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Do you ever think you're going mad and you've got everything wrong? | 0:00:02 | 0:00:04 | |
And as for your actual feelings, I'm just going to have to guess? | 0:00:04 | 0:00:06 | |
Well, don't guess too hard, cos you might just get them right. | 0:00:06 | 0:00:08 | |
-Are we sorted? -Will you marry me? -What?! | 0:00:08 | 0:00:12 | |
I've volunteered to help out at a primary school. | 0:00:12 | 0:00:15 | |
You're the only person I've told. | 0:00:15 | 0:00:16 | |
-Why don't you stay? -Well, it'd be hard to move now | 0:00:16 | 0:00:18 | |
I've made myself comfy in this Slough of Despond. | 0:00:18 | 0:00:21 | |
We never talk about it. | 0:00:21 | 0:00:22 | |
I don't want to talk about it. I wanted to bury it. | 0:00:22 | 0:00:25 | |
And bury us along with it. | 0:00:25 | 0:00:27 | |
This programme contains some strong language. | 0:00:29 | 0:00:32 | |
# I was woken up at 4am by your screams and anguished cries | 0:00:38 | 0:00:42 | |
# Your mother was singing in the bathroom | 0:00:42 | 0:00:44 | |
# "She will never be my child" | 0:00:44 | 0:00:48 | |
# Oh, baby talks in her sleep so loud | 0:00:48 | 0:00:52 | |
# We're living four flights up | 0:00:54 | 0:00:57 | |
# But I swear right now it feels like underground | 0:00:57 | 0:01:00 | |
SIRENS BLARE | 0:01:00 | 0:01:03 | |
# You have absolutely no common sense | 0:01:03 | 0:01:05 | |
# Yes, I know that's your charm | 0:01:05 | 0:01:07 | |
# You spend the whole day on the phone | 0:01:07 | 0:01:09 | |
# You say well, it helps you stay calm | 0:01:09 | 0:01:13 | |
# You cling to my arm Yes, I know that's your charm... # | 0:01:13 | 0:01:15 | |
BUZZER | 0:01:15 | 0:01:17 | |
You got a light, mate? | 0:01:19 | 0:01:21 | |
No. | 0:01:21 | 0:01:22 | |
# Well, then could you give me some peace | 0:01:24 | 0:01:26 | |
# You say, "Well, maybe for a while" | 0:01:26 | 0:01:29 | |
# Sometimes, you know, you could almost be a child | 0:01:29 | 0:01:34 | |
# Oh, must you tell me all your secrets | 0:01:36 | 0:01:38 | |
# When it's hard enough to love you knowing nothing | 0:01:38 | 0:01:43 | |
# We're living four flights up | 0:01:44 | 0:01:47 | |
# But I swear right now it feels like underground | 0:01:47 | 0:01:50 | |
# You are your own worst enemy | 0:01:54 | 0:01:57 | |
# So don't expect my sympathy | 0:01:57 | 0:01:59 | |
# Oh, go back to your mother's house | 0:01:59 | 0:02:01 | |
# And cry your little heart out | 0:02:01 | 0:02:03 | |
# We're living four flights up | 0:02:06 | 0:02:09 | |
# But I swear right now it feels like underground. # | 0:02:09 | 0:02:13 | |
DOOR SLIDES OPENS Morning. | 0:02:13 | 0:02:15 | |
Mine's a full English, since you're asking. | 0:02:20 | 0:02:23 | |
It's all right in here, isn't it? | 0:02:26 | 0:02:28 | |
You've found yourself a perfect little escape hatch. | 0:02:28 | 0:02:31 | |
Cos let me tell you, son, there's nothing but grief out there, | 0:02:31 | 0:02:34 | |
and its follow up, Grief Two. | 0:02:34 | 0:02:37 | |
You've got everything you need right here. | 0:02:37 | 0:02:40 | |
And I won't tell anybody if you don't. | 0:02:40 | 0:02:42 | |
What was Grandad doing here? | 0:03:01 | 0:03:03 | |
What was Grandad doing here? | 0:03:03 | 0:03:04 | |
You gotta move it to prove it. | 0:03:06 | 0:03:09 | |
Move it to prove it. | 0:03:09 | 0:03:10 | |
Come on. | 0:03:12 | 0:03:14 | |
HE BREATHES DEEPLY | 0:03:36 | 0:03:39 | |
MAURICE SNORES SPORADICALLY | 0:03:54 | 0:03:57 | |
HE SNORES | 0:04:10 | 0:04:13 | |
# Well, it seems so real... # | 0:04:16 | 0:04:20 | |
I like running at night. That's all there is to it. | 0:04:20 | 0:04:23 | |
-Is there a law against it? -Depends which shorts you're wearing. | 0:04:23 | 0:04:25 | |
Dad, the reason you're running at night is cos you're holed up | 0:04:25 | 0:04:28 | |
in here during the day. | 0:04:28 | 0:04:30 | |
You're hiding. We know who you're hiding from. | 0:04:30 | 0:04:33 | |
-Oh, do we? -I'm saying Louise in the dining room | 0:04:33 | 0:04:35 | |
with the lead piping. | 0:04:35 | 0:04:36 | |
We know you asked her to marry you and we know she said no. | 0:04:36 | 0:04:39 | |
-How do you know? -Ralph told Eddie. | 0:04:39 | 0:04:41 | |
-Does everyone know? -No, no. | 0:04:41 | 0:04:43 | |
-I don't think the Polish lads know. -They do, actually. | 0:04:43 | 0:04:46 | |
Oh, well, then just us and Ralph and the Polish lads. | 0:04:46 | 0:04:48 | |
And we told Rebecca cos she was worried about you. | 0:04:48 | 0:04:50 | |
And I asked Nicola for advice. | 0:04:50 | 0:04:51 | |
OK, so just us, Ralph, Rebecca, Nicola and the Polish lads. | 0:04:51 | 0:04:54 | |
-Is it any wonder I'm hiding? -Ah, so you are hiding! | 0:04:54 | 0:04:56 | |
HE SIGHS | 0:04:56 | 0:04:58 | |
Look, Dad, I know it feels like the hardest thing is to go round | 0:04:58 | 0:05:01 | |
and talk to her, but sometimes the hardest thing is the right thing. | 0:05:01 | 0:05:03 | |
Isn't that what Tony Blair said just before we invaded Iraq? | 0:05:03 | 0:05:06 | |
Just sort it out. | 0:05:06 | 0:05:07 | |
It was your idea for me to go round there in the first place! | 0:05:07 | 0:05:10 | |
And my last words were "Don't do anything rash." | 0:05:10 | 0:05:11 | |
This time, go and see her and clear this up. | 0:05:11 | 0:05:13 | |
And if you feel a sudden proposal coming on, | 0:05:13 | 0:05:15 | |
-just splash your face with cold water, right? -Right. | 0:05:15 | 0:05:18 | |
-So go and get dressed, then. I'll take you round now. -Now? | 0:05:18 | 0:05:20 | |
Yes, now. | 0:05:20 | 0:05:22 | |
OK, we'll put Ramesh on after Lois, Scarlet, Millie and Helena. | 0:05:33 | 0:05:37 | |
Maisie, you have settled on China In Your Hand now, have you? | 0:05:37 | 0:05:39 | |
Cos it's too late to change your mind now. | 0:05:39 | 0:05:41 | |
I am trying to concentrate but the girls keep doing cartwheels at me. | 0:05:41 | 0:05:44 | |
Girls! Girls! That corner is quiet space. | 0:05:44 | 0:05:46 | |
Dance moves in that corner. | 0:05:46 | 0:05:48 | |
-Yes, Ella? -Lois said that I can't wear the blue T-shirt | 0:05:48 | 0:05:52 | |
but my mum said blue brings out my eyes. | 0:05:52 | 0:05:55 | |
If they're looking at your T-shirt, | 0:05:55 | 0:05:56 | |
you've lost the audience anyway, sweetheart. | 0:05:56 | 0:05:58 | |
I will have a little word with Lois and see what I can do. | 0:05:58 | 0:06:00 | |
But if you can't sort it out, | 0:06:00 | 0:06:01 | |
then you'll both be doing it in your PE kits. | 0:06:01 | 0:06:04 | |
I thought a bit of food might help things along. | 0:06:04 | 0:06:06 | |
-Where do you want it? -Not in here, Dad. | 0:06:06 | 0:06:09 | |
We'll be doing a complete run-through in one minute! | 0:06:09 | 0:06:13 | |
All right, Millcross Primary School, fame costs, | 0:06:13 | 0:06:15 | |
and right here is where you start paying. | 0:06:15 | 0:06:18 | |
Are you sure you've done enough? | 0:06:20 | 0:06:22 | |
I thought we were just doing crisps and nuts and drinks. | 0:06:22 | 0:06:24 | |
Drinks! I'm going to have to go back. | 0:06:24 | 0:06:27 | |
It looks great in there, though. | 0:06:27 | 0:06:29 | |
-Hasn't she done well? -Brilliantly, yeah. | 0:06:29 | 0:06:31 | |
So you see, I can live a fulfilling life and still live here. | 0:06:31 | 0:06:35 | |
I could set up a stage school. | 0:06:35 | 0:06:37 | |
Oh, come on, guys, I was joking. | 0:06:38 | 0:06:41 | |
Do you really think I was being serious? | 0:06:41 | 0:06:42 | |
You came home in a campervan the other day. | 0:06:42 | 0:06:44 | |
This is wonderful, though. You've always been good with kids. | 0:06:44 | 0:06:48 | |
-Thank you. -I'm just saying, it might be something | 0:06:48 | 0:06:50 | |
-you want to think about. -Like teacher training? | 0:06:50 | 0:06:53 | |
-Yeah, if you like. -We could do it together, maybe. -What? | 0:06:53 | 0:06:57 | |
Except you're way ahead of me on that one. | 0:06:57 | 0:06:59 | |
Volunteering in a school next year, | 0:06:59 | 0:07:01 | |
going on training courses. Stuart told me all about it. | 0:07:01 | 0:07:06 | |
I just mentioned it to Stuart when he was round the other day. | 0:07:06 | 0:07:08 | |
It sounds great, Mum, and good for you, | 0:07:08 | 0:07:11 | |
-but it isn't what I want to do. -OK. | 0:07:11 | 0:07:15 | |
Any other plans you want to share with me | 0:07:15 | 0:07:19 | |
or should I just give Stuart a ring? | 0:07:19 | 0:07:20 | |
I'll ask him. | 0:07:20 | 0:07:22 | |
He's all right. | 0:07:28 | 0:07:30 | |
All I mentioned was that I'd been thinking about it | 0:07:32 | 0:07:35 | |
and that I'd volunteered next term at a school. | 0:07:35 | 0:07:38 | |
Just two afternoons a week. It's not a big deal. | 0:07:38 | 0:07:40 | |
Well, if it's not a big deal, then why tell your ex and not me? | 0:07:40 | 0:07:44 | |
Let me see now. | 0:07:44 | 0:07:46 | |
Could it be because you're so stuck in your own head | 0:07:46 | 0:07:49 | |
you're not listening to anyone else? | 0:07:49 | 0:07:51 | |
Are you pissed off with me because I've made some plans and not | 0:07:54 | 0:07:56 | |
told you or because you don't think I should be making any plans at all? | 0:07:56 | 0:07:59 | |
I don't know. Maybe Stuart knows. | 0:07:59 | 0:08:01 | |
Well, for what it's worth, Stuart thinks I should just be | 0:08:01 | 0:08:04 | |
popping out another baby and then I'd have something to do. | 0:08:04 | 0:08:06 | |
You can put your mind to rest on that score. | 0:08:06 | 0:08:09 | |
That's the last thing I want for us. | 0:08:09 | 0:08:11 | |
When did you change your mind? | 0:08:16 | 0:08:18 | |
You don't want another child, Alison, | 0:08:18 | 0:08:20 | |
and I don't want another child. | 0:08:20 | 0:08:23 | |
So what does it matter when I changed my mind? | 0:08:23 | 0:08:26 | |
Is it that you don't want another child or you just don't want | 0:08:26 | 0:08:28 | |
-another child with me? -See, now you're putting words in my mouth. | 0:08:28 | 0:08:31 | |
Because somebody has to! You're not telling me anything. | 0:08:31 | 0:08:34 | |
# Just to see if you glow in the dark | 0:08:35 | 0:08:38 | |
# Sha-la-la-la | 0:08:38 | 0:08:41 | |
# Sha-la-la-la... # | 0:08:41 | 0:08:43 | |
How much trouble are we in here, Paul? | 0:08:43 | 0:08:45 | |
Cos the other day you were telling me that you hated Joe's autism | 0:08:45 | 0:08:48 | |
and now this, so I... | 0:08:48 | 0:08:49 | |
Let's not blame Joe for the fact that we don't want another kid. | 0:08:55 | 0:08:57 | |
Oh, right. OK. | 0:08:57 | 0:09:00 | |
Who shall we blame? | 0:09:00 | 0:09:01 | |
It's us, Alison. Blame us. | 0:09:01 | 0:09:03 | |
You gotta move it to prove it. | 0:09:11 | 0:09:12 | |
Move it to prove it. | 0:09:12 | 0:09:14 | |
I'm not going to run out of petrol if I drive up | 0:09:33 | 0:09:35 | |
to the front door, you know? | 0:09:35 | 0:09:36 | |
How would it look if she saw you dropping me off? | 0:09:36 | 0:09:38 | |
-Like I was dropping you off. -No, like I'd brought...back-up, | 0:09:38 | 0:09:42 | |
like it was a big deal. | 0:09:42 | 0:09:44 | |
If I walk up, it can look like I just happened to be passing | 0:09:44 | 0:09:48 | |
and casually dropped by. | 0:09:48 | 0:09:50 | |
Whatever you say, Dad. | 0:09:50 | 0:09:51 | |
I'm coming with you. | 0:10:16 | 0:10:17 | |
-Do you remember when we used to play cards with your mum and dad? -Yeah. | 0:10:40 | 0:10:44 | |
What was it called, that game? | 0:10:46 | 0:10:47 | |
It was like...bridge, but working class. | 0:10:47 | 0:10:51 | |
-Solo. -Solo! | 0:10:51 | 0:10:54 | |
Yeah, no, that was it. | 0:10:54 | 0:10:56 | |
And your mum would always have a glass of wine. | 0:10:56 | 0:10:59 | |
Just the one. | 0:11:01 | 0:11:03 | |
-And if I ever poured her another glass she'd go, "Oh, no." -Yeah. | 0:11:04 | 0:11:08 | |
I remember one night... | 0:11:08 | 0:11:09 | |
..I must've drunk the rest of that bottle cos I was well gone, | 0:11:12 | 0:11:14 | |
but I said, erm... | 0:11:14 | 0:11:16 | |
I said, "You've got great self-control." | 0:11:17 | 0:11:21 | |
And do you know what she said? | 0:11:21 | 0:11:24 | |
She said... | 0:11:24 | 0:11:26 | |
"If I get drunk, Paul, then the truth might come pouring out. | 0:11:27 | 0:11:32 | |
"And once it starts, it might never stop." | 0:11:32 | 0:11:35 | |
Well, that's just a mum thing. | 0:11:35 | 0:11:37 | |
Every mum feels like that from time to time. | 0:11:37 | 0:11:40 | |
That's how I feel. | 0:11:40 | 0:11:42 | |
I feel like I've opened the door on us and... | 0:11:42 | 0:11:47 | |
And all the bad stuff's just... | 0:11:48 | 0:11:51 | |
It's pouring out and... | 0:11:51 | 0:11:54 | |
..I can't make it stop. | 0:11:54 | 0:11:56 | |
There, that's why I didn't want to talk about it. | 0:12:00 | 0:12:03 | |
-Bad stuff like what? -Let's just get the drinks. | 0:12:12 | 0:12:14 | |
Let's get the day done and get back to the school. | 0:12:14 | 0:12:16 | |
No, no, no. Come on. At least I tell you my feelings. | 0:12:16 | 0:12:19 | |
Why don't you try and tell me yours? | 0:12:19 | 0:12:22 | |
-I just want to run away. -From what? | 0:12:22 | 0:12:24 | |
From this. From this, all this. From everything. | 0:12:24 | 0:12:27 | |
Let's just get the drinks. | 0:12:30 | 0:12:31 | |
Don't you don't think I want to run away? | 0:12:37 | 0:12:39 | |
Don't you think I get scared of all this stuff? | 0:12:39 | 0:12:41 | |
Fine. Don't let me have any feelings of my own. | 0:12:41 | 0:12:43 | |
-Yours are much more important. -I'm not saying that. | 0:12:43 | 0:12:45 | |
I had a child when I was 18. | 0:12:45 | 0:12:48 | |
I've been frightened every day since. | 0:12:48 | 0:12:50 | |
And then you came along and you made everything less terrifying. | 0:12:50 | 0:12:55 | |
Until now. | 0:12:55 | 0:12:57 | |
Now you're scaring me because the man I knew... | 0:12:57 | 0:12:59 | |
The man I know... | 0:12:59 | 0:13:01 | |
It's like you're disappearing in front of my eyes. | 0:13:04 | 0:13:06 | |
It's because we live separately, Alison. We're living separate lives. | 0:13:06 | 0:13:09 | |
It's because of Joe. But we agreed on that. | 0:13:09 | 0:13:11 | |
But it's more than just being in different cities! | 0:13:11 | 0:13:14 | |
And... And being apart, it's confirmed something I think | 0:13:14 | 0:13:17 | |
deep down that we both already knew. | 0:13:17 | 0:13:20 | |
No, don't, don't say this, Paul. | 0:13:20 | 0:13:22 | |
Don't. | 0:13:24 | 0:13:26 | |
Look, it doesn't take two of us to do this. | 0:13:26 | 0:13:28 | |
Where are you going? | 0:13:28 | 0:13:31 | |
-We're separate, Alison. -No. -We are. | 0:13:31 | 0:13:35 | |
I think we just need to be honest about it now. | 0:13:36 | 0:13:39 | |
MOBILE RINGS | 0:13:47 | 0:13:50 | |
Hello? | 0:13:53 | 0:13:54 | |
What? | 0:13:55 | 0:13:57 | |
Right, fourth emergency service at your disposal. | 0:13:57 | 0:13:59 | |
What's the problem? | 0:13:59 | 0:14:01 | |
Can we leave off the hide and seek now? | 0:14:06 | 0:14:09 | |
I'm running out of energy. | 0:14:09 | 0:14:10 | |
I think the words you're looking for are, | 0:14:12 | 0:14:14 | |
"I've been expecting you, Mr Bond." | 0:14:14 | 0:14:16 | |
Maurice, we both know that deep down | 0:14:18 | 0:14:21 | |
-you didn't really want to marry me, did you? -Hang on a sec! | 0:14:21 | 0:14:24 | |
No, you just panicked at the thought I was going to chuck you | 0:14:24 | 0:14:27 | |
and you proposed. | 0:14:27 | 0:14:28 | |
I've known a lot of men respond to panic by proposing. | 0:14:28 | 0:14:31 | |
-It never ends well. -How many men, exactly? | 0:14:31 | 0:14:33 | |
It's not important. | 0:14:33 | 0:14:35 | |
Next time, why not just ask me how I'm feeling? | 0:14:35 | 0:14:39 | |
Or tell me how you're feeling or tell me you're worried. | 0:14:39 | 0:14:42 | |
Just don't ask me to marry you. | 0:14:42 | 0:14:44 | |
You could at least pretend to be flattered. | 0:14:44 | 0:14:46 | |
Why? I knew it wasn't coming from the right place. | 0:14:46 | 0:14:49 | |
It'd be fair to say that short of kidnapping Ralph, | 0:14:49 | 0:14:52 | |
proposing was just about the worst thing you could've done. | 0:14:52 | 0:14:55 | |
Right! Right. | 0:14:55 | 0:14:57 | |
So it's not a "no" then? | 0:14:58 | 0:14:59 | |
I don't want to marry you, Maurice. | 0:15:01 | 0:15:04 | |
But I would, to coin a phrase, like to knock about with you. | 0:15:04 | 0:15:08 | |
Clean slate, day one. | 0:15:09 | 0:15:12 | |
How about it? | 0:15:12 | 0:15:14 | |
Good. Great. Day one? | 0:15:14 | 0:15:16 | |
Good. | 0:15:18 | 0:15:19 | |
Great. | 0:15:20 | 0:15:22 | |
# Is it underneath the willow tree | 0:15:34 | 0:15:38 | |
# That I've been dreaming of? # | 0:15:38 | 0:15:43 | |
Just a touch more expression, Bill, I think. | 0:15:44 | 0:15:47 | |
There you go, Ramesh. Perfect fit. | 0:15:47 | 0:15:49 | |
It is a realistic hat. | 0:15:49 | 0:15:51 | |
But I would rather not dress up as a magician. | 0:15:51 | 0:15:53 | |
I've a lounge suit at home. I'll get it this afternoon. | 0:15:53 | 0:15:57 | |
A lounge suit? OK. | 0:15:57 | 0:15:59 | |
Joe, how about you? | 0:15:59 | 0:16:01 | |
I'm going to dress up as Joe. | 0:16:02 | 0:16:05 | |
Course you are. | 0:16:05 | 0:16:07 | |
Er, where's Dad? Is he OK? He seemed a bit... | 0:16:09 | 0:16:12 | |
Oh, don't worry about Dad. He's just got one of those faces. | 0:16:12 | 0:16:16 | |
It's the Stockport side of the family. | 0:16:16 | 0:16:18 | |
I didn't drop you in it before | 0:16:18 | 0:16:19 | |
telling him about the volunteering stuff, did I? I thought he'd know. | 0:16:19 | 0:16:22 | |
No, of course you didn't, love. Course not. | 0:16:22 | 0:16:25 | |
-Mum? -It's just... | 0:16:27 | 0:16:30 | |
Sorry, it's just this. It's... | 0:16:30 | 0:16:31 | |
Sorry. It's great you getting this off the ground | 0:16:31 | 0:16:35 | |
and including Joe in it all. | 0:16:35 | 0:16:37 | |
Is it good being back at your old school, Joe? | 0:16:39 | 0:16:42 | |
Let me see now. | 0:16:42 | 0:16:46 | |
You used to say that all the time. | 0:16:46 | 0:16:47 | |
And I remember it means you aren't going to answer the question. | 0:16:47 | 0:16:51 | |
Do they have gluten-free at your new school? | 0:16:51 | 0:16:53 | |
I expect so, because some people think that gluten is bad for autism. | 0:16:53 | 0:16:57 | |
And are all the children like you, Joe, | 0:16:57 | 0:17:00 | |
at your new school? Are they all autistic? | 0:17:00 | 0:17:04 | |
What will you do after, Joe? | 0:17:04 | 0:17:06 | |
What will you do after? | 0:17:07 | 0:17:09 | |
Because after Millcross, I am going to go to big school. | 0:17:09 | 0:17:12 | |
I will do GCSEs, then science A Levels, | 0:17:12 | 0:17:15 | |
then medicine at university. | 0:17:15 | 0:17:18 | |
What will you do after? You know, when you grow up? | 0:17:18 | 0:17:22 | |
You gotta move it to prove it. Move it to prove it. | 0:17:22 | 0:17:25 | |
I don't mean after. I mean much, much longer after. | 0:17:26 | 0:17:31 | |
There you are! | 0:17:35 | 0:17:37 | |
Come on, Bill. This damp will play havoc with your sinuses. | 0:17:37 | 0:17:40 | |
Come on, careful. | 0:17:41 | 0:17:43 | |
In the plane, on the train. | 0:17:43 | 0:17:45 | |
Take a trip on a ship. | 0:17:45 | 0:17:47 | |
KNOCKING | 0:18:02 | 0:18:03 | |
This day one thing, what did you have in mind exactly? | 0:18:06 | 0:18:10 | |
All I meant was... | 0:18:13 | 0:18:15 | |
..two people who like each other going out | 0:18:15 | 0:18:18 | |
and getting to know each other a bit better. | 0:18:18 | 0:18:20 | |
-Maybe exchanging the odd anecdote... -Got plenty of those. | 0:18:20 | 0:18:23 | |
..or maybe not. | 0:18:23 | 0:18:25 | |
Just a clean slate. | 0:18:25 | 0:18:27 | |
No history, no baggage. | 0:18:27 | 0:18:29 | |
Seeing if... | 0:18:29 | 0:18:32 | |
You know, having a bit of fun in a low key way. | 0:18:32 | 0:18:34 | |
Well, that's a coincidence. | 0:18:34 | 0:18:37 | |
Joe's got a show later at school. | 0:18:37 | 0:18:39 | |
All the things you like - kids, music, a raffle and that. | 0:18:39 | 0:18:44 | |
-Sounds perfect. -5pm start. Tell Ralph to come. | 0:18:44 | 0:18:48 | |
He can ask Vanessa and then we won't even be a... | 0:18:48 | 0:18:50 | |
Two. Yes, I get it. You're over-thinking it again. | 0:18:50 | 0:18:54 | |
-See you later? -I'll be there. | 0:18:54 | 0:18:56 | |
Is it evening dress or smart-casual? | 0:19:00 | 0:19:02 | |
Smart-casual I think. I'll check. | 0:19:03 | 0:19:07 | |
I was joking, Maurice. | 0:19:07 | 0:19:08 | |
Separate lives? Did you actually mean it? | 0:19:14 | 0:19:16 | |
I know, I surprised myself when I said it. | 0:19:16 | 0:19:19 | |
But maybe I did mean it. Maybe I did. | 0:19:19 | 0:19:22 | |
What is it with you and saying stuff out loud? | 0:19:22 | 0:19:24 | |
DOOR OPENS | 0:19:24 | 0:19:25 | |
We just lost who we were somewhere along the way | 0:19:29 | 0:19:32 | |
and I can't find a way back, no matter how hard I try. | 0:19:32 | 0:19:35 | |
Is it really that bad? I know you've been having trouble but... | 0:19:35 | 0:19:38 | |
How did you know that you and Nicola weren't going to make it? | 0:19:38 | 0:19:41 | |
-Which time? -The first time. | 0:19:41 | 0:19:42 | |
The first time you knew it was broken. | 0:19:42 | 0:19:45 | |
Well, probably when Nicola told me | 0:19:45 | 0:19:46 | |
she'd been having sex with another man. That was quite a hint. | 0:19:46 | 0:19:50 | |
Any other pearls of wisdom going to come along any time soon? | 0:19:50 | 0:19:53 | |
-Or is that all you've got? -All I've got is this, Paul. | 0:19:53 | 0:19:56 | |
I can't imagine a world where you | 0:19:56 | 0:19:57 | |
and Alison would ever not be together. | 0:19:57 | 0:19:59 | |
I can't imagine a world where you'd be happier without each other. | 0:19:59 | 0:20:03 | |
I need you to come with me right now. | 0:20:05 | 0:20:07 | |
I don't think I'll be going anywhere with you in that shirt | 0:20:07 | 0:20:10 | |
and I've got Emily. | 0:20:10 | 0:20:11 | |
You'll be all right with her, won't you, Paul? | 0:20:11 | 0:20:13 | |
We'll give Nicola a ring on the way and tell her to pick her up. | 0:20:13 | 0:20:15 | |
On the way where? | 0:20:15 | 0:20:18 | |
You know you told me to take it easy and not do anything too hasty? | 0:20:18 | 0:20:21 | |
-Yes. -Well, I haven't. -Good. | 0:20:21 | 0:20:24 | |
Not with Louise anyway. | 0:20:24 | 0:20:25 | |
But there have been other changes and they are hasty. | 0:20:25 | 0:20:28 | |
Is this about the shirt? I realise it was an impulse buy, | 0:20:28 | 0:20:30 | |
-but I'm sure we'll get used to it in the end. -I'm retiring. | 0:20:30 | 0:20:32 | |
I'm putting the house on the market | 0:20:32 | 0:20:34 | |
and I'm giving you the brewery, all of it. | 0:20:34 | 0:20:37 | |
Day one, clean slate. | 0:20:37 | 0:20:39 | |
I'll even put it in writing this time. | 0:20:39 | 0:20:42 | |
-Without asking me? -I'm asking you now. | 0:20:42 | 0:20:44 | |
-No, you're not. -It's only going to be a problem if you say no. | 0:20:44 | 0:20:47 | |
Are you going to make it a problem? | 0:20:47 | 0:20:49 | |
Why would you retire? | 0:20:54 | 0:20:55 | |
You've got the body of a 20-year-old and the mind of a ten-year-old. | 0:20:55 | 0:20:58 | |
-You're indestructible. -Between you and me, | 0:20:58 | 0:21:00 | |
I don't always feel like that. | 0:21:00 | 0:21:01 | |
And even if I did believe you, why would I come back here - | 0:21:01 | 0:21:03 | |
to the place where I failed? What kind of fool would do that? | 0:21:03 | 0:21:05 | |
-Perhaps I'm looking at him. -And I don't believe you would stay away. | 0:21:05 | 0:21:08 | |
I can't boil an egg in your kitchen | 0:21:08 | 0:21:10 | |
without you timing it on your sports watch. | 0:21:10 | 0:21:12 | |
You're the only man I know who can pick an argument with an egg timer. | 0:21:12 | 0:21:15 | |
And I've got a life in Manchester, Dad. | 0:21:15 | 0:21:17 | |
My flat, my job, my research, my students, | 0:21:17 | 0:21:20 | |
40-inch TV, phone signal. | 0:21:20 | 0:21:23 | |
Have you any idea how insulting it is to even ask me?! | 0:21:23 | 0:21:25 | |
-Are you interested? -Course I'm fucking interested. | 0:21:25 | 0:21:28 | |
"He had even forgotten his balaclava. | 0:21:32 | 0:21:36 | |
"He was indeed a very forgetful worm." | 0:21:38 | 0:21:41 | |
-The end. -Not lost it, then. | 0:21:43 | 0:21:45 | |
BABY SNORES | 0:21:49 | 0:21:51 | |
-Did Eddie send you? -Nobody sent me. | 0:21:55 | 0:21:58 | |
Nicola told me you were here and I came of my own accord. | 0:21:59 | 0:22:02 | |
-Bring it all back, did it? -It did, indeed. | 0:22:05 | 0:22:08 | |
Being scared shitless, mainly. | 0:22:08 | 0:22:10 | |
You looked like you were enjoying it. | 0:22:10 | 0:22:13 | |
What do you see when you look at her? | 0:22:13 | 0:22:15 | |
Possibilities. Endless. The world is hers if she wants it. | 0:22:17 | 0:22:21 | |
It's hardly going to be plain sailing, is it, | 0:22:21 | 0:22:23 | |
with Eddie and Nicola as parents? | 0:22:23 | 0:22:24 | |
When you look at Joe, do you think the same? Cos I don't. | 0:22:24 | 0:22:27 | |
I just see the difficulties that he's going to face. | 0:22:27 | 0:22:30 | |
And maybe even overcome. | 0:22:30 | 0:22:31 | |
See it's that! It's that! It's the... | 0:22:31 | 0:22:34 | |
..it's the relentless optimism that I can't do. | 0:22:34 | 0:22:36 | |
-I can't do it because it's a lie. -No, no, it's not. It's just harder. | 0:22:36 | 0:22:41 | |
-So we have to try harder. -I've been trying harder! | 0:22:41 | 0:22:45 | |
OK. | 0:22:46 | 0:22:47 | |
I've been trying harder and I'm failing... | 0:22:49 | 0:22:53 | |
..with Joe and us and I can't find a way to make it better. | 0:22:54 | 0:23:00 | |
You were never going to blame Joe for feeling bad about yourself, | 0:23:00 | 0:23:03 | |
so you blame me. I get it. | 0:23:03 | 0:23:05 | |
And I think I finally understand the Sophie thing. | 0:23:06 | 0:23:09 | |
Oh, God, the Sophie thing? | 0:23:09 | 0:23:10 | |
I think it was part of you... you turning away from me. | 0:23:10 | 0:23:14 | |
I see that now. | 0:23:15 | 0:23:16 | |
We said we were going to put our sanity first and we didn't. | 0:23:16 | 0:23:19 | |
And now we're here... | 0:23:22 | 0:23:24 | |
..and it, it doesn't feel right. | 0:23:26 | 0:23:28 | |
If you're going to run away from this, if... | 0:23:29 | 0:23:31 | |
If you feel that you can handle things better with us apart... | 0:23:35 | 0:23:39 | |
..then do it. Do it sooner rather than later, Paul, | 0:23:41 | 0:23:45 | |
cos I won't wake up every morning wondering | 0:23:45 | 0:23:47 | |
if this is the day that you're going to go. I can't, I'm not... | 0:23:47 | 0:23:50 | |
..strong enough for that. | 0:23:50 | 0:23:51 | |
# Closed your eyes and left me here | 0:23:55 | 0:23:59 | |
# And now I'm jealous of your sleep | 0:23:59 | 0:24:03 | |
# I made some noise to wake you up | 0:24:04 | 0:24:08 | |
# It seems you've drifted out of reach... # | 0:24:08 | 0:24:12 | |
So, Joe, you stand up, nice and tall | 0:24:12 | 0:24:15 | |
and you say, "This is called Move It by Michael Rosen." | 0:24:15 | 0:24:19 | |
And you take a breath... | 0:24:19 | 0:24:20 | |
..and then breathe out, begin. OK? | 0:24:22 | 0:24:26 | |
When are you going to go and get changed, Rebecca? | 0:24:26 | 0:24:28 | |
Or are you hoping to get by on lip gloss and charisma like me? | 0:24:28 | 0:24:31 | |
Oh, no. I've left my dress behind. | 0:24:31 | 0:24:34 | |
I knew I'd forgotten something. | 0:24:34 | 0:24:36 | |
# ..I think I'm glad to be awake | 0:24:40 | 0:24:44 | |
# I've met these fractured thoughts before | 0:24:44 | 0:24:48 | |
# They grin and wander round this place | 0:24:48 | 0:24:53 | |
# I'll get up, all I find is the people that I hate | 0:24:53 | 0:24:59 | |
# Real life disappears and gets shrink-wrapped in its place | 0:24:59 | 0:25:04 | |
# I get up, watch TV, helps me feed my vicious streak | 0:25:04 | 0:25:09 | |
# Real life disappears | 0:25:09 | 0:25:12 | |
# Then we watch the spooks on the news | 0:25:12 | 0:25:15 | |
# Playing chess with the cynics | 0:25:15 | 0:25:18 | |
# Hope you die in the arms of your shrinks... # | 0:25:18 | 0:25:22 | |
BANGING ON DOOR | 0:25:22 | 0:25:24 | |
Hey, all right, Mark? What are you doing here? | 0:25:30 | 0:25:33 | |
Where's your mum? | 0:25:34 | 0:25:36 | |
She dropped me off. | 0:25:36 | 0:25:38 | |
She's picking me up in a bit. | 0:25:38 | 0:25:39 | |
Because if I want to go to college, I have to be independent. | 0:25:39 | 0:25:42 | |
Oh, I see. | 0:25:42 | 0:25:44 | |
If I want to go to college, I have to be independent. | 0:25:44 | 0:25:46 | |
Yeah. Yeah, no, I got that. | 0:25:46 | 0:25:50 | |
I made Alison a cake. | 0:25:50 | 0:25:52 | |
Hey, that's, that's fine. That's good. | 0:25:52 | 0:25:53 | |
She's not here at the minute... | 0:25:53 | 0:25:55 | |
To say thank you for helping me with my college application | 0:25:55 | 0:25:57 | |
and the council bastards. | 0:25:57 | 0:25:58 | |
Well, that's lovely. Thank you. | 0:26:00 | 0:26:03 | |
-Would you like a slice? -Yes. Yes, yes. | 0:26:12 | 0:26:15 | |
So when do you think you'll hear about college? | 0:26:18 | 0:26:20 | |
In a while. | 0:26:22 | 0:26:23 | |
Or less than a while. | 0:26:24 | 0:26:26 | |
Are you worried? | 0:26:26 | 0:26:28 | |
Very worried. Yes. | 0:26:32 | 0:26:35 | |
Hey, don't be. | 0:26:35 | 0:26:36 | |
You're a good lad and whatever happens, you'll be fine. | 0:26:38 | 0:26:43 | |
Right? | 0:26:45 | 0:26:47 | |
Are you worried? | 0:26:54 | 0:26:56 | |
-Why, do I look worried? -Yes. | 0:26:58 | 0:27:01 | |
Well, between you and me, I am pretty worried. | 0:27:08 | 0:27:11 | |
I've had my cake so I think I'll leave now. | 0:27:17 | 0:27:20 | |
Your mum's not here yet. | 0:27:20 | 0:27:21 | |
-She told me to wait at the bottom of the drive. -All right. | 0:27:21 | 0:27:24 | |
See you. | 0:27:28 | 0:27:29 | |
New shirt? Very adventurous. | 0:27:45 | 0:27:48 | |
So how's the campervan business, then, eh? | 0:27:53 | 0:27:55 | |
-Don't you start. -Start what? | 0:27:55 | 0:27:57 | |
Trying to tell me to go to university. | 0:27:57 | 0:27:59 | |
-Chance of a lifetime and all that. -Whoa, whoa, whoa. | 0:27:59 | 0:28:01 | |
You know how I feel about university. | 0:28:01 | 0:28:03 | |
Our Eddie came back dafter than when he went, with a pierced ear | 0:28:03 | 0:28:06 | |
-and a taste for Danish pastries. -Exactly. | 0:28:06 | 0:28:08 | |
-Costs an arm and a leg nowadays anyway. -That's what I keep saying. | 0:28:08 | 0:28:11 | |
Yeah. | 0:28:11 | 0:28:13 | |
Well, you keep saying it. | 0:28:14 | 0:28:15 | |
Right. | 0:28:17 | 0:28:18 | |
Cos you know and I know it's not about university, is it? | 0:28:18 | 0:28:21 | |
It's about Joe. In't it? | 0:28:21 | 0:28:23 | |
If you can wait in here until the hall's ready for you. | 0:28:26 | 0:28:28 | |
Thank you. Will the little one be in a pushchair? | 0:28:28 | 0:28:31 | |
Because you'd best get on the aisle if so. | 0:28:31 | 0:28:33 | |
Thank you. We'll be sure to do that. | 0:28:33 | 0:28:36 | |
Hello, gorgeous. Has your dad brought his best biro? | 0:28:36 | 0:28:38 | |
-I've had contracts drawn up. -Not tonight, hey, Dad? | 0:28:38 | 0:28:40 | |
-What contracts? -I've given him the brewery. | 0:28:40 | 0:28:43 | |
Lock, stock and several barrels. | 0:28:43 | 0:28:44 | |
Tell him to put us out of our misery and say yeah. | 0:28:44 | 0:28:47 | |
I know you're the brains of the operation, Nicola. | 0:28:47 | 0:28:50 | |
And you're actually thinking about it? | 0:28:51 | 0:28:53 | |
I thought you liked the job you're doing in Manchester. | 0:28:53 | 0:28:56 | |
I do, but when he offered me the brewery, I didn't turn him down. | 0:28:56 | 0:28:59 | |
Well, I dunno, maybe it tells me something. | 0:28:59 | 0:29:03 | |
-And Emily's here and... -Do you really think he'll leave you alone? | 0:29:03 | 0:29:07 | |
He's very controlling. | 0:29:07 | 0:29:09 | |
Yes, that can be a terrible trait in a person. | 0:29:09 | 0:29:11 | |
I think he's changed. The shirt he bought? | 0:29:13 | 0:29:15 | |
Casual fit. Borderline paisley. | 0:29:15 | 0:29:17 | |
-So you think that's evidence he's relaxing? -I'm just saying. | 0:29:17 | 0:29:20 | |
Give it six months and he might be in chinos. | 0:29:20 | 0:29:23 | |
Hey! Listen up, you two. I've just been talking to Rebecca. | 0:29:29 | 0:29:33 | |
-Right. -About her plans and that. | 0:29:33 | 0:29:35 | |
Well, I hope you talked some sense into her. | 0:29:35 | 0:29:37 | |
I don't need to. She's the sanest member of the family. | 0:29:37 | 0:29:39 | |
You'd do well to listen to her yourself. | 0:29:39 | 0:29:41 | |
-Get your heads out your arses. -Great, thanks, Dad. Great advice. | 0:29:41 | 0:29:44 | |
-Can we get on now? -You know she's planning to stay because of Joe, | 0:29:44 | 0:29:47 | |
don't you, eh? You know she thinks he won't manage without her? | 0:29:47 | 0:29:51 | |
Are you sure about that? | 0:29:53 | 0:29:56 | |
-Is that what she actually said? -Pretty much, yeah. | 0:29:56 | 0:29:58 | |
Why don't you ask her yourself? | 0:29:58 | 0:30:00 | |
I think I've been stood up. | 0:30:00 | 0:30:01 | |
Ralph, Vanessa. There you are! | 0:30:08 | 0:30:11 | |
I wondered where you'd got to. | 0:30:11 | 0:30:13 | |
-We're not late, are we? -No, no. I've just been, er, you know, | 0:30:20 | 0:30:24 | |
-waiting and that. -New shirt. | 0:30:24 | 0:30:27 | |
Yeah, well, you know, it's just 50% off. | 0:30:27 | 0:30:31 | |
-Right. -Still, er, comes under the "no big deal" clause. | 0:30:31 | 0:30:34 | |
Shall we get a seat, Maurice? | 0:30:35 | 0:30:37 | |
Yeah. Great, that's a good idea. | 0:30:37 | 0:30:40 | |
APPLAUSE | 0:30:43 | 0:30:46 | |
Welcome, ladies and gentlemen, boys and girls, | 0:30:48 | 0:30:51 | |
to the Millcross Primary End Of Year Show. | 0:30:51 | 0:30:54 | |
You're in for an evening of surprises. | 0:30:54 | 0:30:56 | |
When you do come back to the brewery... | 0:30:56 | 0:30:59 | |
..will you come back to us too? | 0:30:59 | 0:31:01 | |
..and to the back of the hall, in the very unlikely event of a fire... | 0:31:01 | 0:31:06 | |
You don't have to give me an answer now. | 0:31:06 | 0:31:08 | |
First up, we have our very own Little Mix. | 0:31:08 | 0:31:10 | |
APPLAUSE AND CHEERING | 0:31:10 | 0:31:14 | |
MUSIC: Shout Out To My Ex by Little Mix | 0:31:18 | 0:31:22 | |
SHE CHUCKLES | 0:31:23 | 0:31:26 | |
# Don't push too far, your dreams are china in your hand | 0:31:29 | 0:31:36 | |
# Don't wish too hard because they may come true... # | 0:31:36 | 0:31:40 | |
DANCE MUSIC PLAYS | 0:31:40 | 0:31:45 | |
Now, madam, show the card to the audience. | 0:31:56 | 0:31:59 | |
Now, put the card back into the pack. | 0:32:04 | 0:32:08 | |
Thank you. | 0:32:09 | 0:32:11 | |
I want everyone in this room to think of the card they just saw. | 0:32:11 | 0:32:16 | |
Was this your card, Madam Joe's Mum? | 0:32:16 | 0:32:19 | |
-The seven of hearts? -Yes. Yes, it was. | 0:32:19 | 0:32:22 | |
Thank you. You've been a good sport. | 0:32:23 | 0:32:25 | |
Let's have a big hand for Mrs Joe's Mum. | 0:32:25 | 0:32:28 | |
CHEERING AND APPLAUSE | 0:32:28 | 0:32:30 | |
"Magic?" I hear you say. But no. | 0:32:30 | 0:32:35 | |
Observation and logic. Here's how I did it. | 0:32:35 | 0:32:39 | |
SHE SOBS | 0:32:39 | 0:32:42 | |
Mum, have you been crying? | 0:33:07 | 0:33:09 | |
No, no. Just... | 0:33:09 | 0:33:10 | |
-Have you been drinking? -Not if you haven't been crying. | 0:33:12 | 0:33:15 | |
D'you think Joe's going to be all right? | 0:33:26 | 0:33:29 | |
-Tonight, or, like, ever? -Just tonight for a start. | 0:33:29 | 0:33:32 | |
Yeah, he knows it off by heart. He seems to enjoy doing it. | 0:33:32 | 0:33:36 | |
That's fine. | 0:33:38 | 0:33:40 | |
He'll be fine. | 0:33:40 | 0:33:42 | |
And not just tonight. | 0:33:43 | 0:33:44 | |
If that's what you're worried about, | 0:33:46 | 0:33:47 | |
if that's why you feel you can't leave home. | 0:33:47 | 0:33:49 | |
I'm Joe's sister... | 0:33:49 | 0:33:51 | |
..and you don't know what that's like. | 0:33:52 | 0:33:53 | |
-I'm the only one who knows what that's like. -I know, I know. | 0:33:53 | 0:33:56 | |
No, you don't. | 0:33:56 | 0:33:57 | |
The thing you aren't getting is that one day... | 0:33:57 | 0:33:59 | |
..I will be the only person Joe has in the world. | 0:34:01 | 0:34:04 | |
I've known that since he was diagnosed. | 0:34:04 | 0:34:06 | |
I carry it round with me every day. | 0:34:06 | 0:34:08 | |
This show, today, all this... | 0:34:09 | 0:34:13 | |
..I got him in this. I included him. I, I get it. | 0:34:14 | 0:34:18 | |
The strange thing is that you and Dad don't seem to. | 0:34:20 | 0:34:22 | |
No, we do, we know you feel that. And we know that... | 0:34:22 | 0:34:26 | |
We know that you have to deal with that. | 0:34:26 | 0:34:28 | |
But right now, love... | 0:34:29 | 0:34:30 | |
Right now, he's me and your dad's responsibility | 0:34:31 | 0:34:34 | |
and we're fine with it. | 0:34:34 | 0:34:35 | |
Yeah, but what if you and Dad aren't fine with each other? | 0:34:35 | 0:34:38 | |
What then? Where does that leave him? | 0:34:38 | 0:34:40 | |
Me and Dad, we're OK. Course we are. | 0:34:40 | 0:34:43 | |
And there's a huge world out there waiting for you to make your mark. | 0:34:43 | 0:34:47 | |
When I say put the card back, I already know what the card is. | 0:34:54 | 0:34:59 | |
This is called a sleight and it is not magic. | 0:34:59 | 0:35:02 | |
There is no magic. Thank you. | 0:35:02 | 0:35:05 | |
Thank you, Ramesh, for that entertaining | 0:35:08 | 0:35:11 | |
and educational interlude. | 0:35:11 | 0:35:13 | |
I do the actions, the buttons don't do anything | 0:35:13 | 0:35:18 | |
-but I need to do the talking and the walking. -OK. | 0:35:18 | 0:35:23 | |
There you go, Flo! Now that should hold | 0:35:23 | 0:35:26 | |
and if it doesn't, you just waggle the other legs a bit more, | 0:35:26 | 0:35:29 | |
all right? | 0:35:29 | 0:35:30 | |
I'm having a nice time, are you having a nice time? | 0:35:39 | 0:35:42 | |
You don't have to talk to me like a phrase book, Maurice, and, yes, | 0:35:42 | 0:35:44 | |
it's lovely. | 0:35:44 | 0:35:45 | |
Each £5 ticket entitles you to a plate of food of your choice | 0:35:45 | 0:35:48 | |
and a drink. We have to do it that way cos, er, | 0:35:48 | 0:35:50 | |
we don't have an alcohol licence. | 0:35:50 | 0:35:52 | |
A school without an alcohol licence. Who would have thought? | 0:35:52 | 0:35:54 | |
SHE LAUGHS | 0:35:54 | 0:35:56 | |
Leave your food. | 0:35:58 | 0:35:59 | |
We need to talk. | 0:36:00 | 0:36:02 | |
Two of my least favourite sentences in the English language. | 0:36:02 | 0:36:04 | |
Come on. | 0:36:05 | 0:36:07 | |
Shall I have first go sliding down the banister | 0:36:07 | 0:36:09 | |
or do you fancy warming it up for me? | 0:36:09 | 0:36:10 | |
Eddie, you need to stop offsetting your anxiety | 0:36:10 | 0:36:13 | |
by filling the silences with humour. | 0:36:13 | 0:36:14 | |
Right. | 0:36:16 | 0:36:18 | |
I mean, don't stop altogether. | 0:36:18 | 0:36:20 | |
It's not a deal breaker. | 0:36:20 | 0:36:22 | |
If we get back together, I can tolerate it. | 0:36:23 | 0:36:25 | |
Well, I'll certainly bear that in mind if we...get back together. | 0:36:29 | 0:36:33 | |
Which... | 0:36:36 | 0:36:38 | |
..I'm not sure we are, are we? | 0:36:38 | 0:36:41 | |
Really, deep down, is that a good idea? Not... | 0:36:42 | 0:36:46 | |
..because of the humour just... Anyway... | 0:36:46 | 0:36:49 | |
-..what do you think? -Eddie, for the next five minutes, | 0:36:51 | 0:36:55 | |
I want you to talk like me and not like you. | 0:36:55 | 0:36:58 | |
-Like you? -Yeah. | 0:36:58 | 0:36:59 | |
Brutally honest? | 0:37:00 | 0:37:02 | |
Honest at least. | 0:37:03 | 0:37:05 | |
All right. | 0:37:07 | 0:37:09 | |
All right. I'll try. | 0:37:09 | 0:37:12 | |
This is... | 0:37:14 | 0:37:16 | |
I am coming back to the Lakes... | 0:37:25 | 0:37:28 | |
..to make a go of the brewery. | 0:37:28 | 0:37:29 | |
Not for you. | 0:37:30 | 0:37:32 | |
At least not in that sense. | 0:37:32 | 0:37:34 | |
I will come back as Emily's dad... | 0:37:35 | 0:37:37 | |
..and your best friend. | 0:37:40 | 0:37:41 | |
Nothing more. | 0:37:43 | 0:37:45 | |
Ever. | 0:37:47 | 0:37:48 | |
OK, OK. | 0:37:56 | 0:37:58 | |
Well... | 0:38:02 | 0:38:04 | |
I've never had a best friend before, so... | 0:38:07 | 0:38:10 | |
..that will be interesting. | 0:38:11 | 0:38:13 | |
-I'm sorry if you're upset, but... -No, Eddie, it's... | 0:38:17 | 0:38:20 | |
It would be nice to have love, but I prefer clarity. | 0:38:24 | 0:38:28 | |
It's started. You're going to miss Joe! | 0:38:31 | 0:38:34 | |
DISTANT SINGING | 0:38:34 | 0:38:37 | |
You OK, Joe? | 0:38:42 | 0:38:43 | |
Are you OK, Joe? | 0:38:46 | 0:38:47 | |
You just go up there, stand at the front | 0:38:47 | 0:38:50 | |
and nice and loud, yeah? | 0:38:50 | 0:38:51 | |
I like Move It, don't I? | 0:38:53 | 0:38:56 | |
It'll be brilliant. You know it will be. | 0:38:56 | 0:38:58 | |
# Till I am beside the someone who | 0:39:03 | 0:39:08 | |
# I can mean something to | 0:39:09 | 0:39:15 | |
# Where... | 0:39:16 | 0:39:19 | |
# Where is love? # | 0:39:20 | 0:39:27 | |
Thank you, Bill. You really made that your own. | 0:39:35 | 0:39:38 | |
We were all tearing up in the audience. | 0:39:38 | 0:39:40 | |
Now, we have a special treat, ladies and gentlemen, | 0:39:40 | 0:39:44 | |
as a boy who used to come to Millcross | 0:39:44 | 0:39:46 | |
has come back today to perform. | 0:39:46 | 0:39:48 | |
Ladies and gentlemen, I give you, Joe Hughes. | 0:39:48 | 0:39:52 | |
This is called Move It by Michael Rosen. | 0:40:14 | 0:40:16 | |
-WHISPERS: -Joe! | 0:40:28 | 0:40:30 | |
No. Leave him. He's fine. | 0:40:30 | 0:40:32 | |
Joe! Joe, you gotta move it to prove it. | 0:40:35 | 0:40:38 | |
Move it to prove it. | 0:40:38 | 0:40:40 | |
Careful! | 0:41:21 | 0:41:22 | |
There? | 0:41:32 | 0:41:34 | |
OK? OK. | 0:41:36 | 0:41:38 | |
-Let's hear it for the world's ugliest boyband. -Dad! | 0:41:51 | 0:41:54 | |
You gotta move it to prove it. | 0:42:01 | 0:42:03 | |
Move it to prove it. | 0:42:03 | 0:42:04 | |
In the plane | 0:42:06 | 0:42:08 | |
On the train | 0:42:08 | 0:42:10 | |
Take a trip | 0:42:11 | 0:42:13 | |
On the ship | 0:42:13 | 0:42:15 | |
You gotta move it To prove it. | 0:42:15 | 0:42:17 | |
Move it to prove it. | 0:42:19 | 0:42:20 | |
Take a hike | 0:42:23 | 0:42:25 | |
Take a bike | 0:42:25 | 0:42:27 | |
Use your feet | 0:42:27 | 0:42:29 | |
On the street | 0:42:29 | 0:42:31 | |
You've got to move it | 0:42:31 | 0:42:33 | |
To prove it | 0:42:33 | 0:42:35 | |
Move it | 0:42:35 | 0:42:36 | |
To prove it. | 0:42:36 | 0:42:37 | |
Are we there? | 0:42:43 | 0:42:45 | |
Where? | 0:42:45 | 0:42:47 | |
Are we near? | 0:42:47 | 0:42:49 | |
We're here! | 0:42:49 | 0:42:50 | |
Good lad! | 0:42:57 | 0:42:59 | |
-Dad! -Dad! -Dad? | 0:43:08 | 0:43:10 | |
-Dad? -Maurice? | 0:43:11 | 0:43:13 | |
Can you hear me? Maurice? | 0:43:14 | 0:43:17 | |
Dad? | 0:43:17 | 0:43:19 | |
-Dad? -Dad? -Maurice? -Come on, come on! | 0:43:19 | 0:43:21 | |
-Maurice, can you hear me? -Dad, come on! | 0:43:21 | 0:43:24 | |
Dad! | 0:43:25 | 0:43:26 | |
When something like this happens... | 0:43:33 | 0:43:36 | |
..like what happened... | 0:43:36 | 0:43:39 | |
-To Grandad. -Yeah, to Grandad. It's cos he wasn't feeling very well. | 0:43:40 | 0:43:46 | |
So they put him in an ambulance and he's here | 0:43:46 | 0:43:50 | |
and the doctors are really trying very hard to help him | 0:43:50 | 0:43:54 | |
and... And make him feel better. | 0:43:54 | 0:43:56 | |
Grandad. | 0:44:00 | 0:44:01 | |
Yeah. Yeah. | 0:44:01 | 0:44:03 | |
On the floor. | 0:44:10 | 0:44:12 | |
-Yeah. -That's it, mate. | 0:44:12 | 0:44:14 | |
So when people go on the floor like that, | 0:44:14 | 0:44:17 | |
it means that they're not very well. | 0:44:17 | 0:44:19 | |
And that can be really frightening for them and... | 0:44:20 | 0:44:24 | |
..for the people that see it. | 0:44:24 | 0:44:26 | |
And most times, when people come to the hospital, they get better. | 0:44:27 | 0:44:33 | |
And sometimes, when people come to the hospital... | 0:44:33 | 0:44:37 | |
..well, they don't get better. | 0:44:40 | 0:44:43 | |
And they get very tired... | 0:44:43 | 0:44:46 | |
..and... | 0:44:48 | 0:44:49 | |
He's asking for a fish supper. | 0:44:49 | 0:44:50 | |
And sometimes they ask for a fish supper! How about that? | 0:44:50 | 0:44:53 | |
Is he OK? How is he? | 0:44:54 | 0:44:56 | |
They've done some tests. | 0:44:56 | 0:44:57 | |
The consultant has ruled out a stroke and a heart attack. | 0:44:57 | 0:44:59 | |
So what caused it? | 0:44:59 | 0:45:01 | |
They'll just poke him around till they find out. | 0:45:01 | 0:45:04 | |
Although my own theory is his new shirt was too tight. | 0:45:04 | 0:45:07 | |
Grandad's going to be fine. That's good news, isn't it? | 0:45:08 | 0:45:12 | |
You don't have to answer that straight away, Joe. | 0:45:12 | 0:45:15 | |
Come on. | 0:45:15 | 0:45:17 | |
Oh, you've brought the rest of the Spice Girls with you this time. | 0:45:25 | 0:45:28 | |
Yep. | 0:45:28 | 0:45:29 | |
He was asleep on a pool table this morning. | 0:45:29 | 0:45:32 | |
-Right. -Talk about attention seeking. | 0:45:32 | 0:45:34 | |
Joe's finest moment too much for you, was it? | 0:45:34 | 0:45:37 | |
I'm sorry, Joe. I must have eaten a dodgy sausage roll. | 0:45:37 | 0:45:39 | |
Yeah, that'll be it. | 0:45:39 | 0:45:41 | |
-They weren't sausage rolls. -Sorry, can I rephrase that? | 0:45:41 | 0:45:43 | |
I must've eaten a dodgy artisan pork roulade. | 0:45:43 | 0:45:46 | |
Have you made your mind up about the brewery yet? | 0:45:46 | 0:45:49 | |
Oh, so that's what this is all about. Emotional blackmail? | 0:45:49 | 0:45:52 | |
-How you feeling, Grandad? -Oh, at last! | 0:45:52 | 0:45:54 | |
Someone who sounds like they care. Thank you. | 0:45:54 | 0:45:56 | |
Never better, love. I must've got overexcited by your brilliant show. | 0:45:56 | 0:45:59 | |
Now, we've done the emotion, can you all bugger off? | 0:46:00 | 0:46:03 | |
I can't bear most of you at the best of times. | 0:46:03 | 0:46:05 | |
Come on, just try and get some rest, will you? | 0:46:06 | 0:46:08 | |
You're a good one to talk. | 0:46:08 | 0:46:10 | |
Oh, Dad. | 0:46:11 | 0:46:12 | |
Right, see you tomorrow, then, Maurice. | 0:46:13 | 0:46:16 | |
Be good to them nurses. | 0:46:16 | 0:46:18 | |
Come on, Joe. | 0:46:18 | 0:46:19 | |
Did, erm, Louise not come down? | 0:46:20 | 0:46:23 | |
She saw you laid out with your mouth open and just kept walking. | 0:46:23 | 0:46:26 | |
She didn't want to crowd you out. | 0:46:27 | 0:46:29 | |
I'll tell her you made a comeback. | 0:46:29 | 0:46:31 | |
-Don't go round there and mess things up for me again. -Dad, | 0:46:31 | 0:46:34 | |
next time you pass out and see that bright light ahead of you, | 0:46:34 | 0:46:36 | |
-don't fight it. Walk towards it. -Yeah, yeah. | 0:46:36 | 0:46:40 | |
Goodnight. | 0:46:40 | 0:46:42 | |
Have they all gone yet? | 0:46:48 | 0:46:50 | |
You fell over. | 0:46:51 | 0:46:53 | |
Was it funny? | 0:46:53 | 0:46:55 | |
-Yes. -Well, that's all right, then. | 0:46:55 | 0:46:58 | |
Well, if he just fainted it'd be good to know why. | 0:47:25 | 0:47:27 | |
I saw the bag, Paul. | 0:47:27 | 0:47:29 | |
Went home to get Rebecca's dress and I... | 0:47:32 | 0:47:35 | |
..I saw that you'd packed a bag. I saw the bag. | 0:47:35 | 0:47:37 | |
How are you going to tell him? | 0:47:44 | 0:47:46 | |
He's indestructible. | 0:47:53 | 0:47:55 | |
It's his superpower. | 0:47:55 | 0:47:56 | |
Sorry, I should've warned you. | 0:47:56 | 0:47:58 | |
Well, thanks for coming round to tell me. It's really kind. | 0:47:58 | 0:48:01 | |
Well, you are the one who's chosen to take on Maurice. | 0:48:01 | 0:48:05 | |
The bull in your china shop. | 0:48:05 | 0:48:07 | |
-Sorry, did that sound a bit dodgy? -You sounded like him then. | 0:48:09 | 0:48:12 | |
Did I? | 0:48:12 | 0:48:14 | |
Well, that's a first. | 0:48:14 | 0:48:15 | |
I thought he was dead, you know? | 0:48:20 | 0:48:23 | |
So did I. | 0:48:23 | 0:48:24 | |
Cos that's the kind of trick that fate plays. | 0:48:24 | 0:48:27 | |
He's been helping me through my chemo and he's the one that dies. | 0:48:27 | 0:48:31 | |
It's carer fatigue, it happens a lot. | 0:48:31 | 0:48:33 | |
Whatever's going to be written on Dad's death certificate, | 0:48:33 | 0:48:35 | |
it's not going to be "carer fatigue." | 0:48:35 | 0:48:37 | |
It's one of the many things that drives me mad about him. | 0:48:37 | 0:48:40 | |
Underneath that gruff, tactless exterior, | 0:48:40 | 0:48:42 | |
there's a gruff tactless interior trying to get out | 0:48:42 | 0:48:45 | |
and underneath that is a big soft bastard | 0:48:45 | 0:48:47 | |
who wants to fix everyone and everything. | 0:48:47 | 0:48:49 | |
-Does he know you've rumbled him? -No. | 0:48:51 | 0:48:54 | |
And if he ever finds out, I'll never speak to you again. | 0:48:54 | 0:48:56 | |
The consultant asked if he was the stressful type. | 0:49:01 | 0:49:04 | |
Well, it's been a couple of hours. | 0:49:04 | 0:49:06 | |
I expect the consultant will know the answer to that by now. | 0:49:06 | 0:49:09 | |
Rebecca, before you go, | 0:49:31 | 0:49:34 | |
can we have a quick word? | 0:49:34 | 0:49:36 | |
Er... | 0:49:44 | 0:49:45 | |
You can do anything you like and we can't stop you staying here. | 0:49:45 | 0:49:49 | |
But if you're staying here cos of Joe, or because of me | 0:49:49 | 0:49:53 | |
and your mum, then you can't do that. | 0:49:53 | 0:49:54 | |
We won't let you do that. | 0:49:56 | 0:49:57 | |
If you were any keener to get rid of me I might get a complex. | 0:49:59 | 0:50:02 | |
No, don't get us wrong, part of me would love you to stay. | 0:50:02 | 0:50:05 | |
But we've already rented out your bedroom, so... | 0:50:05 | 0:50:07 | |
Joe, come on! | 0:50:12 | 0:50:13 | |
Where you going? | 0:50:13 | 0:50:16 | |
I promised. | 0:50:16 | 0:50:17 | |
Colin Crocodile says, "Night-night." | 0:50:18 | 0:50:21 | |
And Teddy Ted-Ted says, "Night-night." | 0:50:21 | 0:50:24 | |
And Florence Flamingo says, "Night-night." | 0:50:24 | 0:50:27 | |
And Auntie Alison and Uncle Paul say, "Night-night." | 0:50:27 | 0:50:29 | |
And Joe says, "Night-night." | 0:50:29 | 0:50:32 | |
And Grandad Maurice says, "Night-night." | 0:50:32 | 0:50:34 | |
I mean, he's in a different bed tonight. | 0:50:34 | 0:50:36 | |
And Grandad Vincent says, "Night-night." | 0:50:36 | 0:50:39 | |
And he's in bed... | 0:50:39 | 0:50:41 | |
..somewhere, we hope. | 0:50:41 | 0:50:44 | |
-NICOLA ON PHONE: -Eddie? | 0:50:44 | 0:50:46 | |
You can stop now. She's fast asleep. | 0:50:46 | 0:50:48 | |
OK, right. Good. | 0:50:48 | 0:50:50 | |
-She's been asleep for a while, hasn't she? -Yep. | 0:50:53 | 0:50:56 | |
About ten minutes, but I didn't like to interrupt. | 0:50:56 | 0:50:59 | |
Very funny. | 0:50:59 | 0:51:00 | |
Hey... | 0:51:00 | 0:51:02 | |
..you'll never guess where I'm sitting. | 0:51:02 | 0:51:04 | |
Maurice's big chair. | 0:51:04 | 0:51:06 | |
-How did you know? -Fathers and sons. | 0:51:06 | 0:51:08 | |
It's primal. You're practising for when he really does die | 0:51:08 | 0:51:12 | |
and you can sit in it forever. | 0:51:12 | 0:51:13 | |
Did you just say that? | 0:51:13 | 0:51:15 | |
Course you did. | 0:51:15 | 0:51:17 | |
You just said that... | 0:51:17 | 0:51:19 | |
..because you would. | 0:51:19 | 0:51:21 | |
-Night-night, Nicola. -Night-night. | 0:51:21 | 0:51:24 | |
MUSIC: Philadelphia by Magazine | 0:51:32 | 0:51:36 | |
# Your clean-living, clear-eyed, clever, level-headed brother says | 0:51:49 | 0:51:53 | |
# He'll put all the screws upon your newest lover | 0:51:53 | 0:51:57 | |
# Buddha's in the fireplace | 0:51:57 | 0:51:58 | |
# The truth's in drugs from outer space | 0:51:58 | 0:52:01 | |
# Maybe it's right to be... # | 0:52:01 | 0:52:02 | |
I just worry that... | 0:52:02 | 0:52:04 | |
..it'll get worse and worse. | 0:52:04 | 0:52:06 | |
You could just take a leaf out of Joe's book. | 0:52:06 | 0:52:08 | |
You could get everything and everybody that matters to you | 0:52:08 | 0:52:10 | |
and just keep them in sight. | 0:52:10 | 0:52:12 | |
Not worry about what's gone before or what's going to happen next. | 0:52:12 | 0:52:15 | |
A moment. That's... | 0:52:15 | 0:52:17 | |
..him on the stage saying that, that was... It was a moment. | 0:52:17 | 0:52:21 | |
He's a bundle of anxieties just like the rest of us. | 0:52:23 | 0:52:26 | |
More than the rest of us. | 0:52:26 | 0:52:27 | |
I'm not saying he isn't. I'm not saying he isn't. | 0:52:27 | 0:52:29 | |
But he's managed something that, that we haven't been able to do. | 0:52:29 | 0:52:33 | |
He shook all the shite away | 0:52:33 | 0:52:34 | |
and he left himself with what really counts. | 0:52:34 | 0:52:37 | |
And that's enough for you? | 0:52:37 | 0:52:39 | |
Is it? That moment? | 0:52:39 | 0:52:41 | |
I don't need anything else. I'm not going anywhere. | 0:52:42 | 0:52:45 | |
So, day one. How's it going so far? | 0:52:55 | 0:52:58 | |
You were great today, Joe. | 0:53:03 | 0:53:05 | |
If I go somewhere... | 0:53:10 | 0:53:11 | |
You know, if I go somewhere else... | 0:53:13 | 0:53:15 | |
Somewhere else away? | 0:53:17 | 0:53:19 | |
Yeah, somewhere else away. | 0:53:19 | 0:53:21 | |
Well, I'll always come back. | 0:53:23 | 0:53:25 | |
And I won't go for long. | 0:53:26 | 0:53:27 | |
And you'll be in my head all the time | 0:53:30 | 0:53:31 | |
and we can speak every day on the computer or on Dad's phone. | 0:53:31 | 0:53:36 | |
But I'll be here. | 0:53:42 | 0:53:43 | |
Well, you might not be. | 0:53:45 | 0:53:47 | |
When you get older, you might go travelling too. | 0:53:48 | 0:53:50 | |
When you go... | 0:53:56 | 0:53:57 | |
Yeah? | 0:53:58 | 0:53:59 | |
I'll wait here. | 0:54:03 | 0:54:04 | |
That's right, yeah. | 0:54:05 | 0:54:07 | |
I'll wait here. | 0:54:09 | 0:54:10 | |
In here. | 0:54:10 | 0:54:12 | |
Yeah, if that's what you'd like. Yeah! | 0:54:13 | 0:54:16 | |
There's no away. | 0:54:20 | 0:54:22 | |
That's right, Joe. | 0:54:28 | 0:54:30 | |
For you and me, there is no away. | 0:54:30 | 0:54:32 | |
MUSIC: The Same Deep Water As Me by I Am Kloot | 0:54:32 | 0:54:35 | |
# Swim out to the ocean | 0:54:35 | 0:54:38 | |
# Drown your thoughts out at sea | 0:54:40 | 0:54:45 | |
# And dip your hands in the water | 0:54:46 | 0:54:49 | |
# The same deep water as me | 0:54:52 | 0:54:56 | |
# You've been watching for cloudbursts | 0:54:57 | 0:55:02 | |
# You've been praying for rain | 0:55:03 | 0:55:07 | |
# Drench your soul in the water | 0:55:09 | 0:55:13 | |
# Cleanse your heart of the stain | 0:55:15 | 0:55:18 | |
# Cleanse your heart of the stain | 0:55:21 | 0:55:23 | |
HE SINGS ALONG: # The river of love | 0:55:47 | 0:55:51 | |
# Flows deep through the night | 0:55:52 | 0:55:56 | |
# Rolls you in the waves | 0:55:58 | 0:56:01 | |
# Drags you out with the tides | 0:56:04 | 0:56:07 | |
# Swim out to the ocean | 0:56:10 | 0:56:14 | |
# Drown our thoughts out at sea | 0:56:15 | 0:56:18 | |
# And dipped your hands in the water | 0:56:20 | 0:56:25 | |
# The same deep water as me | 0:56:27 | 0:56:31 | |
# The same deep water as me... # | 0:56:33 | 0:56:37 |