Browse content similar to Mortal Coil. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Do you mind? | 0:00:30 | 0:00:31 | |
-What? -What do you think? | 0:00:31 | 0:00:33 | |
-We ready? -We're ready. | 0:00:33 | 0:00:36 | |
Gentlemen. | 0:00:36 | 0:00:38 | |
Tell you when to lift. | 0:00:42 | 0:00:44 | |
And lift. | 0:00:44 | 0:00:46 | |
Take it easy, gentlemen. | 0:00:50 | 0:00:52 | |
Just turn this way. | 0:00:52 | 0:00:55 | |
Nice and steady. | 0:00:55 | 0:00:57 | |
There's no hurry. | 0:01:01 | 0:01:03 | |
Nice and easy. | 0:01:03 | 0:01:05 | |
Easy there. | 0:01:05 | 0:01:07 | |
Watch it there! | 0:01:07 | 0:01:09 | |
Watch it! Watch it! | 0:01:09 | 0:01:11 | |
WOMAN SCREAMS | 0:01:13 | 0:01:15 | |
Who's that? | 0:01:22 | 0:01:23 | |
HE SIGHS | 0:02:20 | 0:02:21 | |
HE WINCES | 0:02:26 | 0:02:28 | |
Jane. Are you all right? | 0:02:40 | 0:02:42 | |
Yes, I'm fine. | 0:02:42 | 0:02:44 | |
I'm sure Edith would have been horrified. | 0:02:44 | 0:02:47 | |
Yes, Edith Woodley. Wasn't she, um... | 0:02:47 | 0:02:50 | |
-um... -One of your father's patients. | 0:02:50 | 0:02:53 | |
Yes, yes. I don't remember ever treating her. | 0:02:53 | 0:02:57 | |
No. She found you rather alarming. | 0:02:57 | 0:03:00 | |
CHARLIE CLEARS HIS THROAT | 0:03:00 | 0:03:01 | |
-Doctor. -You go. | 0:03:01 | 0:03:03 | |
Well, it looks like he's been shot. | 0:03:12 | 0:03:15 | |
You coming over a bit crook there, Doc? | 0:03:19 | 0:03:22 | |
LUCIEN SIGHS | 0:03:22 | 0:03:23 | |
No, I'm fine, thank you, Charlie. I'm fine. | 0:03:23 | 0:03:26 | |
Oh, dear, oh, dear. | 0:03:29 | 0:03:31 | |
Sid Bartel. | 0:03:35 | 0:03:37 | |
What, you knew him? | 0:03:37 | 0:03:39 | |
I threw crackers at his horse when I was a boy. | 0:03:39 | 0:03:43 | |
-Dr Harvey. -Dr Blake. | 0:03:45 | 0:03:48 | |
Single gunshot wound, mid occipital bone. | 0:03:48 | 0:03:53 | |
Yes, explains the bruising round the eyes. | 0:03:53 | 0:03:56 | |
38, I'd say. | 0:03:56 | 0:03:58 | |
You can tell, just by looking? | 0:03:58 | 0:04:00 | |
Experience. Anything else? | 0:04:00 | 0:04:03 | |
His pockets were full of nails, nuts and bolts. | 0:04:03 | 0:04:05 | |
He was a scrap merchant. | 0:04:05 | 0:04:07 | |
And he hadn't had a bath for some time. | 0:04:07 | 0:04:09 | |
I think we can do without any moral judgment. | 0:04:09 | 0:04:13 | |
It was an observation. | 0:04:13 | 0:04:15 | |
He has lice and burrs. | 0:04:15 | 0:04:18 | |
I can see the burrs here. | 0:04:20 | 0:04:22 | |
HE WINCES | 0:04:22 | 0:04:23 | |
As I said, no bath recently. | 0:04:23 | 0:04:27 | |
Well, I'll perform the examination then, shall I? | 0:04:27 | 0:04:30 | |
Facial contusions, some abrasions. | 0:04:32 | 0:04:35 | |
Severity? | 0:04:35 | 0:04:37 | |
Ah, moderate. | 0:04:37 | 0:04:39 | |
He's taken a fall at some point. | 0:04:39 | 0:04:42 | |
Face-first into the grass, I'd say. | 0:04:42 | 0:04:45 | |
No protective injuries. | 0:04:45 | 0:04:47 | |
Look at this. | 0:04:49 | 0:04:51 | |
Pre-mortem bruising to the chest and the arm. | 0:04:51 | 0:04:54 | |
-How pre? -Two weeks prior to death? | 0:04:54 | 0:04:57 | |
He's been beaten quite severely. | 0:04:59 | 0:05:01 | |
I imagine no-one's claiming the body? | 0:05:01 | 0:05:04 | |
Pauper's grave, then? | 0:05:04 | 0:05:06 | |
Yes. | 0:05:06 | 0:05:08 | |
Perhaps you should bear that in mind | 0:05:08 | 0:05:10 | |
before complaining about his personal hygiene. | 0:05:10 | 0:05:13 | |
Did your housekeeper burn your toast this morning? | 0:05:13 | 0:05:17 | |
Dr Blake, pathology results for Jean Beazley. | 0:05:21 | 0:05:23 | |
Ah, thank you, Sister. Yes. | 0:05:23 | 0:05:26 | |
God help us. | 0:05:39 | 0:05:42 | |
They let all types in here, don't they? | 0:05:42 | 0:05:44 | |
They let you in. | 0:05:44 | 0:05:46 | |
-Hello, mate. -Harold, good to see you. | 0:05:46 | 0:05:47 | |
Yeah. Bad news? | 0:05:47 | 0:05:49 | |
No, no, nothing. What about you? | 0:05:49 | 0:05:51 | |
What are you doing here, rude health? | 0:05:51 | 0:05:53 | |
I had a bit of a turn a couple of days ago. | 0:05:53 | 0:05:55 | |
-What sort of a turn? -The old ticker. | 0:05:55 | 0:05:58 | |
What happened? | 0:05:58 | 0:05:59 | |
I'd bottled another batch of whiskey | 0:05:59 | 0:06:01 | |
and I'd found a great place to store it, out of the way, you know? | 0:06:01 | 0:06:05 | |
Not at home, obviously? | 0:06:05 | 0:06:06 | |
I'm too smart for that, Doc. | 0:06:06 | 0:06:08 | |
Anyway, I'm lifting a few boxes and I blacked out. | 0:06:08 | 0:06:13 | |
Bloody lucky the boy was there. | 0:06:13 | 0:06:15 | |
Quite. Your doctor's going to advise you to cut back on the drinking, | 0:06:15 | 0:06:18 | |
-you know that, don't you? -Yes. | 0:06:18 | 0:06:20 | |
-Harold Morris? -Present. | 0:06:20 | 0:06:22 | |
When you're ready. | 0:06:22 | 0:06:24 | |
No laughing matter, is it? Getting older. | 0:06:24 | 0:06:28 | |
It's obvious we've been broken in to | 0:06:35 | 0:06:37 | |
and it's up to you to work it out. | 0:06:37 | 0:06:39 | |
That's right, Mr Callow, | 0:06:39 | 0:06:41 | |
which is why I'm shutting this place down until we get it sorted. | 0:06:41 | 0:06:43 | |
What? You can't shut us down. | 0:06:43 | 0:06:45 | |
-We're trying to run a business. -Dad. | 0:06:45 | 0:06:47 | |
My father's concerned because we have another funeral booked. | 0:06:47 | 0:06:50 | |
The body's prepared, Miriam Tucker will be devastated. | 0:06:50 | 0:06:54 | |
Well, that can go ahead, but that will be all. | 0:06:55 | 0:06:57 | |
-Thank you. -Follow me. | 0:06:57 | 0:07:00 | |
How long was Edith Woodley's body in here? | 0:07:05 | 0:07:07 | |
Three days. | 0:07:07 | 0:07:09 | |
-Was there a viewing? -No, she was Anglican. | 0:07:09 | 0:07:11 | |
We keep the bodies in here. | 0:07:11 | 0:07:13 | |
Who else has access? | 0:07:15 | 0:07:17 | |
No-one else, just my daughter and I. | 0:07:17 | 0:07:20 | |
It's obvious we've been broken in to. I'm not the policeman, but... | 0:07:20 | 0:07:23 | |
Thank you, Mr Callow. | 0:07:23 | 0:07:25 | |
Did you and your daughter know Sid Bartel? | 0:07:25 | 0:07:28 | |
Not at all. | 0:07:29 | 0:07:31 | |
Lydia and I put Edith Woodley in the coffin ourselves. | 0:07:31 | 0:07:34 | |
That was yesterday. | 0:07:34 | 0:07:36 | |
Was the lid secured? | 0:07:36 | 0:07:37 | |
The room was locked until we took the coffin for burial. | 0:07:37 | 0:07:40 | |
It's the cool room. | 0:07:42 | 0:07:43 | |
Malcolm Tucker. | 0:07:53 | 0:07:55 | |
Where does this door lead? | 0:07:55 | 0:07:57 | |
To a side driveway. We bring the bodies in through there. | 0:07:57 | 0:08:00 | |
It's the only access. | 0:08:00 | 0:08:03 | |
No sign of forced entry, Mr Callow. | 0:08:03 | 0:08:05 | |
-BELL RINGS -That'll be the front desk. | 0:08:05 | 0:08:07 | |
Do you mind? | 0:08:07 | 0:08:09 | |
May I help you? | 0:08:18 | 0:08:19 | |
Yes. Um, Dr Lucien Blake, police surgeon. | 0:08:19 | 0:08:23 | |
I understand from the hospital reports | 0:08:23 | 0:08:26 | |
you'll be taking care of the funeral arrangements for Mr Sid Bartel. | 0:08:26 | 0:08:29 | |
Yes. | 0:08:29 | 0:08:30 | |
Um. I would very much like to pay for his funeral. | 0:08:30 | 0:08:34 | |
My father and I were intending to cover the costs. | 0:08:34 | 0:08:37 | |
I would like to handle things properly, for Sid's sake. | 0:08:37 | 0:08:41 | |
Of course. | 0:08:41 | 0:08:42 | |
Thank you. | 0:08:42 | 0:08:44 | |
Ha! | 0:08:49 | 0:08:51 | |
Steven. | 0:08:51 | 0:08:53 | |
It's good to see you. | 0:08:53 | 0:08:55 | |
-I saw your father at the hospital. -Oh. Was he behaving himself? | 0:08:55 | 0:08:58 | |
Well, mostly. How is he, really? | 0:08:58 | 0:09:02 | |
Ah, he's not getting any younger. | 0:09:02 | 0:09:04 | |
His mates at the RSL are looking out for him, so... | 0:09:04 | 0:09:07 | |
-Yes, I'm sure they are. -Hmm. | 0:09:07 | 0:09:09 | |
If there's anything I can do, you let me know. | 0:09:09 | 0:09:12 | |
-I was expecting you an hour ago. -I got held up, sorry. | 0:09:14 | 0:09:18 | |
Six boxes this morning. | 0:09:18 | 0:09:19 | |
Leave them round the back. | 0:09:19 | 0:09:21 | |
-On time, next time. -Mm-hm. | 0:09:25 | 0:09:27 | |
Ah, thank you. | 0:09:29 | 0:09:31 | |
Have you considered your own arrangements, Doctor? | 0:09:31 | 0:09:33 | |
I took the liberty of giving you two copies, | 0:09:33 | 0:09:36 | |
I'm sure you'd want to spare your family any unnecessary heartache | 0:09:36 | 0:09:39 | |
when your own time comes. | 0:09:39 | 0:09:40 | |
Yes. Ah...I'll let you know. | 0:09:42 | 0:09:45 | |
I'll get a constable to come round | 0:09:47 | 0:09:49 | |
and pick up the rest of those records. | 0:09:49 | 0:09:51 | |
What are you doing here? | 0:09:53 | 0:09:55 | |
Ah, I had some arrangements to take care of. | 0:09:55 | 0:09:58 | |
Well? | 0:10:01 | 0:10:03 | |
Ah, nothing useful from the driver. | 0:10:03 | 0:10:05 | |
Knew who Bartel was, but reckons he had no dealings with him. | 0:10:05 | 0:10:09 | |
Search that storeroom for prints. | 0:10:09 | 0:10:11 | |
We need to find out where Bartel died. | 0:10:11 | 0:10:13 | |
-Start with his house. -Yes, sir. | 0:10:13 | 0:10:16 | |
Blake? | 0:10:16 | 0:10:18 | |
-You all right there? -Ah, yes, of course. | 0:10:20 | 0:10:23 | |
Jean? | 0:10:28 | 0:10:29 | |
-Jean? -I'm here. What is it? | 0:10:34 | 0:10:36 | |
-Um... -What is it? | 0:10:36 | 0:10:39 | |
..it's, ah, it's a consent form. | 0:10:39 | 0:10:41 | |
Oh? Consent for what? | 0:10:41 | 0:10:43 | |
Well, in the event that I... you know, when... | 0:10:43 | 0:10:46 | |
At some point I'm going to need a funeral, and would you consider...? | 0:10:47 | 0:10:51 | |
Well, would you consent to being my next of kin? | 0:10:51 | 0:10:53 | |
Everything will be paid for but you would be the one they called. | 0:10:53 | 0:10:56 | |
You know, if, in the event that I... | 0:10:56 | 0:11:00 | |
If that's all right. | 0:11:00 | 0:11:02 | |
Shall I be setting one less place for dinner tonight? | 0:11:02 | 0:11:05 | |
Oh, no, no. It's just a formality, if you want to have a read there. | 0:11:05 | 0:11:10 | |
You know old Sid was shot before he was put into Edith Woodley's coffin. | 0:11:11 | 0:11:16 | |
Just sign there. | 0:11:16 | 0:11:18 | |
-Oh. -Yes. | 0:11:18 | 0:11:21 | |
HE EXHALES DEEPLY | 0:11:21 | 0:11:23 | |
Are you all right, Lucien? | 0:11:23 | 0:11:25 | |
Yes, tickety-boo. How are you feeling? | 0:11:25 | 0:11:28 | |
I'm still a little shaky. | 0:11:28 | 0:11:30 | |
Funerals are grim at the best of times. | 0:11:30 | 0:11:34 | |
Yes, they are. | 0:11:34 | 0:11:36 | |
Who's looking after Sid's horse now? | 0:11:36 | 0:11:38 | |
Sid still had a horse? | 0:11:38 | 0:11:41 | |
Sid's always had a horse. | 0:11:41 | 0:11:43 | |
-Charlie? -Yeah. | 0:11:48 | 0:11:51 | |
Anything? | 0:11:54 | 0:11:56 | |
Well, I just got here but, ah, have a look at this. | 0:11:56 | 0:11:59 | |
Really? | 0:11:59 | 0:12:01 | |
Ah. Callows Funeral Home. | 0:12:03 | 0:12:06 | |
Very interesting. | 0:12:06 | 0:12:08 | |
Certainly is. | 0:12:08 | 0:12:10 | |
Did you find anything else at the home? | 0:12:10 | 0:12:12 | |
Well, where they keep the bodies, we found three sets of prints. | 0:12:12 | 0:12:16 | |
The old man's, the daughter's and one we can't identify as yet. | 0:12:16 | 0:12:21 | |
Ah. | 0:12:21 | 0:12:23 | |
-Where do you think the horse is? -No idea. | 0:12:24 | 0:12:27 | |
-Ah, Doctor? -Yes. | 0:12:29 | 0:12:32 | |
You might want to come and have a look at this. | 0:12:32 | 0:12:35 | |
Ah, goodness me. | 0:12:42 | 0:12:44 | |
How long's he been dead, do you reckon? | 0:12:49 | 0:12:51 | |
Let's have a little look, eh? | 0:12:51 | 0:12:54 | |
MAN EXCLAIMS | 0:12:54 | 0:12:55 | |
Oh! | 0:12:55 | 0:12:57 | |
You just head back into town, all right? | 0:12:57 | 0:13:00 | |
How'd you get on? | 0:13:01 | 0:13:03 | |
Name's Wallace Creen. | 0:13:03 | 0:13:05 | |
Bartel was letting him stay here for a while. | 0:13:05 | 0:13:07 | |
Right. Anything useful? | 0:13:07 | 0:13:08 | |
Not really. Grog's wiped his brain. | 0:13:08 | 0:13:11 | |
I see. | 0:13:11 | 0:13:13 | |
Did he say anything about the horse? | 0:13:13 | 0:13:15 | |
Said his name was Bob. | 0:13:16 | 0:13:18 | |
Bob? | 0:13:18 | 0:13:19 | |
Bob the horse. | 0:13:21 | 0:13:24 | |
HORSE WHINNIES | 0:13:24 | 0:13:26 | |
Bob the horse? | 0:13:26 | 0:13:27 | |
Where have you been, mister? | 0:13:30 | 0:13:31 | |
Charlie, come and check the cart for me. | 0:13:31 | 0:13:34 | |
Hey, good boy. | 0:13:34 | 0:13:36 | |
What say we get you unhitched, hey? | 0:13:36 | 0:13:39 | |
Give you a nice rub-down. | 0:13:39 | 0:13:42 | |
What have you got going on there? | 0:13:42 | 0:13:44 | |
-Doctor? -Yes? | 0:13:45 | 0:13:48 | |
What do you make of this black paint? | 0:13:48 | 0:13:51 | |
It's not just black paint, Charlie, that's from a car. | 0:13:54 | 0:13:57 | |
Good afternoon, officers. | 0:14:09 | 0:14:12 | |
Can I help you? | 0:14:15 | 0:14:17 | |
There's been some panel work here, Mr Poole. | 0:14:19 | 0:14:23 | |
What happened? | 0:14:23 | 0:14:24 | |
I ran into a fence rail and had to get the panel reworked. | 0:14:25 | 0:14:28 | |
It's nice work. | 0:14:28 | 0:14:31 | |
Where'd you have it done? | 0:14:31 | 0:14:33 | |
Brogan's, up on the main street. | 0:14:33 | 0:14:36 | |
That's interesting. | 0:14:37 | 0:14:39 | |
We just went and had a little chat to Toby Brogan before he came here. | 0:14:39 | 0:14:42 | |
-Didn't we, boss? -We did. | 0:14:42 | 0:14:44 | |
You want to know what he told us? | 0:14:44 | 0:14:46 | |
Said that you got that ding | 0:14:46 | 0:14:48 | |
from running Sid Bartel's cart off the road. | 0:14:48 | 0:14:50 | |
You want to explain that? | 0:14:50 | 0:14:52 | |
Yeah, all right. | 0:14:52 | 0:14:54 | |
I ran his stupid cart off the road, | 0:14:54 | 0:14:57 | |
he was going 2mph, whistling at his damn horse. | 0:14:57 | 0:15:00 | |
I had to get a body to a funeral. | 0:15:00 | 0:15:02 | |
Sid Bartel had bruises on his arms and legs | 0:15:04 | 0:15:07 | |
from a beating he received two weeks before he died. | 0:15:07 | 0:15:09 | |
I don't know anything about that. | 0:15:09 | 0:15:11 | |
You told everyone about it! | 0:15:11 | 0:15:14 | |
You said you made him beg. | 0:15:14 | 0:15:16 | |
No, I... | 0:15:16 | 0:15:18 | |
I don't remember...that. I... | 0:15:18 | 0:15:21 | |
Sid Bartel was 70 years old. | 0:15:21 | 0:15:24 | |
He was shot up at Fromelles. | 0:15:24 | 0:15:25 | |
And you beat him up for stealing a couple of vases. | 0:15:25 | 0:15:28 | |
-No. -And you got a laugh from watching him beg for his life. | 0:15:28 | 0:15:32 | |
How about I take you down to the cells at the station | 0:15:32 | 0:15:34 | |
and show you exactly how that feels? | 0:15:34 | 0:15:36 | |
It was me boss. | 0:15:36 | 0:15:38 | |
Me boss made me do it. | 0:15:38 | 0:15:40 | |
Put them in the cells. | 0:15:40 | 0:15:42 | |
I dunno know what he's told you and I don't care, this is ridiculous. | 0:15:42 | 0:15:45 | |
-Superintendent! -Put them in the cells. | 0:15:45 | 0:15:47 | |
Get your hand off me! | 0:15:47 | 0:15:49 | |
Anything? | 0:15:49 | 0:15:50 | |
Yeah. We found this in Alfred Poole's possessions. | 0:15:50 | 0:15:55 | |
It's a 38. | 0:15:55 | 0:15:57 | |
And there's three live rounds still in the chamber. | 0:15:59 | 0:16:02 | |
It's been fired recently. | 0:16:04 | 0:16:06 | |
I'll send it to Melbourne, see if they can find a match on it. | 0:16:07 | 0:16:12 | |
And if we don't get a match? | 0:16:14 | 0:16:15 | |
Well, we better just hope we find out where Bartel was killed. | 0:16:15 | 0:16:19 | |
Is that yours? | 0:16:21 | 0:16:23 | |
Yes. | 0:16:23 | 0:16:24 | |
Want to help me find who killed your master? | 0:16:28 | 0:16:30 | |
Eh? Be a detective with me? | 0:16:30 | 0:16:34 | |
Here. Here, hey. | 0:16:34 | 0:16:37 | |
Right. | 0:16:42 | 0:16:44 | |
Here we go, Bob. Giddy-up, I suppose. | 0:16:44 | 0:16:48 | |
HORSE WHINNIES | 0:16:48 | 0:16:50 | |
Hmm? Off we go. | 0:16:50 | 0:16:54 | |
Bob? | 0:16:54 | 0:16:57 | |
Come on, Bob. | 0:16:57 | 0:16:58 | |
Ah, that's the one. | 0:16:58 | 0:17:01 | |
Whoa, whoa. | 0:17:12 | 0:17:14 | |
All right, Bob, round there, mate. | 0:17:18 | 0:17:22 | |
Hey, nice car, Grandpa. | 0:17:35 | 0:17:38 | |
Bit of a step down for you, isn't it, Doc? | 0:18:03 | 0:18:05 | |
Harold, what are you up to? | 0:18:05 | 0:18:06 | |
Wendouree branch of the RSL. | 0:18:06 | 0:18:09 | |
The boy's even taken time off to have a drink with us. | 0:18:09 | 0:18:12 | |
Good to see you following doctor's orders then. | 0:18:12 | 0:18:15 | |
You look like you could do with a drink yourself. | 0:18:15 | 0:18:18 | |
You joining us? | 0:18:18 | 0:18:19 | |
Servicemen always welcome. Come and have a nice cold beer. | 0:18:19 | 0:18:23 | |
-Here we go. -Watch out, Doc. | 0:18:25 | 0:18:27 | |
Oh, thank you, Steven. | 0:18:27 | 0:18:29 | |
Lemonade? | 0:18:29 | 0:18:31 | |
I dunno about you blokes, but I'm pretty embarrassed right now. | 0:18:31 | 0:18:36 | |
Yes, well, I...I'm on call. | 0:18:36 | 0:18:38 | |
I wondered what he was doing with that horse and cart. | 0:18:38 | 0:18:41 | |
Well, as a matter of fact, that's old Sid's gig. | 0:18:42 | 0:18:45 | |
I'm guessing this is one of his watering holes. | 0:18:45 | 0:18:48 | |
One of them. | 0:18:48 | 0:18:50 | |
Oh, dear, oh, dear. | 0:18:50 | 0:18:53 | |
Tell me, Harold, when did you last see him? | 0:18:53 | 0:18:56 | |
Last week, I reckon, why? | 0:18:56 | 0:18:58 | |
He died a couple of days ago, the police are investigating. | 0:18:58 | 0:19:02 | |
-Jesus. -Yes. | 0:19:02 | 0:19:04 | |
What happened? | 0:19:04 | 0:19:05 | |
We don't know yet. | 0:19:05 | 0:19:08 | |
But if the cops are involved? | 0:19:08 | 0:19:10 | |
I heard he was at Fromelles. | 0:19:13 | 0:19:16 | |
Yes, that's right. | 0:19:16 | 0:19:18 | |
Bloody terrible, isn't it? | 0:19:18 | 0:19:21 | |
He survives the war and cops it back home in Ballarat. | 0:19:21 | 0:19:25 | |
To old soldiers. | 0:19:25 | 0:19:27 | |
Hear, hear. Stevie. Good on you, Harold. | 0:19:28 | 0:19:32 | |
(There's a boy.) | 0:20:18 | 0:20:20 | |
You just took it, did you? | 0:21:18 | 0:21:19 | |
I had a feeling about the bloody thing. | 0:21:19 | 0:21:21 | |
No, that cart was material evidence. | 0:21:21 | 0:21:23 | |
Come on, Lawson, at least it led us somewhere. | 0:21:23 | 0:21:25 | |
You're not a copper. | 0:21:25 | 0:21:27 | |
So, it wasn't your call. | 0:21:28 | 0:21:31 | |
Now, you pull your head in. | 0:21:31 | 0:21:33 | |
Forgive me. | 0:21:36 | 0:21:38 | |
Sid had a regular route he'd follow, I just let the horse have its head. | 0:21:38 | 0:21:42 | |
What was he doing here? | 0:21:42 | 0:21:44 | |
Well, scrap metal. Helping himself, I think. | 0:21:44 | 0:21:47 | |
Is this his blood? | 0:21:49 | 0:21:51 | |
I don't think so. | 0:21:51 | 0:21:53 | |
Sid had one bullet wound and that bullet was still in his skull. | 0:21:53 | 0:21:57 | |
This... | 0:21:57 | 0:21:58 | |
..this was used on someone else. | 0:21:59 | 0:22:02 | |
What's that, a 38? | 0:22:02 | 0:22:04 | |
Looks like it, eh? | 0:22:04 | 0:22:06 | |
Sir. | 0:22:06 | 0:22:07 | |
Have a look. | 0:22:09 | 0:22:11 | |
Bullet mark. | 0:22:13 | 0:22:15 | |
Must've nicked at the edge. | 0:22:15 | 0:22:17 | |
Drag marks here... | 0:22:40 | 0:22:42 | |
..and blood. | 0:22:44 | 0:22:46 | |
Here...and here. | 0:22:46 | 0:22:50 | |
Sid fell somewhere here, they dragged the body this way. | 0:22:50 | 0:22:54 | |
What else have you found? | 0:22:58 | 0:23:00 | |
Nothing. | 0:23:00 | 0:23:02 | |
I just feel a little crook. | 0:23:03 | 0:23:05 | |
HE WHEEZES | 0:23:43 | 0:23:46 | |
Yes? | 0:23:48 | 0:23:50 | |
I was going to compliment you on your lovely notice for Sid Bartel | 0:23:50 | 0:23:53 | |
but I'm having second thoughts. | 0:23:53 | 0:23:55 | |
Jean, I'm sorry. | 0:23:55 | 0:23:56 | |
You all right? | 0:23:56 | 0:23:58 | |
Nothing a cup of tea wouldn't cure. | 0:23:59 | 0:24:02 | |
You know we found traces of Sid's blood | 0:24:04 | 0:24:06 | |
outside an old run-down shed out past the highway. | 0:24:06 | 0:24:10 | |
There was also blood on the floor inside - someone else's. | 0:24:10 | 0:24:13 | |
-Another body? -Yes. | 0:24:13 | 0:24:15 | |
-Well, where is it? -We don't know. | 0:24:15 | 0:24:18 | |
Miriam Tucker's burying her husband this afternoon. | 0:24:19 | 0:24:22 | |
Just the one husband, is it? | 0:24:22 | 0:24:25 | |
Apparently. | 0:24:25 | 0:24:26 | |
It is the same funeral home, but... | 0:24:27 | 0:24:29 | |
well, that would be ridiculous, wouldn't it? | 0:24:29 | 0:24:33 | |
Is she Catholic? | 0:24:33 | 0:24:35 | |
Why on Earth would that be important? | 0:24:35 | 0:24:37 | |
Would there have been a viewing? | 0:24:37 | 0:24:39 | |
-Was the coffin open? -No, she's Anglican. | 0:24:39 | 0:24:41 | |
Get Lawson on the phone, tell him to meet me there. | 0:24:41 | 0:24:44 | |
Do it, please, Jean. | 0:24:44 | 0:24:46 | |
Miss Callow. | 0:24:54 | 0:24:56 | |
-Is Mrs Tucker here? -No. | 0:24:59 | 0:25:02 | |
Right, I need you to open this coffin. | 0:25:02 | 0:25:05 | |
Doctor, this is unforgivable. | 0:25:05 | 0:25:07 | |
Two men are dead, we've only found one body. | 0:25:07 | 0:25:08 | |
Now, please, I need you to open this coffin. | 0:25:08 | 0:25:10 | |
You have no business coming here. | 0:25:10 | 0:25:12 | |
But I do. | 0:25:12 | 0:25:14 | |
Miss Callow, | 0:25:14 | 0:25:15 | |
we're in the middle of conducting a missing persons investigation. | 0:25:15 | 0:25:18 | |
Would you be so kind as to open the lid on this coffin? | 0:25:18 | 0:25:21 | |
I know it's a long shot. | 0:25:32 | 0:25:34 | |
-Satisfied? -I am sorry. | 0:25:46 | 0:25:49 | |
Thank you, Miss Callow. | 0:25:49 | 0:25:51 | |
Who do you think you are? | 0:25:52 | 0:25:55 | |
You know there are people just waiting for you to stuff up | 0:25:55 | 0:25:58 | |
and you pull a stunt like this? | 0:25:58 | 0:25:59 | |
-Matthew... -Shut up. | 0:25:59 | 0:26:01 | |
I don't know what the hell's wrong with you | 0:26:02 | 0:26:04 | |
but you better sort it out | 0:26:04 | 0:26:05 | |
before you even think about resuming your duties. | 0:26:05 | 0:26:07 | |
-Is that clear? -Yes. | 0:26:07 | 0:26:10 | |
KNOCK AT DOOR Lucien? | 0:26:31 | 0:26:33 | |
Just give me a moment, would you, Jean, please? | 0:26:33 | 0:26:35 | |
Yes? | 0:26:38 | 0:26:40 | |
-Dinner's in a quarter of an hour. -Good. Thank you. | 0:26:43 | 0:26:47 | |
Ah, Dr McKenzie rang from the hospital. | 0:26:47 | 0:26:50 | |
Apparently he's concerned about my blood tests. | 0:26:50 | 0:26:53 | |
My liver function's down. | 0:26:53 | 0:26:55 | |
Well, I haven't had any blood tests lately. | 0:26:56 | 0:26:59 | |
-Any idea what he's talking about? -No. | 0:26:59 | 0:27:01 | |
Jean, how well do you know Miriam Tucker? | 0:27:01 | 0:27:05 | |
-Not that well, why? -We may have to send flowers. | 0:27:05 | 0:27:08 | |
-You didn't go... -Yes, I did, do you think we could...? | 0:27:08 | 0:27:12 | |
Yes, I think that's the least we could do. | 0:27:12 | 0:27:14 | |
Thank you. | 0:27:14 | 0:27:15 | |
Quarter of an hour. | 0:27:15 | 0:27:17 | |
Yes. Yes, of course. | 0:27:18 | 0:27:21 | |
Thank you. | 0:27:22 | 0:27:24 | |
JEAN SIGHS | 0:27:37 | 0:27:38 | |
Come on, Mattie. | 0:27:39 | 0:27:41 | |
OK, what's going on? | 0:27:42 | 0:27:44 | |
Your guess is as good as mine. | 0:27:45 | 0:27:48 | |
Is he drinking? | 0:27:48 | 0:27:49 | |
No. I keep an eye on the levels of his bottles | 0:27:49 | 0:27:52 | |
and he's not drinking at all. | 0:27:52 | 0:27:54 | |
-Well, what about the club? -He hasn't been to the club in weeks. | 0:27:54 | 0:27:57 | |
-He seems to be... -Rather more impossible than usual? | 0:27:59 | 0:28:02 | |
-Yes. -Matthew Lawson said the same thing. | 0:28:02 | 0:28:05 | |
In fact... | 0:28:05 | 0:28:07 | |
Lucien! | 0:28:07 | 0:28:08 | |
What did the Superintendent say? | 0:28:08 | 0:28:10 | |
He said to keep an eye on him. | 0:28:10 | 0:28:13 | |
CAR APPROACHES | 0:28:21 | 0:28:24 | |
Glad to see you've taken my advice. | 0:28:40 | 0:28:43 | |
What's the thinking here? | 0:28:46 | 0:28:48 | |
Well...we're looking for a second victim, | 0:28:48 | 0:28:51 | |
it's reasonable to assume the body came through the funeral home. | 0:28:51 | 0:28:55 | |
Maybe it didn't. | 0:28:55 | 0:28:57 | |
Of course, that is a possibility. | 0:28:57 | 0:28:59 | |
Say you're right. | 0:29:01 | 0:29:04 | |
Why this one here? | 0:29:04 | 0:29:06 | |
Look...we checked a coffin today, didn't we? | 0:29:06 | 0:29:10 | |
Nothing. | 0:29:10 | 0:29:12 | |
Now, if the body wasn't disposed of after Sid's was, | 0:29:12 | 0:29:16 | |
then it must have been before. | 0:29:16 | 0:29:17 | |
And this... | 0:29:17 | 0:29:20 | |
this was the only other non-Catholic funeral | 0:29:20 | 0:29:22 | |
in the past two weeks. | 0:29:22 | 0:29:24 | |
Where are you going? | 0:29:29 | 0:29:30 | |
Got another shovel in the car. | 0:29:31 | 0:29:34 | |
Oh! | 0:29:53 | 0:29:54 | |
Give us a hand. | 0:29:57 | 0:29:59 | |
Thank you...Matthew. | 0:29:59 | 0:30:02 | |
THEY PANT | 0:30:04 | 0:30:07 | |
It's funny, isn't it? | 0:30:09 | 0:30:11 | |
What's that? | 0:30:11 | 0:30:13 | |
That sooner or later, one way or another, we all end up here. | 0:30:14 | 0:30:20 | |
LUCIEN WINCES | 0:30:25 | 0:30:27 | |
You all right there? | 0:30:27 | 0:30:29 | |
Oh...I'd kill for a drink. | 0:30:29 | 0:30:33 | |
What if there's only one body? | 0:31:02 | 0:31:05 | |
We cover it up. | 0:31:05 | 0:31:07 | |
Yeah. Yeah, we cover it up. | 0:31:09 | 0:31:12 | |
THUDS | 0:31:12 | 0:31:14 | |
Oh! | 0:31:25 | 0:31:27 | |
It's 3:00 in the morning. | 0:31:34 | 0:31:36 | |
And you started without me. | 0:31:38 | 0:31:40 | |
Who is he? | 0:31:42 | 0:31:43 | |
Andrew Morgan, 28. | 0:31:43 | 0:31:46 | |
Otherwise known as Handy Andy. | 0:31:46 | 0:31:48 | |
That's almost funny. | 0:31:48 | 0:31:50 | |
Some contusions to the face, the arms. | 0:31:52 | 0:31:56 | |
-What about the scratches? -Fingernails, most likely. | 0:31:56 | 0:31:59 | |
Yes, there's been a fight. | 0:31:59 | 0:32:01 | |
Fairly desperate, I'd say. | 0:32:01 | 0:32:03 | |
Ligature marks around the wrists, | 0:32:03 | 0:32:05 | |
the ones we saw around the ankles, | 0:32:05 | 0:32:07 | |
suggest he was bound pre-mortem. | 0:32:07 | 0:32:11 | |
Cause of death - single shot to the back of the head, 38. | 0:32:11 | 0:32:16 | |
-Like Bartel? -Well, not quite. | 0:32:16 | 0:32:19 | |
-Minimal damage to the vertebrae... -Yes. | 0:32:19 | 0:32:21 | |
..which means full flexion of the neck at the time of death. | 0:32:21 | 0:32:25 | |
Sid was shot as he was running away. | 0:32:25 | 0:32:28 | |
This poor chap was kneeling, head bowed, | 0:32:28 | 0:32:32 | |
with hands and wrists bound. | 0:32:32 | 0:32:34 | |
The gunman would have been standing over him | 0:32:34 | 0:32:37 | |
and the bullet has passed right through the skull. | 0:32:37 | 0:32:41 | |
Like an execution? | 0:32:41 | 0:32:43 | |
His blood type matches the blood we found in the shed. | 0:32:43 | 0:32:46 | |
What? | 0:32:47 | 0:32:49 | |
Andrew Morgan, long record. General thug for hire. | 0:32:49 | 0:32:52 | |
Anti-union and intimidation, | 0:32:52 | 0:32:54 | |
usually accompanied by his brother, Victor. | 0:32:54 | 0:32:56 | |
So? | 0:32:56 | 0:32:57 | |
Morgan went missing four days ago, so did Victor. | 0:32:57 | 0:33:00 | |
He hasn't been found yet. | 0:33:00 | 0:33:03 | |
I see. | 0:33:03 | 0:33:04 | |
So we might be looking for one more body. | 0:33:04 | 0:33:06 | |
Hmm. | 0:33:06 | 0:33:08 | |
I'll leave you to it. | 0:33:08 | 0:33:10 | |
Good night. | 0:33:10 | 0:33:13 | |
No biting my head off tonight. | 0:33:13 | 0:33:15 | |
Um... | 0:33:16 | 0:33:18 | |
would you mind terribly doing me a favour? | 0:33:18 | 0:33:21 | |
Could you conduct some bloods for me? | 0:33:21 | 0:33:24 | |
Of course. What am I looking for? | 0:33:24 | 0:33:26 | |
Not for him. | 0:33:27 | 0:33:29 | |
Morning. I didn't wake you, did I? | 0:34:03 | 0:34:05 | |
A little difficult to sleep, all things considered. | 0:34:05 | 0:34:08 | |
What happened? | 0:34:08 | 0:34:10 | |
Well, we found the body, now we're looking for another one. | 0:34:10 | 0:34:12 | |
Cup of tea? | 0:34:12 | 0:34:14 | |
-I don't think Sid was meant to die. -Why do you say that? | 0:34:15 | 0:34:18 | |
Well, he was running away. | 0:34:18 | 0:34:22 | |
This shed's part of an old abandoned property, | 0:34:22 | 0:34:25 | |
he was stealing from it. | 0:34:25 | 0:34:27 | |
Oh, and someone finally caught him? | 0:34:27 | 0:34:29 | |
But if it's abandoned, it doesn't belong to anyone, does it? | 0:34:29 | 0:34:33 | |
So why would someone shoot him | 0:34:33 | 0:34:36 | |
for stealing something that doesn't belong to anyone anymore? | 0:34:36 | 0:34:38 | |
What about the man with the, um... | 0:34:38 | 0:34:40 | |
Oh, the chap with the finger missing, yes. | 0:34:40 | 0:34:44 | |
Whoever he was... | 0:34:44 | 0:34:46 | |
they took him to that shed to kill him. | 0:34:46 | 0:34:49 | |
Imagine it. | 0:34:49 | 0:34:51 | |
Ah, it's just awful. | 0:34:52 | 0:34:53 | |
Adrenaline flooding the system. | 0:34:55 | 0:34:58 | |
Probably hyperventilating by that point. | 0:34:58 | 0:35:01 | |
Fight or flight. | 0:35:01 | 0:35:03 | |
Of course, he could do neither, just... | 0:35:05 | 0:35:08 | |
just awful. | 0:35:08 | 0:35:10 | |
And of course maybe, maybe that's what Sid saw, | 0:35:10 | 0:35:14 | |
someone being murdered. | 0:35:14 | 0:35:16 | |
And he tried to run. | 0:35:18 | 0:35:19 | |
Didn't get very far. | 0:35:19 | 0:35:21 | |
It makes sense, doesn't it? | 0:35:21 | 0:35:23 | |
Mmm! Did I tell you... | 0:35:26 | 0:35:29 | |
I found a new home for Sid's horse. | 0:35:29 | 0:35:30 | |
-Oh! -Mm! Local family, with children. | 0:35:30 | 0:35:34 | |
Which is ironic, really. | 0:35:34 | 0:35:36 | |
Why ironic? | 0:35:36 | 0:35:38 | |
Well, when I was a child, I threw crackers at Sid's horse. | 0:35:38 | 0:35:42 | |
Different animal back then, of course, but... | 0:35:42 | 0:35:45 | |
Oh, I thought Sid was going to give me such a thrashing. | 0:35:46 | 0:35:49 | |
And? | 0:35:49 | 0:35:51 | |
He sat me down... | 0:35:52 | 0:35:54 | |
and he carved a little wooden horse. | 0:35:54 | 0:35:58 | |
And he gave it to me. | 0:35:58 | 0:36:00 | |
Oh, I've never felt so ashamed. | 0:36:01 | 0:36:03 | |
Anyhow, I'm going to see if I can get some sleep. | 0:36:04 | 0:36:08 | |
Good night, you two. | 0:36:09 | 0:36:11 | |
BELL TOLLS | 0:36:16 | 0:36:18 | |
-Hey, Lyd. -Can't you see we're busy? | 0:36:27 | 0:36:29 | |
I got deliveries. | 0:36:29 | 0:36:31 | |
Not now, for God's sake. Half an hour. | 0:36:31 | 0:36:34 | |
Morning. Lawson, um, I was wondering, | 0:36:41 | 0:36:45 | |
how do the Callows fit in with the Morgans? | 0:36:45 | 0:36:48 | |
Well, Martin and Lydia Callow never met the Morgans. | 0:36:48 | 0:36:52 | |
Never heard of them. | 0:36:52 | 0:36:53 | |
They don't know how this could possibly have happened. | 0:36:53 | 0:36:56 | |
And you believe them? | 0:36:56 | 0:36:57 | |
-Oh, remains to be seen. -Ah, right. | 0:36:57 | 0:37:00 | |
Only two sets of keys, father and daughter, | 0:37:00 | 0:37:03 | |
and no sign of forced entry. | 0:37:03 | 0:37:06 | |
I see. Well... | 0:37:06 | 0:37:07 | |
Anything else you need? | 0:37:09 | 0:37:11 | |
No, we'll be right. | 0:37:11 | 0:37:12 | |
Very good. | 0:37:12 | 0:37:14 | |
Sir? | 0:37:17 | 0:37:19 | |
You know Melbourne sent me up here to keep an eye on things? | 0:37:20 | 0:37:23 | |
I did know that. | 0:37:23 | 0:37:25 | |
Well, they're reining in most of the larger country stations | 0:37:25 | 0:37:29 | |
but they've got their eye on Ballarat in particular. | 0:37:29 | 0:37:32 | |
And they've heard the Doctor's out of control. | 0:37:32 | 0:37:35 | |
Hm. Wonder who they heard that from? | 0:37:35 | 0:37:37 | |
So, what do you reckon? | 0:37:39 | 0:37:42 | |
Well, I reckon he's a liability. | 0:37:42 | 0:37:44 | |
I reckon you think so too. | 0:37:44 | 0:37:46 | |
Would you have dug up a grave in the middle of the night? | 0:37:48 | 0:37:51 | |
-No. -Me neither. | 0:37:51 | 0:37:54 | |
Most of the time, he's helping me do my job | 0:37:55 | 0:37:58 | |
so it's just a question of managing him. | 0:37:58 | 0:38:02 | |
Same as you. | 0:38:02 | 0:38:04 | |
Got everything? | 0:38:04 | 0:38:07 | |
-Think so. -Let's go. | 0:38:09 | 0:38:12 | |
These premises will remain locked until further notice | 0:38:17 | 0:38:19 | |
and you will report daily down at the station | 0:38:19 | 0:38:21 | |
while the investigation is ongoing. | 0:38:21 | 0:38:23 | |
Is that understood? | 0:38:23 | 0:38:25 | |
HE SIGHS | 0:39:31 | 0:39:33 | |
-Doc. -Steven. | 0:41:16 | 0:41:19 | |
-You after a lift? -No. No, no, no. I'm fine. | 0:41:19 | 0:41:23 | |
But I would like to know how long you've had a key to the storeroom. | 0:41:23 | 0:41:27 | |
I don't. | 0:41:27 | 0:41:28 | |
-Really? -Yes. | 0:41:28 | 0:41:30 | |
Then you won't mind if I take a look at those keys of yours. | 0:41:30 | 0:41:32 | |
It's a busy day, Doc. I should head... | 0:41:32 | 0:41:34 | |
-Steven, please, show me your keys. -Dunno what you're talking about. | 0:41:34 | 0:41:37 | |
You killed those men and used your truck to bring the bodies here. | 0:41:37 | 0:41:40 | |
-You leave it alone. -Then you put them in the coffins. | 0:41:40 | 0:41:42 | |
-So just show me your keys... -I said leave it alone! | 0:41:42 | 0:41:44 | |
HE GROANS | 0:41:44 | 0:41:46 | |
TYRES SCREECH | 0:41:50 | 0:41:53 | |
Steven! | 0:41:54 | 0:41:56 | |
Steven! | 0:41:56 | 0:41:57 | |
HE COUGHS | 0:42:03 | 0:42:06 | |
Charlie, where's Lawson? | 0:42:11 | 0:42:13 | |
Town Hall. | 0:42:13 | 0:42:15 | |
They're asking questions about you. | 0:42:15 | 0:42:16 | |
I need to talk with him. | 0:42:16 | 0:42:18 | |
You are not going up there. | 0:42:18 | 0:42:20 | |
-Charlie. -Doc. Doc! | 0:42:20 | 0:42:22 | |
You really don't want to go around making a nuisance of yourself | 0:42:22 | 0:42:25 | |
right now. | 0:42:25 | 0:42:26 | |
Lydia Callow is having a fling with Steven Morris. | 0:42:26 | 0:42:29 | |
-Who? -The delivery driver. | 0:42:29 | 0:42:31 | |
He has a key to the storeroom where the bodies are kept. | 0:42:31 | 0:42:33 | |
He may well be that...unidentified set of prints you found. | 0:42:33 | 0:42:38 | |
There's only supposed to be two sets of keys. | 0:42:38 | 0:42:39 | |
That's right. | 0:42:39 | 0:42:40 | |
And he was very violent with me when I confronted him. | 0:42:40 | 0:42:43 | |
You what? | 0:42:43 | 0:42:44 | |
I confronted him, he threatened me and then he drove away. | 0:42:44 | 0:42:47 | |
-Oh, brilliant. -What? | 0:42:47 | 0:42:49 | |
Well, you've given him a chance to destroy all the evidence. | 0:42:49 | 0:42:52 | |
Well, no-one else was asking him anything, Charlie. | 0:42:52 | 0:42:56 | |
I'll get the boss, tell him what happened. | 0:42:56 | 0:42:58 | |
-You sit in that chair. -No. | 0:42:58 | 0:43:00 | |
You leave this room and I'm charging you | 0:43:00 | 0:43:02 | |
with interfering with a police investigation. | 0:43:02 | 0:43:04 | |
-Is that clear? -It'll never stick, Charlie. | 0:43:04 | 0:43:07 | |
I'm not doing this for your benefit. | 0:43:07 | 0:43:09 | |
METALLIC CLUNK | 0:44:26 | 0:44:28 | |
Victor. | 0:45:32 | 0:45:34 | |
Victor Morgan, can you hear me? | 0:45:34 | 0:45:37 | |
Don't be alarmed, I'm a doctor. Let's get you out of here. | 0:45:37 | 0:45:40 | |
What have they done to you? | 0:45:43 | 0:45:45 | |
Throw an arm over. All right. | 0:45:46 | 0:45:49 | |
Harold Morris. | 0:46:05 | 0:46:07 | |
And I'm guessing that's your ex-service 38. | 0:46:07 | 0:46:10 | |
You don't sound surprised, Doc. | 0:46:10 | 0:46:12 | |
Well, the bottles of home-distilled whiskey down there gave it away. | 0:46:12 | 0:46:16 | |
So what do you reckon? | 0:46:16 | 0:46:18 | |
Mmm. Could do with a little more ageing. | 0:46:18 | 0:46:21 | |
VICTOR CHUCKLES | 0:46:21 | 0:46:23 | |
Funny bloke. | 0:46:23 | 0:46:25 | |
Always liked that about you. | 0:46:25 | 0:46:27 | |
Ah, stay there. | 0:46:27 | 0:46:29 | |
Oh, come on, Harold. | 0:46:32 | 0:46:34 | |
You don't want to do this. | 0:46:34 | 0:46:35 | |
-Do you have a better idea? -Look, I... | 0:46:35 | 0:46:38 | |
I figure you've had it in for the Morgan brothers for quite some time. | 0:46:38 | 0:46:42 | |
No. Never met them before. | 0:46:42 | 0:46:44 | |
I had some dealings with their old man though, | 0:46:44 | 0:46:47 | |
when I was working for the union. | 0:46:47 | 0:46:48 | |
He ended up with his legs broken. | 0:46:48 | 0:46:51 | |
My guess is... | 0:46:51 | 0:46:53 | |
the boys got old enough | 0:46:53 | 0:46:55 | |
and decided to square things up. | 0:46:55 | 0:46:58 | |
That right, son? | 0:46:58 | 0:47:00 | |
They came looking for me. | 0:47:00 | 0:47:02 | |
-But I got the drop on them. -I see. | 0:47:02 | 0:47:05 | |
And that brought on the heart trouble. | 0:47:05 | 0:47:06 | |
Never used to worry me before. | 0:47:06 | 0:47:09 | |
Righto...time's up. | 0:47:09 | 0:47:11 | |
No hard feelings, Doc. | 0:47:14 | 0:47:16 | |
-Oh! -GUNSHOT | 0:47:16 | 0:47:17 | |
Oh... | 0:47:29 | 0:47:31 | |
now this is interesting. | 0:47:31 | 0:47:33 | |
You look like you've used one of those before. | 0:47:33 | 0:47:35 | |
Once or twice. | 0:47:35 | 0:47:37 | |
On the floor, Harold, hands on your head. | 0:47:37 | 0:47:39 | |
I can't do that, Doc. | 0:47:39 | 0:47:42 | |
You know, it's one thing to shoot someone in the middle of battle, | 0:47:42 | 0:47:45 | |
but it's another thing to do it cold. | 0:47:45 | 0:47:48 | |
And to someone you know, too. | 0:47:48 | 0:47:50 | |
Most blokes don't have it in them. but that's all right, you know. | 0:47:50 | 0:47:55 | |
You're a doctor. You spend most of your life fixing blokes like me. | 0:47:55 | 0:48:00 | |
Don't feel bad if you don't want to shoot me. | 0:48:00 | 0:48:03 | |
And you really don't want to shoot me, do you, Doc? | 0:48:03 | 0:48:05 | |
-Stop. -So just hand it back... | 0:48:05 | 0:48:07 | |
Stop. | 0:48:07 | 0:48:08 | |
..and you've got nothing to worry about. | 0:48:08 | 0:48:10 | |
Come on, Doc. | 0:48:10 | 0:48:11 | |
GUNSHOT | 0:48:15 | 0:48:16 | |
How'd you first meet the Morgans? | 0:48:24 | 0:48:26 | |
I opened the front door and those two brothers were there | 0:48:28 | 0:48:31 | |
and they both had coshes. | 0:48:31 | 0:48:33 | |
They'd come for Dad. | 0:48:33 | 0:48:35 | |
So what happened? | 0:48:35 | 0:48:37 | |
They walked me into the living room. | 0:48:37 | 0:48:40 | |
Dad must have heard something, he got the first one with a golf club, | 0:48:40 | 0:48:44 | |
fought with the other, and it got nasty. | 0:48:44 | 0:48:47 | |
Then I dropped the bloke and that's, ah... | 0:48:47 | 0:48:49 | |
when Dad's heart played up. | 0:48:49 | 0:48:51 | |
So you took your father to the hospital? | 0:48:51 | 0:48:54 | |
No. He said that there was work to do. | 0:48:54 | 0:48:57 | |
I put the brothers in the truck, took them to that shed, | 0:48:57 | 0:49:00 | |
and Dad had, ah... | 0:49:00 | 0:49:02 | |
he'd just shot the first one when that old bloke appeared. | 0:49:02 | 0:49:07 | |
Sidney Bartel. | 0:49:07 | 0:49:08 | |
Yes. | 0:49:08 | 0:49:10 | |
He must've seen everything, so Dad did what he had to. | 0:49:10 | 0:49:14 | |
Ah, we buried Andy Morgan first | 0:49:16 | 0:49:18 | |
and then had to wait a couple of days to get rid of old Sid. | 0:49:18 | 0:49:22 | |
And what about Victor Morgan? | 0:49:22 | 0:49:24 | |
There was another Anglican funeral in three days' time. | 0:49:27 | 0:49:31 | |
Most of the homicides I've seen, people just dig a big hole. | 0:49:31 | 0:49:35 | |
Weren't you taking a risk with coffins? | 0:49:35 | 0:49:37 | |
Have you ever dug a grave before? | 0:49:37 | 0:49:39 | |
Me neither. | 0:49:41 | 0:49:43 | |
But I've dug some bloody big holes and it's hard work. | 0:49:43 | 0:49:47 | |
Anyway, ah, I'd checked the ledger in the storeroom | 0:49:47 | 0:49:51 | |
and that old bird was supposed to be cremated. | 0:49:51 | 0:49:55 | |
And we'd already gotten rid of the first one. | 0:49:55 | 0:49:58 | |
Your girlfriend reckons it was a book-keeping error. | 0:49:58 | 0:50:01 | |
'The old man's going to be pretty disappointed.' | 0:50:02 | 0:50:05 | |
Ah. | 0:50:17 | 0:50:19 | |
Here he is. | 0:50:19 | 0:50:22 | |
How's the leg? | 0:50:22 | 0:50:24 | |
Bloody killing me. | 0:50:24 | 0:50:27 | |
I guess the boy's telling them everything? | 0:50:27 | 0:50:29 | |
He is. | 0:50:29 | 0:50:31 | |
You know, you surprised me back there. | 0:50:31 | 0:50:33 | |
I just didn't see it coming. | 0:50:33 | 0:50:36 | |
You were going to kill me, weren't you? | 0:50:36 | 0:50:38 | |
I saw a fair bit of action when I was in New Guinea. | 0:50:41 | 0:50:45 | |
Didn't worry me. | 0:50:45 | 0:50:46 | |
Not like most blokes. | 0:50:46 | 0:50:49 | |
Actually discovered I was quite good at it. | 0:50:49 | 0:50:51 | |
KNOCK AT DOOR | 0:50:51 | 0:50:52 | |
Mr Morris? Is there anything else that...? | 0:50:52 | 0:50:54 | |
No, thanks, love. All good, thank you. | 0:50:54 | 0:50:57 | |
I was lucky when I came back home. | 0:51:01 | 0:51:03 | |
The unions needed someone who didn't get squeamish | 0:51:03 | 0:51:07 | |
and the work suited me. | 0:51:07 | 0:51:10 | |
But it's not for everyone. | 0:51:10 | 0:51:12 | |
You ever have to kill a bloke, Doc? | 0:51:12 | 0:51:15 | |
-Then we've got more in common than I thought. -No. | 0:51:18 | 0:51:21 | |
You and I... | 0:51:21 | 0:51:24 | |
we have nothing in common. | 0:51:24 | 0:51:26 | |
Whatever happened up in New Guinea, you had a choice when you came back. | 0:51:26 | 0:51:31 | |
You didn't have to do all this. | 0:51:31 | 0:51:34 | |
Sermon over, Doc? | 0:51:34 | 0:51:36 | |
Sid Bartel was at Fromelles. | 0:51:40 | 0:51:44 | |
The worst single day in a battle Australia's ever seen. | 0:51:44 | 0:51:49 | |
He had more reason than any of us to go bad, and he didn't. | 0:51:52 | 0:51:57 | |
And you shot him in the back. | 0:52:00 | 0:52:03 | |
Hey, Doc. | 0:52:08 | 0:52:10 | |
You might as well drink the scotch I left down in that basement. | 0:52:10 | 0:52:15 | |
Don't reckon I'll be getting back to it. | 0:52:15 | 0:52:17 | |
You're sure? | 0:52:23 | 0:52:25 | |
No, I asked the lab to send back the wrong results. | 0:52:25 | 0:52:28 | |
You see, this is why you should never mix with living patients. | 0:52:28 | 0:52:31 | |
-I thought you'd be glad. -I am. Of course I am. | 0:52:31 | 0:52:34 | |
It's... | 0:52:34 | 0:52:35 | |
It's a relief. It's just hepatitis. | 0:52:35 | 0:52:38 | |
You thought it was cirrhosis of the liver, didn't you? | 0:52:38 | 0:52:41 | |
Liver enzymes raised, bilirubin high, | 0:52:41 | 0:52:45 | |
symptoms comparable with the onset of influenza. | 0:52:45 | 0:52:48 | |
Irritability? | 0:52:48 | 0:52:50 | |
I thought I was dying. | 0:52:51 | 0:52:53 | |
It's fairly simple to diagnose. | 0:52:53 | 0:52:56 | |
What about these tremors? Look. | 0:52:58 | 0:53:01 | |
Getting older. | 0:53:01 | 0:53:02 | |
Difficulty controlling my temper? | 0:53:02 | 0:53:05 | |
You're right. They're not usual symptoms. | 0:53:05 | 0:53:08 | |
Hmmm. | 0:53:08 | 0:53:09 | |
Have you made any major changes lately? | 0:53:09 | 0:53:12 | |
Diet? Routine? | 0:53:12 | 0:53:15 | |
Well...well, I stopped drinking. | 0:53:15 | 0:53:20 | |
What? | 0:53:20 | 0:53:21 | |
That's actually quite funny. | 0:53:21 | 0:53:24 | |
Considering you misdiagnosed yourself. | 0:53:24 | 0:53:26 | |
You're right, it is, rather. Thank you, Alice. | 0:53:29 | 0:53:33 | |
You'll need to stay off alcohol until you're better. | 0:53:33 | 0:53:36 | |
HE SIGHS | 0:53:36 | 0:53:38 | |
Do you think you can do that? | 0:53:38 | 0:53:39 | |
Jean? Time to break out the whiskey. | 0:53:39 | 0:53:42 | |
Oh? What's the occasion? | 0:53:42 | 0:53:44 | |
Well, I've just been chatting with Dr Harvey and, um... | 0:53:44 | 0:53:48 | |
Ah, yes - and apparently... | 0:53:48 | 0:53:51 | |
apparently, according to the good doctor... | 0:53:51 | 0:53:55 | |
Oh! | 0:53:55 | 0:53:57 | |
..I have hepatitis. | 0:53:58 | 0:54:00 | |
Right. Is that such a good idea then? | 0:54:00 | 0:54:03 | |
You drink it for me. | 0:54:03 | 0:54:04 | |
Please, Jean. | 0:54:04 | 0:54:06 | |
You do worry me. | 0:54:06 | 0:54:08 | |
Ah, ah, ah. You sip it. | 0:54:11 | 0:54:13 | |
And you savour it. | 0:54:13 | 0:54:16 | |
That is appalling. | 0:54:21 | 0:54:23 | |
I have no idea how you can drink that. | 0:54:23 | 0:54:25 | |
Ah, ah, ah! | 0:54:25 | 0:54:28 | |
Not quite the reaction I was hoping for. | 0:54:28 | 0:54:30 | |
How are you feeling? | 0:54:32 | 0:54:34 | |
Honestly? | 0:54:38 | 0:54:40 | |
Just glad to be alive. | 0:54:41 | 0:54:44 | |
Do you still require me as your next of kin? | 0:54:44 | 0:54:47 | |
For your funeral? | 0:54:47 | 0:54:49 | |
Well, if that's still acceptable? | 0:54:49 | 0:54:51 | |
Yes, I suppose it is. | 0:54:51 | 0:54:54 |