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THUNDER | 0:00:02 | 0:00:04 | |
HE CRIES OUT | 0:00:50 | 0:00:51 | |
Cease fire! Cease fire! | 0:00:52 | 0:00:55 | |
HE BREATHES HEAVILY | 0:01:00 | 0:01:04 | |
POLICEMAN TALKS INDISTINCTLY | 0:02:02 | 0:02:05 | |
Stay put, lads. I'll come back to you. | 0:02:07 | 0:02:10 | |
Police liaison called it in. | 0:02:11 | 0:02:13 | |
Tactical night manoeuvres. | 0:02:13 | 0:02:15 | |
Lance Corporal Mervyn Rogers. | 0:02:15 | 0:02:18 | |
A lance corporal on recruit training? | 0:02:19 | 0:02:21 | |
No, he wasn't part of the exercise. | 0:02:21 | 0:02:23 | |
He just got in the way, unfortunately. | 0:02:23 | 0:02:26 | |
Apparently, it was an accident. | 0:02:26 | 0:02:28 | |
He's wearing civvies, so he's off-duty. | 0:02:28 | 0:02:31 | |
Christ, he's just a kid. | 0:02:31 | 0:02:33 | |
And killed only a few hundred yards from home. | 0:02:33 | 0:02:36 | |
What was the target, Charlie? | 0:02:37 | 0:02:39 | |
Right. Damn near impossible to tell who fired the fatal shot. | 0:02:41 | 0:02:45 | |
All right. | 0:02:48 | 0:02:50 | |
Well... | 0:02:50 | 0:02:51 | |
-There's no exit wound. -Mm-mm. | 0:02:54 | 0:02:56 | |
Single entrance wound to the anterior chest. | 0:02:56 | 0:02:59 | |
There's no evidence of sooting, or gunpowder tattooing. | 0:03:02 | 0:03:07 | |
He was shot from a distance. | 0:03:10 | 0:03:12 | |
It looks pretty straightforward. | 0:03:13 | 0:03:15 | |
According to the recruits, he died a few minutes after midnight. | 0:03:15 | 0:03:20 | |
His family have been informed. | 0:03:20 | 0:03:22 | |
Right. | 0:03:22 | 0:03:24 | |
Think they might be able to use some of your bedside manner. | 0:03:25 | 0:03:28 | |
THEY KNOCK ON DOOR | 0:03:37 | 0:03:39 | |
He must have been out running. | 0:03:47 | 0:03:49 | |
He used to do that when he couldn't sleep. | 0:03:51 | 0:03:53 | |
You'll stay here until your Ben gets home, all right? | 0:03:54 | 0:03:57 | |
Ben - your husband? | 0:03:57 | 0:04:00 | |
He's away on a training op. | 0:04:00 | 0:04:03 | |
Mrs Rogers, I know how hard this must be for you. | 0:04:03 | 0:04:06 | |
Please know you have our deepest sympathies. | 0:04:06 | 0:04:09 | |
Yes. It's best you rest for a few days. | 0:04:09 | 0:04:13 | |
If there's anything we can do, don't hesitate to ask. | 0:04:13 | 0:04:15 | |
I'll organise her leave from payroll. | 0:04:15 | 0:04:18 | |
I run the admin office on base. Daisy lives next door. | 0:04:18 | 0:04:21 | |
I just want to know why this happened to my son. | 0:04:23 | 0:04:28 | |
THUNDER CLAPS | 0:04:28 | 0:04:30 | |
I can't believe that took all night. | 0:04:34 | 0:04:37 | |
That's the military, Charlie. That is the military. | 0:04:37 | 0:04:40 | |
Accidentally shot. | 0:04:42 | 0:04:45 | |
By one of his own, no less. | 0:04:45 | 0:04:47 | |
Still, they followed the book to the letter, though. | 0:04:47 | 0:04:50 | |
Safety officers at hand. They notified the military police. | 0:04:50 | 0:04:54 | |
Nothing else anyone could have done. | 0:04:54 | 0:04:55 | |
SIREN STARTS | 0:04:59 | 0:05:01 | |
Where do you think you're going? Give me your keys. | 0:05:34 | 0:05:37 | |
Do you even have a licence? | 0:05:41 | 0:05:43 | |
Stand there. | 0:05:46 | 0:05:48 | |
Walter Johns, West Ballarat. | 0:05:53 | 0:05:56 | |
Hello, Walter. That's dangerous driving. | 0:05:56 | 0:06:00 | |
Driving in excess of 35mph, above the speed limit. | 0:06:01 | 0:06:05 | |
-No rego plates. -Charlie? | 0:06:05 | 0:06:08 | |
Stay there. | 0:06:11 | 0:06:12 | |
Look. | 0:06:15 | 0:06:16 | |
I was meeting a girl after work. | 0:06:31 | 0:06:33 | |
What time was this? | 0:06:33 | 0:06:35 | |
Around 11:30. | 0:06:35 | 0:06:37 | |
And then? | 0:06:37 | 0:06:39 | |
I rode my bike. Took the scenic route through a paddock. | 0:06:39 | 0:06:43 | |
Some idiot had left his car running. | 0:06:43 | 0:06:45 | |
-So you stole it? -Yeah. | 0:06:45 | 0:06:48 | |
Thought it'd impress her. | 0:06:48 | 0:06:49 | |
Turn up in a nice car. | 0:06:49 | 0:06:52 | |
So you spend the rest of the night joyriding, do you? | 0:06:52 | 0:06:55 | |
Tell me, what line of work are you in? | 0:06:57 | 0:06:59 | |
-I'm a logger. -Logger. | 0:06:59 | 0:07:02 | |
Right. | 0:07:02 | 0:07:03 | |
So, this, then? Much need for a bayonet in your line of work? | 0:07:03 | 0:07:09 | |
-Where... -We found it, Walter, in your car. | 0:07:09 | 0:07:12 | |
-Well, it's not mine. -Then you tell us whose it is, then. | 0:07:15 | 0:07:18 | |
I don't know. The car? Whatever you found in it, it wasn't me. | 0:07:18 | 0:07:23 | |
Check the rego. | 0:07:23 | 0:07:25 | |
Walter, that doesn't mean you didn't commit the crime. | 0:07:25 | 0:07:27 | |
Just means you stole someone's car to commit the crime. | 0:07:27 | 0:07:30 | |
-Are you having a lend? -Tell me about the paddock where you found the car. | 0:07:30 | 0:07:33 | |
Dunnstown, off Old Melbourne Road. | 0:07:35 | 0:07:38 | |
This would be where the car was when it stopped. | 0:07:45 | 0:07:47 | |
Yeah. Yeah, we're still searching for the owner. | 0:07:47 | 0:07:49 | |
No luck as yet. | 0:07:49 | 0:07:51 | |
If the car was left running | 0:07:51 | 0:07:53 | |
and someone was trying to dispose of a body, I mean... | 0:07:53 | 0:07:58 | |
Yeah, you wouldn't choose here. | 0:07:58 | 0:08:00 | |
You'd be digging for days. | 0:08:00 | 0:08:02 | |
And another thing - this bicycle Walter claims he was riding... | 0:08:02 | 0:08:05 | |
I know, no sign of it. | 0:08:05 | 0:08:07 | |
-Good. You're here. -Good morning, Alice. | 0:08:18 | 0:08:21 | |
-This rug... -Alice, call me old-fashioned. | 0:08:21 | 0:08:24 | |
Out of respect, don't you think we should start with the body first? | 0:08:24 | 0:08:27 | |
Why? He's not going to get any more dead. | 0:08:27 | 0:08:30 | |
From this amount of blood, | 0:08:31 | 0:08:33 | |
the police are aware that someone has died. | 0:08:33 | 0:08:35 | |
The size of the red blood cells and the absence of any nucleation | 0:08:35 | 0:08:37 | |
suggest it's human. | 0:08:37 | 0:08:40 | |
Yes, and trace evidence tells us someone was wrapped up in it. | 0:08:40 | 0:08:43 | |
Corpus delicti - without a body, | 0:08:43 | 0:08:46 | |
a certain amount of evidence is needed to prove possible murder. | 0:08:46 | 0:08:48 | |
Which, as of this moment, we don't have. | 0:08:48 | 0:08:51 | |
Exsanguination goes on the report. | 0:08:51 | 0:08:53 | |
Alice, look here - these burn marks seem quite fresh. | 0:08:53 | 0:08:56 | |
Perhaps the owner of the rug is a smoker. | 0:08:56 | 0:08:59 | |
Possibly. | 0:08:59 | 0:09:01 | |
And the blood is congealed down here. | 0:09:01 | 0:09:03 | |
I'll perform blood typing and toxicology tests. | 0:09:03 | 0:09:06 | |
-Now, your corporal Rogers. -Ah. | 0:09:06 | 0:09:09 | |
The bullet missed the heart but clipped the aorta above the valve. | 0:09:10 | 0:09:14 | |
Most of the bleeding was internal. | 0:09:14 | 0:09:16 | |
So, the bullet hits his left side | 0:09:16 | 0:09:20 | |
as he's running. | 0:09:20 | 0:09:21 | |
Interesting. | 0:09:23 | 0:09:25 | |
I'll run his bloods, too, then, shall I? | 0:09:25 | 0:09:27 | |
Yes. Alice, look here. | 0:09:27 | 0:09:30 | |
There's a smear of blood across the right shoulder, | 0:09:30 | 0:09:35 | |
well away from the wound. | 0:09:35 | 0:09:36 | |
Perhaps his hands were bloody and he touched his shirt. | 0:09:36 | 0:09:39 | |
-There's one more thing. -Yes? | 0:09:40 | 0:09:43 | |
-The bayonet you found in the car. -Ah! | 0:09:43 | 0:09:47 | |
I see. | 0:09:52 | 0:09:54 | |
At some point, this bayonet, | 0:09:55 | 0:09:58 | |
which our boy in lock-up says wasn't his, | 0:09:58 | 0:10:01 | |
was in fact covered in blood. | 0:10:01 | 0:10:04 | |
Well, no surprises there. What about Rogers? | 0:10:06 | 0:10:09 | |
Anything we can give their investigating officer? | 0:10:09 | 0:10:11 | |
Nothing much at this stage. | 0:10:11 | 0:10:13 | |
However, we can tell him the boy was sober. | 0:10:13 | 0:10:17 | |
Got the feeling the department was wishing he wasn't. | 0:10:17 | 0:10:20 | |
Yes, it would certainly clear the military of any wrongdoing. | 0:10:24 | 0:10:28 | |
The army's asked for a full report. | 0:10:29 | 0:10:32 | |
KNOCK ON DOOR | 0:10:32 | 0:10:33 | |
Come. | 0:10:33 | 0:10:34 | |
Major. | 0:10:38 | 0:10:39 | |
You must be the Chief Superintendent. | 0:10:43 | 0:10:45 | |
-Major Derek Alderton. -Frank Carlyle. | 0:10:47 | 0:10:50 | |
And Lucien. | 0:10:50 | 0:10:53 | |
A trip to Ballarat wouldn't be complete. | 0:10:53 | 0:10:55 | |
Derek, it's been a while. | 0:10:55 | 0:10:57 | |
-Take a seat. -Thank you. | 0:10:57 | 0:10:59 | |
Autopsy report on Corporal Rogers. | 0:11:01 | 0:11:03 | |
-Was he drunk? -No. | 0:11:03 | 0:11:06 | |
That's a pity. | 0:11:06 | 0:11:07 | |
So, all he was guilty of was being stupid enough | 0:11:07 | 0:11:10 | |
to run in front of a live fire exercise. | 0:11:10 | 0:11:12 | |
Well, stupidity's not something we can test for. | 0:11:12 | 0:11:16 | |
You already have. | 0:11:16 | 0:11:18 | |
-KNOCK ON DOOR -Enter. | 0:11:18 | 0:11:20 | |
-Corporal Rogers' uniform, sir. -Thank you, Kelly. | 0:11:21 | 0:11:25 | |
So, a midnight training exercise. | 0:11:31 | 0:11:34 | |
Well, you both know the object is to simulate an emergency scenario. | 0:11:34 | 0:11:39 | |
-Well, it worked. -Unlike your safety procedures. | 0:11:39 | 0:11:42 | |
I'm writing a report. You're welcome to read it once it's complete. | 0:11:42 | 0:11:46 | |
Look, let's be frank, gentlemen. | 0:11:46 | 0:11:48 | |
This was just a mistake, an accident, pure and simple. | 0:11:48 | 0:11:53 | |
And the possible safety breach? | 0:11:53 | 0:11:54 | |
We'll explore thoroughly. | 0:11:54 | 0:11:56 | |
Right now the army's main priority is men and material - | 0:11:57 | 0:12:01 | |
limiting damage to morale, | 0:12:01 | 0:12:03 | |
which is why I'm here. | 0:12:03 | 0:12:05 | |
That, and to check current procedures, | 0:12:05 | 0:12:09 | |
make sure this never happens again. | 0:12:09 | 0:12:12 | |
Let's assume I know how to proceed. | 0:12:13 | 0:12:15 | |
Such a pity, isn't it? | 0:12:17 | 0:12:19 | |
All that potential gone to waste. | 0:12:19 | 0:12:23 | |
So, you two. | 0:12:32 | 0:12:35 | |
Yes, we served together. | 0:12:35 | 0:12:37 | |
So he's a mate of yours, then. | 0:12:37 | 0:12:40 | |
Not any more. | 0:12:40 | 0:12:42 | |
Yes, I can see why. | 0:12:42 | 0:12:44 | |
DOOR OPENS | 0:12:44 | 0:12:46 | |
Jean, it's me. I'm sorry, I'm heading straight back out again. | 0:12:47 | 0:12:50 | |
Just dropping my bag off. | 0:12:50 | 0:12:52 | |
Yes, I know. | 0:12:52 | 0:12:53 | |
She'll be hungry. | 0:12:59 | 0:13:01 | |
Mai Lin. | 0:13:01 | 0:13:03 | |
Yes, of course. I... | 0:13:05 | 0:13:06 | |
Thank you. | 0:13:06 | 0:13:08 | |
It's beautiful. | 0:13:17 | 0:13:19 | |
Yes, it is. | 0:13:20 | 0:13:21 | |
You know... | 0:13:23 | 0:13:25 | |
..it didn't feel like home when I came back. | 0:13:26 | 0:13:29 | |
Not at first. | 0:13:29 | 0:13:31 | |
But now... | 0:13:33 | 0:13:35 | |
Now you can't imagine living anywhere else, can you? | 0:13:35 | 0:13:38 | |
Roast beef and tomato chutney. | 0:13:43 | 0:13:45 | |
Your favourite. | 0:13:45 | 0:13:47 | |
Well, some things never change. | 0:13:47 | 0:13:51 | |
Jean, she knows you well. | 0:13:52 | 0:13:55 | |
I thought that I would see you for breakfast, | 0:13:58 | 0:14:00 | |
but she told me that you were with the police again this morning. | 0:14:00 | 0:14:04 | |
Yes. Yes. | 0:14:04 | 0:14:07 | |
We're looking into a missing person case. | 0:14:07 | 0:14:09 | |
I didn't ever think you would dedicate yourself to anything more | 0:14:11 | 0:14:14 | |
than you did the army. | 0:14:14 | 0:14:16 | |
It's all right, Lucien. | 0:14:18 | 0:14:20 | |
I understand. | 0:14:20 | 0:14:22 | |
What you're doing is important. | 0:14:22 | 0:14:24 | |
And so are you. | 0:14:27 | 0:14:29 | |
All these years... | 0:14:34 | 0:14:37 | |
..I was afraid that... | 0:14:38 | 0:14:41 | |
-No, it... -What? | 0:14:42 | 0:14:45 | |
Mai Lin, it's all right. Afraid of what? | 0:14:46 | 0:14:48 | |
I was afraid you'd forgotten me. | 0:14:50 | 0:14:52 | |
No. | 0:14:55 | 0:14:57 | |
Never. | 0:14:57 | 0:14:59 | |
Not for a single second. | 0:15:00 | 0:15:02 | |
-Chutney. -Oh, dear. | 0:15:07 | 0:15:11 | |
Hang on a moment. | 0:15:11 | 0:15:13 | |
Allow me. | 0:15:13 | 0:15:15 | |
Thank you. | 0:15:15 | 0:15:17 | |
'All right, Charlie, | 0:15:25 | 0:15:26 | |
'no-one's telling us where this car came from.' | 0:15:26 | 0:15:29 | |
Perhaps it's time we asked the car itself. | 0:15:29 | 0:15:32 | |
I don't really speak automobile, Doc. | 0:15:32 | 0:15:35 | |
That's very funny, Charlie. | 0:15:35 | 0:15:38 | |
Now... | 0:15:38 | 0:15:40 | |
there was a sticky substance on the rug. | 0:15:40 | 0:15:43 | |
Of course, I just assumed it was coagulated blood | 0:15:43 | 0:15:47 | |
but I think we'll find it is in fact... | 0:15:47 | 0:15:50 | |
-Pine. -Tree sap. | 0:15:52 | 0:15:56 | |
Well, that narrows it down. | 0:15:56 | 0:15:58 | |
We're looking for a tree in Ballarat. | 0:15:58 | 0:16:00 | |
Hang on, Charlie. | 0:16:00 | 0:16:01 | |
Young Walter works as a logger, does he not? | 0:16:01 | 0:16:04 | |
You think... | 0:16:04 | 0:16:06 | |
He might be able to help us | 0:16:06 | 0:16:09 | |
find a pine needle in a haystack, what do you think? | 0:16:09 | 0:16:12 | |
What if it wasn't Walter Johns, Doc? | 0:16:14 | 0:16:17 | |
Well, Charlie, he was, quite literally, | 0:16:17 | 0:16:20 | |
caught holding what we think could be a murder weapon. | 0:16:20 | 0:16:24 | |
Still, if it wasn't him, who else could it be? | 0:16:24 | 0:16:28 | |
Who else indeed? | 0:16:28 | 0:16:30 | |
Well, whoever it was, Charlie, they've driven in here... | 0:16:30 | 0:16:35 | |
..continued down here, | 0:16:37 | 0:16:39 | |
but they've stopped here. | 0:16:39 | 0:16:41 | |
And, Charlie, | 0:16:42 | 0:16:44 | |
would you say that's a drag mark? | 0:16:44 | 0:16:47 | |
-Definitely. -Yes. | 0:16:47 | 0:16:49 | |
And look... | 0:16:49 | 0:16:50 | |
..it continues along down here... | 0:16:52 | 0:16:55 | |
..and ends... | 0:16:57 | 0:16:58 | |
Charlie! | 0:16:58 | 0:17:00 | |
Late 20s. | 0:17:09 | 0:17:11 | |
Rigor mortis has passed. | 0:17:11 | 0:17:12 | |
No... Significant decomposition. | 0:17:12 | 0:17:16 | |
Estimated time of death... | 0:17:16 | 0:17:18 | |
..around 24 hours ago. | 0:17:20 | 0:17:22 | |
The edges of the wounds here and here | 0:17:22 | 0:17:25 | |
are consistent with the triangular cross-sections on the bayonet. | 0:17:25 | 0:17:29 | |
Her blood type matches what we found on the bayonet | 0:17:29 | 0:17:32 | |
and on the rug as well. | 0:17:32 | 0:17:34 | |
Right. | 0:17:34 | 0:17:35 | |
Anything else? | 0:17:36 | 0:17:38 | |
She had penicillin in her system. | 0:17:38 | 0:17:40 | |
Right. | 0:17:42 | 0:17:44 | |
What were you being treated for? | 0:17:44 | 0:17:46 | |
-Doctor? -Mm? | 0:17:49 | 0:17:52 | |
It looks like a telephone number | 0:17:52 | 0:17:54 | |
and there's a name. | 0:17:54 | 0:17:57 | |
Yes. | 0:17:58 | 0:18:00 | |
Yes, hello. I was wondering, could I speak with Beverly, please? | 0:18:07 | 0:18:12 | |
I see. | 0:18:15 | 0:18:16 | |
Thank you, yes, I'll call back in the morning. | 0:18:16 | 0:18:19 | |
That was a cleaner. | 0:18:24 | 0:18:26 | |
Apparently, everyone's gone home for the day. | 0:18:26 | 0:18:30 | |
Gone home? From where? | 0:18:30 | 0:18:33 | |
The Ballarat Courier? | 0:18:33 | 0:18:34 | |
Yeah. Let's ring them in the morning and find out who Beverly is. | 0:18:34 | 0:18:38 | |
In the meantime, we may already have a suspect in our Jane Doe case. | 0:18:38 | 0:18:41 | |
-He's the owner of the FX Holden. -Right. | 0:18:41 | 0:18:44 | |
-Why don't you take a lead on this one? -Yes, sir. | 0:18:47 | 0:18:50 | |
Lieutenant Keith Marling Ellis. 9th CVR, Central Victorian Regiment. | 0:18:52 | 0:18:57 | |
Yes, you're stationed at the military base. | 0:18:57 | 0:18:59 | |
That's right. | 0:18:59 | 0:19:01 | |
Is this about my stolen car? | 0:19:01 | 0:19:03 | |
I'm hoping it hasn't been damaged at all. | 0:19:03 | 0:19:05 | |
I put a lot of work into that vehicle. | 0:19:05 | 0:19:08 | |
Do you know this woman? | 0:19:12 | 0:19:13 | |
No. | 0:19:15 | 0:19:16 | |
Where were you last night? | 0:19:19 | 0:19:22 | |
Laverton, on training for the past week. | 0:19:22 | 0:19:25 | |
Lieutenant, it was your car | 0:19:25 | 0:19:27 | |
that transported this woman's dead body | 0:19:27 | 0:19:29 | |
to a nearby forest last night. | 0:19:29 | 0:19:32 | |
There's a group of us on base - | 0:19:32 | 0:19:35 | |
we all share our cars. | 0:19:35 | 0:19:38 | |
Share everything. | 0:19:39 | 0:19:41 | |
You're saying anyone could have easily taken off with it? | 0:19:41 | 0:19:44 | |
Because when we found it, | 0:19:44 | 0:19:46 | |
it had no rego plates, | 0:19:46 | 0:19:48 | |
and the boot was covered top to bottom in blood. | 0:19:48 | 0:19:51 | |
I took the plates off last week, | 0:19:51 | 0:19:53 | |
so I could reroll and rechrome the bumpers. | 0:19:53 | 0:19:56 | |
But I don't know anything about any blood. | 0:19:56 | 0:19:59 | |
Where were you between nine o'clock and midnight last night, Lieutenant? | 0:20:01 | 0:20:04 | |
Finished rifle training, | 0:20:06 | 0:20:07 | |
had dinner about 8:00, a nightcap, | 0:20:07 | 0:20:10 | |
went to sleep about 9:30, maybe 10. | 0:20:10 | 0:20:13 | |
Well, Laverton's only an hour and a half away. | 0:20:13 | 0:20:17 | |
What are you getting at, Sergeant? | 0:20:17 | 0:20:19 | |
Actually, why am I talking to you | 0:20:20 | 0:20:23 | |
and not to your superior officer? | 0:20:23 | 0:20:25 | |
All right, then, Lieutenant. | 0:20:29 | 0:20:31 | |
So, you were in barracks. | 0:20:35 | 0:20:36 | |
-No, a civilian house. -Not another soul around. | 0:20:38 | 0:20:41 | |
-No. -So no-one can vouch for you between 9:00 and midnight, then? | 0:20:42 | 0:20:45 | |
No. | 0:20:47 | 0:20:49 | |
No. | 0:20:49 | 0:20:50 | |
Didn't think so. | 0:20:51 | 0:20:53 | |
Major. | 0:20:57 | 0:20:58 | |
Chief Superintendent. | 0:20:58 | 0:21:00 | |
I believe you're holding one of my men. | 0:21:00 | 0:21:03 | |
We are. Lieutenant Keith Ellis. | 0:21:03 | 0:21:05 | |
We were hoping with your permission we may see his service records. | 0:21:05 | 0:21:08 | |
I'm sure you would but the answer is no. | 0:21:08 | 0:21:11 | |
We can lodge a request with the DoD. | 0:21:11 | 0:21:13 | |
You can, and the answer will still be no. | 0:21:13 | 0:21:16 | |
You're questioning him over a civilian matter. | 0:21:16 | 0:21:19 | |
When it becomes a matter for the military, then we can talk. | 0:21:19 | 0:21:22 | |
-Derek, what brings you here? -I want Ellis released. Now. | 0:21:22 | 0:21:27 | |
Yes, but that's not really your call, is it? | 0:21:28 | 0:21:31 | |
Unfortunately, Major, I can hold Lieutenant Ellis | 0:21:31 | 0:21:34 | |
for up to 24 hours without charge. | 0:21:34 | 0:21:35 | |
I'm well aware of what you can and can't do, Mr Carlyle. | 0:21:35 | 0:21:38 | |
-But this... -This is a civilian matter. | 0:21:38 | 0:21:40 | |
When it does become a matter for the military, well... | 0:21:40 | 0:21:43 | |
Chief Superintendent. | 0:21:48 | 0:21:50 | |
Major. | 0:21:51 | 0:21:53 | |
Not going to be able to hold him off forever. | 0:21:54 | 0:21:56 | |
What other news from the day? | 0:21:59 | 0:22:01 | |
The woman's last meal. We examined the contents of her stomach... | 0:22:01 | 0:22:04 | |
-Do we have to hear about that right now? -You did ask. | 0:22:04 | 0:22:06 | |
For what it's worth, a shiitake mushroom - | 0:22:06 | 0:22:09 | |
swallowed whole. | 0:22:09 | 0:22:10 | |
The only Asian restaurant in Ballarat is The Golden Crown. | 0:22:10 | 0:22:14 | |
Mrs Gladys Cook. | 0:22:21 | 0:22:23 | |
She's a regular. | 0:22:23 | 0:22:25 | |
How did this happen? | 0:22:26 | 0:22:27 | |
That's what we're trying to determine, Mr Tan. | 0:22:27 | 0:22:31 | |
When did you last see her? | 0:22:31 | 0:22:33 | |
The night before last. | 0:22:35 | 0:22:37 | |
She ate quickly, said that she was meeting a friend. | 0:22:37 | 0:22:39 | |
Right. You seem to remember an awful lot about... | 0:22:39 | 0:22:43 | |
I remember because I offered to drive her there. | 0:22:43 | 0:22:46 | |
I see. | 0:22:46 | 0:22:48 | |
What time did you leave with her? | 0:22:48 | 0:22:50 | |
Around 9:30. | 0:22:50 | 0:22:53 | |
Mm-mm. So you were close friends, then. | 0:22:53 | 0:22:58 | |
I dropped her off. | 0:22:58 | 0:23:00 | |
Then I drove straight back to work. | 0:23:00 | 0:23:03 | |
My 12-year-old daughter came with us. | 0:23:03 | 0:23:05 | |
She'll be at the restaurant after school, | 0:23:05 | 0:23:08 | |
if you're planning on interrogating her, too. | 0:23:08 | 0:23:10 | |
Sorry, Mr Tan. | 0:23:10 | 0:23:12 | |
Where exactly did you take her? | 0:23:12 | 0:23:15 | |
Seeing how the other half live, doctor? | 0:24:04 | 0:24:06 | |
Maybe. | 0:24:06 | 0:24:08 | |
What exactly are the other half doing? | 0:24:08 | 0:24:11 | |
Payroll. | 0:24:11 | 0:24:12 | |
She needed a distraction. | 0:24:12 | 0:24:15 | |
I'd have thought you'd be with the others right now, | 0:24:15 | 0:24:17 | |
interrogating my husband. | 0:24:17 | 0:24:19 | |
-You're Joyce... -Ellis, that's right. | 0:24:21 | 0:24:23 | |
So, what did Keith do now? | 0:24:23 | 0:24:26 | |
Something to do with that bloody car he loves so much? | 0:24:26 | 0:24:28 | |
His car wasn't borrowed this time, Mrs Ellis, it was stolen. | 0:24:28 | 0:24:32 | |
I'm guessing it's usually parked by your quarters. | 0:24:32 | 0:24:34 | |
Behind them, yes. | 0:24:34 | 0:24:36 | |
You didn't see anything, hear anything? | 0:24:36 | 0:24:38 | |
-Not a thing. -Right. | 0:24:38 | 0:24:41 | |
Um, Mrs Ellis, do you know a woman by the name of Gladys Cook? | 0:24:41 | 0:24:47 | |
Was...was that who you found in the forest? | 0:24:51 | 0:24:53 | |
Yes. Was she a friend? | 0:24:53 | 0:24:55 | |
She worked in the mailroom. | 0:24:56 | 0:24:58 | |
I hadn't seen her since she left the base six months ago. | 0:24:58 | 0:25:01 | |
None of us had. We all used to be quite close. | 0:25:01 | 0:25:04 | |
She and her husband... | 0:25:04 | 0:25:06 | |
They're separated now. He took a posting interstate. | 0:25:06 | 0:25:09 | |
I see. | 0:25:09 | 0:25:11 | |
Your husband, Keith, told the police he didn't know Gladys. | 0:25:11 | 0:25:17 | |
He...he would have lied, because... | 0:25:20 | 0:25:22 | |
..whatever he and Gladys got up to, we dealt with it. | 0:25:25 | 0:25:27 | |
I see. | 0:25:29 | 0:25:31 | |
You'll have to excuse me - we're all knocking off early today, | 0:25:31 | 0:25:34 | |
meeting our husbands for a drink. | 0:25:34 | 0:25:35 | |
Of course. Mrs Ellis - Joyce - one last thing, if I may. | 0:25:35 | 0:25:39 | |
You help with recruiting women to work on the base, yes? | 0:25:39 | 0:25:42 | |
I do. Why do you ask? | 0:25:42 | 0:25:45 | |
We're looking for a woman by the name of Beverly. | 0:25:45 | 0:25:49 | |
Beverly Alison, maybe. | 0:25:49 | 0:25:52 | |
She works in the laundry with Kelly. | 0:25:52 | 0:25:55 | |
-Is she working today? -No, it's her day off. | 0:25:55 | 0:25:58 | |
Joyce, tell me, do you think you could possibly help me... | 0:25:58 | 0:26:01 | |
Lucien. | 0:26:01 | 0:26:03 | |
Do you have a moment? | 0:26:07 | 0:26:09 | |
So, Mai Lin's alive. | 0:26:13 | 0:26:15 | |
That war just keeps throwing us surprises, doesn't it? | 0:26:18 | 0:26:23 | |
Quite. | 0:26:23 | 0:26:24 | |
She enjoying Ballarat? | 0:26:25 | 0:26:28 | |
Well, she doesn't really know anyone here. | 0:26:28 | 0:26:30 | |
She knows you. | 0:26:30 | 0:26:32 | |
My wife was missing for longer than we were married. Let's just say... | 0:26:34 | 0:26:38 | |
..I got used to my situation. | 0:26:39 | 0:26:41 | |
Well, now you don't have to. | 0:26:41 | 0:26:43 | |
You should take some time off, Lucien. | 0:26:45 | 0:26:48 | |
Instead of loitering around my base, harassing my staff. | 0:26:48 | 0:26:52 | |
I'm trying to find Beverly Alison. | 0:26:54 | 0:26:55 | |
Due back at work tomorrow, apparently. | 0:26:55 | 0:26:58 | |
She's a solid link to Gladys Cook, | 0:26:58 | 0:27:00 | |
whose murder, I believe, is connected to your base somehow. | 0:27:00 | 0:27:04 | |
Do you remember the last time we saw each other? | 0:27:08 | 0:27:10 | |
Men marching through the streets of Ballarat. | 0:27:12 | 0:27:16 | |
Soldiers, all of whom were once part of something | 0:27:16 | 0:27:20 | |
much bigger than themselves. | 0:27:20 | 0:27:22 | |
All marching in unison. | 0:27:23 | 0:27:26 | |
Relying on the man next to them to keep them in line. | 0:27:26 | 0:27:29 | |
Yes. | 0:27:33 | 0:27:34 | |
All blindly following orders | 0:27:36 | 0:27:39 | |
without ever stopping to consider the consequences. | 0:27:39 | 0:27:43 | |
You know, I'm beginning to see a bit of a pattern in you, Lucien. | 0:27:43 | 0:27:47 | |
How so? You're hiding, aren't you? | 0:27:48 | 0:27:52 | |
You've made a job for yourself | 0:27:53 | 0:27:55 | |
unravelling the mysteries of missing women. | 0:27:55 | 0:27:58 | |
Finding my wife... | 0:28:04 | 0:28:05 | |
..was never a job. | 0:28:06 | 0:28:08 | |
Derek. | 0:28:12 | 0:28:14 | |
KNOCK ON DOOR | 0:28:23 | 0:28:24 | |
Just a minute. | 0:28:24 | 0:28:26 | |
Please, come in. | 0:28:33 | 0:28:35 | |
You didn't have to come all this way just to drop those off. | 0:28:35 | 0:28:39 | |
I wanted to say thank you, | 0:28:39 | 0:28:41 | |
and to return your plates. | 0:28:41 | 0:28:43 | |
They're the doctor's plates. | 0:28:43 | 0:28:45 | |
Yes, but I know how you take care of him. | 0:28:45 | 0:28:49 | |
These things are important to you. | 0:28:49 | 0:28:51 | |
And I wanted to tell you that I understand. | 0:28:53 | 0:28:58 | |
I know how difficult my arrival must have been. | 0:28:58 | 0:29:02 | |
He seems... | 0:29:03 | 0:29:04 | |
He seems very happy here. | 0:29:07 | 0:29:09 | |
Well, you're his wife, | 0:29:12 | 0:29:14 | |
and that's all there is to it. | 0:29:14 | 0:29:16 | |
So, Lucien told me that he and the police | 0:29:23 | 0:29:26 | |
were investigating a missing woman. | 0:29:26 | 0:29:28 | |
Yes, they are. | 0:29:28 | 0:29:30 | |
He spoke to you about that? | 0:29:30 | 0:29:32 | |
Yes, I think. | 0:29:32 | 0:29:33 | |
I think perhaps he wanted to talk. | 0:29:33 | 0:29:36 | |
Yes. | 0:29:36 | 0:29:39 | |
That sounds like him. | 0:29:39 | 0:29:41 | |
-Thank you. -No need. | 0:29:45 | 0:29:47 | |
-Excuse me? -Open bar. | 0:29:47 | 0:29:49 | |
Mrs Forsyth over there's insisted on paying for everyone. | 0:29:49 | 0:29:52 | |
How lovely. Thank you so much. | 0:29:52 | 0:29:54 | |
I see the Chief Superintendent has released Keith Ellis, then. | 0:29:57 | 0:30:00 | |
Not before he got a confession out of him, though. | 0:30:00 | 0:30:03 | |
He admitted that he was sleeping with the victim. | 0:30:03 | 0:30:05 | |
-Yes, so I heard. -From who? | 0:30:05 | 0:30:09 | |
-Mrs Ellis. -Doctor. | 0:30:11 | 0:30:13 | |
Here to pay your respects? | 0:30:13 | 0:30:14 | |
Sergeant Davis and I are, yes. | 0:30:14 | 0:30:16 | |
That's very kind of you. I'm sure the family will appreciate it. | 0:30:16 | 0:30:19 | |
They're about to start. Doctor? | 0:30:19 | 0:30:22 | |
Mrs Forsyth, thank you so much for the drinks. | 0:30:22 | 0:30:26 | |
That's ever so generous of you. You're quite welcome. | 0:30:26 | 0:30:29 | |
Mrs Ellis there - Joyce - | 0:30:31 | 0:30:34 | |
was quite close to Gladys Cook, too, apparently, | 0:30:34 | 0:30:37 | |
as were Daisy and Ben. | 0:30:37 | 0:30:40 | |
If I may, everybody, a toast. | 0:30:40 | 0:30:44 | |
To Merv. | 0:30:44 | 0:30:46 | |
ALL: To Merv. | 0:30:48 | 0:30:49 | |
I imagine that's Kelly's husband. | 0:30:51 | 0:30:54 | |
Yes, Daniel Forsyth. | 0:30:54 | 0:30:57 | |
They all live on the base. | 0:30:57 | 0:30:59 | |
Are we sure that's Kelly's husband? | 0:31:01 | 0:31:04 | |
Yes. He seems quite... | 0:31:04 | 0:31:07 | |
close with Mrs Ellis, doesn't he? | 0:31:07 | 0:31:10 | |
Gentlemen. | 0:31:10 | 0:31:12 | |
Friend of the deceased, were you? | 0:31:12 | 0:31:15 | |
-Something like that. -Like what exactly? | 0:31:15 | 0:31:18 | |
A few days ago, I received a message at work. | 0:31:20 | 0:31:23 | |
A woman claiming to have a story about the Ballarat military base. | 0:31:23 | 0:31:27 | |
-She left a number for me to call. -And? | 0:31:27 | 0:31:30 | |
And I've been calling nonstop - no answer. | 0:31:30 | 0:31:33 | |
I figured if she was from the base, | 0:31:34 | 0:31:36 | |
she might see me here, maybe approach me. | 0:31:36 | 0:31:38 | |
If this woman is so eager to talk, | 0:31:38 | 0:31:41 | |
why do you suppose she's not answering the telephone? | 0:31:41 | 0:31:44 | |
People want to report something, they get nervous. | 0:31:44 | 0:31:46 | |
They change their mind. It happens all the time. | 0:31:46 | 0:31:49 | |
Or she can't answer the telephone. | 0:31:49 | 0:31:52 | |
The woman who was murdered. | 0:31:56 | 0:31:58 | |
Gladys Cook lived on base six months ago. | 0:31:58 | 0:32:02 | |
You didn't think to bring this to the attention of the police. | 0:32:02 | 0:32:06 | |
It wasn't a police matter until three seconds ago. | 0:32:06 | 0:32:09 | |
I'm going to need that number. I'll check the phone book here. | 0:32:09 | 0:32:12 | |
The number, please, Miss Anderson. | 0:32:15 | 0:32:16 | |
You know I'm not on the payroll at the station, right? | 0:32:16 | 0:32:19 | |
-I don't have to tell you anything. -Now! | 0:32:19 | 0:32:22 | |
Thank you. | 0:32:24 | 0:32:26 | |
So what am I missing? | 0:32:31 | 0:32:32 | |
The night Merv Rogers died, | 0:32:35 | 0:32:38 | |
he'd gone for a run around the base. | 0:32:38 | 0:32:40 | |
Nothing unusual according to his mother, Daisy, over there. | 0:32:40 | 0:32:44 | |
And? | 0:32:44 | 0:32:46 | |
He was wearing trousers and a smart shirt, not exactly... | 0:32:48 | 0:32:51 | |
And quite frankly, | 0:32:57 | 0:32:59 | |
of all places to run and exercise on base, why there? | 0:32:59 | 0:33:04 | |
Through trees, in the dark, on uneven ground. | 0:33:04 | 0:33:08 | |
That's a good point. | 0:33:08 | 0:33:10 | |
-Do you want another? -I'd love one. | 0:33:11 | 0:33:13 | |
Oi! I'm not going to tell you again. | 0:33:24 | 0:33:25 | |
Stop coming around the wrong side of the bar! | 0:33:25 | 0:33:28 | |
Rose! You followed me. | 0:34:14 | 0:34:18 | |
When you ducked out of the pub I figured you were on to something. | 0:34:18 | 0:34:21 | |
You really shouldn't be out here doing this sort of thing alone. | 0:34:21 | 0:34:24 | |
I'm not alone, am I? | 0:34:24 | 0:34:26 | |
Listen, sometimes journalists think | 0:34:28 | 0:34:31 | |
the story is more important than their own safety - it's not. | 0:34:31 | 0:34:34 | |
-Trust me, I know. -I'll be careful, then. | 0:34:34 | 0:34:37 | |
So, what are we looking for, Nancy Drew? | 0:34:37 | 0:34:39 | |
Come on. | 0:34:41 | 0:34:43 | |
It seems strange to me | 0:34:43 | 0:34:45 | |
that Rogers was running so close to the fence. | 0:34:45 | 0:34:50 | |
Damn thing's been cut. | 0:34:59 | 0:35:00 | |
Rose, he wasn't out for a late-night run, | 0:35:02 | 0:35:04 | |
he was running back on to base from the outside. | 0:35:04 | 0:35:07 | |
What was Rogers doing outside the camp? | 0:35:07 | 0:35:09 | |
-There's only one way to find out. -Where are you going? | 0:35:11 | 0:35:14 | |
Alderson doesn't want me on the base | 0:35:16 | 0:35:18 | |
and he doesn't want us seeing Ellis's service records. | 0:35:18 | 0:35:21 | |
That's army property. | 0:35:22 | 0:35:24 | |
Always lovely chatting with you, Rose. | 0:35:25 | 0:35:27 | |
Sir! I'm going to ask you to put your hands up | 0:36:21 | 0:36:24 | |
and turn around. | 0:36:24 | 0:36:26 | |
There's really no need for that, Private. | 0:36:31 | 0:36:33 | |
I have my identification right here in my jacket pocket. | 0:36:33 | 0:36:36 | |
I'm Doctor Lucien Blake, | 0:36:36 | 0:36:37 | |
Ballarat police surgeon. | 0:36:37 | 0:36:39 | |
Now, what say we lower that weapon of yours, mm? | 0:36:39 | 0:36:43 | |
-Lucien, where have you been? -Just dealing with some paperwork. | 0:36:46 | 0:36:50 | |
-The hospital called for you. -Oh, they did? | 0:36:50 | 0:36:51 | |
Yes. Alice has been in touch with Gladys Cook's current doctor. | 0:36:51 | 0:36:55 | |
Oh, thank you. Anything of interest? | 0:36:57 | 0:37:00 | |
Gladys presented with a venereal disease. | 0:37:02 | 0:37:05 | |
Ah! Which explains the penicillin. | 0:37:05 | 0:37:08 | |
Gladys's doctor is here in town? | 0:37:08 | 0:37:11 | |
Yes. He has her records dated back over a year. | 0:37:11 | 0:37:14 | |
I see. Now, why wouldn't she see the military doctor | 0:37:14 | 0:37:19 | |
if she lived on base? | 0:37:19 | 0:37:20 | |
Lucien, I just dropped a domino under there. | 0:37:20 | 0:37:23 | |
Oh. Ah, yes. | 0:37:23 | 0:37:27 | |
-There we are. -Thank you. | 0:37:28 | 0:37:30 | |
How are things at the base? | 0:37:30 | 0:37:32 | |
Um, Jean, would you mind if I just had a bit of a... | 0:37:34 | 0:37:39 | |
Not at all. I'm losing anyway. | 0:37:39 | 0:37:40 | |
Let's imagine, just for a moment, | 0:37:41 | 0:37:44 | |
this domino represents Keith Ellis. | 0:37:44 | 0:37:47 | |
Now, Joyce Ellis was, of course, intimate with her husband. | 0:37:49 | 0:37:53 | |
Gladys Cook was having an affair with Keith. | 0:37:55 | 0:37:59 | |
She was? | 0:37:59 | 0:38:02 | |
Oh, yes. | 0:38:02 | 0:38:03 | |
And we discovered just this afternoon | 0:38:03 | 0:38:05 | |
that it's highly likely that Joyce was, shall we say, | 0:38:05 | 0:38:09 | |
quite familiar with a chap called Forsyth, Daniel Forsyth, | 0:38:09 | 0:38:14 | |
who is an officer on base. | 0:38:14 | 0:38:16 | |
Now, Daniel is married to Kelly. | 0:38:16 | 0:38:21 | |
Kelly, it would appear, may well be involved | 0:38:21 | 0:38:27 | |
with Ben Rogers. | 0:38:27 | 0:38:29 | |
Ben, of course, is Daisy's husband. | 0:38:29 | 0:38:34 | |
How do you like them apples? | 0:38:34 | 0:38:36 | |
So, they were all stepping out together. | 0:38:36 | 0:38:39 | |
How do they keep it from each other? | 0:38:39 | 0:38:41 | |
Maybe they don't. | 0:38:44 | 0:38:46 | |
Hang on. Are you telling me that... | 0:38:48 | 0:38:50 | |
Yes! | 0:38:50 | 0:38:53 | |
I think they're a community of couples | 0:38:53 | 0:38:55 | |
who all enjoy each other's, shall we say... | 0:38:55 | 0:38:59 | |
...company, consensually. | 0:39:00 | 0:39:03 | |
Right. So when Keith Ellis said they share everything... | 0:39:04 | 0:39:07 | |
He meant it. | 0:39:07 | 0:39:10 | |
And I think Gladys Cook and this Beverly woman are involved too. | 0:39:10 | 0:39:13 | |
Beverly Alison. We're off to interview her now. | 0:39:13 | 0:39:15 | |
Frank, promiscuity within the base | 0:39:15 | 0:39:19 | |
poses a serious security problem for the military. | 0:39:19 | 0:39:22 | |
Maybe that's why Alderton's here. | 0:39:22 | 0:39:23 | |
And of course there's Corporal Rogers. | 0:39:23 | 0:39:27 | |
Who we know is connected to the hole in the fence that you found. | 0:39:27 | 0:39:30 | |
Yes. You know, I think we've been looking at this all wrong. | 0:39:30 | 0:39:34 | |
These are the questions we should be asking. | 0:39:34 | 0:39:37 | |
One, why was he sneaking back onto base so late at night? | 0:39:37 | 0:39:40 | |
And two, what the hell was he doing outside in the first place? | 0:39:40 | 0:39:43 | |
Well, I think there's only one person I could ask right now. | 0:39:46 | 0:39:49 | |
You're suggesting that Rogers was involved in the death of Gladys Cook? | 0:39:49 | 0:39:53 | |
Rogers was sneaking back onto base through a hole in the fence | 0:39:53 | 0:39:57 | |
the night Gladys Cook died. | 0:39:57 | 0:39:58 | |
The vehicle that was dumped we now know belongs to Lieutenant Ellis. | 0:39:58 | 0:40:02 | |
He managed to drive Ellis's car off the base without being seen. | 0:40:02 | 0:40:06 | |
We think he may have distracted the sentry on duty | 0:40:06 | 0:40:08 | |
by throwing a rock through the window. | 0:40:08 | 0:40:11 | |
Kelly, we're after Beverly Alison. | 0:40:12 | 0:40:14 | |
She's not here today. | 0:40:14 | 0:40:16 | |
She should be, she clocked on at 8:00. | 0:40:16 | 0:40:19 | |
Oh, she went home sick. | 0:40:19 | 0:40:20 | |
Right. Thank you. | 0:40:21 | 0:40:23 | |
We'll need to be informed when Beverly does return to work. | 0:40:25 | 0:40:29 | |
Your police surgeon was here yesterday, drinking on the job. | 0:40:29 | 0:40:32 | |
And? | 0:40:32 | 0:40:34 | |
And I believe it was Blake who found that hole in the wire | 0:40:34 | 0:40:37 | |
before he was caught trespassing on military property. | 0:40:37 | 0:40:40 | |
If he's found on this base again without my permission... | 0:40:41 | 0:40:45 | |
-You'll have him arrested. -No. | 0:40:45 | 0:40:48 | |
I may just have him shot. | 0:40:48 | 0:40:50 | |
You deal with your men, Chief Superintendent. | 0:40:50 | 0:40:54 | |
And I'll deal with mine. | 0:40:55 | 0:40:57 | |
Good day to you. | 0:40:57 | 0:40:59 | |
Um, I'm actually here to find out a little bit more about Gladys Cook. | 0:41:13 | 0:41:17 | |
I figured it wasn't for the biscuits. | 0:41:17 | 0:41:20 | |
Yeah, I know you have a doctor here on base, | 0:41:22 | 0:41:25 | |
but Gladys chose to visit a doctor in town. | 0:41:25 | 0:41:29 | |
Yes? | 0:41:31 | 0:41:33 | |
Well, apparently, the last time the military doctor saw her, | 0:41:33 | 0:41:38 | |
he recommended she see someone at the special clinic | 0:41:38 | 0:41:43 | |
at Ballarat Hospital. | 0:41:43 | 0:41:46 | |
He made that same recommendation to other women on base too. | 0:41:47 | 0:41:50 | |
Whatever happened to doctor/patient confidentiality? | 0:41:51 | 0:41:54 | |
No names were mentioned, Joyce. | 0:41:54 | 0:41:56 | |
I'm assuming you're all presenting with the same symptoms. | 0:42:00 | 0:42:03 | |
This was never easy to talk about but... | 0:42:06 | 0:42:10 | |
this really needs to be addressed. | 0:42:10 | 0:42:12 | |
When Keith came home from Korea, | 0:42:20 | 0:42:23 | |
he told me about this... activity. | 0:42:23 | 0:42:27 | |
Out there, they weren't too sure of a tomorrow, | 0:42:27 | 0:42:32 | |
so the men would... | 0:42:32 | 0:42:35 | |
...give their wives to fellow soldiers. | 0:42:35 | 0:42:38 | |
That way if anything should happen | 0:42:38 | 0:42:41 | |
there would always be someone to take care of us. | 0:42:41 | 0:42:44 | |
That's how it all started. | 0:42:44 | 0:42:46 | |
Didn't take long for it to become normal | 0:42:46 | 0:42:49 | |
within our own little group. | 0:42:49 | 0:42:51 | |
It's a kind of love when love isn't around. | 0:42:51 | 0:42:57 | |
Yes. | 0:43:00 | 0:43:01 | |
But you weren't happy with this, were you? | 0:43:01 | 0:43:04 | |
Of course we weren't happy with it. | 0:43:04 | 0:43:05 | |
Every marriage comes at a cost, Dr Blake. | 0:43:08 | 0:43:11 | |
That's very true. | 0:43:15 | 0:43:16 | |
And Gladys... | 0:43:17 | 0:43:19 | |
Gladys was part of this. | 0:43:19 | 0:43:21 | |
Until she and her husband separated. We never saw her again after that. | 0:43:21 | 0:43:26 | |
The women confirmed they'd been... | 0:43:29 | 0:43:31 | |
..indulging in partner swapping. | 0:43:32 | 0:43:34 | |
Gladys was part of it. | 0:43:34 | 0:43:36 | |
And they just... | 0:43:37 | 0:43:39 | |
...gave you this information, did they? | 0:43:40 | 0:43:42 | |
Well, I am a doctor. | 0:43:42 | 0:43:44 | |
Updated autopsy report, | 0:43:45 | 0:43:48 | |
confirming the presence of Gladys Cook's blood | 0:43:48 | 0:43:50 | |
on Merv Rogers' clothing. | 0:43:50 | 0:43:53 | |
Well, it's cut and dried, then. | 0:43:53 | 0:43:55 | |
Frank, I... | 0:43:56 | 0:43:58 | |
I still don't think Merv killed Gladys. | 0:43:58 | 0:44:01 | |
What was his motive? | 0:44:01 | 0:44:02 | |
Crime of passion, for one. | 0:44:02 | 0:44:05 | |
Numerous sexual dalliances going on on the base, | 0:44:05 | 0:44:08 | |
and the victim's blood on his shirt. | 0:44:08 | 0:44:10 | |
What more do you want? | 0:44:10 | 0:44:12 | |
-Doc. -Yes? | 0:44:16 | 0:44:18 | |
A recruit came forward earlier, | 0:44:18 | 0:44:20 | |
saying they served Rogers at the officers' mess at half past nine. | 0:44:20 | 0:44:24 | |
Half past nine, Charlie. Let's think about this. | 0:44:28 | 0:44:31 | |
Merv kills her, | 0:44:32 | 0:44:35 | |
transports and buries the body, | 0:44:35 | 0:44:37 | |
then makes his way back to base. | 0:44:37 | 0:44:39 | |
-All within... -All within a couple of hours. | 0:44:39 | 0:44:41 | |
Really? | 0:44:41 | 0:44:44 | |
Two hours, start to finish. | 0:44:46 | 0:44:48 | |
Now, let's say it took him half an hour to kill Gladys | 0:44:48 | 0:44:51 | |
and drag her body to the car. | 0:44:51 | 0:44:53 | |
And drive off the base without being seen. | 0:44:53 | 0:44:55 | |
Exactly, let's go. | 0:44:55 | 0:44:57 | |
Right, Charlie, we know Corporal Rogers buried the body over there. | 0:45:05 | 0:45:09 | |
How long would that take? Half an hour? An hour? | 0:45:09 | 0:45:12 | |
I'll meet you halfway and say 45 minutes. | 0:45:12 | 0:45:14 | |
But that would mean | 0:45:14 | 0:45:15 | |
-he'd only have half an hour to get back to the base. -Exactly. | 0:45:15 | 0:45:18 | |
Not looking very probable, is it? | 0:45:18 | 0:45:20 | |
All right. He parks the car, gets out, | 0:45:23 | 0:45:26 | |
looks for a suitable place to hide the evidence. | 0:45:26 | 0:45:29 | |
He leaves the knife and the rug in the car, | 0:45:29 | 0:45:31 | |
which is when Walter and his girlfriend steal it. | 0:45:31 | 0:45:33 | |
Yes. By now it would be a quarter to 12. | 0:45:33 | 0:45:36 | |
There's a slim chance | 0:45:36 | 0:45:38 | |
that if he ran back to base - and I mean RAN - | 0:45:38 | 0:45:41 | |
he might just make it in time, but... | 0:45:41 | 0:45:43 | |
There's no way he'd find any time | 0:45:43 | 0:45:44 | |
to clean up the scene of the crime after killing Gladys. | 0:45:44 | 0:45:47 | |
So, either Rogers didn't do it... | 0:45:47 | 0:45:51 | |
Or... Or he wasn't working alone. | 0:45:51 | 0:45:54 | |
What happened? | 0:45:57 | 0:45:59 | |
-I'm going to wash up. -Right you are, Charlie. | 0:45:59 | 0:46:01 | |
Well, Carlyle is about to posthumously charge Corporal Rogers | 0:46:01 | 0:46:08 | |
with Gladys Cook's murder, but you know what? | 0:46:08 | 0:46:11 | |
I don't think he killed her. | 0:46:11 | 0:46:14 | |
-Anyhow, I should wash up too. -How is Mai Lin? | 0:46:14 | 0:46:18 | |
Um, well, she's, um... | 0:46:20 | 0:46:24 | |
You know, she's adjusting. | 0:46:26 | 0:46:28 | |
Um... | 0:46:28 | 0:46:29 | |
She's never been anywhere quite like Ballarat before. | 0:46:31 | 0:46:35 | |
Must be so difficult for her. | 0:46:35 | 0:46:36 | |
-Yes. -After everything's that's happened. | 0:46:36 | 0:46:39 | |
Must be awful to be so alone. | 0:46:39 | 0:46:42 | |
And to be so dependent on people you barely know. | 0:46:42 | 0:46:46 | |
Lucien? | 0:46:48 | 0:46:49 | |
Sorry, Jean. | 0:46:50 | 0:46:52 | |
Something you said just now. | 0:46:52 | 0:46:55 | |
These army wives... | 0:46:55 | 0:46:57 | |
They say Gladys left their group. I'm starting to wonder. | 0:46:57 | 0:47:01 | |
Look, the husband's gone. She has to move off base. She's all alone. | 0:47:03 | 0:47:08 | |
Why would her friends just cut her off? | 0:47:08 | 0:47:13 | |
She'd be devastated. | 0:47:13 | 0:47:16 | |
Maybe Gladys was back on base to get revenge. | 0:47:16 | 0:47:20 | |
Maybe. | 0:47:21 | 0:47:23 | |
Maybe she'd become a threat. | 0:47:26 | 0:47:27 | |
Does anyone else know about the promiscuity within the group? | 0:47:27 | 0:47:30 | |
-Beverly Alison might. -The woman you can't find. | 0:47:30 | 0:47:34 | |
Lucien, officers have just got back | 0:47:36 | 0:47:38 | |
from Beverly Alison's listed address. | 0:47:38 | 0:47:40 | |
It's an empty block. | 0:47:40 | 0:47:42 | |
They're checking for another address or a postal box. | 0:47:42 | 0:47:45 | |
Right. If Beverly knew Gladys, she could be in real danger. | 0:47:45 | 0:47:50 | |
Have you checked the lieutenant's alibi or any of the husbands'? | 0:47:50 | 0:47:53 | |
Yes, they all check out. All except for Ellis's. | 0:47:53 | 0:47:55 | |
Still to find anyone who can confirm his story? | 0:47:55 | 0:47:59 | |
Right. Service records? | 0:47:59 | 0:48:01 | |
No, no luck yet. | 0:48:01 | 0:48:02 | |
We have heard some scuttlebutt from a few men at the base | 0:48:02 | 0:48:05 | |
suggesting the lieutenant has been warned before for roughing up women. | 0:48:05 | 0:48:08 | |
-Charming. -They're also saying | 0:48:08 | 0:48:11 | |
Gladys Cook tried to enter the base several times a month or two ago. | 0:48:11 | 0:48:15 | |
I'll give you one guess the CO was who personally threw her out. | 0:48:15 | 0:48:18 | |
-Keith Ellis. -Mm. | 0:48:18 | 0:48:20 | |
All of this officially makes Beverly a missing person, | 0:48:20 | 0:48:24 | |
which, of course, is exactly what Gladys was until she wasn't. | 0:48:24 | 0:48:28 | |
Frank, are these Ellis's licence plates? | 0:48:28 | 0:48:33 | |
Charlie found them at the base. Why? | 0:48:33 | 0:48:35 | |
If he was so attached to his car, | 0:48:35 | 0:48:39 | |
he might have come up with a playful nickname for it... | 0:48:39 | 0:48:43 | |
..inspired by the registration plates. | 0:48:43 | 0:48:47 | |
Beverly. | 0:48:47 | 0:48:48 | |
I-I don't understand. | 0:48:56 | 0:48:58 | |
Mrs Rogers, we believe Gladys Cook was killed here on the base | 0:48:58 | 0:49:03 | |
and Merv was enlisted to help remove the body. | 0:49:03 | 0:49:06 | |
Using Keith's car. | 0:49:06 | 0:49:08 | |
Merv was familiar with it. He'd driven it before. | 0:49:08 | 0:49:11 | |
Isn't that right, Joyce? | 0:49:11 | 0:49:13 | |
What, you think that I... | 0:49:13 | 0:49:16 | |
Gladys is my friend. | 0:49:17 | 0:49:19 | |
Was your friend, Mrs Ellis. | 0:49:19 | 0:49:21 | |
She was on the base that night | 0:49:21 | 0:49:23 | |
because she was about to go to the Courier | 0:49:23 | 0:49:25 | |
with your group's little secret. | 0:49:25 | 0:49:27 | |
-You know? -About your little arrangement? Yes, we do. | 0:49:29 | 0:49:34 | |
But that's not what Gladys was going to report to the Courier. | 0:49:34 | 0:49:37 | |
You all wanted some kind of payback | 0:49:37 | 0:49:42 | |
for what your husbands and the Army had put you through. | 0:49:42 | 0:49:45 | |
So, you created a female employee out of thin air. | 0:49:45 | 0:49:51 | |
Gave her a job in the laundry. | 0:49:51 | 0:49:53 | |
The laundry, perfect. | 0:49:53 | 0:49:56 | |
She'd rarely be seen, if at all, | 0:49:56 | 0:49:59 | |
and of course you pay her a wage. | 0:49:59 | 0:50:01 | |
But you did make one mistake. | 0:50:01 | 0:50:04 | |
You named her after one thing your husband loved more than you. | 0:50:04 | 0:50:07 | |
His car, Beverly. | 0:50:07 | 0:50:09 | |
Major Alderton, just thinking out loud here - | 0:50:11 | 0:50:14 | |
military funds missing? | 0:50:14 | 0:50:15 | |
Quite a substantial amount, actually. | 0:50:15 | 0:50:18 | |
Yes. | 0:50:18 | 0:50:21 | |
Impossible to do on your own, | 0:50:21 | 0:50:24 | |
but Daisy in payroll, Gladys in the mailroom, | 0:50:24 | 0:50:29 | |
Kelly working in the laundry - | 0:50:29 | 0:50:30 | |
it was easy enough to maintain the illusion. | 0:50:30 | 0:50:33 | |
Beverly was just one of many created identities. | 0:50:35 | 0:50:38 | |
And this brilliant idea, | 0:50:40 | 0:50:43 | |
was all yours, wasn't it, Mrs Ellis? | 0:50:44 | 0:50:48 | |
Even if any of this was true, | 0:50:51 | 0:50:54 | |
I don't see how this proves I killed Gladys. | 0:50:54 | 0:50:58 | |
The rug used to transport Gladys's body | 0:50:58 | 0:51:02 | |
had cigarette burns all over it. | 0:51:02 | 0:51:04 | |
Fine, except the rug I own, you're all standing on it. | 0:51:06 | 0:51:10 | |
The rug used to transport Gladys's body... | 0:51:13 | 0:51:16 | |
had circular imprints on it. | 0:51:19 | 0:51:21 | |
Clearly, your lovely coffee table here has square legs. | 0:51:21 | 0:51:26 | |
So, would you mind terribly | 0:51:26 | 0:51:28 | |
if we had a look inside your place, Mrs Rogers? | 0:51:28 | 0:51:32 | |
What really happened, Daisy... | 0:51:39 | 0:51:41 | |
..when Merv arrived and saw that you'd killed Gladys? | 0:51:42 | 0:51:45 | |
No. | 0:51:48 | 0:51:49 | |
He was disciplined, well-trained. | 0:51:49 | 0:51:53 | |
He would have sprung into action to try and help you. | 0:51:53 | 0:51:55 | |
Gladys came here because she was scared of Joyce. | 0:51:58 | 0:52:01 | |
You all were. She was desperate. | 0:52:01 | 0:52:05 | |
She probably thought, of all the women, she could talk to you. | 0:52:05 | 0:52:10 | |
Of course Gladys could ruin everything for all of you. | 0:52:10 | 0:52:13 | |
Please, I... | 0:52:13 | 0:52:16 | |
You argued. | 0:52:16 | 0:52:18 | |
And then when she threatened you, | 0:52:18 | 0:52:19 | |
you stabbed her to death right here, right where I'm standing now. | 0:52:19 | 0:52:24 | |
The burn marks on the rug. Cigarettes? | 0:52:25 | 0:52:29 | |
No. I think you burnt whatever evidence | 0:52:31 | 0:52:34 | |
Gladys brought with her that night. | 0:52:34 | 0:52:38 | |
Payroll ledgers. | 0:52:45 | 0:52:47 | |
But they're gone. | 0:52:49 | 0:52:51 | |
It's all gone. | 0:52:51 | 0:52:53 | |
Ah, but it's not, Daisy. | 0:52:54 | 0:52:57 | |
This was delivered to the Ballarat Courier earlier today. | 0:53:00 | 0:53:03 | |
Sent by a Beverly Alison. | 0:53:04 | 0:53:07 | |
Gladys must have written up a copy and posted it to them | 0:53:07 | 0:53:11 | |
before she came here. | 0:53:11 | 0:53:13 | |
Before she came here to ask for her share of the money. | 0:53:14 | 0:53:18 | |
You see, this was never about the sex, | 0:53:18 | 0:53:22 | |
or the love, | 0:53:22 | 0:53:25 | |
it was all about the money. | 0:53:25 | 0:53:28 | |
Money and power. | 0:53:28 | 0:53:30 | |
Taking back some sort of control in your lives. | 0:53:30 | 0:53:34 | |
And your son was shot | 0:53:34 | 0:53:37 | |
because he was in the wrong place at the wrong time, Daisy. | 0:53:37 | 0:53:40 | |
And he was only there because you implicated him | 0:53:40 | 0:53:44 | |
in the murder of Gladys Cook. | 0:53:44 | 0:53:46 | |
I didn't mean to. | 0:53:46 | 0:53:48 | |
I just want my son back. | 0:53:50 | 0:53:52 | |
I heard Daisy Rogers killed Gladys Cook. | 0:54:06 | 0:54:08 | |
-Uh-huh. -So it's true? | 0:54:08 | 0:54:10 | |
-It sounds like you already know. -What was her motive? | 0:54:10 | 0:54:13 | |
Does it have anything to do with why Mrs Cook called me? | 0:54:13 | 0:54:17 | |
You're not going to give me anything | 0:54:18 | 0:54:20 | |
after I told you about the package she sent to the Courier. | 0:54:20 | 0:54:22 | |
Which you opened up and read first. | 0:54:22 | 0:54:25 | |
Why? So it all ends up in tomorrow's paper? | 0:54:25 | 0:54:29 | |
-You were right, you know? -About what? | 0:54:29 | 0:54:31 | |
You're not on the payroll at the station. | 0:54:31 | 0:54:33 | |
So she's confessed. | 0:54:43 | 0:54:44 | |
Yes. Well, Joyce Ellis was the ringleader, | 0:54:44 | 0:54:47 | |
but Daisy Rogers admitted to the rest. | 0:54:47 | 0:54:49 | |
Now the army can focus on what's really important in this whole disaster - | 0:54:50 | 0:54:55 | |
-the bloody paperwork. -Ha! | 0:54:55 | 0:54:57 | |
You ever miss it? | 0:54:57 | 0:54:59 | |
No. No, not any more. | 0:55:01 | 0:55:04 | |
Do you? | 0:55:04 | 0:55:05 | |
Not at all. | 0:55:05 | 0:55:07 | |
You know, you're still going to have to deal with the top brass | 0:55:07 | 0:55:11 | |
for a while longer, I'm afraid. | 0:55:11 | 0:55:13 | |
You do know he was in town before the incident. | 0:55:13 | 0:55:17 | |
-Major. -Gentlemen. | 0:55:19 | 0:55:22 | |
Just thought I'd drop by to make sure we're all on the same page | 0:55:24 | 0:55:27 | |
and to confirm that Corporal Rogers is to be posthumously charged. | 0:55:27 | 0:55:32 | |
Yes, he is, as an accessory to murder. | 0:55:32 | 0:55:35 | |
Excuse me. | 0:55:35 | 0:55:36 | |
Thank you, Superintendent. | 0:55:36 | 0:55:39 | |
Derek, you already knew about the money laundering, didn't you? | 0:55:42 | 0:55:46 | |
We knew that funds were trickling out. | 0:55:46 | 0:55:48 | |
We just didn't know how or by whom. | 0:55:48 | 0:55:51 | |
-The police could've helped you. -And they did. | 0:55:53 | 0:55:55 | |
No-one had connected the money laundering to these three women | 0:55:55 | 0:55:59 | |
until you came along. | 0:55:59 | 0:56:00 | |
Priceless. | 0:56:03 | 0:56:04 | |
I was working for you the whole time. | 0:56:04 | 0:56:06 | |
You don't like it when things land in your lap, do you, Lucien? | 0:56:06 | 0:56:10 | |
You prefer an obstacle. | 0:56:10 | 0:56:13 | |
So I thought I'd throw you a little challenge. | 0:56:15 | 0:56:17 | |
Why are you really here, Derek? | 0:56:20 | 0:56:23 | |
Good afternoon, Lucien. | 0:56:25 | 0:56:28 | |
DOOR OPENS AND CLOSES | 0:56:33 | 0:56:36 | |
It's over? | 0:56:42 | 0:56:43 | |
Chief Superintendent Carlyle insisted I go home and relax. | 0:56:45 | 0:56:50 | |
Well, after all those late nights I'm not surprised. | 0:56:50 | 0:56:54 | |
Things can get back to normal now, I suppose. | 0:56:54 | 0:56:57 | |
Jean... | 0:57:01 | 0:57:03 | |
..I'm sorry if you've been feeling a bit... | 0:57:05 | 0:57:09 | |
..in the dark with everything. | 0:57:09 | 0:57:11 | |
Something of an understatement, I know. | 0:57:14 | 0:57:16 | |
I want you... | 0:57:18 | 0:57:19 | |
I want you to know you're not losing anything. | 0:57:20 | 0:57:26 | |
I promise you. | 0:57:26 | 0:57:27 | |
Mai Lin and I... | 0:57:29 | 0:57:30 | |
It's just not the same as it was. | 0:57:33 | 0:57:35 | |
It really isn't. | 0:57:35 | 0:57:38 | |
But a big part of it is. | 0:57:40 | 0:57:41 | |
That kind of love, it never really goes away, does it? | 0:57:41 | 0:57:47 | |
And I want you to know I understand that. | 0:57:47 | 0:57:50 | |
She's your priority now. | 0:57:56 | 0:57:59 |