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DISTANT POLICE SIREN | 0:00:23 | 0:00:25 | |
Taxi! | 0:00:30 | 0:00:32 | |
Can you take me here, please? | 0:00:36 | 0:00:38 | |
Right, Charles, sorry about that. OK, let me fill you in on where we are. | 0:00:43 | 0:00:46 | |
We had the cocaine in a holdall. | 0:00:46 | 0:00:48 | |
We moved into the car park where we saw our friend Mr Scott walking out | 0:00:48 | 0:00:52 | |
from behind his van holding a double-barrelled shotgun. | 0:00:52 | 0:00:56 | |
OK, listen, see you in about an hour. | 0:00:57 | 0:00:59 | |
OK. OK, bye. | 0:00:59 | 0:01:01 | |
CLICK Sorry about that. I'm a lawyer. | 0:01:02 | 0:01:04 | |
CLICK | 0:01:05 | 0:01:07 | |
CLICK Honestly. | 0:01:07 | 0:01:09 | |
CAR HORN SOUNDS | 0:01:09 | 0:01:12 | |
Jamie's dad, Mr Burton, | 0:01:13 | 0:01:15 | |
has come in today to talk about what he does at work. | 0:01:15 | 0:01:17 | |
Hi. Do any of you know what a barrister does? Yes, Jamie? | 0:01:17 | 0:01:21 | |
He stops people from going to prison. And how does he do that? | 0:01:21 | 0:01:24 | |
He tells a court that someone didn't do a crime. | 0:01:24 | 0:01:27 | |
And sometimes the evidence doesn't cut it. | 0:01:27 | 0:01:30 | |
And sometimes that means he can't come on holiday like he promised. | 0:01:30 | 0:01:33 | |
Actually, my job is mostly standing up and talking to a judge in court. | 0:01:33 | 0:01:38 | |
What do you talk about? If someone said they saw you take your classmate's pen, | 0:01:38 | 0:01:42 | |
and you said you didn't, my job would be to show that whoever saw you was mistaken. | 0:01:42 | 0:01:47 | |
What happens if I did take the pen anyway? Well, then you'd be guilty. | 0:01:47 | 0:01:50 | |
Yeah, but what if I said I didn't take it, and the person who saw me has bad eyesight, | 0:01:50 | 0:01:55 | |
and you're so good at arguing they can't be sure it was me who took it? | 0:01:55 | 0:01:59 | |
Ah! Well, then, that's what you call a reasonable doubt. | 0:01:59 | 0:02:02 | |
So I get to keep the pen? Yes, but then you'd be getting away with it. | 0:02:02 | 0:02:06 | |
Only if your dad was on my side. | 0:02:06 | 0:02:08 | |
KANGO DRILL VIBRATES | 0:02:32 | 0:02:34 | |
Hi, Charles. Will. Are we ready? | 0:02:38 | 0:02:41 | |
Crown called. Seems Maggie Gardner's stepping in as lead junior. Again? | 0:02:41 | 0:02:45 | |
Surprised she could squeeze in a case between TV appearances. Suppose I'm flattered. | 0:02:45 | 0:02:50 | |
It's like a derby match with you. They should sell tickets. | 0:02:50 | 0:02:53 | |
It was the only object Mr Kumarin had to hand. | 0:02:53 | 0:02:55 | |
A hunting knife is not a defensive weapon! The clue is in the name. | 0:02:55 | 0:02:59 | |
Miss Gardner. I apologise, My Lord. A man about to be attacked does not have to wait for permission. | 0:02:59 | 0:03:04 | |
The law tells us, in the right circumstances, a pre-emptive strike is justified. | 0:03:04 | 0:03:09 | |
In this case, a loaded shotgun aimed squarely at his head! | 0:03:09 | 0:03:12 | |
We only have Mr Scott's appalling aim to thank that Mr Kumarin is here | 0:03:12 | 0:03:16 | |
and not being scraped off the nightclub wall with a trowel. | 0:03:16 | 0:03:19 | |
Well done, Will. | 0:03:21 | 0:03:23 | |
RUSSIAN ACCENT: Mr Will, thank you very much. | 0:03:24 | 0:03:26 | |
Pleasure. Thank you. Take care. | 0:03:30 | 0:03:33 | |
DOVES COO | 0:03:48 | 0:03:50 | |
BIRDSONG | 0:04:00 | 0:04:02 | |
MAN WHISTLES TV: "Police continue to make headway | 0:04:16 | 0:04:19 | |
in their investigation into the brutal murder of Sandra Mullen, | 0:04:19 | 0:04:23 | |
acting on new evidence that has come to light in the past few days. | 0:04:23 | 0:04:26 | |
Detectives are still calling for witnesses to come forward with any additional information | 0:04:26 | 0:04:31 | |
they may have concerning the ritualistic slaying of Miss Mullen, | 0:04:31 | 0:04:35 | |
whose tortured body was found on heathland by a dog walker last October. | 0:04:35 | 0:04:39 | |
Miss Mullen, who was 25 at the time of her death and studying to be a doctor, | 0:04:39 | 0:04:44 | |
was last seen leaving a night club in the early hours of Thursday morning." | 0:04:44 | 0:04:48 | |
KNOCK AT DOOR | 0:04:48 | 0:04:50 | |
No, thank you, we have insulation! | 0:04:52 | 0:04:54 | |
We have a warrant to conduct a search of these premises! | 0:04:55 | 0:04:58 | |
Come back after breakfast! | 0:04:59 | 0:05:02 | |
Mr Foyle! | 0:05:02 | 0:05:04 | |
After breakfast!! | 0:05:04 | 0:05:06 | |
LOUD METALLIC THUD | 0:05:08 | 0:05:10 | |
FOOTSTEPS | 0:05:11 | 0:05:13 | |
Well-played. Thank you. How's life? Ah, pleasure and pain. | 0:05:22 | 0:05:26 | |
Oh, Kate saw you on Loose Women the other day. | 0:05:26 | 0:05:28 | |
You're playing it very cool. Cool? | 0:05:31 | 0:05:33 | |
This... This whole Top 40 nonsense. | 0:05:33 | 0:05:35 | |
What are you talking about? You haven't heard? | 0:05:36 | 0:05:39 | |
Oh, false modesty! | 0:05:42 | 0:05:44 | |
It's so unappealing, Will. | 0:05:44 | 0:05:46 | |
HE LAUGHS | 0:05:46 | 0:05:48 | |
I don't know what you're talking about. | 0:05:49 | 0:05:51 | |
We've never had a number one. Congratulations. Ah. You'd heard already? | 0:05:57 | 0:06:02 | |
Er, no, but that explains the warm welcome outside the robing room. | 0:06:02 | 0:06:06 | |
I don't think it's limited to there. Well done, Mr Burton. That's silk now for you, surely? | 0:06:06 | 0:06:11 | |
If you say so, Mr Monk. You fill out the application, I'll buy a stamp. How's that? | 0:06:11 | 0:06:16 | |
(Don't do this to me!) You should consider it. | 0:06:16 | 0:06:19 | |
Don't stay a junior all your life, hm? | 0:06:19 | 0:06:21 | |
Well, Harris can, but that's red brick education for you. | 0:06:23 | 0:06:26 | |
I like getting my hands dirty. Ah, but you're different, Will. So very... special. | 0:06:26 | 0:06:31 | |
Bonus prize. No, we're actually up to the cottage for the weekend. Read that, will you? | 0:06:44 | 0:06:49 | |
Knowing you it shouldn't take long. We're out of mobile range. Very unfortunate. Tragic, in fact. | 0:06:49 | 0:06:54 | |
Simkins Brown asked for you. Personally. | 0:06:54 | 0:06:57 | |
Really? Although I'd keep that particular factoid to yourself if I were you. | 0:06:57 | 0:07:02 | |
They asked for you over any of the silks. Can't say I blame them. | 0:07:02 | 0:07:05 | |
If I was in their client's shoes, I'd want your record on my side. | 0:07:05 | 0:07:09 | |
If you're chained up in a safe at the bottom of a shark tank, you don't call for Paul Daniels. | 0:07:09 | 0:07:14 | |
You call for Houdini. | 0:07:15 | 0:07:17 | |
Oh! | 0:07:18 | 0:07:20 | |
HE EXHALES | 0:07:26 | 0:07:28 | |
HE BLOWS WHISTLE Come on. | 0:07:28 | 0:07:31 | |
Nice one. Good pass. Good pass! Come on! | 0:07:31 | 0:07:34 | |
There we go, now we're talking. | 0:07:35 | 0:07:37 | |
Come on. Keep an eye on the ball! | 0:07:37 | 0:07:40 | |
Here we... WHISTLE BLOWS Oh, come on, referee! | 0:07:40 | 0:07:44 | |
Grow a sac, for God's sake! | 0:07:44 | 0:07:46 | |
Potatoes, she means sack of potatoes. You're here! | 0:07:46 | 0:07:49 | |
Oh, mwah! | 0:07:50 | 0:07:52 | |
Oh, God... Shoot! Shoot! Shoot! | 0:07:53 | 0:07:55 | |
Oh, wee man. CROWD APPLAUDS | 0:07:57 | 0:07:59 | |
I found an apple in my jacket this morning. | 0:08:04 | 0:08:07 | |
I was sending you a message - through the medium of fruit. | 0:08:07 | 0:08:10 | |
The message being? Eat fruit. You don't think I'm getting my five a day? No. | 0:08:10 | 0:08:15 | |
I don't think you're eating anything that isn't made from cheese. | 0:08:15 | 0:08:18 | |
BEEPS | 0:08:19 | 0:08:21 | |
SHE WHISTLES | 0:08:28 | 0:08:30 | |
I think you'll find you have to press the button first. | 0:08:34 | 0:08:37 | |
I did press it. I used a pressing motion. | 0:08:37 | 0:08:40 | |
BEEPS There now. | 0:08:41 | 0:08:43 | |
WATER RUNS I just did that. OK. | 0:08:44 | 0:08:47 | |
Thanks for your support. Really appreciate it. | 0:08:49 | 0:08:52 | |
Come on, we're going. | 0:08:53 | 0:08:56 | |
Yeah. | 0:08:59 | 0:09:01 | |
Hang on. | 0:09:03 | 0:09:04 | |
Get your bags off the back seat. OK? | 0:09:17 | 0:09:19 | |
Hey, Ben. All right. | 0:09:20 | 0:09:22 | |
Hi. DOG BARKS | 0:09:22 | 0:09:25 | |
SOFT MUSIC ON RADIO | 0:09:58 | 0:10:00 | |
You're the Pied Piper of bubble baths. | 0:10:07 | 0:10:10 | |
SHE LAUGHS | 0:10:10 | 0:10:12 | |
You know, there might be room in here for a large Scotsman. | 0:10:12 | 0:10:15 | |
I've got to catch up on something. Oh, well, suit yourself. | 0:10:15 | 0:10:18 | |
It's all candles and twilight in here though. | 0:10:19 | 0:10:22 | |
Your loss. | 0:10:23 | 0:10:25 | |
HE SIGHS | 0:10:25 | 0:10:27 | |
SHE SNORES | 0:10:33 | 0:10:35 | |
SHE SNORTS | 0:10:38 | 0:10:40 | |
Stop snoring. | 0:10:41 | 0:10:43 | |
Sorry, am I keeping you up? SHE LAUGHS | 0:10:43 | 0:10:46 | |
Funny guy. Hmm... | 0:10:46 | 0:10:49 | |
You were quite the hit at school yesterday. So Jamie said. | 0:10:52 | 0:10:55 | |
They seemed to enjoy it. | 0:10:56 | 0:10:59 | |
All his wee pals want you to be their lawyer now. | 0:10:59 | 0:11:01 | |
They're all going to go out and commit GBH safe in the knowledge you'll get them off. | 0:11:01 | 0:11:06 | |
Well, that's very reassuring. | 0:11:06 | 0:11:08 | |
Little do they know that that large brain of yours is full of holes. | 0:11:11 | 0:11:14 | |
Your hard drive's full. | 0:11:14 | 0:11:17 | |
That's your problem. I see. | 0:11:19 | 0:11:21 | |
You just need to back it up now and again. | 0:11:23 | 0:11:25 | |
How do I do that? | 0:11:27 | 0:11:29 | |
Well... | 0:11:29 | 0:11:31 | |
Mmm. You're so nice and warm. | 0:11:42 | 0:11:45 | |
SUSPENSE MUSIC | 0:12:07 | 0:12:09 | |
Mr Simkins, why did you choose me to lead this? | 0:12:26 | 0:12:29 | |
I mean, why me, over a silk? Because I've seen too many silks who try and | 0:12:29 | 0:12:34 | |
waltz in and blunderbuss their way through a case they've only glanced at on the way to the court. | 0:12:34 | 0:12:39 | |
Because in a case like this I want someone | 0:12:39 | 0:12:43 | |
who spends days elbows deep in the evidence. | 0:12:43 | 0:12:46 | |
Because my client stands between a rock and a bucket of shit | 0:12:46 | 0:12:51 | |
and he needs all the help he can get. | 0:12:51 | 0:12:53 | |
And? | 0:12:57 | 0:12:59 | |
Honestly? Yeah. | 0:12:59 | 0:13:02 | |
Hmph. Because you win. | 0:13:02 | 0:13:04 | |
KNOCK ON DOOR | 0:13:21 | 0:13:23 | |
Are you sleeping here now, Mr Burton? | 0:13:26 | 0:13:28 | |
What time is it? Tuesday. | 0:13:28 | 0:13:30 | |
I think I fancy Carlos Tevez. | 0:13:32 | 0:13:34 | |
For captain. | 0:13:35 | 0:13:38 | |
Did you look at these pictures? | 0:13:41 | 0:13:44 | |
You ever seen anything like it? | 0:13:45 | 0:13:47 | |
Before? | 0:13:47 | 0:13:49 | |
I've never. | 0:13:49 | 0:13:51 | |
She was alive for most of it, you know? | 0:13:54 | 0:13:56 | |
She was alive. | 0:13:58 | 0:14:00 | |
HE EXHALES | 0:14:01 | 0:14:03 | |
"We were walking through the park, listening to music on our iPod. | 0:14:25 | 0:14:28 | |
We did not notice the blood on our shoes until we got home. | 0:14:28 | 0:14:31 | |
Because we'd not been paying much attention to where we'd been walking, | 0:14:31 | 0:14:35 | |
and our walk had taken us through areas of deeper undergrowth and high grasses. | 0:14:35 | 0:14:39 | |
When we first saw the blood we presumed we had stepped in the remains of an animal." | 0:14:39 | 0:14:44 | |
A squirrel, for example? Yes. | 0:14:44 | 0:14:46 | |
Did you know the grey squirrels are killing all the red squirrels? | 0:14:47 | 0:14:52 | |
I did, yes. But now they've discovered a black squirrel. | 0:14:52 | 0:14:55 | |
Mr Foyle. And that's killing all the greys. | 0:14:55 | 0:14:57 | |
Goes to show, you can't be too careful. | 0:14:59 | 0:15:01 | |
Mr Foyle. Can we please get on? | 0:15:01 | 0:15:03 | |
What day do you take your laundry to be service washed, Mr Foyle? | 0:15:05 | 0:15:08 | |
Tuesday's wash day. Can you explain why, after months of Tuesdays, | 0:15:08 | 0:15:13 | |
you took your washing in on a Monday? | 0:15:13 | 0:15:15 | |
We'd run out of pants, hadn't we? We took our laundry to be washed a day early | 0:15:16 | 0:15:20 | |
because we'd run out of clothing. Correct. The fact we found blood on our shoes after our walk | 0:15:20 | 0:15:25 | |
increased our desire to do our washing early. That's the truth. | 0:15:25 | 0:15:29 | |
Do you normally wash your shoes in the washing machine? I do if they have blood on them. | 0:15:29 | 0:15:33 | |
Right. | 0:15:36 | 0:15:38 | |
Erm... We're going to have to talk about the websites. | 0:15:39 | 0:15:42 | |
The other side are going to try to claim you habitually view images and video | 0:15:42 | 0:15:46 | |
that are commonly referred to as "extreme pornography", an umbrella term for filmed acts | 0:15:46 | 0:15:53 | |
which threaten, or appear to threaten, a person's life, | 0:15:53 | 0:15:56 | |
result in serious injury to participants | 0:15:56 | 0:15:58 | |
or appear to involve torture, biting, | 0:15:58 | 0:16:01 | |
sexual interference with a human corpse. | 0:16:02 | 0:16:04 | |
And that this has a link to the nature of the injuries | 0:16:05 | 0:16:08 | |
sustained by the victim. | 0:16:08 | 0:16:11 | |
I don't do that kind of thing. | 0:16:11 | 0:16:13 | |
Unfortunately, your credit card statements tell a different story. | 0:16:13 | 0:16:17 | |
They show payments to a number of websites, which have been revealed | 0:16:17 | 0:16:21 | |
to distribute this... this kind of material. | 0:16:21 | 0:16:24 | |
The credit cards are lying. | 0:16:25 | 0:16:27 | |
Erm... | 0:16:29 | 0:16:31 | |
Right. HE SNIFFS | 0:16:32 | 0:16:34 | |
I have to tell you, Mr Foyle, already this is a huge challenge. | 0:16:34 | 0:16:38 | |
We're going to have to work on your presentation style. | 0:16:38 | 0:16:41 | |
What you see is what you get. | 0:16:41 | 0:16:43 | |
Yes, well, that's part of the problem, isn't it? | 0:16:43 | 0:16:46 | |
Does he have to be here? Yes, he does. Yeah. | 0:16:52 | 0:16:55 | |
Here's the thing, Mr Burton, | 0:16:57 | 0:17:00 | |
and I don't know whether you've picked it up | 0:17:00 | 0:17:03 | |
or perhaps your sixth sense might have spotted it. | 0:17:03 | 0:17:06 | |
I don't like people very much. | 0:17:07 | 0:17:09 | |
I'm just not a very nice person. | 0:17:11 | 0:17:13 | |
I'm not here to judge you. No, the man in red does that. | 0:17:15 | 0:17:18 | |
I'm here to defend you and present your case as best as I can. | 0:17:18 | 0:17:21 | |
In order to do that... You think I did it, don't you? That's the problem. It's not what I was saying. | 0:17:21 | 0:17:26 | |
You think I did all those awful things to that poor woman. Listen to me. I don't think I will. | 0:17:26 | 0:17:31 | |
Mr Foyle. | 0:17:31 | 0:17:33 | |
I want him gone. | 0:17:34 | 0:17:36 | |
He's your solicitor. | 0:17:37 | 0:17:39 | |
Gone. | 0:17:39 | 0:17:41 | |
DOOR SHUTS He was making me nervous. | 0:17:56 | 0:17:59 | |
Do you want to take a minute? | 0:17:59 | 0:18:01 | |
Staring at me. | 0:18:03 | 0:18:05 | |
Mr Foyle. Look me in the eye. | 0:18:07 | 0:18:09 | |
Shall we get on? | 0:18:16 | 0:18:18 | |
How about a nice cup of tea? | 0:18:20 | 0:18:22 | |
Mr Foyle, I'm your defence barrister. | 0:18:24 | 0:18:27 | |
If you privately confessed your guilt to me in any way but publicly maintained your innocence, | 0:18:27 | 0:18:32 | |
I'd be following Mr Simkins there, and I would have encouraged you as I left to enter a guilty plea. | 0:18:32 | 0:18:37 | |
I'm not guilty. | 0:18:37 | 0:18:39 | |
Then this is where we are. | 0:18:41 | 0:18:43 | |
Well, good job you're here then. Refreshing. Let's hope so. | 0:18:43 | 0:18:47 | |
Your manners. | 0:18:47 | 0:18:49 | |
Full? Just a splash. | 0:18:52 | 0:18:53 | |
You know, it's funny. | 0:19:02 | 0:19:04 | |
The more time we spend together, | 0:19:04 | 0:19:06 | |
the more you remind me of me. | 0:19:07 | 0:19:09 | |
Right. | 0:19:13 | 0:19:15 | |
Mr Burton? Give me a minute. Are you all right? I just need some air. | 0:19:17 | 0:19:22 | |
Can I have 20 Marlboro Lights, please? Yep. | 0:19:39 | 0:19:43 | |
And a lighter if you have got one. Sure. | 0:19:43 | 0:19:46 | |
Ah, here she is, the rising star at 57 Harlow Street. | 0:20:12 | 0:20:15 | |
Now then, Maggie, I know I should really be rooting for you | 0:20:16 | 0:20:19 | |
without exception, but you should know there is no ignominy in coming second. Just ask Buzz Aldrin. | 0:20:19 | 0:20:25 | |
Well, I demand a recount. Takes me back to Middle Temple Moot Finals. Really? | 0:20:25 | 0:20:29 | |
Yeah, you and me. Almost an exact replay. | 0:20:29 | 0:20:32 | |
It was a long time ago. I heard you're up against our boy Julian on this Liam Foyle malarkey. | 0:20:35 | 0:20:40 | |
Is that so? Our boy? Yes. Surprised it's not you on the other side. Seem to be making a habit out of it. | 0:20:40 | 0:20:46 | |
Thought I'd give you a go against someone else for a change. Had enough, eh? Never. | 0:20:46 | 0:20:51 | |
I am just thinking of transitioning into more defence work. | 0:20:51 | 0:20:54 | |
Excuse me. Sure. | 0:20:54 | 0:20:56 | |
Anyway, this Foyle case is a little too St Jude for my liking. | 0:21:01 | 0:21:04 | |
He's the patron saint of lost causes. Oh, I didn't know that. | 0:21:06 | 0:21:10 | |
Right, well, I'll go and get us some more rubbing alcohol. Great, thank you. | 0:21:11 | 0:21:15 | |
I'm serious. I've seen the brief. Why are you doing? I'm practising law. | 0:21:18 | 0:21:22 | |
Oh, come on. It's almost a no-questions jobbie. | 0:21:22 | 0:21:25 | |
It might be exposure but for all the wrong reasons. | 0:21:25 | 0:21:28 | |
I don't do things for exposure, Maggie. Why do you do it? | 0:21:28 | 0:21:31 | |
Because everyone deserves a defence. | 0:21:33 | 0:21:35 | |
There you go. | 0:21:42 | 0:21:44 | |
Yeah! THEY WHOOP AND CHEER | 0:21:44 | 0:21:46 | |
Make a wish. I wish my mum would stop annoying me. Yes. MOBILE PHONE RINGS | 0:21:48 | 0:21:52 | |
Who wants a piece of cake? ALL: Me! | 0:21:52 | 0:21:54 | |
Are you sure? ALL: Yes! | 0:21:55 | 0:21:57 | |
OK, so you're saying there's more to find? | 0:22:00 | 0:22:02 | |
Yeah. And would you go on record with that? | 0:22:04 | 0:22:06 | |
Great. Great, OK. Someone from my office will call you tomorrow | 0:22:09 | 0:22:12 | |
and set up an appointment. | 0:22:12 | 0:22:14 | |
Thanks. Thank you. Speak soon. Bye-bye. | 0:22:14 | 0:22:17 | |
Who was that? That's a clever man who knows about computers. | 0:22:18 | 0:22:22 | |
Is he going to back up your brain? | 0:22:22 | 0:22:25 | |
No, it was for my work. Will he help you win the case? I hope so. | 0:22:25 | 0:22:29 | |
Yeah. Mmm... | 0:22:31 | 0:22:33 | |
Oh, here they come. | 0:22:37 | 0:22:39 | |
EXHALES | 0:22:50 | 0:22:52 | |
DOOR CLANKS OPEN | 0:22:58 | 0:23:00 | |
ELECTRONIC BEEPS | 0:23:09 | 0:23:11 | |
CLUNK | 0:23:11 | 0:23:13 | |
ALL SHOUT AT ONCE | 0:23:33 | 0:23:35 | |
How's Kate and the family? Very well, thank you. | 0:23:56 | 0:23:59 | |
I think Maggie's in the gallery today. | 0:23:59 | 0:24:01 | |
Why's she doing that? Checking out the competition I expect. | 0:24:02 | 0:24:05 | |
That's the trouble with being number one. | 0:24:05 | 0:24:08 | |
Everyone wants to knock you off your perch. | 0:24:08 | 0:24:10 | |
Now I heard you asked for an adjournment last week. | 0:24:10 | 0:24:15 | |
I did indeed. Trouble at t'mill? | 0:24:15 | 0:24:18 | |
Not really. Just needed more time. Well, here we are, I'm afraid. | 0:24:18 | 0:24:22 | |
Here we are indeed. | 0:24:22 | 0:24:24 | |
I must say, I do like your game face, old boy. You haven't seen it yet, old boy. | 0:24:26 | 0:24:30 | |
Some crimes defy description. | 0:24:33 | 0:24:35 | |
They debase our so-called civilisation | 0:24:36 | 0:24:39 | |
and defy every boundary of humanity left to us. | 0:24:39 | 0:24:43 | |
Now the person who took the life of Sandra Mullins | 0:24:43 | 0:24:46 | |
can only be described as a malignant sadist, | 0:24:46 | 0:24:50 | |
who did so with the intent to traumatise, to terrorise, | 0:24:50 | 0:24:54 | |
and to inflict the maximum amount of pain and suffering. | 0:24:54 | 0:24:58 | |
And we intend to prove, without doubt, | 0:24:59 | 0:25:01 | |
that that person was Liam Foyle. | 0:25:01 | 0:25:03 | |
Severe bruising around her neck, | 0:25:05 | 0:25:07 | |
her thyroid cartilage and hyoid bone were badly fractured. | 0:25:07 | 0:25:11 | |
Cause of death was strangulation. | 0:25:12 | 0:25:14 | |
Other injuries were sexual in nature, | 0:25:15 | 0:25:17 | |
internal and external, | 0:25:18 | 0:25:20 | |
both eyes were missing, | 0:25:22 | 0:25:24 | |
removed with force close to the time of death, possibly before. | 0:25:24 | 0:25:28 | |
The park gets overgrown towards the north eastern corner. | 0:25:30 | 0:25:33 | |
Long grass, hawthorn, lavender, nettle beds. | 0:25:33 | 0:25:35 | |
And did you see anything unusual on your morning route? I saw a man. | 0:25:36 | 0:25:40 | |
Getting up from a lying position. | 0:25:40 | 0:25:42 | |
Mr Hughes, in your professional capacity, | 0:25:42 | 0:25:45 | |
can you please confirm the credit card statements before you are | 0:25:45 | 0:25:48 | |
an accurate reflection of payments made by your bank on behalf of | 0:25:48 | 0:25:52 | |
the account holder, Mr Liam Foyle? Yes. | 0:25:52 | 0:25:55 | |
And these payments were made by the card over the first three months | 0:25:55 | 0:25:59 | |
of this year, is that correct? Yes. | 0:25:59 | 0:26:01 | |
And they were all made online to companies across Asia and Europe, | 0:26:01 | 0:26:06 | |
all of which distribute and produce the same... product, | 0:26:06 | 0:26:10 | |
namely pornography, is that correct? | 0:26:11 | 0:26:14 | |
Yes, that is our understanding. | 0:26:14 | 0:26:17 | |
Mr Hughes, many of these sites, and I'm afraid we have had to visit | 0:26:17 | 0:26:21 | |
them in the course of this investigation, | 0:26:21 | 0:26:23 | |
have shown acts of extreme depravity which, | 0:26:23 | 0:26:26 | |
we understand from the forensic reports, | 0:26:26 | 0:26:28 | |
show disturbingly accurate similarities to the injuries | 0:26:28 | 0:26:31 | |
that befell Sandra Mullins before she was murdered. | 0:26:31 | 0:26:35 | |
I talk specifically in relation to the bite marks | 0:26:35 | 0:26:38 | |
and the mutilation of genitalia. Liar! | 0:26:38 | 0:26:42 | |
Mr Foyle! You have one chance with me, and that was it. | 0:26:42 | 0:26:47 | |
Any more from you and I shall hold you in contempt. | 0:26:47 | 0:26:50 | |
Murderer! Silence, please! | 0:26:50 | 0:26:52 | |
Mr Hughes, please answer the question. | 0:26:58 | 0:27:00 | |
Yes, it is the same card. | 0:27:01 | 0:27:03 | |
Thank you. No further questions, My Lord. | 0:27:03 | 0:27:05 | |
Mr Burton? | 0:27:07 | 0:27:09 | |
My Lord, before this trial began I made a written application for an adjournment. | 0:27:16 | 0:27:20 | |
I'm asking you now to reconsider that application in the light of the gravity of the expert testimony. | 0:27:20 | 0:27:25 | |
(Oh, come on.) This is most inappropriate. | 0:27:25 | 0:27:28 | |
An adjournment will bring vital evidence to light. | 0:27:28 | 0:27:31 | |
Let both sides have their expert, and let the jury decide. Mr Burton, | 0:27:31 | 0:27:35 | |
there is huge public interest in having this case heard as soon as possible. | 0:27:35 | 0:27:39 | |
The fact your expert has not mustered himself to the task at hand is neither here nor there. | 0:27:39 | 0:27:44 | |
He's not slow, he's gathering potentially new evidence. | 0:27:44 | 0:27:47 | |
It's the same computer. | 0:27:47 | 0:27:49 | |
Both of your experts are computer forensic specialists. | 0:27:49 | 0:27:53 | |
I can hardly see how two trained men looking at the same equipment | 0:27:53 | 0:27:56 | |
could produce so radically different conclusions | 0:27:56 | 0:27:59 | |
that it would make a difference. I'm afraid it simply isn't on. | 0:27:59 | 0:28:03 | |
I think if My Lord could look a little closer... | 0:28:05 | 0:28:08 | |
Your application was refused and it shall stay refused. | 0:28:08 | 0:28:11 | |
I will decline from pursuing you on contempt | 0:28:13 | 0:28:16 | |
but let this be your last and final warning. | 0:28:16 | 0:28:19 | |
We'll break for lunch now - but the train is on the tracks, Mr Burton. | 0:28:19 | 0:28:26 | |
And for the sake of your client I suggest you deal with it. | 0:28:27 | 0:28:30 | |
My Lord. All rise. (Choo-choo.) | 0:28:30 | 0:28:33 | |
Will? | 0:29:05 | 0:29:07 | |
You should try and sleep. I'm fine. I mean it. | 0:29:18 | 0:29:21 | |
You think you're invincible, and you're not. | 0:29:22 | 0:29:25 | |
We should get new locks on these windows. Were you even listening to me? Frame locks, with keys. | 0:29:25 | 0:29:30 | |
Oh, God. You're going to drive me crazy | 0:29:30 | 0:29:33 | |
for the next two months now, aren't you? | 0:29:33 | 0:29:36 | |
A colleague of mine just defended a 12-year-old boy who poured | 0:29:36 | 0:29:40 | |
drain cleaner down the throat of his best mate | 0:29:40 | 0:29:42 | |
because he wouldn't let him play a game on his phone. | 0:29:42 | 0:29:45 | |
The world is broken. | 0:29:54 | 0:29:56 | |
You shouldn't watch scary movies so close to bedtime. | 0:29:59 | 0:30:02 | |
Yeah. | 0:30:08 | 0:30:10 | |
POLICE SIREN CROWD JEERS | 0:30:26 | 0:30:28 | |
DOOR OPENS | 0:30:42 | 0:30:43 | |
Not inspiring much confidence up there, Will. | 0:30:43 | 0:30:46 | |
I know what I'm doing, Mr Foyle. Not from where I'm sitting. | 0:30:47 | 0:30:51 | |
So sack me. Why would I want to do that? | 0:30:51 | 0:30:54 | |
You tell me. I work for you as long as you'll have me. | 0:30:54 | 0:30:57 | |
I apologise, Will. I know you've got my back. | 0:31:01 | 0:31:05 | |
I appreciate your honesty very much. | 0:31:05 | 0:31:07 | |
Shall we get on? | 0:31:09 | 0:31:11 | |
You only have one computer, is that correct? Yes. | 0:31:11 | 0:31:14 | |
But I don't see what that's got to do with what happened to that woman. | 0:31:14 | 0:31:18 | |
You will. | 0:31:18 | 0:31:20 | |
Someone must pay for what happened to Sandra Mullins. | 0:31:22 | 0:31:26 | |
Our very humanity is at stake, as my learned friend has indicated. | 0:31:27 | 0:31:31 | |
It would be convenient for everyone here today | 0:31:32 | 0:31:37 | |
if Liam Foyle was guilty. | 0:31:37 | 0:31:39 | |
The cuffs go on and he's gone forever. | 0:31:40 | 0:31:44 | |
The evidence seems overwhelming. | 0:31:44 | 0:31:46 | |
But it is not. | 0:31:47 | 0:31:49 | |
We may dislike Mr Foyle. | 0:31:51 | 0:31:53 | |
We might cross the street if we saw him coming. | 0:31:54 | 0:31:56 | |
But we do not have to like him to defend him. | 0:31:58 | 0:32:01 | |
Because this is not a popularity contest, this is not a witch-hunt, | 0:32:01 | 0:32:04 | |
this is a court of law, | 0:32:06 | 0:32:09 | |
and in this country, when you're accused of a crime | 0:32:09 | 0:32:12 | |
you are presumed to be innocent until proven guilty. | 0:32:12 | 0:32:17 | |
And make no mistake, not a shred of what you've heard from | 0:32:17 | 0:32:20 | |
my learned friend acting for the Prosecution | 0:32:20 | 0:32:23 | |
has given any proof at all. | 0:32:23 | 0:32:25 | |
I will show you unreliable witnesses, | 0:32:25 | 0:32:27 | |
lazy forensic science, | 0:32:28 | 0:32:30 | |
emotional appeals instead of factual accuracies. | 0:32:30 | 0:32:33 | |
Oh, yes, and the casual assertion that my client is | 0:32:35 | 0:32:39 | |
a consumer of extreme pornography. | 0:32:39 | 0:32:41 | |
First, I think, we will talk about that. | 0:32:43 | 0:32:45 | |
I am an expert in forensic computer data analysis. | 0:32:46 | 0:32:49 | |
Dr Crowe, have you had a chance to examine the hard drive of | 0:32:49 | 0:32:52 | |
the computer belonging to Mr Foyle? Yes, I have. | 0:32:52 | 0:32:56 | |
And you did this instructed by the Prosecution in this case, is that correct? Yes. | 0:32:56 | 0:33:00 | |
Unfortunately Dr Weeks, the gentleman who has helped examine the computer for the Defence | 0:33:00 | 0:33:05 | |
has not yet finished his work. | 0:33:05 | 0:33:08 | |
However, he has passed me his notes to date and I'd like to ask you questions about them. | 0:33:08 | 0:33:13 | |
Wherever you go on the internet, using a computer, | 0:33:13 | 0:33:17 | |
you leave footprints. Is that correct? Yes, it is. | 0:33:17 | 0:33:20 | |
Even if you've deleted a file, someone like you is able to see it. | 0:33:20 | 0:33:24 | |
Most of the time. Where is this going? In the absence of my own expert, | 0:33:24 | 0:33:28 | |
my learned friend has kindly tendered the Prosecution expert on this matter. | 0:33:28 | 0:33:32 | |
I beg some time to explore this point with him. | 0:33:32 | 0:33:34 | |
Very well. | 0:33:37 | 0:33:39 | |
My learned friend alleges that my client paid for and viewed, | 0:33:40 | 0:33:45 | |
on a regular basis, | 0:33:45 | 0:33:47 | |
numerous depraved and abusive images, including... | 0:33:47 | 0:33:51 | |
"acts of torture, mutilation, strangulation, and necrophilia." | 0:33:52 | 0:33:57 | |
Um, in your analysis of his computer, | 0:33:58 | 0:34:01 | |
did you establish that Mr Foyle | 0:34:01 | 0:34:03 | |
had actually visited ANY of those websites that | 0:34:03 | 0:34:06 | |
pertained to those images? No, but his credit card bills... Thank you. | 0:34:06 | 0:34:10 | |
And my learned friend asserted that my client paid for access | 0:34:10 | 0:34:14 | |
to many of those websites with his credit card. | 0:34:14 | 0:34:16 | |
Now, | 0:34:19 | 0:34:20 | |
why would he pay for them if he didn't actually visit them? | 0:34:20 | 0:34:24 | |
It may sound reprehensible but he's not getting his money's worth, is he? | 0:34:26 | 0:34:30 | |
How did he pay for access to those sites without actually visiting them? | 0:34:30 | 0:34:34 | |
Many porn sites were on his internet history | 0:34:34 | 0:34:36 | |
to which he submitted his credit card details. | 0:34:36 | 0:34:39 | |
That's how he received a password to unlock other content elsewhere. | 0:34:39 | 0:34:43 | |
Is it possible that his card details were falsified at that point? | 0:34:44 | 0:34:49 | |
How do you mean? That when he submitted his details to the adult site, | 0:34:50 | 0:34:55 | |
they were taken and used by unknown third parties | 0:34:55 | 0:35:00 | |
to pay for and unlock this "other content" as you call it. | 0:35:00 | 0:35:04 | |
Is that possible? I suppose so, yes. | 0:35:04 | 0:35:07 | |
So given this possibility, if we were to prove, in this court, | 0:35:07 | 0:35:11 | |
that such falsification occurred, would Mr Foyle be shown to be, | 0:35:11 | 0:35:14 | |
in fact, a victim of identity fraud? | 0:35:14 | 0:35:16 | |
This is not a trial about extreme pornography, | 0:35:16 | 0:35:19 | |
this is about the horrific murder... Our expert was in the process of proving this link. | 0:35:19 | 0:35:24 | |
Hence our application for an adjournment, which was refused. | 0:35:24 | 0:35:27 | |
My learned friend brought these hideous allegations to bear on this case and I reiterate my request. | 0:35:27 | 0:35:33 | |
The expert testimony cuts both ways. | 0:35:33 | 0:35:36 | |
Usher, please excuse the jury. | 0:35:43 | 0:35:45 | |
A matter of procedure has just arisen, | 0:35:47 | 0:35:50 | |
I need to talk to both sides about it. | 0:35:50 | 0:35:52 | |
We will call you back presently. | 0:35:52 | 0:35:54 | |
My room, I think. | 0:35:56 | 0:35:58 | |
COURTROOM MURMURS | 0:35:58 | 0:36:00 | |
My client has been falsely branded an extreme porn enthusiast by the Crown, | 0:36:11 | 0:36:15 | |
this has now leaked online to social media, where it's been duly picked up by the print media, | 0:36:15 | 0:36:20 | |
which has now tainted my client with the label torturer, pervert, necrophiliac, | 0:36:20 | 0:36:25 | |
so much so this jury must be discharged and a new jury called. Even with the reporting restrictions, | 0:36:25 | 0:36:30 | |
given the press this case has already generated, Mr Foyle cannot be given a fair trial. | 0:36:30 | 0:36:35 | |
The application is to stay the indictment. This is absurd. I made the request in good time. | 0:36:35 | 0:36:40 | |
Yes, I know. The prejudice to the accused | 0:36:40 | 0:36:42 | |
in the eyes of this jury is, in my view, permanent. | 0:36:42 | 0:36:45 | |
Reluctantly, I feel that I have little option in these circumstances | 0:36:47 | 0:36:51 | |
but to accede to your application. Judge, please. | 0:36:51 | 0:36:54 | |
I ballsed up, Julian. | 0:36:54 | 0:36:56 | |
I'm sorry. Let's get this over with. | 0:36:57 | 0:37:01 | |
And so, as a result, I have no alternative | 0:37:02 | 0:37:07 | |
but to discharge the jury and release the defendant. | 0:37:07 | 0:37:10 | |
COURTROOM GROANS | 0:37:10 | 0:37:12 | |
All rise. | 0:37:14 | 0:37:15 | |
He's got away with murder. He's got blood on his hands. | 0:37:32 | 0:37:35 | |
You should be ashamed of yourself! | 0:37:40 | 0:37:42 | |
Congratulations, well done. It was a mistake. | 0:37:48 | 0:37:51 | |
I just made sure they paid for it. Will, good man. | 0:37:51 | 0:37:54 | |
Just doing my job. Thank you, my friend. | 0:37:54 | 0:37:57 | |
Pleasure. Take care. | 0:38:00 | 0:38:02 | |
So show me again. You do it. OK. But don't watch me, I can't do it if you watch. I'm like a kettle. | 0:38:21 | 0:38:26 | |
What do you mean you're like a kettle? If I get this right I'll tell you. Go on. OK. | 0:38:26 | 0:38:31 | |
MACHINE BEEPS | 0:38:32 | 0:38:35 | |
LANGUAGE TUTORIAL "When buying clothing to say what you want, use... Gostaria." | 0:38:39 | 0:38:43 | |
Gostaria. "I'd like a shirt. Gostaria uma camisa." | 0:38:43 | 0:38:48 | |
Gostaria uma camisa. | 0:38:48 | 0:38:51 | |
"I'd like a pair of trousers. Gostaria umas calcas." | 0:38:51 | 0:38:56 | |
What? | 0:38:56 | 0:38:57 | |
"To get the right size, use the following phrases. I am a size 40." | 0:38:57 | 0:39:02 | |
"O meu numero e quarenta." | 0:39:02 | 0:39:04 | |
O meu numero e qua... quarenta. | 0:39:04 | 0:39:08 | |
"If they don't have the right colour, here is how to ask for the same thing in blue. | 0:39:08 | 0:39:12 | |
Do you have this in blue?" | 0:39:13 | 0:39:15 | |
Who are you waving at? | 0:39:28 | 0:39:30 | |
I don't know. | 0:39:31 | 0:39:33 | |
What do you mean you don't know? | 0:39:34 | 0:39:36 | |
That man. He just started waving. | 0:39:37 | 0:39:39 | |
What man? | 0:39:40 | 0:39:42 | |
He's gone now. | 0:39:42 | 0:39:44 | |
RUNNING WATER | 0:39:50 | 0:39:52 | |
Just go in. "Are you peeing?" | 0:39:52 | 0:39:54 | |
Possibly. Listen, just take a deep breath and open the door, | 0:39:56 | 0:40:01 | |
you big Jessie. I can't. I'm scared. | 0:40:01 | 0:40:04 | |
"It's just a reunion." Jenny said she'd be here. | 0:40:04 | 0:40:07 | |
Who was she again? Funny. | 0:40:08 | 0:40:10 | |
"At least you'll have something in common." | 0:40:11 | 0:40:14 | |
We had a deal. I can't see her anywhere. "You'll be fine." | 0:40:14 | 0:40:17 | |
No, not these people. These people are all so... | 0:40:17 | 0:40:20 | |
Hi. Hi, great to see you. | 0:40:20 | 0:40:23 | |
Two-faced. "I'll tell you what. | 0:40:24 | 0:40:27 | |
If you're still hyperventilating by the cheese course, | 0:40:27 | 0:40:30 | |
you can always come and see us. You know where we are. | 0:40:30 | 0:40:34 | |
And we're always pleased to see you. | 0:40:34 | 0:40:36 | |
OK. Thanks. | 0:40:36 | 0:40:39 | |
I'd better go. Bye. | 0:40:39 | 0:40:41 | |
GENERAL CHATTER | 0:40:42 | 0:40:45 | |
SHE SIGHS | 0:40:51 | 0:40:53 | |
Mum. Yes? | 0:40:56 | 0:40:57 | |
What you smiling at? | 0:40:59 | 0:41:01 | |
It's a surprise. | 0:41:01 | 0:41:03 | |
A nice surprise. | 0:41:05 | 0:41:07 | |
Come here. What's with the questions? | 0:41:09 | 0:41:12 | |
You, you're always... Get off. | 0:41:12 | 0:41:14 | |
THEY GIGGLE | 0:41:14 | 0:41:16 | |
CLASSICAL MUSIC | 0:41:16 | 0:41:18 | |
So how's Edinburgh? Still mad. You should come back though. | 0:41:21 | 0:41:25 | |
You get a nicer house, better schools. | 0:41:25 | 0:41:27 | |
Are you considering a career change? I'm doing OK, thanks. GONG SOUNDS | 0:41:27 | 0:41:31 | |
I know. I read the papers. | 0:41:31 | 0:41:33 | |
Don't let them start without me, OK? | 0:41:33 | 0:41:35 | |
HAND DRYER BLOWS | 0:41:50 | 0:41:52 | |
"And still, when winter came, he..." | 0:41:52 | 0:41:54 | |
SUSPENSE MUSIC | 0:42:29 | 0:42:31 | |
SHE EXHALES | 0:42:43 | 0:42:45 | |
AAARRGH!! AAAARRRGH!! | 0:42:45 | 0:42:47 | |
HE SAYS PRAYER IN LATIN | 0:42:47 | 0:42:49 | |
Amen. | 0:43:11 | 0:43:12 | |
PHONE VIBRATES | 0:43:12 | 0:43:14 | |
Hi. | 0:43:19 | 0:43:20 | |
KATE SOBS "Where were you? I've been trying for ages." | 0:43:20 | 0:43:23 | |
What's happened? "God, there was a man outside." | 0:43:23 | 0:43:26 | |
I don't know, but there was somebody outside. We are at the cottage. | 0:43:26 | 0:43:30 | |
"Man?! What man?" I don't know what man it is! | 0:43:30 | 0:43:32 | |
"There was a man, somebody!" Kate. Kate. Breathe. Tell me again. | 0:43:32 | 0:43:36 | |
SHE BREATHES HEAVILY | 0:43:36 | 0:43:38 | |
"He was... He was at the window, and I was in the bath... | 0:43:39 | 0:43:43 | |
He was looking in at me when I was in the bath." | 0:43:44 | 0:43:46 | |
How could he be at the window?! I don't know but he was at the window! | 0:43:46 | 0:43:50 | |
Call the police, lock the doors, stay in the bedroom. OK? Do not go outside. | 0:43:50 | 0:43:54 | |
I'll be there as soon as I can. I love you, OK? Did you hear me? Are you calling them? I'm c-calling. | 0:43:54 | 0:43:59 | |
THEY CHATTER | 0:44:14 | 0:44:16 | |
Guv! | 0:44:22 | 0:44:24 | |
BURSTS OVER POLICE RADIO | 0:44:26 | 0:44:28 | |
Is it possible that one of your ex-clients has a point to prove? | 0:44:49 | 0:44:54 | |
Someone you failed to defend, perhaps did some time? | 0:44:54 | 0:44:57 | |
Well,... no. | 0:44:57 | 0:44:59 | |
You sound very sure. Detective Chalmers, Mr Burton has never lost a case. | 0:45:00 | 0:45:05 | |
Have you ever refused to represent someone? | 0:45:05 | 0:45:08 | |
We're not really allowed to do that. Allowed? | 0:45:08 | 0:45:11 | |
Cherry-picking is frowned upon. | 0:45:11 | 0:45:13 | |
HE WHISTLES | 0:45:26 | 0:45:28 | |
Everybody's hungry. Everybody's hungry. | 0:45:30 | 0:45:33 | |
HE WHISTLES | 0:45:34 | 0:45:36 | |
HE WHISTLES | 0:45:46 | 0:45:48 | |
Everybody's hungry. | 0:45:49 | 0:45:51 | |
GENERAL CHATTER | 0:45:57 | 0:45:59 | |
Aye-aye. | 0:46:01 | 0:46:03 | |
Hi. Any sign of a reply from the QC Selection Panel? | 0:46:03 | 0:46:06 | |
Yeah. Look, about that. | 0:46:06 | 0:46:09 | |
You might want to delay a little. | 0:46:09 | 0:46:11 | |
What kind of complaint? Unprofessional conduct. | 0:46:14 | 0:46:16 | |
He didn't come to us first? Looks like he wanted to cause you maximum discomfort. | 0:46:16 | 0:46:21 | |
Went straight to the Legal Ombudsman and the BSB. Both barrels. | 0:46:21 | 0:46:25 | |
Mr Foyle asserts that you "engaged in conduct which is dishonest | 0:46:25 | 0:46:30 | |
or otherwise discreditable to a barrister | 0:46:30 | 0:46:33 | |
contrary to paragraph 301 A1, in particular that you expressed doubts about | 0:46:33 | 0:46:38 | |
the validity and honesty of his plea." | 0:46:38 | 0:46:40 | |
What? | 0:46:40 | 0:46:42 | |
Is this true? Of course not. | 0:46:42 | 0:46:44 | |
This is insane. We won the bloody case. We won! | 0:46:45 | 0:46:48 | |
Looks like it's not enough. What the hell's he doing? | 0:46:48 | 0:46:54 | |
Your silk application is going to have to wait till this is all sorted out. I'm sorry, it's very bad luck. | 0:46:54 | 0:47:00 | |
We need to weigh in on this right away, stop it in its tracks. Enough firepower, it may well work. | 0:47:00 | 0:47:06 | |
Danny! DOOR OPENS | 0:47:06 | 0:47:09 | |
See who you can rope back into the office, will you? It's six o'clock. Hey! | 0:47:09 | 0:47:13 | |
We'll thrash out a strategy here and now, all right? | 0:47:15 | 0:47:19 | |
DOOR CLOSES | 0:47:25 | 0:47:27 | |
Yeah, there's been a bit of a thing at work. It's a bit weird. | 0:47:28 | 0:47:32 | |
I'm going to have to stay later but maybe we can all go up together? Can you hang on? | 0:47:32 | 0:47:36 | |
"We're ready for the off. Why don't we just see you up there, eh? | 0:47:36 | 0:47:40 | |
But hurry up, OK? I want to show you something." | 0:47:40 | 0:47:42 | |
That's cryptic. "No, not really. Oh, and listen..." | 0:47:43 | 0:47:47 | |
PHONE CRACKLES Oh, I am losing you. | 0:47:47 | 0:47:50 | |
DISTORTED VOICE Nah. | 0:47:50 | 0:47:52 | |
"Hello?" I'll see you later, OK? | 0:47:52 | 0:47:54 | |
"Hello? Hello?" OK. | 0:47:54 | 0:47:56 | |
We are here. Yeah, we're here. I am really hungry. | 0:48:14 | 0:48:17 | |
I don't care. | 0:48:17 | 0:48:19 | |
Listen, we are going to wait for your dad to get back so we can all eat together, OK? | 0:48:19 | 0:48:23 | |
"Hi, it's Kate, I'm not here right but leave a message. Bye." | 0:48:24 | 0:48:28 | |
SHE HUMS TUNELESSLY | 0:48:45 | 0:48:48 | |
Jamie? | 0:48:48 | 0:48:50 | |
Oof! | 0:48:53 | 0:48:55 | |
Jamie? | 0:48:56 | 0:48:58 | |
LANGUAGE CD "Try to find out if it is day or night. | 0:48:58 | 0:49:00 | |
What are two ways to greet someone?" "Muito prazer..." | 0:49:02 | 0:49:05 | |
"Bom dia. Boa tarde." | 0:49:14 | 0:49:17 | |
"Where is the nearest chemist?" | 0:49:20 | 0:49:22 | |
"Onde esta a farmacia?" | 0:49:22 | 0:49:25 | |
Kate? | 0:49:25 | 0:49:27 | |
Hi. | 0:49:29 | 0:49:31 | |
Kate?! | 0:49:33 | 0:49:35 | |
Kate?! | 0:49:36 | 0:49:38 | |
"There is. Ha, sim." | 0:49:38 | 0:49:40 | |
Kate? | 0:49:54 | 0:49:56 | |
Kate?! | 0:49:58 | 0:50:00 | |
Jamie?! | 0:50:02 | 0:50:04 | |
Kate?! | 0:50:06 | 0:50:08 | |
Kate?! Jamie?! | 0:50:09 | 0:50:11 | |
Jamie?! Jamie!! | 0:50:11 | 0:50:14 | |
Jamie! | 0:50:15 | 0:50:17 | |
Oh, Jesus! | 0:50:18 | 0:50:20 | |
Ahh, ahh! | 0:50:23 | 0:50:24 | |
Kate! | 0:50:24 | 0:50:26 | |
Arrrgh!! | 0:50:26 | 0:50:28 | |
DAD! | 0:50:34 | 0:50:36 | |
Jamie?! DAD! Jamie?! | 0:50:38 | 0:50:40 | |
Jamie! | 0:50:40 | 0:50:42 | |
Jamie! | 0:50:43 | 0:50:45 | |
(Shit!) | 0:50:47 | 0:50:49 | |
Come on! | 0:50:49 | 0:50:51 | |
Come on! | 0:50:53 | 0:50:54 | |
DIALLING Yes! Police! Ambulance! | 0:50:57 | 0:50:59 | |
HE SOBS | 0:51:00 | 0:51:02 | |
BURSTS OVER POLICE RADIO | 0:51:02 | 0:51:04 | |
DOOR CLUNKS SHUT | 0:51:39 | 0:51:41 | |
Words are not enough, Will. | 0:52:35 | 0:52:37 | |
Take all the time you need. | 0:52:38 | 0:52:40 | |
Chambers is a family. | 0:52:41 | 0:52:43 | |
Like all families we take care of one another. | 0:52:43 | 0:52:46 | |
We will run with this right through to the end. Whatever it takes. | 0:52:46 | 0:52:50 | |
Thank you. You have my word on it. | 0:52:50 | 0:52:52 | |
We'll make sure we get him. | 0:52:55 | 0:52:57 | |
CHURCH BELL TOLLS | 0:52:57 | 0:52:59 | |
DISTORTED VOICES | 0:53:16 | 0:53:18 | |
HE EXHALES | 0:53:18 | 0:53:20 | |
How are things? | 0:54:06 | 0:54:08 | |
Sorry. Shit question. | 0:54:10 | 0:54:12 | |
I'm getting through it. Sorry to call out of the blue, I was in the area. | 0:54:12 | 0:54:17 | |
It's really great that you called, Danny. I really appreciate it. | 0:54:17 | 0:54:21 | |
How's everything with you? Fine, fine. | 0:54:23 | 0:54:25 | |
Well, we're just... | 0:54:28 | 0:54:30 | |
..pulling out all the big guns. Going to blitz the bastard, yeah? | 0:54:31 | 0:54:35 | |
What is it? | 0:54:37 | 0:54:39 | |
I don't know if I should tell you. Tell me what? | 0:54:41 | 0:54:43 | |
Liam Foyle confirmed defence counsel today. | 0:54:44 | 0:54:47 | |
Who is it? | 0:54:49 | 0:54:51 | |
SHE EXHALES | 0:55:01 | 0:55:03 | |
I thought you were still on leave? | 0:55:15 | 0:55:17 | |
I am. | 0:55:17 | 0:55:19 | |
I, erm, I sent you a card. I hope... | 0:55:20 | 0:55:23 | |
You're defending him. | 0:55:23 | 0:55:25 | |
If you mean Liam Foyle, then yes. | 0:55:28 | 0:55:30 | |
Yes, you're correct. | 0:55:31 | 0:55:33 | |
Look, after everything that's happened, I mean... | 0:55:34 | 0:55:37 | |
SHE SIGHS | 0:55:37 | 0:55:38 | |
I know this must be very hard for you. I really do. | 0:55:38 | 0:55:41 | |
Yeah. | 0:55:41 | 0:55:43 | |
You know as well as I do, for good or bad... | 0:55:43 | 0:55:45 | |
What can I say? | 0:55:45 | 0:55:47 | |
Everyone deserves a defence. | 0:55:48 | 0:55:50 | |
That's right, Maggie. | 0:55:54 | 0:55:56 | |
That's right. | 0:55:59 | 0:56:01 | |
Foyle murdered Sandra Mullins. You need to know that. You said otherwise in court. | 0:56:10 | 0:56:15 | |
Let that man in, you're risking everything. I mean it. Don't be alone. | 0:56:15 | 0:56:18 | |
It was today, the plea? They should have called you. He got bail. | 0:56:18 | 0:56:22 | |
When was this? This morning. Ohh! | 0:56:22 | 0:56:25 | |
Lawyers don't have an ounce of mercy in them. They can be manipulative. | 0:56:25 | 0:56:29 | |
Never said thank you. Oh, you're welcome. See you soon. | 0:56:29 | 0:56:33 | |
When were you planning on telling me? I want a meeting with everyone tonight. Dad! Look out! | 0:56:33 | 0:56:38 | |
Is he here? They said he'd already left. | 0:56:38 | 0:56:40 | |
Why didn't you call me? Dad! Dad! | 0:56:40 | 0:56:43 | |
Dad! Dad! | 0:56:43 | 0:56:45 | |
Subtitles by Red Bee Media Ltd | 0:57:11 | 0:57:13 |