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Thank you, my friend. Pleasure. Take care. | 0:00:02 | 0:00:04 | |
You shouldn't watch scary movies so close to bedtime. | 0:00:06 | 0:00:09 | |
Kate? Jamie! | 0:00:09 | 0:00:11 | |
Dad! | 0:00:11 | 0:00:14 | |
You're defending him. You know as well as I do, | 0:00:15 | 0:00:17 | |
for good or bad, everyone deserves a defence. | 0:00:17 | 0:00:19 | |
Mr Burton will not be in court. | 0:00:19 | 0:00:21 | |
As he's a witness, he cannot act for the Crown in any way. | 0:00:21 | 0:00:23 | |
So he just has to watch. | 0:00:23 | 0:00:25 | |
Foyle had a storage unit. Someone took it on after him. | 0:00:25 | 0:00:28 | |
If something's not turning up, look somewhere else. | 0:00:28 | 0:00:30 | |
And what did you make for dinner that night? | 0:00:30 | 0:00:33 | |
Spaghetti carbonara! | 0:00:33 | 0:00:34 | |
I should've fought him harder. What are you saying? | 0:00:34 | 0:00:37 | |
I scratched his head. With your hands? | 0:00:37 | 0:00:39 | |
And then I hid. You moved?! | 0:00:39 | 0:00:41 | |
"The forensic team just found DNA at the cottage." Foyle's? | 0:00:41 | 0:00:44 | |
"They want to meet." | 0:00:44 | 0:00:46 | |
In the trauma of finding your wife, you look up and see a man | 0:00:46 | 0:00:49 | |
whose absence from your life would be very useful indeed, | 0:00:49 | 0:00:52 | |
but it wasn't that man, was it, Mr Burton? | 0:00:52 | 0:00:55 | |
You just wanted it to be. | 0:00:55 | 0:00:57 | |
SUSPENSEFUL, JUDDERY MUSIC | 0:00:57 | 0:01:00 | |
BIRDS CHIRRUP | 0:01:02 | 0:01:05 | |
BIRDS CHIRRUP LOUDLY | 0:01:33 | 0:01:36 | |
MUSIC BUILDS TO CLIMAX | 0:01:40 | 0:01:43 | |
SOMBRE MUSIC | 0:01:45 | 0:01:48 | |
CLOCK TICKS | 0:02:13 | 0:02:16 | |
BACKGROUND CHATTER | 0:02:22 | 0:02:24 | |
Thanks. Morning! Good morning, Doctor Lambert. | 0:02:24 | 0:02:27 | |
Sorry I'm late. Remind me... | 0:02:27 | 0:02:29 | |
Low-count DNA. Kate Burton. Oh, yeah. | 0:02:29 | 0:02:32 | |
They'll try and trip you on the low count. Keep your answers simple. | 0:02:32 | 0:02:36 | |
Thanks for the tip. I've only done this three or 400 times. | 0:02:36 | 0:02:40 | |
Did this analysis prove conclusively | 0:02:40 | 0:02:43 | |
that the DNA discovered in the cottage | 0:02:43 | 0:02:46 | |
matches that of a particular individual? | 0:02:46 | 0:02:48 | |
It did. Whose DNA did the sample match? | 0:02:48 | 0:02:51 | |
We matched the sample to the DNA of Mr Liam Foyle. | 0:02:51 | 0:02:55 | |
HE SCOFFS | 0:02:55 | 0:02:57 | |
We are very stringent about our quality controls. We take our job extremely seriously. | 0:02:57 | 0:03:02 | |
That is very reassuring. | 0:03:02 | 0:03:03 | |
Were you responsible for analysing DNA samples in connection with Crown vs Foyle last year? | 0:03:03 | 0:03:09 | |
I believe so. | 0:03:09 | 0:03:10 | |
You believe so? | 0:03:10 | 0:03:13 | |
Yes, we were. | 0:03:13 | 0:03:15 | |
And in order to do that, samples of my client's DNA | 0:03:15 | 0:03:17 | |
would've been sent to and processed by your lab, is that correct? | 0:03:17 | 0:03:21 | |
Well, yes, there's a - Thank you. | 0:03:21 | 0:03:23 | |
So my client's DNA, at that time, | 0:03:23 | 0:03:26 | |
would've been effectively distributed throughout that lab like dust through an old house? | 0:03:26 | 0:03:31 | |
My Lord! I take it this is leading somewhere? | 0:03:31 | 0:03:34 | |
I'm just arriving now, My Lord. | 0:03:34 | 0:03:35 | |
Dr Lambert, I have a sworn statement from your laboratory | 0:03:35 | 0:03:38 | |
that confirms a deep clean was performed in all clean-room areas on the 12th of this month. | 0:03:38 | 0:03:43 | |
You brought the schedule forward. Why was that? Oh, come on! | 0:03:43 | 0:03:46 | |
Mr Mayfield... | 0:03:46 | 0:03:47 | |
Dr Lambert, if you please... | 0:03:47 | 0:03:50 | |
We conduct regular cleaning. | 0:03:50 | 0:03:52 | |
We recently decided to increase the number of cleans - Why was it brought forward? | 0:03:52 | 0:03:57 | |
Your cleaning schedule is normally enacted on a regulated basis, so something must've happened. | 0:03:57 | 0:04:02 | |
It was necessary. Are you or are you not in the process of an internal investigation | 0:04:02 | 0:04:06 | |
into the viability of contaminants within the laboratory? | 0:04:06 | 0:04:10 | |
Please answer yes or no. | 0:04:10 | 0:04:13 | |
But you can't answer... HE SIGHS | 0:04:13 | 0:04:16 | |
Yes. | 0:04:18 | 0:04:19 | |
Are you concerned about your failure rate? | 0:04:19 | 0:04:21 | |
Am I...? Everyone's concerned about their failure rate! | 0:04:21 | 0:04:24 | |
It's an industry-wide concern! Thank you. | 0:04:24 | 0:04:26 | |
My Lord, this is new information. It should've been disclosed, certainly. | 0:04:26 | 0:04:30 | |
What's clear beyond doubt is, this evidence is utterly compromised. | 0:04:30 | 0:04:34 | |
You have to stop her. It's a wee bit late for that. | 0:04:37 | 0:04:40 | |
She's twisting the facts around to make them wrong. Doing a good job of it, too. | 0:04:40 | 0:04:45 | |
If we don't have this DNA, then what do we have? | 0:04:45 | 0:04:48 | |
A problem. HE SIGHS | 0:04:49 | 0:04:52 | |
Spaghetti carbonara | 0:04:53 | 0:04:55 | |
and an Arctic roll for afters. | 0:04:55 | 0:04:58 | |
Miss Morris, that's a matter for defence counsel. | 0:04:58 | 0:05:01 | |
All I want to ask you about is the search of your storage unit, | 0:05:01 | 0:05:04 | |
not the defence alibi, such as it is. | 0:05:04 | 0:05:06 | |
Please stick to the matter at hand. My Lord! | 0:05:06 | 0:05:09 | |
Get on with it, Mr Mayfield. | 0:05:09 | 0:05:11 | |
Miss Morris, you maintain a contract with this storage facility? | 0:05:11 | 0:05:15 | |
I do, yes. | 0:05:15 | 0:05:16 | |
And when these premises were searched by the police a few days ago, | 0:05:16 | 0:05:19 | |
a pair of size-12 boots was recovered from your unit, | 0:05:19 | 0:05:23 | |
isn't that right? Yes, er, the other unit. | 0:05:23 | 0:05:26 | |
Are these your boots? They seem rather large for you! | 0:05:26 | 0:05:29 | |
What other unit? | 0:05:29 | 0:05:30 | |
My Lord, this is new information! Which was given to my learned friend yesterday. | 0:05:30 | 0:05:34 | |
Chain of continuity, My Lord... | 0:05:34 | 0:05:37 | |
Usher. TENSE MUSIC | 0:05:37 | 0:05:40 | |
The warrant was for Eileen Morris's possessions in the storage unit. | 0:05:41 | 0:05:45 | |
They had no authority to search F38. If... Only F37. | 0:05:45 | 0:05:48 | |
The search of F38 was unlawful. | 0:05:48 | 0:05:51 | |
If defence had a problem with the evidence, they should've argued it at the appropriate time. | 0:05:51 | 0:05:55 | |
The issue has only just come to light. | 0:05:55 | 0:05:57 | |
Foyle's previous use of F37 connects him to it. It falls within the chain of continuity. | 0:05:57 | 0:06:01 | |
F38 was entirely separate! | 0:06:01 | 0:06:03 | |
Judge, obviously I ask you to exclude this evidence under Section 78. | 0:06:03 | 0:06:06 | |
It was the unit next door! It... | 0:06:06 | 0:06:09 | |
And should you request, I will no doubt accede. | 0:06:15 | 0:06:19 | |
Then, I respectfully submit, My Lord, | 0:06:20 | 0:06:23 | |
there is no case to answer. | 0:06:23 | 0:06:26 | |
In the absence of any viable evidence - There is compelling evidence! | 0:06:26 | 0:06:31 | |
The eyewitness evidence of a broken man, | 0:06:35 | 0:06:40 | |
alone and devastated in the dark... | 0:06:40 | 0:06:44 | |
Having heard arguments from counsel | 0:06:47 | 0:06:50 | |
as to the strength of the evidence at this stage of the trial, | 0:06:50 | 0:06:54 | |
I have concluded the following... | 0:06:54 | 0:06:57 | |
There is insufficient evidence | 0:06:58 | 0:07:01 | |
for the case to continue for your consideration. | 0:07:01 | 0:07:05 | |
For that reason, on my direction, | 0:07:05 | 0:07:08 | |
you will return a verdict of not guilty. | 0:07:08 | 0:07:12 | |
On His Lordship's direction, | 0:07:12 | 0:07:14 | |
do you find the defendant not guilty? | 0:07:14 | 0:07:18 | |
FOREWOMAN: Not guilty. | 0:07:18 | 0:07:19 | |
And is that the verdict of you all? Yes. | 0:07:19 | 0:07:23 | |
SPECTATORS MURMUR All rise. | 0:07:23 | 0:07:26 | |
MR MAYFIELD SIGHS | 0:07:27 | 0:07:29 | |
Mr Foyle, you may leave the dock. | 0:07:30 | 0:07:33 | |
Congratulations. Oh, thanks. | 0:07:39 | 0:07:42 | |
Margaret... | 0:07:42 | 0:07:44 | |
Thank you, my friend. | 0:07:44 | 0:07:47 | |
Pleasure. Take care. | 0:07:47 | 0:07:49 | |
MUSIC BUILDS TO CLIMAX | 0:08:07 | 0:08:11 | |
Are you all right there, mate? Sorry, my foot slipped. | 0:08:13 | 0:08:15 | |
Are you all right? Yeah? | 0:08:15 | 0:08:18 | |
HE BREATHES HEAVILY | 0:08:21 | 0:08:24 | |
CHILDREN SHOUT | 0:08:33 | 0:08:36 | |
Jamie... | 0:08:42 | 0:08:45 | |
SOMBRE MUSIC | 0:08:49 | 0:08:52 | |
APPLAUSE | 0:09:05 | 0:09:07 | |
Ah, she blows! Pull! CORK POPS | 0:09:08 | 0:09:11 | |
A consummate performance. First class. | 0:09:11 | 0:09:15 | |
This is for you. | 0:09:15 | 0:09:18 | |
I believe you've earned it. | 0:09:18 | 0:09:20 | |
Pretty juicy, too! | 0:09:21 | 0:09:23 | |
Ooh! Thank you. | 0:09:23 | 0:09:26 | |
SOMBRE MUSIC CONTINUES | 0:09:31 | 0:09:34 | |
TENSE MUSIC | 0:09:57 | 0:09:59 | |
SIRENS WAIL IN DISTANCE | 0:10:15 | 0:10:18 | |
Vadim! Excuse me. | 0:10:27 | 0:10:30 | |
Mr Will. | 0:10:30 | 0:10:32 | |
You're looking well. | 0:10:32 | 0:10:34 | |
I'm sorry to hear about your wife. | 0:10:34 | 0:10:36 | |
Thank you. If there is anything I can do for you... | 0:10:36 | 0:10:40 | |
What time do you finish work? | 0:10:40 | 0:10:43 | |
EERIE MUSIC | 0:10:49 | 0:10:51 | |
MUSIC BUILDS | 0:11:06 | 0:11:08 | |
I clone it fast. | 0:12:20 | 0:12:22 | |
The name you wanted - Beinn Alligin. | 0:12:43 | 0:12:46 | |
ENGINE STARTS | 0:12:46 | 0:12:49 | |
Hi. Look, sorry, I just wanted to come and... | 0:13:02 | 0:13:05 | |
SHE SIGHS | 0:13:05 | 0:13:08 | |
I'm not sure why I came, actually. | 0:13:08 | 0:13:11 | |
Was that who I think it was? | 0:13:12 | 0:13:15 | |
I thought you'd be out celebrating. | 0:13:17 | 0:13:19 | |
No, just... | 0:13:19 | 0:13:21 | |
I'm sorry. | 0:13:25 | 0:13:27 | |
It's just... Your job. | 0:13:27 | 0:13:29 | |
Look, no hard feelings. | 0:13:31 | 0:13:33 | |
By which I mean - Watch yourself, Maggie. | 0:13:33 | 0:13:36 | |
SHE SIGHS | 0:13:39 | 0:13:42 | |
TENSE MUSIC | 0:13:56 | 0:13:58 | |
MUSIC BUILDS | 0:14:27 | 0:14:29 | |
Can I... | 0:14:37 | 0:14:40 | |
Can I come round tonight, please? | 0:14:40 | 0:14:43 | |
I'm freaking out! | 0:14:43 | 0:14:45 | |
JOHANN: "I think this is most inappropriate." | 0:14:45 | 0:14:47 | |
Oh, come on, think...! | 0:14:47 | 0:14:50 | |
How did he know? There's no way he could've known! | 0:14:50 | 0:14:53 | |
"If you're that concerned, I suggest you call the police." Oh, God! | 0:14:53 | 0:14:58 | |
Oh, God, I've just completely... | 0:14:58 | 0:15:02 | |
DRAMATIC MUSIC | 0:15:02 | 0:15:04 | |
BACKGROUND CHATTER PHONES RING | 0:15:17 | 0:15:20 | |
We have a window for appeal. | 0:15:22 | 0:15:23 | |
Ohh! Maybe not now, but... Come on! | 0:15:23 | 0:15:27 | |
No, optimism was never... Forget it. We lost. | 0:15:30 | 0:15:34 | |
It's over. | 0:15:36 | 0:15:38 | |
SOMBRE PIANO-LED MUSIC | 0:15:40 | 0:15:43 | |
WILL SNIFFS | 0:15:54 | 0:15:56 | |
BIRDS CAW WAVES LAP | 0:16:13 | 0:16:15 | |
Will! | 0:16:31 | 0:16:33 | |
Are you coming? | 0:16:49 | 0:16:51 | |
I never knew about this place. Yeah, Kate's cousin lets us use it every now and again. | 0:17:09 | 0:17:14 | |
Cracking bottle of wine inside, if you're interested? | 0:17:14 | 0:17:18 | |
It took some real sleuthing to find you. You know my methods, Watson. | 0:17:24 | 0:17:27 | |
Red or white? Er... You chose. | 0:17:27 | 0:17:30 | |
Huhh! How are you, Danny?! | 0:17:30 | 0:17:32 | |
All the better for seeing you, mate! | 0:17:32 | 0:17:34 | |
Pop those in the pot, would you? That's alive, alive-O. | 0:17:34 | 0:17:37 | |
Now you're talking. | 0:17:37 | 0:17:40 | |
Ah, here! You pasta, me sauce. | 0:17:40 | 0:17:43 | |
Don't you need a permit for those? Public right to fish in tidal waters - Malcomson v O'Dea, 1863, | 0:17:46 | 0:17:52 | |
before that, the Magna Carta. | 0:17:52 | 0:17:53 | |
To be fair, it's not mentioned at all in the Magna Carta, everyone just thinks it was. | 0:17:53 | 0:17:57 | |
So strictly speaking, right now, we just broke the law. | 0:17:57 | 0:18:00 | |
Well, to be precise, you did! Except now, you're an accessory. | 0:18:00 | 0:18:03 | |
What about me? | 0:18:03 | 0:18:05 | |
Probably just a caution. Thanks! You're very welcome! | 0:18:05 | 0:18:08 | |
Stop crying and pour some wine. | 0:18:08 | 0:18:10 | |
Not even a civil suit! | 0:18:12 | 0:18:14 | |
We're not going in that direction. | 0:18:14 | 0:18:17 | |
Even if we get him, no-one wins. HE SIGHS | 0:18:17 | 0:18:20 | |
It's not going to bring her back. So, we're just going to sit here, then? | 0:18:20 | 0:18:24 | |
Are you keeping busy? | 0:18:31 | 0:18:33 | |
I've been offered Chambers Manager at Citadel. | 0:18:33 | 0:18:37 | |
Manchester. | 0:18:39 | 0:18:40 | |
You do know what they do to QPR supporters there, don't you?! | 0:18:40 | 0:18:44 | |
HE SIGHS | 0:18:44 | 0:18:46 | |
I'm sorry you had to take that fall, Danny. | 0:18:46 | 0:18:49 | |
You had us all worried for a minute, disappearing like that. | 0:18:53 | 0:18:57 | |
Why's that? | 0:18:57 | 0:18:58 | |
You always seem so planned. | 0:18:58 | 0:19:01 | |
You haven't seen the school run. | 0:19:01 | 0:19:03 | |
I mean, it's not like you to do anything on the fly. | 0:19:03 | 0:19:06 | |
HE SIGHS Well, that's me all over, Danny. | 0:19:06 | 0:19:10 | |
I'm just full of surprises. | 0:19:10 | 0:19:13 | |
ANNOUCEMENT ON TANNOY | 0:19:28 | 0:19:31 | |
How long does it take to get to Edinburgh? Ten minutes, the way you drive. | 0:19:33 | 0:19:37 | |
Try not to take off, OK. | 0:19:41 | 0:19:44 | |
I'll be back as soon as I can. Look after Granny for me. | 0:19:45 | 0:19:50 | |
Dad... Yeah? | 0:19:51 | 0:19:53 | |
You're shaking. | 0:19:53 | 0:19:55 | |
Look, I mean, if you really were thinking of coming here, | 0:20:29 | 0:20:32 | |
we'd, obviously, be very interested in having you join the set. | 0:20:32 | 0:20:38 | |
No, I'm actively looking. My family needs a change of scene so... | 0:20:38 | 0:20:42 | |
Oh, well, for families, it's a lovely place! | 0:20:42 | 0:20:46 | |
You should rent a car and drive around a bit while you're here, | 0:20:46 | 0:20:49 | |
see the scenery. I might just do that. | 0:20:49 | 0:20:53 | |
SOMBRE MUSIC | 0:20:56 | 0:20:59 | |
CHEERFUL CHATTER | 0:21:49 | 0:21:51 | |
What would you like? Hi. Do you mind if I use your loo? | 0:22:00 | 0:22:03 | |
Thanks. | 0:22:03 | 0:22:05 | |
TOILET FLUSHES | 0:22:15 | 0:22:17 | |
CUBICLE DOOR OPENS | 0:22:26 | 0:22:28 | |
MAN WHISTLES | 0:22:29 | 0:22:31 | |
TENSE MUSIC THROUGHOUT | 0:22:32 | 0:22:35 | |
DOOR SLAMS | 0:23:01 | 0:23:03 | |
HORN BEEPS | 0:24:31 | 0:24:34 | |
TENSE MUSIC | 0:25:56 | 0:25:58 | |
MUSIC BUILDS | 0:26:09 | 0:26:12 | |
LIAM MUMBLES | 0:26:41 | 0:26:43 | |
DOOR CLOSES | 0:27:01 | 0:27:04 | |
What's the law on home invasion these days? I'm a little cloudy. | 0:27:21 | 0:27:26 | |
What's a proportionate response to someone surprised in their home by a stranger? | 0:27:26 | 0:27:32 | |
I need to ask you something. | 0:27:40 | 0:27:42 | |
DOOR OPENS I'm on Facebook. | 0:27:42 | 0:27:45 | |
I know. | 0:27:45 | 0:27:47 | |
Well, | 0:27:48 | 0:27:50 | |
you're here now, | 0:27:50 | 0:27:52 | |
so you can ask me whatever you like. | 0:27:52 | 0:27:56 | |
WILL TREMBLES | 0:28:00 | 0:28:03 | |
When did you decide to kill my wife? | 0:28:07 | 0:28:10 | |
Please, I need to know. | 0:28:17 | 0:28:20 | |
When you killed her, | 0:28:20 | 0:28:22 | |
did she die quickly? | 0:28:22 | 0:28:25 | |
Are you playing a character? Are you? | 0:28:27 | 0:28:31 | |
Are you all the way up there, looking all the way down here? | 0:28:31 | 0:28:36 | |
And do you think I'm a little bit stupid? | 0:28:36 | 0:28:40 | |
WILL TREMBLES | 0:28:42 | 0:28:45 | |
DRAMATIC MUSIC | 0:28:45 | 0:28:47 | |
You're going about this all wrong. | 0:28:54 | 0:28:58 | |
Well, you're the expert. | 0:29:00 | 0:29:04 | |
"When did you decide to kill my wife?" | 0:29:04 | 0:29:06 | |
You and your brain! | 0:29:06 | 0:29:08 | |
Have you ever seen a brain up close? It looks like a cauliflower. | 0:29:08 | 0:29:11 | |
The neural cortex looks like icing. | 0:29:11 | 0:29:15 | |
They say it's what separates us from the animals. | 0:29:15 | 0:29:18 | |
But we are animals. We're mammals. Like a lion. | 0:29:18 | 0:29:22 | |
You wouldn't blame a lion for being a lion, would you, Will? | 0:29:22 | 0:29:26 | |
Especially if you were the one who let him out. | 0:29:26 | 0:29:29 | |
How do you live with yourself? | 0:29:30 | 0:29:33 | |
I forgive myself. HE COUGHS | 0:29:34 | 0:29:38 | |
How do you live with yourself? | 0:29:38 | 0:29:41 | |
HE CLEARS THROAT | 0:29:41 | 0:29:44 | |
HE COUGHS | 0:29:44 | 0:29:46 | |
HE COUGHS SPLUTTERS | 0:29:53 | 0:29:55 | |
You're very clever! | 0:30:09 | 0:30:11 | |
HE COUGHS GROANS | 0:30:13 | 0:30:15 | |
ITEMS CLATTER SMASH | 0:30:18 | 0:30:20 | |
My pen... | 0:30:20 | 0:30:22 | |
Get the pen! HE COUGHS | 0:30:22 | 0:30:25 | |
HE TAKES RAPID, SHARP BREATHS | 0:30:25 | 0:30:28 | |
OUTSIDE LINE RINGS | 0:30:54 | 0:30:57 | |
Ambulance. | 0:30:59 | 0:31:02 | |
WOMAN: "It's an oval tube." Oval tube! Yes! Yes! | 0:31:02 | 0:31:05 | |
It's sort of grey with an orange end. "That's it." | 0:31:05 | 0:31:08 | |
I'm putting you on speaker. | 0:31:08 | 0:31:10 | |
Can you still hear me? "Yes. Are you holding the tube?" Yeah. | 0:31:10 | 0:31:14 | |
"Now put your fist around the tube." | 0:31:14 | 0:31:16 | |
OK. "Hold the orange tip near the thigh." | 0:31:16 | 0:31:19 | |
He has his trousers on! "The needle will go through. | 0:31:19 | 0:31:22 | |
"Hold the orange tip near his thigh, | 0:31:22 | 0:31:24 | |
"with your other hand, pull off the blue safety release." Done it. | 0:31:24 | 0:31:27 | |
"Now, swing and firmly push the tip against the thigh until it clicks. | 0:31:27 | 0:31:32 | |
"Hold it there for ten seconds. Did you get that?" | 0:31:32 | 0:31:35 | |
Swing, click, wait. OK. Here goes. | 0:31:35 | 0:31:37 | |
HISSING What was that? | 0:31:37 | 0:31:39 | |
"You probably heard the needle mechanism. It's spring-loaded." | 0:31:39 | 0:31:43 | |
OK. "The drug in the EpiPen should keep him steady till the ambulance gets to you. | 0:31:43 | 0:31:48 | |
"Are you still with me?" Yeah. I'm here. "You're doing great." | 0:31:48 | 0:31:52 | |
What now? "OK, you can take it out. | 0:31:52 | 0:31:54 | |
"Look at the barrel. Is there a red strip visible on the barrel? | 0:31:54 | 0:31:58 | |
"That will tell you that the drug went in." Er, hang on. | 0:31:58 | 0:32:02 | |
Hang on. LIAM GRUNTS | 0:32:02 | 0:32:03 | |
I can't see it! | 0:32:03 | 0:32:05 | |
"Just above the writing, there's a window." | 0:32:05 | 0:32:08 | |
Oh, yes! Yes, yes, yes, it's there! | 0:32:08 | 0:32:10 | |
"Is the patient responding?" | 0:32:10 | 0:32:13 | |
MUSIC BUILDS | 0:32:13 | 0:32:15 | |
"Sir? Sir? Hello? | 0:32:18 | 0:32:20 | |
"Anybody hear me? | 0:32:20 | 0:32:21 | |
"Hello? | 0:32:21 | 0:32:23 | |
"Anybody there? | 0:32:23 | 0:32:25 | |
"Hello, sir? | 0:32:25 | 0:32:27 | |
"Can you hear me?" | 0:32:27 | 0:32:29 | |
WILL COUGHS | 0:32:29 | 0:32:31 | |
GLASS SHATTERS | 0:32:38 | 0:32:40 | |
WILL GRUNTS | 0:32:40 | 0:32:42 | |
SIRENS WAIL | 0:32:48 | 0:32:51 | |
WILL COUGHS | 0:32:52 | 0:32:54 | |
Are you all right? Yeah, just a bit of smoke. | 0:33:01 | 0:33:03 | |
Just the two of you up there? Yeah. | 0:33:03 | 0:33:05 | |
Showing vasodilation. Capillary leak. | 0:33:05 | 0:33:08 | |
Is he going to be OK? Bad shoulder bleed here. | 0:33:08 | 0:33:10 | |
Let's concentrate on his breathing. Here we go. | 0:33:10 | 0:33:13 | |
You're going to be all right. We're the paramedics. | 0:33:13 | 0:33:15 | |
You'd better come with us. No, my car's - | 0:33:15 | 0:33:17 | |
No, mate, we can't leave you. You're going to come with us. | 0:33:17 | 0:33:21 | |
Bring that green bag, please. | 0:33:21 | 0:33:23 | |
One, two, three, lift! | 0:33:23 | 0:33:26 | |
OK, let's go. Let's go. | 0:33:26 | 0:33:29 | |
TENSE MUSIC | 0:33:30 | 0:33:32 | |
SIRENS WAIL | 0:33:37 | 0:33:39 | |
Lucky your friend was there. He used your EpiPen. We've got some more adrenalin ready. | 0:33:45 | 0:33:49 | |
Everything is OK. I know your breathing's not that easy, | 0:33:49 | 0:33:53 | |
but we'll be in the hospital in five minutes. Hang on there. Just open your eyes. | 0:33:53 | 0:33:57 | |
MONITOR BEEPS MONOTONOUSLY Chest compressions! | 0:33:57 | 0:33:59 | |
OK, we've got one milligram of adrenalin. | 0:33:59 | 0:34:03 | |
MACHINE BEEPS NORMALLY OK, well done. All right, mate... | 0:34:03 | 0:34:07 | |
Mind if I open a window? I think I'm going to be sick. He's arrested in the back! | 0:34:07 | 0:34:10 | |
HE TAKES SHALLOW, RAPID BREATHES | 0:34:10 | 0:34:13 | |
MEDICS SPEAK IN BACKGROUND | 0:34:34 | 0:34:36 | |
Arrested! | 0:34:36 | 0:34:38 | |
OVERLAPPING SPEECH | 0:34:47 | 0:34:50 | |
INDISTINCT INSTRUCTIONS | 0:34:55 | 0:34:58 | |
MACHINE BEEPS | 0:35:11 | 0:35:13 | |
MACHINE FLATLINES | 0:35:17 | 0:35:20 | |
William Burton? | 0:35:30 | 0:35:33 | |
Will you come with me, please? | 0:35:33 | 0:35:35 | |
Did you and Mr Foyle have any interactions? | 0:35:39 | 0:35:42 | |
Yes. | 0:35:42 | 0:35:43 | |
He attacked me and I stabbed him. | 0:35:43 | 0:35:47 | |
With this... | 0:35:50 | 0:35:52 | |
DOOR OPENS | 0:36:06 | 0:36:08 | |
Quite a shock, don't you think? | 0:36:14 | 0:36:16 | |
What is? | 0:36:16 | 0:36:18 | |
He's dead? | 0:36:21 | 0:36:23 | |
Keep reading. | 0:36:23 | 0:36:25 | |
SOMBRE MUSIC | 0:36:35 | 0:36:37 | |
SHOUTING IN BACKGROUND | 0:36:56 | 0:36:58 | |
Excuse me. Erm, does Vadim Kumarin still work here? | 0:37:34 | 0:37:38 | |
Do you know where he might be? Do you know... | 0:37:40 | 0:37:44 | |
OK. | 0:37:44 | 0:37:46 | |
Thank you. | 0:38:00 | 0:38:02 | |
SHE SIGHS Welcome to Scotland. | 0:38:03 | 0:38:05 | |
Oh, is that where I am?! I wondered why everyone was Scottish. | 0:38:05 | 0:38:08 | |
Some good news from the Fiscal. | 0:38:08 | 0:38:10 | |
They'd recommend acceptance if you offered a Section 76 plea of culpable homicide. | 0:38:10 | 0:38:15 | |
Probably a 30 percent discount on sentence. | 0:38:15 | 0:38:18 | |
That's nine years at most. Out in six. | 0:38:18 | 0:38:22 | |
And that's good news because...? | 0:38:22 | 0:38:25 | |
Because you're in serious trouble. | 0:38:25 | 0:38:29 | |
If you're thinking of going not guilty, that's a murder trial! | 0:38:29 | 0:38:32 | |
The Crown's going to be all out for your blood. | 0:38:32 | 0:38:35 | |
Look, I typed up a draft plea offer for you. | 0:38:35 | 0:38:39 | |
This is a choice. | 0:38:40 | 0:38:42 | |
You've got life, with a minimum of 20 years for murder, | 0:38:42 | 0:38:45 | |
or sign the offer, do six years and see your son finish school, | 0:38:45 | 0:38:50 | |
instead of missing the whole thing. | 0:38:50 | 0:38:52 | |
I'm not missing a single second! | 0:38:52 | 0:38:55 | |
Don't be like this. Come on. | 0:38:55 | 0:38:58 | |
You need to seriously consider this. | 0:38:58 | 0:39:00 | |
Do you think I did it? No! | 0:39:00 | 0:39:03 | |
No. | 0:39:03 | 0:39:05 | |
Of course I don't. | 0:39:05 | 0:39:08 | |
Make sure you recycle that. | 0:39:11 | 0:39:13 | |
I appreciate you coming down, Jen, but I think I'll do it myself. | 0:39:13 | 0:39:16 | |
You can't. I can. In fact, I can do all of it myself. | 0:39:16 | 0:39:19 | |
No, you can't! This is Scots law, idiot. | 0:39:19 | 0:39:22 | |
There's a thousand differences. Renton Brown, right? | 0:39:22 | 0:39:25 | |
That's a punchy read. | 0:39:25 | 0:39:27 | |
You've always been there for me, and I'm sorry, but this isn't going to work out. | 0:39:31 | 0:39:36 | |
What do you think you are doing? Eh? | 0:39:36 | 0:39:39 | |
I'm trying to help you here! I know. | 0:39:39 | 0:39:41 | |
Thank you, | 0:39:41 | 0:39:43 | |
but I'll take it from here. | 0:39:43 | 0:39:46 | |
TENSE MUSIC | 0:39:52 | 0:39:54 | |
DOOR OPENS | 0:40:27 | 0:40:29 | |
Court! | 0:40:29 | 0:40:31 | |
Ladies and gentlemen, | 0:40:48 | 0:40:51 | |
the charge on the indictment is that, on the 23rd of March, | 0:40:51 | 0:40:55 | |
at a house near Kielder Forest in Scotland, | 0:40:55 | 0:40:59 | |
William Burton did assault Liam Michael Foyle | 0:40:59 | 0:41:03 | |
and did stab on the body with a knife containing thereon a substance, | 0:41:03 | 0:41:08 | |
knowing that this would cause severe injury, anaphylaxis | 0:41:08 | 0:41:12 | |
and death to the recipient, | 0:41:12 | 0:41:14 | |
and he did murder him. | 0:41:14 | 0:41:17 | |
Call the diet of Her Majesty's advocate | 0:41:17 | 0:41:20 | |
against William Burton. | 0:41:20 | 0:41:22 | |
We have no opening speeches in Scottish courts, Mr Burton, | 0:41:22 | 0:41:26 | |
just in case you were planning on making one at this stage. | 0:41:26 | 0:41:30 | |
Oh. Really? | 0:41:30 | 0:41:32 | |
Mr Burton, you know you have been strongly advised against representing yourself. | 0:41:32 | 0:41:37 | |
It's been made very clear, My Lord. | 0:41:37 | 0:41:39 | |
Very well. | 0:41:39 | 0:41:41 | |
Er, can I move my papers to the table? | 0:41:41 | 0:41:44 | |
No. | 0:41:44 | 0:41:46 | |
I can't very well run my case from the dock, can I? | 0:41:46 | 0:41:49 | |
That, Mr Burton, is exactly what you are going to do. | 0:41:49 | 0:41:53 | |
What are you doing? | 0:41:54 | 0:41:57 | |
Is this a common allergy? Not really. | 0:41:57 | 0:41:59 | |
It's an allergy to a particular gastropod. Specifically, limpets. | 0:41:59 | 0:42:04 | |
He was deathly allergic to limpets? | 0:42:04 | 0:42:07 | |
More specifically, an active protein known as tropomyosin. | 0:42:07 | 0:42:11 | |
And where was this allergen? | 0:42:11 | 0:42:13 | |
How did Mr Foyle come into contact with it? | 0:42:13 | 0:42:16 | |
Localised swelling at the wound site | 0:42:16 | 0:42:18 | |
suggest it may have been present on the weapon used to injure him before he died. | 0:42:18 | 0:42:22 | |
Thank you, Doctor. | 0:42:22 | 0:42:25 | |
Mr Burton? | 0:42:26 | 0:42:28 | |
No, thank you, My Lord. | 0:42:30 | 0:42:32 | |
Mr Burton, you are aware, of course, | 0:42:33 | 0:42:36 | |
that once you give evidence on your own behalf, | 0:42:36 | 0:42:39 | |
you are opening yourself up to cross-examination by the Crown? | 0:42:39 | 0:42:44 | |
Very well aware, My Lord. | 0:42:44 | 0:42:47 | |
"What now?" "OK, you can take it out. | 0:42:47 | 0:42:49 | |
"Look at the barrel. Is there a red strip visible on the barrel? | 0:42:49 | 0:42:53 | |
"That will tell you that the drug went in." | 0:42:53 | 0:42:56 | |
"Er, hang on. Hang on. | 0:42:56 | 0:42:58 | |
"I can't see it!" | 0:42:58 | 0:43:00 | |
"Just above the writing, there's a window." | 0:43:00 | 0:43:03 | |
"Oh, yes! Yes, yes, yes, it's there!" | 0:43:03 | 0:43:05 | |
"Is the patient responding?" | 0:43:05 | 0:43:07 | |
GRUNTING ON TAPE | 0:43:07 | 0:43:09 | |
"Sir? Sir? Hello? Anybody hear me?" | 0:43:09 | 0:43:12 | |
INTERFERENCE ON TAPE | 0:43:12 | 0:43:14 | |
SILENCE ON TAPE | 0:43:14 | 0:43:16 | |
You appear to be very calm during this interaction. | 0:43:17 | 0:43:20 | |
Were you? I was trying to be. | 0:43:20 | 0:43:23 | |
What were you doing in Kielder Forest, Mr Burton? | 0:43:24 | 0:43:26 | |
I had a job interview in Carlisle. | 0:43:26 | 0:43:29 | |
The person I spoke to suggested I tour around a bit. | 0:43:29 | 0:43:31 | |
Do you normally conduct job interviews with a knife? | 0:43:31 | 0:43:35 | |
I got married with a knife. | 0:43:35 | 0:43:37 | |
Every Scotsman worth his kilt gets married with a knife. | 0:43:37 | 0:43:41 | |
You bumped into Mr Foyle by pure chance? | 0:43:41 | 0:43:43 | |
Yes. I saw him in a pub and I felt compelled to confront him. | 0:43:43 | 0:43:47 | |
You sought him out to force a confession. | 0:43:47 | 0:43:50 | |
Isn't that correct? | 0:43:50 | 0:43:52 | |
Yes. | 0:43:52 | 0:43:54 | |
Yes? Yes, that's right. | 0:43:54 | 0:43:57 | |
Double jeopardy law, pertaining to new evidence. | 0:43:57 | 0:43:59 | |
I believe Mr Burton has answered the question. | 0:43:59 | 0:44:02 | |
My Lord. | 0:44:02 | 0:44:05 | |
A confession - | 0:44:05 | 0:44:06 | |
something that you would've desired very much. | 0:44:06 | 0:44:09 | |
Yes. | 0:44:09 | 0:44:10 | |
And yet when he denied you this request, | 0:44:10 | 0:44:12 | |
you took his life. | 0:44:12 | 0:44:14 | |
No. You flew into a rage and attacked him with a knife, didn't you? | 0:44:14 | 0:44:19 | |
When was this, sorry? When you slashed him with the knife, | 0:44:19 | 0:44:21 | |
as you've said clearly in your statement! | 0:44:21 | 0:44:24 | |
Oh, yes, before I carried him out of a burning building. | 0:44:24 | 0:44:27 | |
Mr Burton! Just being clear on chronology. | 0:44:27 | 0:44:31 | |
Flying close to the sun. | 0:44:31 | 0:44:34 | |
A gastropod allergy, | 0:44:35 | 0:44:38 | |
a specific kind of shellfish - | 0:44:38 | 0:44:42 | |
not exactly easy information to find out. | 0:44:42 | 0:44:46 | |
No, I'd imagine not. | 0:44:46 | 0:44:47 | |
Have you ever had cause to access a client's medical records? | 0:44:47 | 0:44:51 | |
Yes, though only if pertinent to the case. | 0:44:51 | 0:44:54 | |
In the case of Sandra Mullins, | 0:44:54 | 0:44:57 | |
you were lead counsel for Mr Foyle's defence. I was. | 0:44:57 | 0:45:00 | |
Did you ever request any medical information regarding Mr Foyle? | 0:45:00 | 0:45:05 | |
No. You did not? | 0:45:05 | 0:45:09 | |
No, I did not access his files. | 0:45:09 | 0:45:11 | |
I believe his "no" was sufficient. | 0:45:11 | 0:45:13 | |
My Lord. You cannot prove this, of course. | 0:45:13 | 0:45:17 | |
He was your client. | 0:45:17 | 0:45:18 | |
You were intimately acquainted with his information. | 0:45:18 | 0:45:22 | |
No. Erm... | 0:45:22 | 0:45:23 | |
Confidential medical files are all digitised and kept securely at the solicitors, | 0:45:23 | 0:45:27 | |
or, presumably, equally securely at his doctors or hospital. | 0:45:27 | 0:45:31 | |
Which is a long-winded way of saying no, I did not access his files, | 0:45:31 | 0:45:34 | |
and, yes, I can prove it. | 0:45:34 | 0:45:38 | |
TENSE MUSIC | 0:45:46 | 0:45:48 | |
What Mr Burton is asking of you is very simple, ladies and gentlemen. | 0:45:55 | 0:46:00 | |
He wants you to believe his little story. | 0:46:00 | 0:46:03 | |
He wants you to believe that, through an ironic twist of fate, | 0:46:03 | 0:46:07 | |
this was the wrong knife, | 0:46:07 | 0:46:09 | |
in the wrong hand, at the wrong time. | 0:46:09 | 0:46:13 | |
I respectfully submit to you | 0:46:13 | 0:46:16 | |
that this is pure fabrication. | 0:46:16 | 0:46:19 | |
This was foreknowledge, | 0:46:19 | 0:46:21 | |
with malicious intent. | 0:46:21 | 0:46:23 | |
He will tell you otherwise, but I ask only this question - | 0:46:23 | 0:46:27 | |
he tells a good story, | 0:46:27 | 0:46:29 | |
but do we really believe him? | 0:46:29 | 0:46:33 | |
I'm a lawyer. | 0:46:33 | 0:46:36 | |
I have lived and believed in the law all my life. | 0:46:37 | 0:46:42 | |
But until the law happens to you, | 0:46:44 | 0:46:47 | |
believe me, you don't know which way you're going to go. | 0:46:47 | 0:46:50 | |
The man I faced in that cabin | 0:46:52 | 0:46:55 | |
is the man I know, beyond all doubt, murdered my wife. | 0:46:55 | 0:47:00 | |
I could've done a lot of things to him. | 0:47:02 | 0:47:05 | |
Instead, | 0:47:06 | 0:47:08 | |
I saw him suffer and I called an ambulance. | 0:47:08 | 0:47:11 | |
I removed him from danger. | 0:47:12 | 0:47:15 | |
I did what any decent human being should do. | 0:47:16 | 0:47:20 | |
But make no mistake, I did those things | 0:47:20 | 0:47:23 | |
out of nothing more than a sincere duty to our common decency. | 0:47:23 | 0:47:27 | |
I did so because that's what's expected when you're a person in the world. | 0:47:28 | 0:47:33 | |
I risked my life to save the man who took away my heart... | 0:47:36 | 0:47:41 | |
..my compass, | 0:47:44 | 0:47:46 | |
my anchor, | 0:47:46 | 0:47:48 | |
my best friend. | 0:47:48 | 0:47:50 | |
I faced him down with a knife in my hand, I could've let him burn! | 0:47:53 | 0:47:58 | |
In the circumstances, I believe I exerted an extraordinary amount of restraint. | 0:47:59 | 0:48:05 | |
Liam Foyle is dead. | 0:48:11 | 0:48:13 | |
I rejoice in his passing. | 0:48:14 | 0:48:17 | |
But you should not convict me of his murder. | 0:48:20 | 0:48:24 | |
SOMBRE MUSIC | 0:48:24 | 0:48:26 | |
Will! That's your one. | 0:48:37 | 0:48:39 | |
Will. | 0:48:39 | 0:48:40 | |
Oh, hi! | 0:48:40 | 0:48:43 | |
OK, interesting... | 0:48:43 | 0:48:45 | |
I wanted to talk to you. I'd hurry up if I were you, you know what juries can be like. | 0:48:45 | 0:48:49 | |
They can't deliberate forever. | 0:48:49 | 0:48:51 | |
How are you feeling? | 0:48:51 | 0:48:53 | |
How am I feeling? When you heard what happened. | 0:48:53 | 0:48:56 | |
Come on, you weren't just a wee bit relieved? | 0:48:56 | 0:48:58 | |
I need to talk to you. | 0:48:58 | 0:49:00 | |
Moral support? Legal advice. | 0:49:00 | 0:49:04 | |
I've been grappling with a case that's been bothering me, and wondered if you could help. | 0:49:04 | 0:49:09 | |
Be right back. | 0:49:11 | 0:49:13 | |
Shoot. | 0:49:13 | 0:49:15 | |
Something occurred to me the other day... | 0:49:18 | 0:49:20 | |
If you wanted to break into a safe, the first person you'd call is a locksmith, and, um, | 0:49:20 | 0:49:25 | |
if you wanted to commit murder and get away with it, | 0:49:25 | 0:49:29 | |
you might just want to talk to a criminal barrister. | 0:49:29 | 0:49:33 | |
That's an interesting idea. | 0:49:33 | 0:49:35 | |
I see enough cases turn on discovery to know that a perfect crime only stays perfect | 0:49:35 | 0:49:39 | |
if it's done in plain sight, wouldn't you say? | 0:49:39 | 0:49:42 | |
Could be. | 0:49:42 | 0:49:44 | |
Everyone would have all the facts and still have no idea how he really did it. | 0:49:44 | 0:49:50 | |
CLOCK CHIMES | 0:49:50 | 0:49:51 | |
Step one - he'd find the Achilles heel. | 0:49:51 | 0:49:55 | |
A deathly allergy, say. A rare one. | 0:49:55 | 0:49:58 | |
How did this person find out something like that? | 0:49:58 | 0:50:00 | |
What does a criminal barrister do all day long? | 0:50:00 | 0:50:02 | |
Chase invoices. Talk to criminals. | 0:50:02 | 0:50:05 | |
Wouldn't that give him an address book, full of potential contacts? | 0:50:05 | 0:50:08 | |
For example, on the case that I'm working on, | 0:50:08 | 0:50:10 | |
the man was seen talking to a known criminal. | 0:50:10 | 0:50:12 | |
How would the person be sure it was him? The criminal, I mean. | 0:50:12 | 0:50:17 | |
Presuming it was a he, of course... | 0:50:17 | 0:50:19 | |
He was well-known to the eyewitness. Yeah, but was it day or night? Was he on foot, in a vehicle? | 0:50:19 | 0:50:23 | |
Was the observer under any stress at all? | 0:50:23 | 0:50:27 | |
Step two - | 0:50:27 | 0:50:30 | |
what if he found a natural-occurring source for the allergen, somewhere innocent and every day? | 0:50:30 | 0:50:36 | |
If they argue self-defence, they might load up a weapon with that allergen | 0:50:36 | 0:50:40 | |
to administer the dose. | 0:50:40 | 0:50:42 | |
I'm with you so far. | 0:50:42 | 0:50:44 | |
But to put so much weight on one dose of allergen might not be enough, don't you think? | 0:50:44 | 0:50:49 | |
I wouldn't know the first thing about it. | 0:50:49 | 0:50:52 | |
Step three - | 0:50:52 | 0:50:53 | |
these people with allergies of such severity that they cause anaphylaxis, | 0:50:53 | 0:50:58 | |
they carry these little life-saving pens with them, don't they, called EpiPens? | 0:50:58 | 0:51:03 | |
Do you think it might be possible to repurpose a pen as a poison pen? | 0:51:03 | 0:51:07 | |
By replacing the carrier solution with a solution of allergen, | 0:51:07 | 0:51:11 | |
a person might sabotage the very thing that would save a person's life. | 0:51:11 | 0:51:15 | |
That sounds diabolical. It does, doesn't it? | 0:51:15 | 0:51:18 | |
You mentioned a legal question. And if that person called 999, | 0:51:19 | 0:51:23 | |
and they talked them through administering that pen to the victim, | 0:51:23 | 0:51:27 | |
it's almost collusion in the crime. | 0:51:27 | 0:51:29 | |
They'd be walking that person, step by step, through the murder. | 0:51:29 | 0:51:32 | |
Oh, you mean they'd have a public record of the conversation. | 0:51:32 | 0:51:37 | |
Yes. Ah, that might fly. | 0:51:37 | 0:51:39 | |
But I really don't think anyone would seriously attempt it. | 0:51:39 | 0:51:43 | |
Why not? I think murder's against the law! | 0:51:43 | 0:51:45 | |
I mean, last time I looked... | 0:51:45 | 0:51:47 | |
Will... You're drawing a line. A big red one. | 0:51:47 | 0:51:49 | |
There's a huge difference between knowing where that line is and stepping over it. | 0:51:49 | 0:51:53 | |
I know I couldn't. | 0:51:53 | 0:51:55 | |
Why not? | 0:51:55 | 0:51:57 | |
I'd be scared of getting caught. | 0:51:57 | 0:51:59 | |
You just said it was the perfect crime. Oh, it is! | 0:51:59 | 0:52:03 | |
It is. | 0:52:03 | 0:52:06 | |
Except for three things... | 0:52:08 | 0:52:10 | |
Three? | 0:52:12 | 0:52:13 | |
Really? | 0:52:13 | 0:52:15 | |
One - | 0:52:17 | 0:52:19 | |
disposing the weapon. | 0:52:19 | 0:52:21 | |
There'd be two EpiPens, the innocent one and the murder weapon. | 0:52:21 | 0:52:24 | |
The killer would have to discharge the innocent EpiPen at the locus | 0:52:24 | 0:52:28 | |
so it looked like he'd done what he talked to the emergency services about. | 0:52:28 | 0:52:33 | |
Then I imagine he'd have to chuck the poisoned EpiPen into the sharps disposal bags. | 0:52:33 | 0:52:37 | |
But there's a chance it could be found before being incinerated if the police do a search. | 0:52:37 | 0:52:42 | |
Ah! Very clever. | 0:52:42 | 0:52:44 | |
Two - obtaining the pen in the first place. | 0:52:44 | 0:52:48 | |
He'd have to know someone with a... with a prescription already. | 0:52:48 | 0:52:52 | |
Hm... Good point. | 0:52:52 | 0:52:54 | |
Oh, and then there's number three... | 0:52:54 | 0:52:57 | |
SHE SHUFFLES PAPERS | 0:52:57 | 0:52:59 | |
"Patient suffered IgE phylum Mollusca allergy, | 0:52:59 | 0:53:01 | |
"severe bronchospasm and anaphylaxis and..." | 0:53:01 | 0:53:04 | |
under 'Additional Observations', hidden away in the footnotes, | 0:53:04 | 0:53:09 | |
"..some local swelling at wound... | 0:53:09 | 0:53:13 | |
"..and injection site". | 0:53:14 | 0:53:16 | |
But, you know, they don't test for epinephrine after death, | 0:53:17 | 0:53:21 | |
so there's no way of knowing if the EpiPen had been used or not, | 0:53:21 | 0:53:25 | |
except for the puncture wound. | 0:53:25 | 0:53:28 | |
So my number three is this - | 0:53:29 | 0:53:32 | |
risk of a follow-up histology on local puncture site. | 0:53:32 | 0:53:36 | |
You have a very creative mind. | 0:53:37 | 0:53:40 | |
But would that person be able to sleep soundly, | 0:53:40 | 0:53:43 | |
knowing that at any moment, there might be another post-mortem | 0:53:43 | 0:53:47 | |
that identified allergen | 0:53:47 | 0:53:49 | |
at the EpiPen site? | 0:53:49 | 0:53:51 | |
Well, I guess that depends... | 0:53:59 | 0:54:01 | |
On what? | 0:54:01 | 0:54:03 | |
On whether the body's been cremated... | 0:54:04 | 0:54:09 | |
EERIE MUSIC | 0:54:09 | 0:54:12 | |
Can the foreman stand, please? | 0:54:23 | 0:54:27 | |
Have you reached a verdict? FOREWOMAN: We have. | 0:54:27 | 0:54:31 | |
In the case of Her Majesty's Advocate against William Burton, | 0:54:32 | 0:54:37 | |
how do you find the accused on the charge of murder? | 0:54:37 | 0:54:42 | |
Not proven. SPECTATORS MURMUR | 0:54:47 | 0:54:49 | |
Yes! | 0:54:49 | 0:54:50 | |
Silence, please! | 0:54:50 | 0:54:52 | |
ONE PERSON APPLAUDS Silence, please! | 0:54:52 | 0:54:56 | |
UPLIFTING MUSIC | 0:54:56 | 0:54:59 | |
REPORTERS: Mr Burton! Mr Burton! Any comments, Mr Burton? | 0:55:04 | 0:55:08 | |
Not proven, of course, the third verdict available in Scottish law. | 0:55:08 | 0:55:11 | |
Effectively an acquittal, but one which suggests a suspicion of guilt... | 0:55:11 | 0:55:16 | |
Do you think you would've got away with it in an English court of law? Mr Burton! | 0:55:16 | 0:55:20 | |
MAGGIE: Take care. What have you got to say, Mr Burton? | 0:55:20 | 0:55:24 | |
REPORTERS CONTINUE TO SHOUT | 0:55:24 | 0:55:28 | |
Maybe some comment? | 0:55:28 | 0:55:31 | |
Do you think you'll sleep at night, Mr Burton? | 0:55:31 | 0:55:34 | |
GENTLE PIANO-LED MUSIC | 0:55:39 | 0:55:41 | |
OK... | 0:55:46 | 0:55:48 | |
..hold it down. | 0:55:49 | 0:55:52 | |
BIRDS CAW WAVES LAP | 0:55:52 | 0:55:54 | |
Subtitles by Red Bee Media Ltd | 0:56:35 | 0:56:38 |