Browse content similar to Dirty Dancing. Check below for episodes and series from the same categories and more!
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HUBBUB | 0:00:02 | 0:00:04 | |
SALSA MUSIC | 0:00:04 | 0:00:06 | |
Aren't they fabulous? | 0:00:37 | 0:00:39 | |
-She could be his mother. -Oh, ssh! | 0:00:39 | 0:00:41 | |
OK, now, everybody, come on, let's salsa! | 0:00:45 | 0:00:48 | |
What a poser! | 0:00:48 | 0:00:49 | |
Judith! | 0:00:49 | 0:00:51 | |
I must steal this beautiful lady, OK? | 0:00:54 | 0:00:55 | |
You watch this! | 0:00:55 | 0:00:57 | |
On your own? Would you like to...? | 0:01:07 | 0:01:09 | |
No, I'm not prancing around like a fairy. | 0:01:09 | 0:01:11 | |
I was going to ask if you'd like to help give these out. | 0:01:11 | 0:01:14 | |
Latin American dance festival. Starts tonight. | 0:01:14 | 0:01:16 | |
Come along! | 0:01:16 | 0:01:18 | |
SHE SOBS | 0:01:30 | 0:01:32 | |
SHE SOBS | 0:01:35 | 0:01:36 | |
Just dropped dead in the street. | 0:02:04 | 0:02:06 | |
No ID, no-one with her. | 0:02:06 | 0:02:08 | |
Really gets to me, the idea of dying among strangers. | 0:02:08 | 0:02:12 | |
Really? I think I'd prefer it. | 0:02:12 | 0:02:14 | |
What, you think I'd want some great big death-bed scene, | 0:02:14 | 0:02:16 | |
-violins, people crying? -You wish. | 0:02:16 | 0:02:19 | |
So, what do you think? | 0:02:20 | 0:02:22 | |
There's a Latin American dance festival on this week. | 0:02:22 | 0:02:24 | |
-What's that got to do with anything? -She looks Hispanic, doesn't she? | 0:02:24 | 0:02:27 | |
Look at her calf muscles, how toned they are. | 0:02:27 | 0:02:29 | |
-I think she could be a dancer. -Oh, come on! | 0:02:29 | 0:02:31 | |
She could be a runner, a cyclist, a fitness fanatic. | 0:02:31 | 0:02:35 | |
Bit of a long shot, this, isn't it? | 0:02:35 | 0:02:38 | |
-No, it isn't, it's a hunch. -Oh, right. Excuse me. A hunch(!) | 0:02:38 | 0:02:41 | |
-I'm amazed you even know about this place. -My mum's really into it. | 0:02:43 | 0:02:46 | |
There's a big dance festival starts here tonight | 0:02:46 | 0:02:49 | |
which I'm being dragged along to. | 0:02:49 | 0:02:51 | |
Don't laugh. I've run out of excuses not to go. | 0:02:51 | 0:02:53 | |
HE CHUCKLES | 0:02:53 | 0:02:55 | |
It's not funny! | 0:02:55 | 0:02:57 | |
If you could just give us a bit more time, you'll get paid in full. | 0:02:57 | 0:03:01 | |
KNOCK AT DOOR | 0:03:01 | 0:03:03 | |
I'll...I'll call you back. | 0:03:03 | 0:03:05 | |
Can I, um...can I help you? | 0:03:05 | 0:03:08 | |
I'm Jane Kennedy, the coroner. Are you the owner? | 0:03:08 | 0:03:11 | |
No. Is something wrong? | 0:03:11 | 0:03:14 | |
Can we speak to your employer, please? | 0:03:14 | 0:03:16 | |
I don't actually work here, this is my mother's place. | 0:03:16 | 0:03:18 | |
Right. Well, do you know where we can find her? | 0:03:18 | 0:03:21 | |
SHE SIGHS | 0:03:21 | 0:03:22 | |
Yes. | 0:03:22 | 0:03:24 | |
Mum? | 0:03:34 | 0:03:36 | |
-Mum?! -What?! | 0:03:37 | 0:03:39 | |
These people want to speak to you. She's the coroner. | 0:03:39 | 0:03:42 | |
I'm Jane Kennedy, this is DS Davey Higgins. | 0:03:42 | 0:03:44 | |
It's the man from Atlantis. | 0:03:48 | 0:03:50 | |
Excuse me, but we're looking for information about a woman. | 0:03:50 | 0:03:54 | |
Could be Latin American, could be a dancer, about 30. | 0:03:54 | 0:03:58 | |
We're actually expecting someone later this afternoon from Cuba. Why? | 0:03:58 | 0:04:02 | |
Can you tell us what she looks like? | 0:04:02 | 0:04:04 | |
I've got some fliers in my bag. But what's this about? | 0:04:04 | 0:04:08 | |
Darling! This is my husband, Yordan. | 0:04:08 | 0:04:10 | |
-Oh, please! -Hello. | 0:04:10 | 0:04:12 | |
Darling, these people are here from the police. | 0:04:12 | 0:04:15 | |
Well, I'm not. I'm the coroner. | 0:04:15 | 0:04:17 | |
-Is there trouble? -Here. | 0:04:17 | 0:04:20 | |
Thank you. | 0:04:20 | 0:04:21 | |
I'm very sorry, but a woman died today in the town centre | 0:04:24 | 0:04:27 | |
and we think it could be her. | 0:04:27 | 0:04:29 | |
-This cannot be. -I'm so sorry. | 0:04:29 | 0:04:31 | |
Could I ask you to come along and identify the body? | 0:04:31 | 0:04:34 | |
I can't. I don't know her. | 0:04:34 | 0:04:36 | |
We never met. | 0:04:38 | 0:04:39 | |
Same here. You could ask her brother. | 0:04:39 | 0:04:43 | |
HE SPEAKS SPANISH | 0:04:47 | 0:04:49 | |
Has your sister been ill? | 0:04:55 | 0:04:56 | |
Never. | 0:04:58 | 0:04:59 | |
How can she be dead? | 0:05:00 | 0:05:02 | |
We'll have to wait until we've done a postmortem examination. | 0:05:02 | 0:05:05 | |
-No! -It will be in a few days. | 0:05:05 | 0:05:08 | |
I don't want you to cut her up! | 0:05:08 | 0:05:10 | |
She's coming home with me to Cuba now. | 0:05:10 | 0:05:12 | |
That's not possible, I'm afraid. | 0:05:12 | 0:05:14 | |
I don't want my sister to be surrounded by strangers, or alone. | 0:05:14 | 0:05:18 | |
I want her to be with her family. | 0:05:21 | 0:05:23 | |
People who love her. | 0:05:23 | 0:05:25 | |
HE SOBS | 0:05:25 | 0:05:27 | |
Please! | 0:05:29 | 0:05:31 | |
Come on. | 0:05:31 | 0:05:32 | |
HUBBUB | 0:05:37 | 0:05:39 | |
-I'm not dancing tonight. -Oh, you are. -I'm not! | 0:05:41 | 0:05:44 | |
-Oh, you will be. -I'm just happy to watch. | 0:05:44 | 0:05:47 | |
Welcome, everybody, to our Latin American dance festival. | 0:05:47 | 0:05:50 | |
APPLAUSE | 0:05:50 | 0:05:52 | |
We are, however, very sad tonight, at the death of Issabella Martinez. | 0:05:55 | 0:05:59 | |
A very beautiful and brilliant young woman | 0:05:59 | 0:06:02 | |
who came all the way from Cuba just to be with us. | 0:06:02 | 0:06:06 | |
But we spoke with her brother, Romario, | 0:06:06 | 0:06:08 | |
and he said we should go ahead with the festival. | 0:06:08 | 0:06:11 | |
In Cuba, we show our feelings through the dance. | 0:06:11 | 0:06:14 | |
And tonight... Musica, por favor. ..we dance for Issabella. | 0:06:14 | 0:06:18 | |
MUSIC PLAYS | 0:06:18 | 0:06:20 | |
Oh, wow! | 0:06:29 | 0:06:30 | |
What do you make of those two? | 0:06:31 | 0:06:33 | |
Well, he's a ponce and she's mutton dressed as lamb. | 0:06:35 | 0:06:38 | |
APPLAUSE | 0:06:49 | 0:06:51 | |
Thank you. OK, now, everybody, let's salsa. | 0:06:51 | 0:06:53 | |
Beginners, over here with me, por favor. | 0:06:53 | 0:06:55 | |
-Oh, that's me! -First thing you need is a beautiful lady, | 0:06:55 | 0:06:57 | |
which I see you already have. | 0:06:57 | 0:07:00 | |
You, please, come with me. | 0:07:00 | 0:07:02 | |
-Ohhh! -Stop it! | 0:07:02 | 0:07:04 | |
OK, the basic step is very easy. | 0:07:05 | 0:07:08 | |
It's left foot forward, right foot back. | 0:07:08 | 0:07:11 | |
Left foot forward, right foot back. | 0:07:11 | 0:07:13 | |
Left foot forward, right foot back. | 0:07:13 | 0:07:16 | |
No, no, move your hips, move your hips, like this. | 0:07:16 | 0:07:18 | |
Move your hips. Left foot forward. | 0:07:18 | 0:07:22 | |
Nice. OK, now, everybody, take a partner, OK? | 0:07:24 | 0:07:27 | |
You, sir, come here. | 0:07:27 | 0:07:28 | |
-Nice outfit. -Thank you. | 0:07:28 | 0:07:30 | |
First, one hand up here and the other one down here. | 0:07:32 | 0:07:35 | |
Your hand, one hand here and the other one right there. | 0:07:35 | 0:07:38 | |
-And just do the steps, OK? -Yep. | 0:07:38 | 0:07:40 | |
-Ow! -No, no, no, listen to the music. | 0:07:46 | 0:07:48 | |
One, two, three, un, dos, tres. | 0:07:48 | 0:07:51 | |
One, two, three, un, dos, tres. | 0:07:51 | 0:07:53 | |
-OK, I think we've got it now. -Yeah? Nice. OK, nice. | 0:07:53 | 0:07:56 | |
-You go and help someone else now. -OK. | 0:07:56 | 0:07:58 | |
OK, you, lady, you want to dance? | 0:07:58 | 0:08:01 | |
Please, come with me. | 0:08:01 | 0:08:02 | |
How you doing? | 0:08:02 | 0:08:04 | |
Have you lost something? | 0:08:18 | 0:08:20 | |
My, um... I don't know. | 0:08:20 | 0:08:23 | |
-Can I help? -No, thank you. | 0:08:23 | 0:08:26 | |
You're very kind. | 0:08:26 | 0:08:28 | |
You're leaving? | 0:08:29 | 0:08:30 | |
Dancing's not really my thing. | 0:08:30 | 0:08:32 | |
That's a pity. | 0:08:32 | 0:08:34 | |
Here, let me. | 0:08:34 | 0:08:36 | |
-Thank you. -You're welcome. | 0:08:36 | 0:08:38 | |
-Oh, no, you are not sneaking off! -Mum, it's just not my scene. | 0:08:40 | 0:08:43 | |
Nonsense! You just haven't found the right partner. | 0:08:43 | 0:08:46 | |
You just need someone with good manners, | 0:08:46 | 0:08:49 | |
experience and a big...heart. | 0:08:49 | 0:08:54 | |
Um...shall we? | 0:08:59 | 0:09:00 | |
OK. | 0:09:02 | 0:09:03 | |
MUSIC PLAYS | 0:09:05 | 0:09:07 | |
I'm so embarrassed. You really don't have to do this. | 0:09:10 | 0:09:12 | |
-It's my pleasure. -I'm not a dancer. | 0:09:12 | 0:09:14 | |
Because you don't dance doesn't mean you can't. Come. | 0:09:14 | 0:09:17 | |
-Move from here. Ready? -OK. | 0:09:17 | 0:09:20 | |
And one, two, three... five, six, seven. | 0:09:20 | 0:09:24 | |
One, two, three, five, six, seven. One, two, three. | 0:09:24 | 0:09:27 | |
That's it. Now, keep going. One, two, three, five, six, seven. | 0:09:27 | 0:09:31 | |
-THEY CHUCKLE -One, two, three. | 0:09:33 | 0:09:36 | |
Follow my lead, OK? Five, six, seven. | 0:09:36 | 0:09:38 | |
It is very terrible. They are keeping Issabella from her family. | 0:09:47 | 0:09:51 | |
It is too difficult to wait. | 0:09:51 | 0:09:53 | |
Did they tell you when the postmortem would be? | 0:09:53 | 0:09:56 | |
No. | 0:09:56 | 0:09:58 | |
-You have to stop looking at your shoes. -OK, sorry. | 0:10:05 | 0:10:07 | |
I mean, they're very nice. | 0:10:07 | 0:10:08 | |
-And now spin it. -THEY LAUGH | 0:10:10 | 0:10:12 | |
-OK, you ready for a spin? -What? -For a spin, yeah? -OK. | 0:10:14 | 0:10:17 | |
OK, here we go. Just follow my lead. | 0:10:17 | 0:10:20 | |
-OK. -Here we go. | 0:10:20 | 0:10:21 | |
Whoop! | 0:10:23 | 0:10:24 | |
Sorry. I'm so sorry. | 0:10:24 | 0:10:26 | |
Are you all right? Oh, you're bleeding! Oh! | 0:10:26 | 0:10:30 | |
It's all right. Come here. I've got you. | 0:10:30 | 0:10:33 | |
OK. | 0:10:34 | 0:10:36 | |
-Thank you. -You're welcome. | 0:10:38 | 0:10:40 | |
-Oh, I'm so sorry! -Don't be silly, it was my fault. | 0:10:40 | 0:10:43 | |
It's OK, Paula, I've got this. | 0:10:43 | 0:10:45 | |
-I-I-I do hope you're all right. -I'm fine. | 0:10:45 | 0:10:48 | |
OK. | 0:10:52 | 0:10:53 | |
I'm so embarrassed. | 0:10:53 | 0:10:55 | |
Don't be. Accidents happen. | 0:10:55 | 0:10:57 | |
Yeah, well... | 0:10:57 | 0:10:59 | |
I'll, er...just put a dressing on it, keep it clean. | 0:11:00 | 0:11:04 | |
It should clear up in a week or so and it won't leave a scar. | 0:11:04 | 0:11:07 | |
-You sound like you know what you're talking about. -I'm a doctor. | 0:11:09 | 0:11:11 | |
Was a doctor. Before I left Egypt. | 0:11:12 | 0:11:15 | |
-Oh. -I can't practise here until I'm granted asylum. | 0:11:15 | 0:11:18 | |
-When will that be? -Soon, I hope. | 0:11:20 | 0:11:22 | |
It's been four years and I'm still waiting. | 0:11:24 | 0:11:26 | |
Huh! | 0:11:26 | 0:11:27 | |
I'll just put the, er...plaster on. | 0:11:29 | 0:11:31 | |
Well...looks like you're fit for active service. | 0:11:33 | 0:11:37 | |
Do you feel like dancing, or should I walk you home? | 0:11:39 | 0:11:41 | |
MUSIC BLARES | 0:11:45 | 0:11:47 | |
WAVES CRASH | 0:12:01 | 0:12:03 | |
SALSA MUSIC PLAYS | 0:12:10 | 0:12:12 | |
Morning. | 0:12:20 | 0:12:21 | |
-You on your own? -Yes, Mother. | 0:12:23 | 0:12:24 | |
-What happened to Mel? -Nothing! | 0:12:24 | 0:12:27 | |
Oh, come on, how many chances are you going to get? | 0:12:27 | 0:12:30 | |
The coast was clear, Beth's away for a week. | 0:12:30 | 0:12:32 | |
Lucky escape, if you ask me. | 0:12:32 | 0:12:34 | |
No, actually, he's a good catch. | 0:12:34 | 0:12:36 | |
-No, not for her, for him. -HE LAUGHS | 0:12:36 | 0:12:38 | |
-Ignore him. -I always do. | 0:12:38 | 0:12:40 | |
If she gets too desperate, she could always nip off to Cuba, | 0:12:40 | 0:12:43 | |
pick up a young stud, like that Paula bird. | 0:12:43 | 0:12:45 | |
Yeah, so can I, just remember. | 0:12:45 | 0:12:48 | |
Yeah, but why would you fork out all that dosh | 0:12:48 | 0:12:51 | |
when you got me here, cheap as chips? | 0:12:51 | 0:12:54 | |
Oh, please! I've not eaten yet! | 0:12:54 | 0:12:57 | |
PHONE RINGS | 0:12:57 | 0:12:58 | |
-Oh! -SHE CHUCKLES | 0:12:58 | 0:13:00 | |
Davey. | 0:13:00 | 0:13:02 | |
What? What d'you mean, missing? | 0:13:02 | 0:13:05 | |
No sign of a break-in, nothing suspicious, | 0:13:05 | 0:13:08 | |
no-one saw anything. | 0:13:08 | 0:13:10 | |
They don't even have CCTV down here. | 0:13:10 | 0:13:12 | |
So I was thinking maybe there was a mix-up, | 0:13:13 | 0:13:15 | |
maybe the undertaker took the wrong body or something, | 0:13:15 | 0:13:18 | |
but, no. It's been stolen. | 0:13:18 | 0:13:21 | |
-Let's go. -Let me do the talking. | 0:13:23 | 0:13:25 | |
You lost the body of my sister?! | 0:13:26 | 0:13:28 | |
Please, Romario, just tell us where she is. | 0:13:28 | 0:13:30 | |
I don't know. | 0:13:30 | 0:13:31 | |
I understand, I do, but we need to get her back. | 0:13:31 | 0:13:34 | |
She'll be treated with great respect, I promise. | 0:13:34 | 0:13:36 | |
-Where were you between midnight and 6am? -He's staying with us. | 0:13:36 | 0:13:39 | |
Oh, right, so, you were both with him all night, is that right? | 0:13:39 | 0:13:42 | |
Hardly. We were together all night, alone. | 0:13:42 | 0:13:45 | |
-Oh, Mum, for goodness' sake! -What? | 0:13:45 | 0:13:48 | |
There is a time and a place. | 0:13:48 | 0:13:49 | |
Look, I'm sorry. | 0:13:50 | 0:13:52 | |
This is awful, but it really has nothing to do with any of us. | 0:13:52 | 0:13:55 | |
You are a terrible lady and this is your fault! | 0:13:55 | 0:13:59 | |
HE RANTS IN SPANISH | 0:13:59 | 0:14:01 | |
-All right, that's enough. -HE CONTINUES | 0:14:03 | 0:14:05 | |
That's enough. That's enough! | 0:14:05 | 0:14:07 | |
English, please! | 0:14:07 | 0:14:09 | |
He's just trying to help. He told him to calm down. | 0:14:09 | 0:14:11 | |
I need some officers here and we're going to search this place. | 0:14:13 | 0:14:16 | |
-This is outrageous! -And your home, too. | 0:14:16 | 0:14:19 | |
Looking for what - a corpse under the floorboards? | 0:14:19 | 0:14:21 | |
Don't talk about her like that. Show some respect! | 0:14:21 | 0:14:24 | |
This is a police investigation. | 0:14:24 | 0:14:25 | |
Are you refusing to cooperate? | 0:14:25 | 0:14:27 | |
Typical medical students. | 0:14:29 | 0:14:31 | |
PHONE RINGS | 0:14:31 | 0:14:33 | |
You think this is a student prank? | 0:14:33 | 0:14:35 | |
Totally. | 0:14:35 | 0:14:37 | |
HE CHUCKLES You think it's funny? | 0:14:37 | 0:14:39 | |
It's hilarious! It'll show up somewhere wearing an Arsenal strip or something. | 0:14:39 | 0:14:43 | |
-Get out! -You what? -You heard me, get out! -Sorry, I didn't... | 0:14:43 | 0:14:46 | |
This job is about one thing and one thing only, respect for the dead. | 0:14:46 | 0:14:49 | |
-Until you get that, I don't want to see your face! -I'm sorry, I... | 0:14:49 | 0:14:51 | |
We are the last people in service to them. | 0:14:51 | 0:14:54 | |
This is a huge responsibility. Don't you get that? | 0:14:54 | 0:14:56 | |
Yeah. I... I'll get out your hair. | 0:14:56 | 0:14:59 | |
Whoa-whoa-whoa! Where's the fire? | 0:14:59 | 0:15:01 | |
-Did you find anything? -No, nothing. | 0:15:04 | 0:15:06 | |
Clint? Get back in here! | 0:15:09 | 0:15:12 | |
Tell Davey what you think. | 0:15:13 | 0:15:15 | |
Well, I was thinking whoever did this | 0:15:15 | 0:15:18 | |
obviously knows their way around the hospital. | 0:15:18 | 0:15:21 | |
So I thought maybe it might be some medical students, | 0:15:21 | 0:15:25 | |
for a laugh. Not that I think it's funny. | 0:15:25 | 0:15:27 | |
-Yeah. You could be right. -PHONE RINGS | 0:15:29 | 0:15:32 | |
What are you waiting for? Get on to the university. | 0:15:32 | 0:15:34 | |
Hello. DS Higgins. | 0:15:34 | 0:15:37 | |
What? What is it? | 0:15:40 | 0:15:42 | |
-Boss? -Yeah. | 0:15:50 | 0:15:52 | |
Right, that's it, yeah? | 0:16:02 | 0:16:04 | |
I'm so sorry. | 0:16:08 | 0:16:10 | |
Oh, God! | 0:16:13 | 0:16:14 | |
She's been cut open. | 0:16:19 | 0:16:21 | |
Yeah. This was lodged in her bowel. | 0:16:22 | 0:16:25 | |
Drugs? | 0:16:27 | 0:16:28 | |
I'd put money on it. | 0:16:30 | 0:16:31 | |
-Right, I'm going to bring him in. -OK. | 0:16:31 | 0:16:34 | |
Hello? Anyone in? | 0:16:47 | 0:16:49 | |
Hey. I'm looking for Romario Martinez. | 0:16:56 | 0:17:01 | |
He's not here. | 0:17:01 | 0:17:02 | |
-You know where he is? -He's gone. | 0:17:03 | 0:17:06 | |
What do you mean, he's gone? | 0:17:06 | 0:17:07 | |
He's gone. No goodbye, no thank you. Just gone. | 0:17:10 | 0:17:13 | |
-Any idea where? -Basta, OK? | 0:17:15 | 0:17:17 | |
This is finished now. No more police. He's gone! | 0:17:17 | 0:17:20 | |
All right. Well, you hear anything, you let me know, you understand? | 0:17:20 | 0:17:25 | |
Hey, it's me. Can you get on to the UK Border Agency, please? | 0:17:28 | 0:17:31 | |
All flights to Cuba. | 0:17:31 | 0:17:33 | |
Suspect is a Romario Martinez. | 0:17:33 | 0:17:35 | |
30s, dark skin, about 5'10". | 0:17:35 | 0:17:37 | |
So you're still here. | 0:17:42 | 0:17:43 | |
Didn't seem right, leaving her on her own again. | 0:17:45 | 0:17:48 | |
I tried to call you. Forensics have been on. | 0:17:48 | 0:17:53 | |
It was cocaine in the condom. | 0:17:53 | 0:17:56 | |
She must've swallowed a number of them, but because of the blockage, | 0:17:56 | 0:17:59 | |
she wouldn't have been able to pass them in the normal way, | 0:17:59 | 0:18:02 | |
so it leaked and poisoned her to death. | 0:18:02 | 0:18:04 | |
Look at how precise that cut is. | 0:18:11 | 0:18:14 | |
Someone knew what they were doing. | 0:18:14 | 0:18:16 | |
Yeah. Well... | 0:18:16 | 0:18:17 | |
Someone with medical knowledge, or clinical skills. | 0:18:17 | 0:18:22 | |
-Morning. -Morning. -I got something. | 0:18:25 | 0:18:28 | |
From Issabella Martinez's passport, | 0:18:28 | 0:18:30 | |
I found the exact point of embarkation. | 0:18:30 | 0:18:32 | |
So I sent her picture to Immigration | 0:18:32 | 0:18:34 | |
and they found the pair of them on CCTV. | 0:18:34 | 0:18:36 | |
They then sent me his passport details and guess what? | 0:18:36 | 0:18:39 | |
His name's not Martinez. He's not even her brother. | 0:18:39 | 0:18:42 | |
Excellent police work, DS Higgins(!) | 0:18:44 | 0:18:46 | |
Sorry. No, that is interesting. | 0:18:46 | 0:18:48 | |
-All right, come on, what's up? -No, it's probably nothing. | 0:18:48 | 0:18:52 | |
Well, you're here now. | 0:18:52 | 0:18:53 | |
The incisions on Issabella, | 0:18:55 | 0:18:57 | |
they must've been made by someone with medical knowledge. | 0:18:57 | 0:19:00 | |
So... Well, there's this doctor at the salsa club, he's Egyptian. | 0:19:00 | 0:19:04 | |
Asylum seeker, so he can't practise. | 0:19:04 | 0:19:05 | |
PHONE RINGS Anyway, it's probably nothing. | 0:19:05 | 0:19:08 | |
Hello. DS Higgins. | 0:19:08 | 0:19:09 | |
Yeah, OK. We're on our way. | 0:19:11 | 0:19:13 | |
Right. They've picked him up at Exeter Airport, | 0:19:13 | 0:19:15 | |
so can we get a wiggle on, people, please? | 0:19:15 | 0:19:18 | |
You've got a visitor. | 0:19:24 | 0:19:26 | |
-Mel! -Hi. | 0:19:26 | 0:19:28 | |
You're a difficult lady to get on the phone. | 0:19:29 | 0:19:32 | |
I've been busy. | 0:19:32 | 0:19:33 | |
How's the leg? | 0:19:33 | 0:19:35 | |
Fine. Thank you. | 0:19:35 | 0:19:37 | |
So, will you come to the festival tonight? | 0:19:37 | 0:19:40 | |
I'm...I'm not sure. | 0:19:40 | 0:19:42 | |
Then let me take you for dinner. | 0:19:42 | 0:19:43 | |
-Say yes. -Yes. Thank you. | 0:19:47 | 0:19:50 | |
-Excellent. I'll see you later. -OK. | 0:19:50 | 0:19:53 | |
-Unbelievable! -No, it's not a real date. | 0:19:54 | 0:19:57 | |
I'm just going to see what information I can get out of him. | 0:19:57 | 0:20:00 | |
No, this. Come, see. | 0:20:00 | 0:20:02 | |
That's Issabella. Where did you get this? | 0:20:07 | 0:20:09 | |
Well, I tried the usual look-up routes, | 0:20:09 | 0:20:11 | |
but she doesn't seem to have an online presence. | 0:20:11 | 0:20:13 | |
So I did a reverse-image search on her picture | 0:20:13 | 0:20:16 | |
-and found a link to this. -Pause it. | 0:20:16 | 0:20:19 | |
That's Yordan. He runs the dance school. | 0:20:19 | 0:20:21 | |
He said he'd never met her. | 0:20:21 | 0:20:23 | |
-This is huge. -Does that mean I'm back in your good books? | 0:20:23 | 0:20:26 | |
Don't push it. | 0:20:26 | 0:20:28 | |
I was going home...to my family. | 0:20:29 | 0:20:32 | |
Really? Because it looked to us like you were running away. | 0:20:32 | 0:20:36 | |
I have no wish to stay. | 0:20:36 | 0:20:38 | |
You people lost my sister's body. | 0:20:38 | 0:20:40 | |
For a start, she's not your sister. | 0:20:40 | 0:20:42 | |
She is. | 0:20:42 | 0:20:44 | |
My own father was a very bad man. | 0:20:45 | 0:20:47 | |
So Issabella's family...they take me in, they make me their son. | 0:20:49 | 0:20:54 | |
Issabella called me...brother. | 0:20:56 | 0:20:59 | |
And we didn't lose her body. You took it. | 0:20:59 | 0:21:02 | |
-What? -You took it to get the drugs. | 0:21:02 | 0:21:05 | |
No! | 0:21:05 | 0:21:06 | |
-The cocaine you made her swallow. -No! | 0:21:06 | 0:21:09 | |
The cocaine that leaked inside her, | 0:21:09 | 0:21:11 | |
that flooded her brain. | 0:21:11 | 0:21:12 | |
The cocaine that killed her! | 0:21:12 | 0:21:14 | |
-Issabella is a good girl! -Sit down. | 0:21:14 | 0:21:16 | |
-She could not do this! -SIT DOWN! | 0:21:17 | 0:21:19 | |
You are lying. | 0:21:23 | 0:21:25 | |
We found her body. | 0:21:26 | 0:21:27 | |
You found her body? | 0:21:29 | 0:21:30 | |
Yeah, we found her body with her belly cut open. | 0:21:30 | 0:21:34 | |
You cut it open. You cut it open to get the drugs | 0:21:34 | 0:21:38 | |
and then you flung her off the clifftop, into the sea. | 0:21:38 | 0:21:40 | |
-But she washed up on to the rocks, like a piece of rubbish! -Stop! | 0:21:40 | 0:21:43 | |
OK, I believe she was like a sister to you | 0:21:43 | 0:21:45 | |
and you hated having to do what you did, but you did it! | 0:21:45 | 0:21:48 | |
Smuggling drugs into this country is a serious offence, my friend! | 0:21:48 | 0:21:51 | |
-I did not smuggle drugs! -No, worse! | 0:21:51 | 0:21:54 | |
You got Issabella Martinez to do it for you! | 0:21:54 | 0:21:56 | |
I did not make her do it. | 0:21:56 | 0:21:58 | |
Someone else made her do it. | 0:21:58 | 0:22:01 | |
-But it was not me. -HE SOBS | 0:22:02 | 0:22:05 | |
You said you didn't know her. | 0:22:14 | 0:22:16 | |
I know a lot of women. Maybe I forgot. | 0:22:17 | 0:22:20 | |
Or maybe you lied. | 0:22:20 | 0:22:21 | |
My wife, er...she's a jealous woman. | 0:22:24 | 0:22:27 | |
It's better for her not to see this. | 0:22:29 | 0:22:30 | |
I don't think you understand how serious this is. | 0:22:30 | 0:22:33 | |
It's not serious. | 0:22:33 | 0:22:35 | |
We were lovers, yes, but a long time ago. | 0:22:35 | 0:22:37 | |
You won't tell her? | 0:22:37 | 0:22:39 | |
My wife. | 0:22:39 | 0:22:41 | |
Please! For me? | 0:22:42 | 0:22:45 | |
Why Issabella? | 0:22:46 | 0:22:48 | |
Of all the dancers in Cuba, why pick her? | 0:22:48 | 0:22:50 | |
We didn't. She approached us. | 0:22:50 | 0:22:53 | |
Darling, why don't you go and put some clothes on? I'll handle this. | 0:22:53 | 0:22:58 | |
Darling? | 0:23:00 | 0:23:01 | |
You just can't stay away, can you? | 0:23:06 | 0:23:08 | |
I came to tell you that Issabella Martinez's body has been found. | 0:23:08 | 0:23:11 | |
Yes, we know. Judith told us. | 0:23:11 | 0:23:13 | |
Right. Also, Romario's been picked up by the police. | 0:23:13 | 0:23:17 | |
Then you should be talking to him, not us. | 0:23:17 | 0:23:20 | |
He's the one that filled her with drugs. | 0:23:20 | 0:23:22 | |
-How did you know about drugs? -Judith told us. | 0:23:22 | 0:23:25 | |
-Where is she? -Who? -That mother of mine. Who else? | 0:23:25 | 0:23:28 | |
She's gone home. Why? | 0:23:28 | 0:23:30 | |
It doesn't matter. | 0:23:30 | 0:23:32 | |
-You all right? -No. -What's up? -Don't ask. | 0:23:32 | 0:23:35 | |
-Buy you a drink? -No, thanks. | 0:23:35 | 0:23:36 | |
I'm going to get home and wipe the floor with my mum. | 0:23:36 | 0:23:39 | |
Oh, how did you get on with Romario? | 0:23:39 | 0:23:41 | |
Well, he's denying everything, of course. | 0:23:41 | 0:23:43 | |
But I still think he's behind it. | 0:23:43 | 0:23:45 | |
I'm not so sure. His grief seemed genuine. | 0:23:45 | 0:23:48 | |
Maybe. He says he came with her to keep her out of trouble, | 0:23:48 | 0:23:51 | |
but here's the thing, they came via Jamaica. | 0:23:51 | 0:23:54 | |
-So? -Well, according to our intelligence, | 0:23:54 | 0:23:56 | |
-the coke's from Jamaica. -Oh. | 0:23:56 | 0:23:59 | |
I still don't think it's him. | 0:23:59 | 0:24:01 | |
Is this one of your hunches? | 0:24:01 | 0:24:03 | |
No. Yordan Barranco, he lied about not knowing Issabella. | 0:24:03 | 0:24:06 | |
They were lovers, he's just admitted it. | 0:24:06 | 0:24:08 | |
-Well, did he give a reason? -His wife's jealousy. | 0:24:08 | 0:24:10 | |
Yeah. Now, that would do it. I could believe that. | 0:24:10 | 0:24:13 | |
Please, use your Ways and Means Act, see what you can find out about her. | 0:24:13 | 0:24:17 | |
I'll ask my mum. | 0:24:17 | 0:24:18 | |
-Can I have a pint first? -Yeah. -Thank you. | 0:24:18 | 0:24:21 | |
I said I was sorry! | 0:24:24 | 0:24:25 | |
So am I. That I have to watch everything I say in my own home! | 0:24:25 | 0:24:28 | |
Actually, it's my home, in case you've forgotten! | 0:24:28 | 0:24:31 | |
You know Paula's husband? | 0:24:35 | 0:24:36 | |
Do you think he's been unfaithful to her? | 0:24:36 | 0:24:38 | |
I couldn't say. I don't want to be accused of idle gossip. | 0:24:38 | 0:24:41 | |
OK, point taken. | 0:24:43 | 0:24:45 | |
He might play around a bit, but he always goes back to Paula. | 0:24:45 | 0:24:48 | |
-Do you know how long they've been married? -Four or five years. | 0:24:48 | 0:24:50 | |
She went to Cuba on holiday, came back with him. | 0:24:50 | 0:24:53 | |
Good on her, I say. | 0:24:53 | 0:24:55 | |
Opened up her dance studio, reinvented herself. | 0:24:55 | 0:24:57 | |
From what? | 0:24:57 | 0:24:59 | |
Average single mum pushing 50. | 0:24:59 | 0:25:01 | |
-Her daughter married well, though. -Oh, really? | 0:25:01 | 0:25:04 | |
Gemma. She was a nurse. | 0:25:04 | 0:25:06 | |
Met some rich bloke and had lots of money. | 0:25:06 | 0:25:10 | |
Living the good life, till they divorced. | 0:25:10 | 0:25:12 | |
-KNOCK ON DOOR -It's open, Mick. | 0:25:12 | 0:25:14 | |
I heard she got nothing. | 0:25:14 | 0:25:16 | |
Maybe that's why she's always so po-faced. | 0:25:16 | 0:25:19 | |
Oh, hello, Mel. | 0:25:19 | 0:25:20 | |
Mel, I'm so sorry! I completely forgot! I'm not even ready! | 0:25:22 | 0:25:24 | |
There's no rush. Something smells good, Judith. | 0:25:24 | 0:25:27 | |
Oh, yeah. It's ropa vieja. | 0:25:27 | 0:25:29 | |
-It's a traditional Cuban dish. -Huh! | 0:25:29 | 0:25:31 | |
Mick and I are having a romantic night in. | 0:25:31 | 0:25:33 | |
-We'll go. Give me five minutes. -OK. | 0:25:33 | 0:25:36 | |
Keep me company? | 0:25:38 | 0:25:40 | |
What about you, Mel? What brought you here? | 0:25:41 | 0:25:44 | |
I, um...don't really like to talk about that journey. | 0:25:48 | 0:25:53 | |
Oh, I'm sorry. I didn't mean to pry. | 0:25:53 | 0:25:55 | |
Ah, it's all right. | 0:25:55 | 0:25:57 | |
I was born a Muslim, from a good family. | 0:26:02 | 0:26:04 | |
I went to university and became a doctor. | 0:26:04 | 0:26:06 | |
A paediatrician. | 0:26:06 | 0:26:09 | |
I worked in a hospital in Cairo. | 0:26:09 | 0:26:11 | |
That's where I met Nada. | 0:26:11 | 0:26:13 | |
She was a Christian. | 0:26:15 | 0:26:16 | |
I converted to Christianity so Nada and I could be married. | 0:26:17 | 0:26:20 | |
Hey, Annette. It's going to be a late one. | 0:26:22 | 0:26:24 | |
Yes, again. | 0:26:25 | 0:26:27 | |
No, no, no, no, don't wait up. | 0:26:27 | 0:26:29 | |
All right, I've got to go. | 0:26:29 | 0:26:31 | |
Sarge, this was found on the clifftop. | 0:26:31 | 0:26:33 | |
All right, thanks. | 0:26:35 | 0:26:36 | |
It's one thing to be born a Christian, quite another to convert. | 0:26:40 | 0:26:44 | |
Once I did, I lost my job, | 0:26:44 | 0:26:47 | |
I lost my family, everything. | 0:26:47 | 0:26:50 | |
But Nada and I, we fought against it. | 0:26:51 | 0:26:55 | |
We wrote letters about it, we went on marches. | 0:26:55 | 0:26:57 | |
And, um... | 0:26:58 | 0:27:00 | |
on one of these...Nada got crushed. | 0:27:00 | 0:27:04 | |
She died, Jane. | 0:27:07 | 0:27:09 | |
I, um...I lost her. | 0:27:10 | 0:27:13 | |
I'm so sorry. | 0:27:13 | 0:27:15 | |
Thank you. | 0:27:15 | 0:27:17 | |
But that's in the past. | 0:27:21 | 0:27:23 | |
We need to move on. | 0:27:23 | 0:27:25 | |
PHONE RINGS | 0:27:26 | 0:27:28 | |
-I'm sorry, I'm so sorry. -It's OK. | 0:27:28 | 0:27:30 | |
-Oh, it's work. I have to take it. -Sure. | 0:27:33 | 0:27:35 | |
Davey, it's not a good time. | 0:27:35 | 0:27:37 | |
Well, I got that info we talked about. | 0:27:37 | 0:27:40 | |
Paula Barranco, Ways and Means. | 0:27:40 | 0:27:42 | |
"Well, thank you very much, Davey." You're very welcome, Jane(!) | 0:27:44 | 0:27:46 | |
Sorry. Thank you. Can you just, um...e-mail it to me? We'll talk tomorrow. | 0:27:46 | 0:27:50 | |
Yeah, well, thing is, there's something else. | 0:27:50 | 0:27:52 | |
Remember you said something about some doctor guy? | 0:27:52 | 0:27:55 | |
Er...yes. But I think I was wrong about that. | 0:27:55 | 0:27:58 | |
Yeah, well, the thing is, we found a scalpel up on the clifftop. | 0:27:58 | 0:28:02 | |
Now, obviously, it's got to go through Forensics, | 0:28:02 | 0:28:05 | |
but I'm pretty certain it's the same one was used on Issabella Martinez. | 0:28:05 | 0:28:08 | |
So, do you know how I can get in touch with this guy? | 0:28:08 | 0:28:11 | |
Er...I-I don't know. | 0:28:11 | 0:28:13 | |
Well, do you think you can find out? | 0:28:13 | 0:28:16 | |
Yeah. Leave it with me. | 0:28:17 | 0:28:19 | |
Charming(!) | 0:28:23 | 0:28:24 | |
Something's come up and I have to go. I'm really sorry. | 0:28:26 | 0:28:30 | |
I'm sorry, too. | 0:28:30 | 0:28:33 | |
But don't worry. | 0:28:33 | 0:28:34 | |
Listen, Mel, um... | 0:28:38 | 0:28:40 | |
you should go to the police station. | 0:28:40 | 0:28:43 | |
-Me? -Ask to speak to DS Davey Higgins. | 0:28:43 | 0:28:46 | |
-About what? -Issabella Martinez. | 0:28:46 | 0:28:48 | |
It's just routine. They're talking to a lot of people from the club. | 0:28:49 | 0:28:53 | |
OK. | 0:28:54 | 0:28:56 | |
Mel Siddiqui. | 0:29:14 | 0:29:15 | |
Jane Kennedy said you wanted to see me. | 0:29:15 | 0:29:17 | |
Really? When? | 0:29:17 | 0:29:21 | |
Earlier this evening, at dinner. | 0:29:21 | 0:29:23 | |
OK. You, er...you want to take a seat? | 0:29:25 | 0:29:29 | |
Sure. | 0:29:29 | 0:29:30 | |
I just, er... | 0:29:33 | 0:29:35 | |
I just wonder if you could help me with something, actually. | 0:29:35 | 0:29:39 | |
This... Yeah...this scalpel. | 0:29:39 | 0:29:42 | |
-What about it? -Well, we think it might have been used in a crime. | 0:29:45 | 0:29:48 | |
And there's some writing there on the handle. | 0:29:48 | 0:29:50 | |
But I can't make that out. Can you? | 0:29:50 | 0:29:52 | |
It's Arabic. Perhaps the name of the manufacturer. | 0:29:55 | 0:29:58 | |
Great. Thanks very much. | 0:30:01 | 0:30:03 | |
Will there be anything else? | 0:30:03 | 0:30:05 | |
Yeah. Just one more thing. | 0:30:05 | 0:30:08 | |
Look, I know it's tragic what happened to her, | 0:30:19 | 0:30:22 | |
but it's been pretty tough on us, too. | 0:30:22 | 0:30:23 | |
I understand you paid for her flight. | 0:30:23 | 0:30:25 | |
A business expense. So, what? | 0:30:25 | 0:30:27 | |
Well, I know that this place is struggling to stay afloat. | 0:30:27 | 0:30:30 | |
Yes, well, we're going through a rough patch right now. | 0:30:30 | 0:30:33 | |
So it strikes me as odd that you would go to the expense | 0:30:33 | 0:30:35 | |
of bringing a dancer all the way over from Cuba. | 0:30:35 | 0:30:37 | |
What, so, you think I got her to smuggle the drugs? | 0:30:37 | 0:30:41 | |
-I'm just wondering how far you would go to save your dance school. -Oh! | 0:30:41 | 0:30:44 | |
And your marriage. | 0:30:44 | 0:30:46 | |
Money would help for both, wouldn't it? | 0:30:47 | 0:30:49 | |
My business may be in trouble, but my marriage isn't! | 0:30:49 | 0:30:51 | |
They say the woman is always the last to know. | 0:30:53 | 0:30:55 | |
But I always knew. | 0:30:57 | 0:30:58 | |
Something in the way they look at you, the way they touch you. | 0:30:58 | 0:31:02 | |
You don't know what you're talking about. | 0:31:05 | 0:31:07 | |
-Is everything all right? -Miss Kennedy here seems to think it's odd | 0:31:07 | 0:31:10 | |
that we paid for Issabella Martinez's flight. | 0:31:10 | 0:31:12 | |
It was a business expense. | 0:31:13 | 0:31:15 | |
I thought you didn't work here. | 0:31:15 | 0:31:17 | |
I help out with the paperwork. | 0:31:19 | 0:31:21 | |
All she wanted was her flight paid from Cuba. Read it. | 0:31:23 | 0:31:26 | |
PHONE RINGS | 0:31:26 | 0:31:28 | |
Davey. | 0:31:31 | 0:31:32 | |
What about him? | 0:31:33 | 0:31:35 | |
Arrested him?! | 0:31:35 | 0:31:37 | |
Oh, come on. You know how hospitals work. | 0:31:37 | 0:31:40 | |
-You'd know how to smuggle a body out without being seen. -No. | 0:31:40 | 0:31:44 | |
You'd certainly know how to cut one open. | 0:31:44 | 0:31:46 | |
-No, I swear. -Really? | 0:31:46 | 0:31:48 | |
I thought you were a doctor. | 0:31:48 | 0:31:49 | |
Well, obviously, I'd know how to, but I didn't do it. | 0:31:49 | 0:31:52 | |
-Who else was involved? -No-one. | 0:31:52 | 0:31:54 | |
-Just you and Issabella Martinez. -No. | 0:31:54 | 0:31:56 | |
-What have you done with it? -What? | 0:31:56 | 0:31:58 | |
-The cocaine. -I don't know! | 0:31:58 | 0:31:59 | |
OK...Doc. | 0:32:03 | 0:32:04 | |
I'm going to cut you some slack. | 0:32:04 | 0:32:06 | |
Let's say you didn't know anything about the drugs being smuggled in. | 0:32:08 | 0:32:11 | |
-I didn't. -And let's just say someone approaches you | 0:32:11 | 0:32:13 | |
-with a little job on the side. -No. | 0:32:13 | 0:32:15 | |
A nasty little job, but the money's good. | 0:32:15 | 0:32:17 | |
-How can you even suggest such a thing? -I'll tell you how. | 0:32:17 | 0:32:20 | |
You know that scalpel we found up on the clifftop? | 0:32:20 | 0:32:23 | |
Made in Egypt. | 0:32:23 | 0:32:25 | |
It's got Issabella Martinez's DNA on it and your fingerprints. | 0:32:25 | 0:32:30 | |
Hi, Mel. | 0:32:40 | 0:32:42 | |
Can we have a minute, please? | 0:32:45 | 0:32:46 | |
I'm afraid not, ma'am. | 0:32:46 | 0:32:48 | |
It's good of you to come. | 0:32:59 | 0:33:00 | |
When we met, you were looking for something in your briefcase. | 0:33:02 | 0:33:06 | |
-It was your scalpel, wasn't it? It was stolen. -Yes. | 0:33:06 | 0:33:09 | |
Why didn't you tell Sergeant Higgins? | 0:33:09 | 0:33:12 | |
There are people in this country without permission. | 0:33:14 | 0:33:17 | |
Sometimes I give them medical help. | 0:33:17 | 0:33:19 | |
But it's illegal. | 0:33:19 | 0:33:21 | |
If I tell the police, we could all be looking at deportation. | 0:33:21 | 0:33:24 | |
If you don't, you could go to jail for a crime you didn't commit. | 0:33:24 | 0:33:27 | |
This isn't like my country. | 0:33:27 | 0:33:29 | |
The British system is just and fair. | 0:33:29 | 0:33:32 | |
Jane...I won't go to jail because I am innocent. | 0:33:34 | 0:33:38 | |
Davey, you've got the wrong man. | 0:33:45 | 0:33:47 | |
I don't think so. I've got enough to charge him. | 0:33:47 | 0:33:50 | |
-Yes, it was his scalpel, but it was stolen. -He told you that? | 0:33:50 | 0:33:53 | |
No, I'm a witness. I saw him looking for it. | 0:33:53 | 0:33:55 | |
Come on, it's not just the scalpel, is it? | 0:33:55 | 0:33:58 | |
He's got the motive, he's got the ability, he's got no alibi. | 0:33:58 | 0:34:01 | |
Well, actually, erm... | 0:34:03 | 0:34:06 | |
What? | 0:34:06 | 0:34:07 | |
Look. The night it happened. We... | 0:34:09 | 0:34:11 | |
-Yes? -We'd just met at the salsa club and... | 0:34:11 | 0:34:13 | |
It was late when we left. | 0:34:14 | 0:34:17 | |
He walked me home and... | 0:34:17 | 0:34:19 | |
We got close, and... | 0:34:21 | 0:34:23 | |
-He stayed the night? -No, he didn't, but... -But what? | 0:34:26 | 0:34:29 | |
He would've. | 0:34:31 | 0:34:33 | |
All right, let's back up. | 0:34:41 | 0:34:44 | |
Let's say that he left you, then he got a call from whoever | 0:34:44 | 0:34:47 | |
-asking for help. -Oh, come on. | 0:34:47 | 0:34:48 | |
-It didn't stop you being suspicious, did it? -That was before. | 0:34:48 | 0:34:51 | |
-Before what? -Look, Paula Barranco and her daughter, I think they're | 0:34:51 | 0:34:54 | |
-in on it together. -Let it go. | 0:34:54 | 0:34:55 | |
Yordan Barranco married Paula for her money and she hasn't got any. | 0:34:55 | 0:34:58 | |
Gemma married for money and it backfired. They're both broke. | 0:34:58 | 0:35:01 | |
Plus Gemma used to be a nurse. She'd know how to make those incisions. | 0:35:01 | 0:35:04 | |
She knew Mel was a doctor. I think she stole his scalpel | 0:35:04 | 0:35:06 | |
-and I bet if you searched her house... -Let it go, Jane. Please. | 0:35:06 | 0:35:09 | |
SALSA MUSIC PLAYS | 0:35:27 | 0:35:32 | |
Morning. | 0:36:17 | 0:36:18 | |
Should I be scared? | 0:36:20 | 0:36:21 | |
I need to find something. Anything to make Davey listen to me. | 0:36:21 | 0:36:25 | |
I've been over everything, again and again. | 0:36:25 | 0:36:28 | |
What? | 0:36:30 | 0:36:31 | |
Where is it? | 0:36:34 | 0:36:36 | |
Where is that letter? | 0:36:37 | 0:36:40 | |
Listen to this. "Dear Sir or Madam, my name is Issabella Martinez. | 0:36:44 | 0:36:48 | |
"I am an experienced salsa dancer from Cuba. | 0:36:48 | 0:36:51 | |
"I would greatly appreciate the opportunity to work in England | 0:36:51 | 0:36:54 | |
"where I believe salsa is increasingly popular. | 0:36:54 | 0:36:56 | |
"I'd be willing to give dance demonstrations in return | 0:36:56 | 0:36:59 | |
"for my fare to your country." | 0:36:59 | 0:37:00 | |
-What is wrong with this letter? -Nothing. -Exactly. | 0:37:00 | 0:37:02 | |
-She didn't write it. -So? -Nor Romario. Nor Yordan. | 0:37:02 | 0:37:05 | |
-It's too perfect. -A translator? -No, the envelope. | 0:37:05 | 0:37:09 | |
-Eh? -When you open a letter, you chuck the envelope, right? | 0:37:09 | 0:37:12 | |
-Yes. -But she didn't. She held on to it as proof. | 0:37:12 | 0:37:16 | |
-She handed it to me like it was exhibit A. -Who? | 0:37:16 | 0:37:19 | |
The daughter. I need to talk to her. | 0:37:19 | 0:37:21 | |
-Hold on. Jane? Have you got her address? -Text it to me. | 0:37:21 | 0:37:26 | |
Clint, I need you to check out an international dialling code. | 0:38:23 | 0:38:26 | |
001-876. Thanks. | 0:38:26 | 0:38:29 | |
PHONE RINGS | 0:38:51 | 0:38:54 | |
-Is this you letting it go? -What are you doing here? | 0:38:57 | 0:39:01 | |
Had someone keep an eye on the place after our talk last night. | 0:39:01 | 0:39:03 | |
-So you were listening, then? -Told them to keep me posted | 0:39:03 | 0:39:06 | |
-if they saw anything suspicious. -TEXT MESSAGE ALERT | 0:39:06 | 0:39:08 | |
-Jeez. -You any idea...? -Jamaica! -Eh? | 0:39:08 | 0:39:12 | |
She was making long-distance phone calls to Jamaica. | 0:39:12 | 0:39:16 | |
She's in on it. She set it up. | 0:39:16 | 0:39:17 | |
I can't stand this waiting. | 0:39:23 | 0:39:24 | |
I've missed you so much. | 0:39:26 | 0:39:28 | |
I can't wait any longer. | 0:39:28 | 0:39:30 | |
I want you right now. | 0:39:31 | 0:39:33 | |
No. No. We have to stop. | 0:39:37 | 0:39:40 | |
No, don't stop. | 0:39:40 | 0:39:41 | |
I can't do this to Paula. | 0:39:45 | 0:39:47 | |
Let's not think about her right now. I need you. | 0:39:47 | 0:39:52 | |
We're good together. You know we are. Please, Yordan. | 0:39:52 | 0:39:55 | |
-Please. -No, I can't. -What's wrong. You're shaking. | 0:39:58 | 0:40:02 | |
I feel sick inside. | 0:40:03 | 0:40:04 | |
I know it's been rough. Don't worry. | 0:40:06 | 0:40:08 | |
You'll feel different once we get away. | 0:40:10 | 0:40:12 | |
-I'm not going anywhere with you. -Yordan, please. | 0:40:12 | 0:40:15 | |
Just sell the drugs and share the money. OK? | 0:40:16 | 0:40:20 | |
No. No, no way! You're not dumping me because of her. | 0:40:20 | 0:40:23 | |
Because of you, what you did to her. | 0:40:23 | 0:40:27 | |
You dare turn your back on me! | 0:40:27 | 0:40:30 | |
Don't try that innocent act with me. | 0:40:30 | 0:40:32 | |
She's my mother but she's your wife. | 0:40:32 | 0:40:34 | |
Not what you did to Paula. What you did to Issabella. | 0:40:34 | 0:40:38 | |
What? | 0:40:38 | 0:40:39 | |
I cannot forget. You took her body and you cut it open. | 0:40:39 | 0:40:44 | |
You are dirty to me now. | 0:40:44 | 0:40:45 | |
I did it for you. | 0:40:47 | 0:40:49 | |
And so did she. You... You pig. | 0:40:49 | 0:40:54 | |
You used all of us. You piece of... | 0:40:54 | 0:40:57 | |
-Don't mind us. -Yordan! | 0:41:06 | 0:41:11 | |
-You make me sick. -You are under arrest. | 0:41:11 | 0:41:14 | |
You do not have to say anything but it may harm your defence | 0:41:14 | 0:41:17 | |
if you do not mention, when questioned, | 0:41:17 | 0:41:19 | |
something that you later rely on in court. | 0:41:19 | 0:41:21 | |
Come on. Let's get out of here. | 0:41:24 | 0:41:26 | |
No. There is something worrying me. | 0:41:26 | 0:41:29 | |
Listen, you don't need to worry. I've spoken to DS Higgins. | 0:41:29 | 0:41:32 | |
-It was you told him I am a doctor, wasn't it? -Well, yes. | 0:41:32 | 0:41:35 | |
-You were suspicious of me? -Not really... | 0:41:35 | 0:41:38 | |
And when we were talking, you were questioning me? | 0:41:38 | 0:41:41 | |
Mel, let's just jump in the car and we can talk... | 0:41:41 | 0:41:43 | |
No, thank you. I'll get the bus. | 0:41:43 | 0:41:45 | |
Mel. | 0:41:48 | 0:41:49 | |
Mel's been released. Obviously. | 0:42:16 | 0:42:18 | |
And I'll put in a good word at the asylum board. | 0:42:21 | 0:42:24 | |
Thank you. | 0:42:25 | 0:42:26 | |
You know, you really stuck your neck out for him. | 0:42:29 | 0:42:31 | |
I just hope you... | 0:42:31 | 0:42:33 | |
I'll catch you later. | 0:42:42 | 0:42:44 | |
-Jane? -Yes? | 0:42:48 | 0:42:50 | |
I'll see you around. | 0:42:53 | 0:42:54 | |
All rise for Her Majesty's Coroner. | 0:43:20 | 0:43:23 |