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Derek? | 0:00:17 | 0:00:18 | |
'Lucien.' | 0:00:19 | 0:00:21 | |
We need to talk. | 0:00:21 | 0:00:22 | |
Somewhere public. | 0:00:24 | 0:00:25 | |
Come alone. | 0:00:27 | 0:00:28 | |
'You don't trust me?' | 0:00:29 | 0:00:30 | |
You will listen to what I have to say, | 0:00:32 | 0:00:36 | |
and then this is over. | 0:00:36 | 0:00:37 | |
Public enough for you? | 0:00:57 | 0:00:59 | |
Inside. | 0:00:59 | 0:01:01 | |
All of this, Derek? | 0:01:14 | 0:01:16 | |
All of this, just to put me back in the field? | 0:01:16 | 0:01:19 | |
We're going to war in Indochina, Lucien. | 0:01:19 | 0:01:23 | |
I can stop it, but I need men on the ground, experienced men. | 0:01:23 | 0:01:28 | |
Add an Asian wife, you're quite an asset. | 0:01:28 | 0:01:32 | |
I am not an asset. Neither is my wife. | 0:01:32 | 0:01:36 | |
Your attention, please. My name is Dr Joanna Bainbridge, | 0:01:36 | 0:01:40 | |
and it is my privilege to welcome you to the Ballarat Observatory. | 0:01:40 | 0:01:43 | |
We shall now open the observatory roof. | 0:01:43 | 0:01:47 | |
What we are about to witness is what is called an annular eclipse. | 0:01:47 | 0:01:51 | |
The moon doesn't totally block out the sun. | 0:01:51 | 0:01:54 | |
Please ready your projectors. | 0:01:54 | 0:01:57 | |
Primitive people believed eclipses to be the work of gods. | 0:02:03 | 0:02:06 | |
I'll tell you what you're going to do. | 0:02:06 | 0:02:08 | |
You're going to quit your practice, you're going to leave Ballarat | 0:02:08 | 0:02:12 | |
and come with me. | 0:02:12 | 0:02:14 | |
-No. -We belong together, Lucien! | 0:02:14 | 0:02:17 | |
No, we don't. | 0:02:17 | 0:02:19 | |
.. will appear as a ring of fire around the dark moon. | 0:02:19 | 0:02:22 | |
No more games. This ends now. | 0:02:22 | 0:02:25 | |
You do what I tell you, or I will take everything that you've got - | 0:02:25 | 0:02:30 | |
your wife, your daughter, your granddaughter, | 0:02:30 | 0:02:33 | |
your precious housekeeper, all of them. | 0:02:33 | 0:02:35 | |
Lights, please. | 0:02:38 | 0:02:41 | |
They're all dead, Lucien. | 0:02:41 | 0:02:43 | |
GUNSHOT | 0:02:43 | 0:02:44 | |
Lights! Get the lights! | 0:02:46 | 0:02:48 | |
Get out of the way. | 0:02:51 | 0:02:53 | |
Rose, ambulance, police. Now! | 0:02:54 | 0:02:57 | |
Special Branch are going to be all over this. | 0:03:50 | 0:03:52 | |
It happened when the eclipse was in full swing. | 0:03:52 | 0:03:54 | |
The room was dark. There was a gunshot. | 0:03:54 | 0:03:57 | |
-Do we know where Lucien is? -No. | 0:03:57 | 0:03:59 | |
He got Rose to call me, then he disappeared. | 0:03:59 | 0:04:02 | |
Best we keep that to ourselves, understood? | 0:04:03 | 0:04:06 | |
Detective Inspector Llewellyn Sullivan, Special Branch. | 0:04:06 | 0:04:09 | |
-You must be Frank Carlyle. -That's right. | 0:04:09 | 0:04:11 | |
I'm not going to lie to you, Chief Superintendent, | 0:04:11 | 0:04:14 | |
the army is going to be following this one very closely. | 0:04:14 | 0:04:17 | |
My role here is to make sure that everyone does their job. | 0:04:17 | 0:04:20 | |
Is that going to be a problem? | 0:04:20 | 0:04:22 | |
I think we can manage that. | 0:04:22 | 0:04:24 | |
Your police surgeon signed off yet? | 0:04:29 | 0:04:32 | |
He'll be here soon. | 0:04:32 | 0:04:34 | |
I'll get out of your way, then. | 0:04:34 | 0:04:37 | |
Inspector. | 0:04:37 | 0:04:39 | |
HE KNOCKS ON DOOR | 0:04:41 | 0:04:42 | |
Iris. Where's Mrs Blake? | 0:04:43 | 0:04:45 | |
-She left a couple of hours ago. -Do you know where she went? | 0:04:45 | 0:04:48 | |
Lucien! | 0:04:48 | 0:04:50 | |
Mei Lin, where were you? | 0:04:50 | 0:04:52 | |
I was out. What's happened? | 0:04:52 | 0:04:54 | |
Alderton is dead. | 0:04:58 | 0:04:59 | |
I went to meet him. He was supposed to be on his own. | 0:04:59 | 0:05:01 | |
-There was another man with him. -Did he kill Derek? | 0:05:01 | 0:05:05 | |
I just...I don't know. The thing is, while he's still out there... | 0:05:05 | 0:05:08 | |
Mrs Blake? It's Frank Carlyle. | 0:05:08 | 0:05:10 | |
Mrs Blake. | 0:05:20 | 0:05:22 | |
I've just been past your surgery. You weren't there. | 0:05:24 | 0:05:28 | |
Well, needless to say, you're needed for the autopsy. | 0:05:31 | 0:05:34 | |
As you can imagine, there's plenty of official interest in this one. | 0:05:34 | 0:05:37 | |
You lock the door behind us and you stay inside until I get back, yes? | 0:05:42 | 0:05:45 | |
Frank, Alderton was threatening Mei Lin. | 0:06:00 | 0:06:03 | |
I arranged to meet him, alone, and there was another man there. | 0:06:03 | 0:06:07 | |
-Who? -Sergeant Robert Hannam. | 0:06:07 | 0:06:10 | |
Hannam severed a man's windpipe a few years back in our morgue. | 0:06:10 | 0:06:13 | |
-Never convicted. -National security. | 0:06:13 | 0:06:15 | |
Surprise, surprise. | 0:06:15 | 0:06:17 | |
Anyhow, the lights went out, they attacked me. | 0:06:17 | 0:06:21 | |
When the lights came back on, Alderton was on the floor. | 0:06:21 | 0:06:23 | |
Hang on, why would this Hannam bloke turn around | 0:06:23 | 0:06:25 | |
and attack Alderton if they were both after you? | 0:06:25 | 0:06:27 | |
I'm still trying to work that out. | 0:06:29 | 0:06:31 | |
A friend of yours? | 0:06:39 | 0:06:41 | |
Once. | 0:06:41 | 0:06:42 | |
How well did you know him? | 0:06:43 | 0:06:45 | |
You see that? | 0:06:48 | 0:06:50 | |
-That was a serious wound. -Yes. | 0:06:50 | 0:06:53 | |
Japanese bayonet, on a roadside in Chiang Mai. | 0:06:53 | 0:06:57 | |
This was your work? | 0:06:59 | 0:07:00 | |
I still can't believe he survived. | 0:07:03 | 0:07:05 | |
Looks like cause of death was a single wound | 0:07:11 | 0:07:13 | |
to the base of the skull, most likely from a blade of some kind. | 0:07:13 | 0:07:18 | |
But I was just thinking about it. | 0:07:18 | 0:07:20 | |
It must have been very thin and round. | 0:07:20 | 0:07:25 | |
At least five inches long. | 0:07:25 | 0:07:27 | |
Yes. | 0:07:27 | 0:07:29 | |
Whatever it was, | 0:07:29 | 0:07:31 | |
it passed through the cervical vertebrae into the spinal canal. | 0:07:31 | 0:07:34 | |
Into the skull through the foramen magnum. | 0:07:34 | 0:07:37 | |
Into the medulla, severing the brain from the spinal column. | 0:07:37 | 0:07:39 | |
It's a very lucky strike. | 0:07:39 | 0:07:41 | |
Or very accurate. | 0:07:41 | 0:07:43 | |
-Meaning? -This is textbook. | 0:07:43 | 0:07:45 | |
Whoever killed Alderton has a military background. | 0:07:45 | 0:07:48 | |
I'd say, Special Services. | 0:07:48 | 0:07:50 | |
That, or medical training. | 0:07:50 | 0:07:52 | |
The eclipse was at its height when I heard the gunshot. | 0:07:55 | 0:07:59 | |
Would it surprise you to know that | 0:07:59 | 0:08:00 | |
the cause of death wasn't a gunshot wound? | 0:08:00 | 0:08:02 | |
What was it, then? | 0:08:02 | 0:08:04 | |
We're not disclosing those details at the moment. | 0:08:04 | 0:08:06 | |
The dead man was a Major Derek Alderton. | 0:08:07 | 0:08:11 | |
Was he known to you, Miss Bainbridge? | 0:08:11 | 0:08:13 | |
It's Dr Bainbridge. | 0:08:13 | 0:08:16 | |
The military was hoping for permission to use our equipment | 0:08:16 | 0:08:18 | |
to track satellites. | 0:08:18 | 0:08:20 | |
Major Alderton was part of those discussions. | 0:08:20 | 0:08:23 | |
We've gone through Major Alderton's possessions. | 0:08:23 | 0:08:26 | |
Is that your letter? | 0:08:29 | 0:08:31 | |
You know it is. | 0:08:31 | 0:08:33 | |
So the day before Major Alderton dies, | 0:08:33 | 0:08:36 | |
you send him a letter | 0:08:36 | 0:08:38 | |
in which you describe him as "a threat to humanity". | 0:08:38 | 0:08:42 | |
"Everyone would be better off if you just upped and died." | 0:08:42 | 0:08:45 | |
Because he had sent me a letter calling me a stupid woman | 0:08:45 | 0:08:49 | |
who thought she was more important than the country that raised her. | 0:08:49 | 0:08:52 | |
Said he'd have me discredited, | 0:08:52 | 0:08:55 | |
and there was nothing I could do about it. | 0:08:55 | 0:08:57 | |
Could I see that letter? | 0:08:57 | 0:09:00 | |
I destroyed it, along with all his other correspondence. | 0:09:00 | 0:09:04 | |
Where were you standing when the lights came back on? | 0:09:04 | 0:09:08 | |
I was nearby. | 0:09:09 | 0:09:11 | |
What, you weren't operating the telescope? | 0:09:11 | 0:09:13 | |
That's not recommended during an eclipse. | 0:09:13 | 0:09:16 | |
Besides, the telescope has been experiencing | 0:09:17 | 0:09:19 | |
some mechanical difficulties at the moment. | 0:09:19 | 0:09:22 | |
There was another man, | 0:09:22 | 0:09:24 | |
kneeling over the Major when the lights came back on. | 0:09:24 | 0:09:26 | |
Well-dressed, | 0:09:26 | 0:09:28 | |
sandy hair, | 0:09:28 | 0:09:30 | |
a beard. | 0:09:30 | 0:09:31 | |
I expect you'll be wanting to speak to him about it. | 0:09:34 | 0:09:37 | |
Why is that, Doctor? | 0:09:37 | 0:09:39 | |
Proximity. Isn't that obvious? | 0:09:39 | 0:09:42 | |
Earlier, when I mentioned that there were no bullet wounds in the body, | 0:09:44 | 0:09:47 | |
you didn't seem surprised. | 0:09:47 | 0:09:49 | |
Well, there didn't seem sufficient blood for it to be a gunshot wound, | 0:09:49 | 0:09:52 | |
certainly not one that would kill him. | 0:09:52 | 0:09:54 | |
You sound fairly definite about that. | 0:09:54 | 0:09:56 | |
Before I became an astrophysicist, I studied medicine for five years. | 0:09:56 | 0:10:00 | |
-Jean. Um... -What? | 0:10:12 | 0:10:14 | |
I thought Mei Lin would be safer here, with us. | 0:10:19 | 0:10:21 | |
Of course. | 0:10:21 | 0:10:23 | |
This man, it's the same man that I threatened with Christopher's gun? | 0:10:23 | 0:10:26 | |
Yes, Sergeant Robert Hannam. | 0:10:26 | 0:10:30 | |
Do you really think that Derek Alderton was going to kill you? | 0:10:30 | 0:10:34 | |
I'm absolutely certain of it. | 0:10:34 | 0:10:36 | |
I'm sorry. | 0:10:40 | 0:10:42 | |
Derek didn't tell me about you, or that our daughter was alive. | 0:10:42 | 0:10:46 | |
And then he started threatening me. | 0:10:48 | 0:10:49 | |
He said he'd send me back to China. He would kill her. | 0:10:49 | 0:10:52 | |
KNOCK AT DOOR | 0:10:52 | 0:10:54 | |
We dug this out of the back wall of the observatory. | 0:11:18 | 0:11:21 | |
According to your report, there was no trace of a bullet wound | 0:11:21 | 0:11:24 | |
or gunshot residue on the body, | 0:11:24 | 0:11:26 | |
which leads me to the question of who fired that gun, and why. | 0:11:26 | 0:11:30 | |
I did. | 0:11:31 | 0:11:32 | |
And you conveniently forgot to inform me of this? | 0:11:33 | 0:11:37 | |
I told you they attacked me. | 0:11:37 | 0:11:38 | |
Lucien, that place was packed, and you decided to shoot him? | 0:11:38 | 0:11:41 | |
It was dark, he knocked my hand. | 0:11:41 | 0:11:42 | |
Frank, he was trying to convince me - force me - to rejoin the Service. | 0:11:42 | 0:11:46 | |
He was using Mei Lin and our daughter as bargaining chips. | 0:11:46 | 0:11:48 | |
I called him to arrange a meeting. | 0:11:48 | 0:11:50 | |
Well, obviously you didn't trust him. | 0:11:50 | 0:11:52 | |
For bloody good reason! | 0:11:52 | 0:11:53 | |
We spoke, Hannam arrived, the lights went out. | 0:11:55 | 0:11:58 | |
Anything else you're not telling me? | 0:11:59 | 0:12:01 | |
I'm sorry. That's it, Frank. | 0:12:04 | 0:12:06 | |
Sergeant? | 0:12:13 | 0:12:14 | |
-Anything I can do, Doc? -Find Hannam. | 0:12:16 | 0:12:19 | |
-Cheers. -Cheers. | 0:12:29 | 0:12:32 | |
Calling me at work, an intimate drink in romantic surroundings. | 0:12:32 | 0:12:35 | |
Not getting sentimental, are we? | 0:12:35 | 0:12:37 | |
Not at all. This is where I take all the girls. | 0:12:37 | 0:12:41 | |
I'm actually trying to find someone. | 0:12:43 | 0:12:46 | |
-Ha! Work. -Hm. | 0:12:46 | 0:12:47 | |
Is this about the observatory murder? | 0:12:47 | 0:12:50 | |
Well, you were there. | 0:12:50 | 0:12:51 | |
Did you see him? | 0:12:53 | 0:12:55 | |
Just before the eclipse. He was at the observatory, near me. | 0:12:55 | 0:12:58 | |
Is this your killer? | 0:12:58 | 0:13:00 | |
Well, he might be. | 0:13:00 | 0:13:02 | |
We're finding it difficult to get any information. | 0:13:02 | 0:13:05 | |
Did you see anything else that might help us? | 0:13:05 | 0:13:08 | |
Only that he headed into the car park | 0:13:08 | 0:13:11 | |
and got into a green Studebaker sedan. | 0:13:11 | 0:13:14 | |
Does that help? | 0:13:15 | 0:13:16 | |
Is Lucien all right? | 0:13:19 | 0:13:21 | |
Well, you know the Doc. When he's not fixing things up... | 0:13:22 | 0:13:26 | |
-He's making a complete mess of everything. -Mm. | 0:13:26 | 0:13:28 | |
So when can I write about this? | 0:13:29 | 0:13:31 | |
Ah, probably never. | 0:13:31 | 0:13:34 | |
Sometimes I wonder why I bother. | 0:13:35 | 0:13:38 | |
The Soviet Union has three working satellites, the US, five. | 0:13:39 | 0:13:42 | |
More are scheduled for launch next year by both sides. | 0:13:42 | 0:13:45 | |
And you're meant to be assisting the military with their observational program? | 0:13:45 | 0:13:48 | |
There are other objects in the sky. | 0:13:48 | 0:13:50 | |
Studying those might be a better use of our limited resources. | 0:13:50 | 0:13:52 | |
Look, I was excited at first. NASA had just been set up. | 0:13:56 | 0:14:00 | |
We were going to make amazing discoveries. | 0:14:00 | 0:14:02 | |
We were going to show people the wonders of the universe. | 0:14:02 | 0:14:05 | |
But it didn't happen that way? | 0:14:07 | 0:14:09 | |
They started telling us where we could look and when, | 0:14:09 | 0:14:12 | |
what of our results we could publish and what we couldn't. | 0:14:12 | 0:14:14 | |
Major Alderton became quite adamant. | 0:14:14 | 0:14:17 | |
And all the letters that you sent him? | 0:14:18 | 0:14:20 | |
They were friendly at first. | 0:14:22 | 0:14:25 | |
Are you aware of the Society for Social Responsibility in Science? | 0:14:25 | 0:14:29 | |
I'm a communist spy now, am I? | 0:14:32 | 0:14:34 | |
No, but you are a member of a suspect organisation. | 0:14:34 | 0:14:36 | |
Well, you can thank Major Alderton for me joining. | 0:14:36 | 0:14:39 | |
I hadn't thought about it until I dealt with him. | 0:14:39 | 0:14:42 | |
You think I killed him. | 0:14:47 | 0:14:49 | |
Major Alderton was stabbed... | 0:14:49 | 0:14:51 | |
back of the head, into the base of the brain. | 0:14:51 | 0:14:54 | |
And that would take a certain skill set, | 0:14:54 | 0:14:56 | |
and you've had five years' medical study. | 0:14:56 | 0:14:59 | |
Let me show you something. | 0:15:00 | 0:15:02 | |
I was studying to be a surgeon, | 0:15:07 | 0:15:10 | |
but then I developed rheumatoid arthritis, | 0:15:10 | 0:15:14 | |
so I had to find something else to do with my time. | 0:15:14 | 0:15:17 | |
It takes a very thin blade to do that kind of damage, | 0:15:17 | 0:15:21 | |
and as you can see, I can barely hold a pencil. | 0:15:21 | 0:15:24 | |
HE KNOCKS ON DOOR | 0:15:30 | 0:15:31 | |
Mei Lin? | 0:15:31 | 0:15:33 | |
You all right? | 0:15:35 | 0:15:37 | |
I never wanted any of this. | 0:15:39 | 0:15:41 | |
Perhaps it would have been better if we'd never found one another. | 0:15:42 | 0:15:46 | |
KNOCK AT DOOR | 0:15:46 | 0:15:48 | |
You wait inside for a moment. | 0:15:48 | 0:15:50 | |
Dr Blake? I'd like a word, if I may. | 0:15:57 | 0:16:00 | |
Detective Inspector Llewellyn Sullivan. | 0:16:08 | 0:16:10 | |
Do you mind if I come in? | 0:16:10 | 0:16:13 | |
Please. | 0:16:13 | 0:16:15 | |
Thank you. | 0:16:15 | 0:16:16 | |
I read your autopsy report. | 0:16:17 | 0:16:19 | |
Interesting. | 0:16:19 | 0:16:20 | |
I felt like I should make the effort to meet you in person. | 0:16:23 | 0:16:25 | |
Frank Carlyle thought it would be best for me to, um, | 0:16:27 | 0:16:30 | |
steer clear of the investigation, given I was there. | 0:16:30 | 0:16:33 | |
And that you knew him. | 0:16:33 | 0:16:35 | |
Well. | 0:16:35 | 0:16:37 | |
And even with all of that, | 0:16:37 | 0:16:40 | |
I'm not sure that Carlyle got it right. | 0:16:40 | 0:16:42 | |
Regarding the Major, I've been asking my own questions. | 0:16:43 | 0:16:48 | |
And? | 0:16:50 | 0:16:52 | |
Well, it seems, within his own branch of the Service, | 0:16:52 | 0:16:55 | |
there was growing reservations about his recent conduct | 0:16:55 | 0:17:00 | |
and judgment. | 0:17:00 | 0:17:02 | |
You think they may have... | 0:17:02 | 0:17:03 | |
It is possible. | 0:17:05 | 0:17:06 | |
I understand that you served in Intelligence with the Major. | 0:17:14 | 0:17:17 | |
I'm just a country doctor, Mr Sullivan. I thought you knew that. | 0:17:17 | 0:17:21 | |
-Indeed. -KNOCK AT DOOR | 0:17:24 | 0:17:26 | |
Doc, I spoke to Rose... | 0:17:26 | 0:17:28 | |
It's all right, Charlie. Please, join us. | 0:17:28 | 0:17:31 | |
-Fancy a drink? -Ah. Thank you. | 0:17:31 | 0:17:34 | |
So, tell me, how did you get on? | 0:17:36 | 0:17:40 | |
Well, we know Joanna Bainbridge had medical training, | 0:17:40 | 0:17:44 | |
and that Hannam was driving a green Studebaker. | 0:17:44 | 0:17:47 | |
-Robert Hannam? -Yes. | 0:17:47 | 0:17:50 | |
You leave it to me. | 0:17:50 | 0:17:52 | |
Let's just hope he hasn't gone to ground, because if he has, | 0:17:52 | 0:17:56 | |
we'll never find him again. | 0:17:56 | 0:17:57 | |
I mean, you've met the man. Where do you think he might have gone? | 0:17:57 | 0:18:01 | |
Hard to say, but I do know this - | 0:18:02 | 0:18:06 | |
wherever he is, he'll be working out the most efficient way | 0:18:06 | 0:18:10 | |
to tie up any loose ends. | 0:18:10 | 0:18:12 | |
Of which you are one. | 0:18:12 | 0:18:14 | |
Yes. | 0:18:14 | 0:18:15 | |
Is there anything else about this case that I should know? | 0:18:15 | 0:18:18 | |
No. | 0:18:22 | 0:18:23 | |
To service. | 0:18:24 | 0:18:25 | |
To service. | 0:18:27 | 0:18:28 | |
I think, given the circumstances, | 0:19:08 | 0:19:10 | |
I should probably take the lead on this. | 0:19:10 | 0:19:12 | |
Yes, I agree. | 0:19:14 | 0:19:15 | |
Put the towel down and step up against the wall, please. | 0:19:16 | 0:19:19 | |
Step back against the wall, please, Doctor. | 0:19:21 | 0:19:23 | |
All right. | 0:19:23 | 0:19:25 | |
I was here yesterday. | 0:19:25 | 0:19:26 | |
-Sergeant? -Thank you, miss. That'll be all. | 0:19:26 | 0:19:29 | |
If you wouldn't mind. | 0:19:29 | 0:19:30 | |
Our superintendent tells me that you were armed | 0:19:32 | 0:19:35 | |
when you had your meeting with Major Alderton yesterday. | 0:19:35 | 0:19:40 | |
Look, what about Hannam, have you put any effort into locating him? | 0:19:40 | 0:19:43 | |
And what about Dr Bainbridge? Weren't you going to speak with her? | 0:19:43 | 0:19:46 | |
Dr Bainbridge suffers from rheumatoid arthritis. | 0:19:46 | 0:19:48 | |
She can barely grasp a pencil. | 0:19:48 | 0:19:51 | |
Yes, but have you checked with her doctor? | 0:19:51 | 0:19:53 | |
-There are treatments available... -Sir? | 0:19:53 | 0:19:54 | |
Frank, this is lunacy! | 0:20:07 | 0:20:08 | |
-What the bloody hell is going on? -Someone's trying to frame me! | 0:20:08 | 0:20:11 | |
Well, they're doing a pretty decent job of it, aren't they? | 0:20:11 | 0:20:14 | |
Yes, they are. | 0:20:14 | 0:20:16 | |
-Look, I know you have to lock me up. -Yes, I'm afraid so. | 0:20:16 | 0:20:19 | |
Maybe we could use that, turn it to our advantage... | 0:20:19 | 0:20:21 | |
-Doctor, I'll need your belt and tie. -Superintendent, is this really... | 0:20:21 | 0:20:24 | |
-Just do it. -We right, Chief Superintendent? | 0:20:24 | 0:20:27 | |
All right, Doctor? | 0:20:31 | 0:20:32 | |
Let's start from the beginning. | 0:20:34 | 0:20:36 | |
-Davis? -I gave Dr Harvey that blade, boss. | 0:20:40 | 0:20:44 | |
She's running the tests you wanted now. | 0:20:44 | 0:20:46 | |
Good. | 0:20:46 | 0:20:48 | |
-Do you really think he did it, sir? -Not sure yet, son. | 0:20:48 | 0:20:51 | |
Wouldn't be the first time he's killed a man, | 0:20:51 | 0:20:53 | |
I can tell you that much. | 0:20:53 | 0:20:55 | |
I didn't realise you were there. | 0:21:18 | 0:21:19 | |
-If you're hungry, I can... -Do you hate me? | 0:21:20 | 0:21:22 | |
I know I would. | 0:21:23 | 0:21:24 | |
Is there anything you need? | 0:21:29 | 0:21:32 | |
I think I might go and get some air. | 0:21:32 | 0:21:34 | |
Don't call out. | 0:21:49 | 0:21:51 | |
Don't do anything. | 0:21:52 | 0:21:54 | |
Where's Blake? | 0:21:58 | 0:21:59 | |
I don't know where he is. | 0:22:00 | 0:22:02 | |
You can do that all you like, I don't know. | 0:22:02 | 0:22:04 | |
I need to see him. | 0:22:04 | 0:22:06 | |
Maybe you should make an appointment. | 0:22:08 | 0:22:10 | |
You tell him, we need to meet, | 0:22:14 | 0:22:18 | |
but he leaves the police out of it. | 0:22:18 | 0:22:20 | |
Yeah, I understand. | 0:22:28 | 0:22:30 | |
Well, I'll do that as soon as I can. Thank you very much. | 0:22:30 | 0:22:34 | |
Thank you for calling, Charlie. Can I see him? | 0:22:36 | 0:22:39 | |
Mrs Blake, I assume? | 0:22:42 | 0:22:45 | |
Mind if I have a word? | 0:22:45 | 0:22:47 | |
We found the knife in Mei Lin's room and Lucien was there. | 0:22:51 | 0:22:55 | |
-Did he hurt you? -No. | 0:23:00 | 0:23:02 | |
-Show me your hands. -They're only bruises. | 0:23:02 | 0:23:03 | |
Here. At least this will keep you occupied. | 0:23:05 | 0:23:08 | |
-The house isn't safe, you know. -Yes, I've already thought of that. | 0:23:08 | 0:23:11 | |
And do you know where to go? | 0:23:11 | 0:23:13 | |
Yes. I'll take Mei Lin with me. | 0:23:13 | 0:23:16 | |
No, he was never in the room without me. | 0:23:16 | 0:23:18 | |
We found him there alone today, Mrs Blake. | 0:23:18 | 0:23:20 | |
I gave him the key. | 0:23:22 | 0:23:24 | |
Yesterday afternoon, your husband came to see you. | 0:23:28 | 0:23:31 | |
Was there any period of time THEN | 0:23:31 | 0:23:34 | |
-when he was in your room without you? -No! | 0:23:34 | 0:23:37 | |
I went out. When I got back, he was waiting for me. | 0:23:37 | 0:23:40 | |
-So he was there before you arrived? -He was outside the room! | 0:23:40 | 0:23:44 | |
What was your husband's reaction when you told him | 0:23:44 | 0:23:46 | |
that Derek Alderton was threatening you and your family? | 0:23:46 | 0:23:48 | |
He was displeased. | 0:23:50 | 0:23:52 | |
Enough to harm the man? | 0:23:52 | 0:23:54 | |
Failure to answer our questions truthfully may result in charges | 0:23:54 | 0:23:58 | |
laid against you, and that may also reflect poorly | 0:23:58 | 0:24:01 | |
on any attempt made by you to become a naturalised Australian citizen. | 0:24:01 | 0:24:05 | |
He was looking after me. That's the only reason that he was angry. | 0:24:05 | 0:24:09 | |
Lucien is a good man. | 0:24:12 | 0:24:14 | |
I am sorry. | 0:24:18 | 0:24:19 | |
I'm sorry about everything. | 0:24:21 | 0:24:23 | |
Mrs Beazley, they're heading back downstairs. | 0:24:27 | 0:24:31 | |
Also, the boss is going to place an officer at the house for you. | 0:24:31 | 0:24:34 | |
I'll be fine, Charlie. I'll make my own arrangements. | 0:24:34 | 0:24:37 | |
Very well. | 0:24:37 | 0:24:38 | |
Will you be all right? | 0:24:42 | 0:24:43 | |
Yes, of course. | 0:24:45 | 0:24:46 | |
I'll be fine. | 0:24:46 | 0:24:47 | |
As I said, Dr Harvey, I'm very sorry, | 0:24:56 | 0:24:58 | |
but I'm under strict instructions. | 0:24:58 | 0:25:00 | |
-Dr Harvey. -I want to speak with Dr Blake, | 0:25:00 | 0:25:02 | |
but apparently, I'm not allowed. | 0:25:02 | 0:25:05 | |
Yes. He's currently indisposed. What have you got? | 0:25:05 | 0:25:08 | |
The wound on the body matches the size and shape of the weapon. | 0:25:08 | 0:25:11 | |
The blood type on the weapon matches that on the towel, AB positive. | 0:25:11 | 0:25:15 | |
-Major Alderton? -Also AB positive. | 0:25:15 | 0:25:18 | |
And considering only 3% of the population | 0:25:18 | 0:25:20 | |
has that particular blood type... | 0:25:20 | 0:25:21 | |
The knife was obviously the weapon used to kill Alderton. | 0:25:21 | 0:25:24 | |
It's not a knife. | 0:25:24 | 0:25:26 | |
It's a small, thin rod with a base that could be a handle, | 0:25:26 | 0:25:29 | |
but it's intended for some other purpose. | 0:25:29 | 0:25:31 | |
It's precision-engineered and calibrated, | 0:25:31 | 0:25:33 | |
as the measurements on the side of the rod indicate. | 0:25:33 | 0:25:36 | |
-Where does it come from? -Some complex, highly accurate machine. | 0:25:36 | 0:25:41 | |
Please tell Dr Blake to let me know if there's anything else he needs. | 0:25:41 | 0:25:43 | |
Of course. Doctor. | 0:25:43 | 0:25:45 | |
-Boss, this is stupid. -Davis... | 0:25:48 | 0:25:49 | |
You know the doctor has nothing to do with any of this. | 0:25:49 | 0:25:52 | |
-You can't just stick him down in the cells. -He's right, Frank. | 0:25:52 | 0:25:54 | |
I mean, I want to smack the bloke most of the time, but... | 0:25:54 | 0:25:57 | |
I don't remember asking for either of your opinions. | 0:25:57 | 0:25:59 | |
Motive, necessary skill, are they present? | 0:25:59 | 0:26:02 | |
Yes, sir. | 0:26:02 | 0:26:03 | |
Means, opportunity, subsequent behaviour - do they all line up? | 0:26:03 | 0:26:07 | |
-Yes, sir. -Given that, if this was anybody else, | 0:26:07 | 0:26:09 | |
-what would you be doing? -Locking him up. | 0:26:09 | 0:26:12 | |
You keep your personal feelings out of this | 0:26:12 | 0:26:14 | |
and you follow the trail of evidence. | 0:26:14 | 0:26:17 | |
A failure to do so will result in disciplinary action. Am I clear? | 0:26:17 | 0:26:20 | |
-Yes, sir. -Sir. | 0:26:20 | 0:26:22 | |
Good. | 0:26:22 | 0:26:23 | |
Doc? | 0:26:42 | 0:26:44 | |
Charlie. | 0:26:44 | 0:26:46 | |
What can I do to help? | 0:26:54 | 0:26:55 | |
You know how you can help me, Charlie? | 0:27:00 | 0:27:02 | |
Trust me. | 0:27:03 | 0:27:05 | |
Dr Harvey thinks the murder weapon was some sort of part | 0:27:09 | 0:27:13 | |
from a complex machine. | 0:27:13 | 0:27:16 | |
-A machine? -Mm. | 0:27:16 | 0:27:18 | |
Like a telescope, perhaps, hm? | 0:27:20 | 0:27:24 | |
Interesting. | 0:27:24 | 0:27:26 | |
Makes it opportunistic. | 0:27:26 | 0:27:28 | |
Someone was there, they saw a chance, they took it. | 0:27:28 | 0:27:32 | |
Mind you, that's a hell of a thing to do | 0:27:32 | 0:27:35 | |
on the spur of the moment, isn't it, in near total darkness. | 0:27:35 | 0:27:40 | |
Of course, it might also explain how I could've killed him, correct? | 0:27:40 | 0:27:45 | |
Well... | 0:27:45 | 0:27:48 | |
Yes. | 0:27:48 | 0:27:49 | |
Is Rose about? | 0:27:51 | 0:27:53 | |
Tell her to go and talk to that maid. | 0:27:53 | 0:27:55 | |
Someone got into that room. | 0:27:55 | 0:27:57 | |
Doc, she's not police. | 0:27:57 | 0:27:59 | |
Well, she should be, she asks enough questions. | 0:27:59 | 0:28:02 | |
All right. All right. | 0:28:02 | 0:28:05 | |
Also, tell Dr Harvey to look through Bainbridge's medical records - | 0:28:05 | 0:28:10 | |
anti-inflammatories, anything that might help with her symptoms. | 0:28:10 | 0:28:14 | |
Then go back to the observatory and ask her about that bloody telescope. | 0:28:14 | 0:28:19 | |
Will do, Doc. | 0:28:19 | 0:28:21 | |
And, Charlie... | 0:28:26 | 0:28:27 | |
..thank you. | 0:28:30 | 0:28:32 | |
Please! | 0:29:28 | 0:29:29 | |
Look out! | 0:29:44 | 0:29:45 | |
Sir, look out! | 0:29:45 | 0:29:47 | |
You all right? | 0:29:50 | 0:29:51 | |
Why did you attack me? | 0:29:55 | 0:29:57 | |
-I thought that man had come back. -Who? | 0:29:58 | 0:30:02 | |
A man came today, and he said he'd... | 0:30:02 | 0:30:04 | |
kill me if I told anyone. | 0:30:04 | 0:30:06 | |
This him? | 0:30:12 | 0:30:14 | |
Yes. | 0:30:14 | 0:30:16 | |
You told my boss there was no way you could hold a knife. | 0:30:17 | 0:30:20 | |
You seem to have a pretty good grip to me. | 0:30:21 | 0:30:23 | |
There it is. | 0:30:31 | 0:30:33 | |
What is it, Doctor? | 0:30:33 | 0:30:35 | |
This tool allows me to adjust the aperture. | 0:30:40 | 0:30:43 | |
How long has it been missing? | 0:30:43 | 0:30:46 | |
Two days. | 0:30:46 | 0:30:48 | |
So, before the eclipse? | 0:30:48 | 0:30:50 | |
That morning, I came in, and it was gone. | 0:30:50 | 0:30:52 | |
I'm going to lose all this, aren't I? | 0:30:55 | 0:30:57 | |
All of this. | 0:30:57 | 0:30:59 | |
My entire life's work. | 0:30:59 | 0:31:02 | |
Everything I've ever believed in. | 0:31:02 | 0:31:04 | |
He was going to take it from me, | 0:31:06 | 0:31:09 | |
the whole universe... | 0:31:09 | 0:31:11 | |
..just because he could. | 0:31:13 | 0:31:14 | |
Lights, please. | 0:31:21 | 0:31:23 | |
Doctor? | 0:31:26 | 0:31:27 | |
What's that? | 0:31:31 | 0:31:32 | |
I'm guessing your old station boss didn't like you very much. | 0:31:36 | 0:31:41 | |
William Munro. | 0:31:41 | 0:31:42 | |
Created a dossier on you. | 0:31:43 | 0:31:45 | |
Very detailed. | 0:31:47 | 0:31:48 | |
He also managed to track down your agency file. | 0:31:50 | 0:31:53 | |
How many men did you kill, Doctor, during your service? | 0:31:56 | 0:32:00 | |
Two. | 0:32:05 | 0:32:07 | |
Bao Cheng in Taipei... | 0:32:07 | 0:32:09 | |
..Victor Gennardy in Macau. | 0:32:10 | 0:32:12 | |
I've been wondering if their deaths have anything to do with this. | 0:32:14 | 0:32:17 | |
You remembered their names. | 0:32:19 | 0:32:21 | |
It's the least I can do. | 0:32:21 | 0:32:23 | |
How did you do it? | 0:32:27 | 0:32:28 | |
Just walk away from the Service, | 0:32:30 | 0:32:34 | |
become that simple country doctor? | 0:32:34 | 0:32:36 | |
Believe it or not, Mr Sullivan... | 0:32:40 | 0:32:42 | |
..I love what I do. | 0:32:44 | 0:32:46 | |
Still, a big change. | 0:32:46 | 0:32:48 | |
I'm afraid it's not looking good, Lucien. | 0:32:54 | 0:32:57 | |
Quite. | 0:32:57 | 0:32:58 | |
But explain to me, please explain to me | 0:33:00 | 0:33:03 | |
how I killed him. | 0:33:03 | 0:33:05 | |
Well, accepting the fact you've got more than enough motive... | 0:33:05 | 0:33:08 | |
Ah. | 0:33:08 | 0:33:09 | |
You arranged to meet Major Alderton at the observatory. | 0:33:11 | 0:33:14 | |
You took a gun with you for protection. | 0:33:14 | 0:33:17 | |
But you managed to find a weapon there | 0:33:19 | 0:33:22 | |
that they couldn't trace back to you. | 0:33:22 | 0:33:24 | |
You improvised, as per your training. | 0:33:25 | 0:33:29 | |
Then, when the eclipse was at its height, you made your move. | 0:33:32 | 0:33:35 | |
Lucien... | 0:33:38 | 0:33:39 | |
..if there's anything that you can tell me, anything at all | 0:33:40 | 0:33:44 | |
that will help you get out of here, now is the time. | 0:33:44 | 0:33:47 | |
I've been speaking to Frank. | 0:34:01 | 0:34:03 | |
About what, exactly? | 0:34:05 | 0:34:07 | |
About your transfer to Melbourne. | 0:34:07 | 0:34:09 | |
Special Branch have requested a much more thorough conversation with you. | 0:34:11 | 0:34:16 | |
They arrive at ten o'clock tomorrow morning. | 0:34:18 | 0:34:21 | |
Get some sleep. You're going to need it. | 0:34:21 | 0:34:24 | |
KNOCK AT DOOR | 0:34:49 | 0:34:50 | |
Thank you, Cec. | 0:34:55 | 0:34:57 | |
Jean, would you like to finish my shandy? | 0:35:38 | 0:35:40 | |
Why not? | 0:35:40 | 0:35:41 | |
Do you actually like it? | 0:35:43 | 0:35:45 | |
It's an acquired taste. | 0:35:45 | 0:35:47 | |
Lucien saved my life when he put us on that boat. | 0:35:51 | 0:35:55 | |
Neither of us would have survived the occupation. | 0:35:56 | 0:35:58 | |
Remembering that helped me afterwards, | 0:35:59 | 0:36:04 | |
when I had to keep going. | 0:36:04 | 0:36:06 | |
I can understand why he married you. | 0:36:10 | 0:36:13 | |
What is it? | 0:36:18 | 0:36:20 | |
Goodnight, Jean. | 0:36:23 | 0:36:24 | |
Derek Alderton was in love with me... | 0:36:52 | 0:36:55 | |
..and I slept with him before the war. | 0:36:56 | 0:37:00 | |
He was a nice man, and I had fun. Life was like that then. | 0:37:02 | 0:37:05 | |
I didn't see him for 17 years. | 0:37:05 | 0:37:08 | |
I was in a camp in Hong Kong when I saw him again. | 0:37:08 | 0:37:12 | |
Why are you telling us all this? | 0:37:13 | 0:37:15 | |
He'd changed, become cold... | 0:37:16 | 0:37:20 | |
..vicious. | 0:37:21 | 0:37:23 | |
He wanted to sleep with me again, | 0:37:24 | 0:37:27 | |
and he tried to turn me against my husband. | 0:37:27 | 0:37:29 | |
You should know that we're charging your husband | 0:37:31 | 0:37:34 | |
with the murder of Major Alderton. | 0:37:34 | 0:37:36 | |
I thought only Chinese law was corrupt. | 0:37:36 | 0:37:38 | |
Do you actually think he'd kill Derek right there, in public? | 0:37:38 | 0:37:41 | |
You just told us why. | 0:37:41 | 0:37:43 | |
Jealousy only works if you love someone. | 0:37:43 | 0:37:46 | |
Lucien doesn't love me... | 0:37:48 | 0:37:49 | |
..not any more. | 0:37:51 | 0:37:52 | |
I followed them to the observatory. | 0:37:56 | 0:37:59 | |
I walked into the room when it was dark. | 0:38:00 | 0:38:02 | |
And when Derek tried to kill Lucien, I stabbed him. | 0:38:04 | 0:38:07 | |
All right. What sort of knife did you use? | 0:38:11 | 0:38:13 | |
It wasn't a knife, it was part of the telescope, | 0:38:13 | 0:38:16 | |
a kind of thin rod with a handle, | 0:38:16 | 0:38:19 | |
up through the vertebrae and into the base of the skull. | 0:38:19 | 0:38:22 | |
Wait a minute. | 0:38:23 | 0:38:25 | |
Your husband told us that he left the observatory to go to you | 0:38:25 | 0:38:28 | |
at your hotel. | 0:38:28 | 0:38:30 | |
Ask him if I was there when he arrived. | 0:38:31 | 0:38:34 | |
I kept the weapon in my pocket. | 0:38:35 | 0:38:37 | |
When he was gone, I hid it in the mattress. | 0:38:37 | 0:38:40 | |
Is Lucien still downstairs? | 0:38:42 | 0:38:44 | |
Why, has he confessed? | 0:38:47 | 0:38:50 | |
No. No, he hasn't. | 0:38:51 | 0:38:54 | |
Well, then. | 0:38:54 | 0:38:55 | |
Mei Lin. | 0:38:58 | 0:38:59 | |
Frank, what's going on? | 0:39:02 | 0:39:03 | |
A complication. | 0:39:05 | 0:39:06 | |
No! Not her? | 0:39:09 | 0:39:11 | |
She confessed. | 0:39:11 | 0:39:14 | |
She got all the details right. | 0:39:14 | 0:39:16 | |
Special Branch? | 0:39:16 | 0:39:17 | |
Off the table, I'm afraid, for you, at least. | 0:39:17 | 0:39:21 | |
What the hell do we do now? | 0:39:21 | 0:39:23 | |
Where's Mei Lin? | 0:39:35 | 0:39:38 | |
-She confessed. -What? | 0:39:38 | 0:39:39 | |
To Alderton's murder. | 0:39:39 | 0:39:41 | |
I...I know. | 0:39:41 | 0:39:43 | |
We need to work quickly. | 0:39:43 | 0:39:45 | |
Robert Hannam? | 0:39:46 | 0:39:47 | |
Well, I spoke to a mate in Special Branch. He's missing. | 0:39:47 | 0:39:52 | |
They're starting to panic. | 0:39:52 | 0:39:53 | |
Very loyal, he was there at the time of the murder | 0:39:54 | 0:39:57 | |
and we know he's dangerous. | 0:39:57 | 0:39:58 | |
But, why? Why would he kill Alderton? | 0:39:58 | 0:40:02 | |
What about Dr Bainbridge? | 0:40:02 | 0:40:04 | |
Well, there's her moral objection to the military use of scientific work. | 0:40:04 | 0:40:07 | |
Repeating prescriptions of cortisone, | 0:40:07 | 0:40:09 | |
for her hands, apparently. | 0:40:09 | 0:40:12 | |
He was going to end her life's work. I think that really got to her. | 0:40:12 | 0:40:15 | |
-She told you this yesterday? -Yeah. | 0:40:15 | 0:40:17 | |
But I really don't think she's involved. | 0:40:17 | 0:40:19 | |
Which leads us to Mei Lin. She confessed. | 0:40:21 | 0:40:25 | |
She's trying to protect you, that's all. | 0:40:25 | 0:40:27 | |
She knew what the murder weapon was. | 0:40:27 | 0:40:28 | |
I told her. She came to the morgue this morning, said you'd sent her. | 0:40:28 | 0:40:33 | |
She asked questions, I gave her answers, then she left. | 0:40:33 | 0:40:35 | |
Also, that piece from the telescope went missing | 0:40:35 | 0:40:38 | |
the morning before the eclipse. | 0:40:38 | 0:40:40 | |
Sounds well planned to me, quite impressive. | 0:40:40 | 0:40:44 | |
Yes. | 0:40:44 | 0:40:45 | |
Jean, what did Hannam say? | 0:40:46 | 0:40:49 | |
He said he wanted to talk with you, without the police. | 0:40:49 | 0:40:52 | |
Of course. | 0:40:52 | 0:40:53 | |
Charlie, you and Alice, go talk to Bainbridge. | 0:40:53 | 0:40:56 | |
We need a blood test to confirm whether or not | 0:40:56 | 0:40:58 | |
she is using cortisone. | 0:40:58 | 0:41:00 | |
Rose, Hannam might be hiding and sleeping rough | 0:41:00 | 0:41:02 | |
but he's still got to eat. So, stores, markets. | 0:41:02 | 0:41:05 | |
See if anyone matching his description | 0:41:05 | 0:41:07 | |
has been stocking up on canned goods, other non-perishables. | 0:41:07 | 0:41:10 | |
Get this one back to the Colonists' Club so I know she's safe. | 0:41:10 | 0:41:13 | |
Get yourself to the club! I'm staying here. | 0:41:13 | 0:41:15 | |
All right. | 0:41:16 | 0:41:18 | |
We know what we've got to do. Let's meet back here in two hours. | 0:41:19 | 0:41:22 | |
Charlie, eyes open, yeah? | 0:41:22 | 0:41:24 | |
You sent them away to keep them safe, didn't you? | 0:41:34 | 0:41:36 | |
How long do you think we'll have to wait? | 0:41:39 | 0:41:42 | |
Not long. | 0:41:42 | 0:41:43 | |
Hands where I can see them, and I want that gun of yours. | 0:42:12 | 0:42:15 | |
Sergeant Hannam. Right on time. I'll leave that there in good faith. | 0:42:15 | 0:42:19 | |
You fancy a cuppa? | 0:42:22 | 0:42:24 | |
Thank you, Jean. | 0:42:28 | 0:42:29 | |
Why did you kill Major Alderton? | 0:42:32 | 0:42:34 | |
Because he betrayed our friendship. | 0:42:34 | 0:42:36 | |
He used my family against me, and he seduced my wife. | 0:42:38 | 0:42:41 | |
So I chose a very public venue to get my revenge, | 0:42:43 | 0:42:46 | |
relying on hand-to-hand combat skills I haven't had to use in years | 0:42:46 | 0:42:50 | |
against two men, despite the fact I had a loaded revolver | 0:42:50 | 0:42:54 | |
concealed just under my jacket. | 0:42:54 | 0:42:56 | |
Then, of course, I 'tended' to the Major - | 0:42:56 | 0:42:59 | |
checked for a pulse, that sort of thing - | 0:42:59 | 0:43:01 | |
before finally fleeing the building. | 0:43:01 | 0:43:03 | |
Does that sound at all plausible to you? | 0:43:03 | 0:43:06 | |
Really? | 0:43:07 | 0:43:09 | |
And what about you, Robert? You've killed before. | 0:43:09 | 0:43:12 | |
-Only on orders, Doctor. -Were you ordered to kill me? | 0:43:12 | 0:43:15 | |
If necessary. | 0:43:15 | 0:43:16 | |
The Major thought you would agree to his proposal. | 0:43:18 | 0:43:20 | |
And if I didn't? | 0:43:20 | 0:43:23 | |
If you posed a threat, I would silence you. | 0:43:23 | 0:43:25 | |
And you didn't question that? | 0:43:25 | 0:43:27 | |
All right. Jean, I... | 0:43:27 | 0:43:30 | |
Robert, I... | 0:43:30 | 0:43:31 | |
Tell me this. Why... | 0:43:34 | 0:43:36 | |
..why would someone want to kill Alderton? | 0:43:38 | 0:43:40 | |
Because he had become a liability. | 0:43:40 | 0:43:42 | |
-To whom? -To us. | 0:43:42 | 0:43:45 | |
You know, he mentioned a war in Indochina, | 0:43:45 | 0:43:49 | |
and that he believed he held the key to a peaceful solution. | 0:43:49 | 0:43:53 | |
I don't know what he believed. | 0:43:53 | 0:43:54 | |
I don't even think he knew any more, | 0:43:56 | 0:43:59 | |
certainly not what the brass told him to believe. | 0:43:59 | 0:44:03 | |
You're saying, he thought he was above following orders? | 0:44:05 | 0:44:09 | |
I'm saying he made mistakes, Doctor. | 0:44:09 | 0:44:11 | |
Bad decisions, decisions that cost men their lives. | 0:44:13 | 0:44:16 | |
So they tried to send him to Canberra, | 0:44:16 | 0:44:20 | |
to a desk. | 0:44:20 | 0:44:22 | |
He refused. | 0:44:24 | 0:44:26 | |
I see. | 0:44:27 | 0:44:28 | |
Sergeant, someone followed us to that observatory. | 0:44:30 | 0:44:35 | |
They knew...they knew we would be there. How? | 0:44:35 | 0:44:38 | |
Your phone's been bugged for months, Doctor. | 0:44:38 | 0:44:40 | |
-KNOCK AT DOOR -Lucien, you in there? | 0:44:40 | 0:44:42 | |
Don't be a bloody idiot. We had no idea he was coming. | 0:44:42 | 0:44:45 | |
Thank you for the tea. | 0:44:46 | 0:44:48 | |
Lucien, are you all right? | 0:44:51 | 0:44:53 | |
Yes, I'm fine. | 0:44:53 | 0:44:55 | |
-Where's Hannam? -He was here. He's not the killer. | 0:44:55 | 0:44:59 | |
-Then who the hell is? -What are you doing here? | 0:44:59 | 0:45:01 | |
Improvising, seeing the plan fell through. | 0:45:01 | 0:45:03 | |
There was a plan? | 0:45:03 | 0:45:05 | |
Yes. | 0:45:06 | 0:45:07 | |
To see if someone would approach us at the station. | 0:45:08 | 0:45:13 | |
Then we decided we'd try to lure Hannam out. | 0:45:13 | 0:45:15 | |
Frank organised to have me transferred to Melbourne. | 0:45:15 | 0:45:17 | |
You see, that would have put me out in the open. | 0:45:17 | 0:45:19 | |
Where you were going to use yourself as live bait? Some plan. | 0:45:19 | 0:45:23 | |
Yes, well, it doesn't matter now. | 0:45:23 | 0:45:24 | |
We thought it would force someone to show their hand, | 0:45:24 | 0:45:27 | |
but it hasn't bloody happened. | 0:45:27 | 0:45:29 | |
Yes, it has. | 0:45:29 | 0:45:31 | |
Mr Sullivan. | 0:45:38 | 0:45:40 | |
Now, don't shout. | 0:45:40 | 0:45:42 | |
Don't shout, don't shout. No-one can hear you. | 0:45:47 | 0:45:50 | |
Major Alderton created an awful mess, | 0:45:50 | 0:45:53 | |
and I'm the one that has to clean it up. | 0:45:53 | 0:45:56 | |
SHE SHRIEKS | 0:45:56 | 0:45:57 | |
Don't! | 0:46:00 | 0:46:01 | |
I'll try and make this as quick as I can. | 0:46:07 | 0:46:09 | |
Sullivan. | 0:46:12 | 0:46:14 | |
Mei Lin! Hang on. | 0:46:14 | 0:46:16 | |
It's all right, Mei Lin. It's all right. | 0:46:16 | 0:46:18 | |
You're going to be all right. | 0:46:18 | 0:46:19 | |
Lucien! | 0:46:21 | 0:46:24 | |
I've got you. | 0:46:24 | 0:46:26 | |
It's all right. I've got you. | 0:46:26 | 0:46:28 | |
I've got you. | 0:46:29 | 0:46:30 | |
Derek Alderton had become a liability. | 0:46:34 | 0:46:38 | |
But he refused to retire. | 0:46:38 | 0:46:40 | |
So I decided to sort it out, right? | 0:46:41 | 0:46:44 | |
It's why you murdered him, yes. | 0:46:44 | 0:46:47 | |
Derek Alderton knew the rules, Lucien. | 0:46:47 | 0:46:51 | |
We follow orders unconditionally. That's our world. | 0:46:51 | 0:46:54 | |
And if you don't... | 0:46:54 | 0:46:56 | |
..you become expendable. | 0:46:57 | 0:46:59 | |
You know that better than anyone. | 0:47:00 | 0:47:02 | |
It's your world, not mine. | 0:47:02 | 0:47:04 | |
So, how did you figure it out? | 0:47:08 | 0:47:10 | |
Quite simple, really. | 0:47:10 | 0:47:12 | |
At the end of the day, it was all just a question of time and space. | 0:47:12 | 0:47:16 | |
Think about where we all were in relation to one another. | 0:47:16 | 0:47:21 | |
A crowd between us, distance to cover | 0:47:21 | 0:47:23 | |
in darkness, all in the span of just a few seconds. | 0:47:23 | 0:47:27 | |
There's no way Hannam or Dr Bainbridge | 0:47:29 | 0:47:32 | |
could have traversed that distance, that space, | 0:47:32 | 0:47:35 | |
in the time available to them. | 0:47:35 | 0:47:37 | |
There had to be someone else in that room, someone we didn't know about. | 0:47:37 | 0:47:41 | |
Once you'd killed Alderton, all that was left to do | 0:47:44 | 0:47:47 | |
was to plant the evidence with a little help from Iris. | 0:47:47 | 0:47:52 | |
You remember Iris, Frank, from the Soldier's Hill Hotel. | 0:47:52 | 0:47:56 | |
I wonder, Mr Sullivan... | 0:47:56 | 0:47:58 | |
..did you pay her for her stellar contribution? | 0:47:59 | 0:48:04 | |
Well, domestic wages are hard to get by on. | 0:48:04 | 0:48:06 | |
It seems the only thing you didn't take into account | 0:48:07 | 0:48:10 | |
was just how many people you could blame for this. | 0:48:10 | 0:48:13 | |
Did I miss anything? | 0:48:15 | 0:48:16 | |
No. | 0:48:20 | 0:48:21 | |
I think that just about covers it. | 0:48:22 | 0:48:24 | |
Boss? | 0:48:26 | 0:48:28 | |
The military police are here. | 0:48:28 | 0:48:29 | |
I'll get that, sir. | 0:48:49 | 0:48:51 | |
Hey, Sullivan... | 0:49:05 | 0:49:06 | |
-Drop the gun! -Drop it! | 0:49:09 | 0:49:11 | |
It's over, Sergeant. | 0:49:31 | 0:49:33 | |
Sergeant Robert Hannam, 3rd Regiment, 4th Division. | 0:49:38 | 0:49:42 | |
Army number 26052. | 0:49:42 | 0:49:44 | |
Why did Derek hate you so much? | 0:50:05 | 0:50:07 | |
You used to be such good friends. | 0:50:08 | 0:50:11 | |
Those years we spent together... | 0:50:18 | 0:50:20 | |
..in the camp... | 0:50:21 | 0:50:23 | |
..that place... | 0:50:25 | 0:50:27 | |
we all came out very different men, | 0:50:27 | 0:50:29 | |
certainly, I did. | 0:50:29 | 0:50:31 | |
And Derek? | 0:50:32 | 0:50:33 | |
They broke him. | 0:50:36 | 0:50:38 | |
I witnessed the whole thing. It was just... | 0:50:40 | 0:50:42 | |
It was just awful. | 0:50:43 | 0:50:45 | |
He gave up. He... | 0:50:47 | 0:50:49 | |
He wanted to die. | 0:50:52 | 0:50:53 | |
You know me. I couldn't have that. | 0:50:55 | 0:50:57 | |
So I saved him. I, um... | 0:50:58 | 0:51:00 | |
I kept him alive, and I don't think he ever forgave me for that. | 0:51:02 | 0:51:06 | |
KNOCK AT DOOR | 0:51:06 | 0:51:08 | |
I'll get it. | 0:51:08 | 0:51:09 | |
And you never told anyone? | 0:51:11 | 0:51:13 | |
No. | 0:51:15 | 0:51:16 | |
No. I didn't think it was right, somehow. | 0:51:16 | 0:51:19 | |
He's here. | 0:51:21 | 0:51:22 | |
Thank you, Jean. | 0:51:22 | 0:51:24 | |
I'm ready. | 0:51:28 | 0:51:29 | |
Six hours until the ship leaves, | 0:51:40 | 0:51:41 | |
which is plenty of time to get us down to the port and boarded. | 0:51:41 | 0:51:44 | |
Here are passports for you and your family. | 0:51:47 | 0:51:50 | |
It's been arranged they'll meet you at the consulate in Hong Kong. | 0:51:50 | 0:51:52 | |
Thank you. | 0:51:52 | 0:51:54 | |
I'll make sure she gets on board safely. | 0:52:01 | 0:52:02 | |
I can't thank you enough, Frank. | 0:52:04 | 0:52:06 | |
Mei Lin, I... | 0:52:15 | 0:52:16 | |
It's time for both of us to start our lives again. | 0:52:18 | 0:52:20 | |
You travel safe. | 0:52:26 | 0:52:27 | |
You too, Lucien. | 0:52:28 | 0:52:30 | |
Jean... | 0:53:07 | 0:53:08 | |
..there's something I need to ask you. | 0:53:15 | 0:53:17 |