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'Ladies and gentlemen, | 0:00:06 | 0:00:07 | |
'today marks the anniversary of the rebellion' | 0:00:07 | 0:00:11 | |
-at the Eureka Stockade... -Too right, mate. | 0:00:11 | 0:00:13 | |
..the day miners fought shoulder to shoulder | 0:00:13 | 0:00:15 | |
to defend their rights and liberties | 0:00:15 | 0:00:17 | |
against their colonial tormentors. | 0:00:17 | 0:00:20 | |
Absolutely! | 0:00:20 | 0:00:21 | |
Eureka is the real birthplace | 0:00:23 | 0:00:25 | |
of our great nation. | 0:00:25 | 0:00:27 | |
Clear the park! | 0:00:27 | 0:00:28 | |
It's our legal right to assemble. | 0:00:28 | 0:00:30 | |
-We're celebrating the brave men... -All right, break it up. | 0:00:30 | 0:00:32 | |
..who fought toadies just like you. | 0:00:32 | 0:00:34 | |
Get your hands off me! | 0:00:34 | 0:00:35 | |
Don't touch me. | 0:00:35 | 0:00:37 | |
ARGUING AND YELLING | 0:00:37 | 0:00:40 | |
Don't you touch me! | 0:00:40 | 0:00:42 | |
Get out of the way! | 0:00:43 | 0:00:45 | |
Get your hands off her! | 0:00:45 | 0:00:46 | |
Move it. Move away. | 0:00:46 | 0:00:48 | |
You were brilliant! | 0:00:55 | 0:00:57 | |
My shout. | 0:00:57 | 0:00:58 | |
Thanks, Georgie. I'll get the next one. | 0:00:58 | 0:01:00 | |
What do you jokers know about anything? | 0:01:00 | 0:01:02 | |
My great-grandfather was a miner | 0:01:02 | 0:01:04 | |
-at the stockade. -Well, then, tonight we drink to him. | 0:01:04 | 0:01:07 | |
If he was a miner, then he was a worker, fighting the ruling class. | 0:01:07 | 0:01:10 | |
Ladies lounge, missy. | 0:01:12 | 0:01:14 | |
I'll, um... I'll bring your drinks through, Wendy. | 0:01:18 | 0:01:21 | |
That's from the lad down there, sir. | 0:01:24 | 0:01:26 | |
You're nothing but an overeducated git. | 0:01:30 | 0:01:33 | |
Better than no education, mate. | 0:01:33 | 0:01:36 | |
I'd better head back in there, make sure Wendy's all right. | 0:01:36 | 0:01:39 | |
Will you be OK? | 0:01:39 | 0:01:40 | |
Someone has to look after the conquering hero over there. | 0:01:40 | 0:01:43 | |
ARGUING, YELLING | 0:01:49 | 0:01:53 | |
Last drinks! Now quieten down or get out. | 0:01:54 | 0:01:58 | |
This isn't over. | 0:01:58 | 0:01:59 | |
So much for workers unite. | 0:02:05 | 0:02:07 | |
-Right, Des? -He'll come round. | 0:02:07 | 0:02:09 | |
-How about another beer? -Yeah. | 0:02:13 | 0:02:15 | |
To Eureka, Georgie. | 0:02:19 | 0:02:21 | |
Eureka. | 0:02:21 | 0:02:22 | |
Des! | 0:02:46 | 0:02:47 | |
Dad, enough. Your breakfast is getting cold. | 0:03:50 | 0:03:52 | |
The battle of wills begins. | 0:03:52 | 0:03:53 | |
Finally Maureen says, "I know you want her to try new things, | 0:03:53 | 0:03:56 | |
"Martin, but this is ridiculous. | 0:03:56 | 0:03:58 | |
"She's five years old. What's your excuse?" | 0:03:58 | 0:04:01 | |
Dad. | 0:04:01 | 0:04:02 | |
20 years later, things haven't changed one bit. | 0:04:02 | 0:04:06 | |
So nice to meet you at last, Mrs Beazley. | 0:04:07 | 0:04:09 | |
-Likewise, Minister. -Martin, goodness me. | 0:04:09 | 0:04:13 | |
Matilda talks about you constantly. | 0:04:13 | 0:04:16 | |
Her mother and I sometimes think we've lost her to you. | 0:04:16 | 0:04:19 | |
Well, Mattie's like family to us. | 0:04:19 | 0:04:21 | |
Indeed. | 0:04:21 | 0:04:22 | |
-More toast? -That'd be lovely. | 0:04:22 | 0:04:24 | |
-PHONE RINGS -I'll get that. | 0:04:24 | 0:04:26 | |
-I'll, uh, put the toast on. -Very good. | 0:04:26 | 0:04:28 | |
Very good. | 0:04:30 | 0:04:31 | |
So, Martin, your visit to Ballarat. | 0:04:35 | 0:04:38 | |
-Business or pleasure? -Both. | 0:04:38 | 0:04:40 | |
Some business. A government announcement at the old rail yard. | 0:04:40 | 0:04:43 | |
But I'm also keen to see what Matilda's up to here. | 0:04:43 | 0:04:46 | |
Excuse me, Lucien, | 0:04:46 | 0:04:47 | |
you're required at the Eureka Memorial site. | 0:04:47 | 0:04:50 | |
Right. | 0:04:52 | 0:04:54 | |
Excuse me. | 0:04:54 | 0:04:55 | |
Charlie? | 0:05:03 | 0:05:04 | |
This bloke was part of the protest we cleared out of here yesterday. | 0:05:06 | 0:05:10 | |
And we also found this, just over there. | 0:05:10 | 0:05:14 | |
There's nothing in it. | 0:05:14 | 0:05:15 | |
His name is Des Somerville. | 0:05:16 | 0:05:18 | |
Girlfriend found him. | 0:05:18 | 0:05:20 | |
Wendy Smith. | 0:05:21 | 0:05:22 | |
-Des Somerville, you say? -Mm. | 0:05:23 | 0:05:25 | |
If you just check the body, Blake, we'll take it from there. | 0:05:25 | 0:05:28 | |
Certainly, Bill. Whatever you say. | 0:05:28 | 0:05:31 | |
Bloody troublemakers. | 0:05:31 | 0:05:32 | |
University students from Melbourne, staying over on Stawell Street. | 0:05:32 | 0:05:37 | |
I see. | 0:05:37 | 0:05:38 | |
Well... | 0:05:38 | 0:05:40 | |
I can tell you this. | 0:05:40 | 0:05:41 | |
Young Des was punched in the face. | 0:05:41 | 0:05:43 | |
Looks as though he's fallen backwards onto the steps, | 0:05:43 | 0:05:46 | |
hitting his head. | 0:05:46 | 0:05:48 | |
And curiously, very little blood. | 0:05:48 | 0:05:51 | |
Robbery gone wrong, you reckon? | 0:05:51 | 0:05:52 | |
Hard to say at this point. | 0:05:52 | 0:05:54 | |
Well, you let us know if you need any help working it all out, then. | 0:05:55 | 0:05:58 | |
I'll take the girl back to the station. | 0:05:58 | 0:06:00 | |
Boss'll be wanting to talk to her. | 0:06:00 | 0:06:02 | |
Old Bill Hobart, ever the charmer. | 0:06:04 | 0:06:07 | |
Charlie, did you see here? | 0:06:07 | 0:06:09 | |
Just on his arm. | 0:06:10 | 0:06:12 | |
I'd say that's a bite mark. | 0:06:12 | 0:06:13 | |
Looks like it. | 0:06:13 | 0:06:14 | |
Hey, Doc. Mattie. | 0:06:16 | 0:06:18 | |
She was here yesterday. | 0:06:20 | 0:06:21 | |
Yes, I know. | 0:06:22 | 0:06:24 | |
And thanks to this morning's newspaper, | 0:06:24 | 0:06:26 | |
so does the whole of Ballarat, I'm afraid. | 0:06:26 | 0:06:29 | |
No markings on the knuckles, but abrasions on both elbows. | 0:06:29 | 0:06:33 | |
-The bite mark on his arm? -I've taken a dry saliva sample. | 0:06:33 | 0:06:36 | |
It may take a day or so before we have the results. | 0:06:36 | 0:06:39 | |
Just the one blow. | 0:06:40 | 0:06:42 | |
Yes, to the cheek, | 0:06:42 | 0:06:44 | |
where I suspect we'll find a fractured zygomatic arch. | 0:06:44 | 0:06:47 | |
I'll need an X-ray to confirm that. | 0:06:47 | 0:06:49 | |
Yes, of course. Back of the head? | 0:06:49 | 0:06:51 | |
Quite a large laceration. | 0:06:51 | 0:06:53 | |
There would have been substantial blood loss. | 0:06:53 | 0:06:55 | |
In which case, there should have been more blood at the site, | 0:06:55 | 0:06:57 | |
even allowing for the cold night. | 0:06:57 | 0:06:59 | |
What were you doing wandering around the memorial that night, eh? | 0:07:02 | 0:07:05 | |
Are you talking to me or him? | 0:07:07 | 0:07:08 | |
Hmm? Oh, Alice, I'm sorry, him. | 0:07:08 | 0:07:11 | |
Would you mind bringing over some tweezers and a bowl, please? | 0:07:11 | 0:07:15 | |
Thank you. | 0:07:19 | 0:07:20 | |
Now... | 0:07:24 | 0:07:25 | |
..that's gravel. | 0:07:27 | 0:07:28 | |
Doctor? | 0:07:33 | 0:07:35 | |
You're going to have to excuse me for a bit. | 0:07:35 | 0:07:38 | |
I need to check something. | 0:07:38 | 0:07:39 | |
From the memorial site? | 0:08:14 | 0:08:15 | |
-Yes. -You'll want to take a look at this. | 0:08:15 | 0:08:18 | |
The lesion on the back of the skull? In fact, there are two. | 0:08:18 | 0:08:22 | |
Really? | 0:08:22 | 0:08:24 | |
The first fracture is centred here. | 0:08:24 | 0:08:26 | |
See the occipital contusion and fresh haemorrhage. | 0:08:26 | 0:08:29 | |
But the second fracture, just as severe, | 0:08:29 | 0:08:31 | |
shows only a small amount of blood around it. | 0:08:31 | 0:08:34 | |
The first lesion was the fatal injury and the second... | 0:08:34 | 0:08:37 | |
Caused by a step or a plinth. | 0:08:37 | 0:08:39 | |
..was postmortem. | 0:08:39 | 0:08:40 | |
Which explains the lack of blood at the scene. | 0:08:41 | 0:08:44 | |
The body was moved, | 0:08:44 | 0:08:45 | |
and the gravel from the memorial site definitely doesn't match. | 0:08:45 | 0:08:49 | |
I need to pinpoint the actual murder site. | 0:08:49 | 0:08:53 | |
Any suggestions? | 0:08:55 | 0:08:57 | |
Well, I'm not an expert on gravel, | 0:08:57 | 0:09:01 | |
but assuming the person who bit him was also his killer, | 0:09:01 | 0:09:04 | |
you could saliva test every potential murderer in Ballarat. | 0:09:04 | 0:09:07 | |
And short of that, no, nothing, I'm afraid. | 0:09:07 | 0:09:12 | |
Miss Smith, | 0:09:14 | 0:09:16 | |
did anyone have any reason to want to hurt your boyfriend? | 0:09:16 | 0:09:20 | |
A man attacked us at the pub, | 0:09:20 | 0:09:22 | |
after we were forced from the Eureka site. | 0:09:22 | 0:09:24 | |
-Which pub? -Er, Pig and Whistle. | 0:09:24 | 0:09:27 | |
The attack. | 0:09:27 | 0:09:29 | |
Was it inside or outside the pub? | 0:09:29 | 0:09:31 | |
Ah, it started inside, and then the publican, | 0:09:34 | 0:09:37 | |
he called for the swill. And I thought it was sorted, | 0:09:37 | 0:09:39 | |
but some people followed us outside as we were leaving. | 0:09:39 | 0:09:42 | |
Everyone was involved, from what I could tell. | 0:09:43 | 0:09:46 | |
It's so ridiculous. | 0:09:48 | 0:09:49 | |
What is, Miss Smith? | 0:09:50 | 0:09:52 | |
When we organised this, Colin Doyle warned us. | 0:09:52 | 0:09:55 | |
He said the locals don't take kindly to our type. | 0:09:55 | 0:09:58 | |
What type is that? | 0:10:00 | 0:10:01 | |
Union types. | 0:10:06 | 0:10:07 | |
-How long had you and Des...? -A year. | 0:10:11 | 0:10:13 | |
We were going to get married. | 0:10:16 | 0:10:17 | |
So what was stopping you, then? | 0:10:17 | 0:10:19 | |
I loved Des. And he loved me. | 0:10:23 | 0:10:27 | |
She's not telling us everything. | 0:10:27 | 0:10:29 | |
I doubt she could have done it, though, boss. See the size of her? | 0:10:29 | 0:10:32 | |
Actually, Bill, a piece of two-by-four'd probably do the job | 0:10:32 | 0:10:35 | |
if she was angry enough. | 0:10:35 | 0:10:37 | |
Hobart, Davis. | 0:10:38 | 0:10:40 | |
Let's find out when Des Somerville was last seen alive. | 0:10:40 | 0:10:42 | |
-Right, boss. -And you! | 0:10:42 | 0:10:44 | |
Stop pretending you're a policeman and get me an autopsy report, | 0:10:44 | 0:10:48 | |
pronto. | 0:10:48 | 0:10:49 | |
Of course. | 0:10:49 | 0:10:50 | |
Yes, Sergeant? | 0:10:52 | 0:10:53 | |
Excuse me, boss, I don't get it. | 0:10:54 | 0:10:57 | |
Why don't you just sack him? | 0:10:57 | 0:10:59 | |
Because, Bill, if it was that easy, I would have done it already. | 0:10:59 | 0:11:02 | |
Shut the door on the way out. | 0:11:04 | 0:11:05 | |
Oh, he was here all right. | 0:11:25 | 0:11:27 | |
He bought Ken Farmer a beer, and copped an earful from Quinny, | 0:11:27 | 0:11:30 | |
going on about Eureka. | 0:11:30 | 0:11:32 | |
-Quinny? -Roy Quinn. He's a regular. | 0:11:32 | 0:11:35 | |
-Always going on about the good old days. -Peg him for a fighter? | 0:11:35 | 0:11:38 | |
As a lad he was up for it. | 0:11:38 | 0:11:40 | |
What do bloody Melbourne blow-ins know, coming into our pub? | 0:11:40 | 0:11:43 | |
-My great-grandfather was... -Answer the question! | 0:11:43 | 0:11:46 | |
Did you fight with the victim? | 0:11:46 | 0:11:47 | |
Might have thrown a punch. | 0:11:47 | 0:11:49 | |
What do you do for work? | 0:11:49 | 0:11:51 | |
Can't work. I did my back in. | 0:11:51 | 0:11:53 | |
-What's that got to do with anything? -The victim was bashed and robbed. | 0:11:53 | 0:11:57 | |
-Nothing to do with me. -Open your wallet. | 0:11:58 | 0:12:00 | |
I'm told you live off your missus. | 0:12:02 | 0:12:04 | |
Police resources are stretched and our time is valuable, | 0:12:09 | 0:12:13 | |
more valuable than yours, so keep that in mind. Blake? | 0:12:13 | 0:12:16 | |
Did you fight with a man you now know as Des Somerville? | 0:12:17 | 0:12:22 | |
We argued. | 0:12:22 | 0:12:23 | |
The dead bloke made a smart arse comment and we got into it, but... | 0:12:23 | 0:12:26 | |
But the Commies were doing a good job of fighting amongst themselves. | 0:12:26 | 0:12:29 | |
Put your hands on the table. | 0:12:29 | 0:12:31 | |
What'd you do after closing? | 0:12:33 | 0:12:35 | |
Don't move! | 0:12:35 | 0:12:36 | |
I went home for tea. | 0:12:38 | 0:12:40 | |
So you didn't follow Somerville and you didn't hit him. | 0:12:40 | 0:12:42 | |
Is that what you're telling me? Yes? | 0:12:42 | 0:12:44 | |
-No? -No. | 0:12:44 | 0:12:47 | |
What do you want now? | 0:12:57 | 0:12:59 | |
Des Somerville died at least eight hours before he was found | 0:12:59 | 0:13:02 | |
this morning, | 0:13:02 | 0:13:04 | |
and I am positive, positive he wasn't killed at the memorial. | 0:13:04 | 0:13:07 | |
Also, there's a bite mark on his arm. We can't explain it yet. | 0:13:07 | 0:13:11 | |
Superintendent, I simply can't, in good conscience, | 0:13:13 | 0:13:16 | |
sign off on that report, not yet. | 0:13:16 | 0:13:18 | |
You think I don't know how often you do this, Blake? | 0:13:19 | 0:13:22 | |
-Do what exactly? -You stall. | 0:13:23 | 0:13:26 | |
You don't sign off on your reports, | 0:13:26 | 0:13:28 | |
then spend two or three days using that as an excuse | 0:13:28 | 0:13:31 | |
to do whatever you want, wherever you want. | 0:13:31 | 0:13:34 | |
-Superintendent, there are still... -Today. | 0:13:34 | 0:13:37 | |
Not tomorrow, not the day after. | 0:13:37 | 0:13:39 | |
You have that report on my desk by 5pm. | 0:13:39 | 0:13:42 | |
That's final. | 0:13:42 | 0:13:43 | |
I'm off to the rail yards. | 0:13:43 | 0:13:45 | |
You talk to everyone who was at the Stawell Street house last night, | 0:13:45 | 0:13:48 | |
-and talk to that bludger, Quinn's, wife. -All right, boss. | 0:13:48 | 0:13:52 | |
I'll be back shortly. | 0:13:52 | 0:13:53 | |
I'm going to head over to Stawell Street. | 0:13:56 | 0:13:58 | |
I might meet you there, Charlie. | 0:13:58 | 0:13:59 | |
You'd be better off finishing that report, Doc. | 0:13:59 | 0:14:02 | |
Thank you for reminding me, Bill. | 0:14:02 | 0:14:03 | |
What the hell are you thinking? | 0:14:07 | 0:14:09 | |
I mean, have you seen this? Have you looked at the headlines? | 0:14:09 | 0:14:13 | |
Have you got a brain in that head of yours? | 0:14:13 | 0:14:15 | |
I mean, I'm paying you a lot of money. | 0:14:15 | 0:14:16 | |
You've just got to get your act together. | 0:14:16 | 0:14:18 | |
You here for the speeches, Doctor? | 0:14:18 | 0:14:20 | |
I thought I'd come and see what you were up to. | 0:14:20 | 0:14:22 | |
You've seen this, I s'pose? | 0:14:24 | 0:14:25 | |
-Yes. -Are you ready, Minister? | 0:14:25 | 0:14:27 | |
I am, if you've finished tearing strips off your nephew. | 0:14:27 | 0:14:30 | |
Ken Farmer, Lucien Blake. | 0:14:30 | 0:14:32 | |
My daughter boards at Dr Blake's house. | 0:14:32 | 0:14:34 | |
Mr Farmer. | 0:14:34 | 0:14:35 | |
Well, I'll go up and introduce you. | 0:14:36 | 0:14:38 | |
Martin, I was just as shocked as you when I saw it. | 0:14:40 | 0:14:43 | |
-I had absolutely no idea. -'Thank you for coming.' | 0:14:43 | 0:14:46 | |
Well, it doesn't matter what I say, she never bloody listens. | 0:14:46 | 0:14:49 | |
'..Ballarat resident. I'm pleased to welcome' | 0:14:49 | 0:14:51 | |
Minister for Industry and Commerce, Martin O'Brien, to tell us all about | 0:14:51 | 0:14:56 | |
Think Big, Think Ballarat. | 0:14:56 | 0:15:00 | |
It's been a very good morning. | 0:15:04 | 0:15:07 | |
I'm honoured to be in your fine city today. | 0:15:07 | 0:15:10 | |
Miss Smith, Mr Beville. | 0:15:17 | 0:15:19 | |
I'd like to ask you both a few questions. | 0:15:19 | 0:15:21 | |
Who was here in Mr Doyle's house last night? | 0:15:25 | 0:15:28 | |
Just those of us here from Melbourne. | 0:15:28 | 0:15:30 | |
And Mr Doyle, of course. | 0:15:30 | 0:15:32 | |
No-one else? | 0:15:32 | 0:15:34 | |
Just us, and Georgie Bromley. | 0:15:34 | 0:15:36 | |
So what happened next, Mr Beville? | 0:15:38 | 0:15:40 | |
I went to bed as soon as I got home from the pub. | 0:15:40 | 0:15:43 | |
And you said the same, Miss Smith? | 0:15:43 | 0:15:46 | |
Where is Doyle now? | 0:15:47 | 0:15:49 | |
Doyle had to make a trip into town. | 0:15:51 | 0:15:54 | |
We were s'posed to meet him for lunch | 0:15:54 | 0:15:57 | |
about ten minutes ago. | 0:15:57 | 0:15:58 | |
Quite simply, "Think Big, Think Ballarat" means jobs. | 0:15:58 | 0:16:02 | |
Business can offer migrant workers incentives. | 0:16:02 | 0:16:04 | |
What about incentives for local workers? | 0:16:04 | 0:16:07 | |
Populate or perish. | 0:16:07 | 0:16:09 | |
We'll all perish if you lot get your way. | 0:16:09 | 0:16:11 | |
You award tenders for public land and give them | 0:16:11 | 0:16:14 | |
to your developer mates | 0:16:14 | 0:16:15 | |
and get the kickbacks. | 0:16:15 | 0:16:17 | |
-Bunch of crooks. -Look out! Doyle's armed! | 0:16:18 | 0:16:21 | |
Now! | 0:16:23 | 0:16:24 | |
Watch out! | 0:16:35 | 0:16:36 | |
Well... | 0:16:39 | 0:16:40 | |
-HE CHUCKLES -Ladies and gentlemen, | 0:16:40 | 0:16:43 | |
as much as we value our democracy, | 0:16:43 | 0:16:45 | |
even fight wars for it, | 0:16:45 | 0:16:48 | |
freedom of expression can, on occasion... | 0:16:48 | 0:16:50 | |
..be one of its burdens. | 0:16:52 | 0:16:54 | |
Those paint tins, Mr Beville. | 0:17:14 | 0:17:17 | |
Taking them to your lunch with Colin Doyle, were you? | 0:17:18 | 0:17:21 | |
Charlie. | 0:17:21 | 0:17:22 | |
You missed quite a show at the rail yards, I tell you. | 0:17:23 | 0:17:26 | |
Goodness, that looks nasty. How did you come by that? | 0:17:28 | 0:17:31 | |
Just outside the pub. | 0:17:31 | 0:17:34 | |
Some bloke had a go at Des, I got caught in the middle. | 0:17:34 | 0:17:36 | |
Would you like me to take a look at that for you? | 0:17:36 | 0:17:39 | |
Thanks, I'm a medical student. | 0:17:40 | 0:17:43 | |
Oh, I see. | 0:17:43 | 0:17:44 | |
What was the fight about? | 0:17:44 | 0:17:46 | |
What it was always about with Des - ideology. | 0:17:46 | 0:17:49 | |
So his...ideology differed from yours? | 0:17:49 | 0:17:54 | |
You could say that. | 0:17:54 | 0:17:56 | |
Last night, in your room. | 0:17:56 | 0:17:58 | |
Was Miss Smith with you? | 0:17:58 | 0:18:00 | |
Absolutely not! | 0:18:00 | 0:18:02 | |
I'm going to get going. | 0:18:02 | 0:18:04 | |
You should know, Colin Doyle is already in police custody. | 0:18:04 | 0:18:07 | |
A disturbance at the government launch today. | 0:18:08 | 0:18:12 | |
Just as well there was no-one else there to... | 0:18:12 | 0:18:15 | |
help him. | 0:18:15 | 0:18:17 | |
If there's nothing else, officer... | 0:18:20 | 0:18:22 | |
-It's like trying to herd cats. -BLAKE LAUGHS | 0:18:26 | 0:18:29 | |
Plus I still need to find the Bromley boy. | 0:18:29 | 0:18:31 | |
Oh, I saw him at the launch in town, with his uncle, Ken Farmer. | 0:18:31 | 0:18:35 | |
Ah. Thanks, Doc. | 0:18:35 | 0:18:37 | |
All right, Charlie. | 0:18:37 | 0:18:38 | |
You all right? | 0:18:47 | 0:18:48 | |
Saliva and gravel. All I've got to go on. | 0:18:52 | 0:18:55 | |
Ahh! | 0:18:59 | 0:19:01 | |
What now? | 0:19:05 | 0:19:07 | |
Bike tracks. | 0:19:10 | 0:19:12 | |
Charlie. | 0:19:15 | 0:19:16 | |
You found what you were looking for? | 0:19:38 | 0:19:41 | |
Perhaps, Charlie. | 0:19:41 | 0:19:42 | |
Perhaps. | 0:19:43 | 0:19:44 | |
You want me to do what? | 0:19:47 | 0:19:49 | |
This was your idea, Alice. | 0:19:49 | 0:19:50 | |
Yes, but...I was joking. Can't you tell when I'm joking? | 0:19:50 | 0:19:54 | |
Look, if I can get saliva samples from our suspects, | 0:19:56 | 0:19:59 | |
we may find a match with the sample from the victim's arm. | 0:19:59 | 0:20:03 | |
What kind of testing are you thinking? | 0:20:03 | 0:20:05 | |
Well, for traces of medication, initially. | 0:20:05 | 0:20:08 | |
And if that doesn't work, then...genetic secretor markers. | 0:20:08 | 0:20:12 | |
I'll talk to Pharmacology. | 0:20:12 | 0:20:14 | |
See what I can do. | 0:20:14 | 0:20:15 | |
Does Superintendent Munro know you're doing this? | 0:20:17 | 0:20:20 | |
No, not yet. | 0:20:20 | 0:20:22 | |
I see. | 0:20:22 | 0:20:23 | |
It'll take at least 24 hours. | 0:20:27 | 0:20:29 | |
Go! Before I change my mind. | 0:20:30 | 0:20:32 | |
Thank you, Charlie. | 0:20:39 | 0:20:40 | |
Well done, Cec. | 0:20:44 | 0:20:45 | |
Mr Bromley, I'd like to ask you a few questions. | 0:20:51 | 0:20:54 | |
Yeah. | 0:20:54 | 0:20:55 | |
Sorry, you'll have to excuse me. | 0:20:55 | 0:20:58 | |
It's not every day a mate is found dead. | 0:20:58 | 0:21:00 | |
When did you last see the deceased? | 0:21:01 | 0:21:04 | |
Last night. | 0:21:04 | 0:21:06 | |
And what happened? | 0:21:06 | 0:21:07 | |
There was a loudmouth at the pub who threatened us. | 0:21:07 | 0:21:10 | |
Roy Quinn. | 0:21:10 | 0:21:11 | |
Did you see him, after closing? | 0:21:11 | 0:21:13 | |
He tried to start up again and Joe scared him off. | 0:21:15 | 0:21:19 | |
We all went back to the house. | 0:21:19 | 0:21:21 | |
He could have followed us, I suppose. | 0:21:22 | 0:21:24 | |
And what happened then? | 0:21:24 | 0:21:26 | |
Drinking, arguing, | 0:21:26 | 0:21:29 | |
more drinking, more arguing. | 0:21:29 | 0:21:30 | |
That's about it. | 0:21:32 | 0:21:34 | |
Arguments about what? | 0:21:34 | 0:21:35 | |
I'm not involved in the romantic entanglements. | 0:21:36 | 0:21:39 | |
Sorry, which romantic entanglements are these, exactly? | 0:21:41 | 0:21:44 | |
I'd ask Doyle and Joe. | 0:21:44 | 0:21:47 | |
Neither seemed to be seeing eye to eye with Des yesterday. | 0:21:47 | 0:21:50 | |
Tell me everything, from the start. | 0:21:53 | 0:21:56 | |
Well, we were at the memorial site for the anniversary, | 0:21:56 | 0:21:59 | |
-until you coppers moved us along, and then... -Try again. | 0:21:59 | 0:22:02 | |
Because I know you called in the disturbance. | 0:22:04 | 0:22:07 | |
You wanted the police there. | 0:22:07 | 0:22:10 | |
And I know you fed the Eureka photos to the press. | 0:22:10 | 0:22:13 | |
You see, I spoke to the editor of The Courier this morning. | 0:22:13 | 0:22:17 | |
You're quite a photographer. | 0:22:17 | 0:22:19 | |
Tell you what I think. | 0:22:20 | 0:22:22 | |
Your plan was always to get the O'Brien girl | 0:22:25 | 0:22:27 | |
and Georgie Bromley into the newspapers. | 0:22:27 | 0:22:30 | |
First at the memorial, | 0:22:30 | 0:22:32 | |
then the next day at the launch. | 0:22:32 | 0:22:35 | |
Scandal like that would end up in all the city papers. | 0:22:35 | 0:22:38 | |
Ken Farmer's no longer such a man of the people. | 0:22:38 | 0:22:40 | |
Martin O'Brien turns out to have a Red for a daughter. | 0:22:40 | 0:22:43 | |
I see I'm not the only one who can come up with a conspiracy theory. | 0:22:43 | 0:22:46 | |
So what went wrong? | 0:22:46 | 0:22:48 | |
Mr Doyle, would you mind just holding still for me for one moment? | 0:22:56 | 0:23:01 | |
BONES CRUNCH Good. Good. | 0:23:05 | 0:23:06 | |
HE SCREAMS | 0:23:06 | 0:23:08 | |
Now, just while you have your mouth open... | 0:23:08 | 0:23:11 | |
There we are, well done. Top work. | 0:23:11 | 0:23:14 | |
HE MOANS PAINFULLY | 0:23:14 | 0:23:17 | |
Mr Doyle? | 0:23:17 | 0:23:18 | |
-Mr Doyle! -YELLS: -All right! | 0:23:20 | 0:23:22 | |
Yes, the newspapers were me, | 0:23:24 | 0:23:27 | |
but the paint tins were all Des's idea. | 0:23:27 | 0:23:29 | |
And he wanted to do a hell of a lot more than just throw some paint. | 0:23:30 | 0:23:34 | |
-Go on. -He... | 0:23:34 | 0:23:35 | |
He wanted to mix acid into one of the tins. | 0:23:36 | 0:23:39 | |
But I told him that's not the way the CPA operates. | 0:23:40 | 0:23:43 | |
We believe in peaceful protest. | 0:23:43 | 0:23:45 | |
Now, is that so? | 0:23:45 | 0:23:46 | |
Why would I kill him when I needed him | 0:23:48 | 0:23:50 | |
at Martin O'Brien's speech the next day? | 0:23:50 | 0:23:53 | |
Even after he wanted to harm an bunch of innocent people? | 0:23:53 | 0:23:55 | |
After all that, you still wanted him there? | 0:23:55 | 0:23:57 | |
He was a young, handsome bloke on the front of the paper, | 0:23:57 | 0:24:00 | |
seeming to lead the charge for us. It's...it's perfect for recruitment. | 0:24:00 | 0:24:03 | |
You're backing the wrong horse trying to pin this on me, mate. | 0:24:05 | 0:24:09 | |
Sergeant Davis, escort Mr Doyle to the cells. | 0:24:12 | 0:24:15 | |
Oh, yeah, typical. | 0:24:17 | 0:24:20 | |
I've got rights, you know. | 0:24:20 | 0:24:22 | |
Get your hands off me! | 0:24:24 | 0:24:26 | |
Bloody coppers! | 0:24:26 | 0:24:28 | |
You know, I swear if I didn't know better, | 0:24:28 | 0:24:31 | |
I'd say you broke that man's nose on purpose in the hope you could | 0:24:31 | 0:24:34 | |
sit in on this interview. | 0:24:34 | 0:24:36 | |
Superintendent, your report. | 0:24:42 | 0:24:44 | |
Everything we've been able to confirm thus far. | 0:24:44 | 0:24:46 | |
It's about time. | 0:24:46 | 0:24:47 | |
You can thank your wife for being released. | 0:24:49 | 0:24:51 | |
You shoot your big mouth off again, | 0:24:51 | 0:24:52 | |
you'll be back in the cells, understand? | 0:24:52 | 0:24:55 | |
Sergeant Davis? | 0:24:57 | 0:24:58 | |
Status of Mr Doyle's two accomplices this afternoon? | 0:24:58 | 0:25:00 | |
Ah, charged, sir, with breach of the peace and public safety. | 0:25:00 | 0:25:05 | |
-They'll appear in court next week. -Very good. | 0:25:05 | 0:25:07 | |
Hm. | 0:25:11 | 0:25:12 | |
Oh, Jean. | 0:25:16 | 0:25:18 | |
Oh, tell me, how was the rest of breakfast with Mattie's father? | 0:25:18 | 0:25:21 | |
Extremely cordial. Typical politician - | 0:25:21 | 0:25:24 | |
could talk the birds down from the trees. | 0:25:24 | 0:25:26 | |
-KNOCK ON DOOR -That'll be your three o'clock. | 0:25:26 | 0:25:28 | |
Hello, Agnes. Come through. | 0:25:31 | 0:25:33 | |
Lucien. | 0:25:36 | 0:25:38 | |
You look awful. | 0:25:38 | 0:25:40 | |
Agnes, how lovely to see you. Come on in. | 0:25:40 | 0:25:42 | |
Well, if there's anything else you need, Agnes, | 0:25:42 | 0:25:45 | |
I'll be right outside. | 0:25:45 | 0:25:46 | |
No need to leave, Jean. | 0:25:46 | 0:25:48 | |
I'm sure he tells you everything that goes on in here, anyway. | 0:25:48 | 0:25:52 | |
Here. | 0:25:52 | 0:25:53 | |
Sit. | 0:25:53 | 0:25:54 | |
-Right. -Now... | 0:25:55 | 0:25:57 | |
Why the long face? | 0:25:58 | 0:26:00 | |
Well, to be perfectly honest... | 0:26:02 | 0:26:04 | |
This. | 0:26:05 | 0:26:06 | |
The Red Menace. | 0:26:06 | 0:26:08 | |
Yes, now let's get your file and get started on that blood work, eh? | 0:26:08 | 0:26:12 | |
Young people. | 0:26:12 | 0:26:15 | |
I expect Colin Doyle was involved somehow? | 0:26:15 | 0:26:18 | |
And why would you say that? | 0:26:19 | 0:26:21 | |
He's been causing problems for the Ken Farmers | 0:26:21 | 0:26:23 | |
and the Patrick Tynemans of the world for years. | 0:26:23 | 0:26:26 | |
The Capitalist and the Communist. | 0:26:26 | 0:26:30 | |
What do any of them know? | 0:26:30 | 0:26:31 | |
At least I've been to Russia. | 0:26:31 | 0:26:33 | |
Don't look at me like that, Jean. | 0:26:35 | 0:26:37 | |
I haven't always been an old maid. | 0:26:37 | 0:26:40 | |
Besides, | 0:26:40 | 0:26:42 | |
the trip was all rather rudely interrupted by the revolution. | 0:26:42 | 0:26:46 | |
-SHE GASPS -Sounds very dangerous. | 0:26:46 | 0:26:48 | |
Well, at least I didn't have to go | 0:26:48 | 0:26:50 | |
to all the trouble of learning Russian. | 0:26:50 | 0:26:52 | |
Well? You'd better take some blood while I still have some. | 0:26:52 | 0:26:55 | |
Yes, of course. Jean, would you mind...? | 0:26:57 | 0:26:59 | |
You know what serves belief even more than self-interest? | 0:27:00 | 0:27:04 | |
Survival. | 0:27:04 | 0:27:06 | |
Awfully cynical of you, Agnes. | 0:27:07 | 0:27:10 | |
Human nature. | 0:27:10 | 0:27:11 | |
It ruins everything. | 0:27:12 | 0:27:14 | |
You really think whoever it was could have moved the body on a bike? | 0:27:20 | 0:27:23 | |
Well, there's only one way to find out. | 0:27:23 | 0:27:25 | |
-You ready? -Yeah. | 0:27:25 | 0:27:28 | |
PHONE RINGS | 0:27:28 | 0:27:31 | |
Hey, listen, how did you get on with those paint tins? | 0:27:31 | 0:27:33 | |
No trace of acid in any of them. | 0:27:33 | 0:27:35 | |
Doyle was released several hours ago. Ah! | 0:27:35 | 0:27:39 | |
Sorry. | 0:27:39 | 0:27:40 | |
Can we...can we go back inside now? | 0:27:41 | 0:27:43 | |
Yes, of course. It was worth a try, though. | 0:27:43 | 0:27:46 | |
That was Constable Simmons. | 0:27:46 | 0:27:48 | |
There's a disturbance at Colin Doyle's. | 0:27:48 | 0:27:50 | |
I don't suppose you're riding the bike there. | 0:27:50 | 0:27:52 | |
What happens in Ballarat stays in Ballarat, mate, you know? | 0:27:52 | 0:27:56 | |
-YELLING -Get him! -Oh, my nose! | 0:27:58 | 0:28:01 | |
Hey! | 0:28:01 | 0:28:02 | |
-He broke my nose! -Have you got him, Charlie? -Yeah. | 0:28:15 | 0:28:18 | |
It was supposed to be a Eureka picnic. | 0:28:23 | 0:28:26 | |
I didn't expect Charlie to charge in and make a scene. | 0:28:26 | 0:28:29 | |
Yes... | 0:28:29 | 0:28:30 | |
Um, thank you, Jean. | 0:28:30 | 0:28:33 | |
Mattie, you should know. | 0:28:33 | 0:28:35 | |
Doyle made sure the police would be there. | 0:28:36 | 0:28:39 | |
They used the Bromley boy to get to his uncle. | 0:28:39 | 0:28:41 | |
They used you to get to your father. | 0:28:41 | 0:28:42 | |
I'm sorry, but that's the truth of it. | 0:28:42 | 0:28:45 | |
Perhaps you could drive Mattie to the club, Lucien. | 0:28:45 | 0:28:49 | |
Yes, of course. It would be my pleasure. | 0:28:49 | 0:28:52 | |
I thought you got lost. | 0:29:13 | 0:29:15 | |
Gentlemen, my daughter, Matilda. | 0:29:16 | 0:29:18 | |
And of course the man of the hour, Lucien Blake. | 0:29:18 | 0:29:21 | |
Lucien, would you care to join us for dinner? | 0:29:21 | 0:29:23 | |
I'm sure no-one would mind. | 0:29:23 | 0:29:26 | |
No, not at all. | 0:29:26 | 0:29:27 | |
The more the merrier. | 0:29:27 | 0:29:28 | |
Really, I...I... | 0:29:28 | 0:29:31 | |
would love to? | 0:29:31 | 0:29:33 | |
That would be very nice, thank you. | 0:29:33 | 0:29:35 | |
I'm just going to talk to Georgie. | 0:29:35 | 0:29:37 | |
Well, don't be long. I need to talk to you later. | 0:29:39 | 0:29:41 | |
Terrible business for them. | 0:29:47 | 0:29:49 | |
Yes, and you had to run the story on the front page, | 0:29:49 | 0:29:52 | |
-Patrick. -Oh, I'm sorry, | 0:29:52 | 0:29:54 | |
but a dead Commie in the park is a much better headline than | 0:29:54 | 0:29:58 | |
a political slogan at a factory. | 0:29:58 | 0:30:00 | |
Why can't people like that damned fool Doyle see that | 0:30:00 | 0:30:03 | |
all this is for the long-term growth of Ballarat? | 0:30:03 | 0:30:06 | |
The long-term growth of Australia, Ken. | 0:30:06 | 0:30:08 | |
The good of the Commonwealth, eh? | 0:30:08 | 0:30:10 | |
Stick to the surgery, Blake. | 0:30:10 | 0:30:13 | |
Speaking of Communism... | 0:30:14 | 0:30:15 | |
You were recently in China, weren't you, Blake? | 0:30:16 | 0:30:19 | |
-You have a daughter there if I'm not mistaken. -Yes. | 0:30:19 | 0:30:22 | |
Yes, I do. Beautiful girl. | 0:30:22 | 0:30:23 | |
And a fascinating country. | 0:30:23 | 0:30:25 | |
Completely foreign in every way. | 0:30:25 | 0:30:27 | |
And what about you, William? | 0:30:27 | 0:30:28 | |
You see much of the world during your war service? | 0:30:28 | 0:30:32 | |
Serious injury prevented the War Office accepting me, | 0:30:34 | 0:30:37 | |
unfortunately. | 0:30:37 | 0:30:38 | |
Bullet wound in the line of duty. | 0:30:38 | 0:30:40 | |
Pity. Travelling really does broaden the mind. | 0:30:40 | 0:30:44 | |
How is your...shoulder anyhow, William? | 0:30:44 | 0:30:48 | |
Georgie, they used us. | 0:30:50 | 0:30:52 | |
That's why they invited us, to embarrass our families. | 0:30:52 | 0:30:55 | |
No. I'd believe it of Doyle, maybe, but Des... | 0:30:55 | 0:31:00 | |
Des wouldn't do that to us. | 0:31:00 | 0:31:02 | |
Dinner is about to be served, Miss O'Brien. | 0:31:02 | 0:31:05 | |
Thank you. | 0:31:05 | 0:31:07 | |
Good luck in there. | 0:31:07 | 0:31:08 | |
Thanks a lot. | 0:31:08 | 0:31:09 | |
Actually, this town is lucky to have a man like Patrick | 0:31:12 | 0:31:14 | |
looking out for it. | 0:31:14 | 0:31:16 | |
Yes. | 0:31:16 | 0:31:17 | |
I find myself thinking that very same thing | 0:31:17 | 0:31:20 | |
on a daily basis. | 0:31:20 | 0:31:21 | |
So, gentlemen - | 0:31:22 | 0:31:23 | |
and of course Matilda - a toast... | 0:31:23 | 0:31:26 | |
..to Lucien and William. | 0:31:27 | 0:31:29 | |
ALL: Lucien and William. | 0:31:29 | 0:31:32 | |
Whose quick thinking ensured no-one was hurt today. | 0:31:32 | 0:31:35 | |
Yes, except for your ruddy coat. | 0:31:35 | 0:31:38 | |
What about Des? | 0:31:38 | 0:31:39 | |
-Matilda. -What? | 0:31:41 | 0:31:43 | |
He doesn't count because he's a Communist? | 0:31:43 | 0:31:45 | |
You have to admit, | 0:31:45 | 0:31:47 | |
the boy brought it upon himself. | 0:31:47 | 0:31:49 | |
OK, that's enough for me. | 0:31:49 | 0:31:51 | |
-I'm going to say goodnight. -Matilda. | 0:31:51 | 0:31:54 | |
Excuse me, gentlemen. | 0:31:54 | 0:31:56 | |
Communists, Matilda. | 0:32:01 | 0:32:02 | |
Have you taken leave of your senses? | 0:32:02 | 0:32:05 | |
I am in Ballarat on government business and there you are | 0:32:05 | 0:32:08 | |
at a Communist rally being run off by the police, | 0:32:08 | 0:32:11 | |
splashed across the front page of the newspaper, no less! | 0:32:11 | 0:32:14 | |
Dad, it was perfectly innocent. | 0:32:14 | 0:32:16 | |
Innocent, in what way? | 0:32:16 | 0:32:17 | |
I met them at the rallies during the Melbourne Peace Congress | 0:32:17 | 0:32:20 | |
earlier this year. They are my friends from university. | 0:32:20 | 0:32:22 | |
Yes, and your so-called friends tried to attack me today. | 0:32:22 | 0:32:25 | |
-Dad, I had no idea that... -Their intentions are violent | 0:32:25 | 0:32:28 | |
and dangerous. | 0:32:28 | 0:32:30 | |
Sweetheart, | 0:32:32 | 0:32:34 | |
do you think I enjoy | 0:32:34 | 0:32:35 | |
spending my time keeping you out of secret files? | 0:32:35 | 0:32:38 | |
How do you think that reflects on me? | 0:32:39 | 0:32:42 | |
You keep files on people? | 0:32:43 | 0:32:45 | |
Don't be so naive, girl! | 0:32:45 | 0:32:47 | |
No, don't talk to me like that. I am not Mum. | 0:32:47 | 0:32:50 | |
Do not bring your mother into this. | 0:32:50 | 0:32:53 | |
Why not? You dragged me along to that ridiculous dinner | 0:32:53 | 0:32:56 | |
just like you do to her. | 0:32:56 | 0:32:58 | |
-I don't know how she puts up with it. -Marriage is about compromise | 0:32:58 | 0:33:01 | |
and sacrifice, something you know nothing about. | 0:33:01 | 0:33:03 | |
Oh, and what have you EVER sacrificed for Mum? | 0:33:03 | 0:33:06 | |
I think you should go home, get to bed. | 0:33:08 | 0:33:11 | |
SHE SOBS | 0:33:20 | 0:33:23 | |
Georgie? | 0:33:25 | 0:33:26 | |
Night cap? | 0:33:28 | 0:33:29 | |
-Oh! -Oh! | 0:33:31 | 0:33:33 | |
Wendy? | 0:33:33 | 0:33:34 | |
-Unusual crowd for you tonight here, sir? -Ah, very. | 0:33:39 | 0:33:44 | |
And as you'd requested, | 0:33:44 | 0:33:46 | |
Mr Farmer's glass from the dinner table. | 0:33:46 | 0:33:50 | |
Excellent, Cec. Thank you. | 0:33:50 | 0:33:52 | |
It may be of interest - | 0:33:52 | 0:33:53 | |
Mr Farmer met the murdered lad in here yesterday. | 0:33:53 | 0:33:56 | |
-Is that right? -Hm. | 0:33:58 | 0:33:59 | |
And don't look now, sir, but over your right shoulder... | 0:33:59 | 0:34:02 | |
Scotch. Neat, thanks. | 0:34:05 | 0:34:07 | |
Certainly, sir. | 0:34:07 | 0:34:08 | |
Enjoying yourself, are you, Blake? | 0:34:10 | 0:34:12 | |
Aren't you, William? | 0:34:12 | 0:34:13 | |
What are you even doing here? | 0:34:16 | 0:34:17 | |
I was invited. | 0:34:19 | 0:34:21 | |
Better question might be, what are you doing here? | 0:34:21 | 0:34:23 | |
-What, the club, you mean? -Yes. | 0:34:23 | 0:34:25 | |
Oh, Patrick's put me forward for membership. | 0:34:25 | 0:34:28 | |
Really? Oh, good. | 0:34:28 | 0:34:29 | |
Be a shame if an existing member objected to your application. | 0:34:31 | 0:34:35 | |
Is that how you want it to be? | 0:34:35 | 0:34:37 | |
I thought that was the way YOU wanted it to be. | 0:34:37 | 0:34:39 | |
-Well, as long as we're clear where we both stand. -Hm. | 0:34:41 | 0:34:44 | |
Just one more thing. | 0:34:45 | 0:34:46 | |
Don't ever call me William again. | 0:34:48 | 0:34:50 | |
Sir. | 0:34:51 | 0:34:52 | |
Cec, as always an absolute pleasure. Thank you. | 0:34:54 | 0:34:58 | |
Goodnight, William. | 0:34:58 | 0:35:00 | |
What on earth are you doing here? | 0:35:04 | 0:35:05 | |
It's humiliating. | 0:35:09 | 0:35:11 | |
Doyle, he... | 0:35:11 | 0:35:13 | |
He tried it on with me. | 0:35:13 | 0:35:15 | |
-When? -Last night, at the pub. | 0:35:15 | 0:35:17 | |
I just thought he was being nice, but then back at the house... | 0:35:17 | 0:35:21 | |
Is that why he and Des fought? | 0:35:22 | 0:35:24 | |
I think so. | 0:35:28 | 0:35:29 | |
Well, Des must have been furious. | 0:35:29 | 0:35:31 | |
Everyone's out for themselves. | 0:35:32 | 0:35:34 | |
-Mattie... -Hm? | 0:35:39 | 0:35:41 | |
Des wasn't furious. | 0:35:43 | 0:35:44 | |
Not at all. | 0:35:46 | 0:35:47 | |
In fact, I don't think he even cared. | 0:35:48 | 0:35:50 | |
I yelled at him. I told him I never wanted to see him again. | 0:35:53 | 0:35:57 | |
It was only when I was at the station I remembered | 0:35:57 | 0:35:59 | |
he had all our money. | 0:35:59 | 0:36:00 | |
Oh, I'm so sorry, Wendy. | 0:36:00 | 0:36:03 | |
I sat there all night. | 0:36:03 | 0:36:04 | |
I was coming back to collect my things in the morning | 0:36:06 | 0:36:08 | |
when I found him. | 0:36:08 | 0:36:10 | |
He was just lying there... | 0:36:12 | 0:36:14 | |
And all I could think was, "I wish I'd killed him myself." | 0:36:16 | 0:36:19 | |
Yes, Mattie? | 0:36:49 | 0:36:50 | |
What a disaster. | 0:36:54 | 0:36:55 | |
Listen, | 0:36:56 | 0:36:58 | |
when I was your age, I struggled to understand my parents, too. | 0:36:58 | 0:37:01 | |
Now, take dogs, for example. | 0:37:01 | 0:37:04 | |
All right. Dogs. | 0:37:05 | 0:37:08 | |
Yes, dogs. I always thought my father hated dogs. | 0:37:08 | 0:37:11 | |
Well, he didn't. | 0:37:11 | 0:37:13 | |
Turns out he loved them. | 0:37:13 | 0:37:15 | |
He only got rid of our dog Rosie because my mother was allergic. | 0:37:15 | 0:37:19 | |
I never understood. | 0:37:19 | 0:37:20 | |
I don't understand my mother at all. | 0:37:21 | 0:37:24 | |
And my father... | 0:37:24 | 0:37:26 | |
Every time, we have the same argument. | 0:37:26 | 0:37:29 | |
And every time, I just end up sounding like a petulant teenager. | 0:37:29 | 0:37:33 | |
HE CHUCKLES | 0:37:33 | 0:37:35 | |
Well, I wouldn't...I wouldn't, um... | 0:37:37 | 0:37:39 | |
I wouldn't worry too much about that, Mattie. | 0:37:40 | 0:37:43 | |
Look, parents are curious things. | 0:37:43 | 0:37:46 | |
And I'll tell you, one way or another, | 0:37:46 | 0:37:49 | |
they're with you for life. | 0:37:49 | 0:37:51 | |
Hm. | 0:37:51 | 0:37:53 | |
Well, maybe things will look a little better in the morning. | 0:37:53 | 0:37:57 | |
Cheers to that. | 0:37:57 | 0:37:58 | |
It was Wendy's. | 0:38:04 | 0:38:05 | |
Ah, wonderful. Thank you, Mattie. | 0:38:05 | 0:38:08 | |
That'll come in handy. | 0:38:08 | 0:38:10 | |
You know, I should have secured a sample earlier today from Joseph | 0:38:10 | 0:38:14 | |
-as well. -Joe? What do you mean? | 0:38:14 | 0:38:17 | |
Oh, he found himself in another fight, didn't he, at Doyle's place. | 0:38:17 | 0:38:20 | |
And he doesn't have an alibi, either. | 0:38:20 | 0:38:22 | |
He's in the cells as we speak. | 0:38:22 | 0:38:24 | |
Um, Lucien, | 0:38:25 | 0:38:27 | |
if you see Joe... | 0:38:27 | 0:38:28 | |
..make sure he's all right. | 0:38:31 | 0:38:33 | |
Yes. | 0:38:33 | 0:38:34 | |
Yes, of course. | 0:38:34 | 0:38:35 | |
Goodnight, Lucien. | 0:38:41 | 0:38:43 | |
Goodnight, Mattie. | 0:38:43 | 0:38:44 | |
Yeah, it's obvious Blake's hiding things. | 0:38:47 | 0:38:50 | |
It's like he can't help himself. | 0:38:50 | 0:38:52 | |
Yeah, yeah. Yeah, he trusts me. | 0:38:54 | 0:38:56 | |
For now, at least. | 0:38:56 | 0:38:58 | |
Mm-hm | 0:39:00 | 0:39:01 | |
All right. All right, will do. | 0:39:02 | 0:39:06 | |
You forget I'm almost a doctor. | 0:39:14 | 0:39:16 | |
Which would explain why you're such a lousy patient. | 0:39:16 | 0:39:20 | |
How long are they going to hold me here? | 0:39:20 | 0:39:22 | |
That I don't know. | 0:39:22 | 0:39:24 | |
Mattie's worried about you, though. | 0:39:24 | 0:39:27 | |
Mattie? | 0:39:27 | 0:39:29 | |
What should I tell her, Joe? | 0:39:29 | 0:39:31 | |
The prisoner's wanted upstairs. Come on. | 0:39:32 | 0:39:34 | |
Tell her to stay away. | 0:39:34 | 0:39:35 | |
State your full name. | 0:39:39 | 0:39:40 | |
Joseph Frank Beville. | 0:39:42 | 0:39:43 | |
We've just been speaking with Colin Doyle. | 0:39:45 | 0:39:48 | |
Don't mind a fight, do you? | 0:39:48 | 0:39:49 | |
He kept accusing me of killing Des. | 0:39:49 | 0:39:51 | |
He calls me a greasy wog. Says me he doesn't like Italians. | 0:39:52 | 0:39:55 | |
Beville's not a very Italian name, is it? | 0:39:55 | 0:39:58 | |
It's Anglicised. | 0:40:01 | 0:40:02 | |
So your name's not... | 0:40:02 | 0:40:04 | |
..Giuseppe Franco Bevilacqua? | 0:40:05 | 0:40:08 | |
-Not any more. -And why is that? | 0:40:08 | 0:40:10 | |
-Well, you tell me. -I will. | 0:40:10 | 0:40:12 | |
It's because your father was a Mussolini sympathiser. | 0:40:13 | 0:40:15 | |
We emigrated legally after the war. | 0:40:15 | 0:40:17 | |
-And then you joined the CPA. -I'm not my father! | 0:40:17 | 0:40:19 | |
I joined when I enrolled at university. | 0:40:21 | 0:40:23 | |
I believe in Communism, not Fascism. | 0:40:23 | 0:40:26 | |
What did Somerville have on you? | 0:40:26 | 0:40:28 | |
He found out about my father | 0:40:30 | 0:40:32 | |
and threatened to kick me out of the party. | 0:40:32 | 0:40:35 | |
He said I couldn't be trusted. | 0:40:35 | 0:40:36 | |
Sounds like you had a motive to kill him. | 0:40:36 | 0:40:38 | |
-For that? I don't think so! -Well, I do think so. | 0:40:38 | 0:40:41 | |
And when I ask you a question, you best answer it. | 0:40:41 | 0:40:44 | |
We're holding you on suspicion of murder. | 0:40:44 | 0:40:46 | |
Take him back to his cell. | 0:40:46 | 0:40:48 | |
A solid confession would settle this. | 0:41:00 | 0:41:02 | |
Have a private chat with him, Davis. | 0:41:02 | 0:41:04 | |
Tell you what, mate, why don't I get this one? | 0:41:15 | 0:41:17 | |
Lucien, what's happening? | 0:41:23 | 0:41:26 | |
The Superintendent is questioning Joe as we speak. | 0:41:26 | 0:41:29 | |
Now, I was hoping for some answers from the saliva tests, but | 0:41:29 | 0:41:32 | |
I still haven't heard from Alice. | 0:41:32 | 0:41:34 | |
What time did Des die? | 0:41:36 | 0:41:38 | |
Some time before midnight. | 0:41:38 | 0:41:40 | |
Then Joe couldn't have done it. | 0:41:40 | 0:41:42 | |
You sound very certain about that. | 0:41:43 | 0:41:45 | |
He was with me. | 0:41:46 | 0:41:47 | |
Until four. At Colin Doyle's house. | 0:41:47 | 0:41:51 | |
Mattie, no-one's mentioned seeing you there. | 0:41:51 | 0:41:53 | |
That's because they didn't see me. | 0:41:53 | 0:41:55 | |
Did you give Joe my message? | 0:41:58 | 0:42:01 | |
Yes, I did. He asked me to tell you to stay out of it. | 0:42:01 | 0:42:04 | |
Well, that's too bad, I'm going to the station. | 0:42:04 | 0:42:06 | |
Well, I'm coming too. | 0:42:06 | 0:42:07 | |
I'll get the car. | 0:42:07 | 0:42:08 | |
You must be so disappointed in me. | 0:42:11 | 0:42:13 | |
Mattie, you mustn't think like that. I'm not your mother. | 0:42:14 | 0:42:18 | |
But there have been times you haven't approved of my decisions. | 0:42:18 | 0:42:21 | |
No. | 0:42:21 | 0:42:22 | |
Truth be told, there's actually been times | 0:42:23 | 0:42:25 | |
when I've been quite envious of you. | 0:42:25 | 0:42:28 | |
The way you don't let anybody dictate who you are | 0:42:29 | 0:42:32 | |
or where you should go. | 0:42:32 | 0:42:34 | |
I've never been disappointed in you. | 0:42:34 | 0:42:37 | |
Not for a moment. | 0:42:37 | 0:42:39 | |
Now, come on, we've got places to go. | 0:42:39 | 0:42:41 | |
Blake, what are you doing here? | 0:42:45 | 0:42:47 | |
I want to make a statement in the Des Somerville case. | 0:42:50 | 0:42:53 | |
Regarding? | 0:42:55 | 0:42:56 | |
Joe Beville's whereabouts the night of the murder. | 0:42:57 | 0:43:01 | |
I'd like to talk to Sergeant Davis if I could. | 0:43:01 | 0:43:04 | |
-Fine. -Charlie, would you take Mattie somewhere more private, please? | 0:43:07 | 0:43:10 | |
Of course, Mrs Beazley. | 0:43:10 | 0:43:12 | |
Come on, Mattie. | 0:43:13 | 0:43:15 | |
Excuse me, sir. | 0:43:15 | 0:43:17 | |
Dr Harvey's on the phone for you. | 0:43:17 | 0:43:19 | |
Thank you, Ned. | 0:43:23 | 0:43:25 | |
Alice. | 0:43:25 | 0:43:26 | |
Yes? | 0:43:27 | 0:43:29 | |
What does it say? | 0:43:29 | 0:43:30 | |
Aminophylline? Are you quite sure? | 0:43:34 | 0:43:37 | |
There's a three o'clock train. | 0:44:02 | 0:44:04 | |
You could have told us you had an alibi. | 0:44:05 | 0:44:07 | |
I can't believe you didn't say anything! | 0:44:12 | 0:44:14 | |
I figured you'd come forward before it came to the gallows. | 0:44:14 | 0:44:18 | |
At least I'd hoped so. | 0:44:18 | 0:44:19 | |
You are a gentleman. | 0:44:21 | 0:44:22 | |
Don't tell anyone. | 0:44:23 | 0:44:24 | |
I wish things were different. | 0:44:29 | 0:44:31 | |
My family situation is...complicated. | 0:44:32 | 0:44:35 | |
But aren't they all? | 0:44:38 | 0:44:40 | |
You again? I thought I'd exonerated myself with the coppers. | 0:45:03 | 0:45:07 | |
Far as I know, you have. | 0:45:07 | 0:45:08 | |
Tell me, do you own a wheelbarrow? | 0:45:08 | 0:45:11 | |
It's in the back. | 0:45:11 | 0:45:12 | |
-Good. Mind if we take a look? -Why? | 0:45:12 | 0:45:14 | |
Come on, humour me. Anyhow, if you didn't kill Des Somerville, | 0:45:14 | 0:45:18 | |
what have you got to lose? | 0:45:18 | 0:45:19 | |
Wait here. | 0:45:19 | 0:45:21 | |
It's gone. | 0:45:41 | 0:45:42 | |
Of course it has. | 0:45:44 | 0:45:46 | |
Ah, eureka. | 0:45:57 | 0:46:00 | |
Doc! | 0:46:04 | 0:46:05 | |
Here, Charlie. | 0:46:05 | 0:46:07 | |
What have you found? | 0:46:08 | 0:46:09 | |
Just bear with me one moment. | 0:46:11 | 0:46:12 | |
I think Des Somerville was killed right here. | 0:46:24 | 0:46:27 | |
The killer put him into Mr Doyle's wheelbarrow, | 0:46:27 | 0:46:30 | |
which is now missing, and transported him to the memorial site. | 0:46:30 | 0:46:34 | |
I'll let the boss know. | 0:46:34 | 0:46:35 | |
Georgie. | 0:46:55 | 0:46:56 | |
Oh, did you hurt yourself? | 0:47:00 | 0:47:03 | |
No, it's nothing. | 0:47:03 | 0:47:04 | |
I think perhaps it might be everything. | 0:47:04 | 0:47:07 | |
My uncle's waiting. | 0:47:08 | 0:47:09 | |
Des wasn't quite the person you thought he was, was he? | 0:47:09 | 0:47:13 | |
Probably why everyone thought he'd make a good politician. | 0:47:13 | 0:47:16 | |
He should have been a Bromley. | 0:47:17 | 0:47:19 | |
He was better at it than me. | 0:47:19 | 0:47:21 | |
Well, you may have a worker's ideals, Georgie, | 0:47:21 | 0:47:24 | |
but you don't have a worker's hands. | 0:47:24 | 0:47:26 | |
I know how you got those blisters. | 0:47:29 | 0:47:31 | |
-I don't know what... -Why did you do it? | 0:47:33 | 0:47:36 | |
Des was your friend, your best friend, wasn't he? | 0:47:36 | 0:47:39 | |
-I'm sorry, I have to go. -It must have been horrific... | 0:47:39 | 0:47:42 | |
..seeing your friend's skull crack open, | 0:47:45 | 0:47:47 | |
the blood pouring out onto the ground, | 0:47:47 | 0:47:50 | |
realising that you'd done this terrible thing, | 0:47:50 | 0:47:53 | |
that you'd killed a man with one blow - | 0:47:53 | 0:47:55 | |
GEORGIE COUGHS ending his life, ruining your own. | 0:47:55 | 0:47:57 | |
You destroyed everything you knew with one punch. | 0:47:57 | 0:47:59 | |
And yet before you hit him, there was a scuffle, wasn't there? | 0:47:59 | 0:48:03 | |
He held you in a headlock, didn't he? | 0:48:05 | 0:48:08 | |
But you bit him on the arm. | 0:48:08 | 0:48:09 | |
Georgie. | 0:48:11 | 0:48:12 | |
Georgie, we tested the saliva. | 0:48:13 | 0:48:16 | |
It contained traces of aminophylline. | 0:48:16 | 0:48:18 | |
That's the active ingredient in your asthma inhaler. | 0:48:18 | 0:48:22 | |
He was using me. He even said so. | 0:48:24 | 0:48:28 | |
He laughed in my face and called me a pathetic rich kid. | 0:48:28 | 0:48:32 | |
Soon as my money stopped, he just threw me away. | 0:48:32 | 0:48:36 | |
He was playing everyone, Georgie. | 0:48:36 | 0:48:38 | |
Now, after you struck him, | 0:48:38 | 0:48:40 | |
you moved the body, didn't you? | 0:48:40 | 0:48:42 | |
'Georgie, stop.' | 0:48:42 | 0:48:44 | |
Don't say another word. | 0:48:44 | 0:48:46 | |
Mr Farmer. | 0:48:46 | 0:48:47 | |
You knew the whole time, didn't you? | 0:48:47 | 0:48:50 | |
Georgie was cut off weeks ago, but you've been protecting him | 0:48:50 | 0:48:53 | |
ever since Des was killed, | 0:48:53 | 0:48:54 | |
buying him off the same way you were trying to buy off Des. | 0:48:54 | 0:48:58 | |
You're as fanatical as them, Blake. | 0:48:59 | 0:49:01 | |
-Come on, Georgie. -Is it true? | 0:49:01 | 0:49:03 | |
-Come on, I said. -Did you pay Des? | 0:49:03 | 0:49:05 | |
-You'll be running forever, Georgie. -Shut up, Blake. | 0:49:05 | 0:49:08 | |
No, why don't you shut up? I knew what I was doing. | 0:49:08 | 0:49:11 | |
-I did it. -Be quiet, you idiot! | 0:49:11 | 0:49:13 | |
I want to confess to the murder of Des Somerville. | 0:49:19 | 0:49:22 | |
Sergeant. | 0:49:25 | 0:49:26 | |
William... | 0:49:26 | 0:49:28 | |
-HE CHUCKLES -There's been a terrible mix up. | 0:49:28 | 0:49:30 | |
There's nothing to worry about here. | 0:49:30 | 0:49:33 | |
We both know it's too late for that, Mr Farmer. | 0:49:35 | 0:49:37 | |
By the time we're done here, | 0:49:37 | 0:49:39 | |
no magistrate in the country will even put this case to trial, Munro. | 0:49:39 | 0:49:43 | |
And you know it. | 0:49:45 | 0:49:46 | |
Perhaps, Mr Farmer, perhaps. | 0:49:47 | 0:49:49 | |
Of course, with Georgie's confession, | 0:49:49 | 0:49:51 | |
the marks on his hands...and this... | 0:49:51 | 0:49:54 | |
..forensic testing will match the saliva on this | 0:49:55 | 0:49:59 | |
to the bite mark we saw on Des's arm. | 0:49:59 | 0:50:02 | |
I'd bet my reputation on it. | 0:50:02 | 0:50:05 | |
Saliva testing? | 0:50:19 | 0:50:21 | |
And when were you going to tell me about that? | 0:50:23 | 0:50:26 | |
I did try to tell you, Superintendent, | 0:50:26 | 0:50:29 | |
but you didn't want your report in two days' time, or three days' time. | 0:50:29 | 0:50:32 | |
You wanted it now. | 0:50:32 | 0:50:33 | |
Sit down. | 0:50:43 | 0:50:44 | |
You have good instincts, Davis. | 0:50:55 | 0:50:56 | |
Thank you, sir. | 0:50:58 | 0:51:00 | |
Finding those prints on the edge of the barrow you recovered, | 0:51:01 | 0:51:05 | |
on that watering can, that was nice work. | 0:51:05 | 0:51:07 | |
You know that wasn't just me, though. | 0:51:07 | 0:51:09 | |
You should be thanking the Doc as well. | 0:51:09 | 0:51:11 | |
Don't worry, Davis. I'll thank the doctor in good time. | 0:51:11 | 0:51:14 | |
Right now, I'm thanking you by asking | 0:51:15 | 0:51:18 | |
how you feel about a transfer back to Melbourne for detective training. | 0:51:18 | 0:51:22 | |
Bonehead, sir? | 0:51:25 | 0:51:26 | |
That's the one. | 0:51:26 | 0:51:28 | |
You don't have to make a decision right away. | 0:51:29 | 0:51:32 | |
But have a think about it. | 0:51:32 | 0:51:35 | |
About what's best for your family. | 0:51:35 | 0:51:37 | |
Mattie. | 0:51:48 | 0:51:50 | |
Your father's here. | 0:51:51 | 0:51:52 | |
Martin, please, come on in. | 0:51:57 | 0:51:59 | |
I'll leave you both alone for a moment. | 0:52:03 | 0:52:05 | |
Right, well, I'll get straight to the point. | 0:52:12 | 0:52:14 | |
Your mother and I feel that | 0:52:14 | 0:52:16 | |
it's time that you came home to Melbourne. | 0:52:16 | 0:52:18 | |
My work is here. | 0:52:18 | 0:52:19 | |
We can change that. | 0:52:19 | 0:52:21 | |
I like it here. | 0:52:21 | 0:52:22 | |
-And I'm studying for my degree. -It's social work, Matilda. | 0:52:22 | 0:52:26 | |
It's time for you to settle down, | 0:52:26 | 0:52:27 | |
think about children, marriage. | 0:52:27 | 0:52:29 | |
I'm not sure that's what I want. | 0:52:29 | 0:52:31 | |
Well, what on earth do you want? | 0:52:31 | 0:52:33 | |
I don't want us to keep having this same fight, over and over. | 0:52:34 | 0:52:39 | |
And neither do I. | 0:52:42 | 0:52:44 | |
Your mother and I, we miss you and we worry about you. | 0:52:47 | 0:52:50 | |
But you don't have to. I'm perfectly safe here. | 0:52:50 | 0:52:53 | |
It's not that, Mattie. | 0:52:55 | 0:52:56 | |
Being a parent, | 0:52:58 | 0:53:00 | |
raising you, is the most important thing that I've ever done and I... | 0:53:00 | 0:53:03 | |
I'd hate to think that you might miss out on having that | 0:53:03 | 0:53:06 | |
for yourself. | 0:53:06 | 0:53:07 | |
Now, your blood results. | 0:53:21 | 0:53:23 | |
Apart from an iron deficiency, you're as fit as a Mallee bull. | 0:53:23 | 0:53:27 | |
Now, we could talk about iron injections, but I think diet's best. | 0:53:27 | 0:53:30 | |
Liver would certainly help. | 0:53:30 | 0:53:32 | |
I find food tedious. | 0:53:32 | 0:53:34 | |
Agnes, please, before you go... | 0:53:35 | 0:53:37 | |
Would you mind terribly if I asked you something? | 0:53:39 | 0:53:43 | |
No time like the present, Lucien. | 0:53:43 | 0:53:45 | |
I've recently found some... | 0:53:48 | 0:53:50 | |
..inconsistencies in my mother's medical records. Now, | 0:53:51 | 0:53:55 | |
I was always told she died from appendicitis. | 0:53:55 | 0:53:58 | |
I'm not sure that's the truth. | 0:54:00 | 0:54:01 | |
Lucien, | 0:54:04 | 0:54:06 | |
sometimes if you dig, | 0:54:06 | 0:54:07 | |
you find there's a reason something was buried in the first place. | 0:54:07 | 0:54:11 | |
That's not going to stop you, is it? | 0:54:13 | 0:54:15 | |
Your parents... | 0:54:18 | 0:54:20 | |
loved each other very much, | 0:54:20 | 0:54:22 | |
but they were very different people. | 0:54:22 | 0:54:25 | |
Genevieve was outgoing and, | 0:54:25 | 0:54:27 | |
well, | 0:54:27 | 0:54:29 | |
frankly...she liked a drink. | 0:54:29 | 0:54:33 | |
I can't condemn her for that. | 0:54:33 | 0:54:35 | |
It was the drinking that killed her, Lucien. | 0:54:35 | 0:54:39 | |
Diabetes, you see. | 0:54:41 | 0:54:42 | |
One night they were at a party. | 0:54:46 | 0:54:49 | |
Genevieve was having a nice time. | 0:54:49 | 0:54:51 | |
Too nice a time, as it turned out. | 0:54:51 | 0:54:54 | |
Thomas found it tiresome and he left. | 0:54:54 | 0:54:56 | |
It wasn't a problem. He often did that. | 0:54:56 | 0:54:59 | |
She overdid things by quite some margin. | 0:54:59 | 0:55:03 | |
And before anyone could do anything, | 0:55:05 | 0:55:08 | |
she was gone. | 0:55:08 | 0:55:09 | |
Diabetic coma, I was told. | 0:55:11 | 0:55:13 | |
No-one ever told you? | 0:55:17 | 0:55:19 | |
No. | 0:55:20 | 0:55:21 | |
No, I... | 0:55:23 | 0:55:24 | |
But thank you, Agnes, thank you. | 0:55:25 | 0:55:27 | |
I s'pose I'm just a bit... | 0:55:29 | 0:55:30 | |
Well, I feel as if I didn't know them at all. | 0:55:32 | 0:55:34 | |
Oh, smells delicious. | 0:55:46 | 0:55:48 | |
-Well, Jean's a great cook. -Well, | 0:55:48 | 0:55:50 | |
the proof is in the tasting. | 0:55:50 | 0:55:51 | |
Lucien? Are you all right? | 0:55:54 | 0:55:58 | |
Yes. Yes, of course. | 0:55:58 | 0:56:00 | |
-Looks wonderful, Jean. -Thank you. | 0:56:03 | 0:56:05 | |
Right. | 0:56:07 | 0:56:08 | |
Who's for some chook? | 0:56:08 | 0:56:10 |