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ALL PANTING | 0:00:29 | 0:00:31 | |
APPLAUSE | 0:01:18 | 0:01:20 | |
Jack. | 0:01:33 | 0:01:35 | |
Why didn't you tell me you were back? | 0:01:37 | 0:01:39 | |
I'm sorry. | 0:01:39 | 0:01:40 | |
Great race. Well done. | 0:01:44 | 0:01:46 | |
Congratulations. Your father would have been so proud of you. | 0:01:50 | 0:01:53 | |
I've just made a cuppa. | 0:03:19 | 0:03:21 | |
Sounds good. | 0:03:21 | 0:03:22 | |
May I? | 0:03:23 | 0:03:25 | |
Jack, you must be exhausted. | 0:03:25 | 0:03:27 | |
Oh, Mattie, this is Jack. | 0:03:27 | 0:03:29 | |
-Jack Beazley. -Hi. Mattie O'Brien. | 0:03:29 | 0:03:33 | |
-Mum hasn't told you about me, has she? -Oh. | 0:03:33 | 0:03:36 | |
Um, so you were racing today? | 0:03:36 | 0:03:38 | |
And I would die for that cup of tea. | 0:03:38 | 0:03:40 | |
Yes. Jack has milk with two. | 0:03:40 | 0:03:42 | |
So how did it go? | 0:03:42 | 0:03:43 | |
How did it go? He won! | 0:03:43 | 0:03:46 | |
Oh. Congratulations. | 0:03:46 | 0:03:48 | |
-A first prize of £20, no less. -And a gold medal. | 0:03:48 | 0:03:51 | |
Oh, Jack, don't be silly! | 0:03:53 | 0:03:55 | |
-No, looks better on you. -SHE CHUCKLES | 0:03:55 | 0:03:57 | |
Bravo. | 0:03:57 | 0:03:58 | |
TELEPHONE RINGS Oh, I'll get that. | 0:03:58 | 0:04:01 | |
Mattie's the district nurse. She's our lodger. | 0:04:01 | 0:04:05 | |
Seems nice. | 0:04:05 | 0:04:06 | |
-Lucien? -Mm? | 0:04:08 | 0:04:09 | |
It's Constable Davis. He says it's urgent. | 0:04:09 | 0:04:11 | |
Right. Excuse me, you two. | 0:04:11 | 0:04:12 | |
Thank you, Mattie. | 0:04:15 | 0:04:16 | |
Yes, Charlie? | 0:04:18 | 0:04:19 | |
I'm on my way. | 0:04:22 | 0:04:24 | |
Jean? It's the Dennison family. | 0:04:24 | 0:04:26 | |
Acting Superintendent. | 0:04:35 | 0:04:37 | |
Uh, you might want to watch where you're standing. | 0:04:37 | 0:04:40 | |
Cold in here, isn't it? | 0:04:40 | 0:04:42 | |
-This morning's newspaper? -Delivered 8:00am. | 0:04:45 | 0:04:48 | |
Bodies discovered 8:45. | 0:04:48 | 0:04:50 | |
Cause of death, thank you, Doctor. | 0:04:50 | 0:04:53 | |
What? | 0:04:55 | 0:04:57 | |
Well... | 0:04:57 | 0:04:58 | |
five members of the family, four places set at the table, | 0:04:58 | 0:05:02 | |
three bodies. | 0:05:02 | 0:05:03 | |
The other son was in the race. | 0:05:03 | 0:05:05 | |
-He's at the station now. -Ah. | 0:05:05 | 0:05:07 | |
The daughter's still missing. | 0:05:08 | 0:05:11 | |
Cause of death? | 0:05:11 | 0:05:14 | |
Yes, of course. | 0:05:14 | 0:05:15 | |
Well, here, obviously one shot | 0:05:15 | 0:05:19 | |
back of the cranium. | 0:05:19 | 0:05:21 | |
Now, curiously... | 0:05:21 | 0:05:24 | |
Yes, look. | 0:05:24 | 0:05:25 | |
He's also been shot in both knees. | 0:05:25 | 0:05:28 | |
And here... | 0:05:28 | 0:05:30 | |
..one shot to the back. | 0:05:32 | 0:05:35 | |
Obviously taken by surprise. | 0:05:35 | 0:05:37 | |
But I'll tell you something, Superintendent, | 0:05:37 | 0:05:39 | |
he wasn't taken by surprise. | 0:05:39 | 0:05:41 | |
And look here. | 0:05:43 | 0:05:45 | |
I'd say he's raised his hand, | 0:05:45 | 0:05:48 | |
trying to shield himself | 0:05:48 | 0:05:50 | |
and, again, one shot. | 0:05:50 | 0:05:53 | |
The Dennison family, they... | 0:05:53 | 0:05:54 | |
..they were involved with just about every charity I can think of. | 0:05:56 | 0:05:59 | |
Who would do such a thing? | 0:05:59 | 0:06:01 | |
Are you familiar with the police surgeon brief, Doctor, | 0:06:01 | 0:06:03 | |
as per the police handbook? | 0:06:03 | 0:06:05 | |
Yes, I've read it. | 0:06:05 | 0:06:07 | |
Read it again. | 0:06:07 | 0:06:08 | |
-Autopsy report on my desk. -Sir! | 0:06:08 | 0:06:12 | |
As soon as possible. | 0:06:12 | 0:06:14 | |
Yes. | 0:06:14 | 0:06:15 | |
It's the window cleaner. He discovered the bodies. | 0:06:16 | 0:06:19 | |
CLOCK CHIMES | 0:06:24 | 0:06:26 | |
-Please don't hurt me! Mum! -It's all right, it's all right! | 0:07:20 | 0:07:23 | |
Please don't hurt me! No, no, no. I'm with the police, all right? | 0:07:23 | 0:07:26 | |
I'm with the police. You're safe now. | 0:07:26 | 0:07:28 | |
-You're safe. -DOG BARKS | 0:07:28 | 0:07:30 | |
Let's get you out of that cupboard, shall we? Come on. | 0:07:34 | 0:07:37 | |
That's it, that's it. | 0:07:37 | 0:07:39 | |
I've got you. | 0:07:39 | 0:07:40 | |
What do we know, Charlie? | 0:07:44 | 0:07:46 | |
Well, all the household staff were given a half day off | 0:07:46 | 0:07:49 | |
to watch the race. | 0:07:49 | 0:07:50 | |
A window cleaner found them. | 0:07:50 | 0:07:52 | |
-Right. Suspects? -Nothing yet. | 0:07:54 | 0:07:56 | |
A Vanguard ute was seen parked outside on the road last night. | 0:08:00 | 0:08:04 | |
We've had reports of armed robberies further north - | 0:08:04 | 0:08:07 | |
a bank in Shepparton, shots fired in Mooroopna | 0:08:07 | 0:08:09 | |
-We don't know if they're linked yet. -Right. | 0:08:09 | 0:08:13 | |
This is the family who sponsor the big race, isn't it? | 0:08:13 | 0:08:15 | |
Yes, they sponsored the race, amongst other things. | 0:08:15 | 0:08:18 | |
-Hey, Doc? -Mm? | 0:08:21 | 0:08:23 | |
-That bloke who won today? -Jack Beazley. | 0:08:23 | 0:08:26 | |
Beazley? Not Mrs Beazley's son? | 0:08:27 | 0:08:31 | |
She's rather proud of him right now. Why? | 0:08:31 | 0:08:33 | |
Ah. No, no reason. | 0:08:35 | 0:08:37 | |
What are you doing here? | 0:08:48 | 0:08:49 | |
As per the handbook, seeing to victim welfare. | 0:08:49 | 0:08:51 | |
SUPERINTENDENT CHUCKLES | 0:08:51 | 0:08:53 | |
Lawson said you had your uses. | 0:08:53 | 0:08:54 | |
We'll see. | 0:08:55 | 0:08:57 | |
There were two shots and then some screaming. | 0:08:59 | 0:09:02 | |
Did you recognise the voice? | 0:09:04 | 0:09:06 | |
It was Sammy. | 0:09:06 | 0:09:07 | |
He's dead, too, isn't he? | 0:09:09 | 0:09:11 | |
-Yeah. -SHE SOBS | 0:09:11 | 0:09:14 | |
What did you hear next? | 0:09:14 | 0:09:15 | |
There was another shot... | 0:09:19 | 0:09:21 | |
and then the screaming stopped. | 0:09:21 | 0:09:24 | |
Where were you? | 0:09:25 | 0:09:26 | |
In my room. | 0:09:27 | 0:09:29 | |
The dog was going mad so I grabbed her and hid in the cupboard. | 0:09:29 | 0:09:32 | |
Then I waited. | 0:09:35 | 0:09:36 | |
So, Aileen, how many shots did you hear? | 0:09:42 | 0:09:47 | |
Three altogether. | 0:09:47 | 0:09:49 | |
Three? | 0:09:49 | 0:09:50 | |
Three, I think. | 0:09:52 | 0:09:53 | |
And what happened next? | 0:09:55 | 0:09:58 | |
I waited. | 0:09:58 | 0:10:00 | |
And then I opened the door... | 0:10:01 | 0:10:04 | |
to see if I could hear anything, but... | 0:10:04 | 0:10:06 | |
..nothing. | 0:10:07 | 0:10:08 | |
So I came out to see if anyone was still alive. | 0:10:11 | 0:10:15 | |
And I thought I heard something... | 0:10:15 | 0:10:17 | |
..so I hid again. | 0:10:19 | 0:10:21 | |
But no-one came. | 0:10:23 | 0:10:24 | |
Thank you, Miss Dennison. | 0:10:27 | 0:10:31 | |
KNOCK AT DOOR | 0:10:31 | 0:10:32 | |
Yes? | 0:10:34 | 0:10:36 | |
-Owen Dennison, Superintendent. -Owen! | 0:10:36 | 0:10:39 | |
-May I see my sister? -Of course. | 0:10:39 | 0:10:42 | |
It's all right. I'm here now. | 0:10:44 | 0:10:47 | |
-(It's all right.) -SHE SOBS | 0:10:47 | 0:10:49 | |
Yes, that's my brother, Cameron Dennison. | 0:10:54 | 0:10:58 | |
Thank you, sir. | 0:10:58 | 0:10:59 | |
And Lorna. | 0:11:18 | 0:11:19 | |
Sam. Samuel Dennison. | 0:11:32 | 0:11:34 | |
What about the girl? | 0:11:38 | 0:11:40 | |
I believe she's all right, sir. | 0:11:40 | 0:11:42 | |
Arrested anyone yet? | 0:11:42 | 0:11:43 | |
Not yet. | 0:11:44 | 0:11:45 | |
Then you'll want to talk to Albert. | 0:11:45 | 0:11:47 | |
Albert? | 0:11:51 | 0:11:53 | |
Albert. Albert Dennison. | 0:11:53 | 0:11:55 | |
At least that used to be his last name. | 0:11:55 | 0:11:57 | |
I think he goes by the name of Corrigan now. | 0:11:57 | 0:11:59 | |
I thought there were only two sons. | 0:12:00 | 0:12:02 | |
There were. | 0:12:02 | 0:12:04 | |
Alby's a disgrace. | 0:12:04 | 0:12:06 | |
Cameron disowned him. | 0:12:06 | 0:12:07 | |
You think he'd be capable of this? | 0:12:07 | 0:12:09 | |
He's threatened all of us. | 0:12:12 | 0:12:14 | |
Of course he's capable. | 0:12:16 | 0:12:17 | |
All the one family. | 0:12:32 | 0:12:34 | |
They talk about your drinking, you know? | 0:12:37 | 0:12:39 | |
-Really? Who's they? -Various officials. | 0:12:39 | 0:12:42 | |
Thank you, no. | 0:12:43 | 0:12:45 | |
But I can see why you would. | 0:12:45 | 0:12:47 | |
This family...they were wealthy, weren't they? | 0:12:47 | 0:12:51 | |
Yes, they were wealthy. | 0:12:51 | 0:12:52 | |
They were also very generous. | 0:12:52 | 0:12:54 | |
Then why kill them? | 0:12:54 | 0:12:56 | |
I have absolutely no idea. | 0:12:56 | 0:12:58 | |
What's this about lividity? | 0:13:00 | 0:13:01 | |
Inconclusive, I'm afraid. | 0:13:01 | 0:13:03 | |
The bodies were found within an hour of death. | 0:13:03 | 0:13:06 | |
The morning paper proves that. | 0:13:06 | 0:13:07 | |
Well, lividity is variable at best. | 0:13:07 | 0:13:10 | |
It can depend on a number of factors, like room temperature. | 0:13:10 | 0:13:13 | |
Just as well we're not relying on you, then. | 0:13:14 | 0:13:16 | |
We didn't find anything else at the house. | 0:13:19 | 0:13:21 | |
No prints. No sign of theft or damage. | 0:13:21 | 0:13:25 | |
But we got a report of shots fired from a car | 0:13:25 | 0:13:27 | |
on Creswick Road this morning. | 0:13:27 | 0:13:29 | |
A Vanguard ute. Two-tone blue. | 0:13:29 | 0:13:32 | |
The same one that was seen near the Dennison place last night? | 0:13:32 | 0:13:35 | |
Oh, you know about that, do you? | 0:13:35 | 0:13:36 | |
Might be the same one. We don't know. | 0:13:38 | 0:13:41 | |
Ashby? | 0:13:41 | 0:13:43 | |
Have you arrested anyone? | 0:13:43 | 0:13:44 | |
The investigation is proceeding. | 0:13:45 | 0:13:47 | |
Have you arrested anyone? | 0:13:47 | 0:13:49 | |
The investigation is proceeding. We're following all leads. | 0:13:51 | 0:13:54 | |
What's this to you, Patrick? | 0:13:56 | 0:13:57 | |
You're letting him run this, are you? | 0:13:59 | 0:14:00 | |
The question stands. What's it to you? | 0:14:00 | 0:14:02 | |
My newspaper is getting dozens of phone calls. | 0:14:02 | 0:14:06 | |
People want to form lynch mobs, hunt down whoever did this. | 0:14:06 | 0:14:09 | |
I've never seen the town like it. | 0:14:09 | 0:14:11 | |
It's your job to calm them down. | 0:14:11 | 0:14:13 | |
That's your job. | 0:14:13 | 0:14:14 | |
How well do you know the family, Patrick? | 0:14:14 | 0:14:16 | |
You accusing me of murder again? | 0:14:17 | 0:14:19 | |
Not this time. | 0:14:19 | 0:14:21 | |
They were old money. They barely spoke to me. | 0:14:21 | 0:14:25 | |
Disowned eldest son. | 0:14:25 | 0:14:27 | |
Middle son devoted to his blind sister. | 0:14:27 | 0:14:29 | |
Youngest son no head for business, but... | 0:14:29 | 0:14:32 | |
What's that? | 0:14:33 | 0:14:34 | |
A list of all the charitable contributions | 0:14:34 | 0:14:36 | |
the family has supported in this town over the last three years. | 0:14:36 | 0:14:40 | |
They're just the ones the family has publicised. | 0:14:41 | 0:14:43 | |
We're going to publish this list in the next edition. | 0:14:46 | 0:14:49 | |
The town deserves to know. That's what it is to me. | 0:14:49 | 0:14:52 | |
I suppose you'll still be monitoring our radios? | 0:14:55 | 0:14:57 | |
It's a free country. | 0:14:59 | 0:15:02 | |
Thank you, gentlemen. | 0:15:02 | 0:15:03 | |
You don't ask questions till I say you can. | 0:15:08 | 0:15:11 | |
Understand? | 0:15:11 | 0:15:13 | |
What? | 0:15:13 | 0:15:14 | |
We've got a lead on Albert Corrigan. | 0:15:14 | 0:15:16 | |
He's been staying at the Railway Hotel. | 0:15:16 | 0:15:19 | |
Take Harris. | 0:15:19 | 0:15:21 | |
And Senior Constable? | 0:15:21 | 0:15:22 | |
He might be armed. | 0:15:22 | 0:15:23 | |
(We're looking for an Albert Corrigan.) | 0:15:35 | 0:15:37 | |
-He's out the back. -(Great, thanks.) | 0:15:37 | 0:15:39 | |
Mr Corrigan, this is the police! | 0:16:12 | 0:16:15 | |
Albert Corrigan! WOMAN SHRIEKS | 0:16:25 | 0:16:26 | |
-He's going for his gun! Easy! -Come here! | 0:16:28 | 0:16:30 | |
-Hey! Hey! -Easy! | 0:16:32 | 0:16:33 | |
-Leave him alone! -Quiet! | 0:16:35 | 0:16:36 | |
Easy, miss. Take it easy. | 0:16:36 | 0:16:39 | |
Let me go! | 0:16:39 | 0:16:40 | |
I'm arresting... Quiet! Quiet! | 0:16:40 | 0:16:41 | |
-Albert Corrigan, I'm arresting you... -Please, can you...? | 0:16:41 | 0:16:43 | |
What?! | 0:16:43 | 0:16:45 | |
-My glasses. -WOMAN WHIMPERS | 0:16:45 | 0:16:48 | |
He didn't do anything. | 0:16:48 | 0:16:50 | |
I've had enough of this... | 0:16:51 | 0:16:53 | |
Sit down, Mr Corrigan. | 0:16:58 | 0:16:59 | |
I said, sit down now! | 0:17:01 | 0:17:02 | |
You know why you're here? | 0:17:09 | 0:17:10 | |
-She's 20 years old, I swear. -Not the girl. | 0:17:10 | 0:17:12 | |
Your family. | 0:17:14 | 0:17:15 | |
I haven't got a family. | 0:17:17 | 0:17:18 | |
No, you don't... | 0:17:20 | 0:17:21 | |
..because someone walked into the family home and shot them. | 0:17:23 | 0:17:25 | |
Where were you between the hours of eight and nine this morning, | 0:17:28 | 0:17:31 | |
-ECHOES: -Mr Corrigan? | 0:17:31 | 0:17:32 | |
I repeat, where were you | 0:17:40 | 0:17:41 | |
between the hours of eight and nine this morning? | 0:17:41 | 0:17:43 | |
-Mum! She's dead?! -Mr Corrigan! -She's dead? | 0:17:43 | 0:17:47 | |
Well, he'll sleep now. | 0:18:04 | 0:18:07 | |
The saline will help him sober up. | 0:18:07 | 0:18:09 | |
He'll need monitoring. | 0:18:09 | 0:18:10 | |
I'll put a man on duty. | 0:18:10 | 0:18:12 | |
What's that? | 0:18:15 | 0:18:17 | |
An old scar. | 0:18:17 | 0:18:18 | |
-Gunshot wound? -Looks like it, doesn't it? | 0:18:22 | 0:18:25 | |
Uh, sir? | 0:18:28 | 0:18:29 | |
You should probably read this. | 0:18:32 | 0:18:34 | |
-Hm. They're fast. -They were ready for us. | 0:18:36 | 0:18:38 | |
I'm going back to the Dennison's. | 0:18:40 | 0:18:41 | |
If you think you can behave yourself, | 0:18:44 | 0:18:46 | |
you can come with me, if you like. | 0:18:46 | 0:18:47 | |
Now, something wrong, Charlie? | 0:18:50 | 0:18:52 | |
Nothing's broken, Charlie, but that is going to hurt for a while. | 0:18:56 | 0:18:59 | |
Albert Corrigan responsible for this? | 0:19:00 | 0:19:02 | |
Come on, Charlie. Spill it. | 0:19:04 | 0:19:06 | |
It was Jack Beazley. | 0:19:07 | 0:19:09 | |
We were close to the finishing line and I thought I had him, | 0:19:09 | 0:19:12 | |
then he dug his elbow into my ribs. | 0:19:12 | 0:19:14 | |
What's he doing in town? | 0:19:16 | 0:19:18 | |
Well, obviously he's here to participate in the race | 0:19:18 | 0:19:21 | |
and see his mum. Why? | 0:19:21 | 0:19:22 | |
Jack was at the bar when Albert Corrigan was arrested. | 0:19:22 | 0:19:25 | |
So? | 0:19:25 | 0:19:27 | |
So he shows up at the same time as the Dennisons are gunned down. | 0:19:27 | 0:19:31 | |
He's drinking at the bar where a possible suspect is staying. | 0:19:31 | 0:19:35 | |
It's a bit of a coincidence. | 0:19:35 | 0:19:37 | |
Charlie, he was running in the race at the time of the murders, | 0:19:37 | 0:19:39 | |
which rules him out. | 0:19:39 | 0:19:41 | |
Now, take two of these every six hours, yes? | 0:19:41 | 0:19:44 | |
-All right. -All right. -Thanks, Doc. -All right, Charlie. | 0:19:45 | 0:19:49 | |
I was here playing with Ruby. | 0:19:55 | 0:19:57 | |
Mother called me to the table. | 0:20:00 | 0:20:02 | |
But then I heard the gun, so I hid... | 0:20:03 | 0:20:05 | |
..in there. | 0:20:08 | 0:20:10 | |
Miss Dennison, you said you heard three gunshots. | 0:20:15 | 0:20:19 | |
That's right. | 0:20:20 | 0:20:21 | |
And nothing more? | 0:20:21 | 0:20:23 | |
I don't think so. Why? | 0:20:23 | 0:20:25 | |
Just excuse me for just a moment. | 0:20:27 | 0:20:30 | |
Doctor? | 0:21:16 | 0:21:18 | |
-Doctor? -Yes. | 0:21:20 | 0:21:22 | |
Certainly a tight fit. | 0:21:27 | 0:21:28 | |
Um, Miss Dennison... Aileen, | 0:21:28 | 0:21:31 | |
how long would you say you were hiding for? | 0:21:31 | 0:21:33 | |
Oh, I don't know. | 0:21:35 | 0:21:37 | |
I lost track of time. | 0:21:37 | 0:21:39 | |
Did you learn anything from that little stunt? | 0:21:43 | 0:21:46 | |
Not really, no. | 0:21:46 | 0:21:47 | |
-What are you thinking? -CLOCK CHIMES | 0:21:48 | 0:21:50 | |
Two options. | 0:21:50 | 0:21:52 | |
Family vengeance, or a couple of disaffected thugs with a gun. | 0:21:52 | 0:21:57 | |
Either way, she was very lucky they didn't find her. | 0:21:58 | 0:22:01 | |
As long as she knows where she is she's fine. | 0:22:07 | 0:22:10 | |
I gather Alby's in a bad way? | 0:22:10 | 0:22:13 | |
He's down at the station helping with our inquiries. | 0:22:13 | 0:22:16 | |
Is he drunk? | 0:22:16 | 0:22:18 | |
Oh, of course he is. | 0:22:18 | 0:22:19 | |
Go easy on him. | 0:22:22 | 0:22:24 | |
Your uncle seems to think he might have been involved. | 0:22:24 | 0:22:26 | |
JEAN: I always thought Alby Dennison was a sweet boy. | 0:22:30 | 0:22:33 | |
I understand he became very violent in the interview room. | 0:22:34 | 0:22:37 | |
Well, it's hardly surprising. | 0:22:37 | 0:22:38 | |
It's the uncle I can't stand. He's a horrible man. | 0:22:38 | 0:22:41 | |
You're not barracking for the underdog again, are you? | 0:22:41 | 0:22:44 | |
You can smirk all you like. Alby was a sensitive boy. | 0:22:44 | 0:22:47 | |
He wanted to marry a Catholic girl and they cut him off. | 0:22:47 | 0:22:49 | |
-They cut him off over that? -Where have you been living? | 0:22:49 | 0:22:53 | |
From what I hear, all the uncle cares about | 0:22:53 | 0:22:55 | |
is controlling the family business. | 0:22:55 | 0:22:56 | |
-Oh, how is Doug Ashby going? -Oh, Doug. | 0:22:58 | 0:23:01 | |
I think he might be all right. | 0:23:01 | 0:23:04 | |
DOOR CLOSES | 0:23:04 | 0:23:05 | |
Jack, is that you? | 0:23:05 | 0:23:06 | |
-Mum. Everyone. -Hey, Jack. | 0:23:10 | 0:23:12 | |
I hope you didn't wait for me. | 0:23:16 | 0:23:17 | |
Oh, we weren't sure when you'd be back. It might still be warm. | 0:23:17 | 0:23:20 | |
-I'm sorry, I've already eaten. -Oh? Where? | 0:23:20 | 0:23:23 | |
-Out. You don't mind? -No, no. Of course not. | 0:23:23 | 0:23:26 | |
I've got some study to do. I'll leave you to it. | 0:23:27 | 0:23:30 | |
-Excuse me. -Of course. | 0:23:31 | 0:23:33 | |
I might head off to bed. It's been a big day. | 0:23:37 | 0:23:39 | |
-Night, Mum, and sorry about dinner. -Oh. | 0:23:40 | 0:23:42 | |
Night, Jack. | 0:23:44 | 0:23:45 | |
Lucien, I really appreciate your letting him stay. | 0:23:47 | 0:23:50 | |
He's your boy. Of course he can stay. | 0:23:50 | 0:23:53 | |
Sorry, I didn't see you there. | 0:24:05 | 0:24:07 | |
Yeah, easy to do. | 0:24:09 | 0:24:10 | |
You know, I haven't seen much of you since I've been here. | 0:24:12 | 0:24:14 | |
I'm beginning to think you're ignoring me. | 0:24:14 | 0:24:16 | |
Uh, nothing like that. I've just been busy. | 0:24:16 | 0:24:20 | |
-You're sure? -Absolutely. | 0:24:20 | 0:24:21 | |
See, I thought we could have a bit of fun, you and me. | 0:24:24 | 0:24:26 | |
Sound good? | 0:24:28 | 0:24:29 | |
SHE LAUGHS | 0:24:29 | 0:24:31 | |
I don't think you're my type. | 0:24:31 | 0:24:33 | |
How do you know what my type is? | 0:24:34 | 0:24:35 | |
What's the matter? | 0:24:38 | 0:24:39 | |
I won't bite. | 0:24:41 | 0:24:42 | |
Well, it's not your biting that worries me. | 0:24:43 | 0:24:45 | |
I think you're scared. | 0:24:47 | 0:24:49 | |
I'm sure this might work on other women, but not on me. | 0:24:51 | 0:24:54 | |
Right now I'm bored and I'm tired | 0:24:55 | 0:24:57 | |
and to be honest I'm not that impressed. | 0:24:57 | 0:25:00 | |
So why don't you stop all this and let me get through? | 0:25:00 | 0:25:03 | |
I've got you wrong, haven't I? | 0:25:05 | 0:25:07 | |
-Night, Mum. -Night, Jack. | 0:25:18 | 0:25:20 | |
Yeah, I know. | 0:25:32 | 0:25:34 | |
DOOR CREAKS | 0:25:37 | 0:25:39 | |
Just don't worry about it. | 0:25:39 | 0:25:40 | |
You know what he's like. Paranoid all the time. | 0:25:46 | 0:25:48 | |
It's a wonder he gets any sleep at all. | 0:25:48 | 0:25:50 | |
Keep an eye on that one. | 0:25:53 | 0:25:54 | |
You never really know what he's going to do. | 0:25:54 | 0:25:56 | |
So when do I see you again? | 0:25:58 | 0:26:01 | |
Jack. | 0:26:09 | 0:26:10 | |
I thought you'd eaten last night. | 0:26:10 | 0:26:12 | |
I woke up hungry. | 0:26:12 | 0:26:13 | |
Oh. I'll make some tea. | 0:26:13 | 0:26:15 | |
He keeps you pretty busy. The doctor. | 0:26:16 | 0:26:19 | |
Yes. | 0:26:22 | 0:26:23 | |
Pay is all right. And he's reliable. | 0:26:23 | 0:26:27 | |
Reliable isn't what I've heard. | 0:26:27 | 0:26:28 | |
Why? What have you heard? | 0:26:28 | 0:26:30 | |
People talk. | 0:26:30 | 0:26:32 | |
Well, people still talk about you when I'm not there to defend you, | 0:26:32 | 0:26:34 | |
so I don't want to hear about it. | 0:26:34 | 0:26:36 | |
I'm sorry. I just worry about you. | 0:26:37 | 0:26:41 | |
I know how that feels. | 0:26:41 | 0:26:42 | |
Morning. | 0:26:42 | 0:26:43 | |
Morning, Jack. How did you pull up today? | 0:26:45 | 0:26:48 | |
Good. Thanks. | 0:26:48 | 0:26:50 | |
-Hey, you got into town the night before the race, didn't you? -Yes. | 0:26:50 | 0:26:54 | |
Where did you stay? | 0:26:54 | 0:26:55 | |
Not here, obviously. I'm just curious. | 0:26:55 | 0:26:58 | |
-With friends. -Ah. | 0:26:58 | 0:27:00 | |
Same friends you were chatting to on the phone last night, eh? | 0:27:00 | 0:27:02 | |
Yes. Anything else? | 0:27:06 | 0:27:08 | |
No, no. Tell you what, I fancy a cup of tea, though. | 0:27:08 | 0:27:11 | |
KETTLE WHISTLES | 0:27:11 | 0:27:12 | |
Right, now, how are you feeling? | 0:27:22 | 0:27:24 | |
Mr Corrigan, where were you yesterday morning? | 0:27:24 | 0:27:26 | |
In bed. | 0:27:28 | 0:27:30 | |
And can anybody vouch for you? | 0:27:30 | 0:27:32 | |
That girl I was with. | 0:27:32 | 0:27:35 | |
Anyone of character? | 0:27:35 | 0:27:37 | |
No. | 0:27:39 | 0:27:41 | |
When was the last time you saw your family? | 0:27:41 | 0:27:43 | |
I saw my father a week ago. | 0:27:45 | 0:27:48 | |
Mum and the others, not for ages. | 0:27:48 | 0:27:49 | |
What did you discuss with your father? | 0:27:49 | 0:27:51 | |
He told me I was cut out of the will. | 0:27:51 | 0:27:54 | |
I thought he disowned you a long time ago. | 0:27:54 | 0:27:57 | |
He was just making it official. | 0:27:57 | 0:27:58 | |
I thought when he called he wanted to... | 0:28:00 | 0:28:02 | |
make things better. | 0:28:02 | 0:28:04 | |
Mr Corrigan, how did you hurt your leg? | 0:28:05 | 0:28:07 | |
It's an old injury. | 0:28:09 | 0:28:11 | |
Yes, but how did you get it? | 0:28:11 | 0:28:14 | |
I had a fight with Dad. | 0:28:15 | 0:28:18 | |
Albert's weak. | 0:28:18 | 0:28:20 | |
You could see it from the time he was born. | 0:28:20 | 0:28:22 | |
Weak? | 0:28:22 | 0:28:24 | |
For falling in love with a Catholic girl | 0:28:24 | 0:28:25 | |
against the family's wishes? | 0:28:25 | 0:28:27 | |
That was the last straw. I told Cameron to cut him off. | 0:28:27 | 0:28:30 | |
I thought he was your brother's child, not yours. | 0:28:32 | 0:28:37 | |
Are you staying or going? | 0:28:37 | 0:28:39 | |
What was the state of your financial dealings with your brother? | 0:28:43 | 0:28:46 | |
They're pretty complex. | 0:28:46 | 0:28:48 | |
Oh, I'll break them down for you. | 0:28:48 | 0:28:50 | |
Family assets include a number of properties, rural and metropolitan, | 0:28:56 | 0:29:01 | |
trust accounts, honorary membership on a number of boards | 0:29:01 | 0:29:04 | |
and the management of the Ballarat Repatriation Hospital, | 0:29:04 | 0:29:07 | |
-is that correct? -Those are family interests. | 0:29:07 | 0:29:10 | |
Apparently they were the subject of a court case recently | 0:29:10 | 0:29:13 | |
when you tried to take control of the family assets. | 0:29:13 | 0:29:16 | |
There was supposed to be a suppression order. | 0:29:16 | 0:29:18 | |
I had it lifted. | 0:29:18 | 0:29:20 | |
HE CHUCKLES | 0:29:22 | 0:29:23 | |
You stand to gain quite a lot from your brother's death, Mr Dennison. | 0:29:23 | 0:29:28 | |
Cameron was giving the family money away. | 0:29:28 | 0:29:31 | |
In five years we will be ruined. | 0:29:31 | 0:29:33 | |
Did you know how Albert hurt his leg? | 0:29:38 | 0:29:41 | |
He got a gun and he threatened his mother with it. | 0:29:41 | 0:29:43 | |
Cameron fought him. | 0:29:43 | 0:29:45 | |
The gun went off and it wrecked his knee. | 0:29:45 | 0:29:48 | |
He didn't tell you that, did he? | 0:29:50 | 0:29:52 | |
Actually, he did. | 0:29:52 | 0:29:53 | |
Where were you yesterday morning between the hours of 8:00 and 8:45? | 0:29:57 | 0:30:03 | |
I'm not saying another thing until I speak with my lawyer. | 0:30:04 | 0:30:06 | |
The father was shot in both knees. | 0:30:08 | 0:30:10 | |
Albert Corrigan taking revenge for his own injury? | 0:30:14 | 0:30:18 | |
What? | 0:30:20 | 0:30:22 | |
You think I'm such a dinosaur I don't understand about psychology? | 0:30:22 | 0:30:26 | |
Of course, Clyde Dennison fought his brother over the family's assets | 0:30:28 | 0:30:32 | |
all the way through the courts. | 0:30:32 | 0:30:33 | |
Yeah, but that decision came down last year. | 0:30:33 | 0:30:36 | |
Cameron Dennison cut Albert off last week... | 0:30:37 | 0:30:40 | |
..and neither of them has an alibi. | 0:30:42 | 0:30:45 | |
Sir? | 0:30:45 | 0:30:47 | |
-What? -Armed rob in Castlemaine. | 0:30:47 | 0:30:50 | |
Shots fired. Suspects were driving a two-tone blue Vanguard ute. | 0:30:50 | 0:30:55 | |
-They took the Midland Highway. -Castlemaine? | 0:30:55 | 0:30:57 | |
Hm. Looks like they're heading back here. | 0:30:57 | 0:30:59 | |
SIREN WAILS | 0:31:05 | 0:31:06 | |
TYRES SQUEAL | 0:31:11 | 0:31:13 | |
Police! Road's closed. | 0:31:16 | 0:31:18 | |
You all right, Charlie? | 0:31:30 | 0:31:32 | |
What do you know about the Acting Superintendent? | 0:31:33 | 0:31:36 | |
Well, he was the boss when Matthew Lawson was a young copper. | 0:31:36 | 0:31:38 | |
Can we trust him? | 0:31:38 | 0:31:40 | |
Well, I hope so. Why? | 0:31:40 | 0:31:43 | |
I was in the office yesterday after everyone had knocked off. | 0:31:43 | 0:31:46 | |
He was on the phone to someone talking about you. | 0:31:46 | 0:31:49 | |
And, believe me, it wasn't favourable. | 0:31:49 | 0:31:52 | |
Right. Do you know who he was talking to? | 0:31:54 | 0:31:57 | |
No. | 0:31:57 | 0:31:59 | |
Be careful, Doc. | 0:31:59 | 0:32:01 | |
-They're coming! -Right. | 0:32:01 | 0:32:02 | |
They're really going to have to want to get through. | 0:32:14 | 0:32:16 | |
Yeah. We'll see. | 0:32:16 | 0:32:18 | |
TYRES SQUEAL | 0:32:20 | 0:32:23 | |
Police. Pull over! | 0:32:25 | 0:32:27 | |
Get out of the car! | 0:32:30 | 0:32:31 | |
WOMAN YELPS | 0:32:37 | 0:32:38 | |
WOMAN SHRIEKS | 0:32:45 | 0:32:46 | |
-MAN: -She's got a gun! | 0:32:48 | 0:32:50 | |
Ah! | 0:32:53 | 0:32:54 | |
Go! | 0:32:55 | 0:32:56 | |
-He's going for his gun! -Don't do it! Don't do it! | 0:33:02 | 0:33:05 | |
Drop it, or I'll shoot! | 0:33:05 | 0:33:06 | |
Drop the gun! Oi! Oi! | 0:33:16 | 0:33:19 | |
-Come on... -Drop the gun! | 0:33:20 | 0:33:22 | |
Drop it now! Drop it! | 0:33:24 | 0:33:26 | |
Get the gun. | 0:33:49 | 0:33:51 | |
SHE MURMURS | 0:33:58 | 0:34:01 | |
She's alive! | 0:34:01 | 0:34:02 | |
Her name is Ivy Douglas. | 0:34:15 | 0:34:18 | |
She's... | 0:34:18 | 0:34:20 | |
19 years old. | 0:34:20 | 0:34:21 | |
Ivy Douglas. | 0:34:23 | 0:34:26 | |
Ivy Douglas! | 0:34:26 | 0:34:28 | |
The prints are a clear match, sir, | 0:34:44 | 0:34:46 | |
and they were all over the car. | 0:34:46 | 0:34:48 | |
Jack was competing in that running race at the time of the shootings. | 0:34:48 | 0:34:51 | |
The male shooter's name was Ray Banford. | 0:34:51 | 0:34:54 | |
Apparently he had a long association | 0:34:54 | 0:34:55 | |
with Albert Corrigan, formerly Albert Dennison, | 0:34:55 | 0:34:58 | |
who owed Banford money. | 0:34:58 | 0:35:00 | |
And Banford knew Jack Beazley. | 0:35:00 | 0:35:03 | |
-This is Jean Beazley's son? She's your housekeeper? -Yes. | 0:35:03 | 0:35:06 | |
Then you're staying out of it. | 0:35:06 | 0:35:07 | |
-But he was running in that race... -Go home, Doctor. | 0:35:07 | 0:35:09 | |
I've got nothing to say. | 0:35:20 | 0:35:22 | |
Ray Banford. Ivy Douglas. Do you know them? | 0:35:22 | 0:35:25 | |
You heard me. | 0:35:25 | 0:35:27 | |
Did you travel up from Melbourne with them? | 0:35:27 | 0:35:29 | |
Were you with them the night before the race? | 0:35:30 | 0:35:32 | |
Did they kill the Dennison family? | 0:35:34 | 0:35:36 | |
You were arrested in 1946, | 0:35:38 | 0:35:41 | |
charged as a minor for firearm offences. | 0:35:41 | 0:35:45 | |
Ask him. He put me there. | 0:35:45 | 0:35:48 | |
I'm asking you! | 0:35:48 | 0:35:49 | |
Yes. | 0:35:51 | 0:35:53 | |
You spent three years at South Melbourne Hostel | 0:35:53 | 0:35:55 | |
between the years of 1946 and 1949, | 0:35:55 | 0:35:58 | |
where you shared a dorm with Raymond Terrence Banford. | 0:35:58 | 0:36:01 | |
-Yes. -Ray Banford's dead. | 0:36:03 | 0:36:06 | |
Ivy Douglas is in hospital. | 0:36:06 | 0:36:08 | |
Is she all right? | 0:36:08 | 0:36:10 | |
Why were Banford and Douglas in town? | 0:36:10 | 0:36:12 | |
-What were you doing with them? -Is Ivy all right? | 0:36:12 | 0:36:15 | |
According to the hospital, | 0:36:15 | 0:36:16 | |
Ivy Douglas is recovering from surgery in intensive care. | 0:36:16 | 0:36:19 | |
Apparently she's also pregnant. | 0:36:23 | 0:36:24 | |
Are you the father, hm? | 0:36:26 | 0:36:28 | |
-Looks lovely. Is Mattie...? -Mattie's still working. | 0:36:37 | 0:36:41 | |
Right. What about you? | 0:36:41 | 0:36:42 | |
No, I'm not hungry. | 0:36:42 | 0:36:44 | |
Jean. | 0:36:45 | 0:36:47 | |
They found his fingerprints in the car. | 0:36:51 | 0:36:53 | |
That's rubbish, Lucien, and you know it. | 0:36:53 | 0:36:54 | |
That couple, they were on some kind of spree | 0:36:54 | 0:36:57 | |
and unfortunately it appears he was travelling with them. | 0:36:57 | 0:37:00 | |
-You think he killed that family? -No, I don't. | 0:37:00 | 0:37:02 | |
I saw you asking him all those questions. | 0:37:02 | 0:37:04 | |
He was running in that race at the time of those murders. | 0:37:04 | 0:37:07 | |
He did not kill the Dennisons. | 0:37:07 | 0:37:09 | |
-But he may have been an accessory. -Oh, why? | 0:37:12 | 0:37:16 | |
Because of something he did ten years ago? | 0:37:16 | 0:37:18 | |
Can't he leave that behind? | 0:37:18 | 0:37:21 | |
He was 14 years old. | 0:37:21 | 0:37:23 | |
He'd just lost his father. He needed help. | 0:37:23 | 0:37:27 | |
But Doug Ashby arrests him and sends him to Melbourne. | 0:37:27 | 0:37:30 | |
-That's what ruined him. -Doug Ashby? | 0:37:30 | 0:37:33 | |
-Jean, I didn't know that. -No, there's a lot you don't know. | 0:37:33 | 0:37:36 | |
Look, I'm just saying... | 0:37:39 | 0:37:42 | |
I'm just saying he's not doing himself any favours. | 0:37:42 | 0:37:45 | |
No, he's not. | 0:37:45 | 0:37:47 | |
But I expected better of you. | 0:37:47 | 0:37:49 | |
SOBBING | 0:37:57 | 0:37:59 | |
Jean? | 0:38:06 | 0:38:08 | |
-Jean. -Mattie... | 0:38:10 | 0:38:12 | |
..they've arrested Jack for the Dennison murders. | 0:38:16 | 0:38:19 | |
Oh, I... | 0:38:19 | 0:38:21 | |
Well, they don't think that he killed them, | 0:38:22 | 0:38:24 | |
but they think he's an accessory. | 0:38:24 | 0:38:26 | |
That's terrible. | 0:38:32 | 0:38:33 | |
You know he's not for you. | 0:38:40 | 0:38:43 | |
You know that. | 0:38:43 | 0:38:44 | |
I saw you talking in the hallway. | 0:38:45 | 0:38:47 | |
-That wasn't what it looked like. -No, it never is. | 0:38:49 | 0:38:51 | |
He's a handsome boy. | 0:38:54 | 0:38:56 | |
He always was. | 0:38:56 | 0:38:57 | |
But your life with him would be nothing but cooking him hot meals, | 0:39:02 | 0:39:06 | |
washing his clothes and waiting for him to come home. | 0:39:06 | 0:39:09 | |
Jean. | 0:39:09 | 0:39:10 | |
You can do so much better. | 0:39:10 | 0:39:12 | |
Ah. Ashby ask why you needed these? | 0:39:30 | 0:39:34 | |
-He doesn't know. -Hm. | 0:39:34 | 0:39:35 | |
So what's worrying you, Doc? | 0:39:38 | 0:39:40 | |
Lividity, Charlie. Lividity. | 0:39:40 | 0:39:44 | |
Now, they were at the table. | 0:39:44 | 0:39:47 | |
Someone came in, took them by surprise. | 0:39:48 | 0:39:51 | |
They were reading the newspaper. | 0:39:55 | 0:39:57 | |
Well, the newspaper was on the table. | 0:39:57 | 0:39:59 | |
-Whether or not they got around to reading it, I don't know. -Right. | 0:39:59 | 0:40:01 | |
Anyhow, two shots. Father, mother. | 0:40:01 | 0:40:04 | |
Meanwhile, Samuel Dennison tries to save himself. | 0:40:07 | 0:40:10 | |
He runs to the window. | 0:40:10 | 0:40:11 | |
No! No! | 0:40:11 | 0:40:13 | |
And that's our third kill shot. | 0:40:15 | 0:40:17 | |
Where was the daughter? | 0:40:18 | 0:40:20 | |
The daughter was in her room, | 0:40:20 | 0:40:22 | |
grabbed the dog, hid in the cupboard. | 0:40:22 | 0:40:24 | |
She didn't hear those last two shots. | 0:40:26 | 0:40:27 | |
-Hey, Doc? -Mm? | 0:40:29 | 0:40:31 | |
You ever have dogs growing up? | 0:40:31 | 0:40:34 | |
No, my father hated them. Why? | 0:40:34 | 0:40:36 | |
Well, that dog's a Labrador and they like their food. | 0:40:36 | 0:40:40 | |
But that bowl hasn't been touched. | 0:40:40 | 0:40:43 | |
What? | 0:40:46 | 0:40:48 | |
Oh, it's just meat, peas and gravy. | 0:40:48 | 0:40:52 | |
-Not exactly typical breakfast fare. -Mm. | 0:40:52 | 0:40:55 | |
So? | 0:40:57 | 0:40:58 | |
Oh, it may be nothing. | 0:40:58 | 0:41:01 | |
-I'm just thinking out loud. -Yeah? | 0:41:01 | 0:41:03 | |
It's breakfast. | 0:41:03 | 0:41:04 | |
Perhaps they feed the dog the dinner scraps, I don't know. | 0:41:04 | 0:41:08 | |
But we know it's breakfast because of the morning newspaper. | 0:41:08 | 0:41:11 | |
The morning newspaper... | 0:41:16 | 0:41:19 | |
Charlie, look at this. | 0:41:20 | 0:41:22 | |
Look at this. | 0:41:25 | 0:41:27 | |
The angle of the blood spray on the paper | 0:41:27 | 0:41:30 | |
goes to the right, you see? | 0:41:30 | 0:41:32 | |
But from our victim, | 0:41:32 | 0:41:34 | |
the pattern of blood spray goes to the left. | 0:41:34 | 0:41:36 | |
GUN FIRES | 0:41:36 | 0:41:39 | |
Are you saying this was placed afterwards? | 0:41:39 | 0:41:42 | |
-Lividity was inconclusive, yes? -Yes. | 0:41:44 | 0:41:46 | |
The windows were open. | 0:41:49 | 0:41:51 | |
It was very cold the night before last. | 0:41:51 | 0:41:54 | |
Someone staged this. | 0:41:54 | 0:41:56 | |
Then whose blood is that on the newspaper? | 0:42:03 | 0:42:06 | |
Animal blood? | 0:42:06 | 0:42:08 | |
Yes. Mammal of some kind, but definitely not human. | 0:42:08 | 0:42:11 | |
PHONE RINGS | 0:42:11 | 0:42:13 | |
And you thought it all right to take police photos off my desk? | 0:42:15 | 0:42:20 | |
Something was worrying me and you weren't here. | 0:42:20 | 0:42:23 | |
PHONE CONTINUES RINGING | 0:42:23 | 0:42:25 | |
Will someone get that? | 0:42:25 | 0:42:27 | |
The entire scene was staged. | 0:42:30 | 0:42:33 | |
Newspaper, toast and jam on the table. Everything. | 0:42:33 | 0:42:37 | |
-Which would explain the problem with lividity. -Exactly. | 0:42:37 | 0:42:41 | |
Truth is, those murders could have taken place | 0:42:41 | 0:42:43 | |
up to 12 hours before the bodies were found. | 0:42:43 | 0:42:46 | |
The windows were deliberately left open | 0:42:46 | 0:42:47 | |
to keep the room temperature down. | 0:42:47 | 0:42:49 | |
You know what this means, don't you? | 0:42:49 | 0:42:51 | |
Yes, I've just taken away Jack Beazley's alibi. | 0:42:52 | 0:42:57 | |
-Doc? -Yes, Charlie? | 0:42:57 | 0:42:58 | |
They said he's staying at your place and they've given the address. | 0:43:01 | 0:43:04 | |
Oh, for the love of God. | 0:43:07 | 0:43:09 | |
MEN SHOUT ANGRILY | 0:43:13 | 0:43:14 | |
PHONE RINGS | 0:43:14 | 0:43:16 | |
Don't answer it. | 0:43:16 | 0:43:17 | |
It might be a patient. | 0:43:17 | 0:43:18 | |
Well, how many have been patients in the last hour? | 0:43:18 | 0:43:21 | |
Doctor Blake's surgery? | 0:43:21 | 0:43:24 | |
No, you listen to me. You have no right to... | 0:43:24 | 0:43:27 | |
Jean! Jean, Jean, Jean! | 0:43:31 | 0:43:32 | |
ANGRY SHOUTING CONTINUES | 0:43:33 | 0:43:36 | |
-Excuse me, can I help you gentlemen? -He was here. | 0:43:36 | 0:43:38 | |
I believe you're talking about my son. | 0:43:38 | 0:43:40 | |
-And I won't have any man refer to him in that manner. -Jean! | 0:43:40 | 0:43:43 | |
How dare you! You pathetic lot! | 0:43:49 | 0:43:52 | |
You take it out on the women, is that the idea? | 0:43:52 | 0:43:55 | |
-Bloody coward! -You brought the coppers with you? | 0:43:55 | 0:43:57 | |
Do you have a problem with this, Charlie? | 0:43:57 | 0:43:59 | |
-Not that I can see, Doc. -Very good. | 0:43:59 | 0:44:00 | |
Doc! Doc, I think that's enough. He's had enough. | 0:44:09 | 0:44:12 | |
Take your mates and get off this property | 0:44:16 | 0:44:18 | |
before I arrest the lot of you. | 0:44:18 | 0:44:20 | |
Go home, you lot! | 0:44:21 | 0:44:22 | |
-Let me see that wrist of yours, Jean. -It's nothing, I just landed. | 0:44:24 | 0:44:26 | |
Everyone inside. | 0:44:29 | 0:44:31 | |
-I'm sorry, does that hurt? -No, it's fine. | 0:44:35 | 0:44:37 | |
-Two sugars. I thought you might like that. -Thanks, Mattie. | 0:44:39 | 0:44:42 | |
Did you recognise any of those men, Mrs Beazley? | 0:44:42 | 0:44:45 | |
Charlie, I recognised every single one of them. | 0:44:45 | 0:44:47 | |
But you're not going to tell me who they are, are you? | 0:44:47 | 0:44:51 | |
Do you think I might have something a little bit stronger? | 0:44:51 | 0:44:54 | |
Of course. | 0:44:54 | 0:44:56 | |
So Jack's going to be a father? | 0:44:59 | 0:45:00 | |
Yes. | 0:45:03 | 0:45:04 | |
Lucien, whatever Jack has done before... | 0:45:08 | 0:45:14 | |
I know he hasn't killed that family. | 0:45:14 | 0:45:16 | |
You don't believe me. | 0:45:18 | 0:45:20 | |
There's a lot of evidence pointing to his involvement, Jean. | 0:45:20 | 0:45:23 | |
Yes, but... | 0:45:23 | 0:45:24 | |
Whoever did it killed three people - | 0:45:24 | 0:45:28 | |
a father, a son and a mother. | 0:45:28 | 0:45:32 | |
Jean, come here. Look at me. | 0:45:32 | 0:45:35 | |
I can't see Jack doing it, I just can't... | 0:45:37 | 0:45:39 | |
No, no, no. Not Jack... | 0:45:39 | 0:45:41 | |
So who, then? | 0:45:45 | 0:45:47 | |
That couple in the car. | 0:45:51 | 0:45:52 | |
Possible. They were armed. | 0:45:52 | 0:45:54 | |
Priors for a whole range of things, and they tried to kill us yesterday. | 0:45:54 | 0:45:57 | |
But these kids didn't murder that family. | 0:45:57 | 0:45:59 | |
-Was the Dennison house damaged at all? -No. | 0:45:59 | 0:46:02 | |
You'd think they'd do something - raid the fridge, smash a window. | 0:46:02 | 0:46:06 | |
The uncle? | 0:46:06 | 0:46:07 | |
-Horrible man. -Agreed. | 0:46:07 | 0:46:09 | |
He tries to take control of the family companies, | 0:46:09 | 0:46:11 | |
takes Dennison to court, but loses. | 0:46:11 | 0:46:14 | |
But he did manage to get the eldest son disowned. | 0:46:14 | 0:46:17 | |
And what's he like? | 0:46:17 | 0:46:19 | |
Albert was so shamefully treated. | 0:46:19 | 0:46:21 | |
Yes, but would he kill his family because of it? The father certainly. | 0:46:21 | 0:46:24 | |
-The uncle? -Mm, but not the mother. | 0:46:24 | 0:46:27 | |
Now, someone we're forgetting - Samuel Dennison. | 0:46:27 | 0:46:30 | |
-Wasn't he killed, as well? -Yes, but why? | 0:46:30 | 0:46:32 | |
Cameron Dennison changed his will a week ago, | 0:46:34 | 0:46:37 | |
cutting off the eldest son. | 0:46:37 | 0:46:38 | |
Fewer people, I suppose, to take a slice of the family money. | 0:46:38 | 0:46:41 | |
Now Samuel's out of the way, too. | 0:46:41 | 0:46:43 | |
Wasn't the youngest Dennison son running in that race? | 0:46:43 | 0:46:46 | |
Mr Dennison. | 0:46:56 | 0:46:57 | |
Just want to clear up a couple of questions. | 0:46:59 | 0:47:02 | |
Where were you the night before the race? | 0:47:02 | 0:47:04 | |
I was here...at home. | 0:47:06 | 0:47:09 | |
-What? The whole night? -Yes. | 0:47:09 | 0:47:12 | |
And that morning? | 0:47:12 | 0:47:14 | |
I had a very early breakfast, about 5:30am. | 0:47:15 | 0:47:20 | |
I said goodbye to Mum and Dad and Aileen | 0:47:20 | 0:47:23 | |
and went to the race. | 0:47:23 | 0:47:25 | |
-Right. -Yes. | 0:47:26 | 0:47:28 | |
Well, at least part of that is true. | 0:47:28 | 0:47:30 | |
But by the time you left the house, | 0:47:30 | 0:47:33 | |
they'd been dead a while, hadn't they? | 0:47:33 | 0:47:37 | |
We'd like you to come to the station with us, Mr Dennison. | 0:47:37 | 0:47:39 | |
(Aileen.) | 0:47:42 | 0:47:44 | |
Aileen! Aileen! | 0:47:44 | 0:47:46 | |
Aileen! | 0:47:46 | 0:47:47 | |
-You got him, Charlie? -Got him. | 0:47:47 | 0:47:49 | |
CLOCK CHIMES | 0:47:57 | 0:47:59 | |
I know you're there. I can hear you breathing. | 0:48:20 | 0:48:21 | |
-It's Doctor Blake, Aileen. I'm the one who found you. -I know. | 0:48:24 | 0:48:27 | |
Yes... | 0:48:27 | 0:48:29 | |
It was very clever of you... | 0:48:29 | 0:48:32 | |
to hide the gun in there. | 0:48:32 | 0:48:35 | |
Interesting, though, how you only remembered three shots. | 0:48:35 | 0:48:39 | |
With hearing such as yours, | 0:48:40 | 0:48:42 | |
you would have heard the other two. | 0:48:42 | 0:48:45 | |
Not to mention that clock in the hallway. | 0:48:45 | 0:48:47 | |
Tell me something... | 0:48:49 | 0:48:52 | |
does it chime on the quarter hour? | 0:48:52 | 0:48:55 | |
Yes. | 0:48:55 | 0:48:57 | |
I wonder what else is in that room of yours. | 0:48:57 | 0:49:01 | |
Perhaps you should guess if you're so clever. | 0:49:01 | 0:49:04 | |
It could be any number of things, couldn't it? | 0:49:04 | 0:49:06 | |
But I put money on five spent bullet casings - | 0:49:06 | 0:49:09 | |
one for Samuel, one for your mother and three for your father. | 0:49:09 | 0:49:12 | |
And tell me this... | 0:49:12 | 0:49:13 | |
..was it your idea to frame your brother, Alby? | 0:49:15 | 0:49:18 | |
Do you really think a blind girl could shoot that accurately, Doctor? | 0:49:18 | 0:49:22 | |
I'm starting to believe you could do anything you wanted to. | 0:49:22 | 0:49:24 | |
But I do think... | 0:49:24 | 0:49:25 | |
..I do think it was Owen who did the shooting. | 0:49:27 | 0:49:30 | |
He'll do anything you say, won't he? | 0:49:30 | 0:49:32 | |
Yes, he will. | 0:49:32 | 0:49:34 | |
But he doesn't have your nerve. | 0:49:34 | 0:49:36 | |
And he'll tell the police what happened, even if you won't. | 0:49:36 | 0:49:40 | |
You thought of everything, didn't you? | 0:49:40 | 0:49:42 | |
But there's no way you could have known | 0:49:42 | 0:49:45 | |
that the blood on that newspaper | 0:49:45 | 0:49:47 | |
didn't match with the pattern of blood spray | 0:49:47 | 0:49:50 | |
from your parents' gunshot wounds. | 0:49:50 | 0:49:52 | |
All of this, Aileen, | 0:49:56 | 0:49:59 | |
for your family's money. | 0:49:59 | 0:50:00 | |
Father was giving it away! | 0:50:00 | 0:50:03 | |
Sammy would have been just as bad. | 0:50:03 | 0:50:06 | |
In a few years there'd have been nothing left! | 0:50:06 | 0:50:08 | |
-AILEEN GASPS -It's all right! | 0:50:13 | 0:50:15 | |
-SOFTLY: -It's all right. Give me the gun. | 0:50:15 | 0:50:17 | |
Good work today. | 0:50:22 | 0:50:24 | |
Well, it was the doctor really. | 0:50:24 | 0:50:26 | |
I wouldn't go around saying that if I were you. | 0:50:26 | 0:50:29 | |
By the way, Lawson filed some papers before he left | 0:50:29 | 0:50:33 | |
recommending you for promotion... | 0:50:33 | 0:50:35 | |
Sergeant. | 0:50:35 | 0:50:38 | |
That all right with you? | 0:50:38 | 0:50:40 | |
Yes, sir. Thank you. | 0:50:40 | 0:50:42 | |
You're going to be useful around here. | 0:50:48 | 0:50:51 | |
-Jack. -Spare me the lecture. | 0:51:07 | 0:51:09 | |
Listen, some people confronted and attacked your mother today. | 0:51:09 | 0:51:13 | |
But she's fine. | 0:51:13 | 0:51:15 | |
She was standing up for you... | 0:51:15 | 0:51:17 | |
the way she always does. | 0:51:17 | 0:51:19 | |
Maybe it's time to think about looking after her for a change. | 0:51:21 | 0:51:25 | |
What about yourself? | 0:51:25 | 0:51:27 | |
-When are you going to start looking after her? -I'm sorry? | 0:51:27 | 0:51:30 | |
Don't tell me you don't know what they say about her, | 0:51:30 | 0:51:32 | |
living in that house with you. | 0:51:32 | 0:51:33 | |
Only a fool would say anything uncharitable about your mother. | 0:51:33 | 0:51:37 | |
As long as your meal is on the table, you don't have to worry. | 0:51:37 | 0:51:39 | |
I hate this town. | 0:51:41 | 0:51:43 | |
Jack, listen. None of that is important now. | 0:51:46 | 0:51:48 | |
You're going to be a father soon. Don't waste that. | 0:51:48 | 0:51:51 | |
Does Mum know? | 0:51:52 | 0:51:55 | |
Yes. | 0:51:55 | 0:51:57 | |
Yes, she does. | 0:51:57 | 0:52:00 | |
Come stay with us. | 0:52:00 | 0:52:01 | |
Come stay with us and look after that little one of yours. | 0:52:01 | 0:52:04 | |
Jean wants you here. | 0:52:04 | 0:52:07 | |
No, she doesn't. | 0:52:07 | 0:52:10 | |
She's got you now. | 0:52:10 | 0:52:11 | |
KNOCK AT DOOR | 0:52:18 | 0:52:19 | |
Jack? | 0:52:24 | 0:52:26 | |
SHE SIGHS | 0:52:30 | 0:52:32 | |
-Jack here? -He, uh, packed his bags and left. | 0:52:49 | 0:52:52 | |
Right. | 0:52:52 | 0:52:55 | |
-Where is she? -The sunroom. | 0:52:55 | 0:52:57 | |
BIRDS TWITTER | 0:53:03 | 0:53:05 | |
-Jean. -Lucien, I should make you something to eat. | 0:53:11 | 0:53:14 | |
No, no, no. | 0:53:14 | 0:53:15 | |
Jack's gone, eh? | 0:53:22 | 0:53:24 | |
Yes. | 0:53:24 | 0:53:26 | |
He'll come back. | 0:53:26 | 0:53:27 | |
No, I'm not so sure about that. | 0:53:29 | 0:53:32 | |
We can't give up on them, can we? | 0:53:32 | 0:53:33 | |
They'll always be our children. | 0:53:35 | 0:53:37 | |
And when he does decide to come back... | 0:53:38 | 0:53:40 | |
..well, he'll always be welcome here. | 0:53:43 | 0:53:46 | |
-This isn't his home, Lucien. -It's your home, Jean. | 0:53:49 | 0:53:52 | |
This...this is your home. | 0:53:52 | 0:53:57 | |
That means it's his home, too. | 0:53:57 | 0:53:59 | |
JEAN SOBS | 0:54:04 | 0:54:06 | |
It's all right. | 0:54:10 | 0:54:11 | |
It's all right. | 0:54:15 | 0:54:17 | |
PHONE RINGS I'll get that. | 0:54:30 | 0:54:32 | |
Yes. | 0:54:32 | 0:54:33 |