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"How do you know I'm mad?", said Alice. "You must be," | 0:00:28 | 0:00:33 | |
said the Cat, "or you wouldn't have come here." | 0:00:33 | 0:00:36 | |
I think we may have overstayed our welcome here. | 0:01:06 | 0:01:08 | |
Twenty minutes late. | 0:01:08 | 0:01:10 | |
I don't think our prospective Joe is going to show up, sport. | 0:01:10 | 0:01:13 | |
We should go. | 0:01:17 | 0:01:19 | |
What are we doing here, Harvey? | 0:01:19 | 0:01:21 | |
What are we doing here? | 0:01:21 | 0:01:23 | |
Well, we're not this dry-rotten rain wash of a city because I like it, | 0:01:23 | 0:01:26 | |
or because it brightens my life any. | 0:01:26 | 0:01:28 | |
We are here because the Goths are at the damn gate. Plain and simple, | 0:01:28 | 0:01:32 | |
and somebody's gotta man the damn gate. | 0:01:32 | 0:01:34 | |
And you're that somebody, Harv? | 0:01:34 | 0:01:35 | |
Yeah, sure. Why not? | 0:01:35 | 0:01:39 | |
Sweet Jesus doesn't see anyone down there. | 0:01:39 | 0:01:42 | |
Should he keep looking? | 0:01:42 | 0:01:43 | |
Oh, my back... | 0:01:43 | 0:01:46 | |
DISTORTED VOICE ON WALKIE-TALKIE HARVEY: What's Sweet Jesus saying? | 0:01:53 | 0:01:55 | |
He says it's cold down there. | 0:01:56 | 0:01:58 | |
They say there are 7,000 spies in Berlin all ready to put down cold cash for secrets. | 0:02:00 | 0:02:06 | |
Well, maybe we got outbid. | 0:02:06 | 0:02:10 | |
Shh, be quiet! | 0:02:10 | 0:02:13 | |
He's here! | 0:02:13 | 0:02:15 | |
KNOCK AT DOOR | 0:02:19 | 0:02:22 | |
I am Konstantin Vishnevsky. | 0:02:27 | 0:02:30 | |
Getting you, your wife and your child out of East Germany is very complicated. | 0:02:34 | 0:02:38 | |
A lot of people will be asked to jeopardise their lives for you. | 0:02:38 | 0:02:41 | |
A lot of money will be spent to set you and your family up in the US. | 0:02:41 | 0:02:44 | |
And what I'm getting tonight, buddy, just doesn't warrant that expense. | 0:02:44 | 0:02:48 | |
But I... What I gave you... | 0:02:48 | 0:02:49 | |
I could get it for a lot less sturm und drang, buddy. | 0:02:49 | 0:02:54 | |
What if... | 0:02:54 | 0:02:55 | |
I am able to reveal the identity of a Soviet agent in Britain's intelligence service, the MI6? | 0:02:55 | 0:03:03 | |
You got a name? | 0:03:06 | 0:03:09 | |
No. I know precise date he was debriefed in Stockholm last summer. | 0:03:09 | 0:03:13 | |
And date of debrief in Zurich the previous winter. | 0:03:13 | 0:03:17 | |
I'm going to need more than that. | 0:03:17 | 0:03:19 | |
With that information even a child could identify him! Wait. | 0:03:19 | 0:03:23 | |
Wait... I give you the recording of this Soviet mole's last debrief. | 0:03:26 | 0:03:31 | |
I give you the man's voice. | 0:03:31 | 0:03:34 | |
'Since last night, I have been meticulously cross-referencing | 0:03:37 | 0:03:40 | |
'Vishnevsky's information from The Sorcerer. | 0:03:40 | 0:03:43 | |
'His bona fides match my information.' | 0:03:43 | 0:03:46 | |
-'Good. Keep me informed. -Will do.' | 0:03:46 | 0:03:49 | |
Any s-spies in the house? | 0:03:49 | 0:03:51 | |
Adrian, take a load off. | 0:03:51 | 0:03:54 | |
Tell me what worlds you've conquered this morning. | 0:03:57 | 0:04:00 | |
You and your d-damned cards. | 0:04:00 | 0:04:02 | |
How do you keep track of them all? | 0:04:02 | 0:04:05 | |
Well, certain cards simply cry out for me. | 0:04:07 | 0:04:11 | |
I am their mother. | 0:04:11 | 0:04:13 | |
A Soviet mole in MI6! It can't be. | 0:04:15 | 0:04:19 | |
Everything in The Sorcerer's report checked out. | 0:04:19 | 0:04:22 | |
The Sorcerer plans on smuggling Vishnevsky and his family into West Berlin tomorrow night. | 0:04:26 | 0:04:31 | |
KGB won't even know he's missing until we have the tape in hand. | 0:04:31 | 0:04:35 | |
I can hardly believe this. But, Vishnevsky seemed b-bloody legitimate to me, Jim. | 0:04:35 | 0:04:40 | |
The more valuable the real information, | 0:04:40 | 0:04:44 | |
the bigger the potential deception. | 0:04:44 | 0:04:47 | |
True genius, as Churchill taught us, resides in the capacity to evaluate conflicting information. | 0:04:47 | 0:04:54 | |
You, Jimbo, have true genius. | 0:04:54 | 0:04:57 | |
No, it's true. You have that unique skill to find patterns within what | 0:04:57 | 0:05:01 | |
seems like conflicting trivia and useless pieces of information. | 0:05:01 | 0:05:06 | |
And patterns, as every spy worth his salt grasps, are the shells of conspiracy. | 0:05:06 | 0:05:14 | |
Deceptions within deceptions, | 0:05:14 | 0:05:16 | |
moves behind moves. | 0:05:16 | 0:05:18 | |
But don't get lost in the wilderness of mirrors, Mother? | 0:05:18 | 0:05:23 | |
SOFT MUSIC PLAYS OK, let's play this one out. | 0:05:25 | 0:05:27 | |
Let's say Vishnevsky is a disinformation agent. | 0:05:27 | 0:05:30 | |
He'd be programmed to give us his history chapter and verse without sounding like he made it up. | 0:05:30 | 0:05:35 | |
Does that have to be on? | 0:05:35 | 0:05:38 | |
Prying ears, sport. Bugs have been found. | 0:05:38 | 0:05:40 | |
How do we know the KGB isn't one step ahead, that they programmed | 0:05:42 | 0:05:46 | |
Vishnevsky to hem and haw his way through the legend? | 0:05:46 | 0:05:49 | |
My nose didn't twitch. | 0:05:49 | 0:05:51 | |
My nose always twitches when I sniff a phony. | 0:05:51 | 0:05:53 | |
And if Vishnevsky is a black agent? | 0:05:53 | 0:05:57 | |
Even if we know the defector is a double agent, we play the game as if we don't know. | 0:05:57 | 0:06:02 | |
We use the false information the Russians are giving us against them. | 0:06:02 | 0:06:05 | |
Plus we use some disinformation of our own. | 0:06:05 | 0:06:09 | |
It's a delicate game, isn't it? | 0:06:09 | 0:06:11 | |
More than you know. | 0:06:11 | 0:06:13 | |
But in order to be a player you got to cross over into the wilderness of mirrors. | 0:06:13 | 0:06:18 | |
Angleton's words, not mine. | 0:06:19 | 0:06:21 | |
-What if I don't want to? -You already have. | 0:06:24 | 0:06:29 | |
-Congratulations! -Hello... Hi! | 0:07:25 | 0:07:27 | |
-Who the devil was that? -Yevgeny Tsipin! | 0:07:27 | 0:07:29 | |
Thief of raccoon coat as well as girlfriends. | 0:07:29 | 0:07:32 | |
She's slipping away! | 0:07:32 | 0:07:34 | |
You, me, Yevgeny, we'll be going our separate ways in a few weeks. | 0:07:34 | 0:07:39 | |
All good things must come to an end. | 0:07:39 | 0:07:42 | |
Right now, relish the moment. | 0:07:42 | 0:07:44 | |
Can an ex-coach buy you a drink? | 0:07:44 | 0:07:47 | |
I think so. | 0:07:47 | 0:07:49 | |
I'd like to discuss a very promising proposition for two champions. | 0:07:49 | 0:07:53 | |
So are you a Stalinist or a Marxist, Yevgeny? | 0:07:56 | 0:08:00 | |
I'm neither. I'm a... | 0:08:00 | 0:08:01 | |
-Tolstoyist. -And who knows what that means. | 0:08:03 | 0:08:06 | |
Well, Tolstoy spent most of his life searching for a unifying theory, | 0:08:06 | 0:08:13 | |
a single key that would unlock | 0:08:13 | 0:08:17 | |
-every door... -Booze? | 0:08:17 | 0:08:20 | |
..A universal explanation for our poverty, our politics, our passions. | 0:08:20 | 0:08:26 | |
Economics... | 0:08:26 | 0:08:28 | |
My parents were chased out of Russia by the Bolsheviks, and here I am rooming with one. | 0:08:28 | 0:08:32 | |
You know, that is very insulting, Leo. | 0:08:32 | 0:08:35 | |
It's very insulting. | 0:08:35 | 0:08:36 | |
I am not a Bolshevist! | 0:08:36 | 0:08:39 | |
Bolshevik! | 0:08:39 | 0:08:41 | |
What I am is... | 0:08:43 | 0:08:45 | |
I'm... I'm drunk. | 0:08:45 | 0:08:47 | |
One final toast. | 0:08:48 | 0:08:50 | |
To all the good talks we've had along this river when we... | 0:08:50 | 0:08:53 | |
probably should've been studying for exams. | 0:08:53 | 0:08:56 | |
This is probably the last of our talks, gents. | 0:08:56 | 0:09:00 | |
And Stella. | 0:09:00 | 0:09:01 | |
-The troika! -The troika. | 0:09:01 | 0:09:05 | |
The Truman Doctrine of 1947 promised that America would | 0:09:05 | 0:09:09 | |
aid free peoples everywhere in the struggle against totalitarianism. | 0:09:09 | 0:09:14 | |
The principal instrument of American foreign policy in that struggle | 0:09:14 | 0:09:18 | |
is the Central Intelligence Agency. | 0:09:18 | 0:09:21 | |
Make no mistake about it, | 0:09:21 | 0:09:23 | |
Western civilization is under attack. | 0:09:23 | 0:09:25 | |
It is a war of attrition, | 0:09:27 | 0:09:29 | |
and a very thin line of patriots mans the ramparts. | 0:09:29 | 0:09:33 | |
Who will remain standing the longest? | 0:09:33 | 0:09:35 | |
Class of '46. Skull and Bones. | 0:09:35 | 0:09:38 | |
Elliott Ebbitt III. | 0:09:38 | 0:09:39 | |
Call me Ebby. | 0:09:39 | 0:09:41 | |
Jack McAuliffe and Leo Kritzky, class of '50. | 0:09:41 | 0:09:44 | |
How'd you know we were Yale? | 0:09:46 | 0:09:48 | |
Please. How'd you two get tapped? | 0:09:48 | 0:09:52 | |
Our crew coach. | 0:09:52 | 0:09:53 | |
-You? -OSS in the war. | 0:09:53 | 0:09:56 | |
There are no textbooks on spying, | 0:09:56 | 0:10:01 | |
you make it up as you go along. | 0:10:01 | 0:10:03 | |
The real world of espionage is less glamorous and a lot more dangerous | 0:10:04 | 0:10:10 | |
than any fiction writer can imagine. | 0:10:10 | 0:10:12 | |
It's a lifetime of secrets, of counter-moves and deception. | 0:10:12 | 0:10:17 | |
Those who do not want to enter this world can leave now without embarrassment. | 0:10:17 | 0:10:21 | |
To those who choose to stay, | 0:10:21 | 0:10:24 | |
welcome to The Company. | 0:10:24 | 0:10:26 | |
In my experience, Russians are always late for meetings and early for defections. | 0:10:26 | 0:10:30 | |
If Vishnevsky is blown, Harvey, the safehouse could be blown. | 0:10:32 | 0:10:35 | |
Yeah, I know that, sport. That's why my nose is twitching to beat the band. | 0:10:35 | 0:10:38 | |
-Want to stop that! -Yes. | 0:10:41 | 0:10:43 | |
OK. Yes. | 0:10:43 | 0:10:44 | |
CUCKOO CLOCK CHIMES | 0:10:47 | 0:10:48 | |
Pack up. Move out. | 0:10:59 | 0:11:01 | |
Sweet Jesus picked up the dog! | 0:11:06 | 0:11:08 | |
That means trouble. Police. Let's disappear. | 0:11:08 | 0:11:12 | |
Yeah, disappearing sounds good. | 0:11:12 | 0:11:13 | |
GUNFIRE ON FILM | 0:11:21 | 0:11:23 | |
Damn! | 0:11:29 | 0:11:32 | |
-Come on! -But my radio... -Leave the damn radio! | 0:11:45 | 0:11:48 | |
That'll slow the bastards down. | 0:12:03 | 0:12:06 | |
Damn crap piss holster! | 0:12:15 | 0:12:17 | |
THEY MUTTER IN GERMAN | 0:12:20 | 0:12:22 | |
Only the ones in uniform. | 0:12:26 | 0:12:28 | |
-Not to shoot! -Hold your fire, Jack! -Not to shoot! I am KGB! | 0:12:40 | 0:12:42 | |
KGB isn't on our menu. They don't shoot at us, we don't shoot at them. | 0:12:42 | 0:12:45 | |
I know it is you, Torriti! | 0:12:45 | 0:12:47 | |
Drop your weapon! | 0:12:47 | 0:12:48 | |
Can anyone, anyone on my payroll, tell me how that happened? | 0:12:57 | 0:13:01 | |
Vishnevsky now has a rendezvous with a bullet in the back of his skull. | 0:13:01 | 0:13:05 | |
His wife and kid will probably spend the rest of their lives in a labour camp. | 0:13:05 | 0:13:09 | |
Vishnevsky counted on me to get him out, and I didn't do it. | 0:13:09 | 0:13:12 | |
How come every asset we try to pull in winds up in front of a firing squad? | 0:13:12 | 0:13:17 | |
And why is all the information we're getting garbage? | 0:13:17 | 0:13:19 | |
And how come the KGB knows more about what we're doing than we do?! | 0:13:19 | 0:13:22 | |
Why? I'll tell you why. Cos we're being jerked around by a DAMN MOLE! | 0:13:22 | 0:13:26 | |
Do you believe The Sorcerer, Jimbo? | 0:13:30 | 0:13:31 | |
I believe he believes it. | 0:13:34 | 0:13:37 | |
If the leak really was on The Company's end, | 0:13:37 | 0:13:40 | |
the mole in MI6 would have to have heard it from the Deputy Director of Operations or the DCI himself. | 0:13:40 | 0:13:47 | |
It's a handful of very powerful people. | 0:13:48 | 0:13:52 | |
Do you know what you're saying? | 0:13:52 | 0:13:54 | |
If he does exist, I will find that mole. | 0:13:58 | 0:14:00 | |
Believe me. | 0:14:00 | 0:14:03 | |
Use caution when shaking those corridors of power, Jimbo. | 0:14:03 | 0:14:08 | |
Pavel, you honour us with your presence. | 0:14:33 | 0:14:38 | |
My son, | 0:14:38 | 0:14:40 | |
I would like you to meet an old friend of your mother's, Pavel Zhilov. | 0:14:40 | 0:14:46 | |
It is a shame that a tragedy should bring you home from your studies in America. | 0:14:46 | 0:14:50 | |
Your father is very proud. | 0:14:50 | 0:14:53 | |
Thank you, Comrade Zhilov. | 0:14:53 | 0:14:55 | |
Starik, to my friends. | 0:14:55 | 0:14:57 | |
I remember how your mother loved to read. Dostoevsky was her favorite. | 0:15:11 | 0:15:17 | |
She seemed like a character straight from one of his books, | 0:15:19 | 0:15:21 | |
the way she would spit over her shoulder for good luck, | 0:15:21 | 0:15:24 | |
-or the way she would always sit... -..on her suitcase, | 0:15:24 | 0:15:28 | |
before every voyage. | 0:15:28 | 0:15:30 | |
What did your father tell you | 0:15:33 | 0:15:35 | |
-about me? -Only that I would be foolish to not come here today. | 0:15:35 | 0:15:38 | |
I would like you to do something for me, Yevgeny. | 0:15:39 | 0:15:43 | |
Speak to me plainly and openly about a subject that holds a great fascination for me - America. | 0:15:43 | 0:15:48 | |
America is a... | 0:15:53 | 0:15:55 | |
America is a country filled with a great people. | 0:15:57 | 0:16:00 | |
I have a great affection for America. | 0:16:00 | 0:16:03 | |
I cannot ignore their faults or their shortcomings. | 0:16:04 | 0:16:09 | |
Americans are trapped in a... | 0:16:09 | 0:16:11 | |
a system which brings out the worst in them. | 0:16:13 | 0:16:16 | |
They are raised to believe that democracy is the ideal, | 0:16:16 | 0:16:20 | |
yet they turn a blind eye to the 25 million Americans that go to bed hungry every night. | 0:16:20 | 0:16:27 | |
Your American English is impeccable. | 0:16:27 | 0:16:29 | |
You went to high school in New York City, then to Yale. | 0:16:29 | 0:16:33 | |
Your mother taught you English, as well as German and French. | 0:16:33 | 0:16:36 | |
You have an aptitude for languages. | 0:16:36 | 0:16:39 | |
Your grades at Yale were of the highest order. | 0:16:39 | 0:16:42 | |
You were popular, you made friends. Your "Troika", | 0:16:42 | 0:16:45 | |
as you called it, included Jack McAuliffe and Leo Kritzky. | 0:16:45 | 0:16:49 | |
How do you know that? | 0:16:49 | 0:16:51 | |
It was I who positioned your father at the United Nations. | 0:16:51 | 0:16:55 | |
And it was I who made sure you got into Yale. | 0:16:55 | 0:16:58 | |
I am a General in the KGB, Yevgeny. | 0:16:58 | 0:17:01 | |
Your father was a spy. | 0:17:02 | 0:17:05 | |
He worked for me. | 0:17:05 | 0:17:06 | |
In the KGB, | 0:17:13 | 0:17:15 | |
we are idealists. | 0:17:15 | 0:17:17 | |
We believe the Soviet way of life is worth fighting for. | 0:17:17 | 0:17:20 | |
We believe that all should be equal, | 0:17:23 | 0:17:26 | |
without poverty, crime, | 0:17:26 | 0:17:29 | |
racist hatred. | 0:17:29 | 0:17:32 | |
Without all the things that make America the grotesque giant it is. | 0:17:32 | 0:17:37 | |
And your ability to pass for an American makes you an absolutely unique soldier in this war. | 0:17:37 | 0:17:44 | |
Will you follow in your father's footsteps? | 0:17:44 | 0:17:47 | |
In the footsteps of men who carve out history from blank stone? | 0:17:48 | 0:17:52 | |
Yevgeny Tsipin, I offer you a chance to enlist in the ranks | 0:17:57 | 0:17:59 | |
of those who promote the genius and generosity of the human spirit. | 0:17:59 | 0:18:03 | |
Will you fight this battle by my side? | 0:18:10 | 0:18:13 | |
Chaps in my department believe Vishnevsky's claim to be rubbish, of course, | 0:18:26 | 0:18:31 | |
but the whole affair has caused a b-bit of a shaking down the tree. | 0:18:31 | 0:18:35 | |
So, we'll see if any bad apples fall out. | 0:18:35 | 0:18:39 | |
Thank you, Adrian. James, anything? | 0:18:39 | 0:18:42 | |
Who is that young man behind you, Frank? | 0:18:45 | 0:18:47 | |
You've met Leo Kritzky a half-dozen times, Jim. He's sharp as a tack. | 0:18:50 | 0:18:53 | |
Yes, but what is he doing here? | 0:18:53 | 0:18:56 | |
Colby is breaking him in as his future right-hand man. | 0:18:56 | 0:18:59 | |
-Leo's one of us. -Hmm. | 0:18:59 | 0:19:02 | |
Angleton scare you, Kritzky? | 0:19:02 | 0:19:04 | |
He should. | 0:19:04 | 0:19:06 | |
Bite's worse than his bark. | 0:19:06 | 0:19:09 | |
I've conducted a thorough search here. | 0:19:09 | 0:19:13 | |
Hope you haven't been poking your nose into my phone records, James. | 0:19:13 | 0:19:17 | |
Your records are clean, Frank. | 0:19:17 | 0:19:19 | |
As are everyone else's in the room. | 0:19:19 | 0:19:21 | |
Good Lord, James. You have us followed, too? | 0:19:25 | 0:19:29 | |
It is my opinion that our house is clean. | 0:19:29 | 0:19:32 | |
The alleged mole in MI6 is, I suspect, an apparition. | 0:19:32 | 0:19:37 | |
Conclusion - the defection was blown by a leak | 0:19:37 | 0:19:42 | |
somewhere in Berlin. | 0:19:42 | 0:19:44 | |
Son of a bitch! | 0:19:44 | 0:19:46 | |
If that's the way Mother wants to play it, fine, I'm game. | 0:19:46 | 0:19:49 | |
I'm gonna find that mole, sport. | 0:19:49 | 0:19:50 | |
Oh, the way, | 0:19:52 | 0:19:54 | |
here is your first fully-fledged asset to handle. | 0:19:54 | 0:19:56 | |
LAUGHTER | 0:21:00 | 0:21:03 | |
GIRL CRIES THREATENING LAUGHTER | 0:21:11 | 0:21:15 | |
SCREAM | 0:21:18 | 0:21:20 | |
VIOLIN MUSIC PLAYS | 0:22:13 | 0:22:16 | |
You are old for a ballet student. | 0:22:35 | 0:22:37 | |
How'd you know I spoke English? | 0:22:39 | 0:22:42 | |
Americans have a certain walk. | 0:22:42 | 0:22:45 | |
How do I walk? | 0:22:45 | 0:22:47 | |
With false confidence, as if you own the world. | 0:22:47 | 0:22:52 | |
You must be Rainbow. | 0:22:52 | 0:22:54 | |
I find the name fitting. | 0:22:54 | 0:22:57 | |
You may call me Lili. | 0:22:57 | 0:22:58 | |
You were not followed? | 0:23:00 | 0:23:02 | |
You may turn. | 0:23:07 | 0:23:09 | |
Please. | 0:23:09 | 0:23:11 | |
Give that to your boss, see if he thinks we are worth the effort. | 0:23:21 | 0:23:24 | |
It's still warm. | 0:23:29 | 0:23:31 | |
-What is it? -Herr Professor worked all night on it. | 0:23:31 | 0:23:35 | |
Who's this Professor? | 0:23:37 | 0:23:39 | |
Your lover? | 0:23:39 | 0:23:41 | |
If you follow me, or try to find out where I live, | 0:23:41 | 0:23:44 | |
I will end all contact. | 0:23:45 | 0:23:48 | |
I will not identify Herr Professor. | 0:23:48 | 0:23:51 | |
Not ever. | 0:23:51 | 0:23:52 | |
If your boss likes what's on the silk, | 0:23:55 | 0:23:58 | |
you may meet me here every Thursday. | 0:23:58 | 0:24:00 | |
This is the damn mother lode, sport! | 0:24:11 | 0:24:14 | |
Rainbow's Professor sent us plaintext copies of messages from | 0:24:14 | 0:24:18 | |
East German higher-ups and their Soviet bosses in Moscow, | 0:24:18 | 0:24:22 | |
messages we intercepted, encrypted. | 0:24:22 | 0:24:24 | |
This code meant nothing until we got this piece of silk. | 0:24:26 | 0:24:29 | |
We cracked the code, gentlemen. | 0:24:29 | 0:24:32 | |
We cracked the damn code! | 0:24:32 | 0:24:35 | |
Down the hatch, | 0:24:35 | 0:24:37 | |
you did good. | 0:24:37 | 0:24:39 | |
You did real good. | 0:24:39 | 0:24:40 | |
You know, there's an old Russian proverb that says | 0:24:46 | 0:24:48 | |
you're supposed to wash the bear without getting its fur wet. | 0:24:48 | 0:24:52 | |
That's what I want you to do with this ballet dancer of yours. | 0:24:53 | 0:24:56 | |
Find out who Rainbow is, where she lives, and who this Professor is. | 0:24:56 | 0:25:01 | |
The successful agent is invariably one who has mastered | 0:25:04 | 0:25:07 | |
the art of thinking conventionally... | 0:25:07 | 0:25:10 | |
..that is, thinking as a member of the other side, of the "Principal Adversary." | 0:25:12 | 0:25:18 | |
And then that agent systematically challenges the conventional thinking | 0:25:24 | 0:25:27 | |
to develop alternatives that will take the Principal Adversary by complete surprise. | 0:25:27 | 0:25:32 | |
This is how you will succeed, Yevgeny. | 0:25:38 | 0:25:40 | |
This will be your weapon. | 0:25:40 | 0:25:41 | |
With your new identity, you must part your hair differently, | 0:25:53 | 0:25:57 | |
walk differently, wear your wallet in a different pocket. | 0:25:57 | 0:26:00 | |
You may even make love differently. | 0:26:00 | 0:26:02 | |
-I have a question. -Yes? | 0:26:05 | 0:26:06 | |
Which one of you is older? | 0:26:06 | 0:26:08 | |
The peasants say that bee stings can alleviate rheumatism. | 0:26:15 | 0:26:19 | |
-Quietly, girls! -Your daughters? | 0:26:19 | 0:26:22 | |
Nieces. | 0:26:22 | 0:26:24 | |
-How many? -A man can never have too many nieces. | 0:26:24 | 0:26:27 | |
They keep me feeling young. | 0:26:27 | 0:26:28 | |
Enough. Enough. | 0:26:28 | 0:26:30 | |
I'm starting to prefer the idea of rheumatism to bee stings. | 0:26:33 | 0:26:36 | |
I have been told by my people that the Pentagon thinks there will be a war with the Soviet Union. | 0:26:40 | 0:26:45 | |
They even have predicted a starting date. | 0:26:45 | 0:26:47 | |
America doesn't have the appetite for another world war, let alone an atomic one. | 0:26:47 | 0:26:52 | |
I mean they are foolish and greedy, yes, but not insane. | 0:26:52 | 0:26:57 | |
Americans are very good at self-preservation. | 0:26:57 | 0:27:00 | |
I dislike summer so very much. | 0:27:23 | 0:27:25 | |
Why would anyone dislike summer? | 0:27:38 | 0:27:40 | |
You must excuse me if I have awaked you. | 0:27:40 | 0:27:44 | |
I think that it's "awakened you". | 0:27:44 | 0:27:47 | |
-Awakened you. -Yeah. | 0:27:47 | 0:27:49 | |
Thank you. | 0:27:53 | 0:27:55 | |
Why would someone dislike summer? | 0:27:55 | 0:27:58 | |
For the reason that it is too short. | 0:27:58 | 0:28:01 | |
I am Azalia. Azalia Ivanova. | 0:28:05 | 0:28:08 | |
Yevgeny. Nice to meet you. | 0:28:08 | 0:28:11 | |
Are you here with your husband? | 0:28:11 | 0:28:14 | |
No, I have come with my roommate. | 0:28:14 | 0:28:18 | |
She is the daughter of Comrade Khrushchev. | 0:28:18 | 0:28:21 | |
They are talking about boring Party subjects, | 0:28:21 | 0:28:23 | |
and I was told you speak English. | 0:28:25 | 0:28:27 | |
I lust to practice my English, Yevgeny. | 0:28:29 | 0:28:33 | |
Is that correct? | 0:28:33 | 0:28:35 | |
Yes, that's correct. | 0:28:36 | 0:28:39 | |
I lust as well, Azalia. | 0:28:43 | 0:28:45 | |
That's a ticket to Giselle. | 0:30:30 | 0:30:32 | |
Markova is dancing. | 0:30:32 | 0:30:34 | |
Hey, Lili, no strings attached, right. | 0:30:36 | 0:30:39 | |
It's just a thank-you for all the risks you're putting yourself through. | 0:30:39 | 0:30:43 | |
Come on, we'll watch the ballet, and then I'll buy you one beer | 0:30:43 | 0:30:47 | |
and afterwards you can duck like a spider back to your crack in the wall. | 0:30:47 | 0:30:50 | |
I am tempted, Jack in the box. | 0:30:52 | 0:30:54 | |
I have heard Alicia Markova defies gravity. | 0:30:55 | 0:30:59 | |
Well, I'll be waiting in front of the Opera House for you. | 0:30:59 | 0:31:02 | |
If you show, you show. | 0:31:02 | 0:31:05 | |
If you don't, well... | 0:31:06 | 0:31:08 | |
I will not show. | 0:31:11 | 0:31:13 | |
'My mother and father disappeared in 1941.' | 0:31:31 | 0:31:36 | |
The authorities notified me of their deaths, but... | 0:31:36 | 0:31:39 | |
I have no further information. | 0:31:40 | 0:31:42 | |
I am compiling names of those who disappeared. | 0:31:45 | 0:31:49 | |
The many millions who vanished. | 0:31:49 | 0:31:52 | |
Jews, Gypsies, "undesirables". | 0:31:52 | 0:31:56 | |
All gone, | 0:31:56 | 0:31:58 | |
without a whisper. | 0:31:58 | 0:32:00 | |
Stalin is worse even than Hitler. | 0:32:00 | 0:32:02 | |
A list like that could get you killed, Azalia. | 0:32:07 | 0:32:10 | |
Don't be foolish. | 0:32:10 | 0:32:12 | |
Azalia, what would you think if I told you | 0:32:23 | 0:32:27 | |
that I might be going away for a while? | 0:32:27 | 0:32:29 | |
For how long? | 0:32:32 | 0:32:33 | |
Perhaps a very long time. | 0:32:38 | 0:32:40 | |
I should be very upset, Yevgeny. | 0:32:45 | 0:32:47 | |
Every time you call me on the telephone, | 0:32:51 | 0:32:55 | |
my heart races. | 0:32:55 | 0:32:57 | |
I can feel it in your voice... | 0:32:58 | 0:33:00 | |
..the longing in your words. | 0:33:04 | 0:33:06 | |
That's because every time I leave you, | 0:33:07 | 0:33:09 | |
part of my soul stays in your possession. | 0:33:12 | 0:33:15 | |
Next Sunday, my roommate will be away. | 0:33:19 | 0:33:24 | |
I want you to come to my apartment. | 0:33:27 | 0:33:29 | |
I want to possess all of you, now. | 0:33:34 | 0:33:37 | |
Danke. | 0:33:40 | 0:33:42 | |
I am here, Jackstraw. | 0:33:53 | 0:33:55 | |
I knew you'd show. | 0:33:55 | 0:33:57 | |
Come on, let's go see if this Markova woman defies gravity. | 0:33:57 | 0:34:01 | |
'How did you get here, Jack?' | 0:34:39 | 0:34:40 | |
Doing this kind of work? | 0:34:42 | 0:34:44 | |
And not the suave Jack answer. The real answer. | 0:34:44 | 0:34:48 | |
There are some Americans who understand that we are in a life and death crisis with the Communists. | 0:34:51 | 0:34:57 | |
When it's over, only one side will survive. | 0:34:57 | 0:35:00 | |
I've been asked to join the battle. | 0:35:02 | 0:35:04 | |
-And you believe this? -We're in a war, Lili. | 0:35:06 | 0:35:09 | |
And even though it's a cold one, it's no less deadly. | 0:35:09 | 0:35:13 | |
I believe that in my soul. | 0:35:13 | 0:35:16 | |
How much do you believe it? | 0:35:16 | 0:35:18 | |
Are you willing to perish for this cause? | 0:35:18 | 0:35:21 | |
Or... | 0:35:21 | 0:35:24 | |
are you able to return to your safe American world of comfort whenever you please? | 0:35:24 | 0:35:29 | |
I may seem like the cocky American who walks like he owns the world, | 0:35:29 | 0:35:35 | |
but that doesn't mean I don't have strong convictions about the future of this world. | 0:35:35 | 0:35:39 | |
What are you afraid of? | 0:35:47 | 0:35:48 | |
I cannot know you. | 0:35:53 | 0:35:55 | |
I warned you of this. | 0:35:56 | 0:35:59 | |
Get too close - if you try to find out who I am, or who the Professor is - you will never see me again. | 0:35:59 | 0:36:03 | |
Rainbow's real name is Helga Agnes Mittag de la Fuente. | 0:37:27 | 0:37:30 | |
Her parents were Spanish and German. | 0:37:30 | 0:37:33 | |
Her mother was arrested for spying for the Republicans | 0:37:33 | 0:37:35 | |
in the Spanish Civil War and she was sent to the firing squad. | 0:37:35 | 0:37:38 | |
What about Sniper? | 0:37:38 | 0:37:41 | |
Herr Professor? | 0:37:41 | 0:37:42 | |
Real name Ernst Loffler. | 0:37:42 | 0:37:44 | |
Teaches theoretical physics at the Humbolt Institute. | 0:37:44 | 0:37:47 | |
Before the war, Sniper hung out with Max Planck and Albert Einstein. | 0:37:47 | 0:37:51 | |
A theoretical physicist! | 0:37:51 | 0:37:52 | |
Wait till the Wiz hears about that. | 0:37:52 | 0:37:55 | |
Do me a favour, sport. | 0:37:55 | 0:37:56 | |
Put a teardrop in Sniper's wall. | 0:37:58 | 0:38:01 | |
-That will be tricky - there's an old woman that lives below them and she never goes out. -So kill her. | 0:38:01 | 0:38:06 | |
We can't just kill somebody, Harvey! | 0:38:06 | 0:38:08 | |
We're the good guys, remember? | 0:38:08 | 0:38:10 | |
Can't you Yale guys take a joke? | 0:38:10 | 0:38:12 | |
Lure her out of the house. Whatever. | 0:38:12 | 0:38:15 | |
You are one of a small group of people chosen by the Ministry of Public Health. | 0:38:15 | 0:38:19 | |
You will have a free medical examination. | 0:38:19 | 0:38:22 | |
You will get new pills to alleviate your arthritis. | 0:38:22 | 0:38:26 | |
How did you know I had arthritis? | 0:38:32 | 0:38:35 | |
We have your chart, madam. | 0:38:35 | 0:38:36 | |
And you will be given a new radio at the end of the exam. | 0:38:36 | 0:38:40 | |
OK. | 0:38:54 | 0:38:55 | |
MAN AND WOMAN CONVERSE IN GERMAN | 0:39:06 | 0:39:10 | |
Please leave us, girls. | 0:39:19 | 0:39:20 | |
You are to leave for America within days. | 0:39:28 | 0:39:30 | |
Within days? | 0:39:30 | 0:39:31 | |
Is it not what you wanted? | 0:39:31 | 0:39:33 | |
Of course. | 0:39:36 | 0:39:38 | |
It's just that... | 0:39:41 | 0:39:43 | |
It's...it's complicated. | 0:39:43 | 0:39:44 | |
Are you are actually considering a Jewish girl over the career I have shaped for you, | 0:39:44 | 0:39:50 | |
crafted since you were a boy? | 0:39:50 | 0:39:53 | |
Are you going to give up everything you have learned here, all that you can do for Mother Russia | 0:39:53 | 0:39:58 | |
for a zhidovka? | 0:39:59 | 0:40:01 | |
I love her. | 0:40:01 | 0:40:04 | |
Zhidovka or not. | 0:40:04 | 0:40:07 | |
Your ability to love this Jewish girl, the luxury to even have this freedom, | 0:40:10 | 0:40:15 | |
is only possible because men like your father, | 0:40:15 | 0:40:19 | |
your grandfather, | 0:40:19 | 0:40:20 | |
and men like me, have provided it for you. | 0:40:20 | 0:40:24 | |
Have sacrificed. | 0:40:24 | 0:40:27 | |
Have spilled blood and had their own blood spilled. | 0:40:27 | 0:40:31 | |
Now it is time for your sacrifice, Yevgeny Tsipin. | 0:40:31 | 0:40:34 | |
For you to be a soldier, | 0:40:34 | 0:40:38 | |
and a man. | 0:40:38 | 0:40:40 | |
-I don't know what to do. -It is your choice, Yevgeny. | 0:40:42 | 0:40:47 | |
A life of simple domesticity with a woman who will never allow you | 0:40:47 | 0:40:51 | |
to rise in the party ranks, or a life of changing the world. | 0:40:51 | 0:40:56 | |
So, do you still dislike summer so very much? | 0:41:22 | 0:41:25 | |
I am learning to like this summer. | 0:41:28 | 0:41:31 | |
But it is still not lasting long enough. | 0:41:31 | 0:41:34 | |
Maybe today it can last the rest of summer. | 0:41:37 | 0:41:40 | |
I would like that... | 0:41:44 | 0:41:45 | |
..very, very much. | 0:41:49 | 0:41:52 | |
I'm Eugene. Eugene Dodgson. | 0:42:34 | 0:42:37 | |
VIOLIN WALTZ PLAYS | 0:42:52 | 0:42:55 | |
What do you see when you watch yourself? | 0:42:59 | 0:43:03 | |
MUSIC STOPS | 0:43:11 | 0:43:13 | |
My faults. Only my faults. | 0:43:13 | 0:43:16 | |
This must be always the frontier of our intimacy. | 0:43:39 | 0:43:43 | |
We can go no further. | 0:43:43 | 0:43:45 | |
Herr Professor lets you take too many risks. | 0:43:46 | 0:43:50 | |
I would never let that happen if you were mine. | 0:43:50 | 0:43:52 | |
I owe him my life. | 0:43:57 | 0:43:59 | |
Why? | 0:43:59 | 0:44:01 | |
What happened? | 0:44:18 | 0:44:22 | |
When the Russian soldiers came through Germany on drunken rampages... | 0:44:27 | 0:44:32 | |
..I was 15. | 0:44:42 | 0:44:45 | |
That's when I met Herr Professor. | 0:44:45 | 0:44:46 | |
He showed me that life was worth living again. | 0:44:52 | 0:44:54 | |
I cannot leave. | 0:44:57 | 0:44:58 | |
Come with me, Lili. | 0:45:12 | 0:45:14 | |
I need you. | 0:45:14 | 0:45:15 | |
-You do not need me as much as he needs me. -Why? | 0:45:17 | 0:45:20 | |
-Without me... -Without you, what? Without you, what? | 0:45:20 | 0:45:24 | |
Without me, Herr Professor cannot survive. | 0:45:24 | 0:45:29 | |
-He's new? -My Shabba's goy. | 0:45:44 | 0:45:46 | |
Hamlet, he turns on the lights, answers the telephone, and kills people for me on Saturdays. | 0:45:46 | 0:45:53 | |
I didn't know you were religious, Ezra. | 0:45:53 | 0:45:55 | |
I am a protector of my people, Harvey. | 0:45:55 | 0:45:58 | |
I want to save the Jews from Stalin. | 0:45:58 | 0:46:00 | |
In that sense I am very religious. | 0:46:00 | 0:46:03 | |
But you do believe in God? | 0:46:03 | 0:46:05 | |
Certainly not. | 0:46:05 | 0:46:08 | |
I believe in an eye for an eye - | 0:46:08 | 0:46:11 | |
the Mossad manual. | 0:46:13 | 0:46:15 | |
There's been a leak. Maybe one of your Shabbas' goys moonlights for the opposition. | 0:46:19 | 0:46:23 | |
Harvey, everyone here has walked through fire. | 0:46:23 | 0:46:25 | |
Hamlet is missing all the fingernails of his right hand - they were extracted by KGB pliers. | 0:46:25 | 0:46:31 | |
Keep your yarmulke on. I'm just checking all the angles. | 0:46:31 | 0:46:35 | |
There's a Soviet mole in the higher echelons of MI6. | 0:46:35 | 0:46:38 | |
We share everything with the British cousins. Everything! | 0:46:38 | 0:46:41 | |
Don't I know it. | 0:46:41 | 0:46:42 | |
-How can your Rabbi help? -That's why I'm here. | 0:46:45 | 0:46:47 | |
I need some advice. | 0:46:47 | 0:46:49 | |
Head to the source, Harvey. | 0:46:53 | 0:46:55 | |
You still have connections with the Brits from the war. Go to London. | 0:46:55 | 0:47:00 | |
And bring a barium meal. | 0:47:01 | 0:47:04 | |
You look fit and fat all at once, Harvey. Are you? | 0:47:11 | 0:47:14 | |
Both and neither. You? | 0:47:14 | 0:47:16 | |
I'm suffering from a touch of that aristocratic malady, gout. | 0:47:16 | 0:47:20 | |
You wired, Elihu? | 0:47:20 | 0:47:22 | |
Fraid so, Harv. Friends are friends, but I have to cover my ass. | 0:47:22 | 0:47:26 | |
After your phone call, I'm very much afraid I shall have neither pension nor retirement. | 0:47:26 | 0:47:30 | |
-You have my sympathies. -Harvey, you realise what you're implying? | 0:47:30 | 0:47:34 | |
I'm not implying, Elihu. It's fact. | 0:47:34 | 0:47:36 | |
There's a mole inside MI6, and it's the Russian kind. | 0:47:36 | 0:47:40 | |
Years ago, there was a rumour floating around | 0:47:40 | 0:47:44 | |
about a mole, code name Parsifal, supposedly trained in his youth by a KGB agent known to us as Starik. | 0:47:44 | 0:47:51 | |
-Rumour or fact? -You know what they say about rumours, Harvey. | 0:47:51 | 0:47:54 | |
They're all true. | 0:47:54 | 0:47:57 | |
-Parsifal, huh? -If this Parsifal has succeeded | 0:47:57 | 0:48:00 | |
in surviving all these years, he must be a master of deception. | 0:48:00 | 0:48:03 | |
-How can I possibly help? -Barium meals. -Barium meals? | 0:48:03 | 0:48:07 | |
Yeah, it's a drink they give you when you go for an X-ray, it shows up anything that may be floating around. | 0:48:07 | 0:48:11 | |
I know what a barium meal is, Harvey. | 0:48:11 | 0:48:14 | |
-But, how does it pertain to Parsifal? -I'm gonna send each of my suspects in the Vishnevsky leak | 0:48:14 | 0:48:19 | |
a juicy piece of information about an ongoing secret operation. | 0:48:19 | 0:48:22 | |
He'll think that this operation's being sent to many people along the pipeline. | 0:48:22 | 0:48:26 | |
But you're just sending it to one person. You're brilliant, Harvey, quite brilliant. | 0:48:26 | 0:48:30 | |
You can't feed this Parsifal any old junk - he'll know the difference. | 0:48:30 | 0:48:35 | |
I know. Has to be a real operation. | 0:48:35 | 0:48:38 | |
An ongoing secret operation. But it has to come from you, Elihu. | 0:48:38 | 0:48:42 | |
Oh, no, Harvey. Please. Two years, | 0:48:42 | 0:48:45 | |
two years and I'll be drinking and daydreaming. | 0:48:45 | 0:48:49 | |
Just release the memo. | 0:48:49 | 0:48:51 | |
Today. | 0:48:51 | 0:48:53 | |
Harvey! You need to get some rest. | 0:49:28 | 0:49:30 | |
No, I can't. I'm waiting for a phone call. | 0:49:30 | 0:49:32 | |
-From whom? -I don't know whom, but my nose will twitch. -I'll man the phone. | 0:49:33 | 0:49:39 | |
-No, no, no. It's gotta be me. -Why? | 0:49:39 | 0:49:42 | |
I sent out my last barium meal to my prime suspect, to wit, I know the identity | 0:49:42 | 0:49:47 | |
of the Soviet mole inside MI6 who betrayed the Vishnevsky defection. | 0:49:47 | 0:49:52 | |
In which case, my prime suspect will contact | 0:49:52 | 0:49:55 | |
his Russian handlers, and then they, in turn, will do everything they can to either kidnap, or kill me. | 0:49:55 | 0:50:00 | |
I thought the KGB didn't do that to us, we don't to them. | 0:50:00 | 0:50:03 | |
No, this is a special occasion. They'll do everything they can to protect their mole. | 0:50:03 | 0:50:06 | |
If I'm offed, Jack, | 0:50:08 | 0:50:10 | |
it means my barium meal hit the target. | 0:50:10 | 0:50:13 | |
And my prime suspect is confirmed. | 0:50:13 | 0:50:15 | |
Doesn't do us a lot of good if you're dead. | 0:50:15 | 0:50:17 | |
I've left instructions in the safe should I... | 0:50:17 | 0:50:20 | |
pass away. | 0:50:20 | 0:50:21 | |
What's on your mind? | 0:50:26 | 0:50:29 | |
It's Lili. | 0:50:29 | 0:50:32 | |
She hasn't been to the studio all week. Doors are locked. | 0:50:32 | 0:50:34 | |
She hasn't tried to contact me. | 0:50:34 | 0:50:36 | |
-Ah, she'll turn up. -That's it? She'll turn up? What if she's hurt, Harvey? What if the East Germans have her? | 0:50:36 | 0:50:41 | |
-They don't. -How do you know? -Because we've been careful. | 0:50:41 | 0:50:45 | |
Haven't we? Listen to me, McAuliffe, | 0:50:46 | 0:50:51 | |
you can woo her, you can screw her, you can do whatever you need to do to make her whisper sweet secrets | 0:50:51 | 0:50:57 | |
in your ear but don't fall in love with her. | 0:50:57 | 0:51:00 | |
That way lies madness. | 0:51:00 | 0:51:02 | |
PHONE RINGS | 0:51:02 | 0:51:05 | |
Hello? | 0:51:06 | 0:51:09 | |
Why, yes. | 0:51:12 | 0:51:14 | |
Yes, I'm very interested in meeting this person. | 0:51:14 | 0:51:16 | |
-Herr Torriti? -In the flesh, my darling. | 0:51:56 | 0:52:01 | |
You are liking what you see, we are meeting again and performing exchange. | 0:52:09 | 0:52:14 | |
My letters, your 25,000 American dollars. | 0:52:14 | 0:52:17 | |
Looks like we have a deal. | 0:52:22 | 0:52:25 | |
-Where and when? -Here, tomorrow nacht. | 0:52:25 | 0:52:29 | |
You comprehend? | 0:52:29 | 0:52:31 | |
I comprehend, madame. | 0:52:31 | 0:52:33 | |
Tomorrow nacht it is. | 0:52:40 | 0:52:43 | |
If anything's gonna happen, it's going to be now. | 0:52:43 | 0:52:47 | |
Drop your weapon! | 0:52:57 | 0:53:00 | |
That was the ambush, Harvey? That was amateur hour. | 0:53:00 | 0:53:02 | |
Where the hell they come from? | 0:53:07 | 0:53:09 | |
You are having trouble? | 0:53:09 | 0:53:11 | |
Shoot 'em, sport. | 0:53:11 | 0:53:12 | |
Let's skedaddle. | 0:53:18 | 0:53:20 | |
Phony cops save you from a phony mugging, "Go get in the car," | 0:53:24 | 0:53:28 | |
they say, "for your own safety." Sure, why not. | 0:53:28 | 0:53:30 | |
You have no reason not to trust them and then whoosh, no-one sees you in the Western Sector. | 0:53:30 | 0:53:34 | |
The good news is, I can now identify the Soviet mole in MI6 | 0:53:37 | 0:53:41 | |
without the shadow of a doubt. | 0:53:41 | 0:53:43 | |
I'm gonna nail that bastard. | 0:53:43 | 0:53:46 | |
Ike and I have been friends for 20 years. I had his office check you, | 0:53:46 | 0:53:50 | |
young man, and you don't work for the State Department. | 0:53:50 | 0:53:53 | |
Sir, I came here to ask for your blessing, not to quibble. | 0:53:53 | 0:53:55 | |
I don't think inquiring about the prospects of the man who wants to marry my daughter is quibbling, | 0:53:55 | 0:54:00 | |
especially when he lies about his work. | 0:54:00 | 0:54:03 | |
Especially when he works at Cockroach Alley. | 0:54:03 | 0:54:05 | |
The CIA, Mr Kritzky! | 0:54:05 | 0:54:07 | |
That's where you spend your days. | 0:54:07 | 0:54:10 | |
I want you to know that your daughter has been a bright ray of sunlight in my gloomy days at the office. | 0:54:10 | 0:54:16 | |
She makes me happy. I look forward to being with her. | 0:54:16 | 0:54:18 | |
-And I'm in love with her, sir. -Do you love him, honey? | 0:54:18 | 0:54:25 | |
I do, Daddy. I really do. | 0:54:25 | 0:54:27 | |
I can tell you one thing, Kritzky, your taste in mates is better than my daughter's. | 0:54:29 | 0:54:34 | |
That's the truth, sir. | 0:54:34 | 0:54:36 | |
Oh, Daddy, thank you. | 0:54:36 | 0:54:38 | |
I knew you'd like him. | 0:54:38 | 0:54:39 | |
"My dear Yevgeny. By now you are established within our principal adversary's homeland. | 0:55:08 | 0:55:14 | |
"You are the most vital piece of this great game at this time. | 0:55:14 | 0:55:18 | |
"You will be activated several times a year, sometimes not at all for several months. | 0:55:18 | 0:55:24 | |
"Be patient. | 0:55:24 | 0:55:26 | |
"I will never contact you again this way, but you will always feel my guiding hand. | 0:55:26 | 0:55:31 | |
"Be brave, | 0:55:35 | 0:55:37 | |
"be clever, and you will someday come home a hero of Mother Russia." | 0:55:37 | 0:55:41 | |
-This is Eugene, who is this? -That is not important. | 0:56:19 | 0:56:22 | |
I am only to tell you how to contact and deliver necessary items to a man named Parsifal. | 0:56:22 | 0:56:29 | |
Go to dead drop six, Thursday at 3:00pm with bag and place on park bench next to you. | 0:56:29 | 0:56:35 | |
Wait there till you are met. | 0:56:35 | 0:56:37 | |
After, go to Georgetown University Law Library at precisely 3:45pm. | 0:56:37 | 0:56:43 | |
Go to Blackstone's Commentary of Laws of England, | 0:56:43 | 0:56:48 | |
and remove Volume Four from shelf. | 0:56:48 | 0:56:51 | |
Within it will be address and telephone number for Parsifal and a calling card of sorts. | 0:56:51 | 0:56:58 | |
Starik must be combing the preparatory schools for his spies these days. | 0:57:15 | 0:57:18 | |
My working name is Eugene. | 0:57:18 | 0:57:21 | |
-American, are you? -No. | 0:57:21 | 0:57:23 | |
Starik sends gifts. | 0:57:27 | 0:57:30 | |
These'll do at a pinch. | 0:57:30 | 0:57:32 | |
Oh, good, good. | 0:57:38 | 0:57:40 | |
Oh, and listen, I've heard news that the head of the Berlin Station is on to the f-fact that I exist. | 0:57:44 | 0:57:50 | |
He may even know my identity, which could be a problem. | 0:57:50 | 0:57:53 | |
B-bloody big problem. | 0:57:54 | 0:57:57 | |
I'll pass it along. What's his name? | 0:57:57 | 0:57:59 | |
Harvey Torriti. | 0:57:59 | 0:58:01 | |
He's known as The Sorcerer. | 0:58:01 | 0:58:03 | |
Where have you been? I thought the KGB had you, Lili! | 0:58:11 | 0:58:15 | |
I'm sorry, Jack. There was no way of getting word to you. | 0:58:15 | 0:58:18 | |
If you had been arrested... | 0:58:18 | 0:58:19 | |
We had to go to Dresden for a funeral. Herr Professor's brother died suddenly. | 0:58:25 | 0:58:29 | |
There was no possibility for me to tell you in time. | 0:58:29 | 0:58:33 | |
I can't lose you, Lili. | 0:58:33 | 0:58:34 | |
Then do not lose me. | 0:58:37 | 0:58:39 | |
The moment I treasure most is when I wake from a heavy sleep | 0:58:47 | 0:58:50 | |
and do not know where I am. | 0:58:50 | 0:58:53 | |
For a few delicious seconds, I am in a huge void, free of gravity. | 0:58:53 | 0:58:58 | |
At such moments I dance... | 0:59:00 | 0:59:04 | |
as I have never been able to before. | 0:59:04 | 0:59:06 | |
That is what it is like when I am with you. | 0:59:11 | 0:59:16 | |
What are we going to do, Lili? | 0:59:20 | 0:59:22 | |
We will keep playing the game, Jack, till the game is over. | 0:59:24 | 0:59:29 | |
PHONE RINGS | 1:00:19 | 1:00:20 | |
A letter has been attached to back of garbage bin behind stores at M and Fourth streets. | 1:00:22 | 1:00:30 | |
I would like to speak more with you but have been instructed not to. | 1:00:30 | 1:00:34 | |
# I was a hum-drum person Leading my life apart | 1:00:50 | 1:00:57 | |
# When love flew in through my window | 1:00:57 | 1:01:02 | |
# And quickened my hum-drum heart | 1:01:02 | 1:01:07 | |
# Love flew in through my window... # | 1:01:10 | 1:01:13 | |
Jack McAuliffe! Jacko! | 1:01:13 | 1:01:17 | |
Borisov! Vanka Borisov, the European crew championship? | 1:01:19 | 1:01:24 | |
Munich? I was rowing stroke in a Russian coxed four. | 1:01:24 | 1:01:27 | |
-Oh, yeah! -You and me and Leo Kritzky fell crazy in love with | 1:01:27 | 1:01:31 | |
three Australian peacenik sisters and drank and screwed until sunrise! | 1:01:31 | 1:01:36 | |
Of course, Borisov! | 1:01:36 | 1:01:38 | |
I'm sorry. What are you doing in Berlin? | 1:01:38 | 1:01:40 | |
Zwei bier, bitte. I'm at the Soviet Import Export commission, | 1:01:40 | 1:01:44 | |
we conduct trade negotiations with the German Democratic Republic. | 1:01:44 | 1:01:48 | |
What about yourself, Jacko? | 1:01:48 | 1:01:50 | |
I landed a soft job with the State Department. Cheers! | 1:01:50 | 1:01:53 | |
Ah, the only thing better than a soft job is a soft woman, huh Jacko? | 1:01:53 | 1:01:59 | |
Did you ever get to the States to, | 1:01:59 | 1:02:01 | |
"Screw the peace and freedom-loving women of Colorado", I believe you said. | 1:02:01 | 1:02:05 | |
-I don't know how you came up with Colorado. -I saw photos of Colorado in a banned copy of Life magazine. | 1:02:05 | 1:02:11 | |
-Beautiful country. I think they must have beautiful women, da? -Probably. | 1:02:11 | 1:02:16 | |
I've never been to Colorado. | 1:02:16 | 1:02:18 | |
And I never got to the US. | 1:02:18 | 1:02:20 | |
Tell me something, Jack, what's a lot of money over there? | 1:02:20 | 1:02:24 | |
Depends on the person's taste. | 1:02:25 | 1:02:29 | |
I mean, if they have expensive tastes, if they have to have a Cadillac and all that... | 1:02:29 | 1:02:34 | |
Let's say for the sake of argument they have expensive tastes. | 1:02:34 | 1:02:38 | |
Is 25,000 a lot of dough over there? | 1:02:38 | 1:02:41 | |
50,000? | 1:02:41 | 1:02:43 | |
-It's a good amount. -Tell me, Jack, what do you make at the... | 1:02:49 | 1:02:53 | |
What was it again? State Department? | 1:02:53 | 1:02:55 | |
I make 6,000 a year, Borisov. | 1:02:57 | 1:02:59 | |
I see. | 1:03:01 | 1:03:02 | |
And what if someone were to come to you, right here, right now, | 1:03:02 | 1:03:08 | |
and offer you 150,000 bucks in cash? | 1:03:08 | 1:03:12 | |
In exchange for what? | 1:03:14 | 1:03:16 | |
In exchange for the odd piece of information. | 1:03:16 | 1:03:19 | |
If the amount is not enough, we can negotiate, Jack. Please, Jack. | 1:03:20 | 1:03:25 | |
You are in the great game now, as am I. | 1:03:25 | 1:03:27 | |
And in the game, all is negotiable. | 1:03:27 | 1:03:29 | |
All is possible. Everything. Anything. | 1:03:29 | 1:03:33 | |
It's always good to see an old crew buddy. | 1:03:33 | 1:03:36 | |
But if we run into each other again, Borisov, | 1:03:36 | 1:03:39 | |
things might not be so pleasant. | 1:03:39 | 1:03:42 | |
Go ahead, sir. | 1:04:32 | 1:04:34 | |
Well... | 1:04:48 | 1:04:50 | |
Still sticking to your story, Kritzky, that you're working for the State Department? | 1:04:50 | 1:04:54 | |
Who is it out there, Phil? | 1:04:54 | 1:04:56 | |
It's that clown who up and proposed to my daughter, Mr President. | 1:04:56 | 1:04:59 | |
He's got your daily briefing here in his hand. | 1:04:59 | 1:05:03 | |
Must be rising up in the ranks of the Company pretty quickly, sir. | 1:05:03 | 1:05:06 | |
Kritzky? Well, don't let him stand out there, Phil, send the poor sap in. | 1:05:06 | 1:05:10 | |
Son of a bitch. | 1:05:19 | 1:05:21 | |
What I am doing is breeding a hybrid orchid known as a Cattleya cross. | 1:05:21 | 1:05:26 | |
Comes in a rainbow of colors. | 1:05:26 | 1:05:28 | |
I plan on naming it after my wife, Cicely. | 1:05:28 | 1:05:31 | |
That chair will never hold your weight, Harvey. | 1:05:32 | 1:05:34 | |
Your horticulture lesson is very interesting, Jim. | 1:05:37 | 1:05:41 | |
Well, crossing orchids is a very long, | 1:05:41 | 1:05:45 | |
very tedious process. Not unlike the business of counter-espionage. | 1:05:45 | 1:05:49 | |
-You don't say. -I do say. | 1:05:49 | 1:05:51 | |
It can take 12 months just to develop the seed pod. | 1:05:51 | 1:05:55 | |
And then another 12 months for that pod to sprout even an inch or two. | 1:05:55 | 1:05:59 | |
The eventual flowering, | 1:05:59 | 1:06:01 | |
if there even is a flowering, could take five years. | 1:06:01 | 1:06:05 | |
Counter-espionage is like that. | 1:06:05 | 1:06:09 | |
It requires the patience of a saint which you, Harvey, do not have. | 1:06:09 | 1:06:13 | |
I'm here to tell you that I'm going to the Director to lay out my case against your pal Philby. | 1:06:13 | 1:06:18 | |
Adrian? | 1:06:21 | 1:06:24 | |
What case? | 1:06:24 | 1:06:25 | |
He blew the Vishnevsky defection, for one thing. | 1:06:25 | 1:06:29 | |
He's a Soviet spy, Jim. | 1:06:29 | 1:06:31 | |
Has been since the early thirties. | 1:06:31 | 1:06:33 | |
-You are joking. -I don't joke about traitors. | 1:06:33 | 1:06:36 | |
It's rubbish. | 1:06:36 | 1:06:38 | |
Rubbish. I've known Adrian for 15 years. | 1:06:39 | 1:06:41 | |
He's been vetted a dozens times, and you know that, Harvey. | 1:06:41 | 1:06:44 | |
And you know there are ways around a lie detector test. | 1:06:44 | 1:06:48 | |
The Russians are masters at beating them. | 1:06:48 | 1:06:50 | |
You're not serious about this? | 1:06:52 | 1:06:55 | |
I'm as serious as a five dollar whore. | 1:06:55 | 1:06:57 | |
Serious enough to fly across the Atlantic overnight, sitting on a mail bag. | 1:06:57 | 1:07:02 | |
Adrian Kim Philby is working for the KGB. | 1:07:02 | 1:07:07 | |
As the counter-intelligence honcho, I thought it was only fair that you be warned. | 1:07:07 | 1:07:11 | |
On top of that, I think we should take precautions to make sure Philby doesn't fly the coop. | 1:07:11 | 1:07:16 | |
Are you hearing me on this, Jim? | 1:07:18 | 1:07:20 | |
Take precautions. | 1:07:20 | 1:07:22 | |
You'll only make a fool of yourself, Harvey. | 1:07:24 | 1:07:26 | |
I've got the son of a bitch by the balls. | 1:07:26 | 1:07:29 | |
PHONE RINGS | 1:07:37 | 1:07:39 | |
-SHE SPEAKS IN RUSSIAN: -Slushayu... | 1:07:39 | 1:07:42 | |
'So, do you still dislike summer so very much?' | 1:07:42 | 1:07:45 | |
It's you. | 1:07:50 | 1:07:52 | |
Yes. It's me, Azalia. | 1:07:52 | 1:07:54 | |
'Yevgeny. | 1:07:54 | 1:07:57 | |
'I thought you were gone forever from my life.' | 1:07:57 | 1:08:03 | |
I thought the worst. | 1:08:03 | 1:08:04 | |
That I would never see you again. | 1:08:04 | 1:08:06 | |
That...you would disappear, | 1:08:11 | 1:08:13 | |
like my parents. | 1:08:13 | 1:08:15 | |
I'm alive, Azalia. | 1:08:15 | 1:08:18 | |
I'm well. | 1:08:18 | 1:08:19 | |
And I miss you. | 1:08:21 | 1:08:23 | |
But where are you, Yevgeny? | 1:08:24 | 1:08:29 | |
Why did you not say goodbye? | 1:08:31 | 1:08:33 | |
I'm sorry. | 1:08:33 | 1:08:34 | |
I can tell you nothing. | 1:08:34 | 1:08:37 | |
Other that I am doing my duty. | 1:08:37 | 1:08:39 | |
And I long... | 1:08:41 | 1:08:43 | |
to be with you... | 1:08:43 | 1:08:45 | |
-OPERATOR'S VOICE: 'Please deposit 25 cents.' -I have to go. | 1:08:45 | 1:08:49 | |
But at least tell me where you are. At least that. | 1:08:49 | 1:08:52 | |
So I can see you in my mind, and... | 1:08:52 | 1:08:55 | |
and know you are safe. | 1:08:55 | 1:08:56 | |
America. | 1:08:59 | 1:09:02 | |
-I'm in America. -DIAL TONE | 1:09:02 | 1:09:06 | |
America. | 1:09:10 | 1:09:13 | |
APPLAUSE AND CHEERING | 1:09:21 | 1:09:24 | |
-Thanks for coming, buddy. -Wouldn't have missed it for the world. | 1:09:28 | 1:09:34 | |
She's beautiful. The hell did you find her? | 1:09:34 | 1:09:36 | |
She found me, I think. She found me when no-one else could. | 1:09:36 | 1:09:39 | |
The hours I've been working, I feel like a coal miner, never see the light of day. And then she... | 1:09:39 | 1:09:44 | |
-came along. -I'm happy for you. | 1:09:44 | 1:09:46 | |
I'm really happy. | 1:09:46 | 1:09:48 | |
Maybe I'll settle down someday. | 1:09:48 | 1:09:50 | |
And maybe it'll snow in hell. | 1:09:50 | 1:09:52 | |
-No. -Oh, come on, buddy. | 1:09:52 | 1:09:54 | |
This party is going to carry on after we go. | 1:09:54 | 1:09:56 | |
There's lots of single girls here! | 1:09:56 | 1:09:59 | |
I'm on a short leash. I get back to Berlin to handle my asset. | 1:09:59 | 1:10:02 | |
-I thought The Sorcerer was in DC? -He doesn't want me tagging along after him like I'm a little lost duckling. | 1:10:02 | 1:10:08 | |
-I'm heading out tonight. -Oh, I see, poor Jack has to go back to his long-legged ballet dancer/asset, | 1:10:08 | 1:10:14 | |
the Rainbow. Tough life. | 1:10:14 | 1:10:17 | |
Leo, honey, everyone is waiting. | 1:10:17 | 1:10:20 | |
I'm coming. | 1:10:20 | 1:10:22 | |
Starting to be tough. | 1:10:22 | 1:10:24 | |
-Wait! What's that look? -What look? | 1:10:24 | 1:10:27 | |
-That love look. -Ah, come on. | 1:10:27 | 1:10:29 | |
It's all over your face, buddy. Ah! | 1:10:29 | 1:10:31 | |
See? Come on, stay for a bit. | 1:10:31 | 1:10:34 | |
We'll go rowing in a couple of days. You can tell me all about it. | 1:10:34 | 1:10:36 | |
No, I'm on the 11pm air mail charter to Berlin. | 1:10:36 | 1:10:38 | |
Come on, you got a honeymoon to think of. | 1:10:38 | 1:10:40 | |
Yeah, if that's what you want to call it. | 1:10:40 | 1:10:42 | |
Two nights at The Hay-Adams, and back to work on Monday. | 1:10:42 | 1:10:45 | |
We all gotta make sacrifices, buddy. | 1:10:45 | 1:10:47 | |
There's a war on. A cold one. | 1:10:47 | 1:10:49 | |
-So I heard. -Leo, Let's go! | 1:10:49 | 1:10:52 | |
Don't worry, Jack, I'll take good care of him. | 1:10:53 | 1:10:56 | |
I didn't order anything. | 1:11:16 | 1:11:18 | |
-Yes, you did. -Who is it, Adrian? | 1:11:18 | 1:11:21 | |
Just a liquor delivery, James! | 1:11:21 | 1:11:23 | |
Didn't want it to run out on us, did we? | 1:11:23 | 1:11:25 | |
There's instructions inside. | 1:11:27 | 1:11:29 | |
And keep the change, old boy! | 1:11:29 | 1:11:32 | |
GLASS SMASHES | 1:12:31 | 1:12:32 | |
WOMAN'S AND MAN'S VOICES, SPEAKING GERMAN | 1:12:35 | 1:12:39 | |
Hello, Jack. | 1:13:06 | 1:13:07 | |
Your tradecraft is excellent. | 1:13:10 | 1:13:14 | |
Borisov. | 1:13:14 | 1:13:16 | |
We know you always come by here, but we lose you after that. | 1:13:16 | 1:13:20 | |
Every time, we lose you. | 1:13:20 | 1:13:22 | |
How do you do it? | 1:13:22 | 1:13:24 | |
Don't make a mistake, Jack. | 1:13:24 | 1:13:26 | |
We just want to talk. | 1:13:26 | 1:13:28 | |
-Talk about what? -The girl. | 1:13:32 | 1:13:35 | |
Who is she? | 1:13:35 | 1:13:36 | |
I wish there was a girl, Borisov. | 1:13:38 | 1:13:40 | |
Where does she live? We saw you with her at the restaurant, then again at the opera. | 1:13:40 | 1:13:45 | |
Who is she? | 1:13:45 | 1:13:48 | |
It was the ballet, asshole! | 1:13:48 | 1:13:50 | |
Come again to East Berlin, and we will kill you, Jack. | 1:14:18 | 1:14:21 | |
Do you hear me? We will kill you! | 1:14:21 | 1:14:24 | |
-At least have Doc Patterson check you out. -I'm fine. | 1:14:44 | 1:14:48 | |
Maybe you can give me a hand with something then? | 1:14:48 | 1:14:50 | |
If you're feeling all fine and dandy. | 1:14:50 | 1:14:53 | |
What do you got? | 1:14:53 | 1:14:54 | |
It's these transcripts from the teardrop in Sniper's flat. | 1:14:54 | 1:14:59 | |
-What about them? -I compared the surveillance | 1:14:59 | 1:15:01 | |
tapes with the information we got from Rainbow's silk. | 1:15:01 | 1:15:04 | |
And? | 1:15:04 | 1:15:06 | |
There are some minor discrepancies. | 1:15:06 | 1:15:08 | |
Guten morgen, Helga! | 1:15:22 | 1:15:25 | |
Wie geht es Herr Loffer? | 1:15:25 | 1:15:26 | |
How do you know our real names? | 1:15:33 | 1:15:35 | |
Why do you risk coming here before the arranged time? | 1:15:35 | 1:15:40 | |
Because what I have to say can't wait, Helga. | 1:15:40 | 1:15:42 | |
Your Professor, your supposed saviour, has betrayed you. | 1:15:42 | 1:15:46 | |
He works for the KGB. He's what we call a disinformation agent. | 1:15:46 | 1:15:50 | |
Giving us variations of the truth and trying to get us in the wrong direction. | 1:15:50 | 1:15:55 | |
The silk I gave you was filled with valuable items. You read it, Jack. | 1:15:55 | 1:15:59 | |
Leftovers from a lousy meal. All the good stuff was edited out. | 1:15:59 | 1:16:04 | |
How could you know this? | 1:16:04 | 1:16:06 | |
We bugged your apartment. | 1:16:06 | 1:16:08 | |
The Professor was speaking with another scientist colleague the other night. | 1:16:09 | 1:16:13 | |
When you left the room, they traded secrets with each other, none of which ended up on the silk. | 1:16:13 | 1:16:17 | |
-I must leave. -Lili, you don't understand! | 1:16:19 | 1:16:22 | |
It's over! Now, I have a truck around the corner. | 1:16:22 | 1:16:26 | |
There's a compartment we can hide you in. We need to get you out of the Soviet sector now, for good. | 1:16:26 | 1:16:29 | |
I cannot leave, Jack. I cannot. | 1:16:29 | 1:16:32 | |
The Professor used you! | 1:16:32 | 1:16:33 | |
He's a Soviet agent! Wake up! | 1:16:33 | 1:16:35 | |
But I am awake, Jack. It is not... | 1:16:35 | 1:16:38 | |
I am awake. | 1:16:42 | 1:16:44 | |
It is not Herr Professor who is a Soviet agent. It is me. | 1:16:44 | 1:16:48 | |
I have betrayed him. I have betrayed you. | 1:16:48 | 1:16:51 | |
The KGB found out that we were giving you information. | 1:16:57 | 1:17:01 | |
To this day I do not know how. | 1:17:01 | 1:17:03 | |
They told me that Ernst would be tried for high treason and shot. | 1:17:05 | 1:17:09 | |
They said I would never dance again because they would... | 1:17:09 | 1:17:12 | |
Because they would break my kneecaps. | 1:17:12 | 1:17:15 | |
-God, Lili. -They promised Ernst would not be hurt if... | 1:17:15 | 1:17:20 | |
If you delivered disinformation to me. | 1:17:20 | 1:17:23 | |
They said it was the only way out. | 1:17:23 | 1:17:25 | |
I took the silk to the KGB who would edit the information. | 1:17:25 | 1:17:29 | |
I would give the new silk to you at the studio. | 1:17:29 | 1:17:32 | |
After each meeting, I was forced to write a report about everything. | 1:17:33 | 1:17:37 | |
They know your identity, Jack. | 1:17:38 | 1:17:40 | |
Borisov. | 1:17:42 | 1:17:43 | |
They tried to kill me to keep... | 1:17:43 | 1:17:46 | |
Of course. | 1:17:49 | 1:17:51 | |
It was a charade. To make me trust you even more, wasn't it? | 1:17:51 | 1:17:55 | |
They swore to me you would not be hurt. They did not tell me what they were planning to do. | 1:17:55 | 1:18:03 | |
I wanted to die, Jack. | 1:18:03 | 1:18:05 | |
Did you tell them that you're in love with me? Are you even in love with me, Lili? | 1:18:06 | 1:18:13 | |
-Are you that good? -I love you more than anything in this world, Jack. | 1:18:14 | 1:18:20 | |
Lili, if he loves you, if he truly loves you, | 1:18:24 | 1:18:27 | |
he would want you to save yourself. | 1:18:27 | 1:18:30 | |
You could save us, Jack. | 1:18:30 | 1:18:33 | |
You could save us. You could take us both. Ja. | 1:18:33 | 1:18:36 | |
It's too risky. It won't work. | 1:18:36 | 1:18:38 | |
We can meet tonight at seven when the crowds will be thick. It could work! | 1:18:38 | 1:18:41 | |
It must work, Jack, it's the only way. | 1:18:41 | 1:18:44 | |
Don't do this to me, Lili. | 1:18:44 | 1:18:46 | |
Please. Tonight at seven, my dearest. | 1:18:50 | 1:18:52 | |
Mother himself knows there is a KGB agent somewhere inside the British intelligence community. | 1:18:59 | 1:19:05 | |
Jim knows that this agent, codenamed Parsifal, was supposedly recruited and trained | 1:19:05 | 1:19:10 | |
in Spain during the Spanish Civil War by none other than the Soviet case officer known only as Starik. | 1:19:10 | 1:19:16 | |
-Your point? -Philby was on assignment for the London Times during the Spanish Civil War, Allen. | 1:19:16 | 1:19:22 | |
James doesn't think you've made your case at all, Harvey. | 1:19:22 | 1:19:25 | |
Mother is too close to this. | 1:19:25 | 1:19:27 | |
He's an unwitting pawn in Starik's game. | 1:19:27 | 1:19:30 | |
I made sure that none of our British friends received any memos concerning the Vishnevsky defection. | 1:19:30 | 1:19:35 | |
Yet Jim here dines weekly with Philby, they share information. | 1:19:35 | 1:19:39 | |
Jim, your office is the only place he could have found out about Vishnevsky. | 1:19:39 | 1:19:42 | |
Your line of reasoning is intriguing. But... | 1:19:42 | 1:19:45 | |
What if it's just a series of coincidences? | 1:19:45 | 1:19:48 | |
In our line of work, coincidences don't exist. | 1:19:48 | 1:19:51 | |
Monday January 1st, Torriti's cable arrived on James Angleton's desk. | 1:19:53 | 1:19:59 | |
Starting late afternoon on Tuesday, January 2nd, radio intercept logs show a dramatic increase in the | 1:19:59 | 1:20:05 | |
volume of cipher wireless traffic between the Soviet embassy and Moscow. | 1:20:05 | 1:20:10 | |
Now it seems to me someone somewhere pushed a button. | 1:20:10 | 1:20:13 | |
Jim, did you show Philby the memo on the Vishnevsky defection? | 1:20:15 | 1:20:20 | |
It is standard | 1:20:22 | 1:20:24 | |
that Philby and I share information. | 1:20:24 | 1:20:27 | |
Yes, I showed him the Vishnevsky memo. | 1:20:27 | 1:20:31 | |
Proves nothing. | 1:20:31 | 1:20:33 | |
A leak can come from anywhere. A courier, a secretary, a nosy office worker. | 1:20:33 | 1:20:38 | |
I fed Philby a barium meal to the effect that I could identify the Soviet mole inside MI6. | 1:20:38 | 1:20:44 | |
The very next week, a bunch of jokers in Berlin tried to take me out of circulation. | 1:20:44 | 1:20:48 | |
I call that proof positive. | 1:20:48 | 1:20:50 | |
What Mr Torriti fails to mention in his report | 1:20:50 | 1:20:54 | |
is Adrian Philby knew everything about his hottest source in Germany, code name Rainbow, code name Sniper. | 1:20:54 | 1:21:03 | |
They are still giving us information on a weekly basis. | 1:21:03 | 1:21:07 | |
Now, if Adrian Philby were a Soviet spy, | 1:21:07 | 1:21:11 | |
would not operation Sniper have been shut down immediately by the KGB? | 1:21:11 | 1:21:17 | |
Sniper is still delivering, isn't he, Harvey? | 1:21:19 | 1:21:23 | |
Yes, he is, Jim. | 1:21:23 | 1:21:25 | |
There you have it, gentlemen. | 1:21:27 | 1:21:28 | |
He's delivering disinformation. | 1:21:30 | 1:21:32 | |
I suppose you're prepared to elaborate on that. | 1:21:41 | 1:21:43 | |
I suppose I am. | 1:21:43 | 1:21:45 | |
Yesterday, I received a flash memo from my apprentice Jack McAuliffe, he's the man handling Rainbow. | 1:21:47 | 1:21:53 | |
The Russians already knew about the operation, | 1:21:53 | 1:21:55 | |
and they turned Rainbow into their agent. | 1:21:55 | 1:21:58 | |
Which is why Sniper wasn't shut down when Philby passed it on to his handlers. | 1:21:58 | 1:22:05 | |
There are two, | 1:22:05 | 1:22:06 | |
there are five, seven... | 1:22:06 | 1:22:09 | |
different ways to interpret any given set of facts. | 1:22:09 | 1:22:13 | |
Face it, your buddy is a damn spy! | 1:22:13 | 1:22:16 | |
He's been betraying assets for years. | 1:22:16 | 1:22:18 | |
His actions have caused the deaths of dozens, maybe hundreds! Wake up! | 1:22:18 | 1:22:21 | |
So who pushed the bloody panic button? | 1:22:34 | 1:22:37 | |
Maclean fled England last night. | 1:22:37 | 1:22:40 | |
-What's the problem? -Burgess went with him. | 1:22:40 | 1:22:43 | |
Burgess buggered off as well! | 1:22:43 | 1:22:45 | |
Bloody little bastard. | 1:22:45 | 1:22:48 | |
Starik figures you don't have a lot of time to flee the country. | 1:22:48 | 1:22:51 | |
You brought your back-up passport, I hope. | 1:22:51 | 1:22:54 | |
So Starik wants me to run for it? | 1:22:54 | 1:22:57 | |
You don't have a choice. | 1:22:57 | 1:22:59 | |
In that there's hair dye, moustache, eyeglasses, 4,800 in tens and twenties. | 1:23:02 | 1:23:08 | |
Car has clean plates. Your route is written out for you. | 1:23:08 | 1:23:12 | |
There'll be a boat waiting for you in Halifax. | 1:23:12 | 1:23:15 | |
You've been on the firing line for a long time. | 1:23:21 | 1:23:23 | |
It's time for you to come home. | 1:23:26 | 1:23:28 | |
Home? I am a Communist and a Marxist, | 1:23:28 | 1:23:34 | |
but Russia is not my home. | 1:23:34 | 1:23:36 | |
England is my home. | 1:23:38 | 1:23:43 | |
What I relished all these years was the great game. | 1:23:43 | 1:23:47 | |
I am necessary. | 1:23:49 | 1:23:51 | |
Without me, Starik has nothing. | 1:23:52 | 1:23:54 | |
Starik has another. | 1:23:56 | 1:23:58 | |
I hadn't thought of that. | 1:24:01 | 1:24:03 | |
Of course, he would do, wouldn't he? Starik is bloody brilliant. | 1:24:04 | 1:24:10 | |
Philby didn't come in to the office this morning. | 1:24:24 | 1:24:26 | |
And there was no answer at his house. | 1:24:26 | 1:24:28 | |
Shoulda taken more precautions, Jim. | 1:25:05 | 1:25:07 | |
You knew there was a mole in MI6. | 1:25:09 | 1:25:12 | |
You just didn't want to see him standing there right in front of you. | 1:25:15 | 1:25:18 | |
Ernst? | 1:25:47 | 1:25:48 | |
-Faster! Come on! -Any faster and we turn over, Mr Jack. | 1:26:23 | 1:26:29 | |
SIRENS APPROACH, CARS DRAW TO A HALT AND DOORS SLAM SHUT | 1:26:34 | 1:26:37 | |
SHOUTING | 1:26:58 | 1:27:01 | |
THEY SHOUT IN GERMAN, AND BANG AT THE DOOR | 1:27:15 | 1:27:18 | |
GUNSHOT | 1:27:23 | 1:27:25 | |
It wasn't your fault, Jack. | 1:28:09 | 1:28:12 | |
You offered her a ticket out. | 1:28:12 | 1:28:15 | |
She wanted to save the Professor. | 1:28:15 | 1:28:17 | |
I should have insisted that she come with me. | 1:28:19 | 1:28:22 | |
It wasn't your fault. | 1:28:22 | 1:28:23 | |
She said the KGB had caught onto her. | 1:28:27 | 1:28:30 | |
Let me ask you something, Harvey. | 1:28:38 | 1:28:40 | |
Lili wasn't part of your barium meals, was she? | 1:28:44 | 1:28:47 | |
Cos if she was, Harvey, if she was... | 1:28:52 | 1:28:55 | |
Sniper was my crown jewel. | 1:28:55 | 1:28:58 | |
I was ready to give up a lot, | 1:28:58 | 1:29:00 | |
but not Sniper. And not Rainbow. | 1:29:00 | 1:29:04 | |
There's no way I'd put Lili and the Professor on the line. | 1:29:04 | 1:29:07 | |
On my mother's grave, kid. | 1:29:11 | 1:29:13 | |
Onwards and upwards. | 1:29:23 | 1:29:26 | |
Yeah. Onwards. | 1:29:31 | 1:29:34 | |
Subtitles by Red Bee Media Ltd | 1:31:04 | 1:31:08 | |
E-mail [email protected] | 1:31:08 | 1:31:11 |