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I know you think it's ridiculous, but I saw it, Neil. | 0:00:09 | 0:00:11 | |
-Look, just wait for me. -They're coming, I've seen it. | 0:00:11 | 0:00:14 | |
Where? | 0:00:14 | 0:00:15 | |
Hinkley Way Shopping Centre, meet me there. | 0:00:15 | 0:00:17 | |
GLASS TINKLES | 0:00:17 | 0:00:18 | |
Hello? | 0:00:20 | 0:00:21 | |
Sarah? Sarah?! | 0:00:21 | 0:00:24 | |
-Sarah, what's happening? -Neil, hang on. | 0:00:25 | 0:00:27 | |
GROANING | 0:00:27 | 0:00:30 | |
You OK? | 0:00:31 | 0:00:32 | |
GROANING | 0:00:35 | 0:00:38 | |
Are you hurt? | 0:00:41 | 0:00:42 | |
Can you... | 0:00:51 | 0:00:52 | |
Come on! | 0:01:28 | 0:01:29 | |
DISTANT SHOUTING | 0:01:31 | 0:01:33 | |
This is a bad idea. | 0:02:02 | 0:02:04 | |
Correction, this is a good idea with bad possibilities. | 0:02:04 | 0:02:07 | |
What does that even...? | 0:02:07 | 0:02:08 | |
Neo, sooner or later you'll realise | 0:02:08 | 0:02:11 | |
that there's a difference between knowing the path and walking the path. | 0:02:11 | 0:02:15 | |
We're in. SIRENS WAIL IN DISTANCE | 0:02:23 | 0:02:25 | |
You see? What's not to like? | 0:02:35 | 0:02:38 | |
Remind me what we're looking for again. | 0:02:39 | 0:02:41 | |
Used junkie needles, I want to suck the dirty heroin out. | 0:02:41 | 0:02:44 | |
We're looking for film props, OK? For my horror - shapes, strange things, | 0:02:44 | 0:02:49 | |
cybernetic organisms, titanium rechargers, ectoplasmic residue, | 0:02:49 | 0:02:54 | |
anything that can be... | 0:02:54 | 0:02:56 | |
You found a dead thing! | 0:02:57 | 0:02:58 | |
Well done! | 0:02:58 | 0:02:59 | |
It must have got trapped in here. | 0:03:01 | 0:03:03 | |
If I cook it, will you eat it? | 0:03:05 | 0:03:06 | |
Don't poke it too hard! It could still be alive! | 0:03:07 | 0:03:10 | |
If you pick it up, I'll let you throw it at me. | 0:03:10 | 0:03:12 | |
No dibs, nothing, total freebie, but you've got to pick it up. | 0:03:12 | 0:03:16 | |
Definitely too old for that. | 0:03:16 | 0:03:17 | |
OK, if I pick it up, can I throw it at you? | 0:03:17 | 0:03:19 | |
Fuck off. | 0:03:19 | 0:03:20 | |
HE IMITATES CHICKEN | 0:03:20 | 0:03:22 | |
Fuck off! | 0:03:22 | 0:03:23 | |
HE SNIGGERS | 0:03:23 | 0:03:24 | |
Seriously, fuck off! | 0:03:24 | 0:03:26 | |
Oh, shit! | 0:03:26 | 0:03:27 | |
I'm going to wipe this all over your hair, you know that? | 0:03:27 | 0:03:29 | |
You're in trouble now, boy! | 0:03:29 | 0:03:31 | |
No, no, no, no, no, shit! | 0:03:35 | 0:03:37 | |
TYRES SCREECH Oh, f... | 0:03:49 | 0:03:51 | |
HE SCREAMS | 0:03:51 | 0:03:53 | |
FAINT MOANING AND PANTING | 0:03:59 | 0:04:03 | |
-MAN: -Friend? Are you a friend? | 0:04:16 | 0:04:18 | |
What? | 0:04:18 | 0:04:19 | |
Where's Sarah? I'm looking for Sarah. | 0:04:19 | 0:04:22 | |
Who? | 0:04:22 | 0:04:23 | |
-I will shoot! -Why? | 0:04:23 | 0:04:25 | |
Jesus! Um...I'm not...I'm not even supposed to be here! | 0:04:27 | 0:04:30 | |
It was my friend's idea of a fun night out! | 0:04:30 | 0:04:32 | |
-Who are you? -LOUD CLATTER | 0:04:34 | 0:04:37 | |
Oh...shit. | 0:04:42 | 0:04:44 | |
-Run. -What? | 0:04:44 | 0:04:46 | |
-HE SHOUTS -Run! | 0:04:46 | 0:04:48 | |
-SHE GROANS -Sarah. | 0:05:12 | 0:05:14 | |
HE GASPS Ah. | 0:05:30 | 0:05:31 | |
MUFFLED ROAR | 0:06:41 | 0:06:42 | |
SNARLING | 0:06:42 | 0:06:44 | |
HE GRUNTS | 0:06:58 | 0:07:00 | |
Argh! | 0:07:03 | 0:07:04 | |
HE SCREAMS | 0:07:12 | 0:07:14 | |
SCREECHING | 0:07:14 | 0:07:16 | |
Paul? | 0:07:22 | 0:07:24 | |
Paul! | 0:07:25 | 0:07:26 | |
Paul?! | 0:07:28 | 0:07:30 | |
Paul, where you been? | 0:07:30 | 0:07:32 | |
I called and I called and I heard gunshots, so I called a little quieter, | 0:07:32 | 0:07:35 | |
then I realised I heard gunshots so I called a little louder again. | 0:07:35 | 0:07:38 | |
(Has someone been executed?) | 0:07:41 | 0:07:42 | |
Triads, right? No. | 0:07:44 | 0:07:46 | |
Yakuza? No. | 0:07:46 | 0:07:48 | |
The League of Shadows? No. | 0:07:48 | 0:07:49 | |
The Watchmen? | 0:07:51 | 0:07:53 | |
Are they still here? | 0:07:55 | 0:07:56 | |
Are we about to get assassinated? Because I'm not ready to die. | 0:07:57 | 0:08:00 | |
I haven't decided what my last words will be yet. | 0:08:00 | 0:08:03 | |
Wasn't really gunshots, was it? | 0:08:07 | 0:08:10 | |
It was a...tyre blow-out or a... | 0:08:11 | 0:08:14 | |
I dunno. | 0:08:14 | 0:08:15 | |
It wasn't really gunshots. | 0:08:17 | 0:08:19 | |
We're in England. | 0:08:22 | 0:08:24 | |
Do you want to go home now? | 0:08:24 | 0:08:25 | |
Those were actual gunshots? | 0:08:25 | 0:08:28 | |
Actual actual gunshots? | 0:08:29 | 0:08:31 | |
Where's your bike? | 0:08:31 | 0:08:33 | |
Paul! | 0:08:33 | 0:08:34 | |
Oh, be careful! | 0:08:43 | 0:08:45 | |
This is new. | 0:08:45 | 0:08:47 | |
-What's your name again? -Mark. | 0:08:52 | 0:08:54 | |
And do you do this a lot, Mark? | 0:08:54 | 0:08:55 | |
What? | 0:08:55 | 0:08:57 | |
Pick up random strangers and take them home with you? | 0:08:57 | 0:08:59 | |
Um...yeah, quite a lot. | 0:08:59 | 0:09:02 | |
-Where's the bedroom?! -Just up on the left. | 0:09:08 | 0:09:10 | |
Oh, fuck it. | 0:09:12 | 0:09:13 | |
No, no, no, no! Not that one! | 0:09:13 | 0:09:16 | |
Matadors, ready? | 0:09:16 | 0:09:17 | |
-I told you, not this one. -Jesus! Easy, tiger! | 0:09:17 | 0:09:20 | |
-Fuckin' hell. -What's the matter? -It's just... -What? | 0:09:20 | 0:09:23 | |
This is my...wife's room. | 0:09:23 | 0:09:25 | |
-Right. -I say wife, | 0:09:26 | 0:09:28 | |
I mean only in the most technical sense, we're separated. | 0:09:28 | 0:09:33 | |
But you live together. | 0:09:33 | 0:09:35 | |
-HE SIGHS -Again, only technically. | 0:09:35 | 0:09:37 | |
The mortgage repayments are too much | 0:09:37 | 0:09:39 | |
for only one of us to handle alone. | 0:09:39 | 0:09:41 | |
It's just it can get...tricky. | 0:09:41 | 0:09:43 | |
I mean, I knew she'd be out | 0:09:43 | 0:09:46 | |
and Sarah's... She's fine with me having sex. | 0:09:46 | 0:09:49 | |
We're only technically... | 0:09:51 | 0:09:54 | |
Technically... | 0:09:54 | 0:09:55 | |
I just didn't want you in here. | 0:09:55 | 0:09:57 | |
This her? | 0:09:57 | 0:09:59 | |
Yeah. | 0:10:00 | 0:10:01 | |
She's pretty. | 0:10:02 | 0:10:04 | |
Yeah. | 0:10:04 | 0:10:06 | |
And...I'm going to go now. | 0:10:06 | 0:10:09 | |
-HE LAUGHS -Yeah. | 0:10:09 | 0:10:11 | |
Just...a few too many technicalities for a...quick shag on a night out, you know? | 0:10:14 | 0:10:19 | |
Yeah. | 0:10:20 | 0:10:22 | |
I know. | 0:10:23 | 0:10:25 | |
We're here. | 0:10:47 | 0:10:49 | |
Careful. | 0:10:49 | 0:10:51 | |
SHE GASPS | 0:10:52 | 0:10:54 | |
There's ash... | 0:11:02 | 0:11:03 | |
There's ash everywhere. | 0:11:04 | 0:11:07 | |
-Hello, it's Helen... -And bodies all around. | 0:11:08 | 0:11:10 | |
Helen, why aren't you answering? Answer the phone! | 0:11:10 | 0:11:14 | |
Sarah's hurt. They've hurt her, Helen. | 0:11:14 | 0:11:17 | |
And I'm alone. | 0:11:18 | 0:11:20 | |
I feel... I feel... | 0:11:41 | 0:11:44 | |
-Shh. -Don't you see? This proves it. | 0:11:45 | 0:11:49 | |
My visions, they were right. | 0:11:49 | 0:11:52 | |
-Neil... -Yeah? | 0:11:52 | 0:11:54 | |
Neil, do you hear me? The future... | 0:11:54 | 0:11:56 | |
it's ash. | 0:11:56 | 0:11:58 | |
Everybody dies, everybody's dead. | 0:11:58 | 0:12:00 | |
You're in so much danger. | 0:12:01 | 0:12:03 | |
I can't find a vein. I can't find a vein. | 0:12:03 | 0:12:06 | |
What did he do to you? | 0:12:06 | 0:12:08 | |
We all are. | 0:12:08 | 0:12:10 | |
SHE COUGHS | 0:12:20 | 0:12:22 | |
-Oh... All right. -He's changing, Neil. | 0:12:23 | 0:12:27 | |
He's evolving, he's getting stronger. | 0:12:28 | 0:12:30 | |
He'll lead others through. | 0:12:31 | 0:12:33 | |
The Fades are coming. | 0:12:35 | 0:12:37 | |
The Fades are coming, it's inevitable, I see it now, I see it. | 0:12:39 | 0:12:43 | |
Our world is dying. | 0:12:43 | 0:12:45 | |
All that mattered was Mark, | 0:12:50 | 0:12:52 | |
and I wish I'd known that before. | 0:12:52 | 0:12:54 | |
I don't want to... | 0:12:54 | 0:12:56 | |
Sarah... | 0:12:59 | 0:13:00 | |
Sarah? | 0:13:03 | 0:13:04 | |
ROARING | 0:13:41 | 0:13:43 | |
HE GASPS | 0:13:43 | 0:13:45 | |
Morning, love! | 0:14:15 | 0:14:17 | |
Oh. | 0:14:19 | 0:14:20 | |
-I've got it, Mum, OK? -No, you don't. | 0:14:20 | 0:14:22 | |
Mum... | 0:14:22 | 0:14:23 | |
It's nothing to be ashamed of. | 0:14:26 | 0:14:28 | |
Yeah, it is. | 0:14:28 | 0:14:29 | |
No, it isn't. | 0:14:29 | 0:14:30 | |
Well, do you remember what the dream was about? | 0:14:32 | 0:14:34 | |
-Who said it was a dream? -Well, Dr Tremlett. | 0:14:34 | 0:14:37 | |
Mum! | 0:14:37 | 0:14:38 | |
I'm not your little kid any more, OK? | 0:14:38 | 0:14:40 | |
I'm not your boy. I'm trying to be a man. | 0:14:40 | 0:14:44 | |
SHE GIGGLES | 0:14:44 | 0:14:45 | |
-Thanks, Mum. -No. | 0:14:45 | 0:14:47 | |
No, it was the way you said it, it was funny. | 0:14:47 | 0:14:49 | |
-Course you're a man. -Yeah. Fine. Sure. | 0:14:49 | 0:14:52 | |
Paul... | 0:14:52 | 0:14:54 | |
Paul! | 0:14:54 | 0:14:55 | |
I just did these, shithead! | 0:14:59 | 0:15:02 | |
Paul! | 0:15:02 | 0:15:03 | |
-Just leave him be. -Well, he just smudged my nails. | 0:15:03 | 0:15:06 | |
Just... I don't know what's going on with him. | 0:15:06 | 0:15:09 | |
It's called being a teenage boy. | 0:15:09 | 0:15:11 | |
He should be wanking, not pissing. | 0:15:11 | 0:15:13 | |
You're going to have to write me a note. | 0:15:14 | 0:15:17 | |
Well, I'm not going to make my first class now, am I?! | 0:15:18 | 0:15:20 | |
I need to do these again! | 0:15:20 | 0:15:23 | |
MARK: Sarah... | 0:15:34 | 0:15:35 | |
-WOMAN: -Jesus. | 0:15:35 | 0:15:37 | |
You surprised me. | 0:15:37 | 0:15:39 | |
Helen. | 0:15:39 | 0:15:40 | |
Hi, Mark. | 0:15:40 | 0:15:41 | |
Hi. | 0:15:41 | 0:15:42 | |
What... What are you doing here? | 0:15:42 | 0:15:45 | |
I'm...stealing things. What are you doing here? | 0:15:45 | 0:15:49 | |
Um...it's my house? | 0:15:49 | 0:15:51 | |
Half of it. | 0:15:51 | 0:15:52 | |
Sarah gave me her key yesterday, asked me to pick something up. | 0:15:52 | 0:15:55 | |
And before you ask, no, I don't know where she is. | 0:15:55 | 0:15:58 | |
But I'm pretty sure she wouldn't like you in her room. | 0:15:58 | 0:16:00 | |
Last night was a bit, um... | 0:16:01 | 0:16:03 | |
-I got a bit... -That would explain...those. | 0:16:03 | 0:16:07 | |
-It was less fun than you think. -I'm not taking sides, Mark. | 0:16:09 | 0:16:13 | |
I think it's a sorry mess, but I'm... | 0:16:13 | 0:16:15 | |
-not taking sides. -No, I know. | 0:16:15 | 0:16:17 | |
Do you, um...fancy a bit of breakfast? | 0:16:20 | 0:16:23 | |
I thought you'd never ask. | 0:16:23 | 0:16:26 | |
This is a bullet. | 0:16:38 | 0:16:39 | |
No. Mac, will you put it away? | 0:16:39 | 0:16:42 | |
Murder! Murder! I've just been shot! | 0:16:42 | 0:16:44 | |
Like anyone pays the slightest attention to what we do(!) We're the unwashed, | 0:16:46 | 0:16:50 | |
we're the unwanted, we're the invisible in this school. | 0:16:50 | 0:16:52 | |
And this is a bullet. | 0:16:52 | 0:16:55 | |
A slightly odd one, I think, which makes it even more exciting. | 0:16:55 | 0:16:57 | |
It's not exciting! | 0:16:57 | 0:16:59 | |
Hi, Jay. | 0:17:00 | 0:17:02 | |
-What? -Fuck off, Paul. | 0:17:03 | 0:17:05 | |
How we came out the same egg is a mystery to me. | 0:17:05 | 0:17:07 | |
Womb. | 0:17:07 | 0:17:08 | |
We came out the same womb. | 0:17:08 | 0:17:11 | |
Egg and we'd be identical twins. | 0:17:11 | 0:17:13 | |
And there are certain differences between us | 0:17:13 | 0:17:15 | |
-if you hadn't noticed. -Uh, yeah. You're retarded. | 0:17:15 | 0:17:18 | |
-Such a wanker. -A bullet. | 0:17:19 | 0:17:21 | |
A strange bullet casing which my best friend claims was fired at him, | 0:17:21 | 0:17:24 | |
which makes my best friend Indiana Jones, which is good | 0:17:24 | 0:17:26 | |
because I've always wanted to be Short Round from Temple Of Doom. | 0:17:26 | 0:17:29 | |
Or Marion Ravenwood from Raiders when feeling particularly confused. | 0:17:29 | 0:17:33 | |
That was smooth, by the way. | 0:17:33 | 0:17:34 | |
Ooh! | 0:17:34 | 0:17:35 | |
What did you do that for? | 0:17:35 | 0:17:37 | |
Was it the Marion Ravenwood quip? | 0:17:37 | 0:17:39 | |
I'm not coming out to you, I'm probably the most heterosexual person you know. | 0:17:39 | 0:17:41 | |
Mac, I'm scared. | 0:17:41 | 0:17:43 | |
Minus the sex, of course. I'm a hetero-ual. | 0:17:43 | 0:17:47 | |
You do know this is the girls' toilets, right? | 0:17:47 | 0:17:49 | |
You're not taking this very seriously. | 0:17:49 | 0:17:50 | |
DOOR CREAKS | 0:17:50 | 0:17:53 | |
TRICKLING | 0:18:03 | 0:18:05 | |
Shh. | 0:18:05 | 0:18:06 | |
FARTING | 0:18:06 | 0:18:08 | |
Oh! I ain't got any toilet paper, have you got some? | 0:18:13 | 0:18:17 | |
FLUSHING | 0:18:30 | 0:18:32 | |
DOOR CLOSES | 0:18:37 | 0:18:38 | |
Well, there's the female mystique fucked, then. | 0:18:38 | 0:18:41 | |
Sadly, that genuinely may have been the most sexual experience | 0:18:42 | 0:18:45 | |
of my entire life. HE SNORTS | 0:18:45 | 0:18:48 | |
I'm taking this very seriously. | 0:18:52 | 0:18:54 | |
You got shot at. It's just... I talk when I'm nervous. | 0:18:55 | 0:19:00 | |
I once told my mum the entire plot of the Bible, | 0:19:00 | 0:19:02 | |
Old and New Testament, when we was watching Jaws. | 0:19:02 | 0:19:05 | |
She was enthralled...actually. | 0:19:05 | 0:19:08 | |
These dreams... | 0:19:08 | 0:19:09 | |
..I've been having. | 0:19:11 | 0:19:13 | |
Mate, those are natural things. | 0:19:13 | 0:19:16 | |
Beautiful things. | 0:19:16 | 0:19:18 | |
Shut up. | 0:19:18 | 0:19:20 | |
Yeah. You need to clean yourself up in the morning. | 0:19:21 | 0:19:24 | |
Like that gunk you got on your hand. | 0:19:24 | 0:19:27 | |
Your junk. That's the miracle of life right there, baby, right there. | 0:19:27 | 0:19:31 | |
Mac... don't you understand? | 0:19:31 | 0:19:33 | |
They're dreams. | 0:19:34 | 0:19:36 | |
My dreams are coming true. | 0:19:37 | 0:19:39 | |
Your dreams are coming...true? | 0:19:39 | 0:19:41 | |
When that guy shot at me, I followed him. | 0:19:43 | 0:19:45 | |
He fought... | 0:19:48 | 0:19:49 | |
He fought with this... | 0:19:50 | 0:19:52 | |
...creature. I can't describe him. He wasn't human. | 0:19:53 | 0:19:57 | |
The gun... | 0:19:58 | 0:20:00 | |
...and the bullet, they... | 0:20:01 | 0:20:03 | |
prove it, don't they? | 0:20:03 | 0:20:04 | |
That the dreams are sort of... | 0:20:05 | 0:20:07 | |
...real, which means I'm... | 0:20:09 | 0:20:11 | |
Which means I'm what? | 0:20:12 | 0:20:14 | |
Heather Langenkamp from Nightmare On Elm Street. | 0:20:19 | 0:20:22 | |
That is such a compliment, Heather Langenkamp's an utter legend! | 0:20:22 | 0:20:25 | |
OK, I will be Heather. | 0:20:25 | 0:20:27 | |
You be Kim Myers from Nightmare On Elm Street 2. | 0:20:27 | 0:20:29 | |
But honestly, mate, the film's not as good. | 0:20:29 | 0:20:31 | |
-I just wanted someone who believed me. -Course I believe you. | 0:20:31 | 0:20:34 | |
-Do you think I'm mad? -If you're mad, we'll find a way to cope with it, | 0:20:34 | 0:20:37 | |
but it's equally possible that what you're seeing | 0:20:37 | 0:20:39 | |
is what other people can't. That you're, you know... special. | 0:20:39 | 0:20:42 | |
Special? | 0:20:44 | 0:20:45 | |
Special. | 0:20:45 | 0:20:47 | |
I'm scared, Mac. | 0:20:48 | 0:20:50 | |
You're scared? | 0:20:50 | 0:20:51 | |
My only friend is either a lunatic or Heather Langenkamp. | 0:20:51 | 0:20:54 | |
I'm petrified. | 0:20:54 | 0:20:56 | |
OK, you crazy kids, | 0:20:57 | 0:20:59 | |
get ready, cos it is time for... | 0:20:59 | 0:21:02 | |
his story. | 0:21:02 | 0:21:03 | |
His story? History! | 0:21:05 | 0:21:06 | |
That's the one. | 0:21:06 | 0:21:08 | |
-GROANING -Wow, tough crowd. | 0:21:08 | 0:21:10 | |
OK, Steve, if you wouldn't mind? Thank you. | 0:21:10 | 0:21:13 | |
Right, who is ready for the Holocaust? | 0:21:13 | 0:21:15 | |
I was hoping it was you. | 0:22:16 | 0:22:18 | |
I love the way you feel free | 0:22:22 | 0:22:23 | |
to just let yourself into people's places whenever you feel like it. | 0:22:23 | 0:22:26 | |
This isn't a place. | 0:22:26 | 0:22:28 | |
It's a hole. | 0:22:29 | 0:22:30 | |
Where were you last night? | 0:22:32 | 0:22:34 | |
What happened to your eye? | 0:22:34 | 0:22:35 | |
I kept ringing you. | 0:22:35 | 0:22:37 | |
-Where were you? -I had things to clean up. | 0:22:38 | 0:22:40 | |
We need to bury her immediately. | 0:22:43 | 0:22:45 | |
-Neil, we're still a team. -No, we're your team. | 0:22:46 | 0:22:49 | |
Oh, that's the thing, is it? You want a go at playing the man? | 0:22:49 | 0:22:53 | |
I got her gun. | 0:23:02 | 0:23:05 | |
I collected it, this morning, from her place. | 0:23:05 | 0:23:07 | |
Good. | 0:23:09 | 0:23:10 | |
I lost mine, my gun. | 0:23:13 | 0:23:15 | |
I shot it and then he attacked me and I lost it. | 0:23:17 | 0:23:20 | |
I got... | 0:23:22 | 0:23:23 | |
I was...scared. | 0:23:23 | 0:23:25 | |
OK? I was scared, this is Sarah. | 0:23:28 | 0:23:30 | |
Your eye looks painful, Neil. | 0:23:36 | 0:23:38 | |
Her body can keep. | 0:23:39 | 0:23:42 | |
Let me look at you first. | 0:23:42 | 0:23:44 | |
I'm thinking Pratchett. | 0:23:44 | 0:23:46 | |
If I could get anyone to write my life story, | 0:23:47 | 0:23:50 | |
-Pratchett. -Hey, you're walking very quickly. | 0:23:50 | 0:23:52 | |
No, OK. | 0:23:52 | 0:23:54 | |
Um, a mix. | 0:23:54 | 0:23:55 | |
Pratchett's wit, definitely... | 0:23:56 | 0:23:58 | |
Alan Moore's soul, | 0:23:58 | 0:24:01 | |
and, um... | 0:24:01 | 0:24:02 | |
Susan Cooper's plotting. | 0:24:02 | 0:24:04 | |
Yeah. Clive Lewis's heroism, | 0:24:04 | 0:24:06 | |
and Tolkien's slightly twisted sexuality. | 0:24:06 | 0:24:09 | |
Tolkien had a twisted sexuality? | 0:24:09 | 0:24:11 | |
The eye of Mordor - the man was clearly petrified of vaginas. | 0:24:11 | 0:24:14 | |
What? | 0:24:18 | 0:24:20 | |
What? | 0:24:22 | 0:24:23 | |
Can you...? | 0:24:25 | 0:24:26 | |
Seriously, is this another of your jokes? | 0:24:26 | 0:24:29 | |
Because you're not good at jokes, and I've explained before, | 0:24:29 | 0:24:32 | |
when you tell a joke, you've got to wink. | 0:24:32 | 0:24:35 | |
That way I'll laugh, and we'll both feel better. | 0:24:35 | 0:24:37 | |
You can't see her? | 0:24:38 | 0:24:40 | |
You're not joking. | 0:24:43 | 0:24:45 | |
Yeah, I'm joking. | 0:24:50 | 0:24:52 | |
-Winked. (Joking.) -That's not a wink. | 0:24:53 | 0:24:56 | |
She said that the attack proved her vision right. | 0:25:14 | 0:25:17 | |
The future was ash. | 0:25:17 | 0:25:18 | |
It was death. | 0:25:20 | 0:25:21 | |
Didn't sound great. | 0:25:24 | 0:25:25 | |
I don't understand why the attack proves that... | 0:25:25 | 0:25:27 | |
It proves it because it's never happened before! | 0:25:27 | 0:25:30 | |
The Fades are not supposed to be able to touch us. | 0:25:30 | 0:25:32 | |
I only just managed to fight him off | 0:25:32 | 0:25:34 | |
because he's weak, but he'll get stronger. | 0:25:34 | 0:25:36 | |
He's breaking through, Helen, he's becoming flesh. | 0:25:36 | 0:25:39 | |
-It's a big assumption. -If he becomes flesh, others'll follow. | 0:25:39 | 0:25:43 | |
So, as death becomes life, so life becomes death, | 0:25:43 | 0:25:46 | |
and so everything ends. That's what the vision meant. | 0:25:46 | 0:25:49 | |
Let's not get too dramatic, shall we? | 0:25:49 | 0:25:53 | |
I'm not sure if this is a cheese-and-onion | 0:25:58 | 0:26:00 | |
Wednesday sort of day or a salt-and-vinegar Friday. | 0:26:00 | 0:26:04 | |
It is actually Friday. | 0:26:05 | 0:26:06 | |
Sometimes you're disappointingly literal. | 0:26:06 | 0:26:09 | |
Oh, my God! I didn't even consider smoky-bacon Monday! DOOR OPENS | 0:26:09 | 0:26:12 | |
-Get down! -What? | 0:26:13 | 0:26:16 | |
Ohh... | 0:26:16 | 0:26:17 | |
-And ten Marlboro Lights. -OK, love. | 0:26:18 | 0:26:20 | |
-Thanks. -COINS CLINK | 0:26:26 | 0:26:27 | |
Hi, Paul. | 0:26:29 | 0:26:30 | |
-Yeah. -Found it. | 0:26:30 | 0:26:32 | |
-See you, Paul. -Yeah. | 0:26:33 | 0:26:35 | |
-Hi. I mean, yeah. -I mean... | 0:26:35 | 0:26:38 | |
-DOOR CLOSES -Bye. | 0:26:38 | 0:26:40 | |
Yeah, good, good. Good, that went well. | 0:26:40 | 0:26:42 | |
Not an entirely romantic instrument, but... | 0:26:42 | 0:26:45 | |
Welcome to the world of beefy Tuesdays. | 0:26:47 | 0:26:49 | |
Tuesday! Of course! | 0:26:49 | 0:26:51 | |
And ten Marlboro Lights. | 0:26:52 | 0:26:54 | |
You got any ID, kid? | 0:26:54 | 0:26:56 | |
I'm 18! I've just got a young face. | 0:26:57 | 0:26:59 | |
You could touch his stubble, if you want. | 0:26:59 | 0:27:01 | |
If you're working for the thought police, | 0:27:11 | 0:27:13 | |
I'll have your bollocks! All right, son? | 0:27:13 | 0:27:15 | |
Thanks. | 0:27:15 | 0:27:16 | |
I mean, I'm not. I mean, I'm grateful. | 0:27:16 | 0:27:17 | |
£4.10. | 0:27:17 | 0:27:19 | |
Um, have you got any cash? | 0:27:23 | 0:27:26 | |
(Does the Pope shit in woods?) | 0:27:26 | 0:27:28 | |
Can I owe you £2? | 0:27:28 | 0:27:30 | |
-NEIL: -I can move in here, for a start. -HELEN: I'll do as I do. | 0:27:34 | 0:27:37 | |
We can be safe here. | 0:27:38 | 0:27:40 | |
It's non-negotiable. | 0:27:40 | 0:27:42 | |
We are not here to predict the future, Neil. | 0:27:42 | 0:27:44 | |
Sarah was a seer. | 0:27:44 | 0:27:47 | |
Her inevitability isn't ours. | 0:27:47 | 0:27:50 | |
-We take every challenge... -As it comes, I know that. | 0:27:50 | 0:27:53 | |
What if the challenge is too great? | 0:27:54 | 0:27:57 | |
-What if the Fades do break through? -Then you're right, | 0:27:57 | 0:28:00 | |
we'll be fucked. | 0:28:00 | 0:28:01 | |
Does that make you feel better? | 0:28:01 | 0:28:04 | |
I don't like it when you swear. | 0:28:06 | 0:28:07 | |
SHE SIGHS | 0:28:07 | 0:28:09 | |
She loves you. | 0:28:12 | 0:28:14 | |
Mac. | 0:28:14 | 0:28:15 | |
-She loves you not. -Mac! Really?! | 0:28:15 | 0:28:17 | |
-She loves you. -Mac, you need to stop! | 0:28:17 | 0:28:21 | |
She loves you not. | 0:28:21 | 0:28:22 | |
I will use physical violence on you! | 0:28:22 | 0:28:25 | |
This is science. | 0:28:25 | 0:28:27 | |
You need science. | 0:28:27 | 0:28:28 | |
And you need love, Moby Dick. | 0:28:28 | 0:28:30 | |
She loves you. | 0:28:30 | 0:28:31 | |
That's just childish. | 0:28:34 | 0:28:36 | |
This is going to hurt. | 0:28:48 | 0:28:49 | |
I need to scrape out the poison. | 0:28:50 | 0:28:53 | |
HE GRUNTS | 0:28:56 | 0:28:58 | |
MUFFLED SCREAM | 0:28:58 | 0:29:00 | |
HE GRUNTS | 0:29:02 | 0:29:04 | |
HE SQUEAKS AND GROANS | 0:29:06 | 0:29:09 | |
HE GROANS | 0:29:09 | 0:29:11 | |
MUFFLED MOANING | 0:29:11 | 0:29:15 | |
GROANS AND PANTS | 0:29:15 | 0:29:17 | |
HE GROANS | 0:29:17 | 0:29:21 | |
HE GRUNTS | 0:29:38 | 0:29:40 | |
GROANING | 0:29:47 | 0:29:51 | |
HE GRUNTS | 0:29:53 | 0:29:56 | |
I couldn't save it. | 0:30:24 | 0:30:26 | |
The eye's dead. | 0:30:29 | 0:30:31 | |
He infected the cornea. | 0:30:33 | 0:30:35 | |
You won't see out of that again. | 0:30:38 | 0:30:40 | |
I couldn't have saved her, you know. | 0:30:44 | 0:30:46 | |
Sarah. | 0:30:48 | 0:30:49 | |
Any more than you could. | 0:30:51 | 0:30:52 | |
Her injuries were too severe. | 0:30:59 | 0:31:01 | |
I know. | 0:31:03 | 0:31:04 | |
I'll move in here, just until we understand what's happening. | 0:31:06 | 0:31:10 | |
Good. | 0:31:10 | 0:31:11 | |
The truth is, it's simple. | 0:31:15 | 0:31:17 | |
Either the world ends or we stop him or... | 0:31:18 | 0:31:21 | |
...or something stronger comes along that can. | 0:31:23 | 0:31:26 | |
You're back on this...creature who's going to save us all. | 0:31:26 | 0:31:29 | |
Why not? | 0:31:30 | 0:31:32 | |
He's out there, Neil. I know it. | 0:31:32 | 0:31:35 | |
He could be a woman. | 0:31:39 | 0:31:40 | |
I hear some of them do OK. | 0:31:42 | 0:31:44 | |
Careful, or I'll have the other eye. | 0:31:45 | 0:31:48 | |
What is your problem? | 0:31:52 | 0:31:54 | |
Because I've asked you repeatedly to do it! | 0:31:54 | 0:31:56 | |
-And I've told you repeatedly, I won't! -You look cheap, Anna! | 0:31:56 | 0:32:01 | |
So I should take style advice from you, should I? I may look cheap, | 0:32:01 | 0:32:05 | |
-but you look dead. -If you dress like a slut, people will treat you like a slut. | 0:32:05 | 0:32:10 | |
My mum actually thinks I dress like a prostitute! | 0:32:10 | 0:32:12 | |
There's an ambition achieved(!) | 0:32:12 | 0:32:14 | |
ARGUMENT CONTINUES | 0:32:14 | 0:32:17 | |
Shh. | 0:32:31 | 0:32:33 | |
I used to hide mine in a sock at the back of my drawer. | 0:32:36 | 0:32:40 | |
You? | 0:32:42 | 0:32:43 | |
Yep, it's me. | 0:32:44 | 0:32:45 | |
What are you... | 0:32:47 | 0:32:48 | |
...doing here? | 0:32:49 | 0:32:50 | |
I'm looking for you. | 0:32:52 | 0:32:54 | |
The boy who saw things he shouldn't be able to. | 0:32:56 | 0:32:59 | |
FOOTSTEPS ON STAIRS | 0:32:59 | 0:33:01 | |
Well, maybe if you had dressed like a slut, he wouldn't have left! | 0:33:01 | 0:33:04 | |
-Ever considered that?! -DOOR SLAMS | 0:33:04 | 0:33:07 | |
You've got two choices. | 0:33:08 | 0:33:10 | |
You can scream and you'll get the whole house in here... | 0:33:10 | 0:33:12 | |
...or you can realise I've probably got some information you need to hear. | 0:33:14 | 0:33:18 | |
OK, close your eyes. | 0:33:24 | 0:33:25 | |
You just concentrate on my voice. | 0:33:29 | 0:33:30 | |
Empty your head of everything other than my voice. | 0:33:32 | 0:33:34 | |
And now open your eyes. | 0:33:37 | 0:33:38 | |
RUMBLING | 0:33:40 | 0:33:43 | |
They like height. | 0:33:53 | 0:33:54 | |
When organic matter passes through them, they burn, so... | 0:33:55 | 0:33:59 | |
...we see them on rooftops | 0:34:00 | 0:34:03 | |
and bus shelters, walking down the middle of the road. | 0:34:03 | 0:34:07 | |
Cars are fine. They get winged by a car, that doesn't hurt, so... | 0:34:07 | 0:34:10 | |
What are they? | 0:34:10 | 0:34:12 | |
They're the dead. | 0:34:12 | 0:34:14 | |
The dead? | 0:34:14 | 0:34:16 | |
And they're trapped here. | 0:34:16 | 0:34:17 | |
They're dead?! | 0:34:17 | 0:34:19 | |
Look, when people die, they go up or they stay here. | 0:34:19 | 0:34:22 | |
Some go up, some stay here. | 0:34:22 | 0:34:24 | |
These are those that stay here. | 0:34:24 | 0:34:26 | |
We call them the Fades. | 0:34:27 | 0:34:29 | |
They're just...trapped here? | 0:34:32 | 0:34:35 | |
If they don't ascend, yeah. | 0:34:35 | 0:34:37 | |
-So these are bad people? -Good, bad. | 0:34:37 | 0:34:41 | |
Why people believe death is somehow fair... | 0:34:41 | 0:34:43 | |
Death is random, same as life is. | 0:34:43 | 0:34:45 | |
Life has famine, | 0:34:45 | 0:34:48 | |
illness, | 0:34:48 | 0:34:49 | |
shittiness. Death is similarly crap. | 0:34:49 | 0:34:52 | |
That's why the problem exists. | 0:34:53 | 0:34:55 | |
The problem? | 0:34:55 | 0:34:56 | |
You imagine being trapped in a world that you can't touch, | 0:34:58 | 0:35:01 | |
you can't taste. | 0:35:01 | 0:35:03 | |
Hate grows. | 0:35:03 | 0:35:05 | |
Those that get left behind, they get shitty. | 0:35:05 | 0:35:08 | |
It's... That... That thing that I saw attacking you, | 0:35:08 | 0:35:11 | |
that was a shitty ghost! | 0:35:11 | 0:35:12 | |
Well, he was something new. | 0:35:14 | 0:35:16 | |
And you...? | 0:35:17 | 0:35:18 | |
What are you? | 0:35:20 | 0:35:21 | |
Are you... | 0:35:23 | 0:35:24 | |
some sort of...ghostbuster? | 0:35:24 | 0:35:28 | |
Yeah, that's right, kid, I'm a ghostbuster(!) | 0:35:31 | 0:35:33 | |
And none of this... | 0:35:33 | 0:35:35 | |
-HE EXHALES SHAKILY -None of this stuff's in my head? | 0:35:37 | 0:35:40 | |
Ghostbuster's honour. | 0:35:40 | 0:35:42 | |
CLOCK TICKS | 0:36:24 | 0:36:27 | |
You seem different today. | 0:36:35 | 0:36:36 | |
Different how? | 0:36:36 | 0:36:38 | |
Has something happened since our last session? | 0:36:39 | 0:36:42 | |
I donated blood. | 0:36:44 | 0:36:45 | |
Right. | 0:36:46 | 0:36:47 | |
Maybe that's it. | 0:36:49 | 0:36:51 | |
No. | 0:36:51 | 0:36:53 | |
I didn't donate blood, that was a joke. | 0:36:53 | 0:36:55 | |
You didn't laugh. | 0:36:57 | 0:36:58 | |
I want to talk about your dad again. | 0:36:58 | 0:37:00 | |
-HE SIGHS -OK. | 0:37:00 | 0:37:02 | |
It's probably a bit pointless. What do you want to say? | 0:37:02 | 0:37:04 | |
Now, you see, I think it's important that...the dreams, the bed-wetting | 0:37:04 | 0:37:10 | |
didn't start until after the divorce. | 0:37:10 | 0:37:12 | |
So he's the reason I'm mad, it's my dad's fault. | 0:37:12 | 0:37:16 | |
-I wish you'd stop using that word! -I see...things, I... | 0:37:16 | 0:37:21 | |
I look out the window and I see things | 0:37:21 | 0:37:24 | |
and I hate it and I want it to stop. | 0:37:24 | 0:37:26 | |
I just...want it to stop. | 0:37:28 | 0:37:30 | |
What do you see? | 0:37:30 | 0:37:31 | |
Just give me pills. | 0:37:34 | 0:37:36 | |
Give me a...lobotomy, just... | 0:37:36 | 0:37:40 | |
make it stop, because I hate this! | 0:37:40 | 0:37:42 | |
I'm not going to prescribe you anything, Paul. | 0:37:45 | 0:37:48 | |
Then why am I here? | 0:37:48 | 0:37:49 | |
You know, you remind me a lot of me when I was your age. | 0:37:51 | 0:37:55 | |
HE SCOFFS | 0:37:55 | 0:37:56 | |
Is that supposed to be a compliment? | 0:37:56 | 0:37:59 | |
There's a couple of things you should know, Paul. | 0:37:59 | 0:38:01 | |
One - you're never as odd as you think you are. | 0:38:01 | 0:38:06 | |
And two - the things that scare us | 0:38:07 | 0:38:10 | |
are the things that keep us human. | 0:38:10 | 0:38:12 | |
Never be afraid of being scared. | 0:38:12 | 0:38:14 | |
Just don't allow being scared to dictate the choices you make. | 0:38:15 | 0:38:21 | |
HE COUGHS | 0:39:17 | 0:39:18 | |
HE COUGHS I didn't know you smoked. | 0:39:34 | 0:39:36 | |
-Yeah? -Yeah. | 0:39:36 | 0:39:38 | |
I'm just learning. | 0:39:38 | 0:39:39 | |
I tried writing "L" on the cigarette in my sister's lipstick, but... | 0:39:39 | 0:39:43 | |
Well, you're bum-sucking the shit out of that! The filter must be soaking! | 0:39:43 | 0:39:46 | |
See? | 0:39:51 | 0:39:52 | |
Have you heard about the thing at the old shopping centre? | 0:39:54 | 0:39:57 | |
-No. -Police all around it. | 0:39:59 | 0:40:02 | |
Everyone's talking about it in school. | 0:40:02 | 0:40:03 | |
Current theory is someone got raped. | 0:40:03 | 0:40:06 | |
-Yeah? -Yeah, and Alicia's been off school. | 0:40:08 | 0:40:11 | |
Yeah? Alicia? | 0:40:12 | 0:40:15 | |
SHE LAUGHS Are you OK? | 0:40:15 | 0:40:17 | |
You seem weirder than ever. | 0:40:17 | 0:40:19 | |
Yeah. Yeah, yeah. No, I'm just... | 0:40:19 | 0:40:21 | |
...trying to decide if I'm mental, or not. | 0:40:23 | 0:40:25 | |
SHE LAUGHS What are your odds? | 0:40:25 | 0:40:27 | |
My sister would kill you if she even sees you talking to me. | 0:40:29 | 0:40:32 | |
She'd probably kill you, too. | 0:40:32 | 0:40:35 | |
She doesn't believe in the intermingling of the species, | 0:40:35 | 0:40:39 | |
even if it is just talking. | 0:40:39 | 0:40:41 | |
Guess you're all off out tonight? | 0:40:42 | 0:40:44 | |
We're all off out every night, up the woods. | 0:40:44 | 0:40:48 | |
Just be careful of the, you know, rapist. | 0:40:48 | 0:40:52 | |
HE MOUTHS | 0:40:53 | 0:40:55 | |
You're not mental, you're just... | 0:40:55 | 0:40:57 | |
...different. | 0:40:59 | 0:41:00 | |
That's what my mum used to say. | 0:41:00 | 0:41:02 | |
Your mum's wicked. | 0:41:02 | 0:41:03 | |
She cleaned me up from whoever bullied me. | 0:41:03 | 0:41:05 | |
"Oh, Paul, someone's squirted tomato ketchup all over you. | 0:41:05 | 0:41:09 | |
"They're just scared of difference. | 0:41:09 | 0:41:11 | |
"Oh, Paul, someone's emptied a bin on your head. | 0:41:11 | 0:41:13 | |
-"They're just scared..." -I always wanted to be different. | 0:41:13 | 0:41:15 | |
I was a bit of a...hairbrush princess, you know? | 0:41:16 | 0:41:20 | |
Think I'm a pop star. | 0:41:20 | 0:41:23 | |
-I don't know. -My dad thinks I'm better than everyone, so... | 0:41:23 | 0:41:27 | |
Well, I never wanted to be different. | 0:41:29 | 0:41:31 | |
Maybe I don't mean you're different, | 0:41:33 | 0:41:36 | |
maybe I mean...special. | 0:41:36 | 0:41:37 | |
You're the second one who's said something like that. | 0:41:42 | 0:41:45 | |
I've got the taste of your spit in my mouth now. | 0:41:49 | 0:41:52 | |
Yeah? | 0:41:54 | 0:41:55 | |
You've got nice eyes... | 0:42:01 | 0:42:03 | |
...in this light. | 0:42:04 | 0:42:05 | |
Yeah? | 0:42:09 | 0:42:10 | |
I'd better go. | 0:42:15 | 0:42:16 | |
All right. | 0:42:18 | 0:42:19 | |
See ya! | 0:42:25 | 0:42:26 | |
-You've got nice eyes too! -I know. | 0:42:28 | 0:42:31 | |
Mr Etches, isn't it? | 0:42:40 | 0:42:42 | |
You, er, taught me GCSE history, Mr Etches. | 0:42:42 | 0:42:46 | |
Oh, right, yes. Er, do you know what this is about? | 0:42:46 | 0:42:49 | |
-Only, I just... -The DCI will tell you. | 0:42:49 | 0:42:51 | |
Phillip Firth. | 0:42:51 | 0:42:53 | |
I am. DC Firth. | 0:42:53 | 0:42:55 | |
Right, yes, er, I remember now, Phillip. | 0:42:56 | 0:42:58 | |
-Yeah, how did you do in the end in your exams? -I got a D. | 0:42:58 | 0:43:02 | |
Never was much shake at schoolwork. I... | 0:43:02 | 0:43:05 | |
That's great. | 0:43:05 | 0:43:07 | |
The DCI is, er, just through here. | 0:43:10 | 0:43:12 | |
DOOR OPENS | 0:43:17 | 0:43:18 | |
DCI Armstrong entering the room. | 0:43:18 | 0:43:20 | |
Er, the time is 5.27...pm. | 0:43:20 | 0:43:24 | |
So...what's this about? | 0:43:31 | 0:43:33 | |
When was the last time you saw your wife? | 0:43:35 | 0:43:37 | |
Sarah? | 0:43:37 | 0:43:38 | |
Er, she's not my wife. | 0:43:38 | 0:43:41 | |
Well, barely. | 0:43:41 | 0:43:43 | |
OK, when was the last time you saw Sarah? | 0:43:43 | 0:43:46 | |
Pff, um...the day before yesterday? | 0:43:46 | 0:43:48 | |
Some...time. | 0:43:48 | 0:43:50 | |
What's this about? | 0:43:50 | 0:43:52 | |
We had Sarah's DNA in our file. | 0:43:52 | 0:43:54 | |
Why? | 0:43:54 | 0:43:56 | |
I can't, for operational reasons, divulge that at this point. | 0:43:56 | 0:44:01 | |
Well, is she OK? You're beginning to scare me now. | 0:44:01 | 0:44:05 | |
This morning...a weapon was found. | 0:44:08 | 0:44:11 | |
An adapted gun... | 0:44:11 | 0:44:13 | |
in the Hinkley Way Shopping Centre. | 0:44:13 | 0:44:15 | |
The derelict place? | 0:44:15 | 0:44:17 | |
Patrol dogs found it. | 0:44:17 | 0:44:19 | |
Nearby, we found some clothing with... | 0:44:19 | 0:44:22 | |
Sarah's blood on it. | 0:44:22 | 0:44:24 | |
Her blood? | 0:44:26 | 0:44:28 | |
This doesn't mean... It shouldn't mean that... | 0:44:28 | 0:44:31 | |
-When do we start looking for her? -We're sending out a search team. | 0:44:31 | 0:44:33 | |
What we need from you | 0:44:33 | 0:44:35 | |
are a list of all her friends... | 0:44:35 | 0:44:37 | |
Mark? Mark! | 0:44:38 | 0:44:41 | |
You're gonna be vital to this investigation. | 0:44:42 | 0:44:45 | |
You can trust him, Mr Etches. | 0:44:49 | 0:44:51 | |
He's a good guy. | 0:44:51 | 0:44:54 | |
-How was the session? -Fine. | 0:45:00 | 0:45:02 | |
-You're gonna talk to me properly. -Er...Mac's waiting, Mum. | 0:45:02 | 0:45:06 | |
Let him. | 0:45:06 | 0:45:07 | |
He...said that Dad was the reason I was screwed up, basically. | 0:45:10 | 0:45:15 | |
Then he said I reminded him of him, and that was sort of | 0:45:15 | 0:45:18 | |
-the end of the session. -He said your dad was the reason? | 0:45:18 | 0:45:21 | |
Dad or the divorce, I dunno. I didn't... | 0:45:21 | 0:45:23 | |
Can we talk about it another time? | 0:45:23 | 0:45:25 | |
We're always talking about it another time, you and me, aren't we? | 0:45:25 | 0:45:28 | |
Yeah, well, that's because another time always is the best time. | 0:45:28 | 0:45:30 | |
I am allowed to be worried about you. | 0:45:30 | 0:45:33 | |
I know you are, Mum. | 0:45:35 | 0:45:37 | |
Paul, you haven't even eaten. | 0:45:37 | 0:45:40 | |
Good for me, bad for me. Bye! | 0:45:40 | 0:45:42 | |
RINGTONE | 0:45:51 | 0:45:53 | |
Hi, Mum. | 0:45:59 | 0:46:01 | |
Meg. Sorry. | 0:46:01 | 0:46:03 | |
I know. | 0:46:05 | 0:46:07 | |
I'll make sure he gets his protein! | 0:46:07 | 0:46:09 | |
I'm a big fan of protein. | 0:46:10 | 0:46:12 | |
Yeah, you too. | 0:46:12 | 0:46:13 | |
Bye. | 0:46:13 | 0:46:14 | |
-Parental quicksand? -Something like that. | 0:46:16 | 0:46:18 | |
You know, the easiest way to escape quicksand is by raising your legs slowly | 0:46:18 | 0:46:21 | |
so you lie on your back - your actual back - then you just float. | 0:46:21 | 0:46:24 | |
Takes balls, but it's possible. | 0:46:24 | 0:46:25 | |
You OK? | 0:46:27 | 0:46:28 | |
Yeah. | 0:46:30 | 0:46:31 | |
I mean, er, Heather Langenkamp stuff... | 0:46:31 | 0:46:34 | |
-I knew what you meant. -Cos I've had a thought. | 0:46:35 | 0:46:36 | |
What thought? | 0:46:37 | 0:46:39 | |
Sixth Sense. | 0:46:39 | 0:46:41 | |
Would you say everything you've ever learnt about was from films, Mac? | 0:46:43 | 0:46:46 | |
No. | 0:46:46 | 0:46:47 | |
Television's been doing some important work for me recently. | 0:46:47 | 0:46:50 | |
Then there's the complicated...nay, thorny issue of internet pornography. | 0:46:50 | 0:46:53 | |
Yeah. | 0:46:54 | 0:46:56 | |
INDISTINCT VOICES | 0:47:35 | 0:47:37 | |
Admittedly, the isolated incidents they show in the film, | 0:47:40 | 0:47:43 | |
maybe Bruce Willis could have been a ghost for those. | 0:47:43 | 0:47:45 | |
That bit with his wife and the wedding ring. | 0:47:48 | 0:47:50 | |
I like that bit. | 0:47:51 | 0:47:52 | |
What about the rest of his life? The bits the film doesn't show. | 0:47:56 | 0:48:00 | |
I mean, what if he feels like a coffee? | 0:48:00 | 0:48:02 | |
He walks into his standard American brand coffee place and goes... | 0:48:03 | 0:48:06 | |
(AMERICAN ACCENT) ...Hi. | 0:48:06 | 0:48:08 | |
I'd like a coffee, please. | 0:48:08 | 0:48:09 | |
No answer. | 0:48:09 | 0:48:11 | |
(AMERICAN ACCENT) Excuse me, but, er, I'd like a cup of coffee. | 0:48:11 | 0:48:13 | |
No answer. | 0:48:13 | 0:48:14 | |
They can't see him - he's a ghost. | 0:48:14 | 0:48:17 | |
I mean, eventually he's gonna get pretty, you know, annoyed. | 0:48:17 | 0:48:20 | |
-Yeah, OK. -It's a fatal flaw. | 0:48:23 | 0:48:26 | |
(AMERICAN ACCENT) Hello? Hello, wh...where's my coffee? | 0:48:26 | 0:48:28 | |
Mate, like, he hasn't guessed he's a ghost. | 0:48:28 | 0:48:31 | |
Bruce Willis looks like a man who likes a coffee. | 0:48:31 | 0:48:33 | |
You OK, Paul? | 0:48:39 | 0:48:41 | |
Who's here? | 0:48:42 | 0:48:44 | |
What is it? Where is it? | 0:48:48 | 0:48:50 | |
Paul? Wait up, I haven't finished my theory! | 0:48:53 | 0:48:57 | |
Paul! Paul! | 0:48:57 | 0:48:59 | |
Ahh! | 0:49:00 | 0:49:01 | |
And who the fuck are you?! | 0:49:02 | 0:49:04 | |
It's gonna happen a lot, isn't it? | 0:49:08 | 0:49:10 | |
Good point, well made. | 0:49:15 | 0:49:17 | |
DOOR OPENS | 0:49:25 | 0:49:27 | |
SOFT THUMP | 0:49:45 | 0:49:47 | |
ROARING | 0:49:54 | 0:49:55 | |
So, you made your decision, then? | 0:50:13 | 0:50:14 | |
Oh, f... | 0:50:14 | 0:50:16 | |
HE SIGHS | 0:50:16 | 0:50:18 | |
You again. | 0:50:18 | 0:50:20 | |
Yep, me again. | 0:50:20 | 0:50:21 | |
Who is she? | 0:50:23 | 0:50:24 | |
Sarah. | 0:50:29 | 0:50:30 | |
Her name's Sarah. | 0:50:30 | 0:50:32 | |
She's a friend? | 0:50:35 | 0:50:37 | |
Yep. | 0:50:38 | 0:50:39 | |
They can talk? | 0:50:43 | 0:50:45 | |
She can right now. | 0:50:45 | 0:50:47 | |
She's looking for a place to pass. | 0:50:47 | 0:50:50 | |
This wood's one of the few places in the country not fucked with enough | 0:50:51 | 0:50:54 | |
to still have passing places. | 0:50:54 | 0:50:56 | |
What? | 0:50:56 | 0:50:58 | |
There are holes in the world. | 0:50:58 | 0:51:01 | |
Ascension points. | 0:51:01 | 0:51:03 | |
Used to be loads of them. Then man invented concrete. | 0:51:03 | 0:51:06 | |
Look. | 0:51:06 | 0:51:08 | |
-There's another. -What are those, the... | 0:51:08 | 0:51:13 | |
the lights in their...in their chest? | 0:51:13 | 0:51:16 | |
They're beacons. | 0:51:16 | 0:51:18 | |
When the dead near ascension, their souls shine. | 0:51:18 | 0:51:20 | |
Those that pass, that light... | 0:51:23 | 0:51:24 | |
that'll take over their whole body with a bang. | 0:51:24 | 0:51:26 | |
Those that don't, | 0:51:28 | 0:51:30 | |
that light turns off. | 0:51:30 | 0:51:31 | |
That's when they know they're trapped here for ever. | 0:51:31 | 0:51:34 | |
So, this is...this is ascension? | 0:51:36 | 0:51:39 | |
-This is...this is about heaven? -Heaven is a big word. | 0:51:39 | 0:51:44 | |
This is about death, kid. | 0:51:45 | 0:51:47 | |
Only death. | 0:51:48 | 0:51:50 | |
Come on. | 0:51:50 | 0:51:51 | |
Fucking birds! | 0:52:21 | 0:52:23 | |
Collateral damage. | 0:52:23 | 0:52:25 | |
Will any of this ever make sense? | 0:52:26 | 0:52:28 | |
Probably not. | 0:52:28 | 0:52:29 | |
Do you know how much danger you're... we're in? | 0:52:31 | 0:52:34 | |
Probably a lot. | 0:52:34 | 0:52:36 | |
WIND WHISTLES SOFTLY | 0:52:47 | 0:52:49 | |
RATTLING | 0:53:11 | 0:53:12 | |
WHOOSHING | 0:53:30 | 0:53:31 | |
GUN COCKS | 0:53:39 | 0:53:40 | |
GUN CLICKS | 0:53:41 | 0:53:43 | |
PANTS SOFTLY | 0:53:58 | 0:54:01 | |
Oh, shit. | 0:54:06 | 0:54:08 | |
SARAH: Neil? | 0:54:08 | 0:54:10 | |
-Neil? -She's not going. | 0:54:12 | 0:54:14 | |
She's not passing. | 0:54:16 | 0:54:17 | |
What? | 0:54:18 | 0:54:20 | |
I'm sorry, Sarah. | 0:54:20 | 0:54:22 | |
I'm so sorry. | 0:54:25 | 0:54:26 | |
Oh, I feel... | 0:54:28 | 0:54:29 | |
It's... | 0:54:31 | 0:54:33 | |
Paul? | 0:54:33 | 0:54:34 | |
Paul! Paul? | 0:54:35 | 0:54:38 | |
EERIE HOWLING | 0:54:42 | 0:54:43 | |
NEIL GROANS | 0:54:55 | 0:54:57 | |
HE GROANS | 0:55:18 | 0:55:19 | |
HE PANTS | 0:55:29 | 0:55:31 | |
What did you see? | 0:55:34 | 0:55:35 | |
Look at me, Paul. | 0:55:35 | 0:55:37 | |
Look at me, Paul! What did you see? | 0:55:37 | 0:55:39 | |
HE PANTS | 0:55:39 | 0:55:41 | |
What are you? | 0:56:04 | 0:56:05 | |
-Your best friend. -EERIE HOWLING | 0:56:05 | 0:56:09 | |
# Young Paul decides upon the future | 0:56:11 | 0:56:16 | |
# And he asks from her a favour | 0:56:20 | 0:56:26 | |
# He wants to know if she will tell him... # | 0:56:29 | 0:56:34 |