Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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I don't like people very much. I'm just not a very nice person. | 0:00:01 | 0:00:05 | |
The world is broken. You shouldn't watch scary movies close to bedtime. We may dislike Mr Foyle. | 0:00:05 | 0:00:10 | |
We do not have to like him to defend him. | 0:00:10 | 0:00:13 | |
I don't do things for exposure. Why then? Everyone deserves a defence. | 0:00:13 | 0:00:16 | |
Given the press this case has generated, Mr Foyle cannot be given a fair trial. | 0:00:16 | 0:00:21 | |
I have no alternative but to discharge the jury | 0:00:21 | 0:00:23 | |
and release the defendant. | 0:00:23 | 0:00:26 | |
Will, good man. Thank you, my friend. | 0:00:26 | 0:00:28 | |
Pleasure. Take care. | 0:00:29 | 0:00:31 | |
We'll see you up there. But hurry up, I want to show you something. | 0:00:33 | 0:00:37 | |
Aaargh! | 0:00:37 | 0:00:39 | |
Kate?! Jamie! | 0:00:39 | 0:00:41 | |
Dad! Jamie! | 0:00:41 | 0:00:43 | |
You're defending him. Everyone deserves a defence. That's right. | 0:00:43 | 0:00:49 | |
That's right. | 0:00:49 | 0:00:51 | |
This programme contains some strong language. | 0:00:57 | 0:01:01 | |
LOUD BIRDSONG | 0:01:23 | 0:01:25 | |
Mum! Mum! Dad! | 0:01:41 | 0:01:44 | |
Help! Dad! Dad! No! DAD!! | 0:01:44 | 0:01:51 | |
Dad!! No! All right... All right... | 0:01:51 | 0:01:54 | |
HE COUGHS It's all right, all right. It's OK. | 0:01:54 | 0:01:57 | |
It's all right, it's all right. Shh. Ssshhhh... | 0:01:58 | 0:02:03 | |
LABOURED BREATHS Ssshhhh... | 0:02:03 | 0:02:06 | |
(Sssshhhh...) | 0:02:08 | 0:02:11 | |
POLICE SIREN RECEDES | 0:02:14 | 0:02:16 | |
Harris? Trevor Harris. Anyone? | 0:02:17 | 0:02:20 | |
Plea and case management on Will's case. | 0:02:20 | 0:02:24 | |
Whole thing just got moved up. We'll have to change the dates. Good. | 0:02:24 | 0:02:28 | |
No, not good at all. | 0:02:28 | 0:02:30 | |
We need all the bloody time we can get. | 0:02:31 | 0:02:33 | |
We're absolutely sure Will's son didn't see anything. | 0:02:40 | 0:02:43 | |
It's just if we had two witness statements. I mean, | 0:02:43 | 0:02:46 | |
it would take the weight off the DNA. | 0:02:46 | 0:02:48 | |
If it comes in. This is where we are. | 0:02:48 | 0:02:50 | |
This is what we've have to work with. Blood, ID, alibi. | 0:02:50 | 0:02:54 | |
And God help us, a following wind. | 0:02:55 | 0:02:57 | |
No, that's what I'm trying to explain to you. | 0:02:59 | 0:03:02 | |
Look, my wife does not wear aftershave | 0:03:02 | 0:03:04 | |
and I am not the least bit interested in Peter Rabbit collectibles. | 0:03:04 | 0:03:08 | |
So if you want me to join the dots for you, someone has stolen my wife's identity. | 0:03:08 | 0:03:14 | |
Yeah, well, that's not going to happen, is it? | 0:03:14 | 0:03:16 | |
Well, you can't talk to her. | 0:03:16 | 0:03:19 | |
Yeah, I already identified her. | 0:03:19 | 0:03:21 | |
I walked into the mortuary and kissed her face. | 0:03:21 | 0:03:23 | |
Yeah. CLATTERS | 0:03:24 | 0:03:26 | |
Did I scare you? | 0:03:33 | 0:03:35 | |
I'm sorry. | 0:03:36 | 0:03:38 | |
I wish things could be different, but they're not. | 0:03:44 | 0:03:47 | |
HE SIGHS | 0:03:47 | 0:03:49 | |
Look, if you ever want to tell me something, anything, | 0:03:50 | 0:03:53 | |
about what happened, I'll be here. OK? | 0:03:53 | 0:03:56 | |
Just come right out and say it. | 0:03:56 | 0:03:58 | |
I'll be listening. | 0:03:59 | 0:04:01 | |
Yeah? | 0:04:01 | 0:04:04 | |
When it rains, what happens to all the little animals? | 0:04:22 | 0:04:25 | |
Do they drown, do you think? Mr Foyle. | 0:04:25 | 0:04:27 | |
I used to love it when it rained. | 0:04:27 | 0:04:29 | |
But now I get so sad when it's wet out cos all I can think about is | 0:04:29 | 0:04:32 | |
all these little bodies clawing and squeaking at the earth and the mud | 0:04:32 | 0:04:36 | |
and the water and drowning in the dark. | 0:04:36 | 0:04:38 | |
It's a shame the plants have to drink. I know they do, | 0:04:39 | 0:04:42 | |
but it's a shame. I get so sad when it's wet. | 0:04:43 | 0:04:45 | |
Especially after the summer we had. | 0:04:45 | 0:04:48 | |
Mr Foyle, we need to be sure that you understand your plea. | 0:04:48 | 0:04:52 | |
Is there any evidence that puts me at the cottage? | 0:04:52 | 0:04:55 | |
You were charged on the basis of one eyewitness identification. | 0:04:55 | 0:04:59 | |
One. Yes, one. The son hasn't made a statement. Not yet. | 0:04:59 | 0:05:04 | |
Yet. | 0:05:05 | 0:05:06 | |
You think he saw something? | 0:05:06 | 0:05:09 | |
There's only one witness. That's what we're dealing with. | 0:05:09 | 0:05:12 | |
What's that? | 0:05:13 | 0:05:14 | |
Tea. HE LAUGHS | 0:05:14 | 0:05:17 | |
What kind of tea? My tea. | 0:05:17 | 0:05:19 | |
We also need to talk about your alibi, Ms Morris. | 0:05:20 | 0:05:24 | |
We go into considerable detail in our defence statement about our whereabouts that evening | 0:05:24 | 0:05:29 | |
and we are confident she will support this. | 0:05:29 | 0:05:31 | |
Then why do we need to discuss this? Because we need to discuss this. | 0:05:31 | 0:05:35 | |
Mr Burton is the only witness in this whole case. | 0:05:37 | 0:05:41 | |
So he can't act for himself. | 0:05:42 | 0:05:45 | |
You're well-versed in criminal procedure. I did a law course. | 0:05:45 | 0:05:49 | |
Oh, really, where was that? Cambridge. | 0:05:49 | 0:05:52 | |
Anglia Polytechnic University. | 0:05:53 | 0:05:55 | |
We probably cycled past one another on Silver Street. | 0:05:55 | 0:05:59 | |
It's a small world. Indeed. | 0:06:02 | 0:06:05 | |
Yes, you're right, Mr Burton will not be in court. | 0:06:05 | 0:06:08 | |
As he's a witness, he cannot act for the Crown in any way. | 0:06:08 | 0:06:11 | |
It's just that, you know, he kept beating you, is all. | 0:06:11 | 0:06:15 | |
He's not allowed to be there. | 0:06:15 | 0:06:17 | |
So he just has to watch. | 0:06:20 | 0:06:22 | |
I suppose so. | 0:06:23 | 0:06:25 | |
Besides, it was very dark. | 0:06:27 | 0:06:30 | |
Indeed. | 0:06:34 | 0:06:36 | |
Shame about all those animals, | 0:06:40 | 0:06:42 | |
isn't it? | 0:06:43 | 0:06:45 | |
You have qualms. | 0:06:50 | 0:06:52 | |
I beg your pardon? It's your first big defence. You're working late. | 0:06:54 | 0:06:58 | |
You have qualms. He lost his wife. | 0:06:58 | 0:07:00 | |
If the tables were turned, he would not hesitate. | 0:07:00 | 0:07:03 | |
This is how it works. | 0:07:03 | 0:07:05 | |
I just know that if I was Will... | 0:07:06 | 0:07:08 | |
Ah. But you're not him, are you? | 0:07:08 | 0:07:11 | |
Not yet, anyway. | 0:07:13 | 0:07:15 | |
HE SHUTS DOOR | 0:07:23 | 0:07:25 | |
THUNDERCLAP | 0:07:28 | 0:07:30 | |
All right? I've probably only got about five minutes. It's a bit of a crazy morning. How's it looking? | 0:07:43 | 0:07:49 | |
Every time I pass the conference room there's a huge queue of people | 0:07:49 | 0:07:52 | |
knocking on the door. Everyone wants to help, mate. | 0:07:52 | 0:07:56 | |
Who's leading? Mr Mayfield. | 0:07:56 | 0:07:58 | |
Mr Harris is his junior. Everyone else was busy. | 0:08:00 | 0:08:03 | |
Any idea what they are running with? | 0:08:05 | 0:08:07 | |
You don't have to say a thing if you don't want to. | 0:08:09 | 0:08:11 | |
Forensics found a size 12 boot print in the garden. | 0:08:13 | 0:08:17 | |
But all Foyle's footwear is a size nine. No match on the tread. | 0:08:17 | 0:08:20 | |
So as far as I can tell they are all waiting for the forensics' report. | 0:08:20 | 0:08:24 | |
The crime scene blood. Plus, your ID of him. | 0:08:24 | 0:08:28 | |
And? I think that's it. | 0:08:30 | 0:08:33 | |
What about his alibi? His neighbour said she had dinner with him. They are looking into possible angles. | 0:08:36 | 0:08:42 | |
What's this woman's name? Eileen Morris. | 0:08:42 | 0:08:44 | |
Say that again. | 0:08:45 | 0:08:48 | |
Eileen Morris, right? Did a little rooting around in the old case file. | 0:08:48 | 0:08:51 | |
This is all I could come up with. | 0:08:54 | 0:08:56 | |
He's a bird fancier, if you remember. | 0:08:56 | 0:08:58 | |
See who's presenting him with that trophy? | 0:08:59 | 0:09:02 | |
"Parish Council Events Committee Co-Chair Eileen Morris." | 0:09:02 | 0:09:06 | |
That's all I've got for you I'm afraid. | 0:09:06 | 0:09:08 | |
There was something else. I'm sure I've seen her name somewhere else. | 0:09:09 | 0:09:13 | |
Thanks, Bob. | 0:09:13 | 0:09:15 | |
You're welcome. | 0:09:15 | 0:09:18 | |
DRAMATIC MUSIC PLAYS | 0:09:18 | 0:09:20 | |
SHE STARTS ENGINE | 0:09:51 | 0:09:53 | |
Foyle's alibi might not be as solid as they're making out. | 0:10:31 | 0:10:34 | |
How do you know that? | 0:10:34 | 0:10:36 | |
Doesn't seem fair. | 0:10:40 | 0:10:42 | |
Biggest legal brain in the building, | 0:10:42 | 0:10:44 | |
can't even talk to them about your own bloody case. | 0:10:44 | 0:10:47 | |
No, I can't. | 0:10:47 | 0:10:49 | |
Not directly. | 0:10:49 | 0:10:51 | |
It's not like I am defending him anymore, is it? | 0:10:51 | 0:10:54 | |
Do you have any idea where the Sandra Mullins case files are? | 0:10:54 | 0:10:57 | |
I think so, yeah. Big box. Stubbed my toe on it last week. | 0:10:57 | 0:11:01 | |
Do you think it might be near my office? | 0:11:03 | 0:11:06 | |
I think it could be. | 0:11:09 | 0:11:12 | |
PHONE RINGS | 0:11:12 | 0:11:14 | |
DRAMATIC MUSIC PLAYS | 0:11:14 | 0:11:16 | |
Mr Harris! | 0:11:48 | 0:11:50 | |
Did you see the Collingwood arson brief? The private one? | 0:11:50 | 0:11:54 | |
Yes, I caught sight of it as it flew past me at high velocity | 0:11:54 | 0:11:57 | |
on its way to one of the silks. Why don't you take a page out of Tara's book? | 0:11:57 | 0:12:01 | |
My nose is brown enough already, thank you. | 0:12:01 | 0:12:04 | |
She does what she has to. Why don't you do that now and then? Because then I'd be like Tara, wouldn't I? | 0:12:04 | 0:12:10 | |
You heading over? Foyle's making his plea. Right. | 0:12:10 | 0:12:14 | |
So it's started. How's it looking, do you think? No sign of DNA at the scene, | 0:12:14 | 0:12:18 | |
single eyewitness, recognition under duress. Not a lot of wiggle room. | 0:12:18 | 0:12:22 | |
Will's boy was there - but if he had seen something, well, | 0:12:22 | 0:12:25 | |
he would have said something, wouldn't he? | 0:12:25 | 0:12:28 | |
Mr Harris. | 0:12:30 | 0:12:32 | |
Don't. No, I've been thinking. Well, stop. | 0:12:32 | 0:12:34 | |
I mean it. | 0:12:34 | 0:12:36 | |
HE EXHALES | 0:12:45 | 0:12:47 | |
Time to go. | 0:12:49 | 0:12:51 | |
Hi, Jamie, welcome back. | 0:13:03 | 0:13:05 | |
Are you OK? See you. Are you all right? All right. | 0:13:06 | 0:13:10 | |
Liam Michael Foyle, you are charged on this indictment | 0:13:33 | 0:13:37 | |
with one count of murder. How do you plead? Not guilty. | 0:13:37 | 0:13:41 | |
My Lord, given the lack of evidence at this time we are serving a bail application notice. | 0:13:41 | 0:13:46 | |
First I've heard of it. It was served in good time. | 0:13:46 | 0:13:49 | |
I thought I gave it to you. Well, I read it. | 0:13:49 | 0:13:51 | |
Bail granted, subject to conditions as per application. | 0:13:51 | 0:13:55 | |
Thank you. Also, I've spoken to the List Officer who's informed me | 0:13:55 | 0:13:58 | |
a slot is available for a week-long case on the 31st. Very well. Wait. | 0:13:58 | 0:14:02 | |
That's only a few weeks away. It hardly gives us any time to prepare the evidence? What evidence? | 0:14:02 | 0:14:08 | |
Mr Foyle, you may leave the dock. | 0:14:08 | 0:14:10 | |
All rise. | 0:14:10 | 0:14:12 | |
GENERAL MURMURS AND RECEDING FOOTSTEPS | 0:14:12 | 0:14:15 | |
Never said thank you. Oh, you're welcome. | 0:14:37 | 0:14:40 | |
See you soon. Yes. | 0:14:45 | 0:14:47 | |
SHE STARTS ENGINE | 0:14:51 | 0:14:53 | |
TAXI APPROACHES | 0:15:10 | 0:15:12 | |
You're in a lot of trouble. | 0:15:22 | 0:15:24 | |
I made you some crumble. | 0:15:25 | 0:15:27 | |
I must have left my cage open cos a little birdie just bailed me out. | 0:15:27 | 0:15:31 | |
You shouldn't have done that, Eileen, really. | 0:15:31 | 0:15:34 | |
It takes half an hour. | 0:15:34 | 0:15:36 | |
That's not what I am talking about. Oh, please. I was happy to pay. | 0:15:36 | 0:15:40 | |
Welcome home. | 0:15:42 | 0:15:44 | |
Apple or plum? Rhubarb. It's in the fridge at the parish council, | 0:15:46 | 0:15:50 | |
waiting for you. It won't be there too long, I promise. | 0:15:50 | 0:15:53 | |
Lots to be getting on with. Oh, sure. | 0:15:57 | 0:15:59 | |
I fed them every day, just like you asked. Good. | 0:15:59 | 0:16:02 | |
HE SHUTS DOOR | 0:16:06 | 0:16:08 | |
HE WHISTLES | 0:16:18 | 0:16:20 | |
BIRDS TRILL HE WHISTLES | 0:16:26 | 0:16:28 | |
Everybody's hungry. | 0:16:30 | 0:16:32 | |
All right, let's run it again, shall we? | 0:16:49 | 0:16:51 | |
Post mortem indicates Kate was strangled before he cut into her. | 0:16:51 | 0:16:55 | |
The knife entered... Any update on the footprints? | 0:16:55 | 0:16:58 | |
Locus is littered with them, all the wrong size. | 0:16:58 | 0:17:01 | |
After that, the blade passed through the trachea... You don't "pass through" the trachea. | 0:17:01 | 0:17:07 | |
It's a sawing motion. The core strength of a fast bowler. | 0:17:07 | 0:17:10 | |
Gavin! One hell of a blood spatter. | 0:17:10 | 0:17:12 | |
Will's here. | 0:17:12 | 0:17:14 | |
How the hell did this happen? The usual way. | 0:17:18 | 0:17:20 | |
What? He came in the front door. (Close the bloody folder, will you?) | 0:17:20 | 0:17:24 | |
(There's pictures of his wife!) | 0:17:24 | 0:17:26 | |
Call ahead if you're going to just turn up. I work here, too. | 0:17:26 | 0:17:29 | |
Everyone's behind you, but get caught trying to influence the case, you're jeopardising the enterprise. | 0:17:29 | 0:17:35 | |
You're the only witness. So hands off. Protocol doesn't just need to be followed, | 0:17:35 | 0:17:39 | |
it needs to be seen to be followed. I know. I actually studied law. | 0:17:39 | 0:17:42 | |
We'd prefer it if you didn't even come into chambers. If I have to stay home one more day, | 0:17:42 | 0:17:47 | |
I swear I'm going to kill somebody. | 0:17:47 | 0:17:49 | |
I need to work. Please? | 0:17:51 | 0:17:52 | |
It was today, wasn't it? The plea? | 0:17:56 | 0:17:58 | |
They didn't call you? They should've called you. | 0:17:58 | 0:18:01 | |
Talk to me! Not guilty. | 0:18:02 | 0:18:05 | |
Remanded where? The Scrubs? | 0:18:07 | 0:18:09 | |
Actually he got bail. | 0:18:10 | 0:18:12 | |
Already in custody, low risk of absconding. | 0:18:12 | 0:18:14 | |
It's conditional. When was this? This morning. Ohh! | 0:18:14 | 0:18:17 | |
You should really be doing this through the... proper channels. | 0:18:17 | 0:18:22 | |
Lend us chewing gum. Yeah. Did you hear about Dr Foster? Yeah. | 0:18:28 | 0:18:32 | |
Dr Foster. THEY CHATTER | 0:18:32 | 0:18:34 | |
It's Will Burton, Jamie's Dad. Tell him I'll be there to pick him up? | 0:18:44 | 0:18:47 | |
"He left with Alfie, they said they were getting the bus together." | 0:18:47 | 0:18:51 | |
All right, thanks. | 0:18:51 | 0:18:53 | |
GENERAL CHATTER AND LAUGHTER | 0:19:14 | 0:19:16 | |
Connor, have you seen Jamie? No. OK. No, I haven't. | 0:19:23 | 0:19:26 | |
Mum, anything? Is he here? They said he'd already left. | 0:19:44 | 0:19:49 | |
Why didn't you call me?! | 0:19:49 | 0:19:51 | |
Hi, Pat, is Jamie there? I was wondering if he came home with Alfie? Have you tried the library? | 0:20:05 | 0:20:10 | |
TRAFFIC ROARS | 0:20:10 | 0:20:12 | |
Is that a new phone? I got it recently. | 0:20:13 | 0:20:17 | |
Listen to this. | 0:20:17 | 0:20:19 | |
Yeah, I heard it on the radio yesterday. | 0:20:23 | 0:20:27 | |
Ah, it's my stop. See you. See you at school. | 0:20:28 | 0:20:30 | |
Did he get off at Alfie's stop? | 0:20:54 | 0:20:56 | |
OK. All right. | 0:20:57 | 0:20:59 | |
No, don't worry. Don't worry. Thanks. | 0:20:59 | 0:21:01 | |
That's it, I'm calling the police. | 0:21:01 | 0:21:04 | |
DOOR SHUTS Jamie?! | 0:21:04 | 0:21:06 | |
Where have you been?! We went to the shop. Did you talk to anyone? No. | 0:21:07 | 0:21:11 | |
Promise me you'll not talk to anyone you don't know, OK? Not on the street, the playground, not anywhere. | 0:21:11 | 0:21:17 | |
I'm picking you up from school from now on. OK? Every single day. OK? | 0:21:17 | 0:21:22 | |
Dad! Just give me a minute. | 0:21:22 | 0:21:24 | |
RUSSIAN ACCENT: The sea lions of Moscow are horny this time of year. Up yours. | 0:21:41 | 0:21:45 | |
Oh, relax. | 0:21:45 | 0:21:47 | |
Right, come on. Let's go upstairs. Why? | 0:21:47 | 0:21:50 | |
Come on, boy. HE WHISTLES | 0:21:50 | 0:21:52 | |
Come on. | 0:21:52 | 0:21:54 | |
Couldn't meet in a park? It's the best place to hide, in a crowd. | 0:22:00 | 0:22:04 | |
In plain sight. Plain stupid. | 0:22:04 | 0:22:06 | |
We're just chatting. Two blokes having a chat. | 0:22:06 | 0:22:09 | |
What do you want to do? | 0:22:10 | 0:22:13 | |
Let's talk football. | 0:22:13 | 0:22:15 | |
I used to love our team. I still love our team. | 0:22:15 | 0:22:18 | |
D'you know what I think the problem is? We're missing our star striker. | 0:22:18 | 0:22:22 | |
No way can he can play. It's against the rules. | 0:22:22 | 0:22:25 | |
He can hardly score goals from the bench. He can't even watch the match. | 0:22:25 | 0:22:28 | |
He's forbidden from watching the match. Absolutely. | 0:22:28 | 0:22:31 | |
So I am thinking that, from time to time, | 0:22:31 | 0:22:34 | |
maybe I could get someone to talk to you about our attacking game. Danny. | 0:22:34 | 0:22:38 | |
The door's over there if you're feeling uncomfortable. I say a door. | 0:22:38 | 0:22:42 | |
You need a better goalmouth strategy. Christ, don't do that. What's the matter? | 0:22:42 | 0:22:47 | |
What's the matter? What's the matter? Trevor. Hi. What's the matter? | 0:22:47 | 0:22:51 | |
You do know what it is you're doing, what we're doing, don't you? | 0:22:51 | 0:22:55 | |
What is it we're doing exactly? We're talking. About football. | 0:22:55 | 0:22:58 | |
Here we are, men talking about football. Nothing wrong with that. | 0:22:58 | 0:23:02 | |
Except when footballers talk about football before a match | 0:23:02 | 0:23:05 | |
they don't lose their jobs. I know this is a big ask. | 0:23:05 | 0:23:08 | |
I appreciate you must have been hoping that Mayfield would pick | 0:23:08 | 0:23:11 | |
someone else, someone more suited, perhaps, to something like this, | 0:23:11 | 0:23:16 | |
but the fact is, everyone else was gainfully employed and, well, | 0:23:16 | 0:23:21 | |
I'm just sorry it had to be me. | 0:23:21 | 0:23:23 | |
You're the hardest-working barrister in the set. Well, I... | 0:23:23 | 0:23:28 | |
Thank you. All the same, | 0:23:29 | 0:23:31 | |
I need to think about it. Foyle had a storage unit. | 0:23:31 | 0:23:34 | |
He told us about it during the Sandra Mullins trial. | 0:23:34 | 0:23:37 | |
He cleared it out six months before the murder. | 0:23:37 | 0:23:40 | |
It played no further part in the proceedings. Someone took it on after him. Eileen Morris. | 0:23:40 | 0:23:44 | |
If something's not turning up it just might mean you need to look for it somewhere else. | 0:23:44 | 0:23:49 | |
Probatio vincit praesumptionem. | 0:23:49 | 0:23:51 | |
Thanks for the drink. You're welcome. That's for you, by the way. | 0:23:56 | 0:24:00 | |
What's that? Colinwood brief. Mr Spencer's off on holiday. | 0:24:00 | 0:24:03 | |
Where's he going? I haven't decided yet. | 0:24:03 | 0:24:06 | |
ROCK MUSIC ON TV | 0:24:09 | 0:24:11 | |
LAUGHTER AND CHATTER ON TV | 0:24:22 | 0:24:24 | |
TURNS SOUND OFF I need to ask you something. | 0:24:47 | 0:24:50 | |
In the cottage, you didn't actually see that man, did you? | 0:24:51 | 0:24:55 | |
It was dark. | 0:25:01 | 0:25:04 | |
Sorry, I shouldn't have asked. | 0:25:06 | 0:25:08 | |
TURNS ON SOUND | 0:25:19 | 0:25:21 | |
"Yeah! Whoo!" | 0:25:36 | 0:25:38 | |
METALLIC CLUNKS | 0:25:47 | 0:25:49 | |
PHONE RINGS | 0:26:08 | 0:26:10 | |
What? "Am I disturbing you?" | 0:26:16 | 0:26:18 | |
What do you want, Peter? "Can you spare an hour tonight?" | 0:26:19 | 0:26:22 | |
It's late. "You didn't answer the question." | 0:26:22 | 0:26:25 | |
Tonight's a bit difficult. Difficult for all of us, my dear. | 0:26:26 | 0:26:31 | |
Foyle is our client. He's called a meeting. | 0:26:31 | 0:26:33 | |
"We have a duty to listen." | 0:26:33 | 0:26:35 | |
"He sounds very interested." Yeah. "Says he's remembered something." | 0:26:37 | 0:26:41 | |
I said yes. | 0:26:42 | 0:26:44 | |
HE SIGHS Straight to voicemail. | 0:26:57 | 0:26:59 | |
Send a clerk round. Where? Harrods. | 0:27:01 | 0:27:03 | |
His house. To his house. | 0:27:05 | 0:27:07 | |
We can't do that. SHE SIGHS | 0:27:08 | 0:27:10 | |
I'm not staying here all night. | 0:27:10 | 0:27:12 | |
VOICEMAIL: "Hi, it's Kate. I'm not here right now, but leave a message. Bye." | 0:27:19 | 0:27:25 | |
DIALS: "Hi, it's Kate. I'm not here right now, but leave a message. Bye!" | 0:27:25 | 0:27:30 | |
DIALS: "Hi, it's Kate. I'm not here right now, but leave a message. Bye!" | 0:27:33 | 0:27:38 | |
DIALS: "Hi, it's Kate. I'm not here right now, but leave a message. Bye!" | 0:27:39 | 0:27:45 | |
HE EXHALES | 0:27:46 | 0:27:48 | |
TRAIN RATTLES OVERHEAD | 0:27:51 | 0:27:53 | |
It's all right. No! It's me, it's me, it's me. | 0:28:05 | 0:28:08 | |
Jesus. You were half a second away from an eye patch. | 0:28:10 | 0:28:13 | |
Foyle murdered Sandra Mullins. You need to know that. You said otherwise in court. | 0:28:13 | 0:28:18 | |
I see things differently now. If you had reservations you should have acted on those. | 0:28:18 | 0:28:22 | |
He claimed his innocence and I spoke for him. I lawyered him out of it, that's all. | 0:28:22 | 0:28:27 | |
But I know he killed her. He is a murderer, there is no doubt. We differ on this point. | 0:28:27 | 0:28:31 | |
I mean it. You need to be careful. You can't stand seeing me do well, can you? | 0:28:31 | 0:28:36 | |
This is good for me. Good for you? | 0:28:36 | 0:28:39 | |
I am truly sorry for what happened to you, but this is a job. | 0:28:39 | 0:28:43 | |
Work is work. That's it. Foyle murdered Kate. | 0:28:44 | 0:28:47 | |
You let that man in, you are risking everything. | 0:28:48 | 0:28:51 | |
Don't make the same mistake. | 0:28:51 | 0:28:53 | |
Goodnight, Will. I mean it. Don't be alone. | 0:28:54 | 0:28:57 | |
DISTANT SIREN | 0:29:09 | 0:29:11 | |
Did your... Did your friend find you? | 0:29:14 | 0:29:16 | |
Friend? Yeah, he rang your doorbell. | 0:29:17 | 0:29:19 | |
What makes you think it was my friend? He put your bin bag out. | 0:29:20 | 0:29:24 | |
SUSPENSE MUSIC | 0:29:41 | 0:29:43 | |
GENERAL CHATTER | 0:30:31 | 0:30:33 | |
HE SIGHS She... | 0:30:35 | 0:30:37 | |
King makes the travel arrangements - Blood was all Kate's. | 0:30:37 | 0:30:41 | |
No DNA match to Foyle whatsoever. What does that leave exactly? | 0:30:41 | 0:30:45 | |
Will's ID of Foyle in the locus, going for this alibi, | 0:30:45 | 0:30:48 | |
and that's it. Does that even get you through the door? | 0:30:48 | 0:30:51 | |
All the same we need to collate some skeleton arguments on how to beat | 0:30:51 | 0:30:55 | |
a Turnbull Direction should it come to it. That's like arguing with a tube train in a tunnel. | 0:30:55 | 0:31:00 | |
I don't see they have much choice. No, well, quite. | 0:31:00 | 0:31:03 | |
Yes, thank you for all your help. We said we'd be there for him. | 0:31:03 | 0:31:07 | |
Yes, well we will be. How, exactly? | 0:31:07 | 0:31:09 | |
I think we've missed a trick. I've been digging in the old files. | 0:31:09 | 0:31:12 | |
There was a storage unit. | 0:31:12 | 0:31:14 | |
Foyle had one before the Sandra Mullins murder. | 0:31:14 | 0:31:16 | |
It didn't make it into the evidence because he'd emptied it six months before. | 0:31:16 | 0:31:21 | |
It was passed on to somebody else. Want to guess who? | 0:31:21 | 0:31:24 | |
She's his alibi. She cooked him dinner at her home. | 0:31:27 | 0:31:30 | |
OK... | 0:31:32 | 0:31:34 | |
You're sure she was paying for this? Direct debit ever since. | 0:31:34 | 0:31:38 | |
If we're drawing a blank on the link to the locus it doesn't mean there isn't one, | 0:31:40 | 0:31:44 | |
it might just mean we're looking in the wrong place. | 0:31:44 | 0:31:47 | |
Probatio vincit praesumptionem. | 0:31:47 | 0:31:49 | |
Get a call into the OIC for me, will you? We need a warrant in motion. | 0:31:49 | 0:31:54 | |
In the meantime, let's revisit all we know about Eileen Murray. | 0:31:54 | 0:31:57 | |
The IOC for you. | 0:31:58 | 0:32:00 | |
It's like he's finally worked out how to switch on his brain. HE CHUCKLES | 0:32:07 | 0:32:11 | |
What is it? They called me again, about my statement. | 0:32:24 | 0:32:28 | |
I thought you gave one? | 0:32:30 | 0:32:32 | |
They asked me to clarify it. Again. | 0:32:32 | 0:32:34 | |
And what did you say? Well, I told them the truth. | 0:32:36 | 0:32:40 | |
I told them all about our evening. | 0:32:41 | 0:32:44 | |
Well, there are you, then. | 0:32:46 | 0:32:48 | |
But why did they need to check up on me like that? I don't know. | 0:32:50 | 0:32:53 | |
But there's nothing more to worry about,... is there? | 0:32:54 | 0:32:57 | |
No, I suppose there's not. | 0:32:59 | 0:33:01 | |
You look freezing. | 0:33:04 | 0:33:06 | |
Why don't you come in for a minute? | 0:33:08 | 0:33:11 | |
Oh, I just have to pop home first. Now, if that's OK. | 0:33:11 | 0:33:14 | |
OK. OK. | 0:33:16 | 0:33:19 | |
BIRDS SQUAWK AND SING | 0:33:24 | 0:33:26 | |
You know anything about kettles? | 0:33:46 | 0:33:48 | |
Oh, it's switched off at the wall. Oh. | 0:33:59 | 0:34:01 | |
LAUGHS | 0:34:02 | 0:34:04 | |
SLAMS DOOR These people, these lawyers, | 0:34:08 | 0:34:11 | |
they don't see you. | 0:34:14 | 0:34:16 | |
Did you know that? Uh-uh. | 0:34:16 | 0:34:19 | |
They don't have an ounce of mercy in them. And I'll be honest, Eileen. | 0:34:19 | 0:34:24 | |
They can be very manipulative. | 0:34:24 | 0:34:26 | |
Eileen, I want to protect you as best as I can, I really do, | 0:34:28 | 0:34:32 | |
but... | 0:34:34 | 0:34:36 | |
I need you to be a little more sure of yourself. | 0:34:36 | 0:34:39 | |
Sure? Of yourself. | 0:34:43 | 0:34:45 | |
Yeah, I think I can do that, yes. | 0:34:46 | 0:34:48 | |
You be you... and I'll be them. | 0:34:49 | 0:34:53 | |
Miss Morris, can you tell the court where you were | 0:34:56 | 0:35:01 | |
on the evening of the 3rd of December? | 0:35:01 | 0:35:03 | |
I was at home. | 0:35:05 | 0:35:07 | |
And what did you have to eat? | 0:35:07 | 0:35:10 | |
Spaghetti carbonara. Wrong. | 0:35:10 | 0:35:12 | |
Er... Con funghi. Wrong. | 0:35:14 | 0:35:16 | |
No, it's not. HE MIMICS HER No, it's not. | 0:35:19 | 0:35:23 | |
Er... I don't... I don't understand. | 0:35:24 | 0:35:26 | |
Have courage in your conviction. | 0:35:26 | 0:35:29 | |
(Don't let them rattle you.) | 0:35:30 | 0:35:32 | |
What did you have to eat? | 0:35:35 | 0:35:36 | |
Spaghetti con... fu... um... | 0:35:38 | 0:35:41 | |
I'm all confused now. Are you, Eileen? Are you confused? | 0:35:41 | 0:35:44 | |
Confused doesn't help us. | 0:35:45 | 0:35:48 | |
Confused makes everything go away. | 0:35:48 | 0:35:50 | |
Am I hurting you? SHE GROANS | 0:35:55 | 0:35:57 | |
(Yes.) | 0:35:59 | 0:36:01 | |
Am... I... hurting... you? | 0:36:02 | 0:36:06 | |
SHE LAUGHS | 0:36:13 | 0:36:15 | |
And what did you make for dinner that night? | 0:36:20 | 0:36:22 | |
S... Spaghetti Carbonara... | 0:36:25 | 0:36:29 | |
Cup of tea? | 0:36:36 | 0:36:38 | |
Gavin, can I ask your expert opinion on something. | 0:36:47 | 0:36:50 | |
Yes, of course. A barrister can't coach a witness, correct? | 0:36:52 | 0:36:56 | |
Gross misconduct. He'd be out in a flash. | 0:36:56 | 0:36:59 | |
What about a witness coaching a barrister? | 0:36:59 | 0:37:02 | |
I have a friend who is displaying | 0:37:04 | 0:37:06 | |
a sudden and surprising burst of talent. | 0:37:06 | 0:37:10 | |
I think he's getting help. | 0:37:11 | 0:37:13 | |
Well, he's not just risking his own neck. | 0:37:14 | 0:37:17 | |
He's risking his case, his client, and the reputation of his Chambers. | 0:37:17 | 0:37:21 | |
So, for the sake of your chum, | 0:37:21 | 0:37:24 | |
I suggest you find out what's going on. | 0:37:24 | 0:37:26 | |
Thank you. | 0:37:28 | 0:37:30 | |
BURSTS OVER POLICE RADIO | 0:37:34 | 0:37:36 | |
Did you need to go in the other one? They're both mine. | 0:37:41 | 0:37:44 | |
Yes, we will. Well, it's a bit of a, sorry, a bit of a squeeze. | 0:37:46 | 0:37:50 | |
Cos this one's mine as well, so... | 0:37:52 | 0:37:54 | |
They found a size 12 boot in the storage unit. It's a strong candidate | 0:38:24 | 0:38:28 | |
to match a tread in the locus. Foyle's a size nine. Doesn't stop him wearing a bigger boot. | 0:38:28 | 0:38:33 | |
Forget the alibi, focus on the boot. Get her on stand and make the connection. | 0:38:33 | 0:38:37 | |
But if we call her as our witness we can't cross examine her on the alibi, can we? | 0:38:37 | 0:38:41 | |
Her alibi's based on good character. It's a hard sell to undermine her. Show in court | 0:38:47 | 0:38:52 | |
they have an undisclosed connection through the storage unit, her credibility's undermined. | 0:38:52 | 0:38:57 | |
You may not have to do that if you prove this boot was at the scene. | 0:38:57 | 0:39:00 | |
A big choice. It's bite the bullet time. That's the way you should go. Tara's here. Walk away. | 0:39:00 | 0:39:05 | |
Walk away. Prove the link, undermine her. Double bubble. | 0:39:05 | 0:39:08 | |
Oh, and make sure that warrant was kosher. | 0:39:08 | 0:39:11 | |
DRAMATIC MUSIC | 0:39:11 | 0:39:13 | |
Trev! Looking a little bit lost there. Tara. Hi. | 0:39:25 | 0:39:29 | |
What are you doing here? Is Danny around? Why, have you seen him? Huh! | 0:39:29 | 0:39:33 | |
How bad? "She saw Harris. And she may have seen you too." | 0:39:59 | 0:40:02 | |
So we're burned. We're done. "So what happens now?" | 0:40:04 | 0:40:07 | |
HE EXHALES We cross our bloody fingers. | 0:40:07 | 0:40:09 | |
I'm very sorry. | 0:40:27 | 0:40:29 | |
I crossed a line. Yes, you did. | 0:40:36 | 0:40:38 | |
I've been so stressed about everything. | 0:40:42 | 0:40:44 | |
I'm sure you are. | 0:40:45 | 0:40:47 | |
See you later. | 0:41:01 | 0:41:03 | |
It's the first day of trial today. | 0:41:27 | 0:41:29 | |
They'll be arguing about evidence. | 0:41:31 | 0:41:33 | |
Jury's not in yet. You remember the drill. | 0:41:33 | 0:41:35 | |
Probably going to take Jamie up to the cottage this weekend, | 0:41:40 | 0:41:43 | |
go through your stuff. It's time. It might be good for him, you know? | 0:41:43 | 0:41:47 | |
You were always better at that sort of stuff than me, but we'll see how it goes. | 0:41:50 | 0:41:55 | |
That way it's done before I have to take the stand. | 0:41:58 | 0:42:00 | |
Everyone's done what they can. Everyone's been great. | 0:42:06 | 0:42:09 | |
A lot of people really love you. | 0:42:11 | 0:42:13 | |
We'll do our best, OK? | 0:42:19 | 0:42:21 | |
I promise. | 0:42:24 | 0:42:26 | |
Relax. So they found a boot. Big deal. | 0:42:45 | 0:42:48 | |
It's not DNA. We stick with what we agreed. Finalise the evidence. | 0:42:48 | 0:42:52 | |
Eileen will come through for us,... Mr Foyle? | 0:42:54 | 0:42:58 | |
We had dinner together. She'll confirm that under oath. | 0:42:58 | 0:43:01 | |
So the boot's not a problem? Not from where I'm sitting. | 0:43:01 | 0:43:06 | |
Just him and what he says he saw. | 0:43:06 | 0:43:08 | |
As it stands, yes. | 0:43:09 | 0:43:12 | |
As it stands. | 0:43:12 | 0:43:14 | |
You sure you're up for this? | 0:43:41 | 0:43:43 | |
Right. | 0:43:45 | 0:43:47 | |
Shall we start in here? | 0:44:12 | 0:44:14 | |
Mwah. | 0:44:22 | 0:44:23 | |
Hey, come here. | 0:44:35 | 0:44:37 | |
It's all right. It's all right. | 0:44:38 | 0:44:40 | |
It's OK. | 0:44:43 | 0:44:45 | |
Dad? Yeah. | 0:44:57 | 0:44:59 | |
Can I sell my books on eBay? | 0:45:00 | 0:45:02 | |
You can do whatever you want with them. I might do the same myself. | 0:45:02 | 0:45:06 | |
You? On eBay? You're rubbish with computers. | 0:45:06 | 0:45:10 | |
Yes. Me. What? | 0:45:10 | 0:45:12 | |
There's no way. No way. | 0:45:12 | 0:45:15 | |
You can't even turn a computer on. | 0:45:17 | 0:45:19 | |
I mean, I would eat my hat. | 0:45:21 | 0:45:23 | |
And I don't even have a hat. | 0:45:24 | 0:45:26 | |
Dad? | 0:45:31 | 0:45:33 | |
Mum said it was a surprise. | 0:45:41 | 0:45:43 | |
A nice surprise. | 0:45:45 | 0:45:47 | |
Speed-dial five, would you, please? What's going on? | 0:45:50 | 0:45:53 | |
I need to speak to someone, then we'll come back. Ready to dial? | 0:45:53 | 0:45:57 | |
Can we go back now? Press five on that phone and hold it down. | 0:45:57 | 0:46:01 | |
"Hello." When were you planning on telling me?! "Will?" | 0:46:01 | 0:46:04 | |
When he was in jail? "Listen..." Never? Were you just going to send me an ultrasound in the post? | 0:46:04 | 0:46:09 | |
"Are you driving?" I want a meeting with everyone tonight. You, Gavin, the coroner. Everyone! | 0:46:09 | 0:46:15 | |
Hang up. "Listen to me." PHONE BEEPS | 0:46:15 | 0:46:17 | |
Sorry, Jamie. | 0:46:21 | 0:46:23 | |
Jamie? | 0:46:24 | 0:46:26 | |
HE EXHALES DEEPLY | 0:46:29 | 0:46:31 | |
I should have fought him harder. | 0:46:38 | 0:46:40 | |
It's my fault. I'm sorry. I should've tried again. | 0:46:41 | 0:46:46 | |
Jamie, what are you saying? | 0:46:46 | 0:46:48 | |
I scratched his head. | 0:46:49 | 0:46:51 | |
You scratched him with your hands?! | 0:46:52 | 0:46:54 | |
And then I hid. You were in a box by the door. | 0:46:54 | 0:46:57 | |
Not the first time. | 0:46:57 | 0:46:59 | |
You moved?! Dad, look out! | 0:47:00 | 0:47:02 | |
TYRES SCREECH | 0:47:02 | 0:47:04 | |
CAR INDICATOR CLICKS | 0:47:09 | 0:47:11 | |
I'm sorry. | 0:47:18 | 0:47:20 | |
Me too. | 0:47:21 | 0:47:23 | |
I just need you to take a nice deep breath, OK? | 0:47:26 | 0:47:29 | |
And now I want you to explain to me exactly what happened. | 0:47:31 | 0:47:35 | |
PHONE RINGS | 0:47:44 | 0:47:46 | |
Yep. | 0:47:50 | 0:47:51 | |
"Maggie, Peter. Forensic team just found DNA at the cottage." | 0:47:51 | 0:47:55 | |
Foyle's? "Mmm. The boy moved, they found a sample under the sink." | 0:47:55 | 0:47:59 | |
Get on the phone and get Maggie! | 0:48:01 | 0:48:03 | |
I want my legal team, not you, Simpkins! | 0:48:03 | 0:48:06 | |
You're driving me up the wall. I can't hear you speak anymore! | 0:48:06 | 0:48:09 | |
"DNA it is, Mr Foyle. It's DNA!" What does DNA mean?! | 0:48:09 | 0:48:13 | |
Get Maggie here now! | 0:48:14 | 0:48:16 | |
"15th Floor. Doors opening." | 0:48:17 | 0:48:20 | |
What kind of DNA is the DNA that we've got?! | 0:48:22 | 0:48:25 | |
HE CONTINUES SHOUTING | 0:48:30 | 0:48:32 | |
Where did this DNA come from, Mr Simpkins! | 0:48:35 | 0:48:38 | |
"I can't tell you, Mr Foyle." | 0:48:38 | 0:48:40 | |
Is it from hair, Mr Simpkins? Is it from semen?! | 0:48:40 | 0:48:43 | |
RATTLES | 0:48:43 | 0:48:44 | |
You've locked him in? He said he'll only speak with you. | 0:48:44 | 0:48:47 | |
You've locked him in? Correct. | 0:48:47 | 0:48:49 | |
We were discussing his alibi. Then the conversation drifted to the new DNA evidence. And you let it? | 0:48:49 | 0:48:55 | |
It's only a low sample. Manifestly unreliable if we do our job properly. | 0:48:55 | 0:48:58 | |
He's not going to see it that way, is he? I suppose not. | 0:48:58 | 0:49:01 | |
It puts me there. | 0:49:06 | 0:49:08 | |
You're concerned about the DNA. It puts me in that cottage. | 0:49:09 | 0:49:13 | |
It puts me "at the locus", Margaret. | 0:49:13 | 0:49:16 | |
And now they think it's me. | 0:49:16 | 0:49:18 | |
They might think it says you were in the cottage... Is this how it's going to be? Here on in. | 0:49:18 | 0:49:23 | |
Do you think I enjoy spending my life sitting in an airless room with his coffee breath? | 0:49:23 | 0:49:28 | |
It's like an infernal machine. It chews you up. | 0:49:28 | 0:49:30 | |
Doesn't speak. Doesn't listen. Just keeps moving forward. | 0:49:30 | 0:49:34 | |
There's nothing you can do! | 0:49:34 | 0:49:36 | |
HE SIGHS OK, | 0:49:38 | 0:49:40 | |
we need to back up for moment. We? | 0:49:43 | 0:49:47 | |
We have a very clear alibi. | 0:49:47 | 0:49:49 | |
We? | 0:49:51 | 0:49:53 | |
HE LAUGHS You love it, don't you. "We". | 0:49:53 | 0:49:56 | |
We are one and the same. | 0:49:56 | 0:49:59 | |
In terms of this trial, our fates are intertwined. | 0:49:59 | 0:50:03 | |
But "we" don't go to prison. Do we? | 0:50:03 | 0:50:05 | |
We were not in the cottage. | 0:50:08 | 0:50:09 | |
No,... we... weren't. | 0:50:09 | 0:50:12 | |
So, we need to work out why the DNA would say that. | 0:50:12 | 0:50:16 | |
But it's science. And you can't argue with science. | 0:50:18 | 0:50:22 | |
I can, Mr Foyle. | 0:50:23 | 0:50:25 | |
In fact, | 0:50:25 | 0:50:28 | |
I can be very persuasive. | 0:50:28 | 0:50:30 | |
Good. | 0:50:35 | 0:50:37 | |
Be upstanding in court. | 0:51:22 | 0:51:24 | |
Mr Burton, I know this is going to be hard for you | 0:51:44 | 0:51:48 | |
given the circumstances, | 0:51:48 | 0:51:50 | |
so please take your time. | 0:51:50 | 0:51:52 | |
I saw him through the window. Him being? | 0:51:53 | 0:51:55 | |
Liam Foyle. He was known to you? | 0:51:55 | 0:51:59 | |
Yes. I'd just defended him in a criminal trial. | 0:51:59 | 0:52:03 | |
How often would you say you saw him during that period? Almost daily. | 0:52:03 | 0:52:07 | |
Over the trial period, six months. | 0:52:07 | 0:52:09 | |
Is there any doubt in your mind whatsoever | 0:52:09 | 0:52:12 | |
that the man you saw during those times | 0:52:12 | 0:52:15 | |
was the same man you saw staring at you through the kitchen window? | 0:52:15 | 0:52:19 | |
None whatsoever. | 0:52:19 | 0:52:21 | |
Ms Gardiner? | 0:52:28 | 0:52:30 | |
Mr Burton, you are a practising criminal defence barrister, are you not? Yes. | 0:52:35 | 0:52:40 | |
If a situation arises where a case against an accused | 0:52:40 | 0:52:44 | |
depends to a great extent on the identification of the accused, | 0:52:44 | 0:52:48 | |
is there a warning the judge should give the jury? Yes. | 0:52:48 | 0:52:53 | |
What is that warning called? It's called a Turnbull Direction. | 0:52:53 | 0:52:56 | |
In your professional opinion, is it important for the judge to warn the jury of the need for caution | 0:52:56 | 0:53:01 | |
before convicting anyone in any case that relies so heavily | 0:53:01 | 0:53:05 | |
on eyewitness identification? Yes. | 0:53:05 | 0:53:07 | |
Should the judge, in that situation, ask the jury to closely examine | 0:53:07 | 0:53:12 | |
every circumstance in which the identification was made? | 0:53:12 | 0:53:15 | |
Yes. Would... I can list them for you if you like. | 0:53:15 | 0:53:20 | |
No, thank you, I'm more than capable of recalling them on my own. | 0:53:20 | 0:53:23 | |
When you found her body, who did you see in the window? | 0:53:24 | 0:53:27 | |
I saw Liam Foyle. | 0:53:27 | 0:53:30 | |
You had "no doubt whatsoever" it was him. Yes. | 0:53:30 | 0:53:33 | |
There was a second individual present | 0:53:33 | 0:53:36 | |
at the time Kate Burton was killed, wasn't there? | 0:53:36 | 0:53:38 | |
Mr Burton? | 0:53:40 | 0:53:42 | |
Yes. | 0:53:43 | 0:53:45 | |
This would be your son James, is that right? Yes. | 0:53:45 | 0:53:49 | |
According to his statement, he was unable to make "any identification | 0:53:49 | 0:53:55 | |
of the attacker whatsoever." Is that right? | 0:53:55 | 0:53:58 | |
He's nine years old. He was hiding in a box. So if I might ask again. | 0:53:58 | 0:54:01 | |
Is it your understanding that he was not able to identify the attacker? | 0:54:01 | 0:54:05 | |
Yes. | 0:54:07 | 0:54:09 | |
So 50 percent of persons present | 0:54:09 | 0:54:11 | |
were not able to give a positive identification of the attacker. | 0:54:11 | 0:54:15 | |
Mr Burton, when a jury convicts, is it beyond all doubt? | 0:54:16 | 0:54:20 | |
Is... Is that the term? | 0:54:20 | 0:54:22 | |
Reasonable doubt. Beyond reasonable doubt. | 0:54:26 | 0:54:29 | |
Now let's have a think about what might be reasonable | 0:54:29 | 0:54:32 | |
in this situation, shall we? | 0:54:32 | 0:54:34 | |
When you saw the man you are alleging was the accused, | 0:54:34 | 0:54:37 | |
Mr Foyle, was it dark? Yes. | 0:54:37 | 0:54:41 | |
Were you under stress? Is that a serious question? | 0:54:41 | 0:54:44 | |
She was pregnant, did you know that? Mr Burton. | 0:54:44 | 0:54:47 | |
My Lord. Part Seven, Code of Conduct. | 0:54:47 | 0:54:49 | |
Please try and remember that you are a witness | 0:54:49 | 0:54:52 | |
and not counsel in this case, Mr Burton. | 0:54:52 | 0:54:56 | |
I am fully aware of the tragic circumstances we have surrounding us | 0:54:56 | 0:54:59 | |
and I am keenly aware of Mr Burton's incomprehensible loss, but in the case we have before us, | 0:54:59 | 0:55:05 | |
Mr Burton's distress cannot be avoided if my client is to be given a fair trial. | 0:55:05 | 0:55:09 | |
Very well then. | 0:55:09 | 0:55:11 | |
When you saw the man in the garden, were you under stress in any way? | 0:55:11 | 0:55:15 | |
Yes. What is a Bar Standards complaint? | 0:55:18 | 0:55:21 | |
It's a formal letter listing a complaint | 0:55:25 | 0:55:28 | |
against a practising barrister. | 0:55:28 | 0:55:31 | |
Have you ever received such a complaint? | 0:55:31 | 0:55:33 | |
I have. | 0:55:35 | 0:55:36 | |
Can you tell us who wrote that complaint? | 0:55:36 | 0:55:39 | |
A former client of mine wrote it. His name, please? | 0:55:43 | 0:55:46 | |
Liam Foyle. | 0:55:51 | 0:55:53 | |
In a dark room, in the shock and trauma of finding your wife | 0:55:54 | 0:55:58 | |
in a pool of blood on the floor, | 0:55:58 | 0:56:00 | |
holding her in your arms, still unclear as to where your son was, | 0:56:00 | 0:56:03 | |
you look up at the window and you see a man, | 0:56:03 | 0:56:06 | |
a man who recently had been given cause to make a serious complaint | 0:56:06 | 0:56:11 | |
against your conduct to the Bar Standards Board, | 0:56:11 | 0:56:14 | |
a man whose absence from your life would be very useful indeed. | 0:56:14 | 0:56:18 | |
But it wasn't that man, was it, Mr Burton? | 0:56:18 | 0:56:21 | |
You just wanted it to be. | 0:56:22 | 0:56:24 | |
Stop her. A bit late for that. She's twisting the facts to make them wrong. Doing a good job of it too. | 0:57:06 | 0:57:11 | |
If Defence had a problem, they should've argued it at the time. The issue has just come to light. | 0:57:11 | 0:57:16 | |
There's compelling evidence! | 0:57:16 | 0:57:18 | |
Can I come round tonight, please? I'm freaking out. | 0:57:18 | 0:57:21 | |
How did he know? There's no way he could have known. | 0:57:21 | 0:57:24 | |
When you killed her, did she die quickly? | 0:57:24 | 0:57:27 | |
How do you live with yourself? | 0:57:27 | 0:57:29 | |
You had us all worried for a minute. I'm just full of surprises. | 0:57:29 | 0:57:33 | |
Subtitles by Red Bee Media Ltd | 0:57:58 | 0:58:01 | |
# One, two, three, four... # | 0:58:03 | 0:58:04 | |
A family memoir that captured the hearts of millions. | 0:58:04 | 0:58:08 | |
A potter telling stories out of porcelain | 0:58:08 | 0:58:10 | |
and making objects out of words. | 0:58:10 | 0:58:12 |