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MUSIC: Tutti Frutti by Little Richard | 0:00:02 | 0:00:06 | |
CHEERING, SHOUTING | 0:00:06 | 0:00:08 | |
-Hey, you got something to say? -You sold it! | 0:00:34 | 0:00:37 | |
-So, what's it to you? -Mate, come on. | 0:00:37 | 0:00:39 | |
Mate, I don't know what this is about, but leave it. | 0:00:39 | 0:00:42 | |
COWS MOO | 0:01:16 | 0:01:17 | |
Evening, ladies. | 0:01:23 | 0:01:24 | |
Hello, ladies. | 0:01:29 | 0:01:31 | |
COWS MOO | 0:01:31 | 0:01:33 | |
That's easy for you to say. | 0:01:37 | 0:01:39 | |
Sure, mate. Just like my old man, mate. | 0:01:42 | 0:01:46 | |
Oh, that is rubbish! Rubbish! "Just like your old man"? | 0:01:46 | 0:01:49 | |
How did they get out? | 0:01:52 | 0:01:53 | |
Oi, boys, go that side. Go that side. | 0:01:53 | 0:01:56 | |
Hey, Bessie. What are they doing out of their pen? | 0:01:57 | 0:02:00 | |
I don't know. | 0:02:00 | 0:02:01 | |
Boys. | 0:02:06 | 0:02:07 | |
The body's as you found it, Charlie? | 0:03:16 | 0:03:17 | |
Yeah, exactly as a couple of teenagers found it last night. | 0:03:17 | 0:03:21 | |
They saw it, got scared, ran off. | 0:03:21 | 0:03:23 | |
Only reported it an hour ago. | 0:03:23 | 0:03:25 | |
Right. | 0:03:25 | 0:03:26 | |
He'd been drinking, clearly. | 0:03:26 | 0:03:28 | |
Curious. He's come in here and left the gate open. | 0:03:28 | 0:03:31 | |
I'd have thought, rule number one when dealing with livestock, | 0:03:31 | 0:03:34 | |
you shut the bloody gate. | 0:03:34 | 0:03:35 | |
Well, he was drunk, went into the pen, forgot to close the gate, | 0:03:35 | 0:03:40 | |
got trampled by the cows. | 0:03:40 | 0:03:41 | |
Why'd he go inside? | 0:03:41 | 0:03:44 | |
You seem a little edgy today, Charlie. | 0:03:44 | 0:03:46 | |
Half the station was called out to a brawl at McCain's Alley last night. | 0:03:46 | 0:03:49 | |
And the cells are full. | 0:03:49 | 0:03:51 | |
The deceased is Mark Dempster. | 0:03:53 | 0:03:55 | |
Local dairy farmer. | 0:03:55 | 0:03:57 | |
How would you know that? His face is only partially... | 0:03:57 | 0:04:00 | |
One of those teenagers worked on his farm. | 0:04:00 | 0:04:02 | |
This is his cow pen, his cows. | 0:04:02 | 0:04:04 | |
And that there is his watch. | 0:04:04 | 0:04:06 | |
And obviously, that was his beer bottle. | 0:04:06 | 0:04:09 | |
And I'd say... | 0:04:09 | 0:04:10 | |
Oh, yes - | 0:04:12 | 0:04:14 | |
he polished off quite a few before that. | 0:04:14 | 0:04:16 | |
And... | 0:04:16 | 0:04:18 | |
we know he enjoyed a game of two-up. | 0:04:18 | 0:04:21 | |
We also know these footprints here aren't his. | 0:04:21 | 0:04:25 | |
What? | 0:04:25 | 0:04:27 | |
Different sole, different heel. | 0:04:27 | 0:04:28 | |
In fact, different shoe size altogether. | 0:04:28 | 0:04:31 | |
We'll get a plaster mould of those imprints. | 0:04:31 | 0:04:34 | |
I think he's come over the fence, rather than through the gate. | 0:04:34 | 0:04:38 | |
So, let's say he falls, rolls, ends up partially under the trough... | 0:04:39 | 0:04:43 | |
And then what? | 0:04:45 | 0:04:47 | |
Remains completely motionless while being trampled to death? | 0:04:47 | 0:04:50 | |
Sergeant! | 0:04:50 | 0:04:51 | |
Doc, I need you to hold off on that autopsy, | 0:04:53 | 0:04:55 | |
just until we get a positive identification. | 0:04:55 | 0:04:57 | |
-Yes, of course. -Thanks, Doc. | 0:04:57 | 0:04:59 | |
So, we just sit here? We can't even examine him? | 0:05:03 | 0:05:07 | |
His wife's on her way here now, to make the formal identification. | 0:05:07 | 0:05:10 | |
Until then, no touching the body. | 0:05:10 | 0:05:13 | |
-Ah! -What? I'm not touching the body. | 0:05:17 | 0:05:20 | |
Caucasian male, well-nourished. About 11st? | 0:05:23 | 0:05:27 | |
Height? | 0:05:27 | 0:05:29 | |
Under six foot. | 0:05:29 | 0:05:31 | |
Look. | 0:05:31 | 0:05:32 | |
Major chest trauma, multiple rib fractures, | 0:05:32 | 0:05:36 | |
collapse of the thorax, all on the left-hand side, | 0:05:36 | 0:05:38 | |
all consistent with having been trampled. | 0:05:38 | 0:05:41 | |
If the entire right-hand side of the body | 0:05:41 | 0:05:43 | |
was positioned under the water trough... | 0:05:43 | 0:05:45 | |
..then there should be no markings on the right-hand side whatsoever. | 0:05:45 | 0:05:48 | |
But there are. Look. | 0:05:48 | 0:05:50 | |
I suspect... DOOR OPENS | 0:05:50 | 0:05:53 | |
Right this way, Mrs Dempster. | 0:05:53 | 0:05:54 | |
Mrs Dempster, I'm Dr Lucien Blake, this is Dr Alice Harvey. | 0:05:59 | 0:06:02 | |
Please. | 0:06:02 | 0:06:03 | |
It's not him. | 0:06:19 | 0:06:20 | |
That's not my husband. | 0:06:22 | 0:06:23 | |
The deceased is Ben Dempster. | 0:06:31 | 0:06:33 | |
Yes, Mark Dempster's brother. | 0:06:33 | 0:06:35 | |
He was murdered. I believe he was struck on the back with this. | 0:06:35 | 0:06:38 | |
He fell, and the cattle did the rest. | 0:06:38 | 0:06:41 | |
So, Ben Dempster was at his brother's cow pen, for some reason. | 0:06:41 | 0:06:43 | |
Wearing his brother's watch. | 0:06:43 | 0:06:46 | |
Charlie, I'll swap you. | 0:06:46 | 0:06:47 | |
The men in lock-up are going to need some stitching up. | 0:06:47 | 0:06:50 | |
Yes, I'll see to them. | 0:06:50 | 0:06:52 | |
Doc, there's something else I really need to talk to you about. | 0:06:52 | 0:06:54 | |
Give me a moment, Charlie. | 0:06:54 | 0:06:56 | |
Superintendent, what do you make of this? | 0:07:01 | 0:07:03 | |
An unidentified print from the murder scene. | 0:07:03 | 0:07:06 | |
Is there something you want to tell me, Doug? | 0:07:11 | 0:07:13 | |
I've been dismissed. | 0:07:15 | 0:07:17 | |
-All there, sir? -I'm sorry? | 0:07:18 | 0:07:20 | |
What about proper procedure? | 0:07:20 | 0:07:22 | |
Not this time. | 0:07:22 | 0:07:23 | |
Don't make yourself too hard to like. | 0:07:28 | 0:07:30 | |
Lucien. | 0:07:33 | 0:07:34 | |
All new evidence, all findings, you will hand over directly to me. | 0:07:39 | 0:07:43 | |
And I want those reports typed and on my desk | 0:07:43 | 0:07:46 | |
no later than ten o'clock. Go. | 0:07:46 | 0:07:48 | |
Sir, this is Dr Lucien Blake, Police Surgeon. | 0:07:51 | 0:07:54 | |
Chief Superintendent William Munro. | 0:07:54 | 0:07:57 | |
Superintendent, welcome to Ballarat. | 0:07:57 | 0:08:00 | |
I was just briefing Davis here on how we'll go about | 0:08:00 | 0:08:03 | |
redeeming ourselves for misidentifying a body. | 0:08:03 | 0:08:06 | |
Yes. Ah, the autopsy suggests... | 0:08:07 | 0:08:09 | |
..the spade was used. | 0:08:09 | 0:08:11 | |
A deliberate act, causing Ben Dempster to fall into that cow pen. | 0:08:12 | 0:08:15 | |
-Indeed. The intent was definitely to kill. -Well, clearly. | 0:08:15 | 0:08:19 | |
And my officers will consider all the evidence. | 0:08:19 | 0:08:22 | |
Ah, evidence. | 0:08:22 | 0:08:23 | |
An unidentified print from the scene. | 0:08:23 | 0:08:25 | |
-You'll notice the unusual heel. -Now, the fight... | 0:08:25 | 0:08:29 | |
The men were playing two-up at the time. | 0:08:29 | 0:08:32 | |
I know, because I was there briefly, before the fight broke out. | 0:08:32 | 0:08:36 | |
I found this broken kip. | 0:08:36 | 0:08:38 | |
Clearly, a casualty of the fight. | 0:08:38 | 0:08:41 | |
Well, it seems the deceased may well have been at that very same game. | 0:08:41 | 0:08:45 | |
We found this on him. | 0:08:46 | 0:08:48 | |
Head down to the cells. | 0:08:55 | 0:08:57 | |
Stitch up the men from the brawl. | 0:08:57 | 0:08:59 | |
I'll question them all in turn, to see what the connection may be | 0:08:59 | 0:09:02 | |
between the brawl and our victim. | 0:09:02 | 0:09:04 | |
Very good. | 0:09:04 | 0:09:05 | |
Then spend the day with Davis, who'll stop in on Ruth Dempster. | 0:09:05 | 0:09:09 | |
I've already informed her of her husband's death. | 0:09:09 | 0:09:11 | |
My guess is, she'll need some medical attention. | 0:09:11 | 0:09:13 | |
And let's find out what we can about Ben Dempster. | 0:09:13 | 0:09:16 | |
After that, you can both check in on Mrs Mark Dempster. | 0:09:16 | 0:09:19 | |
See if she needs anything, | 0:09:19 | 0:09:20 | |
considering the trauma she was put through at the morgue this morning. | 0:09:20 | 0:09:24 | |
Davis, you'll question Mark Dempster, | 0:09:24 | 0:09:27 | |
who is alive and well, about how his watch came to be on the deceased. | 0:09:27 | 0:09:31 | |
-Yes, sir. -I hope my instructions are clear | 0:09:31 | 0:09:33 | |
and you're both aware of what your jobs are. | 0:09:33 | 0:09:36 | |
Police can take evidence from a crime scene. | 0:09:36 | 0:09:40 | |
Police surgeons cannot. | 0:09:40 | 0:09:41 | |
Ah, finally! Come on. | 0:09:48 | 0:09:50 | |
Oh, you're kidding. | 0:09:52 | 0:09:54 | |
We weren't the only ones in that fight. | 0:09:54 | 0:09:56 | |
Do your job. Stopped looking for the rest of them, eh? | 0:09:56 | 0:10:00 | |
Been in the wars, eh? | 0:10:00 | 0:10:02 | |
Why don't you take a seat and we'll have a look at you. | 0:10:02 | 0:10:05 | |
-What's your name? -Nathan. | 0:10:06 | 0:10:09 | |
-Nathan. -Nathan Eaton. | 0:10:09 | 0:10:11 | |
Nathan Eaton. | 0:10:11 | 0:10:13 | |
Did you sort out your differences? | 0:10:13 | 0:10:15 | |
I think we're clear on where we all stand. | 0:10:15 | 0:10:18 | |
Just need to separate alcohol from social events next time. | 0:10:18 | 0:10:21 | |
Social events like gambling, eh? | 0:10:21 | 0:10:23 | |
-A game of two-up never hurt anyone. -NATHAN WINCES | 0:10:23 | 0:10:26 | |
Well, until now. | 0:10:26 | 0:10:27 | |
Usually a bigger crowd than this at a two-up game, I would have thought. | 0:10:29 | 0:10:32 | |
Yeah, well, some of us weren't lucky enough to be let go scot-free. | 0:10:32 | 0:10:35 | |
Some of us are just born lucky, aren't we? | 0:10:35 | 0:10:38 | |
Leo Gilmore certainly is. | 0:10:38 | 0:10:40 | |
Leo? Leo the milkman? | 0:10:40 | 0:10:42 | |
Yeah, delivering milk is more important than justice, apparently. | 0:10:42 | 0:10:46 | |
Who else got off scot-free? | 0:10:46 | 0:10:48 | |
Ben Dempster. He made a run for it. | 0:10:48 | 0:10:51 | |
His brother Mark copped a few hits before he took off, too. | 0:10:51 | 0:10:55 | |
Cowards. | 0:10:55 | 0:10:56 | |
So, they both left at around the same time? | 0:10:56 | 0:10:59 | |
Pretty much. | 0:10:59 | 0:11:00 | |
I don't make it a habit to hit a bloke | 0:11:00 | 0:11:02 | |
and then follow him home to talk it through. | 0:11:02 | 0:11:05 | |
Shame the way it all ended up, though. | 0:11:05 | 0:11:07 | |
I'm sure you've heard about Mr Dempster. | 0:11:09 | 0:11:11 | |
I heard someone died. | 0:11:11 | 0:11:12 | |
Didn't realise it was Dempster. How did Ruth take it? | 0:11:12 | 0:11:16 | |
How did you know I was talking about Ben? | 0:11:16 | 0:11:18 | |
Well... | 0:11:18 | 0:11:20 | |
Eaton's definitely hiding something. | 0:11:36 | 0:11:39 | |
Indeed. | 0:11:39 | 0:11:40 | |
Might be worth checking to see if he's got fallen arches, Charlie. | 0:11:42 | 0:11:46 | |
That shoe imprint of ours. | 0:11:46 | 0:11:48 | |
That unusual heel. | 0:11:48 | 0:11:50 | |
It's an orthotic and it's used to help people with flat feet. | 0:11:50 | 0:11:53 | |
Well, either way, he's got a pretty good alibi. | 0:11:53 | 0:11:56 | |
He was beating up some locals at the time. | 0:11:56 | 0:11:58 | |
True. | 0:11:58 | 0:12:00 | |
However, that alleyway is only, what... | 0:12:00 | 0:12:03 | |
five minutes away from the showgrounds? | 0:12:03 | 0:12:06 | |
Well, he could have got a few punches in, | 0:12:06 | 0:12:08 | |
followed Ben to the cow pen, | 0:12:08 | 0:12:09 | |
then gone back to the fight in time to be arrested. | 0:12:09 | 0:12:12 | |
Perfect alibi. | 0:12:12 | 0:12:13 | |
KNOCKS AT DOOR | 0:12:17 | 0:12:19 | |
Someone's home. | 0:12:19 | 0:12:20 | |
Nine o'clock. | 0:12:23 | 0:12:24 | |
This day can only get better. | 0:12:25 | 0:12:27 | |
Mrs Dempster? | 0:12:32 | 0:12:33 | |
Ben loved a drink. | 0:12:36 | 0:12:37 | |
He needed something to unwind. | 0:12:39 | 0:12:42 | |
This farm took it out of him. | 0:12:44 | 0:12:46 | |
Any idea why your husband would have gone to the showgrounds? | 0:12:46 | 0:12:49 | |
No, not really. | 0:12:51 | 0:12:53 | |
Mrs Dempster, have you heard of a man named Nathan Eaton? | 0:12:53 | 0:12:58 | |
One of Ben's friends. | 0:13:00 | 0:13:01 | |
I met him once or twice, in passing. | 0:13:03 | 0:13:05 | |
I have to ask, were you home all night? | 0:13:06 | 0:13:09 | |
Yes. | 0:13:10 | 0:13:12 | |
What were you doing? | 0:13:12 | 0:13:13 | |
Same thing I'm doing now - | 0:13:14 | 0:13:16 | |
trying to fix some of Ben's old clothes. | 0:13:16 | 0:13:20 | |
Can't afford a new pair of overalls, so... | 0:13:22 | 0:13:24 | |
Oh, for God's sake! | 0:13:24 | 0:13:26 | |
Ruth, Ruth. | 0:13:26 | 0:13:29 | |
Is there anything I can do for you? | 0:13:29 | 0:13:31 | |
Perhaps something to help me sleep. | 0:13:32 | 0:13:35 | |
Yes. Of course. | 0:13:35 | 0:13:37 | |
Is there anyone you'd like us to notify? | 0:13:40 | 0:13:42 | |
Someone who can stay with you? | 0:13:42 | 0:13:44 | |
Ben's all I have. | 0:13:46 | 0:13:47 | |
All I had. | 0:13:49 | 0:13:51 | |
Ruth, what about Ben's brother, Mark? | 0:13:53 | 0:13:56 | |
No, they didn't speak. Hadn't for some time. | 0:13:56 | 0:13:58 | |
Ben never had a head for business. | 0:14:03 | 0:14:05 | |
Always had one foot in the flypaper. | 0:14:06 | 0:14:09 | |
Mark thought Ben should be more like him. More logical. | 0:14:12 | 0:14:16 | |
So, you left the two-up game... | 0:14:18 | 0:14:20 | |
..right after one of the blokes got a punch in. | 0:14:20 | 0:14:23 | |
Then where did you go? | 0:14:23 | 0:14:24 | |
Oh, I gave the alleyway a wide berth. Wound up home, eventually. | 0:14:24 | 0:14:29 | |
I slept in the barn. | 0:14:29 | 0:14:30 | |
And in the meantime, I was worried sick. | 0:14:30 | 0:14:32 | |
I figured if the police turned up on our doorstep, at least my wife | 0:14:32 | 0:14:35 | |
would be able to honestly say that she didn't know where I was. | 0:14:35 | 0:14:38 | |
Turns out the police did turn up, only to tell me my husband was dead. | 0:14:38 | 0:14:43 | |
Oi! Helen! | 0:14:43 | 0:14:46 | |
Grab the little one. | 0:14:46 | 0:14:47 | |
So, no-one saw you all night? | 0:14:49 | 0:14:51 | |
Not your farm hands? | 0:14:51 | 0:14:53 | |
No. I didn't see Ben after he left the game, either. | 0:14:53 | 0:14:56 | |
When did he leave? | 0:14:56 | 0:14:58 | |
When the fight got going - | 0:14:58 | 0:15:00 | |
after he won some money, and my watch. | 0:15:00 | 0:15:02 | |
My old man's watch. | 0:15:02 | 0:15:04 | |
Your father's? He handed it down to you, not your brother? | 0:15:04 | 0:15:07 | |
Yeah, I reckon he just knew that Ben would lose it. | 0:15:07 | 0:15:10 | |
Sell it, more like. | 0:15:10 | 0:15:11 | |
You didn't much like your brother-in-law, Mrs Dempster? | 0:15:11 | 0:15:14 | |
I'll admit it. I never really warmed to Ben. | 0:15:14 | 0:15:18 | |
-All the best things in his life, we practically gave him. -Barbara. | 0:15:18 | 0:15:21 | |
Well, it's true. You know, you helped him buy that farm. | 0:15:21 | 0:15:23 | |
You loaned him God knows how much money. | 0:15:23 | 0:15:25 | |
He only met Ruth because she worked here. | 0:15:25 | 0:15:28 | |
I'm sorry, love. I know he was your brother, but enough was enough. | 0:15:28 | 0:15:32 | |
I'd like to continue this interview down at the station, | 0:15:32 | 0:15:35 | |
if you don't mind. | 0:15:35 | 0:15:37 | |
You have fallen arches. Is that right? | 0:15:49 | 0:15:52 | |
Excuse me? | 0:15:52 | 0:15:53 | |
This'll take a lot longer, if I have to repeat everything. | 0:15:53 | 0:15:56 | |
Yes, my shoes are custom-made. | 0:15:56 | 0:15:58 | |
Tell me about your relationship with your brother | 0:16:00 | 0:16:02 | |
-and why it was so fractured. -What's that got to do with my feet? | 0:16:02 | 0:16:05 | |
I helped Ben for years, with his money problems. | 0:16:08 | 0:16:12 | |
Eventually, I had to stop. | 0:16:12 | 0:16:14 | |
That must have been hard. | 0:16:14 | 0:16:16 | |
Like watching a train crash. | 0:16:16 | 0:16:18 | |
So, Ben owed a lot of money, then? | 0:16:18 | 0:16:20 | |
A couple of two-up games isn't going to pay the bills. | 0:16:22 | 0:16:25 | |
Maybe you helped Ben out this time with his money problems. | 0:16:27 | 0:16:30 | |
No. | 0:16:30 | 0:16:32 | |
How often did you play two-up together? | 0:16:32 | 0:16:34 | |
Just this once. | 0:16:34 | 0:16:36 | |
Sergeant. | 0:16:45 | 0:16:47 | |
Can you open a window in here? | 0:16:47 | 0:16:49 | |
Ah, no, sir, they don't open. | 0:16:49 | 0:16:51 | |
Stuck in this tiny room, we can't even open a window. | 0:16:53 | 0:16:56 | |
And not a lot of oxygen to the brain. | 0:16:58 | 0:17:00 | |
Make officers forgetful. | 0:17:02 | 0:17:04 | |
That's not good, when we're trying to remember the details of a case. | 0:17:04 | 0:17:08 | |
If we get something wrong, | 0:17:08 | 0:17:10 | |
it can mean the difference between guilty and innocent. | 0:17:10 | 0:17:13 | |
That's why we need our interviewee - | 0:17:15 | 0:17:17 | |
that's you - | 0:17:17 | 0:17:19 | |
to be clear... | 0:17:19 | 0:17:20 | |
..so there's no room for error. | 0:17:21 | 0:17:23 | |
Now... | 0:17:25 | 0:17:26 | |
..how often did you play two-up with your brother? | 0:17:28 | 0:17:31 | |
Every month. | 0:17:32 | 0:17:34 | |
Thank you. | 0:17:34 | 0:17:36 | |
Now, all that's left to work out | 0:17:37 | 0:17:38 | |
is why your shoe print was found at the crime scene, | 0:17:38 | 0:17:41 | |
when apparently you were asleep in a barn. | 0:17:41 | 0:17:43 | |
What did Mark say to that? | 0:17:49 | 0:17:51 | |
He had no response. | 0:17:51 | 0:17:53 | |
Doesn't know how his shoe prints got there. | 0:17:53 | 0:17:55 | |
Everything all right with Jean? | 0:17:59 | 0:18:01 | |
No. It's the anniversary of Christopher's passing. | 0:18:01 | 0:18:04 | |
Where are you off to, Charlie? | 0:18:07 | 0:18:09 | |
Chief wants me back at that farm, to visit the widow. | 0:18:09 | 0:18:12 | |
See if she can tell me any more about | 0:18:12 | 0:18:14 | |
who exactly her husband owed money to. | 0:18:14 | 0:18:16 | |
I imagine it's no fun going back to the scene of a death knock. | 0:18:16 | 0:18:20 | |
Not much fun being on the receiving end of one, either. | 0:18:20 | 0:18:23 | |
-I think I'll join you, Charlie. -No, Munro doesn't like... | 0:18:27 | 0:18:29 | |
I promised I'd go back with some sedatives. Just give me a moment. | 0:18:29 | 0:18:33 | |
Jean, do you mind if I ask you something? | 0:18:40 | 0:18:42 | |
That plant out there, the cactus-y looking one there. | 0:18:44 | 0:18:48 | |
What variety is that? | 0:18:48 | 0:18:50 | |
-Aloe spinosissima... -Oh. | 0:18:50 | 0:18:52 | |
..or Gold Tooth Aloe, because of the red and gold rosettes. | 0:18:52 | 0:18:56 | |
-Doc, we need to go. -Coming, Charlie. | 0:18:56 | 0:18:59 | |
Funny, I saw another one quite like it today, | 0:18:59 | 0:19:01 | |
at the farm we were at this morning. | 0:19:01 | 0:19:04 | |
Is that Ben Dempster's farm you're talking about? | 0:19:04 | 0:19:06 | |
Is he the one who's died? | 0:19:06 | 0:19:08 | |
Yes. How did you know? | 0:19:08 | 0:19:09 | |
Would you mind terribly, if I came along with you both? | 0:19:10 | 0:19:13 | |
I know Ruth Dempster. I'd like to check that she's all right. | 0:19:13 | 0:19:16 | |
Sure. | 0:19:18 | 0:19:19 | |
Who did we owe money to? | 0:19:20 | 0:19:22 | |
Easier to tell you who we didn't owe money to. | 0:19:23 | 0:19:25 | |
You don't take milk, do you, Ruth? | 0:19:27 | 0:19:30 | |
And the foreclosure date on the farm, it was two weeks ago? | 0:19:30 | 0:19:34 | |
We waited, but the bailiffs never came. | 0:19:35 | 0:19:38 | |
Kept our suitcases open, ready to pack. | 0:19:38 | 0:19:41 | |
That must have been very difficult. | 0:19:41 | 0:19:43 | |
We made the most of it. | 0:19:45 | 0:19:47 | |
But these last few weeks, Ben wasn't the same. | 0:19:47 | 0:19:50 | |
You know what it's like, Jean. Farmers working the land. | 0:19:51 | 0:19:55 | |
Up one minute, down the next. | 0:19:56 | 0:19:58 | |
And your husband never considered selling the farm? | 0:19:58 | 0:20:01 | |
He had an estate agent pushing us to sell, | 0:20:01 | 0:20:04 | |
but Ben thought we should hold off. | 0:20:04 | 0:20:07 | |
-Right. -Last night, when... | 0:20:07 | 0:20:08 | |
..when he didn't come home, I... | 0:20:10 | 0:20:12 | |
..I should have gone looking for him. | 0:20:13 | 0:20:15 | |
This is my fault. | 0:20:18 | 0:20:19 | |
No, Ruth, it isn't. | 0:20:19 | 0:20:21 | |
This is what it feels like. | 0:20:21 | 0:20:23 | |
Your Christopher didn't come home, either. | 0:20:26 | 0:20:29 | |
No. He didn't. | 0:20:29 | 0:20:31 | |
Ben and I, we... | 0:20:35 | 0:20:37 | |
We used to say to each other that if one of us dies, the other one... | 0:20:37 | 0:20:42 | |
Do you think Ruth meant what she said, | 0:20:52 | 0:20:54 | |
when she said she couldn't go on without Ben? | 0:20:54 | 0:20:57 | |
Oh, I don't know. | 0:20:57 | 0:20:59 | |
-But my feeling is, we should keep an eye on her. -Mm. | 0:20:59 | 0:21:01 | |
Goodness me, this crop's seen better days. | 0:21:03 | 0:21:05 | |
Yes, I don't understand. The soil's always been so rich. | 0:21:05 | 0:21:08 | |
Oh, did you see the plant? Our plant? | 0:21:08 | 0:21:12 | |
-The old Gold Tooth? -Gold Tooth Aloe. | 0:21:12 | 0:21:14 | |
Yes, it's the same plant. | 0:21:14 | 0:21:16 | |
-Most definitely the same variety. -No, it's exactly the same plant. | 0:21:16 | 0:21:19 | |
I took a cutting from that one and planted it at your house. | 0:21:19 | 0:21:23 | |
This was our farm, Lucien. Christopher's and mine. | 0:21:24 | 0:21:28 | |
Jean, I had no idea. | 0:21:29 | 0:21:31 | |
Oh, so much has happened. | 0:21:31 | 0:21:34 | |
It's a relief that it's still there. It's exactly the same. | 0:21:36 | 0:21:39 | |
A bit larger, of course. | 0:21:39 | 0:21:41 | |
Are you all right? Today, of all days? | 0:21:45 | 0:21:47 | |
Not really. But I wanted to be here. | 0:21:47 | 0:21:50 | |
Yes. | 0:21:53 | 0:21:54 | |
BLAKE SPITS | 0:21:57 | 0:22:00 | |
-Did you...? -Yes, I didn't want to say earlier. | 0:22:00 | 0:22:03 | |
That is so damn salty. | 0:22:03 | 0:22:05 | |
BLAKE SPITS | 0:22:13 | 0:22:15 | |
Definitely the lettuce. And look, some are oily to the touch. | 0:22:15 | 0:22:19 | |
-I thought you'd given up cigarettes. -I have. | 0:22:19 | 0:22:23 | |
Just for emergencies. | 0:22:23 | 0:22:24 | |
-Why would Ben use so much herbicide? -Why, indeed. | 0:22:26 | 0:22:30 | |
BLAKE SNIFFS | 0:22:36 | 0:22:38 | |
There you are. | 0:22:56 | 0:22:57 | |
And good luck to you. | 0:22:59 | 0:23:01 | |
So, the chemical being used on Ben's crops is 24-D? | 0:23:01 | 0:23:05 | |
Yes, a substance originally intended for agricultural use, | 0:23:05 | 0:23:08 | |
now used as a type of weed killer. | 0:23:08 | 0:23:11 | |
Right. | 0:23:11 | 0:23:12 | |
So, if it wasn't Ben or Ruth who did it, | 0:23:13 | 0:23:16 | |
why didn't they notice the damage to their crops? | 0:23:16 | 0:23:18 | |
Well, maybe they did, | 0:23:18 | 0:23:20 | |
and didn't want to scare off any prospective buyers. | 0:23:20 | 0:23:23 | |
Next question. | 0:23:23 | 0:23:24 | |
Did the person poisoning Ben Dempster's crops also kill him? | 0:23:24 | 0:23:29 | |
Well, Ruth mentioned a real estate agent | 0:23:29 | 0:23:31 | |
who was bothering them to sell about a week ago. | 0:23:31 | 0:23:35 | |
Which is a good motive to destroy Ben's crops. | 0:23:35 | 0:23:38 | |
Either Ben starts to doubt his ability as a farmer, | 0:23:38 | 0:23:41 | |
or he gets sick of the vandalism to his property. | 0:23:41 | 0:23:43 | |
Decides to throw in the towel and sell up. | 0:23:43 | 0:23:46 | |
And the agent gets his healthy commission. | 0:23:46 | 0:23:48 | |
Then, there's Nathan Eaton - | 0:23:48 | 0:23:50 | |
the bloke who was in lock-up from the fight. | 0:23:50 | 0:23:52 | |
Ben and he were both at the alley the night Ben died. | 0:23:52 | 0:23:55 | |
So, apart from Mark Dempster, we have Nathan Eaton | 0:23:55 | 0:23:58 | |
and this real estate agent? | 0:23:58 | 0:24:00 | |
Yeah. Yeah, that's right. | 0:24:00 | 0:24:02 | |
They're the same bloke. | 0:24:02 | 0:24:05 | |
Nathan Eaton works at Wright Homes. He's a property developer. | 0:24:05 | 0:24:07 | |
And he has the right shoe size. | 0:24:07 | 0:24:09 | |
I don't enjoy taking the credit for your hard work. | 0:24:15 | 0:24:18 | |
Well, someone has to update Munro | 0:24:18 | 0:24:19 | |
and I get the feeling it's best it's not me. | 0:24:19 | 0:24:21 | |
Now, listen. With Ben Dempster dead, the property would go to Ruth. | 0:24:21 | 0:24:25 | |
Well, it turns out, Nathan Eaton is the real estate agent. | 0:24:25 | 0:24:29 | |
So, he knew she was happy to sell. | 0:24:29 | 0:24:31 | |
Could be a reason to kill Ben. | 0:24:31 | 0:24:33 | |
Even so, killing someone just to make a sale? | 0:24:33 | 0:24:36 | |
Oh, that Eaton, not the most measured chap I've ever met. | 0:24:36 | 0:24:39 | |
Murder may not be beyond him. | 0:24:39 | 0:24:41 | |
And listen, I had a phone call from Jean. | 0:24:41 | 0:24:43 | |
Her house plant? It's already started wilting. | 0:24:43 | 0:24:46 | |
You're saying there were two estate agents | 0:24:48 | 0:24:50 | |
vying for the sale of Ben Dempster's property? | 0:24:50 | 0:24:53 | |
Yep. No, Mrs Carter. | 0:24:53 | 0:24:55 | |
Us here at Wright Homes, and Lilley Estates. | 0:24:57 | 0:25:00 | |
The land surrounding Ben Dempster's has all been sold off. | 0:25:00 | 0:25:03 | |
Once he sold, | 0:25:03 | 0:25:05 | |
we could start developing the area for low-income housing. | 0:25:05 | 0:25:08 | |
So, getting that sale was important to you. | 0:25:08 | 0:25:11 | |
Mate, all sales are important to me. | 0:25:11 | 0:25:14 | |
And in order to get that sale, you befriended the Dempsters. | 0:25:14 | 0:25:18 | |
-Buttered them up. -All part of the job. | 0:25:18 | 0:25:20 | |
Convincing people to do things. | 0:25:20 | 0:25:22 | |
Yes. Explaining farms to prospective buyers. | 0:25:22 | 0:25:26 | |
What makes for good soil, and so on. | 0:25:26 | 0:25:30 | |
You were here to enquire about Ben Dempster's property? | 0:25:30 | 0:25:34 | |
With Ben now deceased, | 0:25:34 | 0:25:35 | |
I imagine you'll be approaching Ruth Dempster | 0:25:35 | 0:25:37 | |
to get that sale that you wanted. | 0:25:37 | 0:25:39 | |
Why would I? There's no point. | 0:25:39 | 0:25:42 | |
Not now that their farm's off the market. | 0:25:42 | 0:25:44 | |
Lilley Estates got to the Dempsters before we did. | 0:25:44 | 0:25:47 | |
The deal was done a few days ago. | 0:25:48 | 0:25:50 | |
Mr Muir, you were Ben Dempster's bank manager. | 0:25:52 | 0:25:55 | |
What were the extent of his financial problems? | 0:25:55 | 0:25:58 | |
He was defaulting on his mortgage payments. | 0:25:58 | 0:26:00 | |
I suggested he sell his farm, pay back the bank what he owed. | 0:26:00 | 0:26:04 | |
Move somewhere smaller. | 0:26:04 | 0:26:06 | |
Oh, selling the farm would have been the right thing to do. | 0:26:06 | 0:26:10 | |
Pay off the mortgage, give us some money in our pockets. | 0:26:10 | 0:26:14 | |
But I stood by Ben's decision not to. | 0:26:14 | 0:26:17 | |
Well, according to the developers at Wright Homes, Ben did sell the farm. | 0:26:17 | 0:26:22 | |
-To Lilley Estates. -No, that's not possible. | 0:26:22 | 0:26:26 | |
Well, the money was deposited into Ben's account. | 0:26:26 | 0:26:29 | |
The bank was paid back what it was owed - around £3,000. | 0:26:29 | 0:26:33 | |
So Ruth Dempster has a sizeable inheritance? | 0:26:33 | 0:26:35 | |
She doesn't, actually. | 0:26:35 | 0:26:37 | |
What do you mean, the money's gone? | 0:26:37 | 0:26:40 | |
A day after the money from the sale went in, | 0:26:40 | 0:26:44 | |
your husband took all the funds out again. | 0:26:44 | 0:26:46 | |
The money's gone. | 0:26:48 | 0:26:49 | |
Were there any other unusual transactions | 0:26:50 | 0:26:53 | |
from Mr Dempster's account that stood out for you? | 0:26:53 | 0:26:55 | |
I always found it strange that a man who seemed to have no normal routine | 0:26:55 | 0:26:59 | |
would come into the bank on exactly the same day every year | 0:26:59 | 0:27:01 | |
and take out £20. | 0:27:01 | 0:27:03 | |
So, would you like to tell me what we're doing here now? | 0:27:07 | 0:27:11 | |
This case, Charlie. | 0:27:11 | 0:27:12 | |
We've become so fixated on the financial side of things, | 0:27:14 | 0:27:17 | |
we've lost sight of the crime scene. | 0:27:17 | 0:27:20 | |
You going to introduce me to your friend? | 0:27:20 | 0:27:22 | |
No need. She's about to meet a very untimely end. | 0:27:22 | 0:27:25 | |
She belongs to Mrs Beazley. | 0:27:25 | 0:27:27 | |
What, and you're just going to throw her in? | 0:27:27 | 0:27:30 | |
Yes. | 0:27:30 | 0:27:31 | |
I have one or two theories I want to try out. | 0:27:32 | 0:27:35 | |
What are you doing, Charlie? | 0:27:35 | 0:27:37 | |
Put this over her. | 0:27:37 | 0:27:38 | |
How very decent of you. | 0:27:39 | 0:27:41 | |
She's going to tell us how easily cows stampede. | 0:27:41 | 0:27:44 | |
Whoever killed Ben Dempster needed to know for certain | 0:27:44 | 0:27:47 | |
that these cows would do precisely that. | 0:27:47 | 0:27:50 | |
Let's see, eh? | 0:27:50 | 0:27:51 | |
All right. | 0:27:53 | 0:27:55 | |
Sorry about this. | 0:27:55 | 0:27:56 | |
Absolutely nothing. | 0:28:03 | 0:28:04 | |
I wonder... What about noise? | 0:28:06 | 0:28:08 | |
Let's try a bit of yelling, Charlie. | 0:28:08 | 0:28:11 | |
All right, let's start with the money. | 0:28:12 | 0:28:15 | |
Off you go. | 0:28:15 | 0:28:16 | |
Peter Muir said £15,000 still missing. | 0:28:16 | 0:28:21 | |
Yah! | 0:28:21 | 0:28:22 | |
From the sale of the farm? | 0:28:23 | 0:28:25 | |
-Yes! -Really? | 0:28:25 | 0:28:27 | |
Yes. | 0:28:27 | 0:28:28 | |
Yeah, we checked Mark Dempster's bank balance. | 0:28:28 | 0:28:30 | |
No large sums of money have gone in. | 0:28:30 | 0:28:32 | |
-Right. -Ruth and Ben's accounts are almost empty, as well. | 0:28:32 | 0:28:35 | |
-Thanks. -I see. | 0:28:35 | 0:28:36 | |
How's your whistle, Charlie? | 0:28:38 | 0:28:40 | |
-Oh, pretty good. -Let her rip. | 0:28:40 | 0:28:42 | |
CHARLIE WHISTLES | 0:28:44 | 0:28:46 | |
COWS MOO | 0:28:46 | 0:28:47 | |
Ah! High-pitched noises, Charlie. Whistles. | 0:28:47 | 0:28:50 | |
That's what gets them moving - whistles. | 0:28:50 | 0:28:53 | |
Well, that narrows it down to every farmer in Victoria, Doc. | 0:28:53 | 0:28:57 | |
All right, Charlie, thank you. | 0:28:57 | 0:28:59 | |
-Doc! -Yes? | 0:28:59 | 0:29:01 | |
Look at this. | 0:29:05 | 0:29:06 | |
That wasn't there before. | 0:29:06 | 0:29:08 | |
It's a money clip. | 0:29:08 | 0:29:09 | |
"MD." | 0:29:14 | 0:29:16 | |
Mark Dempster, I'm arresting you | 0:29:16 | 0:29:17 | |
under suspicion of the murder of Ben Dempster. | 0:29:17 | 0:29:20 | |
I must inform you that you do not have to say or do anything, | 0:29:20 | 0:29:24 | |
but anything you say or do may be given in evidence. | 0:29:24 | 0:29:27 | |
Do you understand? | 0:29:27 | 0:29:28 | |
We've confirmed the money clip belongs to Mark Dempster. | 0:29:30 | 0:29:33 | |
Oh, so you think it might have fallen out of his pocket when he killed his brother? | 0:29:33 | 0:29:36 | |
Well, that is what we initially thought. | 0:29:36 | 0:29:38 | |
But then, Evan Sanders' father dragged his boy into the police station. | 0:29:38 | 0:29:42 | |
-That's the teenager that found the body? -Yeah, yeah. | 0:29:42 | 0:29:44 | |
He stole the money clip and the money from the crime scene. | 0:29:44 | 0:29:47 | |
That's until he realised it was a murder investigation. | 0:29:47 | 0:29:49 | |
-And so, he put it back? -Yeah, exactly. | 0:29:49 | 0:29:52 | |
Yeah, you should have seen the boss go through him. | 0:29:52 | 0:29:54 | |
-It was like a hot knife through butter. -Oh, I'm sure. | 0:29:54 | 0:29:57 | |
Look, all the evidence we have still points to Mark. | 0:29:57 | 0:30:00 | |
They're doing a search through Ben and Mark Dempster's houses tomorrow. | 0:30:00 | 0:30:03 | |
-I see. -What about the man who's indirectly killing my plant? | 0:30:03 | 0:30:07 | |
Ah, Nathan Eaton. | 0:30:07 | 0:30:08 | |
Well, he isn't clear of suspicion just yet. | 0:30:08 | 0:30:12 | |
Oh, the showgrounds. | 0:30:12 | 0:30:13 | |
There's an article here about the agricultural show. | 0:30:13 | 0:30:15 | |
It says that there's farmers who are in uproar over... | 0:30:15 | 0:30:19 | |
-..over prize money. -Oh, there's always a cash prize | 0:30:19 | 0:30:21 | |
for the Best of British livestock competition at the show. | 0:30:21 | 0:30:24 | |
-There isn't one this year? -Apparently not. | 0:30:24 | 0:30:27 | |
It mentions the Muir family in the article. | 0:30:27 | 0:30:29 | |
Oh, they always put up the money. | 0:30:29 | 0:30:31 | |
They have done, for as long as I can recall. | 0:30:31 | 0:30:33 | |
Peter Muir, the bank manager. | 0:30:33 | 0:30:35 | |
It's the same Muirs? | 0:30:35 | 0:30:37 | |
Yes, Peter. He's an interesting sort. | 0:30:37 | 0:30:39 | |
They've always looked to him to manage their finances. | 0:30:39 | 0:30:42 | |
So, it would have been his decision to pull that prize money. | 0:30:42 | 0:30:46 | |
Oh, I presume so, yes. | 0:30:46 | 0:30:47 | |
You reckon he was at that two-up game, don't you, Doc? | 0:30:49 | 0:30:52 | |
Possibly. | 0:30:52 | 0:30:53 | |
You know he'll just deny ever being there. | 0:30:53 | 0:30:56 | |
Yes, I know. | 0:30:56 | 0:30:57 | |
But there may be another way to find out, Charlie. | 0:30:57 | 0:31:00 | |
There's my girl. | 0:31:09 | 0:31:10 | |
Doc! Bit early for you, isn't it? | 0:31:13 | 0:31:15 | |
-Leo. -G'day. | 0:31:15 | 0:31:18 | |
Been in the wars, have you? | 0:31:18 | 0:31:19 | |
-Hey? -Looks like you've had quite a scrap. | 0:31:19 | 0:31:22 | |
Ah. | 0:31:22 | 0:31:23 | |
I know you were at that two-up game with Ben Dempster the night he died. | 0:31:23 | 0:31:27 | |
Doug Ashby let me go. | 0:31:29 | 0:31:30 | |
I needed to do me milk deliveries. | 0:31:30 | 0:31:32 | |
I've already been dragged in by that Munro bloke to answer questions. | 0:31:32 | 0:31:35 | |
Leo, it's all right. You're not in trouble. I just need a name. | 0:31:35 | 0:31:38 | |
Someone who was at that game, in that fight. | 0:31:38 | 0:31:42 | |
Someone who wouldn't want people to know they liked to bet. | 0:31:42 | 0:31:45 | |
Really liked to bet. | 0:31:45 | 0:31:46 | |
-Finance can be quite dull, can't it, Mr Muir? -I know, I know. | 0:31:50 | 0:31:53 | |
The only thrill I get these days is during a game of cards or two-up. | 0:31:53 | 0:31:57 | |
It's not a problem or anything, though. I... I can control it. | 0:31:57 | 0:32:00 | |
Then why didn't the Muir family contribute prize money | 0:32:02 | 0:32:05 | |
to the show this year? | 0:32:05 | 0:32:06 | |
I've informed my family to look to the future. | 0:32:06 | 0:32:08 | |
Start tightening their belts. | 0:32:08 | 0:32:10 | |
With your access to their accounts, you gambled it. | 0:32:10 | 0:32:13 | |
Your family could lose their business, their land. | 0:32:15 | 0:32:18 | |
I'm sure Ben Dempster could sympathise. | 0:32:18 | 0:32:21 | |
Let me tell you what I think, Mr Muir. | 0:32:21 | 0:32:24 | |
I think a man in your precarious financial position | 0:32:24 | 0:32:27 | |
may have misappropriated the funds | 0:32:27 | 0:32:29 | |
from the sale of Ben Dempster's farm. | 0:32:29 | 0:32:32 | |
What's to say you're not just lying through your teeth? | 0:32:32 | 0:32:36 | |
Maybe you were the one who murdered Ben. | 0:32:36 | 0:32:38 | |
Then you cook the books, pocket the balance | 0:32:40 | 0:32:44 | |
and try to play me for a fool. | 0:32:44 | 0:32:46 | |
No! No, please. You've got it all wrong. | 0:32:46 | 0:32:49 | |
Ben wanted in on some card games, bigger games. | 0:32:49 | 0:32:52 | |
A way to keep his farm. Except, he was a dreadful player. | 0:32:52 | 0:32:55 | |
He was just terrible. He told me to extend the foreclosure date. | 0:32:55 | 0:32:59 | |
I refused. | 0:32:59 | 0:33:00 | |
He threatened to notify head office about my gambling problem. | 0:33:00 | 0:33:04 | |
I didn't kill him. I didn't! | 0:33:04 | 0:33:06 | |
I know you didn't, Muir. Look at you. | 0:33:06 | 0:33:09 | |
Who threw the first punch at the two-up game? | 0:33:11 | 0:33:13 | |
Nathan Eaton. He went straight for Ben. | 0:33:13 | 0:33:15 | |
Tell me, Sergeant, how did you know Peter Muir was at that two-up game? | 0:33:17 | 0:33:21 | |
You initially suggested someone was sabotaging Dempster's crops. | 0:33:23 | 0:33:27 | |
You've done a very thorough job. | 0:33:27 | 0:33:29 | |
Perhaps even gone beyond the call of duty. | 0:33:30 | 0:33:33 | |
Now, I'd like to think that inside my station, | 0:33:37 | 0:33:41 | |
there is a certain structure and order. | 0:33:41 | 0:33:44 | |
Our name is attached to our role. | 0:33:44 | 0:33:46 | |
It means that we are qualified to be part of an investigation. | 0:33:46 | 0:33:49 | |
Constable Simmons, Acting Sergeant Davis... | 0:33:51 | 0:33:54 | |
..Chief Superintendent Munro. | 0:33:55 | 0:33:57 | |
We've earned our place. | 0:33:58 | 0:34:00 | |
Yes, you have. | 0:34:01 | 0:34:03 | |
But it's my name attached to those autopsy reports. | 0:34:03 | 0:34:06 | |
It indicates that I know the cause of death. | 0:34:06 | 0:34:08 | |
-We know how the victim died. -Now, we need to know who killed him... | 0:34:08 | 0:34:11 | |
If I find that you are no longer a fit here, | 0:34:11 | 0:34:14 | |
the next station is in Bendigo. | 0:34:14 | 0:34:16 | |
It's an awfully long way from the people you love. | 0:34:18 | 0:34:21 | |
Sergeant, let's find those chemicals on Nathan Eaton. | 0:34:23 | 0:34:27 | |
We can bring him in with that. | 0:34:27 | 0:34:28 | |
Yes, sir. | 0:34:28 | 0:34:30 | |
So, Mr Eaton. | 0:34:31 | 0:34:34 | |
I found this in the bottom of the bin behind your office. | 0:34:34 | 0:34:37 | |
Much need for the use of dangerous herbicides | 0:34:37 | 0:34:40 | |
in the property sales business? | 0:34:40 | 0:34:42 | |
I just wanted the Dempsters to sell. | 0:34:42 | 0:34:45 | |
I didn't use enough to poison them, just their plants. | 0:34:45 | 0:34:49 | |
But you stopped using the chemicals once the place was sold? | 0:34:49 | 0:34:53 | |
No. | 0:34:53 | 0:34:54 | |
I stopped using them when I saw Ben shopping for his wife. | 0:34:54 | 0:34:58 | |
Shopping with his wife? | 0:34:58 | 0:35:00 | |
No, FOR his wife. He was at Thomson's Jewellers. | 0:35:00 | 0:35:03 | |
When he came out, I saw him holding a necklace. | 0:35:03 | 0:35:05 | |
Sorry, what does that have to do with anything? | 0:35:05 | 0:35:08 | |
Look, I've got a wife too, mate. | 0:35:08 | 0:35:10 | |
Ben was just a regular bloke, buying a present for his missus. | 0:35:11 | 0:35:15 | |
That's when I stopped. | 0:35:17 | 0:35:18 | |
Mark's already been questioned about that. You know he has flat feet. | 0:35:20 | 0:35:23 | |
Indeed. | 0:35:23 | 0:35:24 | |
But I was looking for this particular shoe. | 0:35:25 | 0:35:28 | |
Well, it could be his work boot. | 0:35:29 | 0:35:32 | |
-Give me a minute. -Thank you. | 0:35:35 | 0:35:37 | |
-We're just getting a glass of water. -Well, what a good idea. | 0:35:40 | 0:35:44 | |
-Hello, I'm Dr Blake. Lucien. -Helen. Nice to meet you. | 0:35:44 | 0:35:47 | |
This is my little girl, Janet. | 0:35:47 | 0:35:49 | |
-Do you like my dress? -It's new. | 0:35:49 | 0:35:51 | |
Well, yes, I do. It's lovely. | 0:35:52 | 0:35:54 | |
-We'd better get that water. Nice to meet you. -And you. | 0:35:56 | 0:35:59 | |
What a beautiful child. | 0:36:03 | 0:36:05 | |
The whole family live on the property? | 0:36:05 | 0:36:07 | |
Ah, just Helen. She's raising Janet on her own. | 0:36:07 | 0:36:11 | |
You know, it's the weirdest thing. | 0:36:11 | 0:36:13 | |
That pair of Mark's boots is missing. | 0:36:13 | 0:36:16 | |
Somehow, that doesn't surprise me. | 0:36:17 | 0:36:19 | |
So, somebody else was wearing Mark Dempster's shoes? | 0:36:22 | 0:36:25 | |
Yes. That's how this footprint came to be in that cow pen. | 0:36:25 | 0:36:29 | |
Mark's shoes, not Mark's feet. | 0:36:29 | 0:36:31 | |
There's no sign of the money from the sale of the farm, either. | 0:36:31 | 0:36:35 | |
Did you find anything else? | 0:36:35 | 0:36:37 | |
Yes, there was something that took my interest earlier. | 0:36:37 | 0:36:40 | |
The Dempsters' children. I thought they had four kiddies. | 0:36:40 | 0:36:43 | |
We saw them playing together yesterday. | 0:36:43 | 0:36:45 | |
Turns out one of them wasn't theirs. | 0:36:45 | 0:36:48 | |
A little girl. | 0:36:48 | 0:36:49 | |
Belongs to a farm hand - Helen. | 0:36:49 | 0:36:52 | |
Does that mean anything? | 0:36:52 | 0:36:54 | |
Oh, I don't know. | 0:36:54 | 0:36:56 | |
This little girl, she... | 0:36:56 | 0:36:59 | |
She looks a lot like Mark Dempster. | 0:37:00 | 0:37:02 | |
-Oh? -Yes. | 0:37:02 | 0:37:04 | |
Anyhow, the big question is, | 0:37:05 | 0:37:08 | |
where does someone hide £15,000? | 0:37:08 | 0:37:10 | |
Well, I know where I'd hide it. | 0:37:12 | 0:37:14 | |
Mark Dempster's confirmed it. He's Janet's father. | 0:37:16 | 0:37:19 | |
-His wife knows, too. -Oh, how could she not? | 0:37:19 | 0:37:21 | |
I'll tell the Chief. | 0:37:21 | 0:37:23 | |
-He's going to be back any minute now. -Good. | 0:37:23 | 0:37:26 | |
Doc. | 0:37:27 | 0:37:28 | |
Oh, Charlie, I have every right to be here. | 0:37:29 | 0:37:31 | |
Perhaps I'm here checking up on your mental health. | 0:37:31 | 0:37:33 | |
Hey, there's nothing wrong with my mental health, thank you very much. | 0:37:33 | 0:37:36 | |
-Oh, I'm sure I'd find something, if I looked hard enough. Tea? -No, thank you. | 0:37:36 | 0:37:40 | |
Come on, what else have you been reporting back to the Chief? | 0:37:40 | 0:37:43 | |
Well, there's no cash at Ben Dempster's house, or Mark's. | 0:37:43 | 0:37:47 | |
And Mark Dempster bought a new car, only days before Ben died. | 0:37:47 | 0:37:50 | |
-Now, that's not cheap. -Yeah, we searched his property. Nothing. | 0:37:50 | 0:37:54 | |
Perhaps the money's in a really, really good hiding place. | 0:37:54 | 0:37:58 | |
Yeah, I don't want to hear what you're going to say next. | 0:37:58 | 0:38:01 | |
What? | 0:38:01 | 0:38:02 | |
I'm off to speak to the jeweller about Ben's purchase. | 0:38:05 | 0:38:09 | |
If he was taking 20 quid out of the bank at the same time each year, | 0:38:09 | 0:38:13 | |
maybe the jeweller was an annual visit as well. | 0:38:13 | 0:38:16 | |
Exactly. | 0:38:16 | 0:38:17 | |
Doc, if Barbara catches you, | 0:38:18 | 0:38:20 | |
she'll tell the Chief, and you'll be making it easy for him. | 0:38:20 | 0:38:23 | |
DOG BARKS OUTSIDE | 0:39:16 | 0:39:18 | |
Jean, you're a marvel. | 0:39:30 | 0:39:32 | |
-Wash up time, kids. Come on. -KIDS SHOUT | 0:39:32 | 0:39:34 | |
CELL DOOR OPENS | 0:39:41 | 0:39:43 | |
Yes, that's Ben's money. | 0:39:48 | 0:39:50 | |
It's from the sale of his farm. | 0:39:51 | 0:39:53 | |
I'm part of a local property group. | 0:39:54 | 0:39:56 | |
Ben wanted me to invest all of his money. | 0:39:56 | 0:40:00 | |
I was about to, when he died. | 0:40:00 | 0:40:01 | |
He was finally growing up. | 0:40:03 | 0:40:05 | |
He didn't want me to say anything to anyone. | 0:40:06 | 0:40:08 | |
You made me feel guilty, as though I was the one who killed him. | 0:40:11 | 0:40:15 | |
That's why I kept lying. | 0:40:15 | 0:40:17 | |
What's wrong with him? | 0:40:26 | 0:40:28 | |
Could show some compassion. | 0:40:28 | 0:40:30 | |
I'd like to do some more digging, | 0:40:33 | 0:40:35 | |
before we throw the book at Mark Dempster. | 0:40:35 | 0:40:37 | |
Among the smaller details of the case is the piece of jewellery | 0:40:37 | 0:40:41 | |
Ben bought on the same day each year. | 0:40:41 | 0:40:44 | |
Davis, I want you to speak to Ruth Dempster about the jewellery. | 0:40:44 | 0:40:48 | |
The rest of you, I want you to go over every report, | 0:40:48 | 0:40:51 | |
every statement again. | 0:40:51 | 0:40:53 | |
Leave no stone unturned. | 0:40:54 | 0:40:56 | |
Yes, and one more thing. | 0:40:56 | 0:40:57 | |
If Ben was buying jewellery on the same day each year, | 0:40:57 | 0:41:00 | |
it might be worth looking into birthdays and anniversaries. | 0:41:00 | 0:41:03 | |
Seems logical to me. | 0:41:03 | 0:41:04 | |
That's it for now. | 0:41:05 | 0:41:07 | |
I'll leave you to follow up your leads. | 0:41:07 | 0:41:10 | |
If it wasn't for the Dempsters' neighbour | 0:41:18 | 0:41:20 | |
reporting a 1937 Standard outside her property, | 0:41:20 | 0:41:23 | |
-I may never have known. -Yes, I was trying to be... | 0:41:23 | 0:41:26 | |
I'm considering whether to make your act of trespassing | 0:41:26 | 0:41:29 | |
a disciplinary matter. | 0:41:29 | 0:41:30 | |
I know I probably don't work quite the way you'd like me to, | 0:41:32 | 0:41:35 | |
but I did find that money. | 0:41:35 | 0:41:37 | |
It may well be the best lead we have. | 0:41:37 | 0:41:40 | |
Are you telling me how to do my job? | 0:41:40 | 0:41:42 | |
No. No, absolutely not. | 0:41:42 | 0:41:44 | |
I just want to find out who did this. | 0:41:45 | 0:41:47 | |
You and I want the same thing. | 0:41:47 | 0:41:49 | |
Yeah, but you're happy to sabotage your career in the process. | 0:41:49 | 0:41:52 | |
You served on the Malay Peninsula. | 0:41:55 | 0:41:57 | |
Saw your fair share of nameless soldiers | 0:42:00 | 0:42:03 | |
dying without their loved ones. | 0:42:03 | 0:42:05 | |
So, what... | 0:42:07 | 0:42:08 | |
..now you have to somehow justify their deaths, | 0:42:10 | 0:42:14 | |
by justifying everyone else's? | 0:42:14 | 0:42:16 | |
RADIO CRACKLES | 0:42:31 | 0:42:33 | |
KNOCKS AT DOOR | 0:42:42 | 0:42:43 | |
-Sorry to interrupt. -No, not at all, Charlie. Come in. | 0:42:43 | 0:42:46 | |
Well, we checked on Ruth Dempster. | 0:42:49 | 0:42:51 | |
She doesn't know who that jewellery was for. | 0:42:51 | 0:42:54 | |
And it's not her birthday for another six months. | 0:42:54 | 0:42:56 | |
I see. | 0:42:56 | 0:42:58 | |
Are you finally going through those boxes from my room? | 0:42:58 | 0:43:01 | |
Yes. This is the surgical records journal from Ballarat Hospital, | 0:43:01 | 0:43:06 | |
from around the time my dear mother passed away. | 0:43:06 | 0:43:11 | |
I should leave you in peace. | 0:43:11 | 0:43:13 | |
No, no, no, it's fine. It's curious, though. | 0:43:13 | 0:43:15 | |
I was told my mother died on the operating table. Appendix. | 0:43:15 | 0:43:19 | |
And yet, in here, | 0:43:19 | 0:43:21 | |
there's no mention of her having had an emergency appendectomy | 0:43:21 | 0:43:25 | |
on the night she died - or any other procedure, for that matter. | 0:43:25 | 0:43:29 | |
I put it down to doctor error. | 0:43:29 | 0:43:30 | |
We do make mistakes, on occasion. | 0:43:32 | 0:43:34 | |
-I'll leave you to it. -All right, Charlie. Thank you. | 0:43:36 | 0:43:39 | |
Charlie, do you mind bringing in the milk? | 0:44:02 | 0:44:05 | |
-Where are you off to, Charlie? -Just getting the milk. | 0:44:05 | 0:44:08 | |
Lucien, sorry about the mess. We're baking for the church fete. | 0:44:08 | 0:44:11 | |
-Ah. -"We"? | 0:44:11 | 0:44:12 | |
Ruth Dempster and I. I'm going over there. | 0:44:12 | 0:44:14 | |
Thought it might be good to keep her busy. | 0:44:14 | 0:44:16 | |
-Yes, very good idea. You all right, Charlie? -Yep. -Thank you. | 0:44:16 | 0:44:19 | |
Charlie, tell me, what do you know about eye colour? | 0:44:19 | 0:44:22 | |
Not much. | 0:44:22 | 0:44:23 | |
Well, it's inherited, and it's influenced by more than one gene. | 0:44:24 | 0:44:27 | |
Sorry? | 0:44:27 | 0:44:29 | |
Er, different Jean. Here, look at this. | 0:44:29 | 0:44:31 | |
-Oh, your mother's? -Yes, a wonderful old picture of my dear father. | 0:44:31 | 0:44:36 | |
Now, look. Here, she's used two different tones of blue on that tie. | 0:44:36 | 0:44:40 | |
It wouldn't have mattered how many different blues she used, | 0:44:40 | 0:44:43 | |
that tie would still turn out blue. | 0:44:43 | 0:44:45 | |
However, if she'd used a brown over the top of that blue... | 0:44:45 | 0:44:49 | |
Brown is a dominant colour. It would override the blue. | 0:44:49 | 0:44:52 | |
With eye colour, | 0:44:52 | 0:44:54 | |
the only way to have blue eyes is to have two blue genes. | 0:44:54 | 0:44:56 | |
-Mm. -And if you have brown eyes, you can have either two brown genes, | 0:44:56 | 0:44:59 | |
or one blue and one brown. | 0:44:59 | 0:45:01 | |
Yes. | 0:45:01 | 0:45:03 | |
Remind me, Jean - your boy, Jack. What colour are his eyes? | 0:45:03 | 0:45:07 | |
Blue, like his father. | 0:45:07 | 0:45:09 | |
-What about all the other colours? -Merely variants of the same thing. | 0:45:09 | 0:45:12 | |
Mark Dempster and Helen Patten both have blue eyes. | 0:45:12 | 0:45:15 | |
Meaning any child they had together would have... | 0:45:15 | 0:45:18 | |
Blue eyes. | 0:45:19 | 0:45:20 | |
Mark Dempster told us that Janet is his child. | 0:45:26 | 0:45:29 | |
And yet, it was his brother, Ben, | 0:45:29 | 0:45:31 | |
buying jewellery for Janet's birthday every year. | 0:45:31 | 0:45:34 | |
-People always bought presents for Janet. -Yes. | 0:45:34 | 0:45:37 | |
Like the pretty brown dress that matches her eyes so beautifully. | 0:45:37 | 0:45:41 | |
Eyes just like her father's. | 0:45:42 | 0:45:44 | |
Ms Patten, Mark Dempster is under investigation. | 0:45:46 | 0:45:50 | |
He's about to be charged with murder. | 0:45:50 | 0:45:52 | |
Helen, if there's anything you need to tell us, now is the time. | 0:45:52 | 0:45:57 | |
Please, for Janet's sake. | 0:45:57 | 0:45:58 | |
She's Ben's daughter. | 0:46:00 | 0:46:02 | |
Ruth, I know it's not my place, | 0:46:38 | 0:46:40 | |
but I worry that you feel responsible for Ben's passing. | 0:46:40 | 0:46:44 | |
I am. | 0:46:45 | 0:46:48 | |
You weren't there when he died. | 0:46:48 | 0:46:49 | |
Anyway, I'm listening, if you need to talk. | 0:46:53 | 0:46:56 | |
I never met anyone like him... | 0:47:01 | 0:47:02 | |
..like Ben. | 0:47:04 | 0:47:06 | |
Together, we were unreliable. | 0:47:08 | 0:47:11 | |
Unpredictable. | 0:47:12 | 0:47:14 | |
We had the time of our lives. | 0:47:16 | 0:47:17 | |
I never stopped loving him... | 0:47:23 | 0:47:24 | |
..not even when we went through a really rough patch, | 0:47:27 | 0:47:30 | |
a few years back. | 0:47:30 | 0:47:31 | |
It was enough for him to look for someone else for affection. | 0:47:35 | 0:47:38 | |
KETTLE WHISTLES | 0:47:38 | 0:47:41 | |
He was like a child. He needed it. | 0:47:41 | 0:47:45 | |
I'd lost him to that Helen woman. | 0:47:47 | 0:47:50 | |
I found out for sure last week. | 0:47:51 | 0:47:53 | |
I found his bank book. | 0:47:57 | 0:47:59 | |
A lot of our money was going to her. | 0:48:03 | 0:48:06 | |
We'd been paying her for years. | 0:48:12 | 0:48:14 | |
All that time, we were struggling just to survive. | 0:48:16 | 0:48:19 | |
He did this to me! | 0:48:23 | 0:48:25 | |
Jean! | 0:48:34 | 0:48:36 | |
And suddenly, it didn't matter if he was dead or alive. | 0:48:36 | 0:48:39 | |
Jean! | 0:48:39 | 0:48:41 | |
Jean! | 0:48:41 | 0:48:42 | |
Ruth... | 0:48:49 | 0:48:50 | |
..I think we might need to find you a bandage, my dear. | 0:48:54 | 0:48:57 | |
I can't feel a thing. | 0:49:07 | 0:49:08 | |
You worked it out. | 0:49:14 | 0:49:15 | |
Yes. | 0:49:17 | 0:49:18 | |
You don't drink milk. | 0:49:18 | 0:49:20 | |
And I'd already cancelled our order when you arrived. | 0:49:20 | 0:49:24 | |
I must have already known he was dead. | 0:49:24 | 0:49:27 | |
None of it matters. | 0:49:28 | 0:49:30 | |
Ruth, please. Please, listen to me. | 0:49:35 | 0:49:38 | |
-I know... -You know? What would you know? | 0:49:38 | 0:49:41 | |
What would any man know? | 0:49:42 | 0:49:44 | |
You're right, Ruth, he wouldn't know, but I do. | 0:49:44 | 0:49:46 | |
I know what it's like to be unhappy. | 0:49:46 | 0:49:49 | |
Christopher and I, we fought, just like everyone. | 0:49:49 | 0:49:52 | |
I always told him I wanted to see the world. | 0:49:52 | 0:49:54 | |
But he... he was happy with the simple life. | 0:49:54 | 0:49:56 | |
Some days, I felt so trapped. | 0:49:56 | 0:50:00 | |
And when he didn't enlist, I asked if him wanting to stay in Ballarat | 0:50:02 | 0:50:05 | |
was the reason why he didn't sign up. | 0:50:05 | 0:50:07 | |
And he took that to mean that he wasn't a man enough for me. | 0:50:07 | 0:50:10 | |
And that I thought he was a coward. | 0:50:10 | 0:50:12 | |
And one week later, he left for the front. | 0:50:12 | 0:50:15 | |
One stupid fight, and I never saw him again. | 0:50:18 | 0:50:22 | |
Every morning, I wake up feeling like you do. | 0:50:26 | 0:50:30 | |
Empty. | 0:50:31 | 0:50:32 | |
But it doesn't matter what we feel, because we're still here. | 0:50:36 | 0:50:40 | |
And we have to find a way to keep on going, | 0:50:41 | 0:50:45 | |
through the sadness. | 0:50:45 | 0:50:46 | |
I did what I did. You did what you did. | 0:50:48 | 0:50:50 | |
And we have to live with those consequences every day. | 0:50:53 | 0:50:57 | |
All right. | 0:51:10 | 0:51:11 | |
Ben was sitting on the gate. | 0:51:16 | 0:51:18 | |
I hit him with a spade... | 0:51:19 | 0:51:21 | |
-BEN GRUNTS -..hard. | 0:51:21 | 0:51:24 | |
He fell in, dazed. | 0:51:26 | 0:51:28 | |
And then, I whistled to get the cows moving. | 0:51:29 | 0:51:32 | |
RUTH WHISTLES | 0:51:32 | 0:51:34 | |
Didn't take long. | 0:51:35 | 0:51:36 | |
After you left the showgrounds, | 0:51:37 | 0:51:39 | |
you went to Mark's farm to get his boots. | 0:51:39 | 0:51:41 | |
Well, I knew if I could find something of his to put in the pen, | 0:51:42 | 0:51:45 | |
I could make it look like he did it. | 0:51:45 | 0:51:47 | |
Why Mark? | 0:51:48 | 0:51:50 | |
He hid the truth about the baby. | 0:51:51 | 0:51:53 | |
He's just as bad as Ben. | 0:51:54 | 0:51:56 | |
You know, it's not your ability that's in question. | 0:52:18 | 0:52:21 | |
It's that I don't have time to manage someone who's a rogue. | 0:52:21 | 0:52:24 | |
And I can't do my job half-heartedly. | 0:52:24 | 0:52:26 | |
It's not your job. | 0:52:26 | 0:52:27 | |
An important lesson you learn during police training | 0:52:29 | 0:52:32 | |
is that we do not guess. | 0:52:32 | 0:52:34 | |
We do not follow up on every hunch. | 0:52:35 | 0:52:36 | |
It can and will divert you from the facts. | 0:52:36 | 0:52:39 | |
Yes. | 0:52:42 | 0:52:43 | |
Yes, Superintendent. | 0:52:45 | 0:52:46 | |
Look, you and I, we both want the same outcome. | 0:52:46 | 0:52:49 | |
We just go about it differently. | 0:52:49 | 0:52:51 | |
From today onward, you go about it my way. | 0:52:51 | 0:52:54 | |
You are either with me, | 0:52:56 | 0:52:58 | |
or against me. | 0:52:58 | 0:53:00 | |
Your decision. | 0:53:01 | 0:53:03 | |
I should be helping you with this. | 0:53:22 | 0:53:24 | |
Jean, I put you in danger. | 0:53:27 | 0:53:29 | |
Oh, you did nothing of the sort and I won't hear another word about it. | 0:53:29 | 0:53:33 | |
You didn't see much of the world after Christopher died, did you? | 0:53:36 | 0:53:40 | |
No. | 0:53:41 | 0:53:42 | |
I had plans, you know? | 0:53:44 | 0:53:46 | |
For his return. | 0:53:46 | 0:53:47 | |
The dress I'd wear, the meal I'd make. | 0:53:50 | 0:53:53 | |
We'd get a chance to sit down together | 0:53:53 | 0:53:55 | |
and I'd tell him that he was enough, | 0:53:55 | 0:53:56 | |
and that he meant everything to me and the boys. | 0:53:56 | 0:53:59 | |
We weren't finished. There was so much to say. | 0:54:02 | 0:54:06 | |
You're not responsible for Christopher's death. | 0:54:06 | 0:54:09 | |
Sometimes...sometimes, we end up exactly where we're meant to be, | 0:54:09 | 0:54:15 | |
facing the challenges we're meant to face. | 0:54:15 | 0:54:17 | |
It's your life, Jean. | 0:54:20 | 0:54:21 | |
Find that one thing, that one thing you want for your future | 0:54:23 | 0:54:26 | |
and go for that one thing. | 0:54:26 | 0:54:27 | |
I'm still not ready. | 0:54:31 | 0:54:32 | |
Maybe this is the beginning of you being ready. | 0:54:37 | 0:54:39 | |
Now, tell me something. | 0:54:42 | 0:54:45 | |
Did you remember what you were thinking | 0:54:45 | 0:54:47 | |
-when you planted that chappie there? -I remember. | 0:54:47 | 0:54:50 | |
I remember wanting to take a piece of my old life to this house. | 0:54:50 | 0:54:54 | |
To keep Christopher's memory alive. | 0:54:56 | 0:54:58 | |
And you most certainly have. | 0:54:58 | 0:55:00 | |
And regardless... Regardless of whatever happens next, | 0:55:01 | 0:55:07 | |
I think you always will. | 0:55:07 | 0:55:08 |