Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
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We said he would go mainstream, local. | 0:00:02 | 0:00:03 | |
And how's that working out? | 0:00:03 | 0:00:04 | |
We're doing all this to get your Mark back into mainstream. | 0:00:04 | 0:00:07 | |
Because that's what Mark wants. | 0:00:07 | 0:00:09 | |
I want you to come through this because you're you. | 0:00:09 | 0:00:11 | |
And I want you to be there for me. | 0:00:11 | 0:00:13 | |
We've always needed other people. You saw that before I did. | 0:00:13 | 0:00:16 | |
I know. I just... I feel like I'm losing my boy. | 0:00:16 | 0:00:18 | |
She's worried about you. Should she be? | 0:00:18 | 0:00:21 | |
Just for a moment, I felt more at home with Sophie than I do with you. | 0:00:21 | 0:00:24 | |
I did the right thing, Alison. I told you the truth! | 0:00:24 | 0:00:28 | |
And as for your feelings, I'm going to have to have to guess, am I? | 0:00:28 | 0:00:31 | |
Why do you always have to pick away at everything like that? | 0:00:31 | 0:00:35 | |
I just wish... | 0:00:35 | 0:00:36 | |
-You just wish what? -We could leave things alone for a bit. | 0:00:36 | 0:00:39 | |
That's what we'll do. | 0:00:39 | 0:00:41 | |
This programme contains some strong language | 0:00:44 | 0:00:51 | |
MUSIC PLAYS | 0:00:55 | 0:00:56 | |
# Gonna break out of the city | 0:00:56 | 0:00:59 | |
# Leave the people here behind | 0:00:59 | 0:01:02 | |
# Searching for adventure | 0:01:02 | 0:01:05 | |
# It's the type of life to find | 0:01:05 | 0:01:09 | |
# Tired of doing day jobs | 0:01:09 | 0:01:11 | |
# With no thanks for what I do | 0:01:11 | 0:01:15 | |
# I'm sure I must be someone | 0:01:15 | 0:01:18 | |
# Now I'm going to find out who | 0:01:18 | 0:01:21 | |
# Why don't you ask them | 0:01:21 | 0:01:25 | |
# What they expect from you? | 0:01:25 | 0:01:27 | |
# Why don't you tell them | 0:01:28 | 0:01:31 | |
# What you are gonna do? | 0:01:31 | 0:01:34 | |
# You get so lonely | 0:01:34 | 0:01:37 | |
# Maybe it's better that way | 0:01:39 | 0:01:41 | |
# It ain't you only | 0:01:41 | 0:01:44 | |
# You got something to say | 0:01:46 | 0:01:49 | |
# Do anything you wanna do | 0:01:49 | 0:01:52 | |
# Do anything you wanna do | 0:01:56 | 0:01:59 | |
# Don't need no politicians | 0:02:03 | 0:02:07 | |
# To tell me things I shouldn't be | 0:02:07 | 0:02:10 | |
# Neither no opticians | 0:02:10 | 0:02:13 | |
# Tell me what I oughta see | 0:02:13 | 0:02:16 | |
# No-one tells you nothin' | 0:02:17 | 0:02:20 | |
# Even when you know they know | 0:02:20 | 0:02:22 | |
# But they tell you why you should do | 0:02:22 | 0:02:26 | |
# They don't like to see you grow. # | 0:02:26 | 0:02:29 | |
All right. What have I missed? | 0:02:32 | 0:02:35 | |
Just the ads and trailers? | 0:02:35 | 0:02:36 | |
Dad, shush, shush. | 0:02:36 | 0:02:37 | |
-"Haweli Curry House. Just two minutes from this cinema." -Ah! | 0:02:37 | 0:02:41 | |
Can you start it again, Nicola? | 0:02:41 | 0:02:43 | |
You want to get a dog or take up running. | 0:02:43 | 0:02:45 | |
-What? -Walking on your own. | 0:02:45 | 0:02:47 | |
Nobody does that, unless they're up to no good. | 0:02:47 | 0:02:50 | |
What?! | 0:02:50 | 0:02:51 | |
DOOR OPENS | 0:02:51 | 0:02:53 | |
I thought he was round here watching Postman Pat with Emily. | 0:02:58 | 0:03:00 | |
I had no idea you had him skivvying. | 0:03:00 | 0:03:02 | |
He just likes doing it. It's quite a contained behaviour. | 0:03:02 | 0:03:04 | |
I think it has to do with order and predictability. | 0:03:04 | 0:03:07 | |
When did you film this? | 0:03:07 | 0:03:08 | |
Oh, just one of the times he was round here. | 0:03:08 | 0:03:11 | |
Well, he's a grafter, I'll give him that. | 0:03:11 | 0:03:14 | |
Joe? Joe, look! | 0:03:14 | 0:03:18 | |
Look at the pictures, | 0:03:18 | 0:03:20 | |
look, all these people are putting different pictures on. | 0:03:20 | 0:03:22 | |
Do you like playing with Emily? | 0:03:22 | 0:03:24 | |
I like playing with Emily. | 0:03:24 | 0:03:27 | |
What are your favourite games? | 0:03:27 | 0:03:28 | |
Don't Dictate. | 0:03:29 | 0:03:31 | |
What are your favourite games that you like to play with Emily? | 0:03:31 | 0:03:33 | |
Don't Dictate. | 0:03:33 | 0:03:35 | |
I'm sorry, Joe. I don't know. | 0:03:35 | 0:03:37 | |
Penetration. 1978. | 0:03:37 | 0:03:40 | |
# Don't dictate, don't dictate | 0:03:40 | 0:03:42 | |
# Don't dictate, dictate to me. # | 0:03:42 | 0:03:45 | |
Emily is good. | 0:03:46 | 0:03:47 | |
CHILDREN'S TV PROGRAMME PLAYS | 0:03:57 | 0:03:59 | |
It's no Lethal Weapon, but it does the trick. | 0:04:05 | 0:04:07 | |
What's, er... What's it for, again? | 0:04:07 | 0:04:09 | |
I'm presenting to a small group of doctors, health visitors | 0:04:09 | 0:04:12 | |
and practice nurses. | 0:04:12 | 0:04:13 | |
I want to give them some idea of the spectrum | 0:04:13 | 0:04:15 | |
in Joe-type autism. | 0:04:15 | 0:04:16 | |
"Joe-type autism"! He's a syndrome now, is he? | 0:04:16 | 0:04:19 | |
Most people think of autism as one of two extremes, | 0:04:21 | 0:04:23 | |
either a non-speaking child in distress or Rain Man. | 0:04:23 | 0:04:26 | |
And Joe's a great example of... | 0:04:26 | 0:04:28 | |
Yeah, great example(!) | 0:04:28 | 0:04:30 | |
..of autism that can get missed, because Joe's autism is hidden. | 0:04:30 | 0:04:34 | |
Well, there's nothing much hidden on what we've just watched. | 0:04:34 | 0:04:36 | |
I think you and me would've been helped if our GP had seen something like this, don't you? | 0:04:36 | 0:04:40 | |
-I've written down what I was going to say, as well, but I wanted you both to read it first. -Thanks. | 0:04:40 | 0:04:43 | |
The bits of Joe, they're going to... they're going to stay the same, will they? | 0:04:43 | 0:04:46 | |
That's the stuff you're going to use? | 0:04:46 | 0:04:48 | |
Well, most of it, yes. That was the plan. | 0:04:48 | 0:04:50 | |
-It captures the lad. There's no doubt about that. -Yeah, yeah, it captures him all right. | 0:04:50 | 0:04:54 | |
-You don't think it does? -It does what you need it to do, Nicola. | 0:04:54 | 0:04:56 | |
That is clearly what is important. | 0:04:56 | 0:04:59 | |
I'd better get off, actually. Louise has got her... | 0:05:02 | 0:05:05 | |
Well, it's a bathroom sink... | 0:05:05 | 0:05:07 | |
It nails him to his autism. You do see that, don't you? | 0:05:07 | 0:05:10 | |
It just shows Joe as he is. | 0:05:10 | 0:05:12 | |
What, as you see him, | 0:05:12 | 0:05:13 | |
or as you want him to be seen by your colleagues? | 0:05:13 | 0:05:16 | |
Yes, to help them understand more about all patients with autism. | 0:05:16 | 0:05:20 | |
You knew I was doing this presentation! | 0:05:20 | 0:05:22 | |
No, no, no. No, no. | 0:05:22 | 0:05:23 | |
Not like this, I didn't! | 0:05:23 | 0:05:25 | |
Probably a U bend, actually. Hair and soap, I should think. | 0:05:25 | 0:05:27 | |
If there's anything you want me to take out, anything that upsets you... | 0:05:27 | 0:05:30 | |
All of it, Nicola! How about all of it? | 0:05:30 | 0:05:33 | |
Paul! | 0:05:33 | 0:05:34 | |
I'm going to be late picking him up. | 0:05:35 | 0:05:37 | |
Hang on a second! | 0:05:37 | 0:05:38 | |
Hey, hey, Nicola's just trying to help. | 0:05:40 | 0:05:43 | |
I think her presentation will help. | 0:05:43 | 0:05:45 | |
I don't get why you're being like this. | 0:05:45 | 0:05:46 | |
She's turned our little boy into a freak show. | 0:05:46 | 0:05:49 | |
No, she hasn't! I would never let anybody do that. | 0:05:49 | 0:05:52 | |
Look, we can talk more about it tonight, yeah? | 0:05:54 | 0:05:56 | |
I'll have to pack all of his stuff up at Eddie's. | 0:05:56 | 0:05:59 | |
I'll probably stay over. | 0:05:59 | 0:06:00 | |
Oh, right. OK. | 0:06:00 | 0:06:02 | |
Dad, I passed! My driving test! | 0:06:02 | 0:06:05 | |
-I passed! -Good for you, love. Good for you. | 0:06:05 | 0:06:07 | |
What's up with Dad? | 0:06:09 | 0:06:11 | |
Well done. | 0:06:14 | 0:06:16 | |
ROCK MUSIC PLAYS ON RADIO | 0:06:22 | 0:06:26 | |
So do you think it's all right? | 0:06:31 | 0:06:33 | |
About Joe? | 0:06:33 | 0:06:34 | |
The footage? | 0:06:34 | 0:06:35 | |
Yeah, it's good. Yeah. | 0:06:35 | 0:06:37 | |
So, do you think it's all right for Nicola to show it? | 0:06:37 | 0:06:39 | |
Dad was a bit upset by it. | 0:06:39 | 0:06:41 | |
Yeah, but if, you know, if it helps... | 0:06:41 | 0:06:44 | |
Yeah. You're right. I'll sort it with Paul. | 0:06:45 | 0:06:49 | |
Let's just concentrate on you, instead. | 0:06:49 | 0:06:52 | |
My brilliant girl. Passed first time. Just like your mum! | 0:06:52 | 0:06:58 | |
Don't think this means we're buying you a car, though. | 0:06:58 | 0:07:00 | |
Not till after uni, anyway. | 0:07:00 | 0:07:01 | |
I wasn't thinking that, no. | 0:07:01 | 0:07:03 | |
Well, you'll have enough expense with accommodation and fees and... | 0:07:03 | 0:07:05 | |
Mum, I'm not going to university. | 0:07:05 | 0:07:09 | |
What? | 0:07:09 | 0:07:10 | |
I changed my mind. It's a waste of money and I can do drama here. | 0:07:10 | 0:07:15 | |
I'm already helping out with the end of term show. | 0:07:15 | 0:07:17 | |
I could get a job, earn some money. | 0:07:17 | 0:07:19 | |
I'm not going to university. | 0:07:19 | 0:07:21 | |
Well, Nicola's been trouble since day one, | 0:07:22 | 0:07:25 | |
always picking away at stuff, but that's doctors for you, I suppose. | 0:07:25 | 0:07:29 | |
Your waste pipe was clogged solid. If someone had | 0:07:29 | 0:07:32 | |
shown me a film of Eddie at that age, I'd have put him in a sack | 0:07:32 | 0:07:36 | |
and drowned him in the canal. | 0:07:36 | 0:07:38 | |
Get in, you bastard! | 0:07:38 | 0:07:39 | |
I've put, er, a new washer on it just to be on the safe side. | 0:07:39 | 0:07:42 | |
You get that baby double threaded and you'll never get it off. | 0:07:42 | 0:07:45 | |
I've had an idea... | 0:07:45 | 0:07:46 | |
What I'm thinking is, now you've broke the back of your treatment... | 0:07:50 | 0:07:53 | |
Well, what I'm thinking is... | 0:07:55 | 0:07:58 | |
..this. | 0:08:06 | 0:08:08 | |
What do you think? | 0:08:08 | 0:08:10 | |
Be sure to send me a postcard. | 0:08:10 | 0:08:12 | |
Once you're done with all this malarkey. Take your pick. | 0:08:12 | 0:08:15 | |
Luxury villa. | 0:08:15 | 0:08:16 | |
Hotel with award-winning breakfast bar. | 0:08:16 | 0:08:19 | |
I-I mean Ralph as well. | 0:08:21 | 0:08:24 | |
Or even the four of us if you want to bring your girlfriend, | 0:08:24 | 0:08:26 | |
hey, Ralph? | 0:08:26 | 0:08:28 | |
There are water parks nearby! Who can resist a water park? | 0:08:28 | 0:08:33 | |
No planning ahead, Maurice, no jinxing it. | 0:08:33 | 0:08:35 | |
Right. | 0:08:40 | 0:08:42 | |
Louise? Do you want to come through? | 0:08:45 | 0:08:48 | |
Bloody hell, she's hard to please sometimes, your mum, isn't she? | 0:08:56 | 0:08:58 | |
-Yeah. -Good job you and me are here to cheer her up. | 0:08:58 | 0:09:01 | |
We make a good team, you and me, don't we? | 0:09:01 | 0:09:03 | |
Yeah. For now. | 0:09:03 | 0:09:04 | |
Yeah. For now. What do you mean, for now? | 0:09:04 | 0:09:08 | |
You won't be here when she's better. | 0:09:08 | 0:09:10 | |
Why? Do you know something I don't? | 0:09:10 | 0:09:13 | |
Mum won't be ill. She won't need you any more. | 0:09:13 | 0:09:18 | |
Has she said something? Your mum? | 0:09:18 | 0:09:21 | |
Is that what she's said? | 0:09:21 | 0:09:22 | |
I'll put yours there, shall I? | 0:09:33 | 0:09:35 | |
Thanks. | 0:09:35 | 0:09:36 | |
Bit close to the edge, that one. | 0:09:41 | 0:09:42 | |
Are you all right? | 0:09:49 | 0:09:51 | |
Me? Yeah, fine, fine, yeah. | 0:09:51 | 0:09:53 | |
Well, can you just stop jiggling around, then? | 0:09:53 | 0:09:56 | |
All right, superstar! | 0:10:19 | 0:10:21 | |
You made it. | 0:10:21 | 0:10:22 | |
End of term. | 0:10:22 | 0:10:23 | |
But not the end of me. | 0:10:25 | 0:10:26 | |
Oh, I hope not. | 0:10:26 | 0:10:28 | |
Oops. | 0:10:37 | 0:10:38 | |
Right, shall we...? Come on, then. | 0:10:40 | 0:10:42 | |
That's it. | 0:10:42 | 0:10:44 | |
Well, it won't exactly be my recreational drug of choice. | 0:10:46 | 0:10:50 | |
The new chemo drug, you know? | 0:10:52 | 0:10:53 | |
At least it doesn't give me that prickling feeling like FEC. | 0:10:55 | 0:10:58 | |
Just you I'm allergic to, now. | 0:11:00 | 0:11:01 | |
Bye, Maurice. | 0:11:01 | 0:11:03 | |
Not coming in? | 0:11:05 | 0:11:06 | |
No. I've, er, got to get back to the Brewery. | 0:11:06 | 0:11:08 | |
There's stuff going on there. | 0:11:08 | 0:11:11 | |
And, er, you'll want to get your feet up, won't you? | 0:11:11 | 0:11:14 | |
Yeah, yeah. | 0:11:14 | 0:11:16 | |
I'll give you a call tonight, let you know how I'm getting on. | 0:11:16 | 0:11:19 | |
All right, Uncle Eddie! | 0:11:33 | 0:11:34 | |
Hiya, Joe. | 0:11:35 | 0:11:37 | |
Half an hour till tea-time, Joe. | 0:11:37 | 0:11:39 | |
You don't mind if we stay over tonight, do you? | 0:11:39 | 0:11:41 | |
It'll take for ever to pack up his stuff. | 0:11:41 | 0:11:43 | |
Cheers, mate! | 0:11:43 | 0:11:46 | |
I, uh, hear you're not happy about Nicola's film. | 0:11:46 | 0:11:48 | |
Ah, she called you, did she? | 0:11:48 | 0:11:50 | |
Did you know she was filming Joe when he went round? | 0:11:54 | 0:11:57 | |
You know what Nicola's like when she puts her mind to something. | 0:11:57 | 0:12:00 | |
She filmed me on a kid's bike. | 0:12:00 | 0:12:02 | |
Her intentions are good, you know. | 0:12:02 | 0:12:05 | |
If you're going to talk shite, Eddie, make yourself useful. | 0:12:05 | 0:12:08 | |
If Nicola can help people get a bit more understanding, | 0:12:08 | 0:12:12 | |
then doesn't that help everybody, including Joe? | 0:12:12 | 0:12:15 | |
Well, that's easy for you to say. Emily looks great in it. | 0:12:15 | 0:12:20 | |
So that's what this is all about? The comparison? | 0:12:20 | 0:12:23 | |
Cos that's just in your head, mate. | 0:12:23 | 0:12:25 | |
It's not something me or Nicola would ever do! | 0:12:25 | 0:12:27 | |
Wouldn't you? | 0:12:27 | 0:12:28 | |
I do. | 0:12:28 | 0:12:30 | |
And Alison does, all the time. | 0:12:30 | 0:12:32 | |
I don't have a kid like Joe, but I've still got a kid, | 0:12:34 | 0:12:37 | |
and I know it's different for you, but every parent wonders | 0:12:37 | 0:12:41 | |
if their child's going to turn out all right. | 0:12:41 | 0:12:43 | |
Every parent sees something in their child that they worry about. | 0:12:43 | 0:12:47 | |
You've not got a monopoly on sleepless nights. | 0:12:47 | 0:12:50 | |
Can we change the subject? | 0:12:51 | 0:12:53 | |
I'm hoping that Holly and I might have sex for the first time tonight. | 0:12:53 | 0:12:57 | |
What? You did ask me to change the subject. | 0:12:57 | 0:13:00 | |
You didn't have to change it that much. | 0:13:00 | 0:13:02 | |
I am not going to let you | 0:13:03 | 0:13:05 | |
throw away the chance of a lifetime. | 0:13:05 | 0:13:07 | |
It doesn't feel like the chance of a lifetime to me! | 0:13:07 | 0:13:09 | |
It feels like something I was going to do because everybody else was doing it. | 0:13:09 | 0:13:12 | |
You, lady, are going to university. | 0:13:12 | 0:13:14 | |
You're too smart not to go to university. | 0:13:14 | 0:13:16 | |
Too smart not to get into 50 grand worth of debt, more like. | 0:13:16 | 0:13:19 | |
We can help with the money. It's still worth it. | 0:13:19 | 0:13:21 | |
I don't want to go. And I didn't tell you because I knew you'd be like this. | 0:13:21 | 0:13:24 | |
Look, I missed out on university because I had you, | 0:13:24 | 0:13:26 | |
and I will always regret it. | 0:13:26 | 0:13:27 | |
-Thanks. -No, I didn't mean it like that. | 0:13:27 | 0:13:30 | |
I mean, look, all the reading. And the time for yourself. | 0:13:30 | 0:13:33 | |
Just to grow up a bit, figure out who you are. | 0:13:33 | 0:13:35 | |
And the choices it gives you. And the people you'll meet. | 0:13:35 | 0:13:38 | |
Mum, please, go to university. | 0:13:38 | 0:13:40 | |
You are clearly so in love with the idea. | 0:13:40 | 0:13:42 | |
I am in love with the idea for you. | 0:13:42 | 0:13:44 | |
Do you even have a plan for what you'll do instead? | 0:13:44 | 0:13:46 | |
I'll work here. Full-time. | 0:13:46 | 0:13:48 | |
And end up like me and Sophie? No, I don't think so. | 0:13:48 | 0:13:50 | |
Rebecca, I know you, this is not what you want! | 0:13:50 | 0:13:52 | |
How are you getting on? | 0:13:52 | 0:13:53 | |
Good, yeah. | 0:13:54 | 0:13:57 | |
It says, "All About Me." | 0:13:57 | 0:13:59 | |
All about me. | 0:13:59 | 0:14:00 | |
Cos that's what they want to know. All about you. | 0:14:00 | 0:14:04 | |
What you'd like. For yourself. | 0:14:04 | 0:14:06 | |
So just write that. | 0:14:06 | 0:14:08 | |
-Fine, I take it back. You're not smart enough to go to uni. -Fine. So give me a job. | 0:14:08 | 0:14:12 | |
No! Seriously. I won't. I won't help you waste your life. | 0:14:12 | 0:14:14 | |
I'm going to Tom's. | 0:14:14 | 0:14:16 | |
Your shift hasn't even started! | 0:14:16 | 0:14:18 | |
SHE SIGHS | 0:14:19 | 0:14:21 | |
What did I do wrong? | 0:14:21 | 0:14:22 | |
You took her seriously. | 0:14:22 | 0:14:25 | |
I have to. It is serious. | 0:14:25 | 0:14:26 | |
She was engaged five minutes ago. Is she engaged now? | 0:14:26 | 0:14:30 | |
Oh! | 0:14:30 | 0:14:31 | |
Sorry. | 0:14:41 | 0:14:43 | |
Nicola just sent me a little film of Emily before bed. | 0:14:43 | 0:14:45 | |
It's fine. You don't have to apologise for being a doting father. | 0:14:45 | 0:14:49 | |
No, I know. It's just... | 0:14:49 | 0:14:51 | |
You know. | 0:14:51 | 0:14:53 | |
There, it's off. | 0:14:53 | 0:14:55 | |
You didn't have to choose curry, you know. | 0:14:58 | 0:15:01 | |
You could've just said you didn't want sex tonight. | 0:15:01 | 0:15:03 | |
Sorry? | 0:15:03 | 0:15:05 | |
Curry. It's not...you know. | 0:15:05 | 0:15:09 | |
It's very bloating. | 0:15:11 | 0:15:13 | |
I see. | 0:15:13 | 0:15:14 | |
So you're implying I chose curry to give me | 0:15:16 | 0:15:18 | |
an excuse not to make love for the first time in our relationship? | 0:15:18 | 0:15:21 | |
Yeah. It was a joke. Not a very good one. | 0:15:21 | 0:15:24 | |
Because you think it's me that doesn't want to make love? | 0:15:24 | 0:15:27 | |
So... | 0:15:27 | 0:15:28 | |
I suppose. | 0:15:30 | 0:15:31 | |
I find this stuff very difficult to say. | 0:15:31 | 0:15:35 | |
It took me four years to leave the Scouts and I hated it | 0:15:35 | 0:15:38 | |
since the first game of British Bulldog. | 0:15:38 | 0:15:40 | |
Is that what you're finding hard to say, that you hated Scouts? | 0:15:40 | 0:15:43 | |
I've wanted to sleep with you for months. | 0:15:43 | 0:15:47 | |
And you always seem to be able to find a reason why you can't. | 0:15:47 | 0:15:50 | |
So now I'm thinking it's maybe that you don't want to, at least not... | 0:15:50 | 0:15:54 | |
not with me. | 0:15:54 | 0:15:56 | |
And that's fine. | 0:15:56 | 0:15:57 | |
Disappointing, but fine. | 0:15:57 | 0:15:59 | |
I don't want to sleep with you? | 0:15:59 | 0:16:02 | |
Really? | 0:16:02 | 0:16:03 | |
That's a very interesting analysis. | 0:16:03 | 0:16:05 | |
-Well, it's not as if the opportunity hasn't arisen, is it? -No, it isn't. | 0:16:05 | 0:16:08 | |
But you've managed to come up with an excuse not to have sex with me at every turn. | 0:16:08 | 0:16:11 | |
-Me? -You wanted to take things slow. | 0:16:11 | 0:16:13 | |
Well, that's right. I didn't want to pressurise you. | 0:16:13 | 0:16:15 | |
Then you thought I wanted to take things slow. You were tired, you thought I looked tired, | 0:16:15 | 0:16:19 | |
you had a lecture to finish, to deliver, to recover from, | 0:16:19 | 0:16:22 | |
you had to go back to the Lakes, you had to work in the morning. | 0:16:22 | 0:16:24 | |
-I think you're being a bit one-sided. -You had a cold and you didn't want me to catch it. | 0:16:24 | 0:16:28 | |
There was even that time I pretended I accidentally locked us in my flat | 0:16:28 | 0:16:31 | |
and you started looking up emergency locksmiths on your phone. | 0:16:31 | 0:16:34 | |
Yep, yep. I get the picture. | 0:16:34 | 0:16:36 | |
Excuse me, mate. Can we get the bill, please? | 0:16:36 | 0:16:38 | |
You had Joe staying and felt bad about leaving him | 0:16:38 | 0:16:40 | |
and Alison on their own. | 0:16:40 | 0:16:42 | |
-Thank you, sir. -No. Erm, I'll need to take a nought off that. | 0:16:42 | 0:16:47 | |
-I was distracted. -..a weekend away because there were roadworks on the M62. | 0:16:47 | 0:16:50 | |
You hadn't changed your sheets and your tumble drier was on the blink. | 0:16:50 | 0:16:53 | |
And my all-time favourite - your neighbour had his brother | 0:16:53 | 0:16:56 | |
staying and you could hear them on the Xbox and it put you off. | 0:16:56 | 0:16:59 | |
So, now we've cleared the air, shall we go back to yours? | 0:17:01 | 0:17:06 | |
-We're not in a relationship any more. It wouldn't be appropriate. -Not in a relationship? Since when? | 0:17:06 | 0:17:10 | |
-Think of it as a mercy killing, Eddie. -No... | 0:17:10 | 0:17:13 | |
I didn't realise how nervous I was about committing to something new. | 0:17:13 | 0:17:16 | |
I appreciate you feel obliged to go through the ritual of begging me | 0:17:16 | 0:17:19 | |
not to do this, but I'd rather you didn't. | 0:17:19 | 0:17:21 | |
You aren't here half the time, Eddie, | 0:17:21 | 0:17:23 | |
and the truth is, when you are here, you aren't really here, either. | 0:17:23 | 0:17:26 | |
Well, I'd say no hard feelings but you might just accuse me | 0:17:26 | 0:17:30 | |
of coming up with another excuse. | 0:17:30 | 0:17:32 | |
Hiya, Nicola? | 0:17:46 | 0:17:48 | |
I was just wondering if Emily's still up? | 0:17:48 | 0:17:50 | |
I wanted to say goodnight to her. Is that OK? | 0:17:50 | 0:17:54 | |
Not disturbed you, have I? | 0:17:56 | 0:17:58 | |
No. Not much. | 0:17:58 | 0:18:00 | |
Just been for a walk, yeah. | 0:18:01 | 0:18:03 | |
Rebecca? Rebecca? | 0:18:32 | 0:18:35 | |
'Hey, it's Alison, leave a message.' | 0:18:35 | 0:18:37 | |
It's me. I've been thinking. | 0:18:37 | 0:18:40 | |
I don't want Nicola showing that film of Joe. Just don't. | 0:18:40 | 0:18:45 | |
All right? | 0:18:47 | 0:18:48 | |
I just don't. | 0:18:53 | 0:18:54 | |
I'll see you tomorrow. | 0:18:55 | 0:18:57 | |
Robots can already imitate emotional states. | 0:19:10 | 0:19:15 | |
At what stage will we say they are expressing their own emotions? | 0:19:15 | 0:19:18 | |
In fact, I know plenty of people who could learn a thing | 0:19:18 | 0:19:21 | |
or two about expressing emotions from robots. | 0:19:21 | 0:19:23 | |
Maybe those people are robots, too. | 0:19:25 | 0:19:27 | |
Who knows? | 0:19:28 | 0:19:30 | |
As you set off on your summer break, you may want to bear in mind | 0:19:30 | 0:19:33 | |
that some robots are warmer than some people. | 0:19:33 | 0:19:37 | |
But you're all young and may not know that yet. | 0:19:37 | 0:19:40 | |
But one day you will. | 0:19:41 | 0:19:44 | |
One day you will. | 0:19:44 | 0:19:46 | |
-Side effects? -Yeah. | 0:19:53 | 0:19:55 | |
-From chemotherapy? -Yeah. | 0:19:55 | 0:19:57 | |
But you're not having chemotherapy, are you? | 0:19:57 | 0:19:59 | |
No. But I was just wondering. | 0:19:59 | 0:20:01 | |
Can it sometimes... Can someone's judgment get out of whack? | 0:20:03 | 0:20:06 | |
Is that a side effect? | 0:20:06 | 0:20:08 | |
Probably not expressed like that, but it can be, for sure. | 0:20:08 | 0:20:12 | |
So if someone... | 0:20:12 | 0:20:13 | |
"Someone?" Someone close, perhaps? | 0:20:13 | 0:20:15 | |
If you like. I don't know. Being hypothetical. | 0:20:15 | 0:20:17 | |
Of course you are. | 0:20:17 | 0:20:18 | |
If someone said something like, hurtful, you know, depressing - | 0:20:18 | 0:20:23 | |
could that be, like, not them, just the chemo drugs talking? | 0:20:23 | 0:20:27 | |
Maurice, if you want me to prescribe you an anti-depressant, I will. | 0:20:27 | 0:20:31 | |
You don't have to talk or open up about it. Just ask. | 0:20:31 | 0:20:35 | |
If you want something more holistic, I hear there's | 0:20:35 | 0:20:38 | |
a herbalist in Kendal with a sideline in hash brownies. | 0:20:38 | 0:20:41 | |
Joe? | 0:20:51 | 0:20:52 | |
Where's Rebecca? | 0:21:00 | 0:21:01 | |
She stayed at Tom's. She's keeping out of my way. | 0:21:01 | 0:21:04 | |
-Why? -She said she didn't want to go to university any more. | 0:21:04 | 0:21:07 | |
-What? -And then she said she wanted a full-time job at the Fellside | 0:21:07 | 0:21:10 | |
and I said that was out of the question and she stormed out. | 0:21:10 | 0:21:13 | |
Well...why didn't you just go along with it? | 0:21:14 | 0:21:18 | |
Yeah, that's what Sophie said. | 0:21:18 | 0:21:19 | |
Maybe she had a point. Maybe you over-reacted. | 0:21:21 | 0:21:24 | |
That's good, coming from Mr Storm Out. | 0:21:24 | 0:21:26 | |
Hey! Except I stormed out for good reason. | 0:21:26 | 0:21:29 | |
All right. Look, I did overreact with Rebecca. I handled it clumsily. | 0:21:29 | 0:21:33 | |
But we've all been guilty of that. | 0:21:33 | 0:21:36 | |
Can't we just talk about it? | 0:21:36 | 0:21:37 | |
Look, I'm not having Nicola use Joe to get a foothold in the autism industry. | 0:21:37 | 0:21:42 | |
She's giving a presentation to half a dozen staff at the health centre. | 0:21:42 | 0:21:46 | |
Nicola's done something to help because she likes Joe. | 0:21:47 | 0:21:50 | |
And because she knows how we struggled trying to get Joe's autism recognised. | 0:21:50 | 0:21:54 | |
There's nothing on it that he doesn't do. | 0:21:54 | 0:21:57 | |
And he comes across as a happy kid that makes his own choices. | 0:21:57 | 0:22:00 | |
Even if those choices are unusual. | 0:22:00 | 0:22:01 | |
So you're just going to go ahead and let her show it, then, are you? | 0:22:01 | 0:22:04 | |
No, I'm not. I thought about what you said, and I am going to go with Nicola, | 0:22:04 | 0:22:07 | |
and I will answer any questions about him and I will | 0:22:07 | 0:22:10 | |
stamp on any misconceptions - you know what I'm like. | 0:22:10 | 0:22:13 | |
Does that help reassure you? | 0:22:13 | 0:22:15 | |
It sounds to me like you care more about helping Nicola | 0:22:15 | 0:22:19 | |
than how Joe looks to a room full of strangers. | 0:22:19 | 0:22:23 | |
I care about how well-informed | 0:22:23 | 0:22:25 | |
strangers are when they meet Joe and kids like him. | 0:22:25 | 0:22:28 | |
If you don't want Nicola to show the film, well, then, she won't, | 0:22:28 | 0:22:31 | |
but you'll have to tell her why, because I don't understand. | 0:22:31 | 0:22:33 | |
And I am trying to understand, Paul. | 0:22:33 | 0:22:36 | |
Do what you want. | 0:22:36 | 0:22:38 | |
Do what you want. | 0:22:40 | 0:22:41 | |
Hey! | 0:22:41 | 0:22:42 | |
Fine. Then I am going to go and get ready to help Nicola get a foothold in the autism industry. | 0:22:46 | 0:22:52 | |
At least you've got some fruit, I suppose. | 0:23:06 | 0:23:08 | |
The chocolate's for Eddie. | 0:23:10 | 0:23:12 | |
Right. Well, I'm not here to judge. | 0:23:12 | 0:23:14 | |
Do we need bleach, by the way? | 0:23:16 | 0:23:18 | |
I don't know. Do you? | 0:23:18 | 0:23:19 | |
How are you feeling? | 0:23:21 | 0:23:24 | |
Not bad. Not bad, this time. | 0:23:24 | 0:23:25 | |
Good. | 0:23:25 | 0:23:27 | |
Not going to give me a theory? | 0:23:27 | 0:23:28 | |
About what? | 0:23:29 | 0:23:31 | |
Dosage, the treatment, my recovery. | 0:23:31 | 0:23:32 | |
I'm a bit pushed, to be honest. | 0:23:32 | 0:23:35 | |
Right. | 0:23:35 | 0:23:36 | |
I rang last night. | 0:23:37 | 0:23:39 | |
Did you? I must have missed you. | 0:23:39 | 0:23:41 | |
I-I-I went to bed early. | 0:23:41 | 0:23:42 | |
I was a bit under the weather. | 0:23:42 | 0:23:43 | |
Oh, right, well, I'm sorry to hear that. | 0:23:43 | 0:23:45 | |
OK. Bye, now. It's, er, good to see you up and about. | 0:23:45 | 0:23:49 | |
You, too. | 0:23:49 | 0:23:50 | |
How do you mean? | 0:23:50 | 0:23:51 | |
You were under the weather. Last night. | 0:23:51 | 0:23:53 | |
When you went to bed early. | 0:23:53 | 0:23:54 | |
Might have overdone the popcorn a bit! | 0:24:17 | 0:24:19 | |
Hey, have you started without me? | 0:24:22 | 0:24:24 | |
Hey? What's happened so far? | 0:24:25 | 0:24:28 | |
Right. | 0:24:34 | 0:24:35 | |
That's it. | 0:24:38 | 0:24:39 | |
Go on. | 0:24:41 | 0:24:43 | |
SHEEP BLEAT | 0:24:46 | 0:24:49 | |
# No-one tells you nothing | 0:24:53 | 0:24:55 | |
# Even when you know they know | 0:24:55 | 0:24:58 | |
# But they tell you what you should do... # | 0:24:58 | 0:25:01 | |
As you can see, the child with autism may from moment to moment | 0:25:01 | 0:25:04 | |
present a social face to the world appropriate to his age | 0:25:04 | 0:25:08 | |
and development, and then when he feels | 0:25:08 | 0:25:11 | |
the social demands are getting too great, | 0:25:11 | 0:25:14 | |
might retreat to self-stimulating behaviours. | 0:25:14 | 0:25:17 | |
This serves two purposes - | 0:25:17 | 0:25:19 | |
comfort and distance. | 0:25:19 | 0:25:22 | |
Joe, look, look at the pictures. | 0:25:24 | 0:25:26 | |
Look, all these people are putting different pictures on. | 0:25:26 | 0:25:29 | |
These aren't so much choices as ingrained patterns. | 0:25:29 | 0:25:34 | |
Self-defence mechanisms. | 0:25:34 | 0:25:36 | |
Here you are. | 0:26:11 | 0:26:13 | |
So, here we see that despite parental intervention | 0:26:22 | 0:26:26 | |
and attendance at a specialist school, | 0:26:26 | 0:26:30 | |
a child on the spectrum will occasionally revert to tried | 0:26:30 | 0:26:34 | |
and trusted behaviours from their early childhood. | 0:26:34 | 0:26:36 | |
Come on, stop rocking. | 0:26:39 | 0:26:41 | |
Stop rocking for me, Joe, please. Come on, have some popcorn. | 0:26:44 | 0:26:47 | |
Joe? Listen. | 0:26:51 | 0:26:52 | |
It's all right, just stop rocking. Joe? | 0:26:54 | 0:26:57 | |
Joe? | 0:26:57 | 0:26:58 | |
Just stop... Joe! Just stop, stop rocking. | 0:27:01 | 0:27:04 | |
No, no, no... Joe... | 0:27:04 | 0:27:06 | |
Eh, come here! Listen! | 0:27:06 | 0:27:07 | |
Give us that! | 0:27:07 | 0:27:09 | |
Eh, come on! Joe! Come back! | 0:27:11 | 0:27:15 | |
Eh, listen, I'm sorry, Joe. | 0:27:15 | 0:27:17 | |
Joe? | 0:27:26 | 0:27:27 | |
That seemed to go all right, didn't it? | 0:27:38 | 0:27:39 | |
Yeah, seemed to. | 0:27:39 | 0:27:41 | |
I think Paul would have felt better about it | 0:27:41 | 0:27:43 | |
if he'd seen how everyone responded. | 0:27:43 | 0:27:45 | |
Probably, yeah. By eating sandwiches and drinking coffee. | 0:27:46 | 0:27:50 | |
Oh, sorry. It's their lunch break. | 0:27:50 | 0:27:53 | |
They've got to eat. I know, I get it. | 0:27:53 | 0:27:55 | |
And it's their job, so... | 0:27:55 | 0:27:57 | |
Are you OK? | 0:27:57 | 0:27:58 | |
Yeah. Yeah. | 0:27:58 | 0:28:00 | |
# Don't dictate, don't dictate | 0:28:00 | 0:28:02 | |
# Don't dictate, dictate to me. # | 0:28:02 | 0:28:04 | |
Was harder than I thought. | 0:28:11 | 0:28:12 | |
Right. | 0:28:13 | 0:28:15 | |
Just to sit there and watch Joe like that. | 0:28:15 | 0:28:19 | |
Well, it was watching other people watching him, you know? | 0:28:19 | 0:28:23 | |
It's not that they weren't interested in him, | 0:28:23 | 0:28:26 | |
but...it was his behaviours they were looking at, it wasn't Joe. | 0:28:26 | 0:28:30 | |
Does that make sense? | 0:28:32 | 0:28:35 | |
Yeah. Yeah, it does. | 0:28:35 | 0:28:38 | |
Yeah. | 0:28:38 | 0:28:40 | |
I mean, I still think we were right to show it. | 0:28:41 | 0:28:43 | |
I just didn't think it'd be that tough. | 0:28:43 | 0:28:45 | |
Right, so you admit that you're wrong, | 0:28:45 | 0:28:48 | |
but you're glad you showed it. | 0:28:48 | 0:28:51 | |
Classic. | 0:28:51 | 0:28:52 | |
I'm saying that... | 0:28:54 | 0:28:56 | |
I'm saying that watching it at the health centre made me get it. | 0:28:56 | 0:28:59 | |
I get how you feel. | 0:28:59 | 0:29:00 | |
No, you don't, you don't, you don't get how I feel. | 0:29:00 | 0:29:03 | |
I know we're supposed to embrace Joe's autism and promote it | 0:29:04 | 0:29:07 | |
and-and-and claim that it's just... it's a different way of being human. | 0:29:07 | 0:29:12 | |
It is a different way of being human. | 0:29:12 | 0:29:14 | |
And he's wonderful. | 0:29:14 | 0:29:15 | |
He is. And he's settled into his school. | 0:29:16 | 0:29:21 | |
And he-he draws, and he paints and he writes stuff, and... | 0:29:21 | 0:29:24 | |
and people like him. | 0:29:24 | 0:29:26 | |
But does that mean that I have to pretend that his autism isn't a burden? | 0:29:26 | 0:29:30 | |
Something that he is going to have to carry through his life? | 0:29:32 | 0:29:36 | |
Does that mean that I wouldn't wish it away if I could? | 0:29:36 | 0:29:39 | |
His autism isn't an optional extra, Paul. It's part of Joe. | 0:29:39 | 0:29:44 | |
It's part of who he is. | 0:29:44 | 0:29:45 | |
Yeah, and I hate it, Alison! | 0:29:45 | 0:29:46 | |
That's what Nicola's film reminded me of. | 0:29:49 | 0:29:51 | |
I love Joe, I do, but I hate his autism. | 0:29:51 | 0:29:54 | |
I hate it. | 0:29:54 | 0:29:56 | |
So you hate part of Joe. | 0:29:58 | 0:30:00 | |
The part that makes his life harder. | 0:30:00 | 0:30:02 | |
But it's the part that makes him who he is. | 0:30:02 | 0:30:04 | |
It's Joe. | 0:30:06 | 0:30:07 | |
Your son! | 0:30:10 | 0:30:11 | |
HOOTING | 0:30:18 | 0:30:20 | |
Wow. That's quite a statement. | 0:30:26 | 0:30:29 | |
Yeah. Two fingers would've been cheaper. | 0:30:29 | 0:30:31 | |
-It's great, isn't it? -I take it this has got something to do with Stuart? | 0:30:31 | 0:30:34 | |
Yeah, I'm going to work for him! | 0:30:34 | 0:30:36 | |
He says that I can keep it or I can do it up and sell it. | 0:30:36 | 0:30:39 | |
And if I do a good job he's going to put another one my way. | 0:30:39 | 0:30:41 | |
You're going to work for Stuart? | 0:30:41 | 0:30:44 | |
HOOTING | 0:30:45 | 0:30:46 | |
Ah, this just gets better. | 0:30:50 | 0:30:53 | |
Paul. | 0:30:53 | 0:30:54 | |
Come on, Dad, stop being so negative! | 0:30:54 | 0:30:58 | |
It's everything I've ever dreamed of! | 0:30:58 | 0:31:01 | |
What you got there, Becky, is an entry level vehicle. | 0:31:01 | 0:31:04 | |
It's got a couple of dents, few miles on the clock, but, | 0:31:04 | 0:31:07 | |
then again, haven't we all? | 0:31:07 | 0:31:09 | |
I had a blue Type 2 Danbury on the lot last week. | 0:31:10 | 0:31:13 | |
Literally beating them off with a shitty stick. | 0:31:13 | 0:31:15 | |
-Literally? -Yeah. | 0:31:15 | 0:31:17 | |
It's like a car and a house and a job all rolled into one. | 0:31:17 | 0:31:19 | |
I could go anywhere. I could sleep in it. Cook in it. | 0:31:19 | 0:31:22 | |
Comes with a chef, does it? | 0:31:22 | 0:31:23 | |
Ha-ha. I could take mates to festivals. | 0:31:23 | 0:31:26 | |
Lose your life going too fast on the way home. | 0:31:26 | 0:31:29 | |
Is it insured? | 0:31:29 | 0:31:30 | |
Fully comp. | 0:31:30 | 0:31:31 | |
Does that mean yes? I think that's yes! | 0:31:31 | 0:31:33 | |
I mean, it cost an arm and a leg to insure it at her age, but, er, | 0:31:33 | 0:31:36 | |
can't cut corners, eh, Paul, when it comes to family? | 0:31:36 | 0:31:39 | |
No. | 0:31:39 | 0:31:40 | |
Especially if you've put them in a death trap in the first place. | 0:31:40 | 0:31:43 | |
It is mad, Rebecca. You do understand that, don't you? | 0:31:43 | 0:31:46 | |
What your dad's saying is that if it's what you want for now, | 0:31:46 | 0:31:49 | |
go for it. | 0:31:49 | 0:31:50 | |
If you can't go mad at your age, when can you? | 0:31:50 | 0:31:52 | |
I don't know why I bother. | 0:31:52 | 0:31:54 | |
Come on, Joe, let's go! You steer, I'll do the pedals! | 0:31:54 | 0:31:57 | |
Joking! | 0:31:57 | 0:31:58 | |
She just needed something to do, Paul. | 0:32:02 | 0:32:04 | |
She looked a bit lost, to be honest. | 0:32:04 | 0:32:06 | |
Thanks for your parenting tips, Stuart. | 0:32:06 | 0:32:08 | |
Well, I've had some experience. | 0:32:08 | 0:32:09 | |
You have! Yeah, how many is it now? | 0:32:09 | 0:32:12 | |
Five. Six? | 0:32:12 | 0:32:13 | |
-Paul. -No. No. It's fair enough. I've always had high testosterone. | 0:32:13 | 0:32:17 | |
It's like a condition. You know there's actually a word for it? | 0:32:17 | 0:32:21 | |
There is indeed. | 0:32:21 | 0:32:23 | |
Look, I just thought she might need a bit of a project to keep her | 0:32:23 | 0:32:26 | |
occupied while she works out what she wants to do. | 0:32:26 | 0:32:28 | |
She's going to university! | 0:32:28 | 0:32:29 | |
Yeah, I know. | 0:32:29 | 0:32:31 | |
What, you don't really think she's going to stick at this, do you? | 0:32:31 | 0:32:34 | |
Working for me? What, kid her age, with her brains? | 0:32:34 | 0:32:36 | |
No chance. | 0:32:36 | 0:32:38 | |
You-You don't know that. | 0:32:38 | 0:32:39 | |
Yeah, I do. | 0:32:39 | 0:32:41 | |
Look, I may not have certificates, but I'm a great judge of people. | 0:32:41 | 0:32:44 | |
I mean, I-I chose Alison, didn't I? | 0:32:44 | 0:32:47 | |
If she doesn't go to university, is it really the end of the world? | 0:32:49 | 0:32:52 | |
I mean, look at us three. We turned out all right. | 0:32:52 | 0:32:56 | |
You fell out with her. That's why she's out there now in a death trap. | 0:32:56 | 0:32:59 | |
You sort it out. I'm off to work. | 0:32:59 | 0:33:00 | |
What? Right now? Hang on. Hang on. | 0:33:00 | 0:33:02 | |
-Look, Stuart, it's lovely to see you and everything, but... -Yeah, you, too. | 0:33:02 | 0:33:05 | |
MUSIC PLAYS | 0:33:14 | 0:33:15 | |
You go up to go right. | 0:33:15 | 0:33:17 | |
You all right? You and Paul seem a bit... | 0:33:22 | 0:33:26 | |
It's not great, no. | 0:33:27 | 0:33:29 | |
What did I used to do to cheer you up? | 0:33:30 | 0:33:32 | |
I don't think that's an option. | 0:33:32 | 0:33:34 | |
The last time you cheered me up we ended up with Rebecca. | 0:33:34 | 0:33:37 | |
Oh, yeah! | 0:33:37 | 0:33:38 | |
Thanks for sticking up for her. | 0:33:39 | 0:33:41 | |
Sometimes it takes someone from outside the family to point out the obvious, you know? | 0:33:41 | 0:33:45 | |
Yeah, I do. It's never been you before today! | 0:33:45 | 0:33:47 | |
Look, Rebecca's bound to go to university. | 0:33:49 | 0:33:52 | |
You're her mum, and you should've gone. | 0:33:52 | 0:33:55 | |
Thanks. | 0:33:55 | 0:33:57 | |
And I'm sorry that, you know, | 0:33:57 | 0:33:59 | |
I put the kibosh on all that by getting you up the stick. | 0:33:59 | 0:34:01 | |
I could still go to university now. | 0:34:03 | 0:34:05 | |
You could, yeah. | 0:34:06 | 0:34:08 | |
Not right away. | 0:34:08 | 0:34:10 | |
But I've-I've volunteered to help out at a primary school | 0:34:10 | 0:34:12 | |
in Manchester next term. | 0:34:12 | 0:34:14 | |
So, see how that goes, and then maybe do a course, | 0:34:14 | 0:34:17 | |
teacher training or something. | 0:34:17 | 0:34:19 | |
Volunteering? I don't get it. | 0:34:19 | 0:34:21 | |
Yeah, no, I didn't think you would. | 0:34:21 | 0:34:23 | |
If you're that keen on kids why don't you just have a couple more of your own? | 0:34:23 | 0:34:26 | |
You're still just about young enough. | 0:34:26 | 0:34:27 | |
Oh, thanks, thanks. | 0:34:27 | 0:34:29 | |
No, I know you subscribe to the old "let's have another baby and hope for the best" model | 0:34:29 | 0:34:33 | |
but I'm not sure that's really for me. | 0:34:33 | 0:34:35 | |
Is that why Paul's got a cob on, because you're making career plans? | 0:34:35 | 0:34:37 | |
No, he doesn't know. You're the only person I've told. | 0:34:37 | 0:34:40 | |
Oh. Right. | 0:34:40 | 0:34:42 | |
Right. | 0:34:44 | 0:34:45 | |
Piss off. | 0:34:47 | 0:34:48 | |
Ah, if you're going to give me a blow-by-blow account of last night's | 0:34:53 | 0:34:56 | |
Sex Olympics, I'm not in the mood. | 0:34:56 | 0:34:58 | |
Just as well. I got disqualified after three false starts. | 0:34:58 | 0:35:01 | |
You know Nicola showed that fucking film at the health centre? | 0:35:04 | 0:35:08 | |
The film? What film? Oh, Joe's film. Thanks for reminding me. | 0:35:08 | 0:35:12 | |
I'd forgotten you didn't like it. | 0:35:12 | 0:35:14 | |
Do you ever think maybe you're just going mad | 0:35:17 | 0:35:20 | |
and that you've got about...EVERYTHING wrong? | 0:35:20 | 0:35:23 | |
I've got a bunch of students from this morning who definitely think so. | 0:35:23 | 0:35:26 | |
Oh, and then Rebecca rocks up in a campervan. | 0:35:26 | 0:35:28 | |
Like I'm supposed to just nod along with it. | 0:35:28 | 0:35:31 | |
Like I don't get a say. | 0:35:31 | 0:35:33 | |
There's a day in every man's life | 0:35:33 | 0:35:35 | |
-when he realises he's not his family's Michael Corleone. -Eh? | 0:35:35 | 0:35:38 | |
Then there's a worse day you realise you're Fredo. | 0:35:38 | 0:35:41 | |
The chocolate frog? | 0:35:42 | 0:35:43 | |
See, my problem is I think of the right thing to say | 0:35:47 | 0:35:49 | |
about a day after the conversation's happened. | 0:35:49 | 0:35:52 | |
By the time you get home tonight you should have a zinger of a speech ready. | 0:35:52 | 0:35:56 | |
For a film you hate, you aren't half watching the life out of it. | 0:36:47 | 0:36:51 | |
It's not Joe. It's Rebecca. | 0:36:51 | 0:36:53 | |
Oh, look at her. | 0:36:54 | 0:36:56 | |
Just look at her! | 0:36:58 | 0:37:00 | |
Do you know how many hours we've got of this girl of ours? | 0:37:05 | 0:37:08 | |
I hate to think. | 0:37:08 | 0:37:09 | |
Do you know how many hours we've got of Joe? | 0:37:11 | 0:37:13 | |
It's different with a second child. | 0:37:15 | 0:37:17 | |
You never take as many photos, you never do. | 0:37:17 | 0:37:19 | |
We just stopped filming him, didn't we? | 0:37:20 | 0:37:23 | |
Just... After the diagnosis, we just stopped filming him, | 0:37:23 | 0:37:27 | |
and I think we both know why that was. | 0:37:27 | 0:37:29 | |
Do we? | 0:37:29 | 0:37:31 | |
Because we hated his autism? | 0:37:32 | 0:37:33 | |
Except you didn't. | 0:37:34 | 0:37:36 | |
I was the one that had a problem with it. | 0:37:36 | 0:37:38 | |
It's taken me two years to get to where you were with Joe, Paul. | 0:37:43 | 0:37:48 | |
Two years not to see it as a problem that I had to take on and solve. | 0:37:48 | 0:37:53 | |
You were the accepting one. | 0:37:54 | 0:37:55 | |
When I finally get to where I think you are, you've moved. | 0:37:57 | 0:38:01 | |
# The calendar on your wall was ticking the days off | 0:38:11 | 0:38:17 | |
# You've been reading some old letters | 0:38:17 | 0:38:20 | |
# You smile and think how much you've changed | 0:38:20 | 0:38:24 | |
# All the money in the world couldn't buy back those days | 0:38:24 | 0:38:31 | |
# You pull back the curtain | 0:38:31 | 0:38:33 | |
# And the sun burns into your eyes | 0:38:33 | 0:38:37 | |
# You watch a plane flying | 0:38:37 | 0:38:40 | |
# Across a clear blue sky | 0:38:40 | 0:38:45 | |
# This is the day your life will surely change | 0:38:45 | 0:38:51 | |
# This is the day when things fall into place | 0:38:51 | 0:38:58 | |
# You could have done anything... # | 0:39:12 | 0:39:15 | |
-Thought you didn't like him being filmed. -This is different. | 0:39:20 | 0:39:25 | |
Does Mum know you've come round to her point of view? | 0:39:25 | 0:39:28 | |
I haven't. | 0:39:28 | 0:39:30 | |
For what it's worth, I think you might be half right. | 0:39:31 | 0:39:34 | |
Half right? Really? | 0:39:34 | 0:39:37 | |
I don't know how much he'll like it when he's 18, you know? | 0:39:39 | 0:39:42 | |
Exactly. | 0:39:42 | 0:39:45 | |
The problem is that I think Mum might be half right, too. | 0:39:45 | 0:39:48 | |
But then, what do I know? | 0:39:50 | 0:39:52 | |
OK. | 0:39:57 | 0:39:59 | |
GP's letter. Teacher's report. Old plan. Speech therapy report. | 0:39:59 | 0:40:03 | |
We just need to finish that and then we're good to go. | 0:40:03 | 0:40:06 | |
I'm sorry I didn't get it all done. | 0:40:06 | 0:40:08 | |
Are you OK? | 0:40:08 | 0:40:09 | |
So, as long as we get the council to agree to the changes | 0:40:09 | 0:40:12 | |
in the EHC plan, Mark will go to the college he wants. | 0:40:12 | 0:40:15 | |
That sound good to you, Mark? | 0:40:17 | 0:40:18 | |
Thanks, Alison. I just lost the will to live. | 0:40:21 | 0:40:25 | |
Come on, how far did you get? | 0:40:25 | 0:40:27 | |
Well, I know it's all supposed to be in Mark's words | 0:40:27 | 0:40:29 | |
but I did write some of it myself. | 0:40:29 | 0:40:31 | |
You and every other parent in the country. | 0:40:31 | 0:40:32 | |
But he did write his own bit in the hopes, dreams and ambitions section. | 0:40:32 | 0:40:36 | |
Great. | 0:40:36 | 0:40:37 | |
Oh, I'd like to hear that. | 0:40:39 | 0:40:41 | |
I wish to be happy. | 0:40:51 | 0:40:52 | |
I hope to be a drummer in a band. | 0:40:54 | 0:40:57 | |
I hope to have friends. | 0:40:58 | 0:41:00 | |
I hope to have a girlfriend. | 0:41:02 | 0:41:04 | |
And I hope to have children. | 0:41:04 | 0:41:05 | |
A good day for me is when I say things | 0:41:07 | 0:41:10 | |
and everybody knows what I mean. | 0:41:10 | 0:41:12 | |
I would like to be cool, but my mum doesn't have the books. | 0:41:12 | 0:41:16 | |
I would like the words to come slower, | 0:41:17 | 0:41:20 | |
from outside and inside. | 0:41:20 | 0:41:22 | |
I would like to go to college and hang out with other kids my age. | 0:41:23 | 0:41:28 | |
I'd like them to be OK with having a big autistic lad for a friend. | 0:41:28 | 0:41:32 | |
I would like that very much indeed. | 0:41:32 | 0:41:34 | |
Amen to that. | 0:41:38 | 0:41:40 | |
Amen to that. | 0:41:41 | 0:41:43 | |
Morning, Maurice. | 0:41:55 | 0:41:57 | |
You thinking about getting a dog after all? | 0:41:57 | 0:41:59 | |
Hey, Maurice, do us a favour? | 0:42:01 | 0:42:03 | |
Whoa, give over! | 0:42:03 | 0:42:04 | |
Give us Joe in one word. | 0:42:04 | 0:42:05 | |
-I don't like playing games at Christmas, I'm sure I don't want to do it now! -Come on! | 0:42:05 | 0:42:09 | |
First word that comes into your head when you think of Joe. | 0:42:09 | 0:42:12 | |
That is lovely, Ella. That's really coming on a treat. | 0:42:16 | 0:42:19 | |
Shall we think about some music we could play while you danced? | 0:42:21 | 0:42:24 | |
You're not really thinking about becoming a second-hand car saleswoman, are you? | 0:42:25 | 0:42:29 | |
I have to do something. Mum and Dad need me to stay. | 0:42:29 | 0:42:33 | |
And do what? | 0:42:33 | 0:42:34 | |
I'll pick something up. | 0:42:34 | 0:42:36 | |
You will in that campervan, that's for sure. | 0:42:36 | 0:42:38 | |
I can't go anywhere when they're like this. | 0:42:38 | 0:42:40 | |
If something's wrong with them, then something will be wrong with Joe. | 0:42:40 | 0:42:43 | |
And he can't sort them out, can he? | 0:42:43 | 0:42:45 | |
And you can? With your track record? | 0:42:45 | 0:42:47 | |
Do you know why we became friends on the first day of secondary school? | 0:42:49 | 0:42:52 | |
A weakness for mascara? | 0:42:54 | 0:42:56 | |
Well, yes, that, | 0:42:56 | 0:42:58 | |
but because we both knew we were going to get away from this place. | 0:42:58 | 0:43:02 | |
Lovely, lovely, lovely. | 0:43:04 | 0:43:08 | |
Who would like to go next? | 0:43:08 | 0:43:10 | |
Ramesh. And what will you be doing for us? | 0:43:10 | 0:43:13 | |
-It's a magic trick. -Excellent. | 0:43:13 | 0:43:15 | |
Except we all know there's no such thing as magic. | 0:43:15 | 0:43:18 | |
Well, I wouldn't argue with that so far. | 0:43:18 | 0:43:20 | |
# Don't push too far | 0:43:22 | 0:43:24 | |
# Your dreams are china in your hands | 0:43:24 | 0:43:27 | |
# Don't wish too hard Because... # | 0:43:27 | 0:43:30 | |
You just have to stay around here | 0:43:30 | 0:43:32 | |
and you stand a high chance of becoming dull. | 0:43:32 | 0:43:35 | |
Never the case for me, but for you. | 0:43:35 | 0:43:37 | |
I'll take that risk. | 0:43:37 | 0:43:38 | |
# China in your... # | 0:43:38 | 0:43:39 | |
Engine. | 0:43:40 | 0:43:41 | |
What? | 0:43:41 | 0:43:43 | |
When I'm out with him. He's got a good engine on him. | 0:43:43 | 0:43:46 | |
That word you wanted. | 0:43:46 | 0:43:47 | |
-"Engine?" -Yeah. | 0:43:47 | 0:43:49 | |
It's taken you all day to come up with that? | 0:43:49 | 0:43:51 | |
Has anybody else said it? | 0:43:51 | 0:43:52 | |
No. Surprisingly. | 0:43:52 | 0:43:54 | |
Come on. | 0:43:57 | 0:43:58 | |
Engine. | 0:43:58 | 0:43:59 | |
What're you doing here? | 0:44:04 | 0:44:05 | |
University terms. | 0:44:05 | 0:44:08 | |
It's not what I meant. | 0:44:08 | 0:44:10 | |
Come on, Emily. | 0:44:14 | 0:44:15 | |
If I was a woman I'm not sure I'd be happy about you having a key | 0:44:18 | 0:44:20 | |
to your ex-wife's house. | 0:44:20 | 0:44:22 | |
Sorry. I stopped listening after "If I was a woman." Give me a moment. | 0:44:22 | 0:44:25 | |
You know what I'm saying. You've still got ketchup on your chin from last night's barbecue. | 0:44:25 | 0:44:29 | |
I really, really don't know what you're saying. | 0:44:29 | 0:44:31 | |
Holly. She must be pissed off with you, always running back here. | 0:44:31 | 0:44:34 | |
Whatever Holly feels is no longer any concern of mine. | 0:44:34 | 0:44:37 | |
Oh, well, welcome to the club. | 0:44:38 | 0:44:40 | |
What? | 0:44:40 | 0:44:41 | |
Louise. She's ended it. | 0:44:41 | 0:44:43 | |
Ended it? | 0:44:43 | 0:44:45 | |
It's not official yet, so don't go blabbing. | 0:44:45 | 0:44:48 | |
No. No. | 0:44:48 | 0:44:49 | |
She does know she's ended it, doesn't she? | 0:44:51 | 0:44:54 | |
Let me get this right. | 0:44:56 | 0:44:58 | |
Ralph said something, you didn't know what he meant, | 0:44:58 | 0:45:00 | |
and this was three days ago, | 0:45:00 | 0:45:02 | |
but you still haven't actually rung Louise to ask her? | 0:45:02 | 0:45:05 | |
In 1876, a man called Alexander Graham Bell invented | 0:45:05 | 0:45:10 | |
the telephone so that years later an emotionally repressed 58-year-old | 0:45:10 | 0:45:15 | |
man could use his invention to phone his girlfriend and talk to her. | 0:45:15 | 0:45:20 | |
I can't very well ask her now, can I? | 0:45:20 | 0:45:22 | |
She's halfway through chemo. It wouldn't be fair. | 0:45:22 | 0:45:25 | |
Well, as excuses go, that's got a nice fake ring of nobility about it, | 0:45:25 | 0:45:28 | |
but it's still an excuse. | 0:45:28 | 0:45:30 | |
And she was off with me in the supermarket. | 0:45:30 | 0:45:32 | |
What is this? Fifth form? What're you going to do next? | 0:45:32 | 0:45:34 | |
-Wheelies outside her house on your bike? -I'd been thinking. | 0:45:34 | 0:45:37 | |
I suggested we book a holiday after the chemo, she shut that right down. | 0:45:37 | 0:45:41 | |
She probably doesn't want to plan that far ahead. It's a tricky time. | 0:45:41 | 0:45:44 | |
What was Mum like about that stuff? | 0:45:48 | 0:45:50 | |
You know what your mum was like. | 0:45:50 | 0:45:53 | |
She always liked to plan ahead. | 0:45:53 | 0:45:55 | |
She even wrote her own funeral plan. | 0:45:57 | 0:45:58 | |
Dad. Take it easy. You're both going through an awful lot. | 0:46:01 | 0:46:07 | |
Everything's bound to be blown right out of proportion. | 0:46:08 | 0:46:11 | |
Go round there, calmly. | 0:46:11 | 0:46:14 | |
Think about what you're going to say. Then listen. | 0:46:14 | 0:46:17 | |
Listen to what she's saying. What she's really saying. | 0:46:18 | 0:46:22 | |
Not some half-baked interpretation of a throwaway remark from Ralph. | 0:46:22 | 0:46:27 | |
And how about breaking the habit of a lifetime? | 0:46:27 | 0:46:30 | |
Don't do anything rash. Don't say anything rash. | 0:46:30 | 0:46:34 | |
You're right. I know you're right. | 0:46:35 | 0:46:38 | |
I'm always right about other people's relationships. | 0:46:38 | 0:46:41 | |
Are you still here? | 0:47:51 | 0:47:53 | |
People keep saying that! | 0:47:53 | 0:47:54 | |
It's Paul. | 0:48:00 | 0:48:01 | |
So it is. | 0:48:04 | 0:48:06 | |
The film. | 0:48:06 | 0:48:08 | |
Yeah. The film. | 0:48:09 | 0:48:12 | |
You just needed to warn me. Maybe, you know, | 0:48:12 | 0:48:16 | |
before I saw it, maybe, the first time. | 0:48:16 | 0:48:20 | |
I didn't know I'd have to. | 0:48:20 | 0:48:21 | |
I thought you were OK with how Joe is. | 0:48:21 | 0:48:24 | |
I am OK. I am OK with Joe. | 0:48:24 | 0:48:27 | |
Good. Great. That's all cleared up, then. | 0:48:27 | 0:48:28 | |
You know, Paul, I care about Joe. | 0:48:28 | 0:48:30 | |
And I care about you and Alison and Rebecca. | 0:48:30 | 0:48:34 | |
There we are, then. Misunderstanding over. | 0:48:34 | 0:48:36 | |
And every bit of progress that has ever been made about people's | 0:48:36 | 0:48:38 | |
attitude to autism has been made because people talked about it, | 0:48:38 | 0:48:41 | |
were open about it and explained it. | 0:48:41 | 0:48:43 | |
-Paul came here to apologise, Nicola. -No, I didn't. | 0:48:43 | 0:48:45 | |
And that's all I'm trying to do. Move things on, make it better understood. | 0:48:45 | 0:48:48 | |
Right. | 0:48:48 | 0:48:50 | |
It was only ever for that group. | 0:48:50 | 0:48:51 | |
I won't be showing it again. | 0:48:51 | 0:48:53 | |
I was never going to be showing it again. | 0:48:53 | 0:48:56 | |
Right, thank you for that. | 0:48:57 | 0:48:59 | |
Oh, God! You don't have to thank me. | 0:48:59 | 0:49:02 | |
You just have to know that I would never do anything | 0:49:02 | 0:49:04 | |
to further my career if I thought it was at Joe's expense. | 0:49:04 | 0:49:07 | |
You know, for all your tact and diplomacy, I thought | 0:49:16 | 0:49:18 | |
it might have gone either way there, just now. | 0:49:18 | 0:49:20 | |
Yeah, I think he could tell the alpha male in the room. | 0:49:20 | 0:49:22 | |
-That'll be it. -And I know it's because he isn't OK with Joe. | 0:49:22 | 0:49:26 | |
-Well, the film can't have helped if he is having problems. -Hm. | 0:49:26 | 0:49:29 | |
No. You're right. It probably didn't. | 0:49:30 | 0:49:33 | |
Hallelujah. She admits she's wrong. | 0:49:33 | 0:49:35 | |
I didn't say that. | 0:49:35 | 0:49:36 | |
So it wasn't right, but it's not wrong, either? | 0:49:36 | 0:49:38 | |
I was single-minded. That's how I work. | 0:49:38 | 0:49:41 | |
I've always been an eye-on-the-end-result kind of woman. | 0:49:41 | 0:49:43 | |
Well, that would certainly explain our sex life. | 0:49:43 | 0:49:45 | |
I don't go out of my way to trample over everyone's feelings. | 0:49:45 | 0:49:48 | |
-It's just... -A habit, I know. | 0:49:48 | 0:49:49 | |
Yes. | 0:49:50 | 0:49:52 | |
Like you turning up here every time you're at a loose end. | 0:49:52 | 0:49:54 | |
Well, Emily's here. I don't think I need another reason, do I? | 0:49:54 | 0:49:58 | |
No, I don't mind. | 0:49:58 | 0:50:01 | |
Why don't you stay? | 0:50:01 | 0:50:03 | |
Well, it'd be hard to move, now I've made myself comfy in this slough of despond. | 0:50:04 | 0:50:10 | |
Got a late booking for a table of ten. | 0:50:12 | 0:50:14 | |
The beetroot starters all went at lunchtime. | 0:50:14 | 0:50:16 | |
Gary's in a state, it might involve fennel. | 0:50:16 | 0:50:19 | |
See you later. | 0:50:19 | 0:50:21 | |
Right. | 0:50:21 | 0:50:22 | |
Is that all you're going to say? | 0:50:22 | 0:50:24 | |
Well, what else can you can say about beetroot and fennel? | 0:50:26 | 0:50:29 | |
Right. | 0:50:30 | 0:50:32 | |
Look... | 0:50:32 | 0:50:33 | |
it's not like I just woke up one morning | 0:50:33 | 0:50:36 | |
and decided to feel this way. | 0:50:36 | 0:50:38 | |
Really? Cos that's what it feels like to me. | 0:50:38 | 0:50:41 | |
Cos you've never talked about it. We never talk about it. | 0:50:41 | 0:50:44 | |
I don't want to talk about it. I didn't even want to feel it. | 0:50:44 | 0:50:48 | |
I just... I wanted to bury it. | 0:50:48 | 0:50:50 | |
Yeah. | 0:50:50 | 0:50:52 | |
And bury us along with it. | 0:50:52 | 0:50:55 | |
So Ralph said we wouldn't need you any more? | 0:51:13 | 0:51:15 | |
And that's why you stopped talking to me? | 0:51:15 | 0:51:18 | |
Well, I was in a bit of a tailspin, to be honest. | 0:51:18 | 0:51:20 | |
I could see that. | 0:51:20 | 0:51:21 | |
So why didn't you ask me what was up? | 0:51:21 | 0:51:23 | |
Because I thought you might say that you'd had enough. | 0:51:23 | 0:51:26 | |
That you were only sticking around out of a sense of duty. | 0:51:26 | 0:51:29 | |
So what did Ralph mean? | 0:51:30 | 0:51:31 | |
This has been a big change for Ralph. | 0:51:33 | 0:51:35 | |
Me having...this, and you being around, | 0:51:35 | 0:51:39 | |
and all we've ever said was that you were helping to look after me, | 0:51:39 | 0:51:41 | |
so why wouldn't he think that once the chemo was over, we were over, too? So, are we sorted? | 0:51:41 | 0:51:47 | |
Almost. | 0:51:49 | 0:51:50 | |
Oh, right. What else? | 0:51:52 | 0:51:53 | |
Gone very quiet. It's never a good sign. | 0:51:55 | 0:51:58 | |
Well, it's obvious, in't it? | 0:51:58 | 0:51:59 | |
Not really. | 0:52:02 | 0:52:03 | |
I loved Sandra, you know. | 0:52:06 | 0:52:07 | |
I know. | 0:52:09 | 0:52:11 | |
Great marriage. Great, you know, bedroom stuff. | 0:52:11 | 0:52:15 | |
Big reader. | 0:52:16 | 0:52:17 | |
Argue like I don't know what. | 0:52:19 | 0:52:22 | |
Good mum. | 0:52:22 | 0:52:24 | |
Very strong legs. | 0:52:25 | 0:52:26 | |
Good-natured. Smoothed things over after I've got everybody's back up. | 0:52:28 | 0:52:32 | |
Never forgot anybody's birthday. | 0:52:32 | 0:52:34 | |
Great dancer. | 0:52:36 | 0:52:37 | |
I loved her. | 0:52:39 | 0:52:41 | |
I loved her so much. | 0:52:42 | 0:52:44 | |
So? | 0:52:49 | 0:52:51 | |
So? | 0:52:51 | 0:52:53 | |
Will you marry me? | 0:52:56 | 0:52:59 | |
What? | 0:53:03 | 0:53:05 | |
Good lad! | 0:54:02 | 0:54:04 | |
Oh, all right, Joe! | 0:54:13 | 0:54:15 | |
I know what you're doing! | 0:54:18 | 0:54:20 | |
I want to look. | 0:54:34 | 0:54:36 | |
Headphones. | 0:55:27 | 0:55:29 | |
Punk. | 0:55:29 | 0:55:30 | |
Neuro-atypical. | 0:55:30 | 0:55:32 | |
Roof. | 0:55:32 | 0:55:33 | |
Local. | 0:55:35 | 0:55:37 | |
One-off. | 0:55:41 | 0:55:43 | |
That's two words. You're supposed to be the clever one. | 0:55:43 | 0:55:45 | |
Engine. | 0:55:48 | 0:55:50 | |
Joe. | 0:55:50 | 0:55:52 | |
Son. | 0:55:52 | 0:55:53 | |
Welcome, ladies and gentlemen... | 0:56:38 | 0:56:39 | |
to the Millcross Primary End of Year Show. | 0:56:39 | 0:56:42 | |
Right now, it's me and your dad's | 0:56:42 | 0:56:44 | |
responsibility, and we're fine with it. | 0:56:44 | 0:56:46 | |
What if you and Dad aren't fine with each other, what then? | 0:56:46 | 0:56:48 | |
-Let's not blame Joe. -Who shall we blame? | 0:56:48 | 0:56:50 | |
It's us, Alison. | 0:56:50 | 0:56:51 | |
We need to talk. For the next five minutes, I want you to talk like me and not like you. | 0:56:51 | 0:56:55 | |
Brutally honest. | 0:56:55 | 0:56:56 | |
How much trouble are we in here? | 0:56:56 | 0:56:57 | |
I just want to run away. | 0:56:57 | 0:56:59 | |
-From what? -From this, all this, from everything. | 0:56:59 | 0:57:01 | |
All I've got is this, Paul. I can't imagine a world where you | 0:57:01 | 0:57:04 | |
and Alison would ever not be together. | 0:57:04 | 0:57:06 | |
Can we leave off the hide and seek now? I'm running out of energy. | 0:57:06 | 0:57:10 | |
I feel like I've opened the door on us | 0:57:10 | 0:57:12 | |
and all the bad stuff just... It-It's pouring out. | 0:57:12 | 0:57:15 |