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The nearest specialist school that's got a space is in Manchester. | 0:00:02 | 0:00:04 | |
If you want to stay over with me, the offer's there. | 0:00:04 | 0:00:07 | |
Might be worth trying to get back together. | 0:00:07 | 0:00:09 | |
I'm seeing someone. | 0:00:09 | 0:00:11 | |
I'm not going to get stuck here. | 0:00:11 | 0:00:12 | |
Another few weeks isn't going to kill us, is it? | 0:00:12 | 0:00:14 | |
I've just seen Sophie's Mark | 0:00:14 | 0:00:16 | |
have a meltdown that'll make your hair curl. | 0:00:16 | 0:00:18 | |
Joe isn't Mark, though. | 0:00:18 | 0:00:20 | |
Not yet he's not, no. | 0:00:20 | 0:00:22 | |
-So, Ralph knows? -Not that it's cancer, no. | 0:00:22 | 0:00:24 | |
Let me help. At least let me drive you to the hospital. | 0:00:24 | 0:00:26 | |
No, no, no! | 0:00:26 | 0:00:28 | |
MUSIC: She Bangs The Drums by The Stone Roses | 0:00:30 | 0:00:33 | |
# I can feel the earth begin to move | 0:00:43 | 0:00:47 | |
# I hear my needle hit the groove | 0:00:47 | 0:00:51 | |
# And spiral through another day | 0:00:51 | 0:00:54 | |
# I hear my song begin to say | 0:00:54 | 0:00:57 | |
# Kiss me where the sun don't shine | 0:00:57 | 0:01:01 | |
# The past was yours | 0:01:01 | 0:01:02 | |
# But the future's mine | 0:01:02 | 0:01:05 | |
# You're all out of time | 0:01:05 | 0:01:09 | |
# I don't feel too steady on my feet | 0:01:10 | 0:01:14 | |
# I feel hollow, I feel weak | 0:01:14 | 0:01:17 | |
# Passion fruit and holy bread... # | 0:01:17 | 0:01:20 | |
-Good morning! -Good morning! | 0:01:20 | 0:01:23 | |
-Did you sleep all right, Joe? -Joe slept all right. | 0:01:23 | 0:01:27 | |
Here's the kitchen. | 0:01:27 | 0:01:29 | |
All...in place. | 0:01:31 | 0:01:33 | |
Living room. | 0:01:34 | 0:01:36 | |
All still here. | 0:01:36 | 0:01:38 | |
Oh, look! | 0:01:38 | 0:01:39 | |
There's Kim. | 0:01:40 | 0:01:42 | |
And Kanye. | 0:01:42 | 0:01:43 | |
Where's Baby Emily? | 0:01:45 | 0:01:47 | |
HE KNOCKS ON DOOR | 0:01:51 | 0:01:52 | |
-Hi, Joe. -There's Baby Emily! | 0:01:53 | 0:01:55 | |
Hard to get to know, but impossible to forget. | 0:01:55 | 0:01:59 | |
-Don't be late for work, Ralph. -No. | 0:02:02 | 0:02:04 | |
I might be late tonight so there's a cottage pie in the fridge. | 0:02:04 | 0:02:07 | |
You can microwave it. 8 minutes on 750. | 0:02:07 | 0:02:09 | |
-I've written it down. -I know. | 0:02:09 | 0:02:11 | |
And don't let Maurice boss you about too much. | 0:02:11 | 0:02:13 | |
Whoa, great view. | 0:02:34 | 0:02:36 | |
Tidier than normal. Something tells me Mum's got time on her hands. | 0:02:40 | 0:02:45 | |
I can confirm I do all my own housework. | 0:02:45 | 0:02:48 | |
He's lying. He's got a Puerto Rican houseboy that does for him. | 0:02:48 | 0:02:51 | |
There's an image I'll have to live with till my dying day. | 0:02:51 | 0:02:54 | |
-Well, enjoy tonight. -Why? What's happening? -The gig, | 0:02:54 | 0:02:57 | |
Sophie and her boy. You said you'd take them. | 0:02:57 | 0:03:00 | |
-Oh, yeah, that. -Don't let them down. | 0:03:00 | 0:03:03 | |
Well, obviously, I won't. | 0:03:03 | 0:03:05 | |
Joe? Is he still there? Joe, I'll see you tomorrow. | 0:03:05 | 0:03:08 | |
And then, listen, when we come back on Friday, | 0:03:08 | 0:03:11 | |
because you've been so brilliant, | 0:03:11 | 0:03:13 | |
I'm going to get you a great big present. How about that? | 0:03:13 | 0:03:15 | |
The school said we weren't to bribe him. | 0:03:15 | 0:03:17 | |
What do you want, Joe? Anything at all. Anything you like. | 0:03:17 | 0:03:20 | |
-A goat. -Ah, what kind of coat? | 0:03:20 | 0:03:23 | |
No. A goat. With horns. | 0:03:23 | 0:03:26 | |
Good luck with that. Bye! | 0:03:27 | 0:03:29 | |
Why aren't you at the hospital? | 0:03:35 | 0:03:37 | |
It's Mum's first chemo! | 0:03:37 | 0:03:39 | |
Hang on. You know? You're not supposed to know. | 0:03:39 | 0:03:42 | |
When did she tell you? | 0:03:42 | 0:03:44 | |
I read the letter from the hospital. I'm not thick. | 0:03:44 | 0:03:47 | |
-Right. Well, your mum thinks you don't know. -She wants you there. | 0:03:47 | 0:03:51 | |
She told me not to go. | 0:03:51 | 0:03:53 | |
You don't understand women, do you? | 0:03:54 | 0:03:56 | |
Eh, you better be right about this. | 0:04:05 | 0:04:07 | |
Have you seen James this morning? | 0:04:12 | 0:04:14 | |
No. I heard the door go earlier. | 0:04:14 | 0:04:17 | |
He must've gone into town. | 0:04:17 | 0:04:19 | |
Oh, hey, if you and him fancy a shift tonight, they'll need you. | 0:04:19 | 0:04:23 | |
I've got to take Sophie and her lad to that gig. | 0:04:23 | 0:04:26 | |
Try and look a bit cheerier about it, will you? | 0:04:26 | 0:04:28 | |
You haven't seen Mark when he goes off on one. | 0:04:28 | 0:04:31 | |
I'm just going to have to do a bit of dad dancing, aren't I? | 0:04:31 | 0:04:34 | |
Eh? Create a diversion. | 0:04:34 | 0:04:36 | |
PHONE NOTIFICATION | 0:04:40 | 0:04:42 | |
So, we'll do your IV steroids and your anti-sickness first | 0:05:01 | 0:05:04 | |
and you'll have some tablets to take home. | 0:05:04 | 0:05:06 | |
You know you're allowed to bring someone to be with you. | 0:05:11 | 0:05:14 | |
Yes. I can feel a space. Just here. | 0:05:14 | 0:05:16 | |
-It doesn't feel tight enough. -All right. Let's have another go. | 0:05:16 | 0:05:20 | |
-That better? -Well, no. | 0:05:21 | 0:05:24 | |
But at least it finally feels like it's on right. | 0:05:24 | 0:05:27 | |
They always give me the awkward ones, I don't know why. | 0:05:27 | 0:05:31 | |
All right? | 0:05:39 | 0:05:40 | |
It's like the worst ice cream headache ever. | 0:05:40 | 0:05:43 | |
Worth it to try and keep your hair, though. | 0:05:43 | 0:05:45 | |
Can you just confirm your name and date of birth? | 0:05:45 | 0:05:47 | |
Louise Wilson. Fourth of the fourth, 1964. | 0:05:47 | 0:05:50 | |
NURSE TALKS TO PATIENT | 0:05:57 | 0:06:00 | |
-What time they fire you out of the cannon? -Go away. | 0:06:06 | 0:06:09 | |
Wasn't my idea to come here, you know, it was Ralph's. | 0:06:09 | 0:06:11 | |
Ralph? You told Ralph? You bastard! You promised me. | 0:06:13 | 0:06:18 | |
I didn't tell Ralph. He worked it out for himself. | 0:06:18 | 0:06:20 | |
He's been reading your hospital letters. | 0:06:20 | 0:06:22 | |
-No. No chance. Ralph couldn't keep a secret. Not from me. -He could. | 0:06:22 | 0:06:25 | |
-Cos he has. -Just go, Maurice, will you? | 0:06:25 | 0:06:28 | |
You won't know I'm here. | 0:06:41 | 0:06:42 | |
-I really didn't. -I thought I wouldn't know you were here. | 0:06:50 | 0:06:53 | |
You like to keep busy, don't you? | 0:06:58 | 0:07:00 | |
It's kind of your way of coping with the absence of love | 0:07:00 | 0:07:03 | |
-or interest in your life. -I...what? | 0:07:03 | 0:07:05 | |
Can you cover my pensioners' keep-fit class this lunchtime? | 0:07:05 | 0:07:08 | |
A drugs rep is trying to bribe me with lunch and opium. | 0:07:08 | 0:07:11 | |
No. I'm doing my presentation today. | 0:07:11 | 0:07:14 | |
About the better handling of patients on the autism spectrum. | 0:07:16 | 0:07:19 | |
That's today, is it? Funny, it wasn't mentioned on the news. | 0:07:19 | 0:07:21 | |
So, you'll have to cancel your pensioners' keep-fit class. | 0:07:21 | 0:07:24 | |
It's no great loss. Although the star jumps are amusing. | 0:07:24 | 0:07:28 | |
These presentations of yours, | 0:07:28 | 0:07:29 | |
do you deliver them as yourself or do you warm up for a bit | 0:07:29 | 0:07:33 | |
in front of a live audience? | 0:07:33 | 0:07:35 | |
I'm no paediatrician, but shouldn't that be the other way round? | 0:07:37 | 0:07:40 | |
Becky? Are you OK? Is it Emily? | 0:07:42 | 0:07:45 | |
Emily's fine. Emily has nothing but love in her life. | 0:07:45 | 0:07:49 | |
-Emily's fine. -Hey. | 0:07:49 | 0:07:51 | |
He walks out on me and tells me by text. | 0:07:51 | 0:07:55 | |
I'm better than that. A text. | 0:07:55 | 0:07:57 | |
People just find it hard to tell each other the truth face-to-face. | 0:07:58 | 0:08:02 | |
You don't. | 0:08:02 | 0:08:03 | |
I know. And look where that got me. | 0:08:03 | 0:08:06 | |
When Eddie left, the first thing I did was buy a bread maker. | 0:08:06 | 0:08:11 | |
We've already got a bread maker. | 0:08:11 | 0:08:13 | |
My point is it kept me busy. You need to keep busy. | 0:08:14 | 0:08:18 | |
Cry as much as you like. | 0:08:18 | 0:08:21 | |
And don't text him in the middle of the night with questions | 0:08:21 | 0:08:23 | |
about when he stopped loving you. And don't think about | 0:08:23 | 0:08:26 | |
what you should've said and didn't say. But mainly keep busy, | 0:08:26 | 0:08:29 | |
and don't play any music that you had together, | 0:08:29 | 0:08:31 | |
not for at least a year. OK? | 0:08:31 | 0:08:34 | |
-OK. -Are you sure you're going to be all right with Emily today? | 0:08:34 | 0:08:38 | |
Yeah. I can cry when she does and then nobody will hear me. | 0:08:38 | 0:08:42 | |
That's the spirit! | 0:08:42 | 0:08:44 | |
-How's the cold cap? -Not good. I'm shivering all over. | 0:08:51 | 0:08:54 | |
What you want to do is wear thermals. | 0:08:54 | 0:08:56 | |
It's only your head that needs to be cold. | 0:08:56 | 0:08:58 | |
Thanks, that's a good idea, thank you. | 0:08:58 | 0:09:00 | |
It's what Sandra did after her third bout. | 0:09:00 | 0:09:02 | |
Right. Well, thank you. | 0:09:02 | 0:09:04 | |
If you feel dizzy or flushed, like, just shout. | 0:09:04 | 0:09:06 | |
-Yes. I will. Thank you. -It can be a bastard, that Epirubicin. | 0:09:06 | 0:09:09 | |
-They call it the Red Devil. -Hi, Maurice. | 0:09:09 | 0:09:13 | |
Hi, Jude. I know Jude from before. | 0:09:13 | 0:09:15 | |
When the Epirubicin kicks in, tell me straightaway | 0:09:15 | 0:09:18 | |
if you feel any stinging or pain around the vein. | 0:09:18 | 0:09:20 | |
If I can get a word in edgeways, yes, I will. | 0:09:20 | 0:09:22 | |
I'm all over it, don't worry on that score. | 0:09:22 | 0:09:25 | |
It can leak outside the vein so we've got to keep an eye on it. | 0:09:25 | 0:09:28 | |
No, we don't. I do. | 0:09:28 | 0:09:29 | |
Yeah. That's what I was driving at. | 0:09:29 | 0:09:31 | |
Because you won't be here. | 0:09:31 | 0:09:32 | |
What? | 0:09:32 | 0:09:34 | |
-Get out, Maurice. -How do you mean, like? | 0:09:34 | 0:09:36 | |
Go somewhere else. Anywhere else. Just get out. | 0:09:36 | 0:09:39 | |
I am not putting up with you taking over. | 0:09:39 | 0:09:41 | |
-Fair enough. -Thank you. -Cos it can make you irritable, the chemo. | 0:09:41 | 0:09:45 | |
Message understood. | 0:09:45 | 0:09:47 | |
It's not the chemo that's making me irritable. | 0:09:48 | 0:09:52 | |
I'm on steroids, don't think I won't throw you out if I have to! | 0:09:52 | 0:09:55 | |
MUSIC: Middle Of The Road by The Pretenders | 0:09:55 | 0:09:57 | |
# Oh-oh-oh-oh | 0:10:02 | 0:10:04 | |
# Oh-oh-oh-oh | 0:10:06 | 0:10:07 | |
# Oh-oh-oh-oh | 0:10:08 | 0:10:10 | |
# Oh-oh-oh-oh | 0:10:11 | 0:10:13 | |
# The middle of the road is trying to find me | 0:10:13 | 0:10:17 | |
# I'm standing in the middle of life... # | 0:10:17 | 0:10:20 | |
Hi, Ed. It's me. Thought we might have lunch. | 0:10:20 | 0:10:23 | |
I'm a bit busy just now. So it's probably a no. | 0:10:23 | 0:10:26 | |
Busy doing what, exactly? | 0:10:26 | 0:10:27 | |
In order to extract the words from sound waveforms, | 0:10:28 | 0:10:31 | |
we need to turn to Deep Neural Networks, | 0:10:31 | 0:10:35 | |
where each layer of the network extracts specific features | 0:10:35 | 0:10:39 | |
of the data until we're left with the individual words... | 0:10:39 | 0:10:42 | |
# Oh, come on now | 0:10:42 | 0:10:43 | |
# In the middle of the road, yeah. # | 0:10:43 | 0:10:46 | |
I am still allowed to give you a lift, I take it? | 0:10:56 | 0:10:58 | |
-Can you stop yourself talking? -I'll give it a go. | 0:11:02 | 0:11:05 | |
Louise? | 0:11:37 | 0:11:38 | |
Thank you, Maurice. | 0:11:42 | 0:11:43 | |
I'll come round later and see how you are, if you like. | 0:11:43 | 0:11:45 | |
No, you won't. | 0:11:45 | 0:11:47 | |
Now Ralph knows, he can sort me out. | 0:11:47 | 0:11:49 | |
At the risk of getting my head bitten off, | 0:11:49 | 0:11:52 | |
have you got all the numbers for the hospital in case you feel like shit? | 0:11:52 | 0:11:55 | |
I already feel like shit so I probably won't bother | 0:11:55 | 0:11:57 | |
to call them and tell them that. | 0:11:57 | 0:11:58 | |
Sorry. | 0:12:00 | 0:12:01 | |
Thank you, Maurice. | 0:12:04 | 0:12:05 | |
Let's just chalk this one up to experience and not ever do it again. | 0:12:05 | 0:12:09 | |
-Hey? -That's the steroids talking. | 0:12:09 | 0:12:11 | |
-So, you know, then? -Yeah. | 0:12:34 | 0:12:37 | |
Not you too, Ralph, for God's sake. | 0:12:37 | 0:12:41 | |
I'm sorry, all right? | 0:12:49 | 0:12:51 | |
-I'm sorry. I should've told you. -Yeah. You should. | 0:12:53 | 0:12:56 | |
So, what do you want to ask me? You can ask me anything you like. | 0:13:01 | 0:13:05 | |
-Are you going to die? -No. I'm not going to die. | 0:13:05 | 0:13:09 | |
They got the cancer early and that's why I'm having the chemo. | 0:13:11 | 0:13:14 | |
It will make me ill, but in the end, it will make me better. | 0:13:14 | 0:13:17 | |
If you do die, am I still going to live here? | 0:13:17 | 0:13:20 | |
Yes. If that's what you like. But I'm not going to die. | 0:13:20 | 0:13:23 | |
-What about Maurice? -What about him? | 0:13:23 | 0:13:26 | |
He's all right, but I don't want him to be my Dad. | 0:13:26 | 0:13:30 | |
Don't worry. That's not going to happen. | 0:13:30 | 0:13:32 | |
But... | 0:13:33 | 0:13:35 | |
..I...am...not...going...to die. | 0:13:36 | 0:13:39 | |
Good. | 0:13:39 | 0:13:41 | |
Anything else? | 0:13:43 | 0:13:44 | |
No. | 0:13:45 | 0:13:46 | |
I was riveted by your lecture today. | 0:14:00 | 0:14:03 | |
-Can't wait to hear what happens next. -Ha! Ha! | 0:14:03 | 0:14:05 | |
Nothing for me, by the way. I'm going out tonight. | 0:14:05 | 0:14:08 | |
Oh. Right. | 0:14:08 | 0:14:10 | |
OK. | 0:14:10 | 0:14:11 | |
Erm, in fact, I might not be back tonight. | 0:14:11 | 0:14:14 | |
I mean, I might be, but I might not be. | 0:14:14 | 0:14:17 | |
-Erm, I don't know. Depends. -Oh. Right. | 0:14:17 | 0:14:20 | |
-What's that supposed to mean? -What? Nothing. Nothing at all. | 0:14:20 | 0:14:23 | |
INTERCOM BUZZES | 0:14:35 | 0:14:37 | |
-I'll get it. -No. No! I'll go down. | 0:14:37 | 0:14:39 | |
-Hello? -Er, it's Holly. -Oh, hi, Holly. He's not quite ready yet. | 0:14:39 | 0:14:43 | |
Do you want to come up? | 0:14:43 | 0:14:44 | |
BUZZER | 0:14:44 | 0:14:45 | |
I preferred the other one. | 0:14:47 | 0:14:49 | |
So, this is my sister, Alison. And that's Joe. | 0:14:59 | 0:15:02 | |
I thought it must be you. | 0:15:02 | 0:15:03 | |
It's hardly going to be "the other woman", is it? | 0:15:03 | 0:15:05 | |
-This is Eddie we're talking about, after all. -Shall we go? | 0:15:05 | 0:15:09 | |
Not that Eddie isn't an attractive man if he isn't, | 0:15:11 | 0:15:13 | |
-you know, your brother. -But not the kind of man to have lovers. -Exactly. | 0:15:13 | 0:15:17 | |
In his flat. Answering the entry phone to his girlfriend. | 0:15:17 | 0:15:20 | |
That doesn't sound like Eddie at all. I agree. | 0:15:20 | 0:15:22 | |
-Oh, he's had a long day at school. -I'm sure he has. | 0:15:27 | 0:15:30 | |
And he's on the spectrum so clearly some of those | 0:15:30 | 0:15:32 | |
behaviours will become more pronounced now that he's tired. | 0:15:32 | 0:15:35 | |
Shall we go? I don't want to be late. | 0:15:35 | 0:15:38 | |
For what? | 0:15:38 | 0:15:39 | |
Oh, I see. You just want to leave. | 0:15:43 | 0:15:45 | |
You've probably set off already, but if you haven't, then call me. | 0:16:00 | 0:16:03 | |
Eddie is dating a woman just like Nicola! | 0:16:03 | 0:16:05 | |
I know you won't believe it right now, but it will get better. | 0:16:05 | 0:16:08 | |
-I promise. -Why do people say that? | 0:16:08 | 0:16:11 | |
Well, because we've all had our hearts broken, love. | 0:16:11 | 0:16:13 | |
-Not like this, you've not. -No. No. Not like this. | 0:16:13 | 0:16:17 | |
Although Patricia Martin came close. | 0:16:18 | 0:16:20 | |
She turned up at our date and said, "Ooh. | 0:16:22 | 0:16:24 | |
"When I said yes on the phone, I didn't know it were you." | 0:16:24 | 0:16:27 | |
Every time I take my clothes off, I'm reminded of him. | 0:16:31 | 0:16:34 | |
Probably a little more than your dad needs to hear. | 0:16:37 | 0:16:40 | |
No. The tattoo. I see the tattoo! | 0:16:40 | 0:16:42 | |
Oh, right, yeah. Well, I know one thing. | 0:16:42 | 0:16:45 | |
I cannot go to this gig with Sophie | 0:16:47 | 0:16:49 | |
and Mark tonight with you in this state. | 0:16:49 | 0:16:51 | |
No. You should go. I'll be fine. | 0:16:51 | 0:16:53 | |
You mean I can't use my daughter's heartbreak as an excuse | 0:16:54 | 0:16:57 | |
-to wriggle out of it? -No. Certainly not. | 0:16:57 | 0:16:59 | |
It's worth a try though, hey? | 0:17:01 | 0:17:03 | |
He finished with her by text? | 0:17:16 | 0:17:17 | |
-Yeah. -At least he told her. | 0:17:17 | 0:17:20 | |
Most lads just change their Facebook status. | 0:17:20 | 0:17:22 | |
It's a brutal world. Then there's the tattoo, of course. | 0:17:22 | 0:17:27 | |
In fairness, James is quite a common name for that generation | 0:17:27 | 0:17:30 | |
-so she will have some choice. -Good point. | 0:17:30 | 0:17:33 | |
All right? | 0:17:38 | 0:17:39 | |
-They're best mates. Hence the silence. -Right. | 0:17:41 | 0:17:45 | |
Have they been to a gig before? | 0:17:47 | 0:17:49 | |
Yeah. | 0:17:50 | 0:17:51 | |
We all have. I'm not just springing it on them. | 0:17:53 | 0:17:56 | |
No. | 0:17:56 | 0:17:57 | |
Sorry. | 0:17:57 | 0:17:59 | |
Right. | 0:17:59 | 0:18:00 | |
HE CLEARS HIS THROAT | 0:18:00 | 0:18:01 | |
Where does his other mate live? | 0:18:01 | 0:18:03 | |
CHATTERING, MUSIC PLAYS IN BACKGROUND | 0:18:05 | 0:18:08 | |
-Great, isn't it? -Yeah, yeah, yeah. | 0:18:15 | 0:18:18 | |
Do you want a drink? | 0:18:27 | 0:18:29 | |
No, no, no, I've been waiting ages! Sorry! | 0:18:33 | 0:18:35 | |
Three Diet Cokes, a lager, half an IPA and some crisps, please. | 0:18:35 | 0:18:40 | |
No! Mark! Mark. I need your help carrying, mate! | 0:18:44 | 0:18:47 | |
TO HIS FRIEND: Yeah, yeah, yeah. | 0:18:50 | 0:18:51 | |
Whoa! | 0:18:51 | 0:18:53 | |
That's half my pint on the floor, mate. | 0:18:53 | 0:18:55 | |
Thanks for that! | 0:18:55 | 0:18:57 | |
It's all right, eh, eh, eh, eh! It's fine! | 0:18:57 | 0:18:59 | |
No harm done, hey, sorry! Mark! | 0:18:59 | 0:19:02 | |
You all right? | 0:19:05 | 0:19:06 | |
Here, you take them. Thanks. | 0:19:11 | 0:19:13 | |
What was the worst thing that could've happened? | 0:19:14 | 0:19:17 | |
The world's full of lads who spill other men's pints. So... | 0:19:17 | 0:19:21 | |
Thanks for coming. I know you got railroaded into it. | 0:19:23 | 0:19:26 | |
Oh, no, no. No, it's fine. | 0:19:26 | 0:19:28 | |
CHEERING | 0:19:30 | 0:19:32 | |
Oh, eh, eh, careful! What... What happens next? | 0:19:32 | 0:19:35 | |
What happens is we enjoy ourselves. | 0:19:35 | 0:19:40 | |
FRONTMAN: This one's called Easy Peeler. | 0:19:40 | 0:19:42 | |
# Whoa! | 0:19:48 | 0:19:49 | |
# Whoa! | 0:19:56 | 0:19:58 | |
# Jumped up on anti-histamine | 0:20:01 | 0:20:03 | |
# I see her sometimes in my dreams | 0:20:03 | 0:20:05 | |
# Her words taste just like tangerines | 0:20:05 | 0:20:07 | |
# So sweet they leave me queasy feeling | 0:20:07 | 0:20:10 | |
# Shot me with her future gun | 0:20:10 | 0:20:11 | |
# And told me that I was the one | 0:20:11 | 0:20:13 | |
# She kissed me quick with painted lips | 0:20:13 | 0:20:15 | |
# And bought me £2 cheesy chips | 0:20:15 | 0:20:18 | |
# Whoa! | 0:20:18 | 0:20:20 | |
# She's so easy | 0:20:20 | 0:20:22 | |
# Easy peeler... # | 0:20:22 | 0:20:24 | |
-Hiya. -Hello. Thought you were out for the night. | 0:20:30 | 0:20:33 | |
-Don't start. -I'm not. I wasn't. | 0:20:34 | 0:20:37 | |
-Good. -So what went wrong? | 0:20:37 | 0:20:40 | |
-Nothing went wrong. We've both got work in the morning. -Oh! | 0:20:40 | 0:20:43 | |
So, what was it, then? Little knee trembler at the bus stop. | 0:20:43 | 0:20:46 | |
I'm not indulging this. | 0:20:46 | 0:20:47 | |
-Her words or yours? -We have been having this conversation | 0:20:47 | 0:20:50 | |
since I was 14 years of age. When are you going to stop? | 0:20:50 | 0:20:54 | |
When you stop taking the bait. | 0:20:54 | 0:20:56 | |
So, is it not happening with Holly, then? | 0:20:57 | 0:21:00 | |
I don't mean the sex. Although that is a fairly strong indicator | 0:21:00 | 0:21:04 | |
-that it's not happening. -I've just... | 0:21:04 | 0:21:07 | |
..forgotten what it's like to click, you know? | 0:21:07 | 0:21:09 | |
Maybe that's not how it works any more. | 0:21:09 | 0:21:12 | |
We both have to be patient. Or... | 0:21:12 | 0:21:14 | |
Maybe it's just a sign she doesn't fancy you. | 0:21:14 | 0:21:17 | |
-Yes. -Maybe just a little bit hung up on Nicola? | 0:21:17 | 0:21:21 | |
No. No! | 0:21:23 | 0:21:26 | |
So why choose a woman just like her? | 0:21:26 | 0:21:28 | |
Holly? Is like Nicola? Are you joking? | 0:21:30 | 0:21:33 | |
She's the complete opposite. | 0:21:33 | 0:21:34 | |
Do you not see it? The tactless thing? The way she talks? | 0:21:36 | 0:21:40 | |
Eddie, you're dating your ex-wife. No wonder you're not having sex. | 0:21:40 | 0:21:44 | |
# She's got me dancing | 0:21:54 | 0:21:56 | |
# She's got me dancing | 0:21:56 | 0:21:58 | |
# She's got me dancing... # | 0:21:58 | 0:22:00 | |
Whoa! | 0:22:00 | 0:22:02 | |
It was the best night. It was the best night! | 0:22:10 | 0:22:13 | |
I mean, it was everything. It was...it was messy. | 0:22:13 | 0:22:15 | |
It was mad. I mean, it was just... | 0:22:15 | 0:22:17 | |
It was just everybody having the best night together, everybody, | 0:22:17 | 0:22:22 | |
and it was just like one great, heaving mass of joy! | 0:22:22 | 0:22:27 | |
Yes! Get it! Get it! It's just... | 0:22:27 | 0:22:30 | |
You sure you didn't take any drugs in the toilet back there? | 0:22:30 | 0:22:33 | |
# When will I, will I be famous... # | 0:22:33 | 0:22:36 | |
-Ooh, what's this? -Dunno how that got in there. | 0:22:36 | 0:22:40 | |
-Really? -Must be one of Joe's, that! | 0:22:40 | 0:22:43 | |
LOUD MUSIC PLAYS | 0:22:46 | 0:22:48 | |
Not exactly Bros, I know, but I hope it meets your exacting standards. | 0:22:48 | 0:22:52 | |
Well, it's, you know, it's all right. | 0:22:52 | 0:22:54 | |
LOUD DRUMMING | 0:22:54 | 0:22:56 | |
Is he all right? | 0:22:56 | 0:22:58 | |
Sounds like he's playing the drums. | 0:22:58 | 0:23:00 | |
-He is playing the drums. -Really? -Yeah, really. | 0:23:00 | 0:23:03 | |
Oh, he's all right, in't he? | 0:23:03 | 0:23:05 | |
No idea where he gets it. | 0:23:05 | 0:23:07 | |
His dad had no sense of rhythm that I ever saw. | 0:23:07 | 0:23:10 | |
Does he still see his dad? | 0:23:10 | 0:23:12 | |
Yeah. Of course. He wasn't a bastard or anything. | 0:23:12 | 0:23:15 | |
We just couldn't handle Mark together. No. That's not fair. | 0:23:15 | 0:23:19 | |
I couldn't handle Mark with anybody else. | 0:23:19 | 0:23:22 | |
-Yeah, it's easier on your own sometimes, in't it? -Simpler, anyway. | 0:23:22 | 0:23:26 | |
You can get as low as you like, but it only ever matters to me and him. | 0:23:26 | 0:23:30 | |
Nobody judging. Nobody advising. | 0:23:30 | 0:23:32 | |
Nobody criticising. Easier to be wrong when you're on your own. | 0:23:32 | 0:23:36 | |
Mark E Smith was actually good looking back then. | 0:23:44 | 0:23:47 | |
Looked a bit like, er, Johnny Cash. | 0:23:47 | 0:23:50 | |
Pasty Salford version, admittedly, but do you know what I mean? | 0:23:50 | 0:23:53 | |
-There's an album cover where he's... -If I give you a biscuit | 0:23:53 | 0:23:55 | |
with your tea, will you promise to stop talking? | 0:23:55 | 0:23:57 | |
MUSIC: Right by Your Side by Eurythmics | 0:24:12 | 0:24:14 | |
Oh, you what? | 0:24:14 | 0:24:16 | |
# Give me two strong arms... # | 0:24:29 | 0:24:31 | |
Look at the arse on that! | 0:24:31 | 0:24:33 | |
-Oh, hey... Agh! -You classically trained? | 0:24:33 | 0:24:35 | |
Don't interrupt an artist when he's in the moment. | 0:24:35 | 0:24:37 | |
# ..I forget myself | 0:24:37 | 0:24:39 | |
# I need to swing from limb to limb | 0:24:39 | 0:24:42 | |
# To relieve this mess I'm in... # | 0:24:42 | 0:24:45 | |
Here you go. | 0:24:45 | 0:24:46 | |
# ..when depression starts to win | 0:24:46 | 0:24:48 | |
# I need to be right by your side... # | 0:24:48 | 0:24:53 | |
SLOW GUITAR MUSIC PLAYS | 0:24:53 | 0:24:56 | |
MUSIC: Valery by Amy Winehouse | 0:24:59 | 0:25:02 | |
You're good from the waist down, but you hold your hands | 0:25:02 | 0:25:05 | |
like you're holding a tray. | 0:25:05 | 0:25:07 | |
Is that the sum total of your moves, then? | 0:25:08 | 0:25:11 | |
Well, if you have a roll of lino and a ghetto blaster, | 0:25:11 | 0:25:15 | |
-I can throw you a few back spins, if you want. -Don't tempt me. | 0:25:15 | 0:25:18 | |
Thanks for tonight. | 0:25:21 | 0:25:24 | |
Thank you for the lift. And for being head bouncer. | 0:25:24 | 0:25:28 | |
Is this where we kiss? | 0:25:32 | 0:25:34 | |
Nah. I think we both know that's not on. | 0:25:35 | 0:25:38 | |
Yeah. Sorry. | 0:25:39 | 0:25:43 | |
Yeah, sorry. | 0:25:43 | 0:25:44 | |
That was stupid. I'm so sorry. | 0:25:44 | 0:25:48 | |
FRONT DOOR OPENS AND CLOSES | 0:26:04 | 0:26:05 | |
Look who I found lurking at the bus stop. | 0:26:08 | 0:26:10 | |
Eh! All right, Tom. This is a lovely surprise. | 0:26:10 | 0:26:14 | |
-I know. -Don't pretend you didn't call him, Dad. Thank you. | 0:26:14 | 0:26:17 | |
Well, I thought if anybody had the wisdom you needed, it were Tom. | 0:26:17 | 0:26:20 | |
And with him being at art school, he's got bugger all else to do. | 0:26:20 | 0:26:23 | |
She's heartbroken, but then that's what she does best. | 0:26:23 | 0:26:27 | |
-You OK? -Yeah. Just a bit knackered. | 0:26:27 | 0:26:30 | |
It's all that pogoing at your age. He's been to a gig. | 0:26:30 | 0:26:34 | |
Eurgh! Sorry, nothing personal, Mr Hughes. | 0:26:34 | 0:26:38 | |
Apart from your age. | 0:26:38 | 0:26:40 | |
Thank you. | 0:26:40 | 0:26:41 | |
And I think you can call me Paul from now on. | 0:26:41 | 0:26:44 | |
Oh, no, I don't think so. | 0:26:44 | 0:26:45 | |
You might want to start tagging along at the bus shelter. | 0:26:45 | 0:26:48 | |
Are we still here? | 0:27:27 | 0:27:29 | |
Yes. Is that OK? | 0:27:29 | 0:27:31 | |
I'll get breakfast moving. | 0:27:34 | 0:27:36 | |
Ralph? | 0:28:00 | 0:28:01 | |
How is she, your mum? | 0:28:03 | 0:28:05 | |
She's not going to die. | 0:28:08 | 0:28:10 | |
Oh, that's good. | 0:28:10 | 0:28:11 | |
I might go and see her later. | 0:28:13 | 0:28:15 | |
Good luck. | 0:28:17 | 0:28:18 | |
Thanks for the catch-up. | 0:28:22 | 0:28:24 | |
-I'll take her some flowers round, shall I? -She doesn't like flowers. | 0:28:26 | 0:28:30 | |
Hiya. | 0:28:58 | 0:28:59 | |
Ooh... | 0:28:59 | 0:29:01 | |
Wow. What did I do to deserve that? | 0:29:04 | 0:29:08 | |
Agh! You don't have to question everything to death. | 0:29:08 | 0:29:12 | |
All right, touchy Jim. | 0:29:12 | 0:29:14 | |
It was nice. | 0:29:14 | 0:29:15 | |
Sorry. I... | 0:29:17 | 0:29:18 | |
I'm just a bit knackered. After the gig. | 0:29:19 | 0:29:22 | |
-Oh, yeah, how was it? -Yeah, it was great. | 0:29:22 | 0:29:26 | |
Good. So, you're glad I pushed you into it? | 0:29:26 | 0:29:29 | |
Well, it's just the music. | 0:29:29 | 0:29:31 | |
I thought about Joe a lot. | 0:29:31 | 0:29:33 | |
Well, who knows what Joe'll be into when he's Mark's age, eh? | 0:29:34 | 0:29:38 | |
Well, I imagine that he'll still be into music. | 0:29:38 | 0:29:40 | |
I wasn't saying that he won't be. | 0:29:40 | 0:29:43 | |
Just that, you know, that we don't know. | 0:29:43 | 0:29:45 | |
Right, well, that was last night. | 0:29:49 | 0:29:51 | |
See you tomorrow. | 0:29:52 | 0:29:53 | |
Bye. | 0:30:01 | 0:30:02 | |
Where were you? | 0:30:30 | 0:30:32 | |
I was at home. | 0:30:33 | 0:30:34 | |
Where was I? | 0:30:37 | 0:30:38 | |
You were here. | 0:30:39 | 0:30:42 | |
-You were home. -At our house. Yes. | 0:30:42 | 0:30:44 | |
And now you're here. | 0:30:44 | 0:30:46 | |
Hey! That's a lot of stickers. | 0:30:46 | 0:30:48 | |
I'm a superstar. | 0:30:50 | 0:30:52 | |
I already knew that. | 0:30:52 | 0:30:54 | |
I'm looking for some sort of rub. | 0:31:15 | 0:31:18 | |
That you rub on. | 0:31:18 | 0:31:20 | |
Yourself. And, er, other people, if they can't reach. | 0:31:20 | 0:31:24 | |
Like, what, Deep Heat? | 0:31:24 | 0:31:27 | |
Is it a muscle injury? | 0:31:27 | 0:31:28 | |
No. It's not like that. | 0:31:28 | 0:31:30 | |
It's something I could rub into a woman...to make her feel better. | 0:31:31 | 0:31:36 | |
If she's feeling a bit under the weather, and that. You know. | 0:31:37 | 0:31:41 | |
Oh. Right. I see. Massage oil. | 0:31:41 | 0:31:45 | |
Well, I wouldn't go that far. | 0:31:45 | 0:31:47 | |
-Have you got anything? You know... -Peppermint foot cream? | 0:31:48 | 0:31:52 | |
That sounds great. That sounds right. That'll do. | 0:31:52 | 0:31:54 | |
I know you don't like flowers. | 0:32:10 | 0:32:12 | |
I hate to be critical of your massage action, Maurice. | 0:32:19 | 0:32:21 | |
But probably a bit more sensitive and a bit less | 0:32:21 | 0:32:24 | |
like you're rubbing Fiery Jack into a goalie's hamstring. | 0:32:24 | 0:32:27 | |
Right. I see. Er... | 0:32:27 | 0:32:29 | |
Now you've gone to the other extreme. Now you're basting. | 0:32:34 | 0:32:37 | |
Come here. Give me the bottle. I'll show you. | 0:32:37 | 0:32:39 | |
I've still got me boots on. | 0:32:39 | 0:32:41 | |
No, not on your feet. Come here. | 0:32:41 | 0:32:43 | |
SHE SIGHS | 0:32:43 | 0:32:45 | |
See? | 0:32:53 | 0:32:54 | |
Like this. | 0:32:55 | 0:32:57 | |
See? | 0:32:59 | 0:33:01 | |
-You all right? -Well, to be honest, I did feel a bit of a stirring | 0:33:06 | 0:33:10 | |
in my glove compartment. | 0:33:10 | 0:33:12 | |
But, er, not that I'd make a move on you. | 0:33:12 | 0:33:15 | |
Things being how they are. | 0:33:16 | 0:33:18 | |
"Things" being me being on a course of chemotherapy for breast cancer? | 0:33:20 | 0:33:24 | |
Yes. Probably not a good time to make your move. | 0:33:24 | 0:33:27 | |
I wasn't going to make a move! | 0:33:27 | 0:33:28 | |
That's why I've come down this end. | 0:33:28 | 0:33:31 | |
With your feet. | 0:33:31 | 0:33:32 | |
I hope you're not suggesting my feet aren't sexually arousing. | 0:33:35 | 0:33:37 | |
-No, let's just... -I am teasing you. | 0:33:37 | 0:33:39 | |
I'm very flattered that even in this state, you should be enamoured. | 0:33:43 | 0:33:49 | |
Or at least a significant part of you is. | 0:33:51 | 0:33:53 | |
Sorry, sorry, it's the steroids. | 0:33:53 | 0:33:57 | |
Dad? | 0:34:14 | 0:34:16 | |
You all right? | 0:34:18 | 0:34:19 | |
Did you hear James has done a runner? Walked out on Rebecca. | 0:34:21 | 0:34:24 | |
First good news I've had in a bit. | 0:34:24 | 0:34:27 | |
I agree with you. | 0:34:27 | 0:34:28 | |
But don't let Rebecca hear you say that, hey? | 0:34:28 | 0:34:30 | |
-I'm not going to pretend. -Why not? | 0:34:30 | 0:34:34 | |
You spend your whole life pretending you're a hard man and look at you. | 0:34:34 | 0:34:36 | |
Pressing your head against a brick wall. | 0:34:37 | 0:34:39 | |
I was having a think. It helps me think. | 0:34:39 | 0:34:41 | |
That's what Joe says when he does it. | 0:34:41 | 0:34:43 | |
And I don't believe him, either. | 0:34:43 | 0:34:45 | |
So, it's about Louise, right? | 0:34:47 | 0:34:49 | |
What makes you say that? | 0:34:49 | 0:34:51 | |
You were right outside her house. | 0:34:51 | 0:34:53 | |
So, you seeing her again? | 0:34:57 | 0:34:59 | |
-Is there something I should know? -What has it got to do with you? | 0:35:01 | 0:35:04 | |
Well, nothing, but if you're so upset, you can't even hide it | 0:35:04 | 0:35:06 | |
-in the street. -Why do you want me to say I'm upset when I'm not? | 0:35:06 | 0:35:10 | |
Oh, God, do you know what, Dad. Just forget it, forget it. | 0:35:12 | 0:35:14 | |
I've just had Paul being pissy with me. And now you. | 0:35:14 | 0:35:17 | |
I've been staying away for three nights with Joe. | 0:35:17 | 0:35:20 | |
Driven back to be with my family. | 0:35:20 | 0:35:22 | |
I show a little bit of concern, you throw it back in my face. | 0:35:22 | 0:35:26 | |
If you don't want people to think you're upset, then don't go | 0:35:26 | 0:35:29 | |
all existential in the street, and move along | 0:35:29 | 0:35:32 | |
so you're not right outside your lover's house. | 0:35:32 | 0:35:35 | |
Or whatever she is. That way, I won't be sticking my nose | 0:35:35 | 0:35:38 | |
-in your business. -She's got cancer. | 0:35:38 | 0:35:40 | |
Louise has got cancer and she's having chemo | 0:35:40 | 0:35:42 | |
and she doesn't want anyone to know about it. | 0:35:42 | 0:35:45 | |
There. Are you happy now? She's got cancer. | 0:35:45 | 0:35:47 | |
And I'm helping her out with it and that's all there is to it. | 0:35:47 | 0:35:49 | |
That's it! Good girl. | 0:36:02 | 0:36:04 | |
Oh, it's for Joe. A boy needs a bike. | 0:36:07 | 0:36:10 | |
Anyone would think you were looking for something to do. | 0:36:10 | 0:36:13 | |
-Just trying to make myself useful. -And there's nothing for you at home | 0:36:13 | 0:36:16 | |
that you could be making yourself useful with? | 0:36:16 | 0:36:18 | |
-What's this? -I found it. It's a nice one. | 0:36:22 | 0:36:25 | |
So I thought I'd frame it for you. | 0:36:25 | 0:36:27 | |
If you really want a project, I have just the job for you. | 0:36:29 | 0:36:33 | |
CAR REVS THEN BRAKES | 0:36:33 | 0:36:35 | |
Biting point. It's just a case of hitting that biting point. | 0:36:35 | 0:36:39 | |
-You'll get it in the end. -Sorry. Sorry. | 0:36:39 | 0:36:42 | |
It's OK. It's OK. I mean, you're doing very well. | 0:36:42 | 0:36:45 | |
You're a really good teacher. | 0:36:49 | 0:36:51 | |
You never lose it and you never seem frightened. | 0:36:51 | 0:36:53 | |
Even when we were at that junction and that lorry was coming. | 0:36:53 | 0:36:56 | |
-Well, he had room to get past us so... -Is it your faith? | 0:36:56 | 0:37:01 | |
Is it your faith that stops you being frightened? | 0:37:03 | 0:37:05 | |
No, uh, it's not my faith. | 0:37:06 | 0:37:09 | |
Oh, right. Well, you don't have to tell me. | 0:37:09 | 0:37:11 | |
I've got to spend the rest of my life without my wife... | 0:37:14 | 0:37:19 | |
and it's my fault. | 0:37:19 | 0:37:20 | |
That's more frightening than anything I can think of. | 0:37:20 | 0:37:24 | |
So, you know, a few articulated lorries bearing down on us, | 0:37:25 | 0:37:28 | |
a speeding car nearly sending us both to heaven, mild whiplash... | 0:37:28 | 0:37:33 | |
That's nothing. | 0:37:33 | 0:37:34 | |
Nothing at all. | 0:37:34 | 0:37:36 | |
Well... Just keep busy. And-And cry as much as you like. | 0:37:36 | 0:37:41 | |
And don't text her in the middle of the night with questions | 0:37:41 | 0:37:44 | |
about when she stopped loving you. | 0:37:44 | 0:37:46 | |
And don't think about what you should've said and didn't say. | 0:37:46 | 0:37:50 | |
But mainly just keep busy. | 0:37:50 | 0:37:52 | |
Thanks, Rebecca. | 0:37:52 | 0:37:54 | |
And now... let's pull out when it's clear. | 0:37:55 | 0:37:59 | |
And, if we survive, I might just take your advice. | 0:37:59 | 0:38:03 | |
ENGINE PURRS | 0:38:03 | 0:38:06 | |
CAR HORN BLARES | 0:38:09 | 0:38:11 | |
Thank you. | 0:38:16 | 0:38:17 | |
Oh! Oh! You OK? | 0:38:21 | 0:38:24 | |
No. | 0:38:24 | 0:38:25 | |
Vincent, thank you. | 0:38:25 | 0:38:27 | |
She's a good pupil. | 0:38:27 | 0:38:28 | |
And I have prayer. | 0:38:28 | 0:38:29 | |
Oh, dear! | 0:38:29 | 0:38:31 | |
How was Manchester, how's Eddie? | 0:38:31 | 0:38:33 | |
Yeah, good. Weirdest thing, though. | 0:38:33 | 0:38:35 | |
This new girlfriend of his is just like you. | 0:38:35 | 0:38:37 | |
Oh. | 0:38:39 | 0:38:41 | |
Well, except not as beautiful, obviously. | 0:38:41 | 0:38:44 | |
Oh, so you met her? | 0:38:44 | 0:38:46 | |
Well, she came round. They went out. | 0:38:46 | 0:38:48 | |
But he came back early, so they're clearly not sleeping together. | 0:38:48 | 0:38:51 | |
You met her, the new girlfriend? He introduced you to her? | 0:38:51 | 0:38:55 | |
It was... | 0:38:55 | 0:38:56 | |
No, it was more of a coincidence, he-he didn't mean to, he... | 0:38:56 | 0:38:59 | |
It's not serious, I can tell. | 0:38:59 | 0:39:01 | |
Right. Bye. | 0:39:03 | 0:39:05 | |
So, Eddie has a new relationship. | 0:39:12 | 0:39:15 | |
-SHE SIGHS -Yeah, it would seem so. | 0:39:18 | 0:39:20 | |
You're going to be fine. Just keep busy. | 0:39:20 | 0:39:23 | |
Cry as much as you like. | 0:39:24 | 0:39:26 | |
And don't text him in the middle of the night with questions about | 0:39:27 | 0:39:31 | |
when he stopped loving you. | 0:39:31 | 0:39:32 | |
And don't think about what you should've said and didn't say. | 0:39:33 | 0:39:38 | |
Yeah, that's good. Did you think of that yourself? | 0:39:38 | 0:39:41 | |
Yes. | 0:39:41 | 0:39:43 | |
No. Rebecca said it to me. | 0:39:47 | 0:39:50 | |
I'm sorry, I should've said something of my own. | 0:39:50 | 0:39:52 | |
Have you got anything? Other than the Bible stuff, I mean. | 0:39:54 | 0:39:58 | |
Or are you going to pass that off as your own as well? | 0:39:58 | 0:40:00 | |
EMILY MOANS | 0:40:01 | 0:40:03 | |
Since you were 11 years old, you have been cleverer than me. | 0:40:09 | 0:40:11 | |
I can't understand you half the time. | 0:40:13 | 0:40:15 | |
The other half, I'm not really listening. | 0:40:15 | 0:40:17 | |
But one thing I do know, and maybe the only thing I do know, | 0:40:20 | 0:40:23 | |
is when you are hurt, | 0:40:23 | 0:40:26 | |
and I'm sorry for all the times I've hurt you. | 0:40:26 | 0:40:29 | |
And I'm sorry I didn't say anything at the time. | 0:40:31 | 0:40:35 | |
I'm sorry you're hurting now, and you are. | 0:40:35 | 0:40:38 | |
And I'm not helping. | 0:40:38 | 0:40:40 | |
And... | 0:40:43 | 0:40:45 | |
it's hard for a parent when you can't stop your child's pain. | 0:40:45 | 0:40:50 | |
Even a parent as bad as me finds that hard. | 0:40:53 | 0:40:57 | |
Well, I know when I'm beaten. Now I need to finish this bike. | 0:41:00 | 0:41:06 | |
It's great you're doing that bike, Dad. | 0:41:13 | 0:41:15 | |
For Joe. | 0:41:16 | 0:41:18 | |
It's great. | 0:41:18 | 0:41:20 | |
TIMER BLEEPS | 0:41:48 | 0:41:50 | |
Sophie? | 0:41:52 | 0:41:53 | |
-Sophie the waitress? -Yep. | 0:41:55 | 0:41:57 | |
Sophie your employee? | 0:41:58 | 0:42:01 | |
All right, don't make it sound dodgier than it is! | 0:42:01 | 0:42:04 | |
Sophie our friend, yeah. | 0:42:04 | 0:42:07 | |
And something happened? | 0:42:07 | 0:42:08 | |
-Something NEARLY happened. -By which you mean what, exactly? | 0:42:08 | 0:42:12 | |
By which I mean NOTHING happened at all. | 0:42:12 | 0:42:14 | |
We looked at each other | 0:42:17 | 0:42:18 | |
and then it just felt that the next thing we would do... | 0:42:18 | 0:42:22 | |
you know, was kiss. | 0:42:22 | 0:42:24 | |
You must know that feeling, you know when you both know? | 0:42:26 | 0:42:29 | |
Well, I'm working mainly on memory here, but...yeah, | 0:42:29 | 0:42:32 | |
that sort of thing is coming back to me. | 0:42:32 | 0:42:35 | |
I just want to know why you're telling ME. | 0:42:35 | 0:42:37 | |
Because I think you're the man to ask about honesty. | 0:42:37 | 0:42:40 | |
Exactly. So don't tell Alison. Nothing happened. | 0:42:40 | 0:42:44 | |
Why worry her with that? | 0:42:44 | 0:42:45 | |
I'd want to know if... if she'd done the same thing. | 0:42:47 | 0:42:52 | |
Said with all the confidence of a man this has never happened to. | 0:42:52 | 0:42:55 | |
SIGHING: Believe me, from one who knows, | 0:42:55 | 0:42:58 | |
you do not want your partner telling you they "had a moment". | 0:42:58 | 0:43:01 | |
A moment where nothing happened. | 0:43:01 | 0:43:04 | |
There are three things she can think if you tell her this. | 0:43:04 | 0:43:07 | |
Something did happen and you're playing it down. | 0:43:08 | 0:43:11 | |
Something is going to happen and you're preparing the ground. | 0:43:11 | 0:43:14 | |
You wanted something to happen. | 0:43:15 | 0:43:17 | |
You will notice that none of these things are likely to lead to | 0:43:17 | 0:43:19 | |
what we might call a happy ending. | 0:43:19 | 0:43:22 | |
OK. OK. | 0:43:22 | 0:43:26 | |
Nothing happened. | 0:43:26 | 0:43:27 | |
And as the saying goes... "Nothing will come of nothing." | 0:43:28 | 0:43:32 | |
Who said that? | 0:43:32 | 0:43:34 | |
King Lear. | 0:43:34 | 0:43:36 | |
How did it work for him? | 0:43:36 | 0:43:37 | |
He ended up a hill crying and shouting at the wind and the rain. | 0:43:37 | 0:43:40 | |
Did he bump into Maurice while he were up there? | 0:43:40 | 0:43:42 | |
Paul. I mean it. Forget it ever happened. | 0:43:42 | 0:43:46 | |
Don't open up stuff that doesn't need opening. | 0:43:46 | 0:43:48 | |
I don't need another story, do I? | 0:44:00 | 0:44:02 | |
BOTTLE KNOCKS ON TABLE | 0:44:04 | 0:44:05 | |
Hi. | 0:44:08 | 0:44:09 | |
Hello. I take it you're not here about ukulele lessons? | 0:44:09 | 0:44:12 | |
No. I was just wondering how you were. | 0:44:12 | 0:44:15 | |
Wonder why you'd be wondering that. | 0:44:16 | 0:44:18 | |
I worry about him and I worry about you. | 0:44:21 | 0:44:24 | |
But mainly him. | 0:44:24 | 0:44:25 | |
And I don't blame you. | 0:44:26 | 0:44:28 | |
Funny thing is, I worry about him more than I worry about me, too. | 0:44:28 | 0:44:30 | |
Yeah, he's more complicated than he looks. | 0:44:30 | 0:44:33 | |
That isn't difficult! | 0:44:33 | 0:44:34 | |
I could help. If you needed anything or anyone. | 0:44:34 | 0:44:38 | |
I do have some experience. | 0:44:38 | 0:44:41 | |
I know. | 0:44:42 | 0:44:43 | |
I just want to do this on my own. | 0:44:46 | 0:44:48 | |
All right? | 0:44:50 | 0:44:51 | |
Mm. Think I'd be the same. | 0:44:53 | 0:44:57 | |
So why are you here? | 0:44:57 | 0:44:59 | |
Because I care about Dad, so I care about you. | 0:44:59 | 0:45:01 | |
Maurice tells me Joe's settled in well at his new school. | 0:45:01 | 0:45:04 | |
-Yeah. -Leaves you at a bit of a loose end, eh? | 0:45:05 | 0:45:07 | |
What? | 0:45:09 | 0:45:11 | |
I was just the same when Ralph didn't feel like a daily fight. | 0:45:11 | 0:45:14 | |
I started the choir, I went hospital visiting, I enrolled on courses, | 0:45:14 | 0:45:17 | |
I did unsuitable yoga. | 0:45:17 | 0:45:19 | |
I even started busking. | 0:45:19 | 0:45:21 | |
But I am not going to be your Care Bear, Alison. | 0:45:21 | 0:45:24 | |
I'm all cared out. | 0:45:25 | 0:45:26 | |
I can't be where you put your mad and considerable energy. | 0:45:26 | 0:45:30 | |
I'm sorry, I'm not trying to be mean... | 0:45:30 | 0:45:31 | |
Well, I am trying to be mean | 0:45:31 | 0:45:33 | |
if that's what it takes to get you to back off. | 0:45:33 | 0:45:35 | |
I think you're going to be good for my dad. | 0:45:38 | 0:45:40 | |
I really do. | 0:45:41 | 0:45:43 | |
MUSIC BLARES THROUGH HEADPHONES | 0:45:54 | 0:45:57 | |
Joe? | 0:45:57 | 0:45:58 | |
You stay in the car, I'm not going to be long. OK? | 0:45:59 | 0:46:03 | |
Good lad. | 0:46:03 | 0:46:05 | |
CAR DOOR SLAMS | 0:46:07 | 0:46:09 | |
Uh... Come here, come here. | 0:46:13 | 0:46:16 | |
-HE CHUCKLES -I don't know what was going on the other night with me. | 0:46:20 | 0:46:26 | |
And maybe with you. | 0:46:26 | 0:46:28 | |
-But I... -HE CLEARS THROAT | 0:46:29 | 0:46:32 | |
I... I just wanted to say that... | 0:46:32 | 0:46:34 | |
You know how I'm fixed. But I just... I just... | 0:46:37 | 0:46:40 | |
-I just want... -You just what? | 0:46:41 | 0:46:43 | |
I wanted to know if you thought that there was a moment there, too, that's all. | 0:46:43 | 0:46:46 | |
Because I've been turning this over in my head | 0:46:48 | 0:46:50 | |
and I'm wondering if it was...me. | 0:46:50 | 0:46:55 | |
Paul, nothing happened! And like you say, you're fixed up. | 0:46:57 | 0:47:03 | |
Did I imagine it? Maybe I imagined it, because... | 0:47:05 | 0:47:07 | |
Gary, can you just...? Can you just give me a minute? | 0:47:07 | 0:47:09 | |
I've only got one guy working there and he's not exactly on the payroll. | 0:47:09 | 0:47:12 | |
Just give me a minute, Gary. All right? | 0:47:12 | 0:47:14 | |
Nothing happened. It was late. | 0:47:18 | 0:47:22 | |
And, you know, Mark woke up at four o'clock this morning | 0:47:23 | 0:47:27 | |
and as soon as I got him in the taxi, I had to start doing work | 0:47:27 | 0:47:30 | |
for his school transition appeal, | 0:47:30 | 0:47:31 | |
then I got the bus here | 0:47:31 | 0:47:32 | |
and I've been cleaning the toilets ever since. | 0:47:32 | 0:47:34 | |
So, it's great for you that you've got time to indulge this poetic, | 0:47:34 | 0:47:39 | |
romantic, whatever it is, but I haven't. | 0:47:39 | 0:47:42 | |
I've got real life. | 0:47:42 | 0:47:43 | |
Right. | 0:47:43 | 0:47:44 | |
-Well, that's me told! -Well, what d'you want me to say?! | 0:47:46 | 0:47:48 | |
That if it wasn't for Alison, I'd have thrown myself at you?! | 0:47:48 | 0:47:51 | |
No, no, no! That's not what I meant. No, it... | 0:47:51 | 0:47:53 | |
MUSIC BLARES THROUGH HEADPHONES | 0:47:53 | 0:47:56 | |
So, we're good? | 0:48:01 | 0:48:03 | |
We're sorted? | 0:48:04 | 0:48:06 | |
Oh, God! | 0:48:06 | 0:48:07 | |
Oh... Paul, just go home and play some Nick Cave or something. | 0:48:07 | 0:48:11 | |
We're good. | 0:48:11 | 0:48:13 | |
HE EXHALES | 0:48:22 | 0:48:24 | |
Yeah, all right. | 0:48:25 | 0:48:27 | |
IGNITION RATTLES | 0:48:27 | 0:48:28 | |
GOAT BLEATS | 0:48:35 | 0:48:36 | |
Oh, shit. | 0:48:36 | 0:48:38 | |
Ah, hello, young man! | 0:48:39 | 0:48:41 | |
-Hello, old man. -HE MOCK LAUGHS | 0:48:43 | 0:48:45 | |
You all right? | 0:48:45 | 0:48:48 | |
Yeah! Yeah, yeah. Yeah. | 0:48:48 | 0:48:50 | |
I borrowed it. Well, rented it. | 0:48:50 | 0:48:52 | |
I know the...the guy who runs that petting farm. | 0:48:52 | 0:48:54 | |
That goat rental business must be sweeping the nation by now! | 0:48:54 | 0:48:57 | |
The boy wanted a goat, I delivered. | 0:48:57 | 0:48:59 | |
There you go, son. | 0:48:59 | 0:49:00 | |
GOAT BLEATS | 0:49:01 | 0:49:03 | |
A goodbye present, Joe. | 0:49:10 | 0:49:12 | |
GOAT CONTINUES TO BLEAT | 0:49:14 | 0:49:16 | |
-The boy needs a bike. -I thought you said a goat. -Are you off? | 0:49:16 | 0:49:18 | |
Tomorrow. | 0:49:18 | 0:49:20 | |
I thought Paul said he wanted a goat. | 0:49:21 | 0:49:24 | |
SHE SQUEALS HAPPILY | 0:49:41 | 0:49:43 | |
-REBECCA: -..Turn that way. | 0:49:50 | 0:49:52 | |
Paul, let me see. | 0:49:59 | 0:50:01 | |
-He's taken a lot of photos of food. -SHE LAUGHS | 0:50:01 | 0:50:04 | |
-Except this one of the staff. -Well, even that's the dinner lady. | 0:50:04 | 0:50:07 | |
BOTH LAUGH | 0:50:07 | 0:50:10 | |
Oh! | 0:50:10 | 0:50:12 | |
-And this? -That is Eddie's new girlfriend. | 0:50:14 | 0:50:18 | |
-Interesting. -Mm! | 0:50:18 | 0:50:20 | |
Well, he must have been stood on a chair to take that. | 0:50:20 | 0:50:22 | |
Unless Eddie's girlfriend is very, very small. | 0:50:23 | 0:50:26 | |
-Guilty as charged. -Right. -SHE LAUGHS | 0:50:26 | 0:50:29 | |
We don't do this much any more, do we? | 0:50:35 | 0:50:37 | |
You and me talking crap. | 0:50:39 | 0:50:41 | |
It's nice, isn't it? | 0:50:44 | 0:50:45 | |
Yeah. Yeah, it is. | 0:50:45 | 0:50:47 | |
So, why are you still looking worried? | 0:50:53 | 0:50:56 | |
Because I've got something to tell you. | 0:50:56 | 0:50:57 | |
Right. | 0:51:00 | 0:51:01 | |
-I will teach you to ride the bike, Joe. -I can ride the bike. | 0:51:05 | 0:51:09 | |
Well, you can fall off the bike. That isn't the same as riding it. | 0:51:09 | 0:51:12 | |
I like riding the bike, don't I? | 0:51:15 | 0:51:18 | |
Where's James? | 0:51:18 | 0:51:19 | |
-He's gone. -Did he die? | 0:51:19 | 0:51:22 | |
No, he didn't die. | 0:51:22 | 0:51:24 | |
Not yet, I'll have to find him first. | 0:51:26 | 0:51:28 | |
This is MY cancer, Maurice, not yours and not Alison's. | 0:51:37 | 0:51:41 | |
And I am the one who has to handle it. | 0:51:41 | 0:51:43 | |
I... I didn't know she was planning on coming round, I promise you! | 0:51:43 | 0:51:47 | |
Your talent for missing the point never ceases to surprise me. | 0:51:47 | 0:51:50 | |
I had to tell someone. | 0:51:50 | 0:51:52 | |
No, you didn't! You didn't have to tell anyone. | 0:51:52 | 0:51:55 | |
You didn't have to do this with me. | 0:51:55 | 0:51:57 | |
In fact, I distinctly remember telling you not to do this with me, | 0:51:57 | 0:52:00 | |
but you said you could handle it, because you're big and strong | 0:52:00 | 0:52:03 | |
and on some kind of rescue mission. | 0:52:03 | 0:52:05 | |
I'll hold me hands up, it's more confusing than I thought, | 0:52:05 | 0:52:08 | |
but "rescue mission"... | 0:52:08 | 0:52:09 | |
I'm not sure I'm wearing that one, thank you very much! | 0:52:09 | 0:52:12 | |
If there's one thing I know about you, | 0:52:12 | 0:52:14 | |
it's that you don't need rescuing. | 0:52:14 | 0:52:15 | |
-Yes, well, it's not me you're trying to rescue though, is it? -What?! | 0:52:15 | 0:52:21 | |
It's Sandra you're trying to rescue, Maurice. | 0:52:23 | 0:52:27 | |
Well, now you have lost me. | 0:52:28 | 0:52:30 | |
Sandra died. That was her. And I'm sorry. | 0:52:32 | 0:52:38 | |
But I'm not Sandra. | 0:52:38 | 0:52:41 | |
This is my illness. Mine. I won't be Sandra. | 0:52:41 | 0:52:45 | |
I'm not here to help you get your own back on God. | 0:52:47 | 0:52:50 | |
-I think I'd better go. -Yes, I think you'd better had. | 0:52:58 | 0:53:00 | |
DOOR OPENS | 0:53:07 | 0:53:09 | |
DOOR CLOSES | 0:53:09 | 0:53:11 | |
So, nothing happened? | 0:53:13 | 0:53:15 | |
Absolutely not. | 0:53:17 | 0:53:18 | |
But it felt like it might. | 0:53:20 | 0:53:22 | |
And that's what I wanted to tell you. | 0:53:22 | 0:53:24 | |
For both of you or just you? | 0:53:27 | 0:53:30 | |
Ah, I don't know. Um... | 0:53:32 | 0:53:34 | |
But like I say... | 0:53:34 | 0:53:36 | |
Cos I didn't act on it. | 0:53:37 | 0:53:40 | |
Mm. Oh, well. | 0:53:43 | 0:53:46 | |
So, why are you telling me? | 0:53:54 | 0:53:56 | |
Because something felt wrong. | 0:53:57 | 0:53:59 | |
And it confused me and... I wanted you to know about it. | 0:53:59 | 0:54:04 | |
Why? Why didn't you just stay confused? | 0:54:04 | 0:54:06 | |
Because you're my best mate, in the world, | 0:54:10 | 0:54:12 | |
and because the one thing that we always have | 0:54:12 | 0:54:14 | |
is that we're honest with each other. | 0:54:14 | 0:54:16 | |
You told me that you were with a liar before me | 0:54:18 | 0:54:22 | |
-and you told me that it nearly killed you. -Don't. Don't... Don't make Stuart your alibi here. | 0:54:22 | 0:54:26 | |
-Look, I would want to know. -Why? Nothing happened. | 0:54:26 | 0:54:29 | |
What are you telling me? | 0:54:38 | 0:54:39 | |
Something could've happened? | 0:54:41 | 0:54:44 | |
Maybe. | 0:54:48 | 0:54:50 | |
And... | 0:54:52 | 0:54:54 | |
..what does it mean... | 0:54:55 | 0:54:56 | |
..that something might've happened? | 0:54:57 | 0:54:59 | |
What does it mean that for a moment, just for a moment, | 0:54:59 | 0:55:02 | |
I felt more at home with Sophie than I do with you? | 0:55:02 | 0:55:05 | |
You tell me. What does that mean? | 0:55:10 | 0:55:12 | |
You were there, I wasn't. | 0:55:17 | 0:55:18 | |
-Is that all you've got to say? -Uh! | 0:55:23 | 0:55:25 | |
I'm thinking about it. | 0:55:26 | 0:55:27 | |
I don't... I... What I don't get is why you would tell me it, any of it. | 0:55:27 | 0:55:32 | |
Because, I-I think... I think we need to think about us. | 0:55:32 | 0:55:36 | |
What with the... With the... With the... | 0:55:36 | 0:55:38 | |
With the change, the change with Joe and... | 0:55:38 | 0:55:42 | |
It's taking its toll - on you and on me - and I... | 0:55:42 | 0:55:45 | |
I just... I think we need to think... | 0:55:45 | 0:55:47 | |
We need to do something about that. | 0:55:47 | 0:55:49 | |
It sounds to me like you already have. | 0:55:51 | 0:55:52 | |
Are you seriously telling me | 0:57:02 | 0:57:03 | |
there isn't a problem? | 0:57:03 | 0:57:04 | |
I've noticed it, so you can bet Joe's noticed it. | 0:57:04 | 0:57:06 | |
Do you want to do something about it? | 0:57:06 | 0:57:08 | |
Joe, would you like to ride a bike without stabilisers? | 0:57:08 | 0:57:10 | |
I thought you were in a hurry to get away. | 0:57:10 | 0:57:12 | |
Let's just be spontaneous. | 0:57:12 | 0:57:13 | |
Which is actually not that spontaneous. | 0:57:13 | 0:57:15 | |
I do care, if that's what you're worried about. | 0:57:15 | 0:57:17 | |
I care enough about you not to want to disrupt your family life. | 0:57:17 | 0:57:20 | |
I am trying to save Sandra again. | 0:57:20 | 0:57:22 | |
Helping you brings it all back. | 0:57:22 | 0:57:25 | |
SHE SIGHS | 0:57:25 | 0:57:27 | |
But what do we do now? | 0:57:27 | 0:57:29 |