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I'm arresting you on suspicion of the murder of Saskia Stanley. | 0:00:00 | 0:00:03 | |
It may harm your defence | 0:00:03 | 0:00:05 | |
if you don't mention when questioned something you rely on in court. | 0:00:05 | 0:00:08 | |
I just pulled a cracker, Jules. Murder. | 0:00:08 | 0:00:11 | |
Tony claims that Saskia wanted to end her life, he assisted her. | 0:00:11 | 0:00:14 | |
The family say he murdered her, to get his hands on her will. | 0:00:14 | 0:00:18 | |
What the Prosecution will seek to prove is this - | 0:00:18 | 0:00:22 | |
Anthony Powell prematurely and deliberately | 0:00:22 | 0:00:25 | |
ended the life of Saskia Stanley. | 0:00:25 | 0:00:28 | |
It was her idea. | 0:00:28 | 0:00:30 | |
Why would she do that, rather than talk to her family? | 0:00:30 | 0:00:33 | |
Well, she was in unbearable pain. | 0:00:33 | 0:00:34 | |
'He tried to persuade her' | 0:00:34 | 0:00:36 | |
that he could help her end her own life more quickly, | 0:00:36 | 0:00:40 | |
so she would avoid the pain of the last stages of cancer. | 0:00:40 | 0:00:44 | |
-What if Tony did what Mum wanted? -She'd have told us. | 0:00:44 | 0:00:47 | |
In my time as a police officer, | 0:00:47 | 0:00:49 | |
I've looked into a lot of guilty faces | 0:00:49 | 0:00:51 | |
That's what I saw in his eyes. | 0:00:51 | 0:00:53 | |
I knew he'd done it. | 0:00:53 | 0:00:55 | |
I'd given up for 12 years. Disgusting habit. | 0:01:50 | 0:01:53 | |
Technically, I should have called the police when you rang. | 0:01:53 | 0:01:56 | |
-Why didn't you, then? -Because you know running away is not the answer. That's why you called. | 0:01:56 | 0:02:01 | |
I know I'm innocent, but listening to that evidence that's coming. | 0:02:01 | 0:02:05 | |
If I was on the jury, I'd think I'd done it. | 0:02:05 | 0:02:07 | |
-It's only been one day. -I'm going down, Mr Ridley! | 0:02:07 | 0:02:09 | |
You will be if you run, I can tell you that! | 0:02:09 | 0:02:11 | |
You'll be caught, there'll be a retrial, | 0:02:11 | 0:02:13 | |
and what's a jury going to think, then? | 0:02:13 | 0:02:15 | |
Come on, let's give you the best chance. Yes? | 0:02:17 | 0:02:23 | |
Is there some other reason you can think of for running away, | 0:02:23 | 0:02:26 | |
something you haven't told us? | 0:02:26 | 0:02:28 | |
DOORBELL RINGS | 0:03:01 | 0:03:03 | |
Hiya, mate. You all right? | 0:03:06 | 0:03:10 | |
Yeah. I need a bed for the night. | 0:03:10 | 0:03:13 | |
Yeah, of course. | 0:03:13 | 0:03:15 | |
-Well, that was one of the more unusual evenings I've had. -Wasn't it? | 0:03:17 | 0:03:20 | |
Think he'll be there tomorrow? | 0:03:20 | 0:03:22 | |
Not sure he's got the guts to run. I think he's just scared. | 0:03:22 | 0:03:25 | |
Aren't we the amateur psychologist? | 0:03:25 | 0:03:27 | |
At least you didn't call it "woman's intuition". I'd have had to hit you. | 0:03:27 | 0:03:31 | |
I'd like to see you try! | 0:03:31 | 0:03:33 | |
I've got a pretty tasty right hook, you know. | 0:03:33 | 0:03:35 | |
Well, I'd better be nice to you, then. | 0:03:35 | 0:03:38 | |
And I'll try not to screw up again, eh? | 0:03:38 | 0:03:40 | |
I don't want to give the likes of Valerie any more ammunition. | 0:03:40 | 0:03:44 | |
It's a deal. | 0:03:44 | 0:03:45 | |
I'll see you tomorrow. | 0:03:46 | 0:03:48 | |
See you. | 0:03:48 | 0:03:49 | |
I recognise that expression. It's the harbinger of doom. | 0:04:24 | 0:04:28 | |
This contact and residence hearing. | 0:04:28 | 0:04:30 | |
Versus Paul Carrington? | 0:04:30 | 0:04:32 | |
Paul Carrington? Don't tell me you hadn't noticed. | 0:04:32 | 0:04:35 | |
I'd noticed. But it hadn't crossed my mind it would be a problem. | 0:04:35 | 0:04:39 | |
Surely it's all water under the bridge? If he still gets under your skin, someone else can do it. | 0:04:39 | 0:04:44 | |
Don't be ridiculous. I'm a big girl, I'll manage. | 0:04:44 | 0:04:46 | |
Good, because Carrington's on his way over with his client for a session of negotiation. | 0:04:46 | 0:04:51 | |
While we're on the unhappy union of business and pleasure, | 0:04:51 | 0:04:54 | |
I wondered if you'd noticed anything untoward with Ridley and his minion. | 0:04:54 | 0:04:58 | |
What have you heard? | 0:04:58 | 0:04:59 | |
Nothing yet. But why else would he appoint her junior | 0:04:59 | 0:05:02 | |
on a case as important as that? | 0:05:02 | 0:05:06 | |
I don't care if she turns out to be Rumpole, she's a pupil. | 0:05:06 | 0:05:09 | |
-Morning. -Oh, we were just talking about you. | 0:05:09 | 0:05:12 | |
Anything else I can help you with, Valerie? | 0:05:12 | 0:05:14 | |
And what can I do you for? | 0:05:17 | 0:05:18 | |
Prosecution have a witness, a graphologist, | 0:05:18 | 0:05:21 | |
-and it seems there's a case... -Oh, I heard - The Greenberg case. | 0:05:21 | 0:05:24 | |
Graphologist. The infamous, pompous Mr Cook. | 0:05:24 | 0:05:27 | |
Their Lordships should be ruling on the appeal today, I hear. | 0:05:27 | 0:05:30 | |
And you want someone on the spot | 0:05:30 | 0:05:32 | |
so if the judgement comes through in time, | 0:05:32 | 0:05:34 | |
Mr Ridley can use it to discredit the ghastly graphologist? | 0:05:34 | 0:05:37 | |
That's about the size of it, yes. | 0:05:37 | 0:05:39 | |
I know a couple of people there, so wait and I'll put the call in. | 0:05:39 | 0:05:42 | |
?You know a lot of people were surprised | 0:05:42 | 0:05:44 | |
when Mr Ridley appointed you as Junior on this case. | 0:05:44 | 0:05:47 | |
And now we know why. | 0:05:47 | 0:05:49 | |
Oh, Martin, hi. | 0:05:49 | 0:05:52 | |
It's Gordon McCallister. Yes. | 0:05:52 | 0:05:55 | |
Really? | 0:05:56 | 0:05:57 | |
-You going to give Tony a lift? -No, I'm fine. | 0:05:59 | 0:06:02 | |
-I'll take you, mate. -I can manage. | 0:06:02 | 0:06:05 | |
I'll be there, OK. | 0:06:06 | 0:06:08 | |
Yeah. Good luck. | 0:06:08 | 0:06:10 | |
Bye, then! | 0:06:17 | 0:06:20 | |
-As you can see, things are much better between her and me. -Everyone has their rough patches mate. | 0:06:20 | 0:06:24 | |
So what about today? Will you get to give evidence? | 0:06:27 | 0:06:30 | |
Maybe. Depends how far the case gets. | 0:06:30 | 0:06:33 | |
-You'll feel a lot better once you get a chance to give your side. -I don't know. | 0:06:33 | 0:06:37 | |
I think the jury will find it hard to understand why I did it. | 0:06:37 | 0:06:41 | |
I think you do, too. | 0:06:42 | 0:06:44 | |
I've never said that. | 0:06:45 | 0:06:46 | |
I think...you believed you were doing the right thing. | 0:06:50 | 0:06:54 | |
But you don't. | 0:06:54 | 0:06:55 | |
She was going to die in excruciating pain. | 0:06:57 | 0:07:00 | |
How could I not give her what she wanted? | 0:07:00 | 0:07:02 | |
I guess...I just... | 0:07:02 | 0:07:04 | |
-struggle to imagine being able to do it. -Yeah, and so did I. | 0:07:04 | 0:07:08 | |
Look, I don't know what I would've done. | 0:07:08 | 0:07:10 | |
The point is, you did what you thought was right. | 0:07:10 | 0:07:13 | |
I know you're a good bloke. | 0:07:13 | 0:07:14 | |
Yeah, but the jury don't. | 0:07:14 | 0:07:16 | |
And the prosecution are going to slaughter me. | 0:07:16 | 0:07:19 | |
It was an act of love, that's what they don't understand! | 0:07:19 | 0:07:22 | |
It was an act of love. | 0:07:23 | 0:07:25 | |
Well, this is nice. | 0:07:28 | 0:07:30 | |
Isn't it. | 0:07:30 | 0:07:31 | |
I don't know what I'd do without you. | 0:07:35 | 0:07:38 | |
I'm not going anywhere, don't worry. | 0:07:38 | 0:07:41 | |
SHE GASPS IN PAIN | 0:07:41 | 0:07:44 | |
Are you OK? | 0:07:44 | 0:07:45 | |
SHE BREATHES OUT SLOWLY | 0:07:45 | 0:07:47 | |
Shame they won't let you administer it. | 0:07:49 | 0:07:51 | |
You could give me a bit extra. | 0:07:51 | 0:07:54 | |
My name is Tony Powell. | 0:08:06 | 0:08:09 | |
I helped Saskia take her own life, according to her own wishes. | 0:08:09 | 0:08:13 | |
This is her goodbye note. | 0:08:16 | 0:08:18 | |
You'd better get going. | 0:08:21 | 0:08:24 | |
Good luck, mate. | 0:08:25 | 0:08:27 | |
Cheers. | 0:08:30 | 0:08:32 | |
HE BREATHES DEEPLY | 0:08:36 | 0:08:41 | |
Morning. | 0:09:07 | 0:09:09 | |
Glad I ran into you. | 0:09:09 | 0:09:11 | |
Listen, it was wrong of me to discuss Ridley's private affairs with you. Quite wrong. | 0:09:11 | 0:09:17 | |
No harm done. | 0:09:17 | 0:09:18 | |
-So, er, don't mention it to him, hm? -I wasn't planning to. | 0:09:18 | 0:09:22 | |
Good. I think he'd be quite cross. | 0:09:22 | 0:09:24 | |
Especially if he thought I was gossiping about the whole Valerie thing with... | 0:09:24 | 0:09:29 | |
Anyway, see you in court. | 0:09:30 | 0:09:32 | |
Mr Powell here yet? | 0:09:42 | 0:09:44 | |
He's normally pretty prompt, isn't he? | 0:09:44 | 0:09:46 | |
-I thought we'd talked him round. -So did I. | 0:09:46 | 0:09:49 | |
He did seem pretty scared though. | 0:09:49 | 0:09:51 | |
-Maybe he's bottled it. -Hey, let's not go there just yet. | 0:09:51 | 0:09:54 | |
What's the news on the graphologist appeal? | 0:09:54 | 0:09:56 | |
The judgement's likely to be today, but not necessarily this morning. | 0:09:56 | 0:10:00 | |
We really need an angle on this guy. If the goodbye note is faked... | 0:10:00 | 0:10:04 | |
He's not first up. Buys us a bit of time. | 0:10:04 | 0:10:07 | |
Yeah. Forensic pathologist is first. | 0:10:07 | 0:10:09 | |
Ah, good morning, Mr Powell. | 0:10:12 | 0:10:13 | |
Had my brake light kicked in this morning | 0:10:13 | 0:10:16 | |
and I got pulled over for it by the cops. You know who's behind it. | 0:10:16 | 0:10:20 | |
Are you going to try and tell me it was coincidence? | 0:10:20 | 0:10:23 | |
Yes, Mr Powell, I think it probably was. Shall we? | 0:10:23 | 0:10:26 | |
How easy is it for a layperson to inject themselves in the arm? | 0:10:29 | 0:10:35 | |
It's surprisingly difficult. | 0:10:35 | 0:10:37 | |
The issue is finding the vein. It takes practice. | 0:10:37 | 0:10:41 | |
How much more difficult would it be | 0:10:41 | 0:10:43 | |
if you were in Saskia Stanley's feeble physical state? | 0:10:43 | 0:10:47 | |
I wouldn't like to say. | 0:10:47 | 0:10:49 | |
Well, more or less difficult than normal? | 0:10:49 | 0:10:53 | |
More, I suppose. | 0:10:53 | 0:10:55 | |
Describe to us what you'd have to do. | 0:10:55 | 0:10:59 | |
Well, er, you would have to prepare the diamorphine solution | 0:10:59 | 0:11:03 | |
and fill the syringe. | 0:11:03 | 0:11:05 | |
Then apply a tourniquet and hold it tightly | 0:11:05 | 0:11:09 | |
while you find the vein with the needle. | 0:11:09 | 0:11:11 | |
From what angle? Where would your arm be? | 0:11:11 | 0:11:14 | |
So you'd have to bring your arm right round. | 0:11:17 | 0:11:20 | |
It's quite a physical action. | 0:11:20 | 0:11:22 | |
Could you do that while you were lying down? | 0:11:22 | 0:11:25 | |
I think that would be very difficult. | 0:11:25 | 0:11:27 | |
Thank you, Your Honour. | 0:11:27 | 0:11:29 | |
Mr Robinson, were there not in fact signs that Mrs Stanley had indeed been practising injecting herself? | 0:11:31 | 0:11:39 | |
There were other needle marks on her arms, | 0:11:39 | 0:11:41 | |
but that may have been from other drugs that had been administered to her, | 0:11:41 | 0:11:46 | |
or blood tests, for example. So it's impossible to say. | 0:11:46 | 0:11:50 | |
You say it's hard for a layperson to find the vein? Is that true of everybody? | 0:11:50 | 0:11:54 | |
Well, some people struggle. Others less so. | 0:11:54 | 0:11:57 | |
Let's say Mrs Stanley found it relatively easy. Could she have done it? | 0:11:57 | 0:12:02 | |
Objection, Your Honour. The witness is being asked to speculate. | 0:12:02 | 0:12:06 | |
Indeed. | 0:12:06 | 0:12:07 | |
Let us be clear, then. | 0:12:07 | 0:12:10 | |
You wouldn't rule out the possibility that she could have injected herself? | 0:12:10 | 0:12:14 | |
No. No, I would not. | 0:12:16 | 0:12:19 | |
Thank you. | 0:12:19 | 0:12:21 | |
Ah, I was just coming to find you. I believe you and Mr Carrington are acquainted. | 0:12:36 | 0:12:40 | |
-Valerie, what a pleasant surprise. -Paul. | 0:12:40 | 0:12:43 | |
-My face lit up when I saw your name on the brief. You're looking marvellous. -Thank you. | 0:12:43 | 0:12:48 | |
Meanwhile, I've put on a stone and I look knackered. | 0:12:48 | 0:12:51 | |
You can't live life in the fast lane without a bit of collateral damage. | 0:12:51 | 0:12:54 | |
I'll leave you to it. | 0:12:55 | 0:12:57 | |
-Shall we cut to the chase? -Is that a come-on? | 0:12:59 | 0:13:02 | |
So you think we can knock their heads together without a scrap in court. | 0:13:05 | 0:13:09 | |
I see no reason, if your client is in a reasonable, mature mood. | 0:13:09 | 0:13:13 | |
Your client doesn't want residence? | 0:13:13 | 0:13:14 | |
-He just wants to see his kids. -So what are all these conditions? | 0:13:14 | 0:13:18 | |
Your client must stop threatening legal action for non-payment of maintenance | 0:13:18 | 0:13:22 | |
-when my client has never missed a single payment. -And? | 0:13:22 | 0:13:25 | |
She needs to stop the weird late-night phone calls. | 0:13:25 | 0:13:29 | |
-There's no evidence for that. -Au contraire. | 0:13:29 | 0:13:33 | |
The phone company was very helpful. | 0:13:34 | 0:13:37 | |
Your client sounds like the classic wronged woman. | 0:13:39 | 0:13:42 | |
She needs to move on, | 0:13:42 | 0:13:44 | |
then we can wrap this up and go for lunch. | 0:13:44 | 0:13:47 | |
I swear by Almighty God that the evidence I shall give | 0:13:53 | 0:13:57 | |
shall be the truth, the whole truth and nothing but the truth. | 0:13:57 | 0:14:00 | |
Any word from Gordon's contact? | 0:14:02 | 0:14:04 | |
No, nothing yet. | 0:14:04 | 0:14:06 | |
When you're ready, Mr Metzler. | 0:14:06 | 0:14:08 | |
Mr Cook, how long have you been... | 0:14:11 | 0:14:14 | |
PHONE VIBRATES | 0:14:14 | 0:14:16 | |
Hi, Gordon. The appeal's through? | 0:14:32 | 0:14:36 | |
Oh, great. Many thanks. Could you fax it over? | 0:14:37 | 0:14:41 | |
I owe you. | 0:14:42 | 0:14:43 | |
Thank you. | 0:14:45 | 0:14:46 | |
What's your fax number? | 0:14:48 | 0:14:50 | |
'To my darling children, my family and Neil. | 0:14:50 | 0:14:53 | |
'I'm so sorry but I could go on no longer. | 0:14:53 | 0:14:57 | |
'I love you all. Remember me fondly. Saskia.' | 0:14:57 | 0:15:00 | |
Now, you've studied several of Saskia Stanley's letters. | 0:15:02 | 0:15:08 | |
Do you think this is her handwriting? | 0:15:08 | 0:15:11 | |
I think there are significant anomalies. | 0:15:11 | 0:15:15 | |
If you compare with her normal writing, | 0:15:15 | 0:15:17 | |
the downstroke of the G is quite different, | 0:15:17 | 0:15:22 | |
as is the formation of the As and the Ts. | 0:15:22 | 0:15:26 | |
It's also interesting that the handwriting in the note | 0:15:26 | 0:15:30 | |
is heavier and thick-lined. | 0:15:30 | 0:15:33 | |
And what would that signify? | 0:15:33 | 0:15:36 | |
Leaning on something soft when writing. | 0:15:36 | 0:15:38 | |
Or if you were trying to copy somebody else's writing you'd write more slowly, | 0:15:38 | 0:15:43 | |
thus your pen would be in contact with the paper for longer, | 0:15:43 | 0:15:47 | |
leaving heavier and thicker strokes. | 0:15:47 | 0:15:50 | |
Do you think that this is Saskia Stanley's handwriting? | 0:15:50 | 0:15:56 | |
Well, it's difficult to be certain. | 0:15:56 | 0:15:58 | |
But I have some reservations as to its authenticity. | 0:15:58 | 0:16:02 | |
Thank you, Mr Cook. No further questions, Your Honour. | 0:16:04 | 0:16:06 | |
Ahem! | 0:16:09 | 0:16:11 | |
Mr Ridley? | 0:16:11 | 0:16:13 | |
Er... | 0:16:13 | 0:16:15 | |
Mr Cook, 19 different cases... | 0:16:18 | 0:16:21 | |
That's an awful lot of work. | 0:16:21 | 0:16:23 | |
Your Honour, excuse me for one second. | 0:16:23 | 0:16:27 | |
Mr Cook, do you recall giving evidence in a case last year, | 0:16:32 | 0:16:37 | |
Crown versus Greenberg? | 0:16:37 | 0:16:39 | |
I do, yes. | 0:16:41 | 0:16:42 | |
That case went to appeal and I can tell you now | 0:16:42 | 0:16:46 | |
the Court of Appeal have just overturned the original verdict. | 0:16:46 | 0:16:50 | |
Your Honour, if I may, I'll just quote from Their Lordships' judgement. | 0:16:50 | 0:16:53 | |
"The evidence of Mr Cook was speculative, unscientific and unsubstantiated. | 0:16:53 | 0:17:00 | |
"The case should never have relied upon it so strongly." | 0:17:00 | 0:17:04 | |
Mr Cook, I have to ask you, | 0:17:04 | 0:17:06 | |
in what way is the evidence you've given today any different | 0:17:06 | 0:17:09 | |
from the evidence that Lord Justice Clancy described | 0:17:09 | 0:17:12 | |
as speculative, unscientific and unsubstantiated? | 0:17:12 | 0:17:15 | |
I happen to disagree with that statement profoundly. | 0:17:15 | 0:17:19 | |
I'm sure you do. You'd be out of a job if you didn't. | 0:17:19 | 0:17:22 | |
No further questions, Your Honour. | 0:17:22 | 0:17:24 | |
I don't see why I should agree to a thing. | 0:17:37 | 0:17:40 | |
He's the one who dumped me and shacked up with another woman. | 0:17:40 | 0:17:43 | |
It's important to remember that if we can find a common agreement, | 0:17:43 | 0:17:46 | |
it's less stressful for you and your children. | 0:17:46 | 0:17:48 | |
Yes. | 0:17:48 | 0:17:51 | |
So we agree about the phone calls and the legal threats? | 0:17:51 | 0:17:54 | |
-He only responds to threats. -Have the threats worked? Have you got what you wanted? | 0:17:54 | 0:17:59 | |
-OK. -Good, this is a real step forward. I think we're getting somewhere. | 0:17:59 | 0:18:03 | |
But I am not having that woman round when the kids are visiting. | 0:18:03 | 0:18:07 | |
My counterpart is putting that to your husband. | 0:18:07 | 0:18:10 | |
But I think it's very unlikely he'll concur. | 0:18:10 | 0:18:13 | |
-She's poisoning my kids against me. -Mrs Turner, I know this is awkward, | 0:18:13 | 0:18:17 | |
but if Guy's partner is living with him, we can't ask her to leave every time your children visit. | 0:18:17 | 0:18:22 | |
Fine. Then we've got no agreement. | 0:18:22 | 0:18:25 | |
Let's take it to the judge and Guy can go to hell. | 0:18:25 | 0:18:27 | |
The cheek! The cheek of the woman! | 0:18:27 | 0:18:29 | |
She doesn't get to tell me who I see and when. | 0:18:29 | 0:18:32 | |
-Quite agree. -She gave up that right when she ended it. | 0:18:32 | 0:18:35 | |
Not that it matters now. | 0:18:35 | 0:18:38 | |
Circumstances have changed. | 0:18:39 | 0:18:41 | |
-Here you go. -Ah, thanks. | 0:18:47 | 0:18:49 | |
Well done, by the way. That turned out pretty nicely. | 0:18:49 | 0:18:52 | |
Bit too close for my liking. | 0:18:52 | 0:18:54 | |
Did you see Metzler? | 0:18:54 | 0:18:56 | |
Sat there pretending like he didn't care. | 0:18:56 | 0:18:58 | |
Ha! I know we got under his skin. Now we just have to make it count. | 0:18:58 | 0:19:02 | |
You do sound slightly unhinged when you talk about Metzler. | 0:19:02 | 0:19:05 | |
What can I say? He's everything I don't like about the legal world wrapped up in one person. | 0:19:05 | 0:19:10 | |
He's good though. | 0:19:10 | 0:19:12 | |
-Hey, whose side are you on? -Just saying. | 0:19:12 | 0:19:14 | |
MOBILE RINGS | 0:19:14 | 0:19:16 | |
Hello? | 0:19:16 | 0:19:18 | |
Oh, Gordon. | 0:19:18 | 0:19:20 | |
Yes, just in the nick of time. We're very grateful. | 0:19:20 | 0:19:25 | |
Well, court's back in session in an hour and... | 0:19:26 | 0:19:29 | |
Yes, I suppose I could pop over. | 0:19:31 | 0:19:34 | |
Payback. I've got run Gordon an errand, apparently. | 0:19:37 | 0:19:41 | |
There's no harm in keeping in his good books. Especially with that vote coming up. | 0:19:41 | 0:19:47 | |
See ya. | 0:19:47 | 0:19:49 | |
There's been an important development. | 0:19:53 | 0:19:55 | |
We need to see the judge right away. | 0:19:55 | 0:19:58 | |
Need some jurisprudence on damages awarded to poorly-executed hip replacements. | 0:20:20 | 0:20:25 | |
You should manage that in your lunch hour. | 0:20:25 | 0:20:28 | |
Yeah, of course. Who's it for? | 0:20:28 | 0:20:30 | |
Long-running case that Valerie's working on. She'd be most grateful. | 0:20:30 | 0:20:34 | |
I realise that this is unusual, Your Honour, | 0:20:39 | 0:20:44 | |
but the prosecution would like to call a further witness. | 0:20:44 | 0:20:47 | |
Tamsin Hatfield was a junior solicitor at the firm where the deceased altered her will | 0:20:47 | 0:20:53 | |
and we've just discovered that she's back in the country visiting family. | 0:20:53 | 0:20:58 | |
Her testimony is vital and sheds new light on the prosecution's case. | 0:20:58 | 0:21:02 | |
Why was she not available before this time? | 0:21:02 | 0:21:05 | |
She had emigrated to Australia, Your Honour, | 0:21:05 | 0:21:08 | |
and so wasn't available when the police were looking for witnesses. | 0:21:08 | 0:21:12 | |
Unfortunately, she is due to fly back to Melbourne this afternoon | 0:21:12 | 0:21:18 | |
and so this would be our only opportunity. | 0:21:18 | 0:21:21 | |
The new girlfriend is no more, so we can tick off that issue. | 0:21:28 | 0:21:33 | |
-Really? She didn't stick around. -Probably because your client was breathing down her neck. | 0:21:33 | 0:21:38 | |
Yeah, I'm sure it was all her fault. | 0:21:38 | 0:21:40 | |
-Still, this should help matters enormously. -I hope so. | 0:21:40 | 0:21:43 | |
Your client is being very difficult, considering she ended the relationship. | 0:21:43 | 0:21:47 | |
Quite the contrary. He ended it. | 0:21:47 | 0:21:50 | |
-He's insisting that is not the case. -So is she. | 0:21:50 | 0:21:53 | |
How can they not agree on why they split up? | 0:21:55 | 0:21:58 | |
You row, you blame each other, and then you make up the story of what happened in your head. | 0:21:58 | 0:22:02 | |
-Is that right? -Yeah. -Is that what you do? | 0:22:02 | 0:22:05 | |
These idiots are still in love. | 0:22:08 | 0:22:10 | |
Is that feminine intuition? | 0:22:10 | 0:22:12 | |
No, it's basic emotional intelligence. | 0:22:12 | 0:22:14 | |
Not exactly your forte. | 0:22:14 | 0:22:16 | |
Here's the jurisprudence research you needed. | 0:22:17 | 0:22:21 | |
Thank you. That was quick. There was no rush. | 0:22:21 | 0:22:24 | |
SHE SIGHS | 0:22:25 | 0:22:27 | |
What's wrong? | 0:23:07 | 0:23:09 | |
When you took Saskia to change her will, did you row? | 0:23:20 | 0:23:23 | |
What do you mean row? | 0:23:23 | 0:23:24 | |
Did you argue? A falling-out before you went inside? | 0:23:24 | 0:23:27 | |
I don't know. I don't think so. | 0:23:27 | 0:23:31 | |
I mean, she was upset because... | 0:23:31 | 0:23:33 | |
-Because what? -Because she was changing the will. | 0:23:33 | 0:23:36 | |
She was thinking about her life coming to an end. She was in sat in a wheelchair in unbearable pain. | 0:23:36 | 0:23:41 | |
-What is the problem here? -The problem is... -There's not a problem, Mr Powell. | 0:23:41 | 0:23:45 | |
There's just a new witness and we're re-establishing the facts. | 0:23:45 | 0:23:50 | |
Saskia wanted to go to the solicitors. | 0:23:50 | 0:23:53 | |
I thought it was a bad idea, not least because her mobility had become a real problem. | 0:23:53 | 0:23:58 | |
But she was determined, so that was that. | 0:23:58 | 0:24:01 | |
I never asked her what it was about, I swear. | 0:24:01 | 0:24:05 | |
He's not budging, is he? | 0:24:19 | 0:24:21 | |
Guy's single again, Stella. | 0:24:23 | 0:24:25 | |
And apparently rather upset that you left him. | 0:24:25 | 0:24:29 | |
But I didn't leave him. He left me. | 0:24:29 | 0:24:32 | |
KNOCKING | 0:24:32 | 0:24:33 | |
Come in. | 0:24:33 | 0:24:35 | |
Could my client speak with your client in private? | 0:24:36 | 0:24:39 | |
We'll give you both a minute. | 0:24:42 | 0:24:44 | |
(This could backfire massively.) | 0:24:53 | 0:24:56 | |
(No chance. It's in the bag.) | 0:24:56 | 0:24:58 | |
RAISED VOICES | 0:24:58 | 0:25:00 | |
Give it a minute. It's just a bit of anger coming out. | 0:25:00 | 0:25:03 | |
SHOUTING STOPS | 0:25:03 | 0:25:05 | |
-SOBBING: It's my fault. -No! | 0:25:10 | 0:25:14 | |
Oh, Guy! | 0:25:14 | 0:25:16 | |
I doff my invisible hat in your general direction. | 0:25:22 | 0:25:25 | |
Easiest money you've ever earned. | 0:25:25 | 0:25:27 | |
We've played our part in keeping the divorce statistics down. | 0:25:27 | 0:25:31 | |
So, Ms Hatfield, | 0:25:32 | 0:25:37 | |
let's cast our mind back to 9th March, | 0:25:37 | 0:25:40 | |
six weeks before Saskia Stanley's death. | 0:25:40 | 0:25:44 | |
Can you tell us when you first saw her that day? | 0:25:44 | 0:25:47 | |
I was outside having a cigarette. | 0:25:47 | 0:25:50 | |
Mr Powell was helping Mrs Stanley into a wheelchair | 0:25:50 | 0:25:53 | |
and they were having an argument. I could hear them. | 0:25:53 | 0:25:55 | |
Could you make out much of what was said? | 0:25:55 | 0:25:58 | |
No. | 0:25:58 | 0:26:00 | |
And then Mr Powell started pushing Mrs Stanley towards the office. | 0:26:00 | 0:26:04 | |
I could see she was crying. | 0:26:04 | 0:26:06 | |
I went back inside at that point. | 0:26:06 | 0:26:09 | |
When did you next see Mrs Stanley? | 0:26:09 | 0:26:11 | |
When she came into the meeting with the senior partner Mr Kennedy and me. | 0:26:11 | 0:26:15 | |
Mr Powell brought her in and then he left. | 0:26:15 | 0:26:18 | |
And what was the purpose of Mrs Stanley's visit? | 0:26:18 | 0:26:22 | |
She wanted to change her will quite radically, | 0:26:22 | 0:26:25 | |
so that Mr Powell inherited 50% of her estate. | 0:26:25 | 0:26:29 | |
And what had he been due to inherit previously? | 0:26:29 | 0:26:32 | |
Nothing. | 0:26:32 | 0:26:35 | |
Can you confirm the authenticity of this file note, | 0:26:38 | 0:26:42 | |
written in your name, which states that Mrs Stanley's estate, | 0:26:42 | 0:26:47 | |
including her house, was worth over £600,000? | 0:26:47 | 0:26:52 | |
I can. | 0:26:57 | 0:26:58 | |
-You know it's rude to read people's mail. -I'm sorry, it's just... | 0:27:19 | 0:27:23 | |
Don't prove them right, Tony. | 0:27:25 | 0:27:27 | |
-Who? -My family. They think you're after my money. | 0:27:27 | 0:27:32 | |
-Are you joking? -Just don't give them reasons. | 0:27:32 | 0:27:35 | |
Are you accusing me of being after your money? | 0:27:35 | 0:27:39 | |
Oh, darling. | 0:27:39 | 0:27:41 | |
One of the things I love about you is that you let me be independent. | 0:27:42 | 0:27:46 | |
I'd like to keep it that way. | 0:27:46 | 0:27:49 | |
And I think that should apply to money too. | 0:27:49 | 0:27:52 | |
I totally agree. I never... | 0:27:52 | 0:27:54 | |
I honestly wasn't being nosey. I just idly picked it up. | 0:27:54 | 0:27:59 | |
And you were surprised by how much I had? | 0:27:59 | 0:28:02 | |
As you say, none of my business. | 0:28:02 | 0:28:05 | |
No. | 0:28:05 | 0:28:07 | |
But my company does pretty well and I've got a few bob. | 0:28:07 | 0:28:13 | |
So we have to make sure it's not an issue. | 0:28:13 | 0:28:17 | |
Agreed. | 0:28:17 | 0:28:19 | |
Karl says the garage has money worries. | 0:28:24 | 0:28:26 | |
It's nothing. It's, er...just a few unpaid bills. That's all. | 0:28:26 | 0:28:31 | |
So, Mr Powell was the beneficiary | 0:28:47 | 0:28:53 | |
of this radical change in Mrs Stanley's will. | 0:28:53 | 0:28:57 | |
Which is why I thought it was pretty weird, | 0:28:57 | 0:29:00 | |
considering Mr Powell had brought her here to change the will. Especially after I saw them arguing. | 0:29:00 | 0:29:05 | |
I found the whole thing pretty unsettling. | 0:29:05 | 0:29:07 | |
Objection, Your Honour, that's pure opinion. | 0:29:07 | 0:29:10 | |
No further questions, Your Honour. | 0:29:10 | 0:29:12 | |
I thought I wanted to see Tony go down. | 0:29:54 | 0:29:58 | |
Wanted to see him pay for what he did. | 0:29:58 | 0:30:01 | |
Like Dad does? | 0:30:01 | 0:30:03 | |
Yeah. | 0:30:03 | 0:30:04 | |
And I do. I really do. | 0:30:04 | 0:30:07 | |
But it's weird, you know. | 0:30:09 | 0:30:11 | |
I stood up in court yesterday, said what I wanted to say. | 0:30:11 | 0:30:15 | |
Just thought I'd feel better afterwards. | 0:30:15 | 0:30:17 | |
Are you going to tell him? | 0:30:20 | 0:30:22 | |
Apparently, you should've seen the look on Tony's face | 0:30:22 | 0:30:25 | |
when this solicitor took the stand. | 0:30:25 | 0:30:28 | |
It was like he'd been caught red-handed. | 0:30:28 | 0:30:30 | |
I mean, it's really going better than we could've hoped. | 0:30:30 | 0:30:33 | |
Where are you getting all this information, Dad? | 0:30:33 | 0:30:36 | |
-I have colleagues keeping an eye on proceedings. -That's a good use of police resources(!) | 0:30:36 | 0:30:41 | |
It's difficult for us, not being able to watch the trial, | 0:30:43 | 0:30:47 | |
so I thought you'd appreciate regular updates. No? | 0:30:47 | 0:30:51 | |
You're not interested with the outcome of this? | 0:30:51 | 0:30:53 | |
Don't be silly! Personally, I don't want to hear every detail. | 0:30:53 | 0:30:58 | |
I just... | 0:30:58 | 0:31:00 | |
I just want it to be over. | 0:31:00 | 0:31:02 | |
It will be. Soon. | 0:31:02 | 0:31:04 | |
So, how are the wedding plans going? | 0:31:06 | 0:31:09 | |
You know you need to get your brother involved with this, don't you? | 0:31:09 | 0:31:13 | |
He's got a great eye for design. | 0:31:13 | 0:31:15 | |
He's going to make us all very proud one day. | 0:31:15 | 0:31:17 | |
I failed. | 0:31:17 | 0:31:19 | |
Say again. | 0:31:20 | 0:31:22 | |
I failed. And I haven't gone back. | 0:31:23 | 0:31:26 | |
I don't think architecture's for me. | 0:31:26 | 0:31:29 | |
-I thought... I thought that's what you wanted to do. -No. | 0:31:29 | 0:31:33 | |
I wanted to do fine art. But you talked me out of that, remember? | 0:31:33 | 0:31:36 | |
I thought you loved it. | 0:31:36 | 0:31:38 | |
No. | 0:31:38 | 0:31:40 | |
Hated it, actually. | 0:31:40 | 0:31:43 | |
Just too embarrassed to tell you. | 0:31:44 | 0:31:46 | |
I know it's hard for you now. But don't give up so easily. | 0:31:48 | 0:31:52 | |
Dan, think about your mother, you think about what your mother would've wanted. | 0:31:53 | 0:31:57 | |
Dad, you don't know what Mum would have wanted! | 0:31:57 | 0:32:00 | |
Not about Dan's future - and not about the trial, actually. | 0:32:00 | 0:32:03 | |
You don't know any more than we do, so just give it a rest. | 0:32:03 | 0:32:07 | |
MOBILE PHONE BEEPS | 0:32:08 | 0:32:11 | |
Really sorry, but I've got to pop out. | 0:32:17 | 0:32:21 | |
I'm, er, sorry that we took up so much of your time. | 0:32:34 | 0:32:39 | |
Not at all, very gratifying to know we could help. | 0:32:39 | 0:32:41 | |
It's not often we achieve such a satisfactory outcome. | 0:32:41 | 0:32:44 | |
You won't see us again. That's a promise. | 0:32:44 | 0:32:47 | |
TELEPHONES RING, BUZZ OF CONVERSATIONS | 0:32:47 | 0:32:51 | |
While reconciliation's in the air, how about WE bury the hatchet? | 0:32:51 | 0:32:55 | |
No hard feelings? | 0:32:55 | 0:32:57 | |
-Don't push it, Paul. -I'm trying to say sorry. | 0:33:00 | 0:33:04 | |
YOU'RE trying to say sorry? | 0:33:04 | 0:33:06 | |
-Yeah! -Fair enough. | 0:33:06 | 0:33:08 | |
We had SOME fun, you and me. I mean, we had a good time for a while. | 0:33:08 | 0:33:12 | |
Pity we can't just pick it up where we left off. | 0:33:12 | 0:33:15 | |
I mean, nothing serious, just a bit of fun between us. | 0:33:15 | 0:33:19 | |
Nothing serious? Is that how you saw us? | 0:33:19 | 0:33:23 | |
Oh, whatever! Come on, we were hardly Romeo and Juliet! | 0:33:23 | 0:33:26 | |
You told me you wanted to marry me. You told me you wanted to have kids. | 0:33:26 | 0:33:30 | |
You begged me to move in with you and, three days after you dumped me, you shacked up with a 22-year-old! | 0:33:30 | 0:33:35 | |
Oh, yeah. Forgot about her. | 0:33:35 | 0:33:38 | |
It's delightful to be reminded | 0:33:38 | 0:33:40 | |
my life is so much better without you in it. | 0:33:40 | 0:33:43 | |
How was it with Mr Carrington? | 0:33:46 | 0:33:48 | |
Very instructive. | 0:33:48 | 0:33:50 | |
MUSIC PLAYS, PEOPLE CHATTER | 0:34:01 | 0:34:05 | |
Before you say anything, we are not going over old ground here. | 0:34:15 | 0:34:19 | |
-So don't ask me again about being a witness, cos I'm not doing it, OK. -That's not why I asked you here. | 0:34:19 | 0:34:25 | |
I found a copper by my car outside court today. | 0:34:25 | 0:34:28 | |
He said that my number plate | 0:34:29 | 0:34:32 | |
was down in their system as having been stolen. | 0:34:32 | 0:34:35 | |
It took me an hour to prove that the car was mine. | 0:34:36 | 0:34:40 | |
And someone had kicked in my brake light this morning | 0:34:40 | 0:34:44 | |
and then, lo and behold, I get pulled in on the way to court. | 0:34:44 | 0:34:48 | |
I was nearly late. I understand if you can't stand up there | 0:34:48 | 0:34:55 | |
and tell them what you feel to be true. | 0:34:55 | 0:34:57 | |
And I wish there was something that I could say to change your mind. | 0:34:59 | 0:35:04 | |
But what you can do is to tell your father | 0:35:04 | 0:35:07 | |
to call off his cronies and leave me alone. | 0:35:07 | 0:35:10 | |
-We don't know that it's... -Oh, come on, Jess! | 0:35:10 | 0:35:12 | |
You're a bright girl, don't patronise me. | 0:35:12 | 0:35:15 | |
Just remind him that it's criminal | 0:35:15 | 0:35:18 | |
that a cop can get away with acting like that. It's disgusting! | 0:35:18 | 0:35:22 | |
He'll get what he wants in the end, anyway. | 0:35:24 | 0:35:27 | |
So why doesn't he just give it a rest, eh? | 0:35:27 | 0:35:29 | |
I hear the judgement came in rather useful. | 0:35:32 | 0:35:35 | |
-Just a little. We're very grateful. -Dug you out of a hole, didn't we? | 0:35:35 | 0:35:39 | |
I gave Valerie her research. She said it wasn't actually urgent. | 0:35:39 | 0:35:43 | |
Oh, must've got a bit mixed up. | 0:35:43 | 0:35:45 | |
Still, it's good to see you doing a hard day's graft. | 0:35:45 | 0:35:48 | |
Thanks again, Gordon. | 0:35:48 | 0:35:50 | |
I see Ridley and his cheerleader are still as thick as thieves. | 0:35:55 | 0:35:59 | |
Why are you stirring so much? | 0:35:59 | 0:36:00 | |
Intense boredom. | 0:36:00 | 0:36:02 | |
It's not unusual for a barrister to spend a lot of time with his junior on a case. | 0:36:02 | 0:36:06 | |
But it's still a disciplinary offence to do more than that. | 0:36:06 | 0:36:09 | |
Oh, come on! If every barrister who'd had a dalliance with a pupil got slung, we'd lose half our members. | 0:36:09 | 0:36:16 | |
But not everyone walks around like Ridley thinking they're as pure as the driven snow. | 0:36:16 | 0:36:20 | |
You just want some dirt on him, so you can store it up for a rainy day. | 0:36:20 | 0:36:25 | |
That's highly speculative. | 0:36:25 | 0:36:27 | |
I'm not being your spy. | 0:36:27 | 0:36:29 | |
I wasn't asking. | 0:36:29 | 0:36:31 | |
CLOCK STRIKES | 0:36:37 | 0:36:40 | |
Hey! | 0:36:40 | 0:36:41 | |
-Where's Dan? -He's, er, gone out with friends. | 0:36:41 | 0:36:45 | |
Good, cos I want to talk to you. | 0:36:45 | 0:36:47 | |
-Who did you go out to see? -I'm not telling you | 0:36:47 | 0:36:50 | |
-unless you promise to let me speak first and not to be angry. -OK. | 0:36:50 | 0:36:54 | |
Promise? | 0:36:54 | 0:36:55 | |
OK! | 0:36:55 | 0:36:57 | |
I saw Tony. | 0:36:58 | 0:37:00 | |
Just...listen. | 0:37:00 | 0:37:02 | |
You can get into serious trouble. You're not allowed. | 0:37:02 | 0:37:06 | |
I'm not a prosecution witness, so that's not true, actually. | 0:37:06 | 0:37:09 | |
Anyway... | 0:37:09 | 0:37:12 | |
He's being harassed, Dad. By the police. | 0:37:12 | 0:37:16 | |
What do you want me to do about that? | 0:37:16 | 0:37:19 | |
Come on, Dad, | 0:37:19 | 0:37:20 | |
I know about you and your mates, you're all thick as thieves. | 0:37:20 | 0:37:23 | |
It's nothing to do with me. And if he is being harassed by my mates, | 0:37:25 | 0:37:30 | |
it's because they care about me. | 0:37:30 | 0:37:32 | |
And you'll just turn a blind eye? | 0:37:32 | 0:37:34 | |
As long as you destroy Tony, that's all that counts, right? | 0:37:34 | 0:37:39 | |
He deserves everything he gets. | 0:37:39 | 0:37:41 | |
Is it justice you're after, or revenge? | 0:37:41 | 0:37:44 | |
BOTH! | 0:37:45 | 0:37:48 | |
I want both. | 0:37:49 | 0:37:51 | |
SHE SIGHS | 0:37:59 | 0:38:02 | |
-Don't let Gordon wind you up. -What, like Metzler winds you up? | 0:38:02 | 0:38:05 | |
I'm sorry? | 0:38:05 | 0:38:07 | |
You seem to have history, | 0:38:07 | 0:38:09 | |
I don't understand why he gets to you so much. | 0:38:09 | 0:38:12 | |
Fair enough. | 0:38:13 | 0:38:15 | |
I remember you telling me - | 0:38:15 | 0:38:16 | |
the best way to prove myself was to ignore all the criticism - | 0:38:16 | 0:38:20 | |
and to do better than everyone else. | 0:38:20 | 0:38:22 | |
Are you giving me a piece of my own advice? | 0:38:22 | 0:38:24 | |
Mm-hm. It was good advice. I think of it often. | 0:38:24 | 0:38:28 | |
-Well, thank you. -SHE LAUGHS | 0:38:28 | 0:38:31 | |
Planning a late one? | 0:38:32 | 0:38:34 | |
Er, I don't know yet. | 0:38:36 | 0:38:37 | |
If he orders in pizza and beer, then you know you might as well kip here. | 0:38:37 | 0:38:41 | |
Still, put a mattress down, | 0:38:41 | 0:38:43 | |
might be quite a cosy place to spend the night, I suppose. | 0:38:43 | 0:38:48 | |
Is she jealous? | 0:38:52 | 0:38:53 | |
Of what? | 0:38:55 | 0:38:57 | |
Well, she seems very protective of you. | 0:38:57 | 0:38:59 | |
Um...what are you implying, Julie? | 0:38:59 | 0:39:03 | |
Nothing, it's just... | 0:39:04 | 0:39:06 | |
What, you want to know if I'm one of those guys that, | 0:39:06 | 0:39:10 | |
that plays the field, is that it? | 0:39:10 | 0:39:11 | |
I... I shouldn't have asked. It's none of my business. | 0:39:11 | 0:39:14 | |
No, but you wondered...? | 0:39:14 | 0:39:18 | |
You're putting me on the spot. | 0:39:18 | 0:39:22 | |
Well, come on, why did you ask? | 0:39:22 | 0:39:25 | |
Nothing, it was just something Metzler said and.... | 0:39:25 | 0:39:28 | |
What did he say? | 0:39:31 | 0:39:33 | |
Well, I dunno, just.. | 0:39:34 | 0:39:36 | |
-What did he say? -Something about you and Valerie... | 0:39:36 | 0:39:39 | |
-You believed him? -I didn't know what to believe. | 0:39:39 | 0:39:42 | |
-He shoots his mouth off and you swallow it hook, line and sinker? -I didn't say that. | 0:39:42 | 0:39:45 | |
-No, but you weren't sure? -It's none of my business. | 0:39:45 | 0:39:48 | |
You're damn right it's none of your business, Julie. | 0:39:48 | 0:39:51 | |
He's a snake, peddling that lie for years! Can't you see what he's trying to do here?! | 0:39:51 | 0:39:55 | |
-If it's not true, what's the problem? -Because you believed him! | 0:39:55 | 0:39:59 | |
You're willing to think of me as some kind of womanising scumbag! | 0:39:59 | 0:40:03 | |
-I'm sorry I mentioned it. -Yeah, so am I. | 0:40:03 | 0:40:07 | |
If you've got any more idle gossip, I suggest you keep it to yourself. | 0:40:07 | 0:40:11 | |
SHE SIGHS | 0:40:20 | 0:40:22 | |
Hi. This is a message for Briony Lynch, solicitor for Tony Powell. | 0:40:40 | 0:40:44 | |
This is Jess Stanley. | 0:40:44 | 0:40:46 | |
I've changed my mind. If it's not too late, | 0:40:46 | 0:40:49 | |
I am now willing to stand as a witness for the defence. | 0:40:49 | 0:40:52 | |
MOBILE PHONE RINGS | 0:41:12 | 0:41:15 | |
Hello. | 0:41:18 | 0:41:20 | |
Hello? | 0:41:22 | 0:41:24 | |
'You gave her the injection. You took her life.' | 0:41:24 | 0:41:28 | |
-Who is this? -'You think you're going to get away with this? | 0:41:28 | 0:41:31 | |
'But I know you did it. And you know you did it too.' | 0:41:31 | 0:41:34 | |
'You're a murderer.' | 0:41:45 | 0:41:47 | |
Subtitles by Red Bee Media Ltd | 0:42:15 | 0:42:19 | |
E-mail [email protected] | 0:42:19 | 0:42:23 |