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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:05 | |
INDISTINCT CHATTER | 0:00:50 | 0:00:53 | |
Miss, you one of them volunteer nurses? Could you soothe my brow? | 0:01:00 | 0:01:03 | |
I'm feeling a bit feverish. | 0:01:03 | 0:01:05 | |
You look fine to me. | 0:01:05 | 0:01:07 | |
-SOLDIERS LAUGH -Back in line, you. | 0:01:07 | 0:01:08 | |
Oh, are you one of us? I didn't see you on the boat. | 0:01:11 | 0:01:14 | |
I didn't feel very well. | 0:01:14 | 0:01:16 | |
Oh, quite a few girls didn't. I'm Flora, by the way. | 0:01:16 | 0:01:19 | |
Katherine. | 0:01:19 | 0:01:21 | |
Can you believe we're finally here? | 0:01:21 | 0:01:24 | |
Everyone at home is thrilled, | 0:01:24 | 0:01:26 | |
even though they wept buckets when I left. | 0:01:26 | 0:01:29 | |
Did your family weep buckets when they said goodbye? | 0:01:29 | 0:01:32 | |
Yes. Buckets. | 0:01:32 | 0:01:33 | |
The others went in here. | 0:01:35 | 0:01:36 | |
Hello again. Where are the others going? | 0:01:44 | 0:01:47 | |
Shouldn't we be following? | 0:01:47 | 0:01:49 | |
They were led off, I was told to wait and not move. | 0:01:49 | 0:01:51 | |
Finally. The stragglers. | 0:01:51 | 0:01:53 | |
What do you think this is, a Sunday afternoon stroll in England? | 0:01:53 | 0:01:55 | |
Follow me. | 0:01:55 | 0:01:56 | |
Keep your papers with you at all times. | 0:02:00 | 0:02:03 | |
Do not put down your luggage. | 0:02:03 | 0:02:05 | |
Do not let go of anything you value, you'll never see it again. | 0:02:05 | 0:02:08 | |
Your transport. | 0:02:10 | 0:02:11 | |
But where are we going? | 0:02:12 | 0:02:14 | |
Hospital 25A. Not far from the Front. | 0:02:14 | 0:02:16 | |
I hope you like it lively. | 0:02:16 | 0:02:18 | |
AIRCRAFT ENGINES ROAR | 0:02:18 | 0:02:21 | |
I'll write to his mother. | 0:03:27 | 0:03:28 | |
Yes, Matron. | 0:03:28 | 0:03:29 | |
End bed, please. | 0:03:32 | 0:03:34 | |
-Can you change his dressings? -Matron. | 0:03:34 | 0:03:37 | |
You...get my boots. I want my boots. | 0:03:44 | 0:03:46 | |
Why do you want your boots, Private Molloy? | 0:03:46 | 0:03:48 | |
I'm leaving here. I can't walk out on my bare feet. | 0:03:50 | 0:03:54 | |
I need my boots. Will you fetch my boots? | 0:03:54 | 0:03:56 | |
I'll bring them in a little while. | 0:03:56 | 0:03:57 | |
He won't see out the day. | 0:04:02 | 0:04:04 | |
I'd like it if he could have as much peace as possible. | 0:04:04 | 0:04:07 | |
I'll go to him next. | 0:04:07 | 0:04:08 | |
I need an experienced nurse to special Molloy. | 0:04:12 | 0:04:15 | |
There's other men needing that. | 0:04:15 | 0:04:16 | |
Men who joined up for noble reasons, not because they thought they could escape the law. | 0:04:16 | 0:04:20 | |
All men deserve the same when they're dying, | 0:04:20 | 0:04:22 | |
no matter what they're said to have done. | 0:04:22 | 0:04:24 | |
-I'm not sure who we can spare. -Help is coming. | 0:04:24 | 0:04:26 | |
Help? Girls, with a few months' training? | 0:04:26 | 0:04:30 | |
Our nurses feel the insult most keenly. | 0:04:30 | 0:04:34 | |
Did you know that military nurses are forbidden to marry? | 0:04:39 | 0:04:43 | |
Isn't that just awful? It's like being a nun! | 0:04:43 | 0:04:47 | |
Do either of you two have chaps or fiances in khaki? | 0:04:47 | 0:04:51 | |
You're very daring. | 0:04:53 | 0:04:55 | |
-Might I have one? -Flora. | 0:04:55 | 0:04:57 | |
All the actresses do it. There are photographs in my magazine. | 0:04:57 | 0:05:00 | |
You're not an actress. | 0:05:00 | 0:05:02 | |
Just... It gives an impression. | 0:05:03 | 0:05:05 | |
The Voluntary Aid Detachment. | 0:05:21 | 0:05:23 | |
I think it's a splendid idea. | 0:05:23 | 0:05:25 | |
Impressionable young women, newly arrived in a strange place, | 0:05:25 | 0:05:28 | |
getting lost, having to ask the dashing captain where everything is. | 0:05:28 | 0:05:31 | |
I'll be sure to tell them. | 0:05:31 | 0:05:33 | |
You're not dashing. I'm dashing. | 0:05:33 | 0:05:35 | |
You're in mate. | 0:05:37 | 0:05:38 | |
I want a full report! | 0:05:43 | 0:05:44 | |
Thank you. | 0:06:01 | 0:06:02 | |
Not till it's been checked, sir. | 0:06:22 | 0:06:24 | |
One Royal No.10 portable typewriter with five ribbons. | 0:06:26 | 0:06:31 | |
Counted and checked by me, Captain Gillan. Me, the Quartermaster, sir. | 0:06:31 | 0:06:35 | |
And I will get to you in good time, sir. | 0:06:35 | 0:06:37 | |
Here at last. | 0:06:44 | 0:06:46 | |
Sister Quayle. | 0:06:47 | 0:06:49 | |
Let's get you settled. Follow me. | 0:06:49 | 0:06:52 | |
I imagine it's a little different from what you're used to. | 0:07:04 | 0:07:08 | |
FLIES BUZZ | 0:07:11 | 0:07:13 | |
I love camping. | 0:07:18 | 0:07:19 | |
Do you know what we'll be doing first, Sister? | 0:07:22 | 0:07:25 | |
It's just, I'm ever so much better at some things than others. | 0:07:25 | 0:07:28 | |
Let's hope they're the right things. | 0:07:28 | 0:07:30 | |
Sister, where are the...erm...conveniences? | 0:07:30 | 0:07:35 | |
There are chamber pots under the beds. | 0:07:35 | 0:07:37 | |
Please hurry and change. | 0:07:37 | 0:07:39 | |
Matron is expecting to see you in uniform. | 0:07:39 | 0:07:42 | |
Thanks. | 0:08:08 | 0:08:09 | |
DISTANT SHOUTS | 0:08:14 | 0:08:17 | |
-Permission to run, Matron? -Granted. | 0:08:22 | 0:08:24 | |
SHOUTS CONTINUE | 0:08:24 | 0:08:28 | |
Bastard! Bastard. | 0:08:31 | 0:08:34 | |
I'm so sorry, Matron. | 0:08:37 | 0:08:38 | |
Get him off me! | 0:08:38 | 0:08:40 | |
Get off of him! | 0:08:43 | 0:08:44 | |
Don't you stick that bastard thing in me, you bitch. | 0:08:47 | 0:08:50 | |
Ah, you bitch! | 0:08:50 | 0:08:53 | |
Bitch! You whore! You bitch! | 0:08:53 | 0:08:58 | |
I'll kill her. | 0:08:58 | 0:08:59 | |
HE GROANS | 0:09:02 | 0:09:04 | |
See to the Padre, Nurse. | 0:09:05 | 0:09:07 | |
-Hot sweet tea and a quiet place to sit down. -Yes, Matron. | 0:09:07 | 0:09:10 | |
Take Molloy back to his bed, please, Corporal. | 0:09:12 | 0:09:15 | |
Get him ready for examination. | 0:09:15 | 0:09:16 | |
Bitch. Bitch... | 0:09:16 | 0:09:18 | |
Was it the noise? | 0:09:22 | 0:09:24 | |
Do you want to come with me? | 0:09:24 | 0:09:26 | |
Come on. Come on. | 0:09:26 | 0:09:28 | |
KNOCK ON DOOR | 0:09:31 | 0:09:32 | |
Yes? | 0:09:32 | 0:09:33 | |
Ah. Do come in, Prentiss. | 0:09:36 | 0:09:40 | |
MUSIC: "Un bel di" from Madama Butterfly by Puccini | 0:09:50 | 0:09:54 | |
HE SOBS | 0:10:00 | 0:10:01 | |
Why does it help? | 0:10:18 | 0:10:19 | |
I don't know. But it does. | 0:10:19 | 0:10:22 | |
I'll put him on the list. | 0:10:25 | 0:10:26 | |
I think that's the right thing to do, Colonel. | 0:10:26 | 0:10:29 | |
Have you shown the young ladies the ropes yet? | 0:10:29 | 0:10:32 | |
Not yet. | 0:10:32 | 0:10:33 | |
I expect them to be welcomed. | 0:10:33 | 0:10:35 | |
It's difficult for my nurses. Civilian girls, on the wards. | 0:10:35 | 0:10:38 | |
It's extra pairs of hands and feet and God knows we need them. | 0:10:38 | 0:10:41 | |
And I don't want any silliness from your nurses, | 0:10:41 | 0:10:44 | |
giving the volunteers a bad time. | 0:10:44 | 0:10:45 | |
-We're the friendly face of the Army. -Of course, Colonel. | 0:10:45 | 0:10:49 | |
Matron. | 0:10:54 | 0:10:56 | |
Why did you attack the Padre? He was trying to help. | 0:11:10 | 0:11:14 | |
Bastard was making me ready for the box. | 0:11:16 | 0:11:20 | |
You keep him away from me. | 0:11:20 | 0:11:21 | |
I don't want no cross on my head, I'm not dying. | 0:11:21 | 0:11:26 | |
I can special him, Matron. Sit with him. He doesn't bother me. | 0:11:30 | 0:11:33 | |
It's a nurse's job, Corporal, and you have other work to do. | 0:11:33 | 0:11:37 | |
-Matron... -Suit yourself. | 0:11:37 | 0:11:39 | |
..the volunteers are waiting. | 0:11:39 | 0:11:41 | |
The youngest was immediately overfamiliar with the patients. | 0:11:41 | 0:11:44 | |
Shall we go together? | 0:11:44 | 0:11:46 | |
If you think I can be useful. | 0:11:46 | 0:11:48 | |
Margaret... | 0:11:50 | 0:11:52 | |
The promotion was just as much of a shock for me. | 0:11:54 | 0:11:57 | |
It was right it was you, and I couldn't be more proud. | 0:12:00 | 0:12:05 | |
My protegee. | 0:12:08 | 0:12:11 | |
And I know you will rise to the challenge. | 0:12:11 | 0:12:13 | |
Give us all confidence in your leadership, | 0:12:13 | 0:12:16 | |
and show these girls what's expected. | 0:12:16 | 0:12:19 | |
NEEDLE HISSES | 0:12:26 | 0:12:28 | |
At ease, Prentiss. | 0:12:43 | 0:12:45 | |
Blighty ticket. | 0:12:51 | 0:12:54 | |
I don't know how long they'll give you, but I'm sending you home. | 0:12:54 | 0:12:57 | |
Oh, there... There, there. | 0:13:05 | 0:13:07 | |
What is that? | 0:13:16 | 0:13:17 | |
It's a cake, Matron. A fruit cake. | 0:13:17 | 0:13:21 | |
Mrs Bartlett, she's our cook, she made it. She makes wonderful cakes. | 0:13:21 | 0:13:26 | |
Would you care for a piece? | 0:13:26 | 0:13:28 | |
Put it down. | 0:13:29 | 0:13:31 | |
Flora Marshall. | 0:13:40 | 0:13:42 | |
Yes, Matron. | 0:13:42 | 0:13:43 | |
-Rosalie Berwick. -Yes, Matron. | 0:13:43 | 0:13:45 | |
Katherine Trevelyan. | 0:13:45 | 0:13:48 | |
-Matron. -There are supposed to be four of you. Where is Joan Livesey? | 0:13:48 | 0:13:51 | |
There was only three of us at the meeting point, Matron. | 0:13:51 | 0:13:54 | |
So, Miss Livesey will arrive if and when she feels like it. | 0:13:54 | 0:13:57 | |
Marshall, how old are you? | 0:13:57 | 0:13:59 | |
-Oh, I'm nearly 24, Matron. -No, you're not. | 0:13:59 | 0:14:02 | |
I am. I just look very young for my age. I always have. | 0:14:02 | 0:14:06 | |
Even when I was a baby I looked young for my age. | 0:14:06 | 0:14:09 | |
You're wearing scent. | 0:14:11 | 0:14:12 | |
I'm not, Matron. It's just rose-water. | 0:14:12 | 0:14:15 | |
Were you not taught the rules concerning conduct and deportment? | 0:14:19 | 0:14:22 | |
-Yes, Matron, of course. -But you don't think they apply to you? | 0:14:22 | 0:14:25 | |
No, Matron, of course they do. | 0:14:25 | 0:14:26 | |
I'm speaking to Marshall. | 0:14:26 | 0:14:28 | |
Of course they do, Matron. | 0:14:28 | 0:14:30 | |
Wash it off, please. | 0:14:31 | 0:14:33 | |
The soap is there for a reason. | 0:14:49 | 0:14:51 | |
It looks ever so...drying, Matron, and I'm rather prone to rashes. | 0:14:57 | 0:15:03 | |
The rules are clear. | 0:15:08 | 0:15:09 | |
No scent, powder or paint is to be worn. | 0:15:10 | 0:15:14 | |
No fancy stockings, boots, shoes, belts. No trivialities. | 0:15:14 | 0:15:17 | |
Nothing that might invite, provoke or inflame masculine attention. | 0:15:17 | 0:15:21 | |
But perhaps, Marshall, you ARE a trivial young lady | 0:15:21 | 0:15:24 | |
and masculine attention is what you're hoping for? | 0:15:24 | 0:15:26 | |
It was only a splash of rose-water, Matron. | 0:15:26 | 0:15:28 | |
Matron, we all understand the rules, and will abide by them utterly. | 0:15:29 | 0:15:36 | |
Nursing the men to the very best of our ability | 0:15:36 | 0:15:38 | |
is what we're ready to do. | 0:15:38 | 0:15:39 | |
I'll be the judge of that. | 0:15:41 | 0:15:43 | |
That one's going to be trouble. | 0:15:52 | 0:15:54 | |
A well-made bed is essential to a well-run hospital. | 0:15:56 | 0:16:00 | |
Sister Quayle is showing exactly how it should be done. | 0:16:00 | 0:16:03 | |
And now you. You have two minutes. | 0:16:10 | 0:16:12 | |
I'm more than happy to deal with this. | 0:16:26 | 0:16:28 | |
As I said, I'll be the judge. | 0:16:30 | 0:16:34 | |
-SOLDIER: -Come on, girls. | 0:16:40 | 0:16:42 | |
MATRON SIGHS | 0:16:45 | 0:16:46 | |
THEY LAUGH | 0:16:47 | 0:16:50 | |
Go on, Ginger, that's it! | 0:16:51 | 0:16:53 | |
SOLDIERS SHOUT ENCOURAGEMENT | 0:16:55 | 0:16:56 | |
-Five, four... -Straight on to the quilt! | 0:16:56 | 0:16:58 | |
-That's it. Tuck it all under! -..three, two... | 0:16:58 | 0:17:01 | |
-Come on, quickly. Go on! -..one. -That's it now. | 0:17:01 | 0:17:03 | |
Time's up. | 0:17:03 | 0:17:04 | |
THEY CHEER | 0:17:04 | 0:17:06 | |
-Your uniform is incorrect, Marshall. -Good God. | 0:17:21 | 0:17:23 | |
Berwick and Trevelyan, | 0:17:23 | 0:17:24 | |
you will make every bed in the next three tents, | 0:17:24 | 0:17:27 | |
I will be checking every single one of them. | 0:17:27 | 0:17:29 | |
Marshall, you can't make beds. | 0:17:29 | 0:17:31 | |
It's not my best thing, Matron - but I'm ever so good at bandaging. | 0:17:31 | 0:17:35 | |
Look... | 0:17:35 | 0:17:36 | |
Lady Cavistock herself commended my bandaging. | 0:17:38 | 0:17:40 | |
And my dressings and fomentations. If you could just read... | 0:17:40 | 0:17:44 | |
And who is Lady Cavistock that she is such an expert? | 0:17:50 | 0:17:53 | |
Oh, she runs the Women's Guild in Worthing. | 0:17:53 | 0:17:56 | |
And who did you practise your bandaging on? | 0:17:56 | 0:17:58 | |
The Scouts. Well, anyone who'd let me. Even Daddy occasionally. | 0:17:58 | 0:18:01 | |
I'm really very good. I excel. | 0:18:01 | 0:18:05 | |
Lady Cavistock says so. Please read her commendation. | 0:18:05 | 0:18:09 | |
With me, Marshall. | 0:18:09 | 0:18:11 | |
-SISTER QUAYLE: -On with your work. | 0:18:14 | 0:18:16 | |
HE COUGHS | 0:18:18 | 0:18:21 | |
Sir, might I have a moment? | 0:18:22 | 0:18:25 | |
Ah, Sister Quayle, I was intending to speak to you. | 0:18:25 | 0:18:27 | |
I know you would have expected to be Matron. | 0:18:27 | 0:18:30 | |
You know how much I value your experience on the wards, | 0:18:30 | 0:18:33 | |
and I wanted you to stay where you're doing so much good. | 0:18:33 | 0:18:36 | |
Colonel, thank you for the compliment, | 0:18:39 | 0:18:43 | |
and for clearing that up for me. | 0:18:43 | 0:18:45 | |
Any decision of yours has my full support. | 0:18:47 | 0:18:50 | |
DOOR OPENS AND CLOSES | 0:18:53 | 0:18:56 | |
Boiled, dried, rolled. | 0:19:15 | 0:19:17 | |
Since you excel in bandages and dressings. | 0:19:18 | 0:19:21 | |
FLIES BUZZ | 0:19:23 | 0:19:26 | |
-Colonel Purbright is here. -Oh, Christ. | 0:19:33 | 0:19:37 | |
Sir. | 0:19:43 | 0:19:44 | |
-All ready then. -As you see. -Well, don't let them languish. | 0:19:47 | 0:19:50 | |
If they can walk and shoot, then back up they go. | 0:19:50 | 0:19:53 | |
Matron Carter. How are you settling in to the new job? | 0:19:53 | 0:19:55 | |
Very well, thank you, sir. | 0:19:55 | 0:19:57 | |
I thought you would have chosen the other one. | 0:19:57 | 0:19:59 | |
-HE SNIFFS -What the bloody hell is that smell? | 0:19:59 | 0:20:02 | |
Oh, um, Sloan's Liniment. I have a cold. | 0:20:02 | 0:20:05 | |
Well, don't give it to me. | 0:20:05 | 0:20:07 | |
Do you get called anything for short? | 0:20:26 | 0:20:30 | |
Kate? Katy? | 0:20:30 | 0:20:31 | |
Nope. | 0:20:31 | 0:20:33 | |
Well, then, Katherine. | 0:20:33 | 0:20:35 | |
I feel I must speak to you about something rather important. | 0:20:35 | 0:20:38 | |
Might you turn around, please? | 0:20:38 | 0:20:40 | |
The rules are there for a reason. | 0:20:45 | 0:20:47 | |
We've all come here to do our duty, and that's not to question | 0:20:49 | 0:20:52 | |
and be difficult, but rather to do what's required of us. | 0:20:52 | 0:20:55 | |
They don't want us here. | 0:20:55 | 0:20:57 | |
We're being tested. Just as Britain is being tested, and... | 0:20:57 | 0:21:01 | |
you really are being rather selfish. | 0:21:01 | 0:21:03 | |
Muttering under your breath when Matron's speaking to you, | 0:21:03 | 0:21:06 | |
being defiant and impertinent - well, it reflects on all of us. | 0:21:06 | 0:21:11 | |
Not only Flora and myself, but on every volunteer. | 0:21:14 | 0:21:18 | |
You wouldn't want to give us all a bad name, would you? | 0:21:19 | 0:21:22 | |
God forbid. | 0:21:22 | 0:21:24 | |
I knew you'd see sense. | 0:21:25 | 0:21:27 | |
So best foot forward, and let's put this behind us and be friends. | 0:21:28 | 0:21:31 | |
I didn't come here to make friends. Especially not with a hypocrite. | 0:21:31 | 0:21:34 | |
I'm not a hypocrite. | 0:21:34 | 0:21:36 | |
What are you? 30? The embarrassing unmarried daughter. | 0:21:36 | 0:21:40 | |
A drain, a weight to be endured. Getting in the way, gathering dust. | 0:21:40 | 0:21:44 | |
But thank Christ for the war. | 0:21:44 | 0:21:46 | |
At last, function. | 0:21:46 | 0:21:48 | |
Purpose. Meaning. | 0:21:48 | 0:21:50 | |
You didn't volunteer out of duty. | 0:21:50 | 0:21:52 | |
You volunteered to escape. | 0:21:55 | 0:21:56 | |
Got a spare one, Nurse? I'm gasping. | 0:22:38 | 0:22:40 | |
TYPEWRITER KEYS CLACK | 0:23:24 | 0:23:26 | |
It's a very sad thing | 0:23:26 | 0:23:27 | |
when a man's heart beats with such ardour for a machine. | 0:23:27 | 0:23:29 | |
You're jealous because you haven't got one. | 0:23:29 | 0:23:33 | |
Yes, because what I've always dreamed of is a typewriter. | 0:23:33 | 0:23:36 | |
Were any of them pretty? The volunteers. Come on! | 0:23:37 | 0:23:40 | |
-Tell me, what were they like? -I didn't notice. | 0:23:40 | 0:23:43 | |
I despair of you, Tom. You're a bitter disappointment to me. | 0:23:45 | 0:23:48 | |
Oh, and speaking of bitter disappointment, despair | 0:23:48 | 0:23:51 | |
and other malaise - brass hat alert. | 0:23:51 | 0:23:54 | |
That lickspittle Purbright demands our presence tout-bloody-suite. | 0:23:54 | 0:23:57 | |
-I'm busy. -Exactly. | 0:23:57 | 0:24:00 | |
Let him stew in his minor public school juice. | 0:24:03 | 0:24:05 | |
We are surgeons, and no-one clicks their fingers at us. | 0:24:05 | 0:24:09 | |
This is ridiculous. How can all these men have venereal disease? | 0:24:14 | 0:24:18 | |
Can you be sure? | 0:24:18 | 0:24:20 | |
Yes, we're sure. | 0:24:20 | 0:24:21 | |
Well, symptoms are being manufactured. | 0:24:21 | 0:24:24 | |
Chancres are being simulated, Needle dipped in paraffin wax | 0:24:24 | 0:24:27 | |
applied to the old chap to create a blister. | 0:24:27 | 0:24:29 | |
General's Office has even heard of condensed milk being used | 0:24:29 | 0:24:32 | |
to simulate discharge. | 0:24:32 | 0:24:33 | |
HE SNIGGERS | 0:24:33 | 0:24:35 | |
I'm sorry, do you find that amusing? | 0:24:35 | 0:24:37 | |
Shocking waste of supplies, sir. | 0:24:38 | 0:24:41 | |
My staff know the difference between condensed milk | 0:24:41 | 0:24:43 | |
and a genuine presentation of syphilis. | 0:24:43 | 0:24:46 | |
They can't all have the bloody pox! | 0:24:46 | 0:24:49 | |
What do you do with those cases that aren't genuine? | 0:24:49 | 0:24:51 | |
Well, they go back up the line. | 0:24:51 | 0:24:53 | |
Right. In future they'll be reported. | 0:24:53 | 0:24:55 | |
And those men that HAVE got themselves riddled will be put on | 0:24:55 | 0:24:57 | |
half pay, and their families informed as to the reason why. | 0:24:57 | 0:25:00 | |
All but the Colonel and Matron are dismissed. | 0:25:00 | 0:25:02 | |
I want to review your Blighty cases. | 0:25:06 | 0:25:08 | |
CLANKING IN BUCKET | 0:25:35 | 0:25:37 | |
SHE GASPS | 0:25:39 | 0:25:41 | |
You're not permitted to be on the wards. | 0:25:55 | 0:25:58 | |
But there's...toes... | 0:25:58 | 0:26:00 | |
Don't run in uniform. She'll have your guts. What's in there? | 0:26:17 | 0:26:21 | |
Toes. Three toes. They fell out of a bandage. | 0:26:21 | 0:26:25 | |
What you going to do with them? Dunk 'em in your tea? | 0:26:25 | 0:26:28 | |
No, I'm going to ask Matron what to do with them. | 0:26:28 | 0:26:30 | |
No, you're not. Come with me. | 0:26:30 | 0:26:33 | |
-The majority are amputees. -Thank you, I can read. | 0:26:35 | 0:26:37 | |
A burst eardrum? | 0:26:37 | 0:26:39 | |
It's affecting the man's balance. | 0:26:39 | 0:26:41 | |
Right, we'll keep him here for a week then send him back up. | 0:26:41 | 0:26:44 | |
With respect, sir, a week isn't enough. | 0:26:44 | 0:26:46 | |
What about this man? Prentiss. No details of any injury. | 0:26:46 | 0:26:51 | |
All his limbs are intact. And HIS eardrums are A-1. | 0:26:51 | 0:26:55 | |
-Why are you sending him home? -Neurological damage. -Nerves. | 0:26:55 | 0:26:59 | |
Sudden noise, sudden movement, | 0:26:59 | 0:27:02 | |
any disturbance triggers paroxysms, seizures... | 0:27:02 | 0:27:05 | |
-An hysteric. -No, he... -So what is wrong with him? | 0:27:05 | 0:27:08 | |
I don't know. And I don't know how to treat him. | 0:27:08 | 0:27:11 | |
It says here that you've found that music helps. | 0:27:13 | 0:27:15 | |
Yes. I don't know why, but it does. | 0:27:15 | 0:27:18 | |
I have some recordings for my gramophone | 0:27:18 | 0:27:20 | |
and quite by chance, Matron and I discovered that | 0:27:20 | 0:27:23 | |
if Prentiss listened to them, something was released, | 0:27:23 | 0:27:26 | |
he was able to weep and so avoided seizure and fitting. | 0:27:26 | 0:27:29 | |
So let me be clear about this. | 0:27:33 | 0:27:35 | |
He's young, fit, no physical injury, there's no medical reasons | 0:27:35 | 0:27:38 | |
FOR these fits, and he cries when he hears music. | 0:27:38 | 0:27:42 | |
Sounds to me like he's putting it on, | 0:27:42 | 0:27:45 | |
-sounds to me like funkiness. -Not at all. | 0:27:45 | 0:27:47 | |
Well, let's put it to him. Run along and fetch him here. | 0:27:48 | 0:27:50 | |
When I want Matron's opinions, I'll ask for them. | 0:27:59 | 0:28:02 | |
See you put a leash on her. | 0:28:02 | 0:28:04 | |
HE COUGHS | 0:28:06 | 0:28:08 | |
Corporal Prentiss, could you come with me, please? | 0:28:08 | 0:28:11 | |
INDISTINCT CHATTER | 0:28:14 | 0:28:18 | |
Enjoy the game. | 0:28:19 | 0:28:21 | |
On your way home then, Prentiss. | 0:28:26 | 0:28:28 | |
Sir. | 0:28:28 | 0:28:30 | |
Neurological damage. | 0:28:33 | 0:28:35 | |
Sir. | 0:28:36 | 0:28:37 | |
Hold your hands out for me, there's a good chap. | 0:28:40 | 0:28:43 | |
Walk a straight line for me. | 0:28:52 | 0:28:54 | |
Look at that. | 0:29:07 | 0:29:10 | |
Neuve Chapelle. Lose many chums? | 0:29:12 | 0:29:15 | |
Sir. | 0:29:15 | 0:29:17 | |
Tough times for everyone. | 0:29:17 | 0:29:19 | |
Sir. | 0:29:19 | 0:29:20 | |
Are you lead-swinging, Prentiss? | 0:29:27 | 0:29:29 | |
-No, sir. -Are you a coward? | 0:29:30 | 0:29:32 | |
No, sir. | 0:29:32 | 0:29:34 | |
Are you aware of the penalty FOR cowardice? | 0:29:34 | 0:29:36 | |
-Yes, sir. -Are you a homosexual, Prentiss? | 0:29:36 | 0:29:38 | |
No, sir. | 0:29:39 | 0:29:40 | |
So if you're not a lead-swinger, and you're not a coward | 0:29:40 | 0:29:43 | |
and you're not a homosexual, you must be a soldier. | 0:29:43 | 0:29:46 | |
Sir. | 0:29:48 | 0:29:49 | |
Good man, Prentiss. Right answer. | 0:29:49 | 0:29:52 | |
Sir... | 0:29:57 | 0:29:59 | |
You may go back up the line and rejoin your regiment. | 0:29:59 | 0:30:03 | |
Dismissed. | 0:30:03 | 0:30:04 | |
Get another bar for that medal, eh? | 0:30:09 | 0:30:12 | |
Make your country proud. | 0:30:14 | 0:30:15 | |
-He needs a rest. -He's had a rest. | 0:30:28 | 0:30:31 | |
Do you think the enemy are sending their men home because they're tired? | 0:30:31 | 0:30:36 | |
We MUST have men at the Front or we will lose. | 0:30:36 | 0:30:39 | |
It's that simple. | 0:30:42 | 0:30:43 | |
The bits go in here. | 0:30:47 | 0:30:49 | |
Bits? | 0:30:50 | 0:30:51 | |
Big bits - legs, arms. Small bits - hands, feet, fingers, toes, | 0:30:51 | 0:30:56 | |
ears sometimes. There's always bits, and they all go in here. | 0:30:56 | 0:31:00 | |
But whose ARE they? | 0:31:00 | 0:31:03 | |
Well, aren't we going to say anything? A prayer, or...? | 0:31:03 | 0:31:06 | |
-They're rotten. -Neither use nor ornament. | 0:31:07 | 0:31:10 | |
Chuck them in, and get back to what you're doing. Sharpish. | 0:31:10 | 0:31:14 | |
Go on. | 0:31:14 | 0:31:15 | |
There. Now you know what to do. | 0:31:28 | 0:31:32 | |
Isn't what you expected, is it? | 0:31:38 | 0:31:39 | |
You'll get used to it. | 0:31:43 | 0:31:44 | |
What if I don't? | 0:31:44 | 0:31:46 | |
Then you don't. | 0:31:46 | 0:31:47 | |
But no-one's got the time to nanny you through it. | 0:31:47 | 0:31:50 | |
You disobeyed an order. | 0:32:07 | 0:32:08 | |
You were told to make the beds in the new ward tents. | 0:32:08 | 0:32:11 | |
I needed some fresh air. | 0:32:11 | 0:32:12 | |
You disobeyed an order. | 0:32:16 | 0:32:18 | |
For a moment, yes. But the soldier asked me for a cigarette. | 0:32:18 | 0:32:22 | |
You should have asked an orderly to help him | 0:32:23 | 0:32:25 | |
and returned immediately to the task you were given. | 0:32:25 | 0:32:28 | |
I thought it more important to help the soldier. | 0:32:28 | 0:32:30 | |
You thought that was more important than my order? | 0:32:30 | 0:32:33 | |
Yes, Matron, I did. | 0:32:33 | 0:32:34 | |
Then you will be reprimanded in the strongest possible terms. | 0:32:34 | 0:32:37 | |
SHE LAUGHS SOFTLY | 0:32:39 | 0:32:41 | |
For helping a man to smoke a cigarette? | 0:32:41 | 0:32:43 | |
He asked me for help, was I supposed to walk away? | 0:32:43 | 0:32:46 | |
Why are you here, Miss Trevelyan? | 0:32:46 | 0:32:48 | |
You seem incapable of respecting the most simple of necessary rules. | 0:32:48 | 0:32:51 | |
Was it necessary to be quite so vindictive towards Miss Marshall? | 0:32:51 | 0:32:54 | |
To humiliate her so publicly? Is that in the rules? | 0:32:55 | 0:33:01 | |
Or was it more about proving a point to Sister Quayle? | 0:33:01 | 0:33:04 | |
Your marching orders, Miss Trevelyan. I have no use for you. | 0:33:15 | 0:33:20 | |
The convoy leaves with the Blighty cases at 8:00, | 0:33:20 | 0:33:22 | |
-you will leave with them. Now, get out of my sight. -With pleasure. | 0:33:22 | 0:33:25 | |
DOOR OPENS AND SLAMS | 0:33:27 | 0:33:29 | |
Ask one of the nurses to direct you to the sluice room, | 0:34:19 | 0:34:22 | |
tell them you are on my orders and are to scour every single bedpan | 0:34:22 | 0:34:25 | |
-till they gleam. -Yes, Matron. | 0:34:25 | 0:34:27 | |
LABOURED BREATHING | 0:34:31 | 0:34:33 | |
I'll be back as soon as I can. You'll keep checking him regularly. | 0:34:38 | 0:34:42 | |
I don't want him in any pain at the end. | 0:34:42 | 0:34:44 | |
Yes, Matron. | 0:34:44 | 0:34:45 | |
Sister? I'm hemming! | 0:35:04 | 0:35:07 | |
Nurse! We have a haemorrhage over here. | 0:35:09 | 0:35:12 | |
Very slowly, we don't want him bleeding out. | 0:35:12 | 0:35:15 | |
PATIENT SCREAMS | 0:35:20 | 0:35:22 | |
Got another one for Blighty. | 0:35:44 | 0:35:45 | |
That's it. Off you go. | 0:35:47 | 0:35:49 | |
Lucky bastards. | 0:35:54 | 0:35:55 | |
Haemorrhage. You're needed in theatre, sir. | 0:36:24 | 0:36:26 | |
With me, Sister. Matter of urgency. | 0:36:26 | 0:36:28 | |
The Blighty convoy is about to leave. | 0:36:32 | 0:36:34 | |
I want you to find Corporal Prentiss, and give him that. | 0:36:37 | 0:36:42 | |
I thought it had been rescinded, sir. | 0:36:44 | 0:36:46 | |
This is my bloody hospital. | 0:36:46 | 0:36:48 | |
-I want Prentiss on that convoy. So hurry, please. -Of course, sir. | 0:36:50 | 0:36:54 | |
Rosalie? | 0:37:24 | 0:37:26 | |
Rosalie, I'm about to leave, but I have to say something first. | 0:37:26 | 0:37:30 | |
Oh! Sorry, I thought you were someone else. | 0:37:30 | 0:37:32 | |
SHE GASPS AND WHIMPERS | 0:37:34 | 0:37:37 | |
You try and get away, | 0:37:37 | 0:37:40 | |
you breathe one word... | 0:37:40 | 0:37:42 | |
I'll cut your whore's throat. | 0:37:42 | 0:37:44 | |
I've done it before. And I'll do it again like it's nothing. | 0:37:44 | 0:37:49 | |
Nothing like a gusher to brighten up a dull afternoon, eh, lads? | 0:37:52 | 0:37:56 | |
THEY LAUGH | 0:37:56 | 0:37:57 | |
Shit. | 0:38:05 | 0:38:06 | |
What do you want? | 0:38:06 | 0:38:08 | |
You're going to keep me alive. | 0:38:13 | 0:38:15 | |
Molloy? | 0:38:15 | 0:38:16 | |
Molloy? | 0:38:25 | 0:38:26 | |
Molloy? Is that you? | 0:38:35 | 0:38:38 | |
They're looking for you. They're the ones that can help you. I can't. | 0:38:38 | 0:38:43 | |
No, they'll tell him where I am. | 0:38:43 | 0:38:46 | |
Who? | 0:38:46 | 0:38:47 | |
He wants me. | 0:38:49 | 0:38:51 | |
That's why I need you - to help me hold on. | 0:38:51 | 0:38:56 | |
He's coming for me. All the things I've done, | 0:38:56 | 0:38:58 | |
he's coming. | 0:38:58 | 0:39:00 | |
There's something coming out of my mouth. | 0:39:03 | 0:39:05 | |
Wipe it. | 0:39:07 | 0:39:08 | |
Show me. | 0:39:17 | 0:39:18 | |
You bitch. You said you would keep me alive! | 0:39:19 | 0:39:22 | |
No, I didn't. I didn't. No, I... | 0:39:22 | 0:39:25 | |
They can, they can. You said that, but I can't. | 0:39:25 | 0:39:28 | |
I'll take you with me. You're a lying bitch. | 0:39:28 | 0:39:31 | |
I've got nothing else to lose! | 0:39:31 | 0:39:33 | |
Well, go on, then - stop talking about it and do it. | 0:39:34 | 0:39:37 | |
HE BREATHES UNSTEADILY | 0:39:37 | 0:39:39 | |
I've got nothing left to lose either, so really, go ahead. | 0:39:41 | 0:39:45 | |
What are you waiting for? | 0:39:47 | 0:39:49 | |
No. No... | 0:39:51 | 0:39:53 | |
You should be begging for your life. Come on, beg. | 0:39:53 | 0:39:57 | |
-Beg. Beg for your life! -I'm not begging you for anything. | 0:39:57 | 0:40:00 | |
LABOURED BREATHING | 0:40:04 | 0:40:07 | |
I'm dying. | 0:40:34 | 0:40:35 | |
HE SOBS | 0:40:41 | 0:40:43 | |
I won't leave you. | 0:40:43 | 0:40:45 | |
I'll stay with you. | 0:40:48 | 0:40:50 | |
Come on, let's get you into bed. | 0:40:54 | 0:40:56 | |
HE COUGHS | 0:41:07 | 0:41:09 | |
HE WHEEZES | 0:41:20 | 0:41:22 | |
Blighty convoy just left, Matron. | 0:41:35 | 0:41:38 | |
Thank you. | 0:41:38 | 0:41:39 | |
-The convoy's left, why aren't you on it? -Ssh. | 0:42:14 | 0:42:16 | |
Who's that? | 0:42:16 | 0:42:17 | |
No-one to be scared of. Sssh... | 0:42:17 | 0:42:21 | |
(From the mouth.) | 0:42:26 | 0:42:28 | |
(Two minutes.) | 0:42:28 | 0:42:29 | |
HE WHEEZES | 0:43:03 | 0:43:04 | |
When I killed her... | 0:43:15 | 0:43:17 | |
..it weren't deliberate. | 0:43:20 | 0:43:22 | |
Will you tell her? | 0:43:27 | 0:43:29 | |
You tell her I didn't mean it. | 0:43:31 | 0:43:33 | |
You tell her I'm sorry. | 0:43:38 | 0:43:40 | |
Of course I will. | 0:43:41 | 0:43:43 | |
HE EXHALES SLOWLY | 0:43:52 | 0:43:55 | |
No harm done. | 0:44:28 | 0:44:29 | |
In his paybook you will find an address for his mother in Aberdeen. | 0:44:38 | 0:44:43 | |
As you were the special, you will write to Mrs Molloy. | 0:44:43 | 0:44:48 | |
You will say that her son died peacefully and without pain. | 0:44:48 | 0:44:51 | |
You always tell the families that the death was peaceful | 0:44:54 | 0:44:56 | |
and without pain, even when it is not. | 0:44:56 | 0:44:59 | |
Is that rule reasonable enough for you? | 0:44:59 | 0:45:02 | |
Yes, Matron. | 0:45:02 | 0:45:03 | |
What was the matter with him? | 0:45:10 | 0:45:12 | |
Gas gangrene. Liver and lungs. | 0:45:12 | 0:45:15 | |
How he had the strength to lift himself out of his bed is beyond me. | 0:45:16 | 0:45:20 | |
You disobeyed another order. | 0:45:24 | 0:45:26 | |
I thought this was more important... Matron. | 0:45:30 | 0:45:34 | |
He will need laying out. | 0:45:37 | 0:45:39 | |
I've been trained in how to do that. | 0:45:39 | 0:45:41 | |
I'll send someone to make sure you do it properly. | 0:45:41 | 0:45:44 | |
You also never talk about a dying man's last words. | 0:45:47 | 0:45:50 | |
No matter what they confess to. | 0:45:51 | 0:45:53 | |
It won't go any further. | 0:45:57 | 0:45:58 | |
Probationary period, Trevelyan. I will not be so lenient again. | 0:46:02 | 0:46:07 | |
Matron. | 0:46:09 | 0:46:10 | |
INDISTINCT CHATTER | 0:46:20 | 0:46:21 | |
-Strip the linen. -Yes, Matron. | 0:46:22 | 0:46:24 | |
Private Molloy's body is in the new ward tent. | 0:46:24 | 0:46:28 | |
Corporal Foley, you will assist the volunteer in laying him out. | 0:46:28 | 0:46:31 | |
He had these. | 0:46:33 | 0:46:34 | |
It could all have been very different. | 0:46:36 | 0:46:38 | |
Thank you, Matron. | 0:47:00 | 0:47:02 | |
Your uniform is incorrect. | 0:47:14 | 0:47:16 | |
Sorry, Matron. | 0:47:16 | 0:47:18 | |
BUGLE BLOWS | 0:48:51 | 0:48:54 | |
Are you waiting for me, sir? | 0:49:02 | 0:49:04 | |
I think it's you that's been waiting for me. | 0:49:05 | 0:49:08 | |
I can't apologise enough for being late. Joan...Livesey. | 0:49:08 | 0:49:12 | |
CHATTERING VOICES | 0:49:17 | 0:49:20 | |
How's the first day been then, Volunteer? | 0:49:35 | 0:49:38 | |
My esteemed colleague was lying. He said none of you were pretty. | 0:49:40 | 0:49:45 | |
He must be blind. | 0:49:45 | 0:49:47 | |
(Shy. How sweet.) | 0:49:50 | 0:49:52 | |
I apologise for my friend, he er...he thinks he's dashing. | 0:49:54 | 0:49:58 | |
Leave her alone, Miles. | 0:49:58 | 0:50:00 | |
Do you know what they call the VADs? | 0:50:00 | 0:50:02 | |
The Very Adorable Darlings. And I think that suits you perfectly. | 0:50:02 | 0:50:06 | |
My father gave me a piece of advice about women, | 0:50:09 | 0:50:12 | |
shall I tell you what it is? | 0:50:12 | 0:50:13 | |
He said, never marry a woman who holds your look for too long, | 0:50:13 | 0:50:16 | |
she's bound to be trouble. | 0:50:16 | 0:50:17 | |
And you take your father's advice for everything, do you? | 0:50:17 | 0:50:20 | |
Well, usually, but not in matters of the heart. | 0:50:20 | 0:50:23 | |
Of course you do. | 0:50:24 | 0:50:25 | |
You're the sort that does exactly as he's told. | 0:50:25 | 0:50:28 | |
HE CHUCKLES | 0:50:31 | 0:50:33 | |
She will be eating out of my hand within the week. | 0:50:36 | 0:50:39 | |
-Sister Quayle? -No running! | 0:50:41 | 0:50:43 | |
Oh. Sorry. | 0:50:43 | 0:50:44 | |
Sister Quayle? I was wondering if I could have my cake? | 0:50:44 | 0:50:48 | |
I shared it out among the men. | 0:50:51 | 0:50:52 | |
I thought that was what you intended. I am sorry. | 0:50:54 | 0:50:57 | |
No, please - I'm glad you did that. It's much better. | 0:50:57 | 0:51:02 | |
Did they like it? | 0:51:02 | 0:51:04 | |
They enjoyed it very much. | 0:51:04 | 0:51:06 | |
Oh, good. I shall tell Mrs Bartlett. She'll be so pleased. | 0:51:06 | 0:51:11 | |
Thank you, Sister. Goodnight. | 0:51:11 | 0:51:13 | |
Don't forget to say your prayers. | 0:51:13 | 0:51:15 | |
Oh, of course. I always do. | 0:51:15 | 0:51:17 | |
MUFFLED CONVERSATION | 0:51:41 | 0:51:44 | |
I realised I'd missed the lorry | 0:51:48 | 0:51:50 | |
so thought I'd get here under me own steam. | 0:51:50 | 0:51:52 | |
Bought the bike in Boulogne. Got the coat, goggles, everything | 0:51:52 | 0:51:55 | |
for an absolute song. | 0:51:55 | 0:51:58 | |
You can buy anything in Boulogne. | 0:51:58 | 0:52:00 | |
I could have turned up in full evening wear with two | 0:52:00 | 0:52:02 | |
-Pekingese dogs if I'd have wanted to. -Margaret, this is Joan Livesey. | 0:52:02 | 0:52:05 | |
The missing volunteer. | 0:52:05 | 0:52:07 | |
No, a civilian Sister. A reservist. | 0:52:07 | 0:52:09 | |
From the Royal Infirmary, Liverpool. How do you do? | 0:52:09 | 0:52:12 | |
A Sister? We thought... | 0:52:12 | 0:52:13 | |
We were sent four names, so naturally we assumed... | 0:52:13 | 0:52:16 | |
I completely understand, wires get crossed. | 0:52:16 | 0:52:18 | |
You've been billeted with the volunteers, but you will have your own private quarters. | 0:52:18 | 0:52:22 | |
You wouldn't mind showing the way, would you? | 0:52:22 | 0:52:24 | |
Don't trouble yourselves. I can find my way. | 0:52:24 | 0:52:26 | |
If I get lost, I'll ask someone. | 0:52:26 | 0:52:28 | |
Goodnight. | 0:52:28 | 0:52:29 | |
A proper, qualified, highly-qualified civilian nurse. | 0:52:33 | 0:52:37 | |
I may have a brandy to celebrate. | 0:52:39 | 0:52:41 | |
She's rather young to have made Sister. | 0:52:43 | 0:52:46 | |
DOOR CLOSES | 0:52:46 | 0:52:48 | |
Is she all right parked there? | 0:52:57 | 0:52:59 | |
Can you point me in the general direction of the sleeping quarters? | 0:53:01 | 0:53:05 | |
Follow the signs. | 0:53:05 | 0:53:07 | |
Thank you. | 0:53:08 | 0:53:09 | |
I would never dream of cutting my hair, but I do think yours | 0:53:18 | 0:53:21 | |
-looks smashing. -Well, thank you. | 0:53:21 | 0:53:23 | |
-This is Joan. That's Katherine. -Hello. | 0:53:25 | 0:53:28 | |
It's Kitty. I get called Kitty for short. | 0:53:28 | 0:53:31 | |
Are you married? | 0:53:31 | 0:53:32 | |
Flora! That's far too personal! | 0:53:32 | 0:53:35 | |
We're off duty! And civilian nurses can get married. So, are you? | 0:53:35 | 0:53:39 | |
Or engaged? Is there a Mr Joan? | 0:53:39 | 0:53:42 | |
-When would I have time for a man? -Well, never mind. | 0:53:42 | 0:53:45 | |
You have a motorcycle. And I'd absolutely die to ride a motorcycle. | 0:53:45 | 0:53:49 | |
Maybe I'll teach you. | 0:53:51 | 0:53:53 | |
Oh, I'd love that! | 0:53:53 | 0:53:56 | |
BUGLE BLOWS | 0:53:56 | 0:53:58 | |
That's the boys leaving! We should wave them goodbye. | 0:53:58 | 0:54:00 | |
You're in your nightclothes! | 0:54:00 | 0:54:02 | |
They're going to the Front. | 0:54:02 | 0:54:04 | |
THEY LAUGH SOFTLY | 0:54:04 | 0:54:06 | |
What I said was unforgivably cruel. | 0:54:14 | 0:54:16 | |
I'm sure we'll all get used to each other. | 0:54:18 | 0:54:20 | |
Come and see this! You have to see this! | 0:54:22 | 0:54:24 | |
Right marker! | 0:54:25 | 0:54:27 | |
Get a move on, you lot! | 0:54:29 | 0:54:30 | |
Squad will move to the right in fours. | 0:54:35 | 0:54:39 | |
Form...fours! | 0:54:39 | 0:54:41 | |
Right. | 0:54:42 | 0:54:45 | |
By the left. Quick march! | 0:54:45 | 0:54:47 | |
Left, right, left, right, left, right... | 0:55:08 | 0:55:12 | |
What I wouldn't give to be you, lads! | 0:55:15 | 0:55:18 | |
Give the Hun hell from me! | 0:55:18 | 0:55:20 | |
For King and country, give 'em hell, lads. | 0:55:20 | 0:55:23 | |
Left, right, left, right, left, right... | 0:55:39 | 0:55:43 | |
Good luck, boys. Good luck! | 0:55:57 | 0:56:01 | |
Stay alive for me. | 0:56:17 | 0:56:18 | |
Stay alive. | 0:56:20 | 0:56:21 | |
Stay alive. | 0:56:24 | 0:56:26 | |
Where's my husband? | 0:56:27 | 0:56:28 | |
I didn't think you'd be so close to the sea. | 0:56:28 | 0:56:30 | |
You shouldn't have come. | 0:56:30 | 0:56:31 | |
SHE SOBS I'm not prepared for this. | 0:56:31 | 0:56:34 | |
No woman is a blank sheet of paper, we all have histories. | 0:56:34 | 0:56:36 | |
And I will not give up until I see a smile. | 0:56:36 | 0:56:38 | |
I really believe I was meant for this. | 0:56:38 | 0:56:40 | |
-I've got grit! -Where? In your shoe? | 0:56:40 | 0:56:43 | |
Are you going to put them all in the laundry, | 0:56:43 | 0:56:45 | |
out of sight, out of mind? It's just bloody-minded. | 0:56:45 | 0:56:47 |