Episode 2 The Fades


Episode 2

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Transcript


LineFromTo

OK. So, this is what you missed.

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The dead are walking the Earth and they're trapped here.

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And some of them are pissed and trying to fight back.

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Yeah, I know, and then there's this tribe, gang, posse of people called the Angelics,

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who have special powers, yeah,

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and they're thinking they need to stop these dead people,

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and they're being killed off by the dead guy,

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first this Sarah woman and then this Helen woman, and that's scary.

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Oh, and there's Paul, who's my best friend,

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and who can see dead people.

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We used to think he was mad, but now we think he's...you know,

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special. And then there's some stuff about Mark,

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my history teacher, whose wife is one of the murdered ones.

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Yeah, there's even more.

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Yeah.

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GROANING

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Now, where's my Star Wars box set?

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Na-Nu Na-Nu!

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Oh, shit.

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So, that's it, then? He killed me and now Helen?

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Yeah.

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That's us gone, then?

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Yeah.

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HE GRUNTS

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Mum? Mum!

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I'm done in here!

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J-Jay?

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I need you to talk to Mark.

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And I need you to help me make sense of what's going on.

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It's inevitable. You know that, Neil. The world's coming to an end.

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There's nothing you can do.

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There's always something we can do.

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I always loved this place.

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Anna?

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THROATY GURGLING

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THROATY GURGLING

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Mum.

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MUM!

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CLOCK TICKS

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CHATTER

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Your sister was naked?

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Yeah, well, the important thing was that she was dead.

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Dead, naked and in your bed.

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She was... It was only partial nudity.

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Maybe you're not special. Maybe you're just sick.

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Hear me out.

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Dreams represent subconscious urges,

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which means part of you wants to see your sister dead,

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naked and in your bed.

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BIKE BELL RINGS

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Hi, yes. We need volunteers to sign up

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for the school ball committee cos we don't have enough people.

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-It wasn't a dream, it was a vision.

-"It wasn't a dream, it was a vision."

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Sick. You're sick.

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So, who wants a sign-up sheet?

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Thank you.

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-No.

-The average man spends two weeks of his life kissing.

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-No.

-There are between six and nine billion condoms produced a year.

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It's my sister's ball committee. No way.

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Men with more active sex lives are more likely to live past 80 years.

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We wouldn't live past 18. She would kill us.

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And knowing she was naked in your dream wouldn't push her to homicide?

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Ha(!)

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Two weeks? I haven't even got past five seconds.

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Nine billion. Well, if you discount the one I wore on my head for that bet...

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And 80 years.

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This ball committee is the golden ticket to sex.

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And as Willy Wonka told us all, sex is life.

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Mate, please. For our health, if nothing else, we need to get it on with someone.

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Sometime. Somewhere.

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-This is important to me.

-Everything's important to you.

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-It should be important to you too.

-Why?

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Cos ever since you started seeing things, you...

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-Seeing things?!

-Thanks, Mac(!)

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-Sure.

-Am I a rabbit? Am I rabbit?

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Am I, though? Am I, though?

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Don't worry about them. They're 12.

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Yeah, and we'll get older, but you'll still be freaks.

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Sam Griegson and Greg Taylor, come back here!

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I know you did that to Mr Newman's car.

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Just a scratch!

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It was a very offensive sentence! Wait!

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Oi! Wait. You two!

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It's a new low.

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Being bullied by prepubescents. A new low.

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Or high, depending on how you look at the world.

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We're the lowest of the low. No-one is as despised as us.

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That's quite an achievement.

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And you really think joining Anna's committee's going to make any of that better?

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You saw your sister dead, naked and in your bed.

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A little normality, a little normality,

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and maybe a bit of golden-ticket sex with someone other than your sister

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would be good for...

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-Hi.

-Hi.

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I was...wondering when I'd see you again.

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We need a minute.

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-Do you now?

-Mac.

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-Did you listen to anything I said?

-I do. I... I need to talk to him.

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Your friend is quite the mercenary.

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I wonder if he really cares about anything...or anybody.

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What?

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He's quoting Star Wars. Ignore him.

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I'm not quoting Star Wars! I'm quoting Leia!

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-Come on. Let's get out of here.

-You can't quote a film!

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You can only quote a character in a film!

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KNOCK AT DOOR

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Mark. Great. Come in.

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So, how's it, er...

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going?

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I'm fine.

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Sit down for a minute, would you?

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When Kathy left me...

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Sarah and I separated months ago.

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Now she's missing. It's a different thing, Dave.

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And time off wouldn't allow you to be more help to the police?

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Help with what? They're barely talking to me. I mean,

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what do you want me to do? Walk down the road shouting her name?

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Dave, I need to keep busy.

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Mark, I've just had Sam Griegson's mum on the phone

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making some pretty serious threats.

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The kid is a little shit. He scratched "Newman's a cocksucker" on Vince's car.

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But that's no excuse to drag him halfway round the school.

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The boy's got bruises on his arm!

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Now, I have responsibilities to the school governors, legal...

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It won't happen again, OK? You have my word.

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Hmm.

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Consider this an official warning.

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And then... And then Jay is lying dead on the staircase.

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And then Anna's lying dead on my bed,

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which Mac thinks is...weird cos she's semi-naked.

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Whoa, whoa. Who's Mac?

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Well, the guy you just met.

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What, the mouthy one?

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So, what, you're telling your visions to him?

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I wouldn't call him mouthy.

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Anyway, no, and then... then my mum...my mum is...

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My point is, what does it mean?

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What does it all mean? What am I?

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Well, I'm not the person to ask.

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Well, then, who is? And...where are we?

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The Monica Bryant County Care Home,

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or what used to be the Monica Bryant County Care Home.

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Come on.

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DRIPPING WATER

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You go left, I'll go right.

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-You want us to split up?

-It's the quickest way to find him.

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-Find who?

-You'll see.

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I'll see...what?

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Er...yeah. Has anyone ever told you you talk like Gollum sometimes?

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DOOR CREAKS

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DOOR SLAMS SHUT

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Hello?

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Hello?

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I know you.

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I'm looking for...

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for someone.

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Are you the person I'm looking for?

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Wait.

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HE SNEEZES SHE MAKES NO SOUND

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I think I need to speak to you.

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Neil.

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Then... No, don't. Why do you keep running?

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Who are you?

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What? What?

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Oh!

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Natalie? Natalie!

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-You know her?

-What are you doing?

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-Are you trying to get yourself killed?

-She turned on that fuse.

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No, she didn't.

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Was she the person you were looking for?

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Natalie? No. I want you to meet Eric. I found him.

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This was your school?

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There's no precise date on when it started.

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Some of the dead just stopped ascending. They became trapped here.

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Eric's one of the earliest I've ever met.

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May even have been one of the first. Died in 1946.

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-This was your school?

-1946.

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He was 70 when he died.

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The body's kept aging ever since, so he's pretty old.

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He also used to be one of us.

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Eric was an Angelic?

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-Did she really turn that fuse on?

-Yeah.

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So she can touch, yeah?

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That's not good.

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This wasn't my school. It was my home.

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DOOR CREAKS

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No sudden movements.

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Don't scare him.

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Partially blind, mostly deaf.

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And he jumps easily.

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CREAKING

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He wants to meet you.

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Come and sit where I am.

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-How... How do I...?

-Ssh!

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PAUL GASPS

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HE PANTS

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What?

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-Really - what?

-He thinks you're important.

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-I-Important?

-Helen was right.

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It's all linked. You,

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the Fades, the murders, them touching.

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The shit has hit the fan

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and you're standing right in front of it.

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I don't... I don't understand.

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I didn't...

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..ask f-for any of...this.

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I... I don't... I can't... Paul.

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Paul! Wait!

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LOW CHATTER

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HE PANTS

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CHATTER CONTINUES

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BIRD TWEETS

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BIRDSONG

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-Paul. You been ditching?

-No.

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-Yeah, probably.

-Me too.

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Good. Snap. Jinx.

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-Are you going to the ball?

-Probably. Definitely.

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Probably definitely?

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Technically, that is the way I feel about it, yeah.

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Everyone else is going.

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Yeah.

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That's sort of the problem.

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-I'm going.

-Yeah.

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Yeah. No, that does make it...better.

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I should be getting to class.

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Are you OK, Paul?

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Yeah. I'm OK.

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OK. And if you were a pacifist, what would you argue?

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I'm not a pacifist.

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Yeah, but if you were a pacifist...

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what would you argue?

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I'm not a pacifist. I'd kill them all.

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MARK SIGHS

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If you were a pacifist, you'd argue that the Nazi Party was born out of violence.

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Now, get rid of that initial violence - World War One -

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-there'd be no need for the Nazis.

-But I'm not a pacifist.

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I'd kill them all. I'd kill the Nazis.

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-Fuck them up!

-Thank you, Steve. Good. Great.

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Thank you. Really good contribution.

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I'm going to sign up for the committee.

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-Really?

-Yeah.

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The Nazi Party was born out of violence,

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so in a situation of true pacifism, they never would have existed.

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That's the sort of reasoning that goes down well with the examiners.

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(WHISPERS) What changed your mind?

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Oh, you know, stuff.

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-What does that mean?

-It means I've got my reasons.

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-BANG

-Fuck's sake!

-Paul!

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You come in late, then you chat. Is that appropriate?

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Go on, sir, hit him.

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LAUGHTER

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So, theme. I was thinking Prohibition America.

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Seconded.

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Yeah, there's arse-licking and then there's arse-licking, Trace.

0:19:390:19:44

Hi. Can we just sit anywhere? We'll just sit anywhere.

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Not on any of you, clearly. On a...free seat.

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Though if any of you were offering, it has been claimed my bum is nimble.

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-What are you doing here?

-You needed volunteers.

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-I didn't mean you.

-Good to know.

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Anna? Maybe...

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they can do the...shit jobs.

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What?

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Happily! We're a dab hand with shit.

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In fact, ironically, I was born in a toilet,

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so there was a period of time when my middle name was going to be...Shit.

0:20:090:20:13

-Paul, please fuck off.

-This is important.

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Really?

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Yeah.

0:20:180:20:20

Fine. Sit down.

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OK, so, theme. Where were we?

0:20:260:20:30

-Oh, fuck it. Costumes are faggy.

-Costumes are not faggy!

0:20:300:20:33

If we're brainstorming, have you considered a Star Wars theme?

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Good point. Well made. I know my place.

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I am the shit.

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You look like a wet flannel.

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Good, that's the look I was going for.

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Come on, hombre, spill all.

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-There's this girl.

-Fit?

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-Dead.

-Dead fit?

0:21:010:21:02

-You getting into necrophilia now?

-I've been considering it for a while.

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I've always thought I appealed to the dead.

0:21:060:21:08

Good teeth, you see?

0:21:080:21:09

-Dead people like teeth?

-Dead people love good teeth.

0:21:130:21:16

-That's why I floss daily.

-You're a bad person.

0:21:160:21:19

No, you're badder. So, this dead girl, what was she wearing?

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-I think she tried to kill me.

-Details.

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-By the way, just so you know...

-What was she wearing?

0:21:260:21:28

-..Natalie...

-Natalie.

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-..wears...

-Natalie. Well, hello, Natalie.

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"Oh, hello, Matthew. You look so strong."

0:21:330:21:35

Oh, it's going to be amazing.

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And if she died in the 80s, she'll get all my movie references.

0:21:370:21:40

-Thing is, though, Mac...

-Yeah?

0:21:400:21:43

(...she's here,)

0:21:440:21:45

(she's sitting right behind you.)

0:21:450:21:48

(No, no, no, no, no, no, no, no. Don't look!)

0:21:480:21:50

Oh, she can't take her eyes off you. I... Bye, Mac.

0:21:530:21:56

Natalie.

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Paul. Are... Are you joking?

0:21:590:22:02

You're joking, aren't you?

0:22:020:22:04

Are you joking?

0:22:040:22:05

Yeah.

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Pure ivory, baby.

0:22:150:22:17

Hi.

0:22:320:22:33

-I read about your wife.

-Yeah.

0:22:370:22:39

-I felt sorry for you.

-Yeah?

0:22:390:22:44

So...

0:22:440:22:46

-Can I come in?

-Yeah.

0:22:470:22:51

SHE CLEARS HER THROAT

0:22:540:22:56

Why are we in her room again?

0:23:140:23:16

I don't know. I just... I feel safe in here now.

0:23:160:23:19

GASPING AND MOANING

0:23:300:23:32

# Run, rabbit, run, rabbit Run, run, run! #

0:23:430:23:46

-Am I running?

-Am I a rabbit?

0:23:460:23:50

ANIMAL HOWLS IN DISTANCE

0:23:580:24:01

SNARLING

0:24:060:24:10

HE GASPS AND SHIVERS

0:24:120:24:15

CRUNCH

0:24:150:24:17

ELECTRICAL CRACKLING

0:24:170:24:18

HE HOWLS

0:24:210:24:23

TYRES SCREECH

0:24:230:24:24

GUNSHOTS

0:24:240:24:25

On! Now!

0:24:280:24:30

HE RETCHES

0:24:580:25:01

HE GASPS

0:25:010:25:03

Are you OK?

0:25:030:25:05

All right, kid, deep breaths.

0:25:050:25:06

-I can't do this.

-Hey, bollocks. Come here.

0:25:080:25:11

Hey, of course you can. Hey.

0:25:110:25:13

Now, you ask yourself this, all right? Do you remember the first time you saw me?

0:25:130:25:17

Eh? Do you remember the first time I told you to run?

0:25:170:25:20

Mm? Well, you could have run two ways, kid - away from me or towards me.

0:25:200:25:23

All right? I had a dying girl in my arms and I had a gun on me. But you...

0:25:230:25:27

You, you followed me. Why?

0:25:270:25:30

Eh, Paul? Do you remember the first time we met?

0:25:300:25:34

Yeah, you shot at me.

0:25:360:25:38

OK, so...so maybe you remember it slightly less fondly than I do, eh?

0:25:420:25:46

-Have I got vomit around my mouth?

-Look, don't worry.

0:25:480:25:51

When you first saw Sarah at the ascension point, you followed her.

0:25:510:25:54

Then, when you saw Natalie at the orphanage, what did you do?

0:25:540:25:57

Followed her.

0:25:570:25:59

-Why?

-I don't know!

0:25:590:26:00

Because you wanted to know. Because you wanted to see.

0:26:000:26:02

You wanted to know what I was,

0:26:020:26:04

what Sarah is, what Natalie is, because you feel it.

0:26:040:26:07

There's a connection between all of us because you know who you are.

0:26:070:26:10

Eric, he thinks you're more special than any of us, that you've got a destiny.

0:26:120:26:17

I'm sorry, kid, but that matters.

0:26:170:26:19

Look, if it makes it any easier,

0:26:240:26:26

I don't know why destiny's chosen a 15-year-old boy either.

0:26:260:26:28

-17. I'm 17.

-OK, you're still young...

0:26:280:26:31

for what's coming.

0:26:310:26:33

It's still far, far too young.

0:26:330:26:35

What's coming?

0:26:360:26:38

Man.

0:26:460:26:48

Ha-ha-ha! Sucker!

0:26:480:26:50

HE SNIFFS

0:26:530:26:54

ELECTRICAL BUZZING

0:26:540:26:56

HE EXHALES

0:26:560:26:58

ELECTRICAL CRACKLING

0:26:580:27:00

Fred?

0:27:020:27:04

Fred?

0:27:110:27:12

What?

0:27:270:27:29

BIRDSONG

0:27:290:27:31

CRACK

0:27:380:27:39

-CROWS CAWING

-Mum, I'm fine. I stayed at Mac's.

0:27:390:27:42

-Yeah.

-INDISTINCT SPEECH ON PHONE

0:27:420:27:45

OK.

0:27:450:27:47

Yeah, look, I'd better go cos Mac's dad's making us breakfast.

0:27:520:27:56

All right.

0:27:560:27:59

'Well, I...I love you.'

0:27:590:28:01

-I love you too, Mum. Bye.

-'Bye.'

0:28:010:28:05

CROWS CAWING

0:28:060:28:08

You know, you reach an age when sleeping in a car is not an easy thing.

0:28:150:28:21

Yeah, I can imagine.

0:28:210:28:22

Do you know any yoga, kid?

0:28:250:28:27

Huh. No.

0:28:280:28:30

Learn yoga.

0:28:300:28:32

So...

0:28:350:28:37

-Yeah?

-..What's the plans for the day?

0:28:370:28:41

We get active. Come on.

0:28:410:28:43

HE SHIVERS

0:29:110:29:13

Do we...know what we're looking for?

0:29:170:29:19

We're heading for the ascension point.

0:29:210:29:23

I always look for them up there.

0:29:230:29:25

-Don't they leave tracks or...?

-No.

0:29:250:29:27

Look, they're weightless. Ascension, that's the place to go to.

0:29:270:29:31

I don't really know what it means, being one of you.

0:29:310:29:34

Well, it depends on the person.

0:29:340:29:37

Well, you. What did it mean to you?

0:29:370:29:40

It was hard at first... but I got used to it pretty quickly.

0:29:420:29:46

But, of course, I had no-one to say goodbye to.

0:29:480:29:51

What? Hang on.

0:29:530:29:55

Well, who do I have to say goodbye to?

0:29:550:29:58

WOMAN: You don't understand. My son is missing.

0:29:590:30:01

-OK, come and sit down with me.

-My son is missing!

0:30:010:30:04

I need to speak with Detective Chief Inspector Armstrong.

0:30:040:30:06

Two missing boys. Two.

0:30:060:30:08

We're going to organise teams. It suggests...

0:30:080:30:09

Well, keep me in the loop.

0:30:090:30:11

Sir, just with the gun and the blood and the bodies mounting up,

0:30:110:30:14

I think I'm going to need more resources.

0:30:140:30:17

You mean, you're fucking it up and you need a larger team to blame!

0:30:170:30:22

No. That isn't what I mean at all.

0:30:220:30:25

Plenty have tried to keep on with their lives - Sarah for one.

0:30:310:30:35

It doesn't work, never.

0:30:350:30:37

It doesn't work?

0:30:370:30:39

You can't be one thing and another. You can't be pulled two ways.

0:30:390:30:42

Just trust me on that.

0:30:420:30:43

So, I say goodbye to...?

0:30:430:30:46

Everyone.

0:30:490:30:50

Write 'em a note, make a phone call,

0:30:500:30:53

tell 'em face to face, but say goodbye.

0:30:530:30:55

And then you come underground with me.

0:30:550:30:58

-Even my mum?

-I'm not saying it will be easy.

0:30:580:31:01

We're getting closer.

0:31:040:31:07

OK, Mrs Griegson, we just need to take some details.

0:31:120:31:14

-Detective Chief Inspector...

-Mark? The DCI's busy. Can I help?

0:31:140:31:19

That was just him... with Maggie Griegson.

0:31:190:31:22

-You know her?

-Yeah, I teach her son.

0:31:220:31:25

Or try to. What's going on?

0:31:250:31:27

How can I help?

0:31:280:31:29

-Great. What's this?

-Look!

0:31:310:31:35

Come and sit down.

0:31:360:31:38

These... These photographs,

0:31:380:31:41

they show my wife...my wife in some kind of mental institute.

0:31:410:31:44

-This is something...

-So, you teach Sam Griegson?

0:31:440:31:45

-What about Fred Taylor?

-I teach both of them.

0:31:470:31:49

Look... Look at the bandages on her wrist.

0:31:490:31:51

She clearly attempted suicide.

0:31:510:31:54

I should have known about that.

0:31:540:31:55

She's got a past that I didn't know about.

0:31:550:31:58

Look, no offence,

0:31:580:31:59

but I need to speak to the officer in charge of the case.

0:31:590:32:01

I'll... I'll pass it up.

0:32:010:32:03

Mark, these aren't evidence.

0:32:030:32:05

They're interesting, but they're not evidence.

0:32:050:32:07

The chances are these aren't even connected

0:32:070:32:09

with what happened to Sarah.

0:32:090:32:10

-This is important!

-No-one's doubting your importance, Mark.

0:32:100:32:13

That is exactly what you're doing.

0:32:150:32:17

Now, he's got my number.

0:32:190:32:21

Now it's dark, things might get easier.

0:32:260:32:28

Brilliant, yeah, cos we can see in the dark(!)

0:32:290:32:32

CHEWING

0:32:390:32:41

-QUIETLY:

-Get down. Get down!

0:32:410:32:43

-NEIL:

-That's what they're doing.

-PAUL:

-They're killing.

0:32:540:32:58

That's what's allowing them to touch.

0:32:580:33:01

They're eating flesh.

0:33:020:33:03

HE SNARLS

0:33:050:33:07

-HE BREATHES DEEPLY

-What?

0:33:070:33:09

And Natalie's one of them.

0:33:090:33:11

-I don't... I don't understand.

-Look! You see?

0:33:140:33:19

All you need to know is there is a war coming here.

0:33:190:33:22

And it's coming fast. That's why you need to be ready.

0:33:220:33:25

Look.

0:33:260:33:28

And that...

0:33:280:33:30

..that means saying goodbye to my old life.

0:33:320:33:34

Yeah. Yes, it does.

0:33:360:33:38

DISTANT BARKING

0:33:420:33:44

LOW CHATTER AND LAUGHTER

0:33:480:33:50

LOW CHATTER

0:33:540:33:56

LAUGHTER AND CHATTER

0:33:570:34:00

RINGING

0:34:060:34:09

-MAC: 'Boomtown!'

-It's me.

0:34:090:34:11

-'Hello...dick.'

-Er...

0:34:110:34:15

I can't go home tonight.

0:34:170:34:19

'Check my diary...' HE SNORTS

0:34:190:34:21

-'I think there's a window for you.'

-I was hoping you'd say that.

0:34:210:34:26

# It's going to get, it's going to get, it's going to get louder

0:34:260:34:29

# We're going to get, we're going to get... #

0:34:290:34:31

SHOUTS OVER MUSIC: It's all in the hips.

0:34:310:34:32

No, it's not all in the hips.

0:34:340:34:36

One. Two. One, two, three.

0:34:360:34:40

# ...We got to reach, we got to reach We got to reach higher

0:34:400:34:42

# I want to burn, I want to burn I want to get higher

0:34:420:34:46

# We've got to move, we've got to move... #

0:34:460:34:49

I'm trying to train you here. It's a big night tomorrow night.

0:34:490:34:51

Well, I need your help like a leper needs anti-aging cream!

0:34:510:34:55

May I remind you, best Michael Jackson impersonation,

0:34:550:34:57

Heatherwoods Primary, 2002?

0:34:570:34:59

May I remind you, you were nine?

0:34:590:35:00

Yeah, and people still found you funny then.

0:35:020:35:04

OK. After me. One, two! One, two, three.

0:35:040:35:06

BANG, MUSIC STOPS

0:35:060:35:09

It's 2am! You know that, Michael? It's 2am!

0:35:090:35:13

Sorry, we were...

0:35:130:35:15

-We were trying to be quiet.

-Look, some of us have work,

0:35:150:35:17

important work, in the morning! We don't need kids keeping us awake!

0:35:170:35:19

Dad. Don't get... You've been drinking.

0:35:190:35:22

Don't you accuse me of...

0:35:220:35:24

Look, grow up, the pair of you! You're too old for sleepovers.

0:35:270:35:31

-DOOR SLAMS PAUL:

-He's under a lot of stress.

0:35:360:35:40

I mean, it...it must be hard for...

0:35:400:35:42

I think Mum's left him.

0:35:470:35:49

Us.

0:35:520:35:53

Him.

0:35:550:35:57

-Yeah?

-Yeah, they're probably

0:35:590:36:01

fighting right now over who doesn't get custody.

0:36:010:36:03

No, they're not.

0:36:060:36:07

Did you know, in Inuit culture, if you don't like your parent,

0:36:070:36:10

you just crawl into another igloo and find a new family?

0:36:100:36:12

You're cut.

0:36:190:36:20

Oh, fuck.

0:36:220:36:25

Fuck.

0:36:250:36:26

-It's OK, Mac. Come on.

-No, no, no. Don't... Don't look at me.

0:36:260:36:30

You see?

0:36:350:36:36

WHOOSHING

0:36:380:36:40

-PAUL:

-It's all...

0:36:400:36:41

It's all gone.

0:36:430:36:45

Paul. Look at your hand.

0:36:490:36:50

HE RETCHES

0:37:060:37:08

HE RETCHES

0:37:120:37:13

What are you?

0:37:310:37:32

Your best friend.

0:37:350:37:37

I mean, you... you thought it was good, I was...

0:37:390:37:43

..special.

0:37:440:37:46

Yeah. It's great.

0:37:490:37:50

Just don't leave me behind, OK?

0:37:530:37:55

Your car. We need your car. We've found the kids.

0:38:010:38:05

Thank you.

0:38:140:38:15

OK, we'll need to arrange a press conference.

0:38:150:38:18

Yeah.

0:38:180:38:19

I'll need to cordon off the surrounding areas,

0:38:190:38:21

and a budget done of how much to clear.

0:38:210:38:23

INSECTS BUZZING

0:38:240:38:26

He's 12 years old.

0:38:510:38:52

PHONE KEYPAD BEEPS

0:39:000:39:01

RINGING

0:39:020:39:05

I can't mess this up.

0:39:050:39:07

-This is totally unfair!

-Anna...

0:39:070:39:09

But this is exactly the time when we should be having a party,

0:39:090:39:12

to make us feel all better.

0:39:120:39:13

-Anna...

-OK, look, compromise.

0:39:130:39:15

We'll do a minute's silence remembrance. It'll be moving.

0:39:150:39:19

Anna, two boys have died!

0:39:190:39:21

The dance is cancelled.

0:39:220:39:24

-What a total wanker!

-He's cancelled it, then?

0:39:270:39:30

-Totally. A total wanker!

-Yeah.

0:39:300:39:32

He's probably in there now, door locked, thrumming away,

0:39:320:39:34

thinking about the two of you in just your knickers.

0:39:340:39:36

-Why are you here?

-Moral support.

0:39:360:39:38

Moral support listens at the door, does it? Stalker.

0:39:380:39:42

Stalker? I'm vice president of Ball Club.

0:39:420:39:44

Ball Club? Jesus!

0:39:440:39:46

So that's it? You're just going to give up?

0:39:460:39:48

No, I'm going to find a room, lock it,

0:39:480:39:52

and thrum myself off thinking about just you and my brother

0:39:520:39:55

in your Y-fronts.

0:39:550:39:56

At the end of A New Hope, they attack the Death Star. The Death Star.

0:39:560:39:59

I mean they were in flimsy crafts, X-wings.

0:39:590:40:01

X-wings fighting the Death Star.

0:40:010:40:02

I mean, the name itself implies that you shouldn't attack.

0:40:020:40:04

It's called the Death Star.

0:40:040:40:06

Really, please, stop talking.

0:40:060:40:07

You're actually making me want to kill myself.

0:40:070:40:09

They were losing the battle badly

0:40:090:40:11

and then Luke Skywalker found the exhaust port,

0:40:110:40:13

an exhaust port which shouldn't have existed

0:40:130:40:15

because the Empire shouldn't have made such a mistake, but it did.

0:40:150:40:17

-It did exist. Think about it.

-Think about it?

0:40:170:40:19

All I'm thinking is, "Paracetamol, slit my wrists or hanging?"

0:40:190:40:24

No, the moral is... the moral of my anecdote is,

0:40:240:40:26

you should always keep fighting in case you find an exhaust port.

0:40:260:40:30

-An exhaust port?

-And there always is.

0:40:310:40:34

There's always an exhaust port.

0:40:340:40:36

Well, generally.

0:40:380:40:40

Probably. Sometimes. I just... Yeah.

0:40:400:40:43

We're not cancelling.

0:40:430:40:44

No?

0:40:440:40:46

Your dad's converting that old church, right?

0:40:460:40:48

-Er...I'm not sure that...

-You can sort it, right?

0:40:480:40:52

-Well, not at this...

-Great. Exhaust port sorted.

0:40:520:40:55

Anna. Anna!

0:40:560:40:59

Exhaust port sorted.

0:41:000:41:01

He shoots. He scores. And the crowd roar.

0:41:020:41:05

HE ROARS QUIETLY

0:41:050:41:06

CLOCK TICKS

0:41:060:41:08

TICKING

0:41:100:41:13

If you had to walk away from everything...

0:41:140:41:16

That's a good question.

0:41:160:41:19

-What would you take with you?

-No.

0:41:190:41:21

If you couldn't take anything...

0:41:210:41:24

What, nothing at all?

0:41:240:41:26

Er...a time of war, is it?

0:41:260:41:29

Yeah. Yeah, time of war. I mean, could you walk away?

0:41:290:41:33

-Hypothetically?

-Hypothetically, time of war.

0:41:330:41:36

Could you walk away from everything?

0:41:360:41:38

Er...I think I would do my duty

0:41:380:41:41

and I would leave behind that which I had to and then I would try...

0:41:410:41:44

No, you're not listening to my question!

0:41:440:41:46

Am I not?

0:41:460:41:49

Maybe, Paul, I think that's because

0:41:490:41:51

I'm supposed to be asking you the questions.

0:41:510:41:53

No.

0:41:530:41:55

No, I need...

0:41:550:41:58

I need you to answer this.

0:41:580:42:00

OK. OK.

0:42:000:42:03

Well, try framing it, your... your question, in a different way.

0:42:030:42:08

Well...

0:42:090:42:11

the war, it would last for ever.

0:42:110:42:14

The people that you leave behind...

0:42:140:42:16

..you wouldn't be able to get back to them.

0:42:190:42:21

I guess...

0:42:260:42:27

I suppose the question I'm asking is...

0:42:310:42:33

..how do you say goodbye?

0:42:350:42:38

Neil.

0:42:510:42:52

Ow.

0:42:570:42:59

Aah.

0:43:010:43:03

-WHISPERS:

-Come on.

0:43:040:43:05

Oh, work! Come on.

0:43:080:43:11

KNOCK AT DOOR

0:43:130:43:14

SHE GASPS

0:43:140:43:16

-This...is so not what it looks like.

-OK.

0:43:180:43:23

This was an experiment.

0:43:230:43:25

Well, into what?

0:43:270:43:28

-Self-harm?

-Into...something I can't explain.

0:43:290:43:34

-Paul, if you're...

-Mum, it's nothing, I promise. I'm fine.

0:43:340:43:38

Promise?

0:43:410:43:43

Promise.

0:43:460:43:47

Mum?

0:43:520:43:54

If I had to go away for a bit...

0:43:540:43:56

-Where?

-I don't know. Somewhere.

0:43:560:43:59

You'd be OK, wouldn't you?

0:43:590:44:01

Well, you're not going anywhere until you've finished your A levels,

0:44:010:44:05

and then we've got to work out which university is best for you,

0:44:050:44:08

and then you can do what you like.

0:44:080:44:09

Yeah, putting all that aside...

0:44:110:44:13

..you'd be OK, right?

0:44:160:44:17

You do know...

0:44:170:44:20

..if anything happened to you, it would destroy me.

0:44:220:44:26

Mum.

0:44:260:44:28

It wouldn't be OK.

0:44:280:44:30

Not by any degree.

0:44:300:44:33

You're my son.

0:44:330:44:35

BOTTLES CLINK

0:44:420:44:44

This is such a bad idea.

0:44:460:44:48

I'm dressed all wrong. My hair looks like my mum cut it.

0:44:480:44:51

And I definitely smell of something and it isn't Lynx.

0:44:510:44:54

I smell of candle wax. How can I smell of candle wax?

0:44:540:44:59

What kind of freak smells of candle wax?

0:44:590:45:00

I've never smelt like candle wax before.

0:45:000:45:02

It'll be fine, Mac, honestly.

0:45:020:45:04

You're totally going to rock this.

0:45:040:45:06

I'm going to be your wingman tonight.

0:45:060:45:07

-You're going tobe my wingman?

-Mm-hm.

0:45:070:45:09

The best wingman ever.

0:45:090:45:11

You don't even know what that word means.

0:45:110:45:13

Is there any point trying to stop you?

0:45:170:45:19

I'm busy.

0:45:200:45:22

So you're going to a party in the middle of nowhere?

0:45:220:45:24

-How do you...?

-It's hardly safety-conscious.

0:45:240:45:27

Don't worry. I've got a first-aid kit.

0:45:300:45:32

Paul.

0:45:330:45:35

I know what you want.

0:45:380:45:40

I just...

0:45:400:45:42

I need time to do it.

0:45:430:45:45

OK.

0:45:480:45:50

This night is going to be the best night.

0:45:560:45:58

I want us to treat it like it's our last.

0:46:000:46:03

Then we definitely need to have sex.

0:46:040:46:06

With girls.

0:46:060:46:08

THEY SLURP

0:46:080:46:10

MUSIC PLAYING

0:46:120:46:14

LOUD CHATTER

0:46:200:46:23

Hello, Jay.

0:46:300:46:32

Bye, Jay.

0:46:350:46:36

Hello, Mac.

0:46:430:46:45

Goodbye, Mac.

0:46:470:46:50

Hello, retard.

0:46:500:46:52

Goodbye, retard.

0:46:520:46:54

There's vomit that needs clearing up.

0:46:540:46:57

Did you know that bats have sex whilst flying?

0:47:070:47:09

What?

0:47:090:47:11

Or that pigs have corkscrew-shaped penises?

0:47:120:47:15

Did you know someone spat on your back?

0:47:150:47:17

I did not.

0:47:190:47:20

MUSIC PLAYING

0:47:300:47:32

CHATTER

0:47:320:47:33

GIRL WHOOPS

0:47:330:47:34

-Hi.

-Hi.

0:47:360:47:39

Isn't your dad going to be mad about all this?

0:47:390:47:41

Oh, I'll tell him it was for a school project.

0:47:410:47:43

Oh, yeah. Me and Mac discussed who our ideal girl was the other day.

0:47:430:47:48

We decided Queen Amidala,

0:47:480:47:49

crossed with Marion Ravenwood, Princess Arwen,

0:47:490:47:52

Ororo Munroe - or Storm as she's commonly known - and George Lucas.

0:47:520:47:56

George Lucas?

0:47:560:47:57

Yeah, well, the sex wouldn't be up to much,

0:47:570:47:59

but the pillow talk would be amazing.

0:47:590:48:01

-SHE LAUGHS

-We also had

0:48:010:48:03

Alan Moore on the list but we decided his beard was too big.

0:48:030:48:06

Anyway, my point is...was...is...

0:48:060:48:10

when we were discussing our female mash-up...

0:48:100:48:12

..there was only one girl on...

0:48:140:48:16

on my mind.

0:48:160:48:18

You.

0:48:190:48:20

I'm quite drunk.

0:48:230:48:25

And I...I say this because... should I ever disappear...

0:48:260:48:31

..I'd want you to know.

0:48:330:48:34

I'd want you to know, and now you do.

0:48:370:48:38

Come on. Let's go find somewhere private.

0:48:380:48:42

Private... Why?

0:48:440:48:47

"Private" is a euphemism. I'm making a euphemism.

0:48:470:48:50

I don't know who Alan Moore is.

0:48:500:48:53

You don't know what going somewhere private means.

0:48:530:48:55

I guess that makes us evens.

0:48:550:48:58

You don't know who Alan Moore is?

0:48:580:49:01

MUSIC PLAYING

0:49:010:49:03

Are you the designated adult?

0:49:030:49:04

No.

0:49:070:49:08

-You work for Jay's dad?

-No.

0:49:080:49:11

-Someone's vomited.

-I don't care.

0:49:130:49:15

Why are you here?

0:49:170:49:18

I'm trying to keep a boy I care about safe

0:49:190:49:21

from the forces of darkness.

0:49:210:49:23

Is that what they call Anna now?

0:49:230:49:25

Couldn't crash us a fag, could you?

0:49:250:49:28

I've got to go.

0:49:300:49:32

You'd better not be a paedophile!

0:49:380:49:41

MUSIC PLAYING INSIDE

0:49:410:49:43

Natalie.

0:49:500:49:51

DISTANT PARTY MUSIC

0:49:550:49:57

Natalie! Stop!

0:49:580:50:00

What are you doing here?

0:50:040:50:05

I saw you eating, Natalie.

0:50:070:50:09

I need to know what you're up to.

0:50:110:50:13

Natalie.

0:50:290:50:30

HE PANTS

0:50:340:50:36

SNARLING

0:50:390:50:40

GUNSHOT FIRES

0:50:440:50:46

Aah! Aah!

0:50:520:50:55

NEIL SCREAMS

0:50:550:50:56

MUSIC PLAYS

0:50:560:50:58

Have you seen my brother?

0:51:020:51:04

Average height, funny face, strange eyebrows. No, haven't seen the guy.

0:51:040:51:08

Well, he's meant to be cleaning and he's gone AWOL.

0:51:080:51:11

Well, he's not on a beeper and he doesn't run when I whistle,

0:51:110:51:14

so sometimes I don't know where he is for a full 30 minutes.

0:51:140:51:18

Almost like he's getting a life, isn't it?

0:51:180:51:21

Yeah.

0:51:220:51:23

You don't just like Paul, love Paul, depend on Paul.

0:51:250:51:29

You need him, don't you?

0:51:290:51:32

There is nothing more pathetic than needing someone.

0:51:330:51:37

You really are a pathetic freak,

0:51:370:51:39

you know that?

0:51:390:51:41

Yeah, I know that.

0:51:450:51:46

Aah! Yaah!

0:51:520:51:54

Aah!

0:51:540:51:56

-Aah!

-SNARLING

0:52:000:52:02

Aah! Oh! Aah!

0:52:020:52:04

Aah! Aah!

0:52:050:52:08

SNARLING

0:52:080:52:10

HE SCREAMS

0:52:100:52:12

MUSIC PLAYS

0:52:120:52:14

Wigwam, wingman.

0:52:240:52:25

Knew you'd be shit.

0:52:270:52:29

Um...

0:52:330:52:35

Um?

0:52:350:52:38

That's what you're going with for your post-kiss conversation opener.

0:52:380:52:42

Um?

0:52:420:52:44

Well, yeah, only cos I'm guessing "thank you" is inappropriate.

0:52:440:52:49

I can't say goodbye to this, can I?

0:52:540:52:56

Say goodbye to what?

0:52:580:53:00

I... I came here tonight to...

0:53:030:53:06

I... I think... What... What are you doing?!

0:53:080:53:10

Hey. You OK?

0:53:100:53:13

Yeah, great. Steve asked me if I'd be interested in a threesome.

0:53:130:53:17

But, otherwise, quids in.

0:53:170:53:19

He doesn't even know what to do with one vagina.

0:53:200:53:23

Two, and he'd be totally lost.

0:53:230:53:24

What are you doing here anyway?

0:53:240:53:27

Er...just needed a bit of space. Feeling a bit rank.

0:53:270:53:32

Bad pill? Lightweight.

0:53:320:53:35

Hey, Anna! Anna!

0:53:370:53:38

Alicia's locked herself in the toilets again

0:53:380:53:41

and she's crying like a bitch.

0:53:410:53:43

-JAY:

-Sorry.

0:53:430:53:45

Don't worry. I get it.

0:53:460:53:48

You're afraid of my sister. A lot of people are.

0:53:500:53:53

Apparently, my first response when I came out of the womb was to cower.

0:53:540:53:57

It's just...

0:53:570:53:59

..there are two versions of me, you know?

0:54:010:54:06

One that hangs out with Anna and enjoys being popular

0:54:070:54:10

and one that...

0:54:100:54:13

..I don't know, likes you.

0:54:140:54:17

You're brilliant.

0:54:200:54:21

What?

0:54:220:54:24

Of course - Clark Kent, Peter Parker.

0:54:240:54:27

That... That was...

0:54:270:54:30

That was just what I needed to hear.

0:54:300:54:32

Two versions of you. You're brilliant.

0:54:330:54:36

And you're fucking weird.

0:54:380:54:41

DOG BARKS

0:54:430:54:45

'Neil's phone. Leave me a message. I'll call you back.'

0:54:460:54:50

Neil, it's Paul.

0:54:500:54:53

I just wanted to say...

0:54:550:54:58

..that I think it's possible.

0:55:000:55:02

It has to be possible for me to have two lives

0:55:020:55:05

by being two different people,

0:55:050:55:06

because...

0:55:060:55:09

I can't say goodbye to what I have.

0:55:090:55:11

And because if I do, then I don't really know what we're fighting for.

0:55:110:55:16

Yeah, from now on...

0:55:190:55:21

..there are two of me.

0:55:220:55:23

DOG BARKS

0:55:250:55:27

HEAVY BREATHING

0:55:350:55:38

HE GASPS

0:55:440:55:46

-You took your time.

-Yeah.

0:55:500:55:54

How fucked up am I?

0:55:540:55:56

Quite.

0:55:560:55:58

Now tell me all you can about this boy.

0:55:580:56:00

OK, then.

0:56:260:56:28

MUSIC: "I Know What I Am" by Band Of Skulls

0:56:280:56:32

# Hi ho, triple salchow

0:56:330:56:35

# I've got a feeling like I'm tired of the flow

0:56:350:56:37

# But I know what I am They know what they are, so let me be

0:56:370:56:41

# Gasoline, saccharine

0:56:410:56:44

# I've got no reason for the state I'm in

0:56:440:56:46

# But I know what I am They know what they are, so let me be

0:56:460:56:50

# Hotel, Taco Bell... #

0:56:520:56:53

Subtitles by Red Bee Media Ltd

0:56:530:56:55

E-mail [email protected]

0:56:550:56:57

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