOORBELL RINGS | 0:42:25 | 0:42:27 | |
DOORBELL RINGS AGAIN | 0:42:28 | 0:42:31 | |
Erm, is Nicola in? | 0:42:33 | 0:42:35 | |
You didn't have to buy these. | 0:42:40 | 0:42:42 | |
I quite understood why you did what you did. | 0:42:42 | 0:42:45 | |
I just got you into trouble. I nearly got you the sack. | 0:42:45 | 0:42:48 | |
Well, you didn't, and I wasn't sacked, | 0:42:48 | 0:42:53 | |
but these are nice. | 0:42:53 | 0:42:55 | |
It's a bit of a goodbye present, as well. | 0:42:55 | 0:42:58 | |
What do you mean? | 0:42:58 | 0:43:00 | |
I've got a reading week, | 0:43:00 | 0:43:01 | |
so I thought I'd go and stay with my dad for a bit. | 0:43:01 | 0:43:03 | |
You know, Stuart, my other dad. | 0:43:03 | 0:43:06 | |
Why does everyone want to leave all of a sudden? | 0:43:06 | 0:43:09 | |
I could start taking it personally(!) | 0:43:09 | 0:43:11 | |
Well, I get to see my new sister, and I get a change, | 0:43:11 | 0:43:15 | |
and I can leave Mum and Dad to sort all of this Joe stuff out. | 0:43:15 | 0:43:18 | |
Oh, well, I don't think that's a good idea. | 0:43:18 | 0:43:20 | |
Oh. | 0:43:20 | 0:43:21 | |
I don't think running away is the best way to solve problems. | 0:43:21 | 0:43:25 | |
I used to do it and it didn't end well. | 0:43:25 | 0:43:28 | |
Well, the only thing keeping me here right now is you and Eddie. | 0:43:28 | 0:43:32 | |
Well, we're not going anywhere. Don't worry about that. | 0:43:32 | 0:43:35 | |
Johnny! | 0:43:44 | 0:43:45 | |
You missed a cracking bit of food at Paul's tasting menu. | 0:43:45 | 0:43:48 | |
Is that why you wanted to come for a drink - to tell me that? | 0:43:48 | 0:43:53 | |
No, it isn't. I've... | 0:43:53 | 0:43:55 | |
I wanted to say sorry about going off at you like that... | 0:43:55 | 0:44:00 | |
and saying what I said. | 0:44:00 | 0:44:02 | |
It's not like you to apologise. | 0:44:02 | 0:44:03 | |
No, it isn't, so don't milk it. | 0:44:03 | 0:44:05 | |
Maybe if you sang it, it would mean more(!) | 0:44:05 | 0:44:07 | |
Eddie, you're my son, and I love you, | 0:44:07 | 0:44:09 | |
but you'd always be in the medals at the Twat Olympics. | 0:44:09 | 0:44:13 | |
That's more like it. | 0:44:13 | 0:44:14 | |
Just out of interest, when you were at school and you chose yoga | 0:44:14 | 0:44:17 | |
over football, was that for real or was that just to wind me up? | 0:44:17 | 0:44:20 | |
It's OK, Dad. | 0:44:20 | 0:44:21 | |
Apology accepted. | 0:44:21 | 0:44:23 | |
And you were right about the brewery. | 0:44:25 | 0:44:28 | |
-It hasn't worked. -No, I was wrong to say what I said. | 0:44:28 | 0:44:31 | |
You're doing a good job and, the truth is, | 0:44:31 | 0:44:34 | |
it kills me, to be honest. | 0:44:34 | 0:44:37 | |
A son, good at something, causes father pain? | 0:44:37 | 0:44:40 | |
Could we just have a minute's silence to think about that? | 0:44:40 | 0:44:42 | |
I had thought I was the only one who could do it. | 0:44:42 | 0:44:45 | |
You know, I built the place, and I thought I was... | 0:44:45 | 0:44:47 | |
well, not exactly Donald Trump, but Willy Wonka, at least. | 0:44:47 | 0:44:50 | |
Dad, you loved that brewery and you gave it up too early - | 0:44:50 | 0:44:54 | |
we both know that. | 0:44:54 | 0:44:55 | |
You get the brewery back. How's about that? | 0:44:55 | 0:44:58 | |
I don't want it back. I want to be your partner. | 0:44:58 | 0:45:00 | |
Proper partners. | 0:45:00 | 0:45:02 | |
-We could work together. -Work together? | 0:45:02 | 0:45:04 | |
Are you insane? We can't do a crossword together | 0:45:04 | 0:45:06 | |
without the United Nations on speed dial. | 0:45:06 | 0:45:08 | |
Just think about it until you decide I'm right. | 0:45:08 | 0:45:11 | |
HE SIGHS | 0:45:12 | 0:45:14 | |
This is good, isn't it? | 0:45:14 | 0:45:16 | |
A father and son having a drink. | 0:45:16 | 0:45:19 | |
When was the last time we did this? | 0:45:20 | 0:45:23 | |
1999. | 0:45:23 | 0:45:26 | |
-We argued about the Millennium Dome. -Oh, yeah. | 0:45:26 | 0:45:28 | |
I was right about that, and all. | 0:45:28 | 0:45:30 | |
You retired too early and for all the wrong reasons. | 0:45:32 | 0:45:35 | |
Take the brewery back. | 0:45:37 | 0:45:39 | |
I'm done here, I promise you. | 0:45:39 | 0:45:42 | |
Bye, Maya. | 0:46:04 | 0:46:05 | |
Bye, Rebecca. I will always remember your Antigone. | 0:46:05 | 0:46:08 | |
Do your studies well and Facebook me. | 0:46:08 | 0:46:10 | |
Always. | 0:46:10 | 0:46:13 | |
Thank you. | 0:46:13 | 0:46:14 | |
Thanks for everything. | 0:46:14 | 0:46:16 | |
Don't forget us, | 0:46:17 | 0:46:19 | |
and thank you so much for everything you've done. | 0:46:19 | 0:46:22 | |
I mean it, really. Thank you so much. | 0:46:22 | 0:46:24 | |
Thank you. | 0:46:24 | 0:46:27 | |
Joe... | 0:46:27 | 0:46:28 | |
-It's OK. -No. No, no, no. | 0:46:30 | 0:46:32 | |
Joe, are you going to say goodbye to Maya, now? | 0:46:32 | 0:46:34 | |
Goodbye, goodbye, goodbye! | 0:46:34 | 0:46:36 | |
Hey. | 0:46:42 | 0:46:43 | |
(Hey.) | 0:46:44 | 0:46:46 | |
MUSIC: Ace Of Spades by Motorhead | 0:46:57 | 0:47:01 | |
JOE AND MAYA SING ALONG # If you like to gamble I tell you I'm your man | 0:47:04 | 0:47:07 | |
# You win some, lose some It's all the same to me | 0:47:07 | 0:47:11 | |
# The pleasure is to play | 0:47:18 | 0:47:19 | |
# Makes no difference what you say | 0:47:19 | 0:47:22 | |
# I don't share your greed | 0:47:25 | 0:47:26 | |
# The only card I need is | 0:47:26 | 0:47:28 | |
# The Ace of Spades The Ace of Spades | 0:47:28 | 0:47:31 | |
JOE STOPS AND STARTS MUSIC # Playing for the high... The high | 0:47:34 | 0:47:37 | |
# One... | 0:47:37 | 0:47:38 | |
# The Ace of... # | 0:47:38 | 0:47:39 | |
Heavy metal. She's been teaching him heavy metal. | 0:48:25 | 0:48:28 | |
If I'd have known that, I'd have had her deported sooner(!) | 0:48:28 | 0:48:31 | |
ENGINE HUMS | 0:48:46 | 0:48:49 | |
-Bye, Maya. -Safe journey. | 0:48:49 | 0:48:51 | |
-Be safe. -CAR HORN | 0:48:51 | 0:48:53 | |
DOOR CLOSES | 0:49:08 | 0:49:10 | |
Well, there you are. | 0:49:12 | 0:49:16 | |
A bit of Lemmy was all that it took, eh? | 0:49:16 | 0:49:18 | |
HE CHUCKLES | 0:49:18 | 0:49:20 | |
We all want to save our children from being hurt, Paul, | 0:49:20 | 0:49:23 | |
but it's not how the world is. | 0:49:23 | 0:49:25 | |
Well, he's going to get more than enough hurt in his life, love. | 0:49:25 | 0:49:28 | |
Yeah, and he needs to be able to handle it. | 0:49:28 | 0:49:31 | |
What worries you? | 0:49:31 | 0:49:34 | |
Hmm? | 0:49:34 | 0:49:35 | |
That he can't express his feelings | 0:49:35 | 0:49:36 | |
or that he hasn't got the feelings in the first place? | 0:49:36 | 0:49:39 | |
I think he has feelings, Paul. | 0:49:39 | 0:49:40 | |
-Yeah, of course, look, no... -I think he feels so much | 0:49:40 | 0:49:43 | |
and so deeply that he has to save himself from drowning in them, | 0:49:43 | 0:49:47 | |
and I think that's why he shuts down | 0:49:47 | 0:49:48 | |
and that's exactly what we can't let him do. | 0:49:48 | 0:49:51 | |
Why not? What if that is what he needs in order to survive? | 0:49:54 | 0:49:57 | |
Because the more he hides his feelings, | 0:49:57 | 0:50:00 | |
the further away he gets from us. | 0:50:00 | 0:50:02 | |
Oh... | 0:50:14 | 0:50:15 | |
Rebecca! | 0:50:42 | 0:50:44 | |
Can I see you for a minute, please? | 0:50:44 | 0:50:46 | |
What is it? | 0:50:52 | 0:50:53 | |
Just take a seat here for me, will you, love? There you go. | 0:50:53 | 0:50:56 | |
OK, erm... | 0:50:58 | 0:50:59 | |
Listen, you've got a sex life. I know that, and it's... | 0:51:01 | 0:51:04 | |
it's fine, and I don't need to know the details, but... | 0:51:04 | 0:51:07 | |
That isn't...that isn't mine. | 0:51:14 | 0:51:16 | |
Well, I'm not going to need the morning-after pill, am I? | 0:51:16 | 0:51:19 | |
Dad, it really isn't, I would never not take precautions. | 0:51:19 | 0:51:22 | |
Is this what this is all about? | 0:51:22 | 0:51:24 | |
Threatening Luke with medical records? | 0:51:24 | 0:51:26 | |
Does he know about this? | 0:51:26 | 0:51:27 | |
It isn't mine. | 0:51:27 | 0:51:29 | |
Look, I don't know what Stuart has been filling your head with | 0:51:29 | 0:51:32 | |
about being a free spirit and all of that, but this is real life, | 0:51:32 | 0:51:36 | |
and I don't want your real life to be ruined by some half-baked ideas | 0:51:36 | 0:51:39 | |
that he has put into your head | 0:51:39 | 0:51:41 | |
-about having lots of babies and having a family. -Dad, it isn't mine! | 0:51:41 | 0:51:44 | |
Don't lie to me, love! | 0:51:44 | 0:51:45 | |
HE SIGHS | 0:51:47 | 0:51:49 | |
Don't lie to me. OK, this is not going to get us anywhere. | 0:51:49 | 0:51:52 | |
Then don't accuse me of something that I haven't done! | 0:51:52 | 0:51:55 | |
Hey, hey, hey, hey, what's going on? | 0:51:55 | 0:51:57 | |
Ask him. | 0:51:57 | 0:51:59 | |
Look at that. | 0:51:59 | 0:52:00 | |
The morning-after pill. | 0:52:01 | 0:52:04 | |
The morning-after pill - I found it in the bin. | 0:52:04 | 0:52:06 | |
-Mmm-hmm. -Now, look, she's going to have to talk to one of us. | 0:52:06 | 0:52:10 | |
It doesn't matter if it's me or if it's you, but she is going to | 0:52:10 | 0:52:12 | |
-have to talk to one of us. -OK. It's not hers, it's mine. | 0:52:12 | 0:52:15 | |
Don't cover for her, Alison, OK? This is... | 0:52:15 | 0:52:18 | |
-Bex, go upstairs, darling. -Eh? | 0:52:18 | 0:52:19 | |
Look, we've got to be honest. This is important. | 0:52:19 | 0:52:22 | |
-Rebecca! -Hey! It's mine. | 0:52:22 | 0:52:25 | |
I took it. It's mine. | 0:52:27 | 0:52:28 | |
MUSIC: Leave Right Now by Will Young | 0:52:35 | 0:52:37 | |
# And I'd love to say I do | 0:52:37 | 0:52:39 | |
# Give everything to you | 0:52:39 | 0:52:42 | |
# But I can never now be true... # | 0:52:42 | 0:52:44 | |
REBECCA SOBS QUIETLY | 0:52:44 | 0:52:46 | |
# So I say | 0:52:46 | 0:52:47 | |
# I think I'd better leave right now | 0:52:47 | 0:52:50 | |
# Before I fall any deeper | 0:52:50 | 0:52:53 | |
# I think I'd better leave right now... # | 0:52:53 | 0:52:56 | |
Why would you do that? | 0:52:56 | 0:52:58 | |
Because it's not the right time. | 0:52:59 | 0:53:01 | |
I haven't got the energy for another pregnancy, | 0:53:01 | 0:53:03 | |
-let alone another baby, not right now. -Why didn't you say anything? | 0:53:03 | 0:53:06 | |
-Why did you do it behind my back? -Because you were all excited. | 0:53:06 | 0:53:09 | |
So was I, for a bit, but then I just | 0:53:09 | 0:53:11 | |
thought about the reality and it... | 0:53:11 | 0:53:14 | |
-I just didn't have the strength to fight you about it. -I get that. | 0:53:14 | 0:53:17 | |
I do. | 0:53:17 | 0:53:19 | |
I get it. The time is right for me and it's not for you. | 0:53:19 | 0:53:22 | |
I get that. | 0:53:22 | 0:53:23 | |
Yeah. | 0:53:23 | 0:53:24 | |
-I mean, there will be another time, right? -I hope so, yeah. | 0:53:26 | 0:53:30 | |
Is it because you're scared that, you know, | 0:53:34 | 0:53:37 | |
the baby will turn out like Joe? | 0:53:37 | 0:53:39 | |
It's part of it, I think. Aren't you? | 0:53:39 | 0:53:43 | |
Erm... | 0:53:43 | 0:53:44 | |
I want two children. | 0:53:45 | 0:53:48 | |
We've got two children. | 0:53:48 | 0:53:50 | |
HE SIGHS | 0:53:53 | 0:53:55 | |
I want a normal child, Alison. | 0:53:59 | 0:54:01 | |
I want to father a normal child, so, there, I've said it. | 0:54:01 | 0:54:04 | |
You have, indeed, yeah. | 0:54:10 | 0:54:11 | |
Hey. Well, if I can't say that to you, then who can I say that to? | 0:54:11 | 0:54:14 | |
-Oh. -God, you're meant to be | 0:54:14 | 0:54:16 | |
the one person in the world that | 0:54:16 | 0:54:17 | |
-I can say stuff like that to. -Do you know? I'm exhausted. | 0:54:17 | 0:54:20 | |
I'm exhausted. Now, every day, every minute, I am sinking already. | 0:54:20 | 0:54:25 | |
Look how hard we had to fight for Maya. | 0:54:25 | 0:54:27 | |
Look at how we fell out over it. | 0:54:27 | 0:54:29 | |
One tiny thing goes wrong for Joe, | 0:54:29 | 0:54:31 | |
and it takes all the strength we have. | 0:54:31 | 0:54:33 | |
-To try and support another baby... -Maybe that's the problem. | 0:54:33 | 0:54:35 | |
We've got all this energy and we've only got Joe to focus on. | 0:54:35 | 0:54:41 | |
So, what, I should have another child as light relief from Joe? | 0:54:41 | 0:54:43 | |
No, I'm not saying that, I'm just saying that... | 0:54:43 | 0:54:46 | |
Look, if we overthink it, then there will never be a right time. | 0:54:46 | 0:54:50 | |
Will there? | 0:54:50 | 0:54:52 | |
SHE EXHALES | 0:54:54 | 0:54:57 | |
There won't, will there? | 0:54:58 | 0:55:00 | |
No. | 0:55:05 | 0:55:07 | |
HE SIGHS | 0:55:07 | 0:55:09 | |
No, maybe there won't. I don't... | 0:55:12 | 0:55:14 | |
There will never be a right time because I don't want another child. | 0:55:14 | 0:55:17 | |
-It's as simple as that and... -Oh. | 0:55:17 | 0:55:19 | |
Except, I do. | 0:55:21 | 0:55:22 | |
Yes, but we have Joe, and he's different - | 0:55:22 | 0:55:25 | |
-there's no point in pretending otherwise. -So... | 0:55:25 | 0:55:28 | |
So he makes everything different for us. Everything. | 0:55:28 | 0:55:32 | |
Right. | 0:55:32 | 0:55:33 | |
He's your son, Alison, he's not your fucking alibi. | 0:55:36 | 0:55:39 | |
Hey. | 0:55:42 | 0:55:43 | |
DOOR OPENS | 0:55:45 | 0:55:47 | |
DOOR CLOSES | 0:55:47 | 0:55:49 | |
SHE EXHALES | 0:55:49 | 0:55:51 | |
RAIN SPLASHES | 0:55:51 | 0:55:54 | |
HE SIGHS | 0:56:02 | 0:56:05 | |
You and me are in the middle of 30 shades of crap right now, | 0:56:20 | 0:56:23 | |
and I hurt you. You hurt me. | 0:56:23 | 0:56:25 | |
I wouldn't mind knocking about with you. | 0:56:25 | 0:56:26 | |
Maurice, when was the last time you asked a woman out? | 0:56:26 | 0:56:29 | |
You're always on the outside, commenting on our marriage. | 0:56:29 | 0:56:31 | |
It never feels like you're actually inside it. | 0:56:31 | 0:56:33 | |
-Which way did he go? -He went outside. | 0:56:33 | 0:56:35 | |
I know he went outside. Where did Joe go?! | 0:56:35 | 0:56:37 | |
Don't you dare talk to my son like that. Get out! | 0:56:37 | 0:56:39 | |
Maurice, you can't go shooting off up the hill on your own. | 0:56:39 | 0:56:41 | |
-I lost him. I'll find him. -We'll find him. | 0:56:41 | 0:56:44 | |
Joe! | 0:56:44 | 0:56:46 |