Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-WOMAN: -Who am I then? | 0:00:32 | 0:00:34 | |
Tell me that first, | 0:00:34 | 0:00:36 | |
and then, if I like being that person, I'll come up. | 0:00:36 | 0:00:39 | |
If not, | 0:00:39 | 0:00:41 | |
I'll stay down here till I'm somebody else. | 0:00:41 | 0:00:44 | |
PHONE: 'Gene, is that you? | 0:00:56 | 0:00:58 | |
'Yes, it's me. | 0:00:58 | 0:01:00 | |
'Ah, dear boy, it is a comfort to hear your voice. | 0:01:00 | 0:01:05 | |
'Do you realise, Gene, this is our 17th conversation? | 0:01:05 | 0:01:09 | |
'You are all I do, Gene.' | 0:01:11 | 0:01:13 | |
Every six months, I am obliged to move to a new apartment. | 0:01:13 | 0:01:18 | |
I settle in, wait to be contacted, only to move on again. | 0:01:18 | 0:01:23 | |
'I think you are reason I remain alive.' | 0:01:23 | 0:01:27 | |
Gene, the Old Man wants you to come home. | 0:01:29 | 0:01:32 | |
Home? | 0:01:32 | 0:01:34 | |
'You mustn't fear going home, dear boy.' | 0:01:34 | 0:01:37 | |
But I am afraid I am bearer of bad news. | 0:01:37 | 0:01:42 | |
It is your father, Gene. | 0:01:42 | 0:01:45 | |
'He's not well.' | 0:01:45 | 0:01:46 | |
-TV: -The American military headquarters in Vietnam. | 0:01:49 | 0:01:52 | |
Once known as Pentagon East. | 0:01:52 | 0:01:54 | |
Now the huge building was a last ditch holding area, | 0:01:54 | 0:01:57 | |
to avoid the threat of surface-to-air missiles. | 0:01:57 | 0:02:00 | |
-Sir. -Thanks, Rose. -You're welcome. | 0:02:00 | 0:02:02 | |
PHONE RINGS | 0:02:11 | 0:02:14 | |
McAuliffe. | 0:02:14 | 0:02:16 | |
Mr McAuliffe, this is Manny Ebbitt in the Operations Center. | 0:02:16 | 0:02:19 | |
What's with the "Mr McAuliffe", Manny? | 0:02:19 | 0:02:21 | |
Wanted to make it official, Jack. Looks like we got a walk-in. | 0:02:21 | 0:02:25 | |
'OK, I'll come over.' | 0:02:25 | 0:02:26 | |
-MANNY: -Last week at the Smithsonian, this woman strikes up a conversation with a Russian diplomat. | 0:02:28 | 0:02:34 | |
They chat and end up having lunch. | 0:02:34 | 0:02:37 | |
Tonight, out of the blue, he shows up at her doorstep. | 0:02:37 | 0:02:40 | |
-How did he get the address? -He knew her name. | 0:02:40 | 0:02:42 | |
After a long talk, she decides to trust him and lets him come up to her place. | 0:02:42 | 0:02:46 | |
And he tells her his whole story. | 0:02:46 | 0:02:49 | |
She agrees to help and calls us. | 0:02:49 | 0:02:51 | |
What does he want? | 0:02:51 | 0:02:53 | |
What any defector wants. Asylum. | 0:02:53 | 0:02:55 | |
Gonna go through my underwear, too? | 0:02:57 | 0:03:00 | |
Ma'am. Be outside if you need me, Sir. | 0:03:00 | 0:03:04 | |
Would you mind waiting in the other room? | 0:03:04 | 0:03:08 | |
I'd mind if I thought someone would notice. Good luck, Sergei. | 0:03:08 | 0:03:13 | |
No. I am... I'm not wanting that. | 0:03:19 | 0:03:22 | |
OK. | 0:03:26 | 0:03:28 | |
Let's chat then. Off the record, | 0:03:28 | 0:03:31 | |
what is your job at the embassy, Mr Kukushkin? | 0:03:31 | 0:03:34 | |
Political attache is my diplomatic cover. | 0:03:34 | 0:03:38 | |
I am rank of captain in KGB. | 0:03:38 | 0:03:40 | |
-You may call me Sergei. -And what do you want with us, Sergei? | 0:03:40 | 0:03:43 | |
Political asylum in America. | 0:03:43 | 0:03:45 | |
For me, for my wife, for my seven-years daughter. | 0:03:45 | 0:03:49 | |
What made you decide to come over? | 0:03:51 | 0:03:53 | |
I am disillusioned with corruption, with inefficiency of Soviet Socialist model. | 0:03:53 | 0:03:59 | |
I believe in Mother Russia, but not Soviet Russia. | 0:03:59 | 0:04:02 | |
No offence, Sergei, | 0:04:05 | 0:04:07 | |
but it sounds kinda thin to me. | 0:04:07 | 0:04:09 | |
My wife, she is heart sick. | 0:04:11 | 0:04:14 | |
She is taking medicine for many years, but is getting worse. | 0:04:14 | 0:04:19 | |
I want her to have good doctor - American doctor. | 0:04:19 | 0:04:23 | |
-She needs surgery? -That is correct. | 0:04:23 | 0:04:26 | |
Why didn't you come before? Why now? | 0:04:26 | 0:04:28 | |
Borisov, KGB resident in Washington, is schoolmate of mine from Lomonosov University. | 0:04:28 | 0:04:34 | |
From him, I know KGB has what you call a mole inside the CIA. | 0:04:34 | 0:04:40 | |
Impossible for me to come over before. | 0:04:40 | 0:04:43 | |
The mole would tell KGB. | 0:04:43 | 0:04:45 | |
Me, my family would be... | 0:04:45 | 0:04:49 | |
Two days ago, after much whisky, | 0:04:49 | 0:04:52 | |
Borisov is telling me both mole and cutout of mole are out of city. | 0:04:52 | 0:04:57 | |
This is moment I must act. | 0:04:57 | 0:05:00 | |
If you can identify the mole, Sergei, | 0:05:00 | 0:05:02 | |
we could bring you and your family over | 0:05:02 | 0:05:04 | |
and make sure that the KGB never found you. | 0:05:04 | 0:05:06 | |
I do not think even resident knows his identity, only that he exists. | 0:05:07 | 0:05:14 | |
But you already know he is not in Washington. Narrows down list. | 0:05:14 | 0:05:18 | |
And I am able to provide... | 0:05:18 | 0:05:21 | |
other particulars. | 0:05:21 | 0:05:24 | |
By telling us this mole and his cutout are out of the country, | 0:05:24 | 0:05:28 | |
Pinnacle gives us the first plausible detail. | 0:05:28 | 0:05:31 | |
That could make him a genuine defector. | 0:05:31 | 0:05:34 | |
When's this, uh... | 0:05:34 | 0:05:36 | |
-What name are we giving this guy? -Pinnacle. | 0:05:36 | 0:05:38 | |
When's this Pinnacle gonna give us some information, Jack? | 0:05:38 | 0:05:42 | |
He gave me one item - the code name of the mole - Sasha. | 0:05:42 | 0:05:46 | |
When we bring the Russian and his family to the other side, | 0:05:46 | 0:05:49 | |
he'll give us the first initial of Sasha's family name, | 0:05:49 | 0:05:53 | |
as well as the dates of a previous vacation that he took. | 0:05:53 | 0:05:56 | |
The dates correspond to a trip that Starik was on as well. | 0:05:56 | 0:06:00 | |
Pinnacle will give us corroborating paperwork to verify this. | 0:06:00 | 0:06:04 | |
With these two pieces of information, | 0:06:04 | 0:06:06 | |
-we should be able to nail his identity cold. -Jim, assessment? | 0:06:06 | 0:06:09 | |
There is a chance this could be a genuine defection. | 0:06:09 | 0:06:13 | |
But even if he is genuine, Starik is more likely dangling some bait in front of my nose. | 0:06:13 | 0:06:18 | |
Well, let's take the worst case. Let's say Pinnacle is bait. | 0:06:18 | 0:06:21 | |
He's offering us the mole - Sasha's identity - | 0:06:21 | 0:06:23 | |
as well as dozens of other juicy titbits. | 0:06:23 | 0:06:26 | |
We should be able to separate the wheat from the chaff. | 0:06:26 | 0:06:29 | |
Almost impossible to do. If Pinnacle is real, | 0:06:29 | 0:06:32 | |
we'll need to go through a lengthy process to establish this fact. | 0:06:32 | 0:06:36 | |
If he is a dispatched agent, | 0:06:36 | 0:06:37 | |
Starik is going through a great deal of trouble | 0:06:37 | 0:06:40 | |
and we'll need to find out why. | 0:06:40 | 0:06:42 | |
We have two weeks, according to Pinnacle. | 0:06:42 | 0:06:44 | |
That's when Sasha returns. | 0:06:44 | 0:06:46 | |
Debriefing a defector is an art unto itself. | 0:06:46 | 0:06:51 | |
It's not simply a matter of asking the right questions, | 0:06:51 | 0:06:55 | |
but not asking the right questions too quickly. | 0:06:55 | 0:06:58 | |
Very delicate game - very delicate. | 0:06:58 | 0:07:01 | |
I'd like to bring someone in on this. | 0:07:02 | 0:07:04 | |
Defections take time, Sergei. | 0:07:07 | 0:07:09 | |
-How much time? -Five, six weeks. | 0:07:09 | 0:07:12 | |
Sasha is back in Washington before five weeks! | 0:07:12 | 0:07:17 | |
In five weeks, I am dead man! | 0:07:17 | 0:07:20 | |
Calm down, Sergei, there's a way out of this. | 0:07:20 | 0:07:22 | |
There is no way out of coffin! | 0:07:22 | 0:07:24 | |
PHONE RINGS | 0:07:24 | 0:07:26 | |
-What should I do? -Does anyone ever call you this late? | 0:07:30 | 0:07:33 | |
Just my mother a few times. Could be her. | 0:07:33 | 0:07:35 | |
-Answer it. -But what if it isn't her? What do I say? | 0:07:35 | 0:07:38 | |
Don't say anything. You're a woman having an affair with a married man. | 0:07:38 | 0:07:42 | |
You'll naturally be evasive, secretive. | 0:07:42 | 0:07:45 | |
Hello? | 0:07:45 | 0:07:46 | |
No, there's no-one here by that name. | 0:07:48 | 0:07:51 | |
You're welcome, goodbye. | 0:07:51 | 0:07:55 | |
The SK is having her phone number. | 0:07:55 | 0:07:58 | |
They are checking on me to see if there is woman here. | 0:07:58 | 0:08:03 | |
He had an accent. | 0:08:03 | 0:08:04 | |
Your people trust you as much as we do! | 0:08:04 | 0:08:07 | |
Thank you. You did very well. | 0:08:07 | 0:08:09 | |
So, this is how you play me, Jack? | 0:08:12 | 0:08:15 | |
-You make me to give you now, everything. -No, not everything. | 0:08:15 | 0:08:19 | |
Give us the first initial of Sasha's last name, | 0:08:19 | 0:08:22 | |
and when he was absent from Washington before. | 0:08:22 | 0:08:24 | |
Is everything I have to bargain with! | 0:08:24 | 0:08:27 | |
How do I know you are not leaving me out in the cold? Huh? | 0:08:27 | 0:08:30 | |
How can I not know? | 0:08:30 | 0:08:32 | |
You give us Sasha, you'll never have to worry about your well-being again, | 0:08:32 | 0:08:37 | |
or that of your wife or daughter. | 0:08:37 | 0:08:39 | |
How can she visit doctor? | 0:08:39 | 0:08:41 | |
KGB will get suspicious. | 0:08:41 | 0:08:43 | |
She'll complain of a toothache. | 0:08:46 | 0:08:48 | |
It will require several visits to a dentist on our payroll. | 0:08:48 | 0:08:51 | |
At the dentist's office, there will be a top cardiologist from Walter Reed Hospital waiting for her. | 0:08:51 | 0:08:57 | |
The Company has roughly 20,000 regular employees | 0:08:58 | 0:09:03 | |
and 4,000 contract employees. | 0:09:03 | 0:09:06 | |
Clandestine System alone has 5,000 - | 0:09:06 | 0:09:09 | |
4,000 in Washington - another 1,000 spread over the globe. | 0:09:09 | 0:09:13 | |
You're loving this, aren't you, Jim? Taking your time, drawing it out. | 0:09:13 | 0:09:18 | |
Your moment on the stage after years sitting in a dark little room | 0:09:18 | 0:09:21 | |
with your little bits of information. | 0:09:21 | 0:09:23 | |
Torriti, we'll hear him out. | 0:09:23 | 0:09:25 | |
You will want to hear me out, Harvey. | 0:09:25 | 0:09:28 | |
Because my tentative conclusion | 0:09:28 | 0:09:30 | |
is that Pinnacle may be that rarest of breeds - a genuine defector. | 0:09:30 | 0:09:35 | |
You want to walk us through the information, Jim? | 0:09:35 | 0:09:38 | |
Information. Yes. | 0:09:38 | 0:09:41 | |
Number one. | 0:09:41 | 0:09:43 | |
Pinnacle claims "Sasha" is a Russian speaker. | 0:09:43 | 0:09:47 | |
Two. | 0:09:49 | 0:09:51 | |
Sasha's last name begins with the letter...K. | 0:09:51 | 0:09:56 | |
The computer came back with the names | 0:09:56 | 0:09:59 | |
of 244 Russian-speaking Company employees | 0:09:59 | 0:10:02 | |
who have a last name beginning with the letter K, | 0:10:02 | 0:10:05 | |
all of whom are expected to be away from Washington till Sunday. | 0:10:05 | 0:10:10 | |
Which... | 0:10:10 | 0:10:12 | |
brings me to the point that I've... | 0:10:12 | 0:10:14 | |
put on the back burner for 13 years. | 0:10:14 | 0:10:17 | |
You need the patience of a saint for counter-intelligence. | 0:10:17 | 0:10:22 | |
Nurturing seemingly... meaningless bits of data, | 0:10:22 | 0:10:27 | |
amassing and collecting thousands of unrelated facts, | 0:10:27 | 0:10:33 | |
creating and interlocking... | 0:10:33 | 0:10:36 | |
..a picture which really only comes into focus | 0:10:37 | 0:10:41 | |
through your own interpretation. | 0:10:41 | 0:10:43 | |
And all the while, you hear voices whispering behind your back. | 0:10:43 | 0:10:48 | |
Mother's obsessed, they say. Paranoid. | 0:10:50 | 0:10:53 | |
A conclusion searching for confirmatory evidence. | 0:10:53 | 0:10:58 | |
Believe me, I heard it all, I heard every word. | 0:10:58 | 0:11:03 | |
The information, Mother? | 0:11:03 | 0:11:05 | |
I always knew... | 0:11:10 | 0:11:11 | |
..if we could find Sasha's cutout, we could find Sasha. | 0:11:15 | 0:11:19 | |
And that is what I've been waiting for all this time. | 0:11:19 | 0:11:23 | |
In 1961, | 0:11:23 | 0:11:26 | |
the FBI stumbled across an old Communist named Max Cohen - | 0:11:26 | 0:11:32 | |
aka Kahn. | 0:11:32 | 0:11:35 | |
Kahn provided the perfect cover | 0:11:35 | 0:11:36 | |
for a Soviet cutout who lived above his store | 0:11:36 | 0:11:39 | |
who delivered liquor to hundreds of clients in the Washington area. | 0:11:39 | 0:11:43 | |
The cutout went by the name of Dodgson, which, curiously, | 0:11:43 | 0:11:48 | |
was the real name of Lewis Carroll, | 0:11:48 | 0:11:52 | |
author of Alice in Wonderland. | 0:11:52 | 0:11:56 | |
It makes you wonder if Starik isn't, like Lewis Carroll, | 0:11:56 | 0:11:59 | |
creating worlds within worlds | 0:11:59 | 0:12:02 | |
for all of us to get lost in. | 0:12:02 | 0:12:07 | |
Dodgson got away, but I didn't forget him. Not for a moment. | 0:12:07 | 0:12:10 | |
All these years, nurturing bits of data, | 0:12:10 | 0:12:13 | |
seemingly meaningless pieces of evidence. | 0:12:13 | 0:12:15 | |
You have to have the patience of a saint. | 0:12:15 | 0:12:18 | |
James. | 0:12:19 | 0:12:21 | |
I looked over Kahn's delivery invoices for the past ten years, | 0:12:24 | 0:12:28 | |
and discovered that some time in the '50s, | 0:12:28 | 0:12:31 | |
Dodgson had been delivering to a double agent - | 0:12:31 | 0:12:35 | |
my friend and former colleague - Adrian Philby. | 0:12:35 | 0:12:40 | |
With Philby gone, | 0:12:40 | 0:12:41 | |
it seemed logical to suppose that Dodgson would act as a cutout | 0:12:41 | 0:12:47 | |
for Philby's replacement. | 0:12:47 | 0:12:48 | |
His replacement? | 0:12:48 | 0:12:50 | |
Sasha. | 0:12:52 | 0:12:54 | |
Starik knew he could sacrifice Philby. | 0:12:54 | 0:12:58 | |
Sasha was still delivering valuable information. | 0:12:58 | 0:13:01 | |
Checking through Kahn's clients | 0:13:01 | 0:13:03 | |
who had been on the receiving end of deliveries | 0:13:03 | 0:13:06 | |
during the previous ten years, | 0:13:06 | 0:13:08 | |
I was able to identify the names | 0:13:08 | 0:13:10 | |
of 167 full-time Company employees | 0:13:10 | 0:13:15 | |
and 64 contract employees. | 0:13:15 | 0:13:18 | |
You matched the liquor delivery list | 0:13:18 | 0:13:20 | |
against the names of Company employees | 0:13:20 | 0:13:23 | |
who are currently out of the country, | 0:13:23 | 0:13:25 | |
whose last names began with K, and who spoke Russian? | 0:13:25 | 0:13:29 | |
That's pretty damned clever, James. | 0:13:29 | 0:13:31 | |
It seemed too good to be true. | 0:13:33 | 0:13:36 | |
It was. | 0:13:36 | 0:13:38 | |
None of the names cross-referenced. | 0:13:38 | 0:13:41 | |
It may have looked like a dead end to the ordinary eye. | 0:13:41 | 0:13:44 | |
But not to mine. | 0:13:46 | 0:13:48 | |
Last Saturday, as my wife was on the telephone | 0:13:48 | 0:13:52 | |
making restaurant reservations in her maiden name - | 0:13:52 | 0:13:56 | |
security precautions. | 0:13:56 | 0:13:57 | |
It hit me Sasha could have a wife. | 0:13:59 | 0:14:02 | |
Sasha could have his wife order the liquor from Kahn's, using her maiden name. | 0:14:02 | 0:14:08 | |
In the six years between Philby's disappearance and Max Kahn's arrest, | 0:14:08 | 0:14:13 | |
I've compared the maiden names | 0:14:13 | 0:14:15 | |
of the wives Dodgson had delivered liquor to, | 0:14:15 | 0:14:17 | |
against the suspects from the Pinnacle leads. | 0:14:17 | 0:14:20 | |
It's brilliant! | 0:14:20 | 0:14:21 | |
So what was the maiden name? | 0:14:21 | 0:14:24 | |
You're not going to like it. | 0:14:24 | 0:14:28 | |
Why? | 0:14:28 | 0:14:29 | |
Was it great? Tell me everything. | 0:14:36 | 0:14:38 | |
It was wonderful. The French countryside, the food, the wine. | 0:14:38 | 0:14:42 | |
Everything, except for the part | 0:14:42 | 0:14:44 | |
where your father went off to get cigarettes and got completely lost. | 0:14:44 | 0:14:48 | |
-What happened, Daddy? -Your mother thought I had a brief encounter with a local peasant girl, | 0:14:48 | 0:14:53 | |
but really I just couldn't understand people's directions! | 0:14:53 | 0:14:56 | |
I'm not quite convinced that he didn't have an affair with a French girl. | 0:14:56 | 0:15:00 | |
I can't speak French well enough to order lunch, | 0:15:00 | 0:15:03 | |
let alone lure some stranger into bed. | 0:15:03 | 0:15:05 | |
Mr Kritzky, I've been instructed to hand deliver this eyes-only letter to you, Sir. | 0:15:05 | 0:15:09 | |
-What is it, Daddy? -The director wants to see me right away. | 0:15:13 | 0:15:18 | |
Doesn't say why. | 0:15:19 | 0:15:21 | |
Sir, I have transportation waiting. | 0:15:21 | 0:15:23 | |
What department are you with? | 0:15:23 | 0:15:26 | |
I'm with the Department of Internal Security, sir. | 0:15:26 | 0:15:29 | |
What's going on, Leo? | 0:15:29 | 0:15:32 | |
I don't know, but I'm going to find out. | 0:15:32 | 0:15:34 | |
Erika, would you drive your mother home? Sorry, darling. | 0:15:34 | 0:15:37 | |
I'll be home in time for dinner. | 0:15:37 | 0:15:39 | |
Hey! | 0:15:41 | 0:15:42 | |
What is this? | 0:15:42 | 0:15:43 | |
Lean forward, Mr Kritzky, and put your head between your knees. | 0:15:43 | 0:15:47 | |
I will not, you little bastard! | 0:15:47 | 0:15:49 | |
Place your clothes on this table one article at a time, very slowly. Start with the left shoe. | 0:15:54 | 0:15:59 | |
You want me to strip? | 0:16:01 | 0:16:03 | |
Why? | 0:16:03 | 0:16:06 | |
No talking. | 0:16:06 | 0:16:07 | |
We must search your clothes, then do a cavity search. | 0:16:07 | 0:16:10 | |
A cavity search? | 0:16:10 | 0:16:13 | |
This is absurd! You call William Colby DCI, immediately. | 0:16:13 | 0:16:17 | |
You tell him that Leo Kritzky is being held here. | 0:16:17 | 0:16:19 | |
He'll clear up any confusion you... | 0:16:19 | 0:16:21 | |
Now, shall we start again, Mr Kritzky? | 0:16:23 | 0:16:25 | |
Your left shoe, slowly, please. | 0:16:25 | 0:16:28 | |
How about... | 0:17:06 | 0:17:07 | |
..we begin with your father? | 0:17:14 | 0:17:16 | |
Jim, it's me, Leo. Leo Kritzky. | 0:17:20 | 0:17:24 | |
Start with your father. | 0:17:30 | 0:17:32 | |
They strip-searched me for God's sake. | 0:17:34 | 0:17:37 | |
Can I have some water, please? | 0:17:41 | 0:17:43 | |
Water in the bowl. | 0:17:45 | 0:17:47 | |
You're out of your damn mind. | 0:17:53 | 0:17:54 | |
You're crazy if you think I'm going to drink out of a toilet! | 0:17:58 | 0:18:02 | |
When you get thirsty enough, you will. | 0:18:02 | 0:18:04 | |
Bill, for Christ's sakes, this has got be a blind alley. | 0:18:04 | 0:18:08 | |
I've known Leo since Yale. | 0:18:08 | 0:18:09 | |
We rowed together. We roomed together. | 0:18:09 | 0:18:13 | |
I'm the godfather to his children. | 0:18:13 | 0:18:15 | |
I would stake my life on him. | 0:18:15 | 0:18:17 | |
And what if it's true, Jack? | 0:18:17 | 0:18:20 | |
It isn't. | 0:18:20 | 0:18:22 | |
It can't be true. | 0:18:22 | 0:18:25 | |
All those ops that went sour on Torriti... | 0:18:25 | 0:18:27 | |
Your assets in Berlin - the professor and the ballet dancer. | 0:18:29 | 0:18:32 | |
-What was her name? Rainbow, Sniper? -Rainbow? | 0:18:32 | 0:18:34 | |
Kritzky worked with The Wiz in the '50s, he knew all about your Budapest mission. | 0:18:34 | 0:18:38 | |
He was Bissell's right hand man during the Bay of Pigs. | 0:18:38 | 0:18:42 | |
Who better, who better to be a KGB mole | 0:18:42 | 0:18:44 | |
than the man running the Soviet Division? | 0:18:44 | 0:18:47 | |
This kind of thing's happened before. Philby, for one. | 0:18:47 | 0:18:51 | |
Leo's wife, she was the White House legislative aide during the Johnson Presidency. | 0:18:51 | 0:18:56 | |
Just imagine the kind of inside stuff he could have gotten on Vietnam! | 0:18:56 | 0:19:00 | |
It makes me sick to my stomach. | 0:19:00 | 0:19:01 | |
You're going to stay in this room | 0:19:01 | 0:19:03 | |
until you've answered all my questions, many times. | 0:19:03 | 0:19:07 | |
We're going to go over and over your life, | 0:19:07 | 0:19:09 | |
before and after you joined the Company. | 0:19:09 | 0:19:12 | |
Weeks, months, | 0:19:15 | 0:19:18 | |
it's really no skin off my nose. | 0:19:18 | 0:19:19 | |
I'm not in any hurry. | 0:19:19 | 0:19:21 | |
Would you like to begin with your father | 0:19:23 | 0:19:25 | |
or should I come back tomorrow? | 0:19:25 | 0:19:27 | |
You son of a bitch. | 0:19:35 | 0:19:37 | |
My father's name was Abraham Kritzky. | 0:19:50 | 0:19:52 | |
He was born in the Jewish quarter of Vilnius, in November of 1896. | 0:19:52 | 0:19:58 | |
Emigrated to America in the 1910 pogroms. | 0:19:58 | 0:20:02 | |
Go on. | 0:20:04 | 0:20:05 | |
He got a job working at the Triangle Shirtwaist factory | 0:20:05 | 0:20:12 | |
sewing bands inside hats. | 0:20:12 | 0:20:15 | |
He was there when the famous fire of 1911 broke out | 0:20:15 | 0:20:19 | |
and killed 150 seamstresses. | 0:20:19 | 0:20:21 | |
He got out with his sewing machine strapped to his back | 0:20:21 | 0:20:25 | |
when firemen hacked open a locked fire door. | 0:20:25 | 0:20:28 | |
Did the experience make him bitter? | 0:20:30 | 0:20:33 | |
Yeah, of course it made him bitter. | 0:20:33 | 0:20:35 | |
Did it turn him against capitalism? | 0:20:35 | 0:20:38 | |
Jim, you know, I went over all this when I was recruited. | 0:20:38 | 0:20:41 | |
The Company knows everything. There are no secrets. | 0:20:41 | 0:20:44 | |
My father's a Socialist, it's common knowledge. | 0:20:44 | 0:20:47 | |
He was a bleeding heart, which wasn't a federal crime | 0:20:48 | 0:20:51 | |
until the House Un-American Activities came along. | 0:20:51 | 0:20:55 | |
You were born October 29th, | 0:20:57 | 0:21:00 | |
1929, the day... | 0:21:00 | 0:21:02 | |
The day the stock market crashed. Are you going to read something into that too? | 0:21:02 | 0:21:06 | |
By then, your father had started a small business. | 0:21:06 | 0:21:10 | |
The crash wiped him out. | 0:21:10 | 0:21:12 | |
Yeah, the banks called in his loans. | 0:21:12 | 0:21:14 | |
He'd bought the Brownstone on Grand Street, and he lost everything. | 0:21:14 | 0:21:19 | |
And then what happened? | 0:21:23 | 0:21:25 | |
I could come back... | 0:21:30 | 0:21:33 | |
tomorrow, after my 11 o'clock conference call, | 0:21:33 | 0:21:36 | |
if you'd prefer that. | 0:21:36 | 0:21:38 | |
He jumped off the Brooklyn Bridge. | 0:21:40 | 0:21:42 | |
They found his body washed up under the pier the next morning. | 0:21:45 | 0:21:49 | |
Did capitalism kill your father? | 0:21:53 | 0:21:56 | |
No, my father killed himself. | 0:21:56 | 0:21:58 | |
Did capitalism kill your father? | 0:22:01 | 0:22:03 | |
Capitalism in the '20s and '30s created conditions | 0:22:03 | 0:22:07 | |
that caused a great many people to kill themselves, | 0:22:07 | 0:22:10 | |
including the capitalists | 0:22:10 | 0:22:12 | |
who threw themselves out of Wall Street windows in 1929. | 0:22:12 | 0:22:15 | |
You going to interrogate their sons? | 0:22:15 | 0:22:17 | |
Mmm... | 0:22:17 | 0:22:18 | |
TURNS PAGES | 0:22:18 | 0:22:20 | |
Jim, my wife is going to start asking questions | 0:22:20 | 0:22:23 | |
when I don't turn up at home. | 0:22:23 | 0:22:25 | |
By now, the director will have phoned Adelle | 0:22:28 | 0:22:31 | |
and apologised profusely | 0:22:31 | 0:22:32 | |
for packing you off to Asia on such short notice. | 0:22:32 | 0:22:36 | |
"Something's come up," he will have told her. "You'll understand if I don't provide details, Mrs Kritzky." | 0:22:36 | 0:22:41 | |
Your wife will have taken the news bravely. | 0:22:41 | 0:22:44 | |
Of course, she will inquire as to when you might be returning. | 0:22:44 | 0:22:48 | |
Well, when might he be returning? | 0:22:48 | 0:22:50 | |
-'It could take some time.' -The director will have said. | 0:22:50 | 0:22:53 | |
I've instructed him to maintain radio silence, | 0:22:53 | 0:22:56 | |
so he may not be able to speak with you any time soon. | 0:22:56 | 0:22:59 | |
But I will call you personally, when I have more to tell you. | 0:22:59 | 0:23:02 | |
-She might say... -Will he be in any danger? | 0:23:02 | 0:23:05 | |
"None whatsoever," the director will reassure her. | 0:23:05 | 0:23:08 | |
"You have my personal word on that." | 0:23:08 | 0:23:11 | |
Thank you, Sir. | 0:23:12 | 0:23:13 | |
-Mommy! -I'm coming, Max. | 0:23:15 | 0:23:19 | |
Papa... | 0:23:44 | 0:23:46 | |
Yevgeny! | 0:23:53 | 0:23:54 | |
Olive? Afraid I'm out at the moment. | 0:24:05 | 0:24:09 | |
Twist? Haven't got that either, old boy. | 0:24:09 | 0:24:14 | |
Got ice. | 0:24:14 | 0:24:17 | |
Plenty of that in Moscow. | 0:24:17 | 0:24:20 | |
Starik send you round to check up on me, Eugene? | 0:24:20 | 0:24:27 | |
Is that what you call yourself? | 0:24:27 | 0:24:28 | |
No, Starik doesn't even know that I'm here. I brought you these. | 0:24:28 | 0:24:33 | |
Ah, well... | 0:24:33 | 0:24:35 | |
that's awfully kind of you, Eugene. | 0:24:35 | 0:24:38 | |
I do love to check up on the latest from Savile Row. | 0:24:38 | 0:24:41 | |
Good Lord, prices have skyrocketed. | 0:24:44 | 0:24:49 | |
How's Russia treating you? | 0:24:57 | 0:25:00 | |
Get anything I want in Moscow. | 0:25:01 | 0:25:04 | |
Easy as falling off a log. | 0:25:04 | 0:25:06 | |
Just draw up a shopping list. | 0:25:06 | 0:25:08 | |
Mango chutney from Harrod's, beluga from the Caspian. | 0:25:10 | 0:25:16 | |
It's more upscale than your average English slammer, mind you. | 0:25:16 | 0:25:20 | |
I first saw the light of communism way back in Cambridge, | 0:25:22 | 0:25:26 | |
but never in my wildest dreams did I imagine I'd be living here. | 0:25:26 | 0:25:30 | |
Who'd have thought I'd be living in America? | 0:25:32 | 0:25:36 | |
They tell me I need round the clock minding, | 0:25:36 | 0:25:40 | |
to prevent MI6 from... | 0:25:40 | 0:25:42 | |
knocking me off, | 0:25:42 | 0:25:44 | |
but what they're really afraid of | 0:25:44 | 0:25:47 | |
is that Jimbo Angleton may have turned me into a t... triple agent. | 0:25:47 | 0:25:53 | |
By God, if I was a triple agent, | 0:25:53 | 0:25:55 | |
I'd be up nights trying to figure out which side I was working for. | 0:25:55 | 0:26:00 | |
Starik didn't send you to check up on me? | 0:26:03 | 0:26:06 | |
I miss the great game, Eugene. | 0:26:11 | 0:26:14 | |
Well, thanks for the drink. | 0:26:19 | 0:26:22 | |
Come back and see me again before you go back, | 0:26:23 | 0:26:26 | |
won't you? | 0:26:26 | 0:26:28 | |
Love to chat about... | 0:26:28 | 0:26:30 | |
what's happening these days in the colonies, as it were. | 0:26:30 | 0:26:35 | |
Yes, I'd like that. | 0:26:35 | 0:26:37 | |
Goodbye. | 0:26:38 | 0:26:39 | |
Let me take a look at this hero of Mother Russia. | 0:26:47 | 0:26:51 | |
You have not changed, Yevgeny. | 0:26:55 | 0:26:58 | |
For a long time, I have been planning Kholstomer. | 0:27:02 | 0:27:05 | |
Since the 1950s, the KGB has been retaining hard currency | 0:27:08 | 0:27:11 | |
from the sales of our national gas company, | 0:27:11 | 0:27:14 | |
as well as oil sales abroad, | 0:27:14 | 0:27:16 | |
and placing the proceeds into shell companies. | 0:27:16 | 0:27:20 | |
The amount in these shells now total more than 63 billion in American dollars. | 0:27:20 | 0:27:26 | |
63 billion? | 0:27:26 | 0:27:28 | |
The beauty of Kholstomer | 0:27:28 | 0:27:30 | |
is that the dollars are held in banks in the city of New York. | 0:27:30 | 0:27:34 | |
The abrupt sale of our 63 billion | 0:27:34 | 0:27:36 | |
will suck in people and institutions - | 0:27:36 | 0:27:39 | |
speculators from all over the world. | 0:27:39 | 0:27:42 | |
Asian and European Central Banks, and the American stock market itself. | 0:27:42 | 0:27:47 | |
The American economy will crumble. | 0:27:47 | 0:27:49 | |
Yes, can you see it, now, Yevgeny? | 0:27:49 | 0:27:52 | |
Americans, British, French - | 0:27:52 | 0:27:54 | |
the whole western world will suffer an economic holocaust. | 0:27:54 | 0:27:59 | |
And the peoples of these nations, | 0:27:59 | 0:28:01 | |
rising up to demand a government of equality, of workers. | 0:28:01 | 0:28:05 | |
All these nation crying out for change, Yevgeny - for communism. | 0:28:05 | 0:28:09 | |
With the CIA crippled, | 0:28:09 | 0:28:10 | |
American minds will be open to a campaign of Communist ideals. | 0:28:10 | 0:28:14 | |
And the Soviet Union's example of equality, communality, | 0:28:14 | 0:28:17 | |
and hope for the good within us all | 0:28:17 | 0:28:19 | |
will shine like a beacon for the world to see. | 0:28:19 | 0:28:22 | |
I know that you are lonely, homesick, and at times, | 0:28:25 | 0:28:30 | |
you may wonder if this is all worth it. | 0:28:30 | 0:28:33 | |
It is, Yevgeny. | 0:28:33 | 0:28:34 | |
And the Soviet people need you to go back. | 0:28:36 | 0:28:39 | |
Back to the front lines for one last battle. | 0:28:39 | 0:28:41 | |
Do the initials "LK" in the upper right-hand corner look familiar? | 0:28:46 | 0:28:51 | |
Jim, I think that I need a doctor, | 0:28:57 | 0:29:03 | |
because when I pull on my hair, it comes out in clumps. | 0:29:03 | 0:29:06 | |
They never turn the lights off and it's driving me insane. | 0:29:07 | 0:29:10 | |
Your name turns up in a great number of op orders | 0:29:12 | 0:29:17 | |
that were blown or compromised. | 0:29:17 | 0:29:20 | |
Let's go through them, one by one. | 0:29:20 | 0:29:24 | |
Please. | 0:29:24 | 0:29:26 | |
Please, stop. | 0:29:26 | 0:29:27 | |
Just...please stop. | 0:29:29 | 0:29:31 | |
Please stop. | 0:29:34 | 0:29:37 | |
Did you betray Jack McAuliffe's assets in Berlin, codename Rainbow, | 0:29:37 | 0:29:41 | |
-codename Sniper? -God, no. He's my best friend. | 0:29:41 | 0:29:44 | |
Did you betray the Cubans at the Bay of Pigs? | 0:29:44 | 0:29:47 | |
They turn these lights up brighter when you leave. | 0:29:49 | 0:29:52 | |
And it's burning right through my eyelids and I can't sleep. | 0:29:52 | 0:29:56 | |
Please, Jim, just let me sleep. | 0:29:56 | 0:29:58 | |
I can't sleep. | 0:30:01 | 0:30:03 | |
KRITZKY SOBS > | 0:30:05 | 0:30:08 | |
Please let me sleep, Jim. | 0:30:14 | 0:30:17 | |
Only tell the truth and I'll let you sleep as long as you want. | 0:30:17 | 0:30:22 | |
So, what am I supposed to do, Jack? I can't I put a time limit on Mother. It's impossible. | 0:30:30 | 0:30:35 | |
'He's been chasing shadows since Philby was exposed.' | 0:30:35 | 0:30:38 | |
He's decimated the Company's entire Soviet Division in this obsession. | 0:30:38 | 0:30:42 | |
We don't even know if Sasha exists outside of his head! | 0:30:42 | 0:30:46 | |
Jack, If you don't believe that Sasha exists, then your defector, Pinnacle, can't be the real deal. | 0:30:46 | 0:30:51 | |
So, which is it? Is Leo Sasha or is Pinnacle a disinformation agent? | 0:30:51 | 0:30:55 | |
It is not the fittest, | 0:30:58 | 0:31:01 | |
but the most deceptive orchids that survive. | 0:31:01 | 0:31:05 | |
Most orchid species | 0:31:05 | 0:31:08 | |
depend upon their ability to misrepresent themselves to insects. | 0:31:08 | 0:31:12 | |
They deceive them | 0:31:12 | 0:31:14 | |
into landing on them and then, spreading their pollen to other orchids. | 0:31:14 | 0:31:19 | |
This Trichocereus orchid... | 0:31:19 | 0:31:24 | |
so perfectly mimics the underside of a female fly, | 0:31:24 | 0:31:30 | |
down to the hairs and even the odour, | 0:31:30 | 0:31:32 | |
it actually triggers a mating response in passing male flies. | 0:31:32 | 0:31:37 | |
Jim, I need to know if your judgment has become clouded. | 0:31:37 | 0:31:40 | |
Jack... | 0:31:42 | 0:31:44 | |
..deception is everything. | 0:31:48 | 0:31:49 | |
It's an age-old art - arcane, underestimated by kings and leaders. | 0:31:49 | 0:31:54 | |
Our very survival depends upon our ability to see the truth | 0:31:54 | 0:31:59 | |
that lies behind this subterfuge. | 0:31:59 | 0:32:01 | |
Counter-intelligence is the weapon we will put all our faith in, | 0:32:01 | 0:32:05 | |
in order to win this Cold War. | 0:32:05 | 0:32:07 | |
Leo would never betray us. | 0:32:07 | 0:32:10 | |
As I once thought. | 0:32:13 | 0:32:15 | |
"My best friend, a double agent! | 0:32:17 | 0:32:20 | |
"It's absurd beyond belief." | 0:32:20 | 0:32:22 | |
But I was deceived. | 0:32:24 | 0:32:26 | |
We were all deceived by his, I must say, elegant artifice. | 0:32:26 | 0:32:31 | |
And what if you'd caught Philby? | 0:32:31 | 0:32:33 | |
Did you want him telling the world | 0:32:33 | 0:32:35 | |
that his best friend was his A1 source? | 0:32:35 | 0:32:38 | |
That James Angleton was giving him top secret files? | 0:32:38 | 0:32:41 | |
I think that is the last thing that you would want. | 0:32:41 | 0:32:45 | |
Maybe you warned Philby, told him to run. | 0:32:45 | 0:32:49 | |
The damage was done, but he could do a lot more damage to you, Jim. | 0:32:49 | 0:32:53 | |
A lot more. | 0:32:53 | 0:32:55 | |
All those lunches at La Nicoise, talking over state secrets that went from your mouth into Starik's ears. | 0:32:55 | 0:33:02 | |
Scandalous. You'd be out of a job. | 0:33:02 | 0:33:05 | |
An embarrassment, forced into early retirement. | 0:33:05 | 0:33:08 | |
Well, my, my. | 0:33:11 | 0:33:12 | |
You certainly are the Sorcerer's apprentice. | 0:33:14 | 0:33:17 | |
Before Adrian... | 0:33:18 | 0:33:20 | |
betrayed me... | 0:33:20 | 0:33:22 | |
..I always knew where I was. | 0:33:24 | 0:33:26 | |
Now I'm lost. | 0:33:27 | 0:33:29 | |
We're all lost, Jack. | 0:33:30 | 0:33:32 | |
We're lost in the wilderness of mirrors. | 0:33:34 | 0:33:37 | |
My superior had much to drink three nights before. | 0:33:43 | 0:33:48 | |
He left safe open. While he was sleeping, I look inside files. | 0:33:48 | 0:33:52 | |
I see something that might help you, Mr Jack. | 0:33:52 | 0:33:54 | |
-What did you see? -Sasha went on previous trip to meet with Starik. | 0:33:54 | 0:33:59 | |
A trip in 1972, to Nova Scotia. | 0:33:59 | 0:34:02 | |
Do you know this place? | 0:34:02 | 0:34:04 | |
Yeah. I know Nova Scotia. | 0:34:06 | 0:34:10 | |
I check files. | 0:34:11 | 0:34:13 | |
Starik went on trip in autumn of 1972. | 0:34:13 | 0:34:17 | |
You see if perhaps dates match trip your man in custody took. | 0:34:17 | 0:34:22 | |
You check files. | 0:34:22 | 0:34:25 | |
Thanks. I'll check the files. | 0:34:25 | 0:34:29 | |
Angleton, you bastard! Get me food and water in here, now! | 0:34:38 | 0:34:43 | |
Good cop? | 0:34:48 | 0:34:50 | |
No, he's genuinely upset. | 0:34:51 | 0:34:54 | |
Still believes he's innocent. | 0:34:54 | 0:34:57 | |
If he'd just accept the truth, he'd be wringing his neck right now. | 0:34:57 | 0:35:01 | |
Listen to me, this doesn't have to end | 0:35:01 | 0:35:03 | |
with you spending the rest of your days in prison. | 0:35:03 | 0:35:06 | |
Why would I go to prison? | 0:35:06 | 0:35:08 | |
It's delicious. | 0:35:33 | 0:35:35 | |
Cold. | 0:35:35 | 0:35:36 | |
Do you believe it? Do you believe I'm Sasha? | 0:35:42 | 0:35:47 | |
We know it, Leo. | 0:35:47 | 0:35:50 | |
I'm here to offer you a deal. | 0:35:50 | 0:35:52 | |
How do you know I'm Sasha? | 0:35:52 | 0:35:54 | |
We have a Russian defector, Pinnacle. | 0:35:54 | 0:35:57 | |
This Pinnacle identified me by name, said Leo Kritzky is Sasha? | 0:35:58 | 0:36:02 | |
He said that Sasha's last name begins with the letter K. | 0:36:02 | 0:36:06 | |
Said he speaks fluent Russian. | 0:36:06 | 0:36:08 | |
Said that the Russian spymaster, Starik, | 0:36:08 | 0:36:10 | |
was just in the South of France visiting an agent. | 0:36:10 | 0:36:13 | |
In September of '72, Sasha met Starik in Nova Scotia. | 0:36:13 | 0:36:18 | |
I was on a bicycle trip with Adelle in Nova Scotia in September of '72, you know that. | 0:36:18 | 0:36:23 | |
Yes, Leo. | 0:36:23 | 0:36:25 | |
Did it ever occur to you that Starik was feeding you a phoney defector with phoney information? | 0:36:27 | 0:36:32 | |
It would be easy to look at my daily schedule and concoct some kind of scenario. | 0:36:32 | 0:36:38 | |
No. | 0:36:38 | 0:36:40 | |
There are too many coincidences. | 0:36:40 | 0:36:42 | |
-Did you flutter him? -We will flutter him when we get him over for good. | 0:36:44 | 0:36:48 | |
Pinnacle will never take a lie detector. | 0:36:48 | 0:36:50 | |
He'll be run over by a car or mugged in an alleyway | 0:36:50 | 0:36:52 | |
or whisked back to Mother Russia for some reason that sounds plausible, | 0:36:52 | 0:36:56 | |
but he won't be fluttered because he will never be brought in. | 0:36:56 | 0:36:59 | |
He won't be brought in because he's a phoney sent to convince Angleton | 0:36:59 | 0:37:03 | |
-that I am Sasha. -If you're not, Leo, that means he's still out there. | 0:37:03 | 0:37:09 | |
-Yes. -If that's true, then why hasn't Pinnacle been put on ice by the KGB? | 0:37:09 | 0:37:14 | |
Jack, he hasn't been put on ice because Pinnacle is a fake. | 0:37:14 | 0:37:18 | |
And Sasha, if he exists, knows it - they're all in on it. | 0:37:18 | 0:37:21 | |
Starik, the defector, Sasha. | 0:37:21 | 0:37:23 | |
And they're all manipulating the mind of one paranoid dinosaur, James Jesus Angleton. | 0:37:23 | 0:37:28 | |
Who do you believe? I was your damn crewmate! | 0:37:28 | 0:37:32 | |
I believe Pinnacle, Leo. | 0:37:38 | 0:37:40 | |
Thanks for the drink, Jack. | 0:37:54 | 0:37:56 | |
I think I'd like you to go now. | 0:37:59 | 0:38:01 | |
Leo, look at the mess that you're in. | 0:38:02 | 0:38:06 | |
Think about your family. | 0:38:07 | 0:38:10 | |
Admit it, and we'll double you. | 0:38:10 | 0:38:12 | |
We will turn you against Starik. | 0:38:12 | 0:38:15 | |
The only way I'm leaving this room is in a bag, or walking out that door a free man. | 0:38:17 | 0:38:22 | |
Jack... | 0:38:31 | 0:38:33 | |
..go to hell! | 0:38:35 | 0:38:37 | |
There's no reason to think he was coerced into getting on the plane. | 0:39:09 | 0:39:13 | |
The bastard just up and left. | 0:39:13 | 0:39:15 | |
Pinnacle could have buttonholed a policeman and demanded asylum. | 0:39:15 | 0:39:18 | |
The fact that he didn't speaks for itself. | 0:39:18 | 0:39:21 | |
He was going of his own free will. | 0:39:21 | 0:39:22 | |
Yes, well. That's the way it was supposed to appear. | 0:39:22 | 0:39:26 | |
The safety of his wife and daughter | 0:39:26 | 0:39:28 | |
was being held over his head as a threat. | 0:39:28 | 0:39:30 | |
He had to go back or else he would lose his family forever. | 0:39:30 | 0:39:34 | |
Our informant at Moscow's airport has positively identified Kukushkin. | 0:39:34 | 0:39:38 | |
So, he's in Moscow for certain? | 0:39:38 | 0:39:40 | |
Not only that. | 0:39:40 | 0:39:42 | |
Informant says that two men grabbed him, brought him to a car, | 0:39:42 | 0:39:46 | |
-and placed him inside none too gently. -Oh, God. | 0:39:46 | 0:39:49 | |
We were so careful! | 0:39:49 | 0:39:50 | |
We have Sasha locked up. | 0:39:50 | 0:39:52 | |
So how did they know? How in the hell did they know?! | 0:39:52 | 0:39:56 | |
KNOCKING ON DOOR | 0:39:57 | 0:40:00 | |
"Traitor Kukushkin trial. | 0:40:02 | 0:40:04 | |
"Spied for Americans. | 0:40:04 | 0:40:06 | |
"Betrayer of the Motherland." | 0:40:06 | 0:40:08 | |
You'd think it'd get easier over time. | 0:40:15 | 0:40:17 | |
What would? | 0:40:20 | 0:40:21 | |
Losing people. | 0:40:24 | 0:40:26 | |
People who trusted you. | 0:40:30 | 0:40:32 | |
People you cared about. | 0:40:35 | 0:40:37 | |
What should we do now, Jack? | 0:40:38 | 0:40:41 | |
There's nothing we can do. | 0:40:43 | 0:40:45 | |
Let it go. | 0:40:47 | 0:40:48 | |
Can you do that, Manny? | 0:40:50 | 0:40:51 | |
PHONE RINGS | 0:40:55 | 0:40:57 | |
McAuliffe. | 0:40:58 | 0:41:00 | |
Thought you'd want to know, Jack. | 0:41:00 | 0:41:02 | |
We just got word that Kukushkin was executed this morning by firing squad. | 0:41:02 | 0:41:06 | |
OK, Manny. | 0:41:06 | 0:41:08 | |
Thanks. | 0:41:08 | 0:41:09 | |
The hell, Harvey? | 0:41:19 | 0:41:21 | |
I didn't know you took up golf. | 0:41:21 | 0:41:23 | |
It's one of the things you do when you're about to be retired. | 0:41:23 | 0:41:26 | |
Have a seat, kid. Get yourself a drink. | 0:41:26 | 0:41:29 | |
Get one for me too. | 0:41:29 | 0:41:30 | |
It's 11 in the morning, Harvey. | 0:41:35 | 0:41:37 | |
I love the fresh air. | 0:41:37 | 0:41:39 | |
I'm getting healthy. | 0:41:43 | 0:41:45 | |
So, what brings you to my little retirement community? | 0:41:46 | 0:41:51 | |
Something woke me up last night. It was two things, actually. | 0:41:51 | 0:41:56 | |
First, Angleton hasn't broken Leo. | 0:41:56 | 0:41:59 | |
What else? | 0:41:59 | 0:42:01 | |
Well, number two is actually something Leo said to me | 0:42:01 | 0:42:05 | |
that stuck with me. | 0:42:05 | 0:42:07 | |
He said Pinnacle would never be polygraphed. | 0:42:07 | 0:42:10 | |
He said Kukushkin would be hit by a car, or mugged in an alleyway, | 0:42:10 | 0:42:14 | |
or whisked back to Mother Russia with some excuse that seemed reasonable. | 0:42:14 | 0:42:18 | |
So Leo was right. | 0:42:18 | 0:42:20 | |
Yeah. And now this thing is eating away at me night and day. | 0:42:20 | 0:42:25 | |
Was Kukushkin really sent to me just to convince Angleton that Leo was Sasha? | 0:42:25 | 0:42:29 | |
To keep the heat off the real Sasha? | 0:42:29 | 0:42:31 | |
Yeah, was I like an insect to one of these orchids Angleton talks about, | 0:42:31 | 0:42:35 | |
lured by Pinnacle to finger the wrong guy? | 0:42:35 | 0:42:38 | |
Ach! | 0:42:38 | 0:42:40 | |
I think it stinks. | 0:42:42 | 0:42:45 | |
So, now what? | 0:42:45 | 0:42:46 | |
You want to know if Kukushkin was really executed | 0:42:46 | 0:42:49 | |
or if the whole thing was a sham? | 0:42:49 | 0:42:51 | |
How do we know it even happened? All we have is Pravda to tell us. | 0:42:51 | 0:42:54 | |
And if Kukushkin is still alive? | 0:42:54 | 0:42:56 | |
Kukushkin was a disinformation agent sent to frame Leo, and Leo is innocent. | 0:42:56 | 0:43:01 | |
-And the real Sasha's still out there somewhere. -Exactly. | 0:43:01 | 0:43:04 | |
I gotta go talk to the Rabbi. | 0:43:08 | 0:43:10 | |
These photographs are Kukushkin, his wife and his daughter. | 0:43:12 | 0:43:17 | |
And here's his last known address, | 0:43:17 | 0:43:19 | |
safe house in Moscow. | 0:43:19 | 0:43:20 | |
But if he was not executed, | 0:43:20 | 0:43:22 | |
if this whole thing was theatre, | 0:43:22 | 0:43:25 | |
there ought to be a Kukushkin out there somewhere. | 0:43:25 | 0:43:28 | |
If your people can find out anything, | 0:43:28 | 0:43:31 | |
-my people would be very grateful. -How grateful, Harvey? | 0:43:31 | 0:43:35 | |
Would the whereabouts of Klaus Barbie be of any interest to you? | 0:43:35 | 0:43:40 | |
Oh! | 0:43:42 | 0:43:44 | |
The Rabbi's people used a tried and true method. | 0:43:53 | 0:43:57 | |
They got the forwarding address off a letter | 0:43:57 | 0:43:59 | |
sent to Kukushkin's old address. | 0:43:59 | 0:44:01 | |
After that, it was just a run of the mill surveillance - just waiting around. | 0:44:05 | 0:44:09 | |
Kukushkin is alive and well and living in the town of Irkutsk. | 0:44:09 | 0:44:13 | |
I know it's hard for us to accept, but it proves... | 0:44:13 | 0:44:16 | |
Nothing. Not a thing. | 0:44:16 | 0:44:19 | |
It proves nothing. | 0:44:19 | 0:44:22 | |
-How do you explain this? -Quite simply. | 0:44:23 | 0:44:26 | |
Starik knew I was getting close to Sasha. | 0:44:26 | 0:44:28 | |
So what does he do? | 0:44:28 | 0:44:30 | |
He gives us what we believe is a genuine defector. | 0:44:30 | 0:44:33 | |
And just when I'm getting close, he pulls the rug out from under me. | 0:44:33 | 0:44:40 | |
Makes me believe that I've got the wrong Sasha. | 0:44:40 | 0:44:43 | |
That the real Sasha is still out there, somewhere. | 0:44:43 | 0:44:46 | |
So, of course, we put Leo Kritzky back to work, | 0:44:51 | 0:44:55 | |
and Starik has got his mole back in our operation. | 0:44:55 | 0:44:59 | |
Created and executed by a grandmaster spy. | 0:44:59 | 0:45:02 | |
Absolutely brilliant. | 0:45:02 | 0:45:04 | |
Jim... | 0:45:07 | 0:45:09 | |
Leo Kritzky will be released. | 0:45:09 | 0:45:12 | |
Leo Kritzky... | 0:45:17 | 0:45:19 | |
..is Sasha. | 0:45:21 | 0:45:22 | |
Leo. | 0:45:46 | 0:45:48 | |
Angleton, all of us, have made a horrible mistake. | 0:45:48 | 0:45:53 | |
Does that mean I get to go home? | 0:45:53 | 0:45:56 | |
Yeah, buddy. | 0:45:56 | 0:45:58 | |
Home. | 0:45:58 | 0:46:00 | |
What the hell were you guys doing? | 0:46:06 | 0:46:08 | |
They were protecting the Company from its enemies. | 0:46:08 | 0:46:13 | |
APPLAUSE | 0:46:19 | 0:46:21 | |
All right. All right. | 0:46:28 | 0:46:30 | |
Leo Kritzky's devotion to duty, | 0:46:30 | 0:46:33 | |
his loyalty to the Company, and his grace under fire | 0:46:33 | 0:46:36 | |
have set a high standard for all of us | 0:46:36 | 0:46:39 | |
and for future generations of CIA officers. | 0:46:39 | 0:46:41 | |
Now, it's the nature of things that only a handful of us are aware of the details of your ordeal, Leo, | 0:46:41 | 0:46:47 | |
but all of us owe you a debt of gratitude. | 0:46:47 | 0:46:50 | |
APPLAUSE | 0:46:50 | 0:46:53 | |
When I came on board as a young man, | 0:47:02 | 0:47:05 | |
it was with the intention of serving the country | 0:47:05 | 0:47:08 | |
whose system of governance seemed to offer the best hope for the world. | 0:47:08 | 0:47:12 | |
I imagined it would take the form of dramatic feats | 0:47:14 | 0:47:18 | |
of espionage and counter-espionage. | 0:47:18 | 0:47:21 | |
I have since come to understand that serving in the trenches of the Cold War is no less important. | 0:47:23 | 0:47:30 | |
As John Milton said, "They also serve who only stand and wait." | 0:47:30 | 0:47:36 | |
I appreciate this... | 0:47:40 | 0:47:42 | |
..all of you. | 0:47:43 | 0:47:45 | |
Now I'm gonna get back to my desk, | 0:47:48 | 0:47:51 | |
-and get on with the tedious, day-to-day business of winning the Cold War. -Leo, welcome back! | 0:47:51 | 0:47:56 | |
If you never forgive me, Leo, I understand. | 0:48:00 | 0:48:02 | |
There's nothing to forgive. | 0:48:02 | 0:48:04 | |
You're my best friend. Always have been. | 0:48:06 | 0:48:09 | |
CROWDS CHEER | 0:48:36 | 0:48:39 | |
I... I have an announcement to make. | 0:49:21 | 0:49:26 | |
James Angleton, to my great regret, | 0:49:26 | 0:49:29 | |
made his intentions of retirement clear to me earlier this morning. | 0:49:29 | 0:49:33 | |
I don't need to tell anyone here | 0:49:33 | 0:49:35 | |
that his contributions to the Company | 0:49:35 | 0:49:37 | |
are nothing short of legendary. | 0:49:37 | 0:49:39 | |
Jim, you've worked the trenches and front lines of this war | 0:49:39 | 0:49:43 | |
long before it was a cold one, | 0:49:43 | 0:49:45 | |
and if any old warhorse deserves a pasture, it's you. | 0:49:45 | 0:49:48 | |
Any parting words? | 0:49:50 | 0:49:53 | |
Lenin once said... | 0:49:55 | 0:49:57 | |
"The West are wishful thinkers, | 0:49:59 | 0:50:01 | |
"so we will give them what they want to think." | 0:50:01 | 0:50:05 | |
The Soviets have a master plan - | 0:50:05 | 0:50:08 | |
feeding layer upon layer of disinformation | 0:50:08 | 0:50:11 | |
to the wishful thinkers of the West, | 0:50:11 | 0:50:14 | |
to make them think that we are winning the Cold War. | 0:50:14 | 0:50:17 | |
Nothing could be further from the truth, gentlemen. | 0:50:17 | 0:50:24 | |
I have determined that several world leaders | 0:50:24 | 0:50:28 | |
are either in the employ of, or the pawns of, the KGB. | 0:50:28 | 0:50:32 | |
Harold Wilson, Prime Minister of England, | 0:50:32 | 0:50:34 | |
Olaf Palme, Prime Minister of Sweden, | 0:50:34 | 0:50:38 | |
Willy Brandt, Lester Pearson, former Prime Minister of Canada, | 0:50:38 | 0:50:42 | |
are all KGB assets. | 0:50:42 | 0:50:45 | |
Roger Hollis, head of MI5, is a long-time Soviet agent. | 0:50:45 | 0:50:50 | |
Averell Harriman, the former ambassador to the USSR | 0:50:50 | 0:50:54 | |
and former governor of New York, has been a Soviet agent | 0:50:54 | 0:50:58 | |
since the 1930s. Henry Kissinger is a Soviet agent. | 0:50:58 | 0:51:02 | |
They all defend and advocate | 0:51:08 | 0:51:11 | |
the Soviet strategy of detente. | 0:51:11 | 0:51:14 | |
They are part of the disinformation scheme | 0:51:17 | 0:51:21 | |
to lure us into a... | 0:51:21 | 0:51:23 | |
..position of comfort... | 0:51:26 | 0:51:28 | |
..so that we will believe we are winning the Cold War. | 0:51:30 | 0:51:33 | |
Over the last 20 years, | 0:51:40 | 0:51:41 | |
the CIA has transformed from a network of informants... | 0:51:41 | 0:51:45 | |
..double agents, case workers, to a shadow of that former self. | 0:51:47 | 0:51:52 | |
All the handiwork | 0:51:52 | 0:51:54 | |
..of a Soviet mole inside the CIA, named Sasha. | 0:51:57 | 0:52:02 | |
Starik and Sasha have made certain the world view of America | 0:52:02 | 0:52:05 | |
has shifted from a beacon of hope and justice... | 0:52:05 | 0:52:13 | |
..to a tyrannical, | 0:52:15 | 0:52:19 | |
power-mad, colonialist juggernaut. | 0:52:19 | 0:52:23 | |
Of course, these facts were not handed to me on a silver platter. | 0:52:23 | 0:52:28 | |
I teased them... | 0:52:30 | 0:52:33 | |
I teased them from the wilderness | 0:52:34 | 0:52:36 | |
..with excruciating... | 0:52:37 | 0:52:39 | |
attention to the minutiae. | 0:52:39 | 0:52:42 | |
It takes the patience of a saint. | 0:52:43 | 0:52:45 | |
Philby, the KGB, Sasha, they've tried to discredit and destroy me for years. | 0:52:46 | 0:52:52 | |
And now, of course, they have. | 0:52:52 | 0:52:54 | |
Gentlemen, you do not realise you are surrounded by a wilderness of deception. | 0:52:57 | 0:53:02 | |
Thank you, Jim. | 0:53:02 | 0:53:04 | |
We will try our best to muddle through without you. | 0:53:04 | 0:53:08 | |
You will be missed. | 0:53:13 | 0:53:14 | |
I know it's you, Sasha. | 0:53:25 | 0:53:27 | |
The Rabbi found Kukushkin far too easily. | 0:53:30 | 0:53:33 | |
Starik never would've been that sloppy. Never. | 0:53:33 | 0:53:37 | |
I bear you no hard feelings, Jim. | 0:53:41 | 0:53:44 | |
-Yes? -Whatever you said scared the hell out of them, comrade Starik. | 0:55:03 | 0:55:08 | |
They should be scared. Gorbachev is a pawn. | 0:55:08 | 0:55:11 | |
He's being used by the Americans. | 0:55:11 | 0:55:13 | |
The Politburo are terrified the Americans will wipe out | 0:55:13 | 0:55:16 | |
our second strike mobile train platforms, | 0:55:16 | 0:55:18 | |
leaving us vulnerable to invasion. | 0:55:18 | 0:55:20 | |
How did you do it? | 0:55:20 | 0:55:22 | |
The facts spoke for themselves. | 0:55:22 | 0:55:24 | |
The Americans' Able Archer plan is for a pre-emptive nuclear strike. | 0:55:24 | 0:55:28 | |
I embellished nothing. | 0:55:28 | 0:55:30 | |
The Cold War must continue, Comrade Colonel. | 0:55:30 | 0:55:33 | |
I know how your mind works. | 0:55:33 | 0:55:35 | |
I am not swayed as easily as the rest of them, | 0:55:35 | 0:55:38 | |
but I must congratulate you, Starik. | 0:55:38 | 0:55:40 | |
-You would have made a brilliant chess grandmaster, if you ever played. -But I did. | 0:55:40 | 0:55:45 | |
I did. | 0:55:47 | 0:55:48 | |
Sasha. | 0:56:08 | 0:56:11 | |
Starik has convinced Gorbachev that America is planning a first strike | 0:56:11 | 0:56:15 | |
in an operation known as Able Archer. | 0:56:15 | 0:56:19 | |
You and I both know the whole idea is pure nonsense. | 0:56:19 | 0:56:22 | |
The Russians have a mobile second strike capacity | 0:56:22 | 0:56:26 | |
aboard railroad flatcars - 12 trains with four ICBMs apiece, | 0:56:26 | 0:56:29 | |
shuttling around 300 miles of track. | 0:56:29 | 0:56:31 | |
The Americans know full well that a second strike | 0:56:31 | 0:56:34 | |
launched from the Russian rail platforms | 0:56:34 | 0:56:36 | |
would annihilate the US Eastern seaboard. | 0:56:36 | 0:56:39 | |
What happens to the world then, Eugene? | 0:56:39 | 0:56:41 | |
I don't know, Sasha. | 0:56:41 | 0:56:43 | |
You told me long ago what Starik said to you. | 0:56:44 | 0:56:47 | |
That we should promote the generosity of the human spirit. | 0:56:47 | 0:56:51 | |
So tell me, Eugene, | 0:56:51 | 0:56:53 | |
what does launching a pre-emptive strike to provoke nuclear holocaust | 0:56:53 | 0:56:57 | |
have to do with promoting the generosity of the human spirit? | 0:56:57 | 0:57:00 | |
I'm trying to make sense of this, ladies. | 0:57:02 | 0:57:05 | |
The new computers can analyse so much data that we can run all the old leads that were never followed. | 0:57:05 | 0:57:10 | |
Because it was too time consuming. | 0:57:10 | 0:57:12 | |
There just weren't enough man hours... | 0:57:12 | 0:57:14 | |
woman hours - and the stuff's just laid around forever. | 0:57:14 | 0:57:17 | |
So, we analyzed old transcripts of Radio Moscow from the 1950s. | 0:57:17 | 0:57:20 | |
To look for patterns or repetitions - | 0:57:20 | 0:57:23 | |
phrases appearing out of context... | 0:57:23 | 0:57:25 | |
Because KGB agents abroad might be receiving coded messages | 0:57:25 | 0:57:28 | |
-from these shows. -Yes, I get that part. | 0:57:28 | 0:57:30 | |
We found something in the old transcripts. | 0:57:30 | 0:57:32 | |
A pattern in a nightly quiz show. | 0:57:32 | 0:57:34 | |
-You did? -I adored Alice in Wonderland as a kid, | 0:57:34 | 0:57:37 | |
and in the 23 years this radio program has been airing - | 0:57:37 | 0:57:41 | |
that's 1,200 50-minute broadcasts, | 0:57:41 | 0:57:43 | |
the Lewis Carroll quotations have appeared 24 times. | 0:57:43 | 0:57:46 | |
They instantly caught my eye because I could answer all the quotations. | 0:57:46 | 0:57:50 | |
The Russians wouldn't be so sloppy as to use a radio program to broadcast messages. | 0:57:50 | 0:57:55 | |
But we learned in counter-intelligence seminars | 0:57:55 | 0:57:57 | |
that sometimes these codes are merely recognition symbols - | 0:57:57 | 0:58:01 | |
special sentences to let the agent know | 0:58:01 | 0:58:03 | |
that there'll be something appearing for him later on in the program. | 0:58:03 | 0:58:07 | |
-And after every Lewis Carroll quotation, there was an announcement of a winning lottery number. -Huh! | 0:58:07 | 0:58:12 | |
Angleton once told me that Soviet agents were given American 10 bills | 0:58:12 | 0:58:17 | |
to use in some kind of a code system that we just couldn't break. | 0:58:17 | 0:58:20 | |
We think they took the serial number off the bill | 0:58:20 | 0:58:23 | |
and subtracted it from a lottery number that was broadcast on a radio. | 0:58:23 | 0:58:27 | |
And presto - they'd wind up with a phone number of a contact. | 0:58:27 | 0:58:30 | |
I still don't see how you'd get a phone number unless you had | 0:58:30 | 0:58:33 | |
the particular serial number of the ten dollar... You found the bill? | 0:58:33 | 0:58:37 | |
Not the actual bill, Director. | 0:58:37 | 0:58:40 | |
My team hunted down all the serial numbers from every 10 bill printed between 1945 and 1951, | 0:58:40 | 0:58:46 | |
the likely date that a Soviet agent would've used for a code bill. | 0:58:46 | 0:58:51 | |
Six years of bills? | 0:58:51 | 0:58:52 | |
Over 67 million dollars' worth. | 0:58:52 | 0:58:54 | |
We narrowed it down by assuming that the Soviet agent | 0:58:54 | 0:58:57 | |
would've lived in Washington, | 0:58:57 | 0:58:59 | |
so we used area code 202 as a Rosetta stone. | 0:58:59 | 0:59:02 | |
The computer told us the eight digit serial number on the bill | 0:59:02 | 0:59:05 | |
would have to begin with a three and a zero. | 0:59:05 | 0:59:07 | |
Cut down the number of bills to a manageable size. | 0:59:07 | 0:59:11 | |
It was a matter of burning the midnight oil | 0:59:11 | 0:59:13 | |
to narrow it down to a single 10 bill. | 0:59:13 | 0:59:16 | |
We took the phone numbers we got from the Russian Radio program, | 0:59:16 | 0:59:20 | |
matched them with phone records from DC. | 0:59:20 | 0:59:22 | |
We came up with a Polish immigrant. | 0:59:22 | 0:59:24 | |
She's been moving to a new apartment with a new phone number | 0:59:24 | 0:59:28 | |
almost every year since 1955. | 0:59:28 | 0:59:30 | |
She's 69 years old, never had a job | 0:59:30 | 0:59:32 | |
and it's not clear where she gets money to pay the rent. | 0:59:32 | 0:59:36 | |
We think she's the go-between. | 0:59:36 | 0:59:39 | |
And I think she will lead us to Sasha's cutout. | 0:59:39 | 0:59:42 | |
Maybe she's dead. | 0:59:42 | 0:59:44 | |
Let's go check and see if she's dead. | 0:59:44 | 0:59:47 | |
She's not dead. | 0:59:47 | 0:59:48 | |
I heard the toilet flush a half hour ago. | 0:59:48 | 0:59:51 | |
She's got her favourite soap operas... Oh, wait a minute. | 0:59:51 | 0:59:55 | |
Keys. | 0:59:55 | 0:59:57 | |
Look, I think she's going for the door. | 0:59:57 | 0:59:59 | |
-She's saying goodbye to the cat. -This is it. Let's go. | 0:59:59 | 1:00:02 | |
CAT MIAOWS | 1:00:39 | 1:00:40 | |
She's at the checkout counter. | 1:01:11 | 1:01:13 | |
I got it. Gimme the camera. | 1:01:13 | 1:01:16 | |
-One more. -Yup. | 1:01:27 | 1:01:29 | |
'She's half a block away. | 1:01:35 | 1:01:37 | |
'Do you want me to slow her down?' | 1:01:37 | 1:01:38 | |
Negative. We're out. | 1:01:38 | 1:01:40 | |
I need a picture. You got it? | 1:01:43 | 1:01:45 | |
Go. | 1:01:48 | 1:01:49 | |
We turned her place upside down. | 1:01:55 | 1:01:57 | |
Found these - | 1:01:57 | 1:01:59 | |
coded phrases with their coded equivalents. | 1:01:59 | 1:02:02 | |
And one time cipher pads to break the codes. | 1:02:02 | 1:02:06 | |
We're waiting for Sasha's cutout to call. | 1:02:06 | 1:02:08 | |
I'm also gonna need some repairs on a 1952 Bentley. | 1:02:09 | 1:02:13 | |
'The windshield is cracked, and needs to be replaced. | 1:02:13 | 1:02:18 | |
'And the 1957 Bel Air GS...' | 1:02:18 | 1:02:21 | |
Got him! Pay phone, 8th street and 11th. | 1:02:21 | 1:02:24 | |
..is no longer for sale, in case interested parties ask. | 1:02:24 | 1:02:27 | |
I will pass message along, Gene. | 1:02:27 | 1:02:30 | |
NSA is working on the codes from the phone call right now. | 1:02:38 | 1:02:42 | |
I think it's best we wait and see if the cutout calls back. | 1:02:42 | 1:02:45 | |
And if he doesn't? Pick her up, flip her? | 1:02:45 | 1:02:47 | |
No, she could lead us to Sasha. | 1:02:47 | 1:02:49 | |
A cutout who moves around for 23 years, who has his own cutout to shield his identity. | 1:02:49 | 1:02:55 | |
This guy is too important, whoever he is. | 1:02:55 | 1:02:58 | |
COUGHING | 1:03:00 | 1:03:03 | |
How many people have you shown this to? | 1:03:06 | 1:03:09 | |
No-one. Just you. | 1:03:09 | 1:03:12 | |
I can't make heads of tails of it. It's a list of contact numbers that don't exist, as far as I can tell. | 1:03:12 | 1:03:18 | |
And a series of dates. | 1:03:18 | 1:03:19 | |
-Numbers are not contact numbers. -What are they? | 1:03:19 | 1:03:23 | |
Bank accounts. | 1:03:25 | 1:03:26 | |
SWIFT codes. | 1:03:28 | 1:03:29 | |
What you are seeing, here, Jack... | 1:03:34 | 1:03:36 | |
..are the threads of Kholstomer... | 1:03:38 | 1:03:41 | |
It's not so much Kholstomer's 63 billion, it's the panic that would ensue from a sudden sell-off. | 1:03:45 | 1:03:51 | |
If fund managers and central banks and foreign entities | 1:03:51 | 1:03:54 | |
get the impression the dollar is in free fall, | 1:03:54 | 1:03:57 | |
Kholstomer could have devastating consequences worldwide. | 1:03:57 | 1:04:00 | |
I'll get the President to use his influence at the Federal Reserve to back the dollar on D-Day. | 1:04:01 | 1:04:06 | |
Flood the media with inside stories about Federal Reserve's resolve to support the dollar. | 1:04:06 | 1:04:13 | |
Let the world's financial community know | 1:04:13 | 1:04:15 | |
-the Reserve has an almost unlimited ability to back American currency. -Will that be enough? | 1:04:15 | 1:04:20 | |
Angleton said it himself - prevent the panic, and we crush Kholstomer. | 1:04:20 | 1:04:25 | |
What about Sasha? Won't he know, warn the Russians not to implement Kholstomer? | 1:04:25 | 1:04:30 | |
Sasha won't know as long as this stays in this room. | 1:04:31 | 1:04:35 | |
Why not let it leave the room? | 1:04:35 | 1:04:37 | |
Leak it to the Company. | 1:04:37 | 1:04:39 | |
Let Sasha know we're on to Kholstomer, let him postpone it. | 1:04:39 | 1:04:42 | |
No, we can't let Sasha know. | 1:04:42 | 1:04:44 | |
Kholstomer would always be out there to come back and haunt us. | 1:04:44 | 1:04:48 | |
We need to deal with this now. | 1:04:48 | 1:04:50 | |
PHONE RINGS | 1:04:50 | 1:04:51 | |
Eugene, is that you? | 1:04:51 | 1:04:53 | |
-Yes, it's me. -I didn't think I would hear from you until next month, my dear boy. | 1:04:53 | 1:04:59 | |
-Do you need more repairs... -Starting trace. | 1:04:59 | 1:05:01 | |
-You have to send a warning to the Old Man immediately. -I'm listening. | 1:05:01 | 1:05:06 | |
The other party knows about his intent to sell the 220 SEB Coupe Mercedes with the white finish. | 1:05:06 | 1:05:12 | |
They know about the price, the date of sale, all of it. | 1:05:12 | 1:05:15 | |
'He has to postpone...' | 1:05:15 | 1:05:17 | |
-He's on East 8th and Maplecrest. -'I will let him know immediately.' | 1:05:17 | 1:05:22 | |
'This time we got him.' | 1:05:24 | 1:05:26 | |
-'What's his name? -Renting an apartment under the name Lutwidge.' | 1:05:26 | 1:05:30 | |
We're checking background. | 1:05:30 | 1:05:32 | |
He's careful. | 1:05:32 | 1:05:34 | |
Switched cabs twice and took two different buses coming home. | 1:05:34 | 1:05:38 | |
-And the old lady? -We nabbed her before she could spill the beans. | 1:05:38 | 1:05:42 | |
With Lutwidge's contact gone, won't he get suspicious? | 1:05:43 | 1:05:47 | |
I'm really not too comfortable leaving this guy out there for so long, Jack. | 1:05:47 | 1:05:52 | |
Let's wait just a little longer. | 1:05:53 | 1:05:55 | |
Tell me about this cutout, Jack. | 1:06:03 | 1:06:05 | |
He hasn't left his apartment in two days. | 1:06:10 | 1:06:14 | |
Couldn't get a clear photo of him yet. | 1:06:14 | 1:06:17 | |
Neighbours think he might be a writer. | 1:06:17 | 1:06:20 | |
Tends to keep to himself. | 1:06:20 | 1:06:21 | |
We... We looked in the Library of Congress | 1:06:21 | 1:06:25 | |
to see if he had written anything, or published anything. | 1:06:25 | 1:06:28 | |
Turns out the only thing that came back under his name | 1:06:28 | 1:06:31 | |
was Alice in Wonderland and Through the Looking Glass. | 1:06:31 | 1:06:35 | |
What was this cutout's name? | 1:06:37 | 1:06:39 | |
Goes by the name of Lutwidge. Gene Lutwidge. | 1:06:39 | 1:06:42 | |
The writer of Alice in Wonderland. | 1:06:42 | 1:06:45 | |
Lewis Carroll, we know. | 1:06:45 | 1:06:46 | |
Lewis Carroll's pen name... | 1:06:48 | 1:06:51 | |
..is Charles | 1:06:52 | 1:06:54 | |
-Lutwidge Dodgson. -Dodgson? | 1:06:54 | 1:06:59 | |
The delivery boy we never caught... | 1:06:59 | 1:07:03 | |
..from Kahn's liquor shop. | 1:07:05 | 1:07:07 | |
HE COUGHS | 1:07:07 | 1:07:10 | |
The same delivery boy, Jack, | 1:07:10 | 1:07:13 | |
who made deliveries... | 1:07:13 | 1:07:16 | |
to other people. | 1:07:16 | 1:07:18 | |
Leo was cleared. | 1:07:20 | 1:07:21 | |
Not by me, he wasn't, Jack. | 1:07:23 | 1:07:26 | |
You came to me for advice. | 1:07:29 | 1:07:31 | |
Snatch him up. | 1:07:35 | 1:07:37 | |
Snatch Dodgson up. Now. | 1:07:37 | 1:07:40 | |
Pick him up. | 1:07:50 | 1:07:52 | |
Mr Lutwidge, you are gonna be taken to a secure... | 1:07:56 | 1:07:59 | |
Yevgeny? | 1:07:59 | 1:08:01 | |
Well, Jack, you can't still be mad about that raccoon coat. | 1:08:01 | 1:08:04 | |
Oh my God. | 1:08:09 | 1:08:11 | |
I'm going to say a name to you, Leo. | 1:08:17 | 1:08:19 | |
OK. | 1:08:20 | 1:08:22 | |
Yevgeny Tsipin. | 1:08:22 | 1:08:24 | |
Yevgeny! | 1:08:27 | 1:08:29 | |
He... | 1:08:40 | 1:08:42 | |
slept with my girlfriend at Yale. Did you know that? | 1:08:42 | 1:08:46 | |
We just arrested him for espionage. | 1:08:46 | 1:08:49 | |
Right here in DC. | 1:08:49 | 1:08:51 | |
You're joking? | 1:08:51 | 1:08:54 | |
Yevgeny's a spy? | 1:08:54 | 1:08:55 | |
We think he's Sasha's cutout. | 1:08:55 | 1:08:57 | |
Wow! | 1:08:59 | 1:09:00 | |
ICE CLINKS IN GLASS | 1:09:00 | 1:09:03 | |
-Haven't thought of that guy for... -A few days, Leo? | 1:09:03 | 1:09:07 | |
-What do you mean? -Yevgeny was the delivery boy from Kahn's liquor store. | 1:09:13 | 1:09:18 | |
Yevgeny delivered your liquor. | 1:09:20 | 1:09:22 | |
To your house, Leo! If he was at this door, wouldn't you recognise him? | 1:09:25 | 1:09:29 | |
-Is this just a coincidence? -Relax, Jack, I can explain. -Please do. | 1:09:29 | 1:09:33 | |
Please do, Leo, because God help me, | 1:09:33 | 1:09:35 | |
I got you out of Angleton's prison, and if I was wrong, if I was wrong, | 1:09:35 | 1:09:38 | |
and you killed the Cubans, and you betrayed the Hungarians, | 1:09:38 | 1:09:42 | |
and if you killed Lili, Leo, if you killed Lili... | 1:09:42 | 1:09:45 | |
I don't know what the hell I will do to you. | 1:09:45 | 1:09:47 | |
You were Yevgeny's friend, too. I'm not accusing you of being Sasha. | 1:09:47 | 1:09:51 | |
You and Yevgeny shared a girlfriend. Stella Bledsoe. | 1:09:51 | 1:09:55 | |
I ran a check on her, Leo. I never forgot her name. | 1:09:55 | 1:09:58 | |
She was an American Communist who got caught a while down the road | 1:09:58 | 1:10:02 | |
for trying to recruit an undercover FBI agent. | 1:10:02 | 1:10:04 | |
She kept tabs on Yevgeny at Yale. And she recruited you, Leo, didn't she? | 1:10:04 | 1:10:08 | |
Coach Waltz recruited us, Jack! | 1:10:08 | 1:10:10 | |
Coach Waltz recruited us to the Company. | 1:10:10 | 1:10:12 | |
Stella recruited you to the KGB. | 1:10:12 | 1:10:15 | |
Tell me Stella didn't... | 1:10:15 | 1:10:16 | |
GUNSHOT | 1:10:16 | 1:10:20 | |
Sasha! | 1:10:30 | 1:10:32 | |
I need an ambulance to 1544 Victory Lane. | 1:10:38 | 1:10:42 | |
A man's been shot. | 1:10:42 | 1:10:43 | |
JACK GASPS | 1:10:43 | 1:10:46 | |
Jack, I never took a penny. | 1:11:01 | 1:11:04 | |
I want you to know that. | 1:11:04 | 1:11:06 | |
I did it because I believed in serving the country | 1:11:06 | 1:11:08 | |
whose system of government offered the best hope for the future. | 1:11:08 | 1:11:12 | |
-That system was socialism, Jack. -Adelle... | 1:11:12 | 1:11:15 | |
-She knew, didn't she? -Yes, she did. | 1:11:15 | 1:11:17 | |
But I'm not proud of it. | 1:11:17 | 1:11:20 | |
I was assigned to her to get secrets out of her father, but guess what? | 1:11:20 | 1:11:23 | |
I fell in love with her, Jack. | 1:11:23 | 1:11:26 | |
I did, I swear. | 1:11:26 | 1:11:28 | |
You're scum, Leo! | 1:11:28 | 1:11:30 | |
The Company trained secret police in Argentina, Chile, Iran, Iraq, | 1:11:30 | 1:11:34 | |
Dominican Republic, the list is as long as my arm. This is the business we're in. | 1:11:34 | 1:11:38 | |
So, here we are, now. | 1:11:42 | 1:11:44 | |
You think this is what I had in mind when I joined? | 1:11:44 | 1:11:47 | |
You think this is what I signed up for? You're a hero to me. | 1:11:47 | 1:11:50 | |
I'm sorry, buddy. | 1:11:52 | 1:11:53 | |
You won't catch me. I have contingencies. You'd be wasting your time. | 1:11:57 | 1:12:01 | |
I'm not gonna come out in Pravda and tell the world who I am, I'm just gonna slip away. | 1:12:01 | 1:12:06 | |
I wanna protect my children. | 1:12:06 | 1:12:08 | |
That's why I stayed, to protect my kids. | 1:12:08 | 1:12:11 | |
You're a traitor, Leo! Leo! | 1:12:11 | 1:12:14 | |
Go to hell! | 1:12:16 | 1:12:17 | |
SIRENS APPROACH | 1:12:28 | 1:12:31 | |
-BANGING ON DOOR -Paramedics, anyone in here? | 1:12:36 | 1:12:38 | |
Anyone here? | 1:12:38 | 1:12:40 | |
Harvey? | 1:13:00 | 1:13:02 | |
SNORING | 1:13:02 | 1:13:05 | |
The extraordinary, if restrained, action taken in the Persian Gulf early this morning | 1:13:12 | 1:13:17 | |
was overshadowed through the day | 1:13:17 | 1:13:19 | |
by scenes such as Wall Street has never witnessed. | 1:13:19 | 1:13:22 | |
As the Dow Jones Industrials took off on a fear-fed free-fall | 1:13:22 | 1:13:28 | |
to close down a record 508. 32 points, | 1:13:28 | 1:13:31 | |
panicked traders worked through lunch hours in a desperate but losing attempt | 1:13:31 | 1:13:36 | |
to keep up with tickers that rolled up an all-time high volume. | 1:13:36 | 1:13:39 | |
CBS news looks at this devastating day for the market. | 1:13:39 | 1:13:43 | |
So how bad was the fallout? | 1:13:44 | 1:13:46 | |
It made a ripple, but America always bounces back. | 1:13:46 | 1:13:49 | |
We traced the cash to the KGB connections, the foreign banks | 1:13:49 | 1:13:52 | |
-and the agents of influence that Starik's been using all these years. -You shoulda been there, Jack. | 1:13:52 | 1:13:57 | |
Tessa and Vanessa went ballistic. | 1:13:57 | 1:13:59 | |
They tracked down 100 banks that had major influences on the stock markets. | 1:13:59 | 1:14:03 | |
We knew that our target of five or six banks with connections | 1:14:03 | 1:14:06 | |
to Kholstomer would be in there somewhere. | 1:14:06 | 1:14:09 | |
In the end, we had to call in the only person in the CIA | 1:14:09 | 1:14:13 | |
who could to recognise the invisible threads | 1:14:13 | 1:14:15 | |
between the disparate names on the list. | 1:14:15 | 1:14:18 | |
He narrowed down the list | 1:14:18 | 1:14:19 | |
to five bankers in different parts of the world. | 1:14:19 | 1:14:22 | |
All these guys had connections to the KGB at some point in their life, | 1:14:22 | 1:14:26 | |
but it was only Angleton who could see past the forest for the trees. | 1:14:26 | 1:14:30 | |
First target was Tokyo Bank International. | 1:14:32 | 1:14:35 | |
Another bank on the London exchange. | 1:14:35 | 1:14:37 | |
The next two Angleton identified as heads of prominent banks in Saudi Arabia and Johannesburg, | 1:14:37 | 1:14:42 | |
both with powerful influences on their exchanges. | 1:14:42 | 1:14:45 | |
The last guy, maybe the ringleader, that was Harvey's department. | 1:14:45 | 1:14:49 | |
I recognised the name of the bastard who worked for the Soviets before the war. | 1:14:49 | 1:14:53 | |
He was running Banco Ambrosiano until it collapsed in the '80s. | 1:14:53 | 1:14:58 | |
Disappeared for a while | 1:14:58 | 1:14:59 | |
only to turn up as Banco Di Sancto Spiritu, | 1:14:59 | 1:15:03 | |
with a whole new disguise and even more power than before. | 1:15:03 | 1:15:07 | |
He was running the Vatican Bank. | 1:15:07 | 1:15:10 | |
We think that's where Starik was laundering his funds. | 1:15:11 | 1:15:14 | |
Those Russian bastards were so naive | 1:15:14 | 1:15:16 | |
they actually thought 63 billion would have an impact on the market. | 1:15:16 | 1:15:20 | |
Plan might have worked in the '50s, but now! | 1:15:20 | 1:15:24 | |
On average, the daily turnover is 1.9 trillion. | 1:15:24 | 1:15:27 | |
KNOCKING ON DOOR | 1:15:27 | 1:15:29 | |
Kholstomer is over. | 1:15:29 | 1:15:31 | |
It's finished. | 1:15:31 | 1:15:33 | |
KNOCKING ON DOOR | 1:15:33 | 1:15:35 | |
KNOCKING ON DOOR, SHOUTING | 1:15:38 | 1:15:41 | |
Why would I want to help the CIA, Jack? | 1:15:47 | 1:15:50 | |
Because you'll rot for the rest of your life in your cell, Yevgeny. | 1:15:50 | 1:15:55 | |
No-one will know, no-one will care. | 1:15:55 | 1:15:57 | |
We'll bury you in a pauper's grave. | 1:15:57 | 1:16:00 | |
Not even a going away party for an old schoolmate? | 1:16:00 | 1:16:03 | |
I want you to find him for me. | 1:16:10 | 1:16:12 | |
Who? | 1:16:14 | 1:16:16 | |
You know who. | 1:16:16 | 1:16:19 | |
Now, what makes you think that I know where he is? | 1:16:19 | 1:16:22 | |
We'll release you. Time served. | 1:16:22 | 1:16:25 | |
Send you back to crumbling Mother Russia. | 1:16:25 | 1:16:29 | |
The KGB will keep you on ice for a while, that's par for the course, | 1:16:29 | 1:16:33 | |
but they'll let you go once they know you have no agenda. | 1:16:33 | 1:16:36 | |
When that happens, get in touch with Leo, | 1:16:36 | 1:16:39 | |
then contact us and let me know where he is. It's a simple assignment. | 1:16:39 | 1:16:43 | |
No short-wave radios, no codes to decipher. | 1:16:43 | 1:16:47 | |
YEVGENY LAUGHS | 1:16:47 | 1:16:48 | |
You're actually serious about this? | 1:16:48 | 1:16:51 | |
Why in the hell would I do that, Jack? | 1:16:52 | 1:16:55 | |
The KGB is trying desperately to hold on to its control, | 1:17:02 | 1:17:07 | |
even as Gorbachev brings us closer to detente. | 1:17:07 | 1:17:10 | |
We have some very disgruntled KGB employees flooding into America, | 1:17:10 | 1:17:15 | |
all looking for asylum, | 1:17:15 | 1:17:18 | |
all bringing actual information. | 1:17:18 | 1:17:21 | |
The great game is coming to a close, Yevgeny. | 1:17:21 | 1:17:24 | |
Gorbachev released 3,000 prisoners of the state last October. | 1:17:24 | 1:17:29 | |
Azalia Ivanova was in that group. | 1:17:29 | 1:17:32 | |
After rattling around in prisons and insane asylums outside Moscow, | 1:17:32 | 1:17:37 | |
she served 21 years in a Siberian gulag. | 1:17:37 | 1:17:40 | |
And I have something else. | 1:17:40 | 1:17:43 | |
This is her arrest and deportation order, straight from the Kremlin. | 1:17:43 | 1:17:48 | |
She was not given a trial. | 1:17:48 | 1:17:51 | |
It's signed by a P Zhilov. | 1:17:51 | 1:17:53 | |
I would like you to meet an old friend of your mother's, Pavel Zhilov. | 1:17:54 | 1:17:58 | |
Starik, to my friends. | 1:17:58 | 1:18:01 | |
-TV: -'After the fall of the Berlin Wall, | 1:18:08 | 1:18:10 | |
'Soviet leader Mikhail Gorbachev and US President George Bush met in Malta. | 1:18:10 | 1:18:14 | |
'The historical Summit was a turning point in East-West relations | 1:18:14 | 1:18:18 | |
'and viewed as the official end of the Cold War. | 1:18:18 | 1:18:21 | |
'The meetings have continued, | 1:18:21 | 1:18:23 | |
'with vows of friendship and cooperation replacing antagonism. | 1:18:23 | 1:18:26 | |
'The world pulled back from the fears of nuclear annihilation | 1:18:26 | 1:18:31 | |
'that prevailed in the '60s and '70s. | 1:18:31 | 1:18:33 | |
'However, rumblings of discontent have been heard from Soviet hardliners within the Politburo, | 1:18:33 | 1:18:39 | |
'who feel Gorbachev is weakening Russia's stability | 1:18:39 | 1:18:41 | |
'as a world superpower.' | 1:18:41 | 1:18:43 | |
Hello, Sasha. | 1:18:59 | 1:19:00 | |
Hi, Eugene. | 1:19:05 | 1:19:07 | |
Or are you back to Yevgeny again? | 1:19:10 | 1:19:13 | |
Come to keep me company? | 1:19:13 | 1:19:15 | |
You're not doing a very good job of hiding out these days. | 1:19:15 | 1:19:19 | |
What's the point? | 1:19:21 | 1:19:23 | |
How did you find me, anyway? | 1:19:27 | 1:19:29 | |
KGB. | 1:19:33 | 1:19:35 | |
I told them I wanted to... | 1:19:39 | 1:19:41 | |
..pay you a social visit... and they didn't seem to care. | 1:19:42 | 1:19:48 | |
Nobody cares about me any more, Yevgeny. | 1:19:50 | 1:19:53 | |
Someone from Gorbachev's inner circle | 1:19:54 | 1:19:56 | |
occasionally asks me my opinion about something going on in America. | 1:19:56 | 1:20:01 | |
Somebody's replaced us on the front lines now. | 1:20:01 | 1:20:05 | |
Gorbachev's corroded the power of the KGB. | 1:20:07 | 1:20:11 | |
The KGB are chomping at the bit to get rid of him, | 1:20:11 | 1:20:13 | |
to get back to their old ways. | 1:20:13 | 1:20:15 | |
Can't decide if he's trying to reform the communist system | 1:20:16 | 1:20:22 | |
or do away with it entirely. | 1:20:22 | 1:20:23 | |
MUSIC BLARES | 1:20:23 | 1:20:26 | |
It's not the Russia I grew up in. | 1:20:29 | 1:20:32 | |
It's not the ideal I fought for all these years. | 1:20:32 | 1:20:35 | |
LEO COUGHS | 1:20:35 | 1:20:38 | |
Jack wanted me to find you. | 1:20:41 | 1:20:43 | |
I thought this was a social visit. | 1:20:49 | 1:20:51 | |
Jack's obviously got something you want, or you wouldn't be here. | 1:21:00 | 1:21:04 | |
It's nice of you to let me know, thank you for that. | 1:21:07 | 1:21:11 | |
We owe each other that much, comrade. | 1:21:11 | 1:21:14 | |
-PHONE RINGS TV: -The Soviet army is on the streets of Moscow | 1:22:24 | 1:22:27 | |
and the worst fears of supporters of democracy have now been realised. | 1:22:27 | 1:22:32 | |
Yeah? | 1:22:32 | 1:22:33 | |
It's a coup d'Etat, Ebby. | 1:22:33 | 1:22:35 | |
I just got word that Kryuchkov still has Gorbachev in a dacha, loaded up on Vodka and pills. | 1:22:35 | 1:22:40 | |
The coup leaders are telling the world Gorbachev is medically unfit to lead the country. | 1:22:40 | 1:22:45 | |
It's all crumbling around him. | 1:22:45 | 1:22:47 | |
What's the word on the streets, Jack? | 1:22:47 | 1:22:49 | |
This is an opportunity. | 1:22:49 | 1:22:51 | |
-To do what? -'To back Yeltsin.' | 1:22:51 | 1:22:54 | |
And Gorbachev, whether or not he gets out of this thing, has lost his balls in the coup, Ebby. | 1:22:54 | 1:22:59 | |
He's been castrated in the eyes of the people. | 1:22:59 | 1:23:02 | |
This guy... Yeltsin could do it. | 1:23:02 | 1:23:05 | |
He wants liberal reform. He's a radical, but he has the heart of the people in his hands. | 1:23:05 | 1:23:10 | |
-He could bring democracy to Russia if we're there to support him. -If he can take power. -Yeah, if. | 1:23:10 | 1:23:17 | |
Try to give me reports on the hour. Find out what you can. | 1:23:17 | 1:23:21 | |
Yeah, will do. | 1:23:21 | 1:23:23 | |
KNOCKING ON DOOR | 1:23:25 | 1:23:26 | |
-TV: -Thousands of people, young and old alike, | 1:23:26 | 1:23:29 | |
have poured into the streets in a desperate last minute attempt | 1:23:29 | 1:23:33 | |
to demonstrate their support for democracy in a country that has seen so little of it over the years. | 1:23:33 | 1:23:39 | |
The question on everyone's mind is the location and condition of President Gorbachev himself. | 1:23:39 | 1:23:44 | |
Rumours of his arrest have swept from... | 1:23:44 | 1:23:47 | |
You should be more careful, Comrade. | 1:25:08 | 1:25:12 | |
Jack? | 1:25:14 | 1:25:16 | |
Do you still dislike summer so very much? | 1:25:47 | 1:25:50 | |
Yes, I still dislike summer. | 1:25:55 | 1:26:00 | |
A face I never thought I would see. | 1:26:09 | 1:26:12 | |
Do you have time to hear an apology from a friend? | 1:26:16 | 1:26:20 | |
Russia has changed. | 1:26:34 | 1:26:36 | |
I can feel it, all around me. | 1:26:36 | 1:26:40 | |
Makes me want to... | 1:26:40 | 1:26:43 | |
Makes me want to keep living. | 1:26:43 | 1:26:45 | |
I'm glad for you, Azalia. | 1:26:45 | 1:26:48 | |
For me, there's... | 1:26:52 | 1:26:54 | |
..very little to live for. | 1:26:56 | 1:26:58 | |
Except for you. | 1:27:00 | 1:27:02 | |
I am trying to find a way to hate you... | 1:27:04 | 1:27:07 | |
..hate you for leaving me the way you did. | 1:27:10 | 1:27:13 | |
But I cannot. I cannot, Yevgeny. | 1:27:19 | 1:27:23 | |
Even after all these years. | 1:27:26 | 1:27:28 | |
Is it too late? | 1:27:40 | 1:27:42 | |
It is... It is a source of pain to me to think of all the years we wasted. | 1:27:46 | 1:27:53 | |
To think of the years I spent in the gulag... | 1:27:53 | 1:27:57 | |
..wondering if you were still alive. | 1:27:59 | 1:28:02 | |
Hoping. | 1:28:07 | 1:28:09 | |
Can we not try? | 1:28:11 | 1:28:13 | |
We can try. | 1:28:17 | 1:28:20 | |
Yevgeny... | 1:28:21 | 1:28:22 | |
We can try. | 1:28:25 | 1:28:27 | |
So, d'you get it done, sport? | 1:28:32 | 1:28:34 | |
He was already dead. | 1:28:39 | 1:28:41 | |
I wanted to. | 1:28:43 | 1:28:45 | |
I wanted to kill him. | 1:28:45 | 1:28:48 | |
But... I just couldn't. | 1:28:48 | 1:28:52 | |
You're a better man than me, sport. | 1:28:52 | 1:28:54 | |
So, the great game goes on. | 1:28:57 | 1:29:00 | |
With or without us. | 1:29:00 | 1:29:01 | |
Without us, I guess. | 1:29:04 | 1:29:06 | |
You think we made a difference, Harvey? Any difference at all? | 1:29:06 | 1:29:10 | |
God, I hope so, sport. | 1:29:10 | 1:29:14 | |
Nowadays people have short memories. | 1:29:14 | 1:29:17 | |
They forget there was a time when the Goths were at the gate. | 1:29:17 | 1:29:20 | |
You and me, kid, we put our warm bodies on the firing line and we turned 'em back. | 1:29:20 | 1:29:25 | |
-You truly believe that? -You bet I believe it. | 1:29:27 | 1:29:29 | |
Something like the Cold War has to have a moral, otherwise what was it all about? | 1:29:30 | 1:29:35 | |
It was about the good guys beating the bad guys. | 1:29:37 | 1:29:40 | |
We sure screwed up along the way. | 1:29:42 | 1:29:43 | |
Yeah, but we screwed up a lot less than they did, which is why we won. | 1:29:43 | 1:29:47 | |
The Soviet Union wasn't a country. It was a... | 1:29:47 | 1:29:51 | |
It was a metaphor for an idea that looked good on the drawing board, but in practice, it was flawed. | 1:29:51 | 1:29:57 | |
Let me tell you something - | 1:29:57 | 1:29:59 | |
a metaphor is a lot harder to slay than a country, | 1:29:59 | 1:30:02 | |
but we clobbered them in the end. | 1:30:02 | 1:30:04 | |
-Yeah. -Don't look so glum about it! | 1:30:05 | 1:30:10 | |
You got nothing to be ashamed of. | 1:30:10 | 1:30:13 | |
You gotta remember what it was all about. | 1:30:13 | 1:30:17 | |
It was always black and white, kid. | 1:30:17 | 1:30:19 | |
Right versus wrong. | 1:30:19 | 1:30:21 | |
There were good guys, and there were bad guys. | 1:30:21 | 1:30:24 | |
Which side were we again, Harvey? | 1:30:25 | 1:30:27 | |
We won, didn't we? | 1:30:30 | 1:30:32 | |
Subtitles by Red Bee Media Ltd | 1:31:12 | 1:31:15 | |
E-mail [email protected] | 1:31:15 | 1:31:18 |