Episode 10 The Bridge
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Transcript
| Line | From | To | |
|---|---|---|---|
This programme contains some strong language. | 0:00:03 | 0:00:11 | |
ENGINES ROAR | 0:00:33 | 0:00:34 | |
GAS HISSES | 0:00:36 | 0:00:37 | |
MUFFLED YELLS | 0:00:39 | 0:00:41 | |
Oliver! | 0:00:43 | 0:00:45 | |
HE SIGHS | 0:00:50 | 0:00:52 | |
HE SCREAMS | 0:01:36 | 0:01:37 | |
# Echo stutters across a room | 0:02:56 | 0:02:59 | |
# Trembling noises that come too soon | 0:03:01 | 0:03:05 | |
# Spatial movement which seems too near | 0:03:07 | 0:03:11 | |
# Resonating a mask of fear | 0:03:13 | 0:03:17 | |
# Hollow talk and a hollow gain | 0:03:19 | 0:03:24 | |
# Thoughts set out for the root of pain | 0:03:24 | 0:03:28 | |
# Never said it was good, never said it was near | 0:03:32 | 0:03:36 | |
# Shadow rises and you are here | 0:03:38 | 0:03:42 | |
# And everything | 0:03:52 | 0:03:55 | |
# Goes back to the beginning. # | 0:04:00 | 0:04:04 | |
OFFICE HUBBUB | 0:04:06 | 0:04:07 | |
FOOTSTEPS APPROACH | 0:05:00 | 0:05:02 | |
LOW OFFICE HUBBUB | 0:05:56 | 0:05:59 | |
OK. | 0:06:30 | 0:06:31 | |
DOOR CLOSES, NOISE STOPS | 0:06:40 | 0:06:41 | |
DOOR OPENS, OFFICE HUBBUB | 0:08:59 | 0:09:00 | |
-Hi. -Hey. | 0:11:27 | 0:11:29 | |
VIKTORIA SIGHS | 0:11:34 | 0:11:35 | |
OK. | 0:12:17 | 0:12:18 | |
SHE SIGHS | 0:12:44 | 0:12:46 | |
SHE EXHALES | 0:12:54 | 0:12:56 | |
PROTESTERS CHANT | 0:13:10 | 0:13:12 | |
CROWD SHOUTS, SIRENS NEARBY | 0:13:14 | 0:13:16 | |
MOBILE RINGS | 0:13:54 | 0:13:55 | |
Hi. | 0:14:01 | 0:14:02 | |
MOBILE RINGS | 0:14:17 | 0:14:19 | |
LIFT PINGS | 0:14:39 | 0:14:41 | |
LIFT RUMBLES | 0:14:48 | 0:14:50 | |
LIFT WHIRS | 0:15:19 | 0:15:21 | |
LIFT PINGS | 0:15:21 | 0:15:23 | |
STREET HUBBUB | 0:15:47 | 0:15:49 | |
Hm. | 0:20:42 | 0:20:44 | |
SHE SIGHS | 0:21:29 | 0:21:31 | |
FOOTSTEPS APPROACH | 0:21:31 | 0:21:33 | |
SYRINGE CLICKS | 0:21:47 | 0:21:48 | |
SHE SIGHS | 0:21:48 | 0:21:49 | |
SHE MOANS | 0:21:52 | 0:21:54 | |
VIKTORIA SIGHS | 0:22:07 | 0:22:08 | |
ENGINES REV | 0:24:43 | 0:24:45 | |
ENGINE STOPS | 0:25:19 | 0:25:20 | |
CAR ALARM BEEPS | 0:25:42 | 0:25:43 | |
PROTESTERS CLAMOUR | 0:25:54 | 0:25:57 | |
CROWD CLAMOURS | 0:26:06 | 0:26:08 | |
MUFFLED SHOUTING | 0:26:12 | 0:26:14 | |
SIRENS WAIL | 0:26:20 | 0:26:24 | |
INDISTINCT CONVERSATION | 0:26:38 | 0:26:39 | |
ALL SHOUT | 0:26:56 | 0:26:59 | |
LIFT PINGS | 0:27:39 | 0:27:41 | |
SHE COUGHS | 0:28:15 | 0:28:17 | |
KNOCK AT DOOR | 0:28:17 | 0:28:19 | |
SHE COUGHS | 0:28:44 | 0:28:45 | |
SIRENS WAIL | 0:28:50 | 0:28:54 | |
SIRENS WAIL | 0:29:24 | 0:29:26 | |
HUSHED CONVERSATION | 0:29:26 | 0:29:30 | |
SHE COUGHS | 0:29:42 | 0:29:44 | |
THEY EXCHANGE GREETINGS | 0:29:44 | 0:29:46 | |
-Pleased to meet you. -Hello. | 0:29:46 | 0:29:47 | |
Viktoria Nordgren, she's the speaker this afternoon. | 0:29:47 | 0:29:51 | |
SHE COUGHS | 0:29:51 | 0:29:53 | |
MOBILE RINGS | 0:29:57 | 0:29:58 | |
SIRENS WAIL | 0:31:05 | 0:31:07 | |
SIRENS WAIL | 0:31:26 | 0:31:28 | |
PROTESTERS CHANT | 0:31:30 | 0:31:34 | |
INDISTINCT CONVERSATION | 0:31:36 | 0:31:39 | |
MOBILE RINGS | 0:32:06 | 0:32:07 | |
Caroline. > | 0:32:09 | 0:32:11 | |
CROWD SHOUTS | 0:32:12 | 0:32:15 | |
HE KNOCKS | 0:32:40 | 0:32:42 | |
HE KNOCKS | 0:32:45 | 0:32:47 | |
SIRENS WAIL | 0:33:10 | 0:33:12 | |
INDISTINCT TWOWAY RADIO CONVERSATION | 0:33:12 | 0:33:14 | |
PROTESTERS SHOUT | 0:33:14 | 0:33:17 | |
WATER SPLASHES | 0:33:37 | 0:33:40 | |
SHE COUGHS | 0:33:40 | 0:33:42 | |
SHE SPLUTTERS | 0:33:43 | 0:33:46 | |
SHE SIGHS | 0:33:49 | 0:33:51 | |
< COUGHING | 0:33:58 | 0:34:00 | |
HANDCUFFS CLINK | 0:34:56 | 0:34:59 | |
SHE SPLUTTERS | 0:35:30 | 0:35:33 | |
SHE COUGHS | 0:35:38 | 0:35:39 | |
SHE GASPS, SPITS | 0:35:42 | 0:35:44 | |
SHE GROANS | 0:37:34 | 0:37:37 | |
SHE GROANS | 0:37:57 | 0:37:59 | |
SHE SIGHS | 0:38:02 | 0:38:04 | |
SHE PANTS AND MOANS | 0:38:20 | 0:38:22 | |
HANDCUFFS CLINK | 0:38:22 | 0:38:24 | |
SHE GROANS | 0:38:24 | 0:38:26 | |
SHE SIGHS | 0:38:41 | 0:38:43 | |
Oh... | 0:38:44 | 0:38:46 | |
SHE GROANS | 0:38:47 | 0:38:49 | |
SHE SCREAMS IN PAIN | 0:39:16 | 0:39:19 | |
SHE SHRIEKS | 0:39:23 | 0:39:24 | |
MUFFLED SCREAMS > | 0:39:24 | 0:39:27 | |
SHE RETCHES | 0:39:37 | 0:39:39 | |
SHE GASPS | 0:39:39 | 0:39:41 | |
SHE MOANS | 0:39:43 | 0:39:47 | |
SHE PANTS | 0:40:01 | 0:40:03 | |
SHE SNIFFLES | 0:40:08 | 0:40:10 | |
SHE SIGHS | 0:40:15 | 0:40:17 | |
HE SNIFFS | 0:41:36 | 0:41:38 | |
HE SOBS | 0:41:40 | 0:41:43 | |
MARTIN: | 0:41:48 | 0:41:50 | |
MARTIN: | 0:42:10 | 0:42:12 | |
SHE SIGHS | 0:42:14 | 0:42:16 | |
GUNSHOT | 0:43:05 | 0:43:07 | |
DOOR OPENS | 0:45:19 | 0:45:20 | |
GUN COCKS | 0:46:36 | 0:46:38 | |
GUNSHOTS | 0:46:38 | 0:46:40 | |
DOOR CLOSES | 0:47:03 | 0:47:04 | |
KEYS JANGLE | 0:47:39 | 0:47:42 | |
LOCK CLANKS | 0:47:42 | 0:47:44 | |
VOICES FROM TV | 0:48:46 | 0:48:51 | |
WATER FLOWS | 0:48:51 | 0:48:53 | |
MOBILE RINGS | 0:49:10 | 0:49:12 | |
SHE TAKES A DEEP BREATH | 0:52:21 | 0:52:24 | |
KEYBOARD CLICKS | 0:54:21 | 0:54:23 | |
FOOTSTEPS APPROACH | 0:54:23 | 0:54:26 | |
FOOTSTEPS RETREAT | 0:55:18 | 0:55:21 | |
KEYBOARD CLICKS | 0:55:22 | 0:55:25 | |
FOOTSTEPS APPROACH | 0:55:27 | 0:55:29 | |
KNOCKING | 0:55:49 | 0:55:51 | |
KNOCKING | 0:55:54 | 0:55:56 | |
# Silence seizes a cluttered room | 0:56:04 | 0:56:08 | |
# Light is shed not a breath too soon | 0:56:10 | 0:56:13 | |
# Darkness rises and all you do | 0:56:16 | 0:56:19 | |
# Is tighten your jaw and then cross the room | 0:56:22 | 0:56:25 | |
# Spatial movements are born of light | 0:56:27 | 0:56:33 | |
# Shadows scatter without a fight | 0:56:33 | 0:56:37 | |
# It has never been bad | 0:56:41 | 0:56:42 | |
# There has always been truth | 0:56:42 | 0:56:46 | |
# Muted whisper the things you move | 0:56:46 | 0:56:50 | |
# And then you cut | 0:57:01 | 0:57:03 | |
# You cut it up | 0:57:08 | 0:57:10 | |
# And everything | 0:57:16 | 0:57:18 | |
# Goes back to the beginning. # | 0:57:23 | 0:57:27 |
