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This programme contains scenes which some viewers may find disturbing | 0:00:02 | 0:00:08 | |
The Fades are walking the earth, they can't touch, they're angry, | 0:00:08 | 0:00:11 | |
They're eating flesh to fight back - flesh allows them to touch. | 0:00:11 | 0:00:15 | |
I know - so far, so Pac-Man. | 0:00:15 | 0:00:16 | |
Then there's guys with superpowers - Angelics. | 0:00:16 | 0:00:19 | |
They're thinking they need to stop these dead people. | 0:00:19 | 0:00:21 | |
Particularly Neil and his friend, Helen, | 0:00:21 | 0:00:24 | |
who is a dead sort of Fade-like ghost too, but she's on our side. Rrrrey! | 0:00:24 | 0:00:28 | |
Anyway, Paul, my best friend, has found that he's an Angelic. | 0:00:28 | 0:00:31 | |
He has violent dreams and is surprisingly powerful for one so small-shouldered. | 0:00:31 | 0:00:35 | |
Oh, and Paul has been getting it on with a girl, which is extraordinary in and of itself. | 0:00:35 | 0:00:39 | |
But you probably have to know him to understand that. | 0:00:39 | 0:00:42 | |
Now, who's nicked my Twilight box set?! | 0:00:42 | 0:00:44 | |
Nanu-nanu! | 0:00:44 | 0:00:46 | |
This programme contains some strong language | 0:00:48 | 0:00:56 | |
This programme contains some scenes of a sexual nature | 0:00:56 | 0:01:04 | |
One, two, three... | 0:01:18 | 0:01:20 | |
You lose. | 0:01:22 | 0:01:23 | |
That's my last sock. | 0:01:26 | 0:01:28 | |
Yeah. | 0:01:28 | 0:01:30 | |
-Yeah. -Yeah. | 0:01:30 | 0:01:32 | |
One, two, three... | 0:01:32 | 0:01:34 | |
Are we still playing? VOICE ECHOES | 0:01:45 | 0:01:46 | |
Yeah. | 0:01:46 | 0:01:48 | |
You need to say, "One, two, three," then. | 0:01:48 | 0:01:50 | |
I was...getting round to that. | 0:01:52 | 0:01:54 | |
Don't stare. | 0:01:55 | 0:01:57 | |
It's rude. | 0:01:57 | 0:01:58 | |
And, you know... | 0:01:58 | 0:01:59 | |
perverted. | 0:01:59 | 0:02:01 | |
Yeah. | 0:02:01 | 0:02:03 | |
One, two, three... | 0:02:06 | 0:02:08 | |
You're really good at this. | 0:02:09 | 0:02:11 | |
Put some practice in. | 0:02:11 | 0:02:14 | |
No more scissors, paper, stone, OK? | 0:02:21 | 0:02:23 | |
OK. | 0:02:23 | 0:02:24 | |
No more paper, scissors, stone. | 0:02:25 | 0:02:27 | |
You can just... | 0:02:27 | 0:02:29 | |
tell me what you want me to take off next. | 0:02:29 | 0:02:32 | |
Or... | 0:02:34 | 0:02:36 | |
I can guess. | 0:02:36 | 0:02:38 | |
Do you want me to guess? | 0:02:39 | 0:02:40 | |
You should probably... | 0:02:42 | 0:02:44 | |
guess. | 0:02:44 | 0:02:45 | |
Oh, shit! | 0:02:56 | 0:02:58 | |
Oh...! | 0:03:01 | 0:03:02 | |
OK, then. | 0:03:16 | 0:03:17 | |
It's worse than I thought. | 0:03:25 | 0:03:27 | |
Yeah. | 0:03:27 | 0:03:28 | |
Where's my phone? | 0:03:28 | 0:03:30 | |
Calling him again? | 0:03:31 | 0:03:33 | |
He's not been answering. | 0:03:36 | 0:03:38 | |
Paul promised me, if I stopped following him, | 0:03:38 | 0:03:41 | |
he'd stay in touch. | 0:03:41 | 0:03:42 | |
-Kids get busy. -Yeah, well, this kid shouldn't. | 0:03:42 | 0:03:45 | |
HE GROANS | 0:03:45 | 0:03:48 | |
This kid's important. | 0:03:48 | 0:03:50 | |
So you keep saying. | 0:03:50 | 0:03:51 | |
We could take that to a hospital, you know. | 0:03:53 | 0:03:55 | |
I've never needed to go to a hospital before. | 0:03:57 | 0:04:00 | |
You've always had me before. | 0:04:00 | 0:04:02 | |
In a few days' time, I'm going to ascend, Neil, and I want you... | 0:04:04 | 0:04:07 | |
I need you to be ready for what's ahead. | 0:04:09 | 0:04:11 | |
I'm ready. | 0:04:11 | 0:04:12 | |
You've got to be strong. | 0:04:12 | 0:04:14 | |
I know. | 0:04:15 | 0:04:16 | |
-You can't do it alone. -I know. | 0:04:16 | 0:04:17 | |
So, call them. | 0:04:17 | 0:04:20 | |
-The other Angelics. -I will call 'em. | 0:04:20 | 0:04:22 | |
I don't want to, | 0:04:25 | 0:04:27 | |
but I will. | 0:04:27 | 0:04:29 | |
Besides... | 0:04:31 | 0:04:33 | |
I think they'd be fascinated to meet the kid. | 0:04:33 | 0:04:35 | |
I know I am. | 0:04:37 | 0:04:39 | |
DOOR SLAMS | 0:04:39 | 0:04:40 | |
-Sorry. -Why? | 0:04:45 | 0:04:47 | |
No, er, not sorry. Um... | 0:04:47 | 0:04:49 | |
CLICKS FINGERS Thanks. | 0:04:49 | 0:04:50 | |
-You're not spectacularly late. -Yeah. | 0:04:50 | 0:04:53 | |
Sorry was the wrong word. Um... | 0:04:53 | 0:04:55 | |
I can't stay. I just... I wanted to say thanks. | 0:04:55 | 0:04:59 | |
Thanks for what? | 0:04:59 | 0:05:00 | |
For...for, er... | 0:05:00 | 0:05:03 | |
No, this was much easier in my head. Um... | 0:05:03 | 0:05:06 | |
I'm cured. I-I wanted to say thanks for curing me. | 0:05:06 | 0:05:08 | |
-OK, that's interesting. -Yeah. | 0:05:08 | 0:05:11 | |
Cured of what? | 0:05:11 | 0:05:12 | |
Well... | 0:05:12 | 0:05:14 | |
Whatever. Does it matter? | 0:05:14 | 0:05:15 | |
I'm done. I'm...I'm too busy for this. | 0:05:15 | 0:05:18 | |
I've got two lives to lead, so I'm thanking you for your time. | 0:05:18 | 0:05:21 | |
OK, I understand now. | 0:05:23 | 0:05:24 | |
You're cured. | 0:05:26 | 0:05:28 | |
Call it...what you want. I'm... | 0:05:30 | 0:05:32 | |
I don't...I don't need you any more. | 0:05:32 | 0:05:34 | |
Right, course you don't. | 0:05:34 | 0:05:36 | |
Yeah, well, I need to go cos I've got someone to meet. | 0:05:39 | 0:05:42 | |
Yeah. Good luck, Paul. | 0:05:42 | 0:05:44 | |
Good...luck? | 0:05:47 | 0:05:48 | |
Yes. Good luck. | 0:05:48 | 0:05:50 | |
Yeah. | 0:05:53 | 0:05:54 | |
DOOR SHUTS | 0:05:54 | 0:05:56 | |
HE WHISTLES | 0:06:03 | 0:06:05 | |
You're late. | 0:06:07 | 0:06:08 | |
-I know. -What kept you? | 0:06:10 | 0:06:12 | |
Therapy. | 0:06:12 | 0:06:13 | |
I was...with my therapist. | 0:06:13 | 0:06:16 | |
Wow. | 0:06:16 | 0:06:17 | |
My ex-therapist. | 0:06:17 | 0:06:19 | |
Anything to be frightened of? | 0:06:19 | 0:06:22 | |
I...grow wings when I ejaculate. | 0:06:25 | 0:06:27 | |
-SHE CHUCKLES -You know, that's quite a good line for you. | 0:06:30 | 0:06:32 | |
Ow! | 0:06:35 | 0:06:36 | |
DEATHLY SCREAM | 0:06:47 | 0:06:48 | |
-'Have you seen what they're saying?' -Yes, sir. | 0:06:54 | 0:06:56 | |
-Yeah, I'm looking at it now, sir. -Post? | 0:06:56 | 0:06:59 | |
-'They're blaming us for this, you know?' -Yeah, I don't think we're culpable. | 0:06:59 | 0:07:03 | |
No, we can only investigate when... | 0:07:03 | 0:07:05 | |
Since when have you been interested in post? | 0:07:05 | 0:07:07 | |
-Mum's not answering my calls. -So? | 0:07:07 | 0:07:09 | |
'Get the statement. You need to stamp on these questions now.' | 0:07:09 | 0:07:13 | |
Nothing else? Is this everything? | 0:07:13 | 0:07:14 | |
-If you let me speak, sir... -'Get out there, in the public eye.' | 0:07:14 | 0:07:17 | |
-'Stop pottering about...' -Yeah, if you let me sp... | 0:07:17 | 0:07:19 | |
'Questions have started to be asked...' | 0:07:19 | 0:07:20 | |
Any investigation in the way I've handled this case will... | 0:07:20 | 0:07:22 | |
INDISTINCT ANGRY VOICE ON PHONE CONTINUES | 0:07:22 | 0:07:25 | |
No, I do fully understand... | 0:07:27 | 0:07:29 | |
Yes... | 0:07:31 | 0:07:33 | |
DIALLING TONE | 0:07:33 | 0:07:35 | |
'Hi, it's Paul. Leave a message.' | 0:07:35 | 0:07:37 | |
BEEP | 0:07:37 | 0:07:38 | |
Hi, it's me. | 0:07:38 | 0:07:40 | |
Er, jus-s-s-st... | 0:07:40 | 0:07:44 | |
Nothing important. It'd be good to see you, Paul. | 0:07:44 | 0:07:47 | |
Er, bye. | 0:07:47 | 0:07:48 | |
# Happy birthday to me | 0:07:51 | 0:07:54 | |
-# Happy birth... # -HE SNIFFS | 0:07:56 | 0:07:59 | |
-Right, just... -HE SIGHS | 0:07:59 | 0:08:01 | |
Detective Chief Inspector... | 0:08:01 | 0:08:04 | |
-Now you're following me to my house? -If you'll just listen... | 0:08:04 | 0:08:07 | |
-Don't come to my house. -Just listen. | 0:08:07 | 0:08:09 | |
Never come to my house. | 0:08:09 | 0:08:10 | |
Neil Valentine. You have to look into Neil Valentine. Look at this photo. | 0:08:10 | 0:08:14 | |
He was sleeping with my wife, I was sure of that, | 0:08:14 | 0:08:17 | |
but I didn't know how long he'd known her for. | 0:08:17 | 0:08:20 | |
Listen! | 0:08:20 | 0:08:21 | |
This mental hospital, it's key to the whole thing. | 0:08:21 | 0:08:24 | |
He probably had something to do with the boys too. | 0:08:24 | 0:08:26 | |
I've seen him with one of my students, and the missing vicar, Helen, | 0:08:26 | 0:08:28 | |
she was my wife's best friend | 0:08:28 | 0:08:30 | |
so he knew her as well, so... | 0:08:30 | 0:08:32 | |
Listen to me! | 0:08:34 | 0:08:35 | |
Desperate men do desperate things, so I'll forgive you this one. | 0:08:39 | 0:08:42 | |
You need to take your hands off me. | 0:08:44 | 0:08:46 | |
Right now. | 0:08:46 | 0:08:47 | |
Thank you. | 0:08:51 | 0:08:52 | |
You're his son? | 0:09:03 | 0:09:05 | |
Never was good at making parents' evening, my dad. | 0:09:05 | 0:09:07 | |
He needs to listen to me. | 0:09:09 | 0:09:10 | |
Join the club. He needs to listen to me too. | 0:09:12 | 0:09:15 | |
Paul. | 0:09:17 | 0:09:18 | |
If you're never going to answer your phone, then you can, um... | 0:09:18 | 0:09:22 | |
Just answer your phone, will you? | 0:09:23 | 0:09:25 | |
I thought you hated this place. | 0:09:27 | 0:09:29 | |
I know this place. Nowhere's safe any more. | 0:09:30 | 0:09:34 | |
Better to be a place that you know. | 0:09:34 | 0:09:37 | |
We'll search it...properly. Make it ours. | 0:09:37 | 0:09:40 | |
HE GROANS | 0:09:42 | 0:09:43 | |
I should be a dead man, Helen. They were all over me. | 0:09:47 | 0:09:50 | |
Like flies around shit. | 0:09:50 | 0:09:52 | |
So we don't know what he is, we don't know where he is, | 0:09:53 | 0:09:58 | |
we don't know what his plans are. | 0:09:58 | 0:10:00 | |
Apart from killing our people. | 0:10:00 | 0:10:02 | |
Yeah. | 0:10:02 | 0:10:04 | |
Helen... | 0:10:26 | 0:10:28 | |
there's someone here. | 0:10:28 | 0:10:29 | |
You reconsidered? | 0:11:05 | 0:11:07 | |
You're here to help? | 0:11:08 | 0:11:10 | |
No. | 0:11:10 | 0:11:11 | |
So, it's Mark again? | 0:11:13 | 0:11:16 | |
He used to be your friend. | 0:11:16 | 0:11:17 | |
He still is my friend. | 0:11:17 | 0:11:19 | |
I used to be someone you cared about. | 0:11:19 | 0:11:21 | |
You still are someone I care about. | 0:11:21 | 0:11:24 | |
Just tell him that I'm here and that I love him. | 0:11:24 | 0:11:27 | |
That's not too much to ask. | 0:11:27 | 0:11:29 | |
How do you think that's going to make his life better in any way? | 0:11:29 | 0:11:32 | |
Never did understand love, did you? | 0:11:34 | 0:11:36 | |
It's interesting she can still make you do that. | 0:11:39 | 0:11:43 | |
Do what? | 0:11:45 | 0:11:46 | |
You're right, Neil. | 0:11:46 | 0:11:49 | |
She's wrong. | 0:11:49 | 0:11:50 | |
Twilight. | 0:11:54 | 0:11:56 | |
MUSIC: "Baby Says" by The Kills | 0:11:56 | 0:11:58 | |
-Twiglet? -Yeah. | 0:11:58 | 0:12:00 | |
Twilight is my favourite film. | 0:12:00 | 0:12:02 | |
Of all the films in the world and you pick Twiglets? | 0:12:02 | 0:12:05 | |
Which one? You can't say all of them. | 0:12:05 | 0:12:08 | |
Would you separate Star Wars? | 0:12:08 | 0:12:09 | |
HE SIGHS | 0:12:09 | 0:12:11 | |
Look, there's things in them I like, admire even. | 0:12:11 | 0:12:13 | |
But as Mac says, there's a huge flaw. The Cullens shouldn't be going to school. | 0:12:13 | 0:12:17 | |
I mean, A, OK, the film goes out of its way to show | 0:12:17 | 0:12:20 | |
that Edward has graduated from dozens of high schools, you know, | 0:12:20 | 0:12:23 | |
caps on the wall, so it's not like he needs to be there for academic reasons, | 0:12:23 | 0:12:26 | |
-and, um... -Yeah, | 0:12:26 | 0:12:27 | |
I have only actually watched these films once. | 0:12:27 | 0:12:30 | |
I just said them because... | 0:12:30 | 0:12:32 | |
And B, they clearly cast an actor who needs to shave twice a day, | 0:12:37 | 0:12:40 | |
so it's not like they'd struggle to lie to the authorities. And C, which is, um... | 0:12:40 | 0:12:44 | |
it's the most important one, is, er... | 0:12:44 | 0:12:47 | |
Jas...Jasper's, um... | 0:12:47 | 0:12:48 | |
You know, when you kiss me, I completely lose my thought...brain. | 0:12:50 | 0:12:54 | |
"Thought brain"? | 0:12:54 | 0:12:55 | |
A brain you have thoughts in? | 0:12:57 | 0:12:58 | |
The thing is, Paul, | 0:12:58 | 0:13:00 | |
I don't really care about films. | 0:13:00 | 0:13:03 | |
You don't care about...films? | 0:13:03 | 0:13:06 | |
No. | 0:13:06 | 0:13:07 | |
Any films? | 0:13:07 | 0:13:09 | |
No. | 0:13:09 | 0:13:11 | |
It's fair enough. | 0:13:16 | 0:13:17 | |
-Oh, my God! -ANNA LAUGHS | 0:13:18 | 0:13:22 | |
Anna. Oh, shit. | 0:13:22 | 0:13:24 | |
Ha-ha! You and Jay? | 0:13:24 | 0:13:26 | |
Wow! | 0:13:27 | 0:13:28 | |
Jay and you. | 0:13:28 | 0:13:30 | |
You're pathetic. | 0:13:30 | 0:13:32 | |
My brother? | 0:13:32 | 0:13:34 | |
My sad, twisted, | 0:13:34 | 0:13:36 | |
lonely brother? | 0:13:36 | 0:13:38 | |
My fucking twin? You might was well be kissing me. | 0:13:38 | 0:13:41 | |
Only...not kissing me. | 0:13:41 | 0:13:43 | |
Kissing the worst part of me. | 0:13:43 | 0:13:44 | |
Kissing...my arse. | 0:13:46 | 0:13:47 | |
-Stop. -My ugly arse of a brother! Ha! | 0:13:47 | 0:13:50 | |
STOP! | 0:13:50 | 0:13:52 | |
MUFFLED, PANICKED SPEECH | 0:13:53 | 0:13:55 | |
-Anna? -What's up with her? | 0:13:55 | 0:13:58 | |
-I don't... -Shit, dude. Your hand's glowing. | 0:13:58 | 0:14:00 | |
You're a freak. An actual freak. | 0:14:02 | 0:14:05 | |
I don't... I didn't... | 0:14:05 | 0:14:07 | |
Make it stop. Paul! | 0:14:07 | 0:14:09 | |
I don't know how... | 0:14:09 | 0:14:11 | |
You really don't understand. | 0:14:13 | 0:14:15 | |
Anna. | 0:14:16 | 0:14:17 | |
-Go away. -I'm not going away. | 0:14:17 | 0:14:19 | |
What was that? | 0:14:19 | 0:14:20 | |
-Dunno. -Why aren't you going after Jay anyway? | 0:14:20 | 0:14:23 | |
I wanted to talk to you first. | 0:14:23 | 0:14:24 | |
Well, why don't you just go see her? Go, fuck off and see her. | 0:14:24 | 0:14:28 | |
Um, who's "her"? | 0:14:28 | 0:14:30 | |
-She's no-one. -What's going on? | 0:14:31 | 0:14:32 | |
Paul is having sex with my best friend and then when I found them | 0:14:32 | 0:14:36 | |
and shouted at him, he did a magic spell on me. | 0:14:36 | 0:14:38 | |
-You're having sex with Tracy? -The other one. | 0:14:38 | 0:14:40 | |
Jay! Oh, I'm quite impressed with Jay. | 0:14:40 | 0:14:43 | |
Mum, that's not the point! He's got superpowers. | 0:14:43 | 0:14:46 | |
No, I-I-I... | 0:14:46 | 0:14:48 | |
That was a misunderstanding. | 0:14:48 | 0:14:50 | |
-So you are admitting the sex bit? -No! | 0:14:50 | 0:14:52 | |
I dunno. No... Oh! | 0:14:52 | 0:14:54 | |
God, look, you...you... you don't understand, OK? | 0:14:54 | 0:14:57 | |
-Don't understand! -Paul! | 0:14:57 | 0:15:00 | |
Do you want me to chase after you? | 0:15:00 | 0:15:03 | |
THUNDER CLAPS | 0:15:10 | 0:15:13 | |
CAR HORN BLARES | 0:15:44 | 0:15:46 | |
Then I'm going to cut off your dad's dick, pour dog chunks on it, | 0:16:10 | 0:16:12 | |
and feed it to the wolves. Your dick. | 0:16:12 | 0:16:15 | |
Your dick. | 0:16:16 | 0:16:17 | |
You're in fucking trouble now, boy. | 0:16:18 | 0:16:20 | |
HE KNOCKS ON DOOR | 0:16:26 | 0:16:27 | |
Your dad let me up. | 0:16:27 | 0:16:29 | |
He, er... He seems pretty consumed with stuff. Is he OK? | 0:16:29 | 0:16:32 | |
One minute. | 0:16:32 | 0:16:34 | |
EXPLOSIONS ON GAMES CONSOLE | 0:16:34 | 0:16:36 | |
GROANS | 0:16:36 | 0:16:38 | |
Stand down, noble... | 0:16:38 | 0:16:39 | |
Boomtang! | 0:16:39 | 0:16:40 | |
I could have been naked. | 0:16:48 | 0:16:50 | |
I've seen you naked. | 0:16:50 | 0:16:52 | |
I could have been masturbating. | 0:16:52 | 0:16:54 | |
I've seen you masturbate. | 0:16:54 | 0:16:56 | |
What? When? | 0:16:56 | 0:16:57 | |
The...school trip to Calais? | 0:16:59 | 0:17:01 | |
(You were awake?) | 0:17:05 | 0:17:06 | |
Yeah... Look, I need your help. | 0:17:06 | 0:17:08 | |
-Do you? -Yeah, well... | 0:17:08 | 0:17:10 | |
I sort of accidentally showed my sister, | 0:17:10 | 0:17:13 | |
my sort of...girlfriend and my sister's sort of boyfriend some of, um... | 0:17:13 | 0:17:18 | |
like, what I can do. | 0:17:18 | 0:17:20 | |
-The less-than-normal stuff. -Right. | 0:17:20 | 0:17:23 | |
Yeah. Now they think I'm a freak. | 0:17:23 | 0:17:24 | |
Just... I need someone, you, to just...make it all OK again, because... | 0:17:25 | 0:17:30 | |
Please. | 0:17:31 | 0:17:33 | |
I'm really sorry, I...I can't. | 0:17:33 | 0:17:36 | |
What? | 0:17:36 | 0:17:37 | |
Why can't you? | 0:17:37 | 0:17:39 | |
Paul, I'm tired, OK? | 0:17:39 | 0:17:41 | |
You're...tired? | 0:17:41 | 0:17:43 | |
Your best friend needs your help, and you're tired? | 0:17:43 | 0:17:45 | |
-Tired who, tired how? -I'm tired because I spent all day | 0:17:45 | 0:17:48 | |
wondering whether someone was going to shout "surprise" at me, | 0:17:48 | 0:17:50 | |
and no-one fucking did. | 0:17:50 | 0:17:52 | |
That's why. | 0:17:55 | 0:17:57 | |
And it's made me tired. | 0:17:57 | 0:18:00 | |
Shout "surprise"... What?! No, come on, you're not even making sense. | 0:18:00 | 0:18:04 | |
You're right. | 0:18:05 | 0:18:06 | |
I'm just going back to my computer game, OK? | 0:18:08 | 0:18:10 | |
It goes all funny if you leave it on pause for too long. | 0:18:10 | 0:18:13 | |
But I don't... | 0:18:16 | 0:18:18 | |
..get it. | 0:18:20 | 0:18:22 | |
CONSOLE BLEEPS | 0:18:23 | 0:18:25 | |
Contact neutralised. | 0:18:25 | 0:18:26 | |
Fine(!) | 0:18:26 | 0:18:28 | |
What? | 0:18:55 | 0:18:56 | |
Are you going to try and hurt me again? | 0:18:59 | 0:19:01 | |
Because if you are, just get on with it, I've had a really shit day. | 0:19:02 | 0:19:05 | |
-I don't have favourites. -Yeah, but you're worried about him. | 0:19:18 | 0:19:21 | |
What did he do to you? | 0:19:22 | 0:19:24 | |
He zipped my mouth shut. | 0:19:24 | 0:19:26 | |
And he's sleeping with Jay? | 0:19:26 | 0:19:29 | |
Yes. Behind my back. | 0:19:29 | 0:19:31 | |
I don't know what's going on with this town... | 0:19:31 | 0:19:34 | |
and I don't know what's going on with my son, either. | 0:19:34 | 0:19:37 | |
It'd just be nice if you could... worry about me too. | 0:19:37 | 0:19:42 | |
DOOR OPENS I do... | 0:19:42 | 0:19:43 | |
DOOR CLOSES ..worry about you. | 0:19:43 | 0:19:46 | |
-Paul. -I'm going to bed, Mum. | 0:19:49 | 0:19:51 | |
You been out celebrating with Mac? | 0:19:51 | 0:19:54 | |
Celebrating...what? Look, I'm tired. | 0:19:54 | 0:19:57 | |
Don't you think we should talk? | 0:19:57 | 0:19:59 | |
I'm really...busy at the moment, Mum, OK? | 0:19:59 | 0:20:03 | |
Yeah! I know. | 0:20:03 | 0:20:05 | |
Celebrating what? | 0:20:16 | 0:20:18 | |
Oh, shit! | 0:20:25 | 0:20:26 | |
It took three cans of shaving foam. | 0:20:52 | 0:20:55 | |
The newsagent thought I was going for a whole body shave. | 0:20:55 | 0:20:57 | |
He advised me against it. Apparently, pubic stubble rash is a killer. | 0:20:57 | 0:21:01 | |
Good to know. | 0:21:01 | 0:21:03 | |
What's a surprise if you're sort of expecting it? | 0:21:03 | 0:21:05 | |
The truly surprising birthday is one that takes place a day late. | 0:21:05 | 0:21:09 | |
So true. | 0:21:09 | 0:21:11 | |
I'm still learning how to... | 0:21:13 | 0:21:15 | |
..balance who I am with what I... | 0:21:17 | 0:21:19 | |
I know. | 0:21:19 | 0:21:20 | |
And you're probably still trying to balance who I am with what I... | 0:21:22 | 0:21:26 | |
I am. | 0:21:26 | 0:21:27 | |
And I've always been a bit self-centred. | 0:21:27 | 0:21:29 | |
You have. | 0:21:29 | 0:21:30 | |
And I'm sorry. | 0:21:33 | 0:21:35 | |
Did I mention that I'm sorry? | 0:21:36 | 0:21:38 | |
How long were you waiting out here before I opened the curtains? | 0:21:42 | 0:21:46 | |
It was a while. | 0:21:46 | 0:21:47 | |
After three? | 0:21:57 | 0:21:58 | |
Always. | 0:21:58 | 0:22:00 | |
One, two... | 0:22:00 | 0:22:02 | |
It's not the magic number. | 0:22:07 | 0:22:09 | |
Far more likely to be seven. | 0:22:09 | 0:22:11 | |
Way more pagan connotations. | 0:22:11 | 0:22:13 | |
Also, a much more satisfying number to say. | 0:22:13 | 0:22:16 | |
-Seven. -Seven. | 0:22:16 | 0:22:18 | |
Se-ven. | 0:22:18 | 0:22:20 | |
ANGUISHED GROANING | 0:22:20 | 0:22:23 | |
Zap! You see that? Did ya? | 0:22:27 | 0:22:30 | |
-Yeah. -Did you see that? | 0:22:30 | 0:22:31 | |
Mama say knock you out. | 0:22:31 | 0:22:34 | |
-Paul? -HE GASPS | 0:22:42 | 0:22:44 | |
Paul? | 0:22:44 | 0:22:46 | |
Paul? Paul? Paul! | 0:22:46 | 0:22:49 | |
Paul! Paul! | 0:22:49 | 0:22:50 | |
So... | 0:23:10 | 0:23:11 | |
This is...inevitable. | 0:23:14 | 0:23:16 | |
VOICE ECHOES | 0:23:16 | 0:23:18 | |
PAUL GASPS | 0:23:20 | 0:23:21 | |
What was that? | 0:23:25 | 0:23:27 | |
I need to go to see Neil. | 0:23:31 | 0:23:32 | |
Was that a fit? | 0:23:32 | 0:23:34 | |
I had a cousin who was an epileptic. Well, he thought he was - | 0:23:34 | 0:23:37 | |
turned out he was just overtired, so... | 0:23:37 | 0:23:39 | |
I'm sorry. | 0:23:39 | 0:23:40 | |
Happy birth-yester-day. | 0:23:40 | 0:23:43 | |
I need... I need to go, alone. | 0:23:43 | 0:23:45 | |
Of course you do. I'll be waiting. | 0:23:45 | 0:23:49 | |
-HE GASPS -Hold still. | 0:24:07 | 0:24:09 | |
Right, who are you? And what are you doing here? | 0:24:09 | 0:24:12 | |
-What? No, who are you? -Let's try again, eh? | 0:24:12 | 0:24:15 | |
-Who are you, and what are you doing? -I'm...here to see Neil. | 0:24:15 | 0:24:19 | |
-LAUGHS -You're Paul, aren't you? | 0:24:19 | 0:24:22 | |
This is him? | 0:24:25 | 0:24:26 | |
-WOMAN LAUGHS -We heard all about you. | 0:24:26 | 0:24:29 | |
Thank you...for coming so quickly. Um... | 0:24:30 | 0:24:34 | |
-I... You're here because... -You look like shit, Neil. | 0:24:34 | 0:24:37 | |
-I'll get to that. -Start with that. | 0:24:37 | 0:24:40 | |
-Who attacked you? -Can I just...? | 0:24:40 | 0:24:41 | |
Neil, the only way to sort out our fears is to tell us what's going on. | 0:24:41 | 0:24:45 | |
OK. Just to make clear - I didn't want you here, | 0:24:45 | 0:24:49 | |
so fuck you if you think I'm not doing this my way! | 0:24:49 | 0:24:51 | |
There's a problem. The Fades can touch. | 0:24:51 | 0:24:55 | |
And they're attacking us. | 0:24:55 | 0:24:57 | |
They seem to be able to do this because they're eating human flesh, | 0:24:57 | 0:25:01 | |
-and we have no idea how to stop them. -Well, | 0:25:01 | 0:25:04 | |
that didn't make my fears go away. Anyone else's fears go away? | 0:25:04 | 0:25:07 | |
-Sorry, but there you are. -So we're in danger? | 0:25:07 | 0:25:10 | |
-But we're not without hope. -Why? | 0:25:10 | 0:25:12 | |
Because we've got a little kid who can save the world, eh? | 0:25:12 | 0:25:15 | |
A boy who I wouldn't even trust with a spud gun! | 0:25:15 | 0:25:16 | |
He has powers we don't even understand yet. | 0:25:16 | 0:25:20 | |
Eric thinks he's special. | 0:25:20 | 0:25:22 | |
Neil thinks he's special. | 0:25:22 | 0:25:24 | |
Can I...? | 0:25:24 | 0:25:26 | |
As we're talking about me, shall I...? | 0:25:26 | 0:25:28 | |
Neil! | 0:25:28 | 0:25:30 | |
Oh, Jesus, Neil. You've been walking around with that? | 0:25:33 | 0:25:36 | |
For fuck's sake, how many dead Angelics do we need? | 0:25:36 | 0:25:40 | |
NEIL GROANS | 0:25:40 | 0:25:41 | |
Let me look at him. | 0:25:43 | 0:25:44 | |
I can help him. Let me look at him. | 0:25:46 | 0:25:49 | |
You can help, can you(?) | 0:25:52 | 0:25:54 | |
Trust me. | 0:25:56 | 0:25:57 | |
Trust you? | 0:25:57 | 0:25:59 | |
I told you to be careful, didn't I? | 0:25:59 | 0:26:01 | |
Then you let Alice and Phil jump you. | 0:26:01 | 0:26:04 | |
That's nothing. The Fade girl follows me everywhere. | 0:26:04 | 0:26:06 | |
She could probably jump me at any time. | 0:26:06 | 0:26:08 | |
Natalie? You stay away from her. | 0:26:08 | 0:26:10 | |
Look at me. You stay away from her! | 0:26:10 | 0:26:12 | |
Paul, you're not ready. | 0:26:12 | 0:26:14 | |
OK. | 0:26:14 | 0:26:17 | |
This probably won't hurt. | 0:26:20 | 0:26:21 | |
HE GASPS Before you do this... | 0:26:21 | 0:26:23 | |
Do you know what you're doing? | 0:26:23 | 0:26:25 | |
Not even close. | 0:26:26 | 0:26:28 | |
Feels right. | 0:26:28 | 0:26:30 | |
PAUL GASPS | 0:26:50 | 0:26:52 | |
Just let it happen. | 0:26:56 | 0:26:57 | |
HE GASPS | 0:26:59 | 0:27:01 | |
HE PANTS AND GASPS | 0:27:06 | 0:27:08 | |
HE GASPS | 0:27:08 | 0:27:10 | |
Tickle, don't they? | 0:27:10 | 0:27:12 | |
-How do I look? -Your eye... | 0:27:19 | 0:27:22 | |
He's done things I never could. | 0:27:22 | 0:27:25 | |
There was a reason I came to see you today. | 0:27:36 | 0:27:40 | |
Well, I hope it's because I called you, several times. | 0:27:40 | 0:27:44 | |
I had another vision. | 0:27:45 | 0:27:47 | |
Same as before, except there was a man in it. | 0:27:48 | 0:27:50 | |
He smiled at me, and then it cut out. | 0:27:50 | 0:27:54 | |
-Is...? -HE SIGHS | 0:27:56 | 0:27:58 | |
Am I seeing the end of the world, Neil? | 0:28:00 | 0:28:03 | |
Who was the man? | 0:28:04 | 0:28:06 | |
Did you recognise him? | 0:28:06 | 0:28:07 | |
No... | 0:28:09 | 0:28:10 | |
I want you to move in here, with us. | 0:28:14 | 0:28:16 | |
-Just until this is over. -No. I can't. | 0:28:16 | 0:28:19 | |
Can't. | 0:28:19 | 0:28:21 | |
I've got people to see. | 0:28:21 | 0:28:24 | |
What you just did in there, to help me, was extraordinary. | 0:28:24 | 0:28:28 | |
Extraordinary. | 0:28:28 | 0:28:29 | |
But the fact you can do that, that makes you valuable. | 0:28:29 | 0:28:32 | |
OK, fine. Don't move in here. | 0:28:32 | 0:28:35 | |
But there is someone out there that scares me. | 0:28:35 | 0:28:37 | |
So you just promise me this. Promise me | 0:28:37 | 0:28:39 | |
you won't ignore the "kill me" signs we've all got on our backs. | 0:28:39 | 0:28:43 | |
I need my own life, Neil. | 0:28:43 | 0:28:45 | |
Again, you're not listening to a word I say. | 0:28:45 | 0:28:48 | |
SQUELCHING | 0:28:56 | 0:28:59 | |
We need to capture one of them. | 0:29:03 | 0:29:04 | |
What, with our ghost rope(?) | 0:29:04 | 0:29:07 | |
If they can touch you, you can touch them. | 0:29:07 | 0:29:09 | |
-Hey, we have a code, remember? -Which they broke first. | 0:29:09 | 0:29:13 | |
It's time for us to act. | 0:29:13 | 0:29:15 | |
-Phil is right. -We need to spread out, | 0:29:15 | 0:29:17 | |
find smaller, weaker Fades. | 0:29:17 | 0:29:19 | |
We do this now, before they get too strong. | 0:29:19 | 0:29:22 | |
And then what do we do, eh? Once we find this smaller, weaker Fade? | 0:29:22 | 0:29:27 | |
We find out its limits. | 0:29:27 | 0:29:29 | |
-Neil. -Hello, Mark. | 0:29:45 | 0:29:48 | |
I've been... I've been looking... | 0:29:49 | 0:29:52 | |
How did you know I've been looking for you? | 0:29:52 | 0:29:54 | |
I didn't. | 0:29:54 | 0:29:56 | |
Mark, I'm not here for small talk. I'm here as a translator. | 0:29:56 | 0:30:00 | |
-A translator? -Are you going to invite me in? | 0:30:00 | 0:30:03 | |
What were you doing with my wife in a mental hospital? | 0:30:13 | 0:30:16 | |
I was rescuing her. I'll go through to the lounge, yeah? | 0:30:18 | 0:30:22 | |
I didn't think you'd ever come. | 0:30:22 | 0:30:25 | |
I almost died this afternoon. | 0:30:27 | 0:30:29 | |
It reminded me I had things to put right. | 0:30:31 | 0:30:34 | |
-You're going to put us right, are you? -I'm going to try. | 0:30:34 | 0:30:38 | |
Who are you talking to? | 0:30:39 | 0:30:41 | |
Sarah's dead. | 0:30:41 | 0:30:43 | |
You don't know that. | 0:30:44 | 0:30:46 | |
I do. | 0:30:47 | 0:30:49 | |
I'm sorry. | 0:30:49 | 0:30:50 | |
She's also a spirit | 0:30:52 | 0:30:55 | |
who has decided that the best use of her time is to follow you around. | 0:30:55 | 0:30:58 | |
HE SCOFFS | 0:30:58 | 0:31:00 | |
She's...what? | 0:31:01 | 0:31:03 | |
This I'm also sorry about, because I think she's wrong. | 0:31:03 | 0:31:07 | |
But it's what she wants, | 0:31:09 | 0:31:11 | |
so I want to do the decent thing by her. | 0:31:11 | 0:31:13 | |
That's why I'm here as a translator, | 0:31:13 | 0:31:16 | |
-because... -HE LAUGHS | 0:31:16 | 0:31:18 | |
..I can talk to ghosts. | 0:31:18 | 0:31:20 | |
You were having an affair with her. | 0:31:20 | 0:31:23 | |
I just told you you're being haunted by the ghost of your wife, and you... | 0:31:23 | 0:31:27 | |
Neil, I need to have a serious conversation with you. | 0:31:27 | 0:31:30 | |
You were having an affair... | 0:31:30 | 0:31:31 | |
Tell him something I wouldn't know. | 0:31:31 | 0:31:33 | |
I've got a feather tattooed on my arse. | 0:31:33 | 0:31:35 | |
She's got a feather on her bum. | 0:31:38 | 0:31:41 | |
Something you'd also know if you'd slept with her. | 0:31:41 | 0:31:43 | |
He called me Squidge for three months after we first got together | 0:31:43 | 0:31:46 | |
and then dropped it because he decided that he hated pet names. | 0:31:46 | 0:31:49 | |
You used to call her Squidge, | 0:31:49 | 0:31:52 | |
and then you dropped it because you didn't like pet names. | 0:31:52 | 0:31:56 | |
I don't want this bit. I'm calling the police. | 0:31:56 | 0:31:59 | |
Four days ago, I watched him sleep with a woman called Vicky... | 0:31:59 | 0:32:02 | |
-Mark. Mark, please! -..and it broke my heart. | 0:32:02 | 0:32:03 | |
Four days ago, she - Sarah's ghost - saw you | 0:32:03 | 0:32:06 | |
sleeping with a woman called Vicky... | 0:32:06 | 0:32:08 | |
..and it broke her heart. | 0:32:09 | 0:32:11 | |
There's no way I could know that. | 0:32:11 | 0:32:13 | |
Fuck off. | 0:32:17 | 0:32:19 | |
We were Angelics. | 0:32:24 | 0:32:27 | |
I still am one. | 0:32:27 | 0:32:28 | |
We're a different breed of people. | 0:32:30 | 0:32:32 | |
We were sworn to secrecy, Mark. | 0:32:32 | 0:32:34 | |
You two were my best friends, | 0:32:36 | 0:32:38 | |
so I'm here tonight to try to make it right for yous. | 0:32:38 | 0:32:42 | |
I don't understand... | 0:32:44 | 0:32:46 | |
She's dead? | 0:32:48 | 0:32:49 | |
Yeah. | 0:32:49 | 0:32:50 | |
She's here now, Mark. | 0:32:50 | 0:32:53 | |
She doesn't want to leave you. | 0:32:54 | 0:32:56 | |
She's... | 0:32:56 | 0:32:57 | |
Let's all keep calm, and we'll ask her some questions, yeah? | 0:32:57 | 0:33:02 | |
She's...she's... | 0:33:02 | 0:33:05 | |
Am I looking at her? | 0:33:10 | 0:33:11 | |
Yeah. Just about. She's... | 0:33:11 | 0:33:13 | |
I'm going to repeat what Sarah says word for word. | 0:33:16 | 0:33:19 | |
What do you want to ask her, Mark? | 0:33:20 | 0:33:22 | |
PHONE BEEPS | 0:33:24 | 0:33:25 | |
PHONE BEEPS | 0:33:42 | 0:33:43 | |
I want to tell you about something wonderful. | 0:33:55 | 0:33:58 | |
I want to tell you about Gaia. | 0:33:58 | 0:34:01 | |
What's Gaia? | 0:34:01 | 0:34:02 | |
Call yourself a geek? "What's Gaia?" | 0:34:02 | 0:34:05 | |
You're a disgrace to your community. | 0:34:05 | 0:34:08 | |
Did Neil Gaiman write it? | 0:34:08 | 0:34:10 | |
Look, do you want me to help fix it with Jay, or what? | 0:34:10 | 0:34:14 | |
Hmm? Right. In 2012, | 0:34:14 | 0:34:17 | |
we're sending the satellite Gaia into the galaxy | 0:34:17 | 0:34:21 | |
to take pictures of the stars. | 0:34:21 | 0:34:24 | |
Hmm... | 0:34:28 | 0:34:30 | |
-What's this? -Cough medicine. | 0:34:32 | 0:34:34 | |
Its billion-pixel camera will give scientists a 3D map of the sky. | 0:34:34 | 0:34:40 | |
-Cough medicine? -Takes the edge off. | 0:34:40 | 0:34:42 | |
It'll tell us about the Milky Way, how it works, how it started, | 0:34:42 | 0:34:47 | |
but the exciting thing is the things we're not expecting to see. | 0:34:47 | 0:34:52 | |
Asteroids, planets beyond our solar system, | 0:34:52 | 0:34:56 | |
tepid stars that never fired into life. | 0:34:56 | 0:34:59 | |
Extraordinary things we don't understand. | 0:34:59 | 0:35:03 | |
PHONE BEEPS | 0:35:07 | 0:35:09 | |
Now call her. | 0:35:10 | 0:35:12 | |
But I can't. | 0:35:12 | 0:35:15 | |
Yeah, you can. | 0:35:15 | 0:35:16 | |
Mac... | 0:35:16 | 0:35:18 | |
-It's ringing. -Mac. | 0:35:20 | 0:35:22 | |
Ssh! | 0:35:22 | 0:35:23 | |
HE COUGHS | 0:35:26 | 0:35:28 | |
PHONE RINGS | 0:35:28 | 0:35:29 | |
I am not a morning person. | 0:35:31 | 0:35:34 | |
'Look out the window.' | 0:35:34 | 0:35:36 | |
'The point is... | 0:35:43 | 0:35:46 | |
'Gaia is extraordinary. | 0:35:46 | 0:35:47 | |
'It's going to show us amazing things we can't even contemplate. | 0:35:47 | 0:35:51 | |
'It's also really, really ordinary.' | 0:35:51 | 0:35:55 | |
Wow. That's a look. | 0:35:55 | 0:35:58 | |
(Because you know what's best about Gaia?) | 0:35:58 | 0:35:59 | |
Because...because do you want to know the best thing about Gaia? | 0:35:59 | 0:36:03 | |
(Chelmsford and Stevenage.) | 0:36:03 | 0:36:05 | |
Where it was made. Chelmsford and Stevenage. | 0:36:05 | 0:36:08 | |
A bunch of geeky men, sitting in a shit town | 0:36:08 | 0:36:11 | |
built something that would transform the way we look at the skies. | 0:36:11 | 0:36:15 | |
The things that scare you about me... | 0:36:15 | 0:36:19 | |
Imagine... | 0:36:19 | 0:36:20 | |
Imagine I'm Stevenage. | 0:36:21 | 0:36:25 | |
Some things have changed about me, but fundamentally I'm... I'm just ordinary. | 0:36:25 | 0:36:30 | |
I'm...Stevenage. | 0:36:31 | 0:36:34 | |
Smooth as. | 0:36:35 | 0:36:37 | |
So, you're Superman, right? | 0:36:37 | 0:36:40 | |
-I can't hear you. -Yes, you can. I can hear you. | 0:36:42 | 0:36:45 | |
Well, you must have supersonic hearing, then. I can't hear a word. | 0:36:45 | 0:36:50 | |
You're quite the loser, you know that? Hang on a minute. | 0:36:50 | 0:36:54 | |
I think this is the time when I do the alpha thing and say | 0:37:02 | 0:37:05 | |
you look great as you are. | 0:37:05 | 0:37:07 | |
No "quite" about it - you're a loser! | 0:37:07 | 0:37:10 | |
Yeah. A loser. I know. | 0:37:10 | 0:37:12 | |
Now everyone knows about us. | 0:37:13 | 0:37:15 | |
I mean, effectively, I am your boyfriend. | 0:37:15 | 0:37:17 | |
So, can I tell people? Is that OK? | 0:37:19 | 0:37:22 | |
Not just a loser. | 0:37:22 | 0:37:25 | |
A total loser. | 0:37:25 | 0:37:27 | |
-A loser that needs to go. -What? | 0:37:39 | 0:37:42 | |
I need to go. | 0:37:44 | 0:37:46 | |
I'm sorry. | 0:37:47 | 0:37:49 | |
Have you got to save the world, or something? | 0:37:49 | 0:37:50 | |
I was actually joking about the Superman thing. | 0:37:50 | 0:37:53 | |
I'll be back. | 0:37:53 | 0:37:54 | |
You'd better be! | 0:37:57 | 0:37:59 | |
What...? Where are you going? | 0:37:59 | 0:38:02 | |
What are you doing here? | 0:38:13 | 0:38:15 | |
Nice work. | 0:38:15 | 0:38:16 | |
-We can take it from here. -Yeah. | 0:38:16 | 0:38:17 | |
Get yourself back to your girlfriend. | 0:38:17 | 0:38:19 | |
There's your smaller, weaker Fade, right? | 0:38:19 | 0:38:22 | |
How are you feeling? | 0:38:33 | 0:38:34 | |
I can't get used to it. | 0:38:36 | 0:38:38 | |
Can't get used to what? | 0:38:41 | 0:38:42 | |
The fact I feel like I've had a rock of boiling lava | 0:38:44 | 0:38:47 | |
removed from my gut. | 0:38:47 | 0:38:49 | |
I feel lighter. | 0:38:50 | 0:38:52 | |
It's beautiful here, isn't it? | 0:38:53 | 0:38:56 | |
Yeah? | 0:38:56 | 0:38:57 | |
You know, people misunderstand | 0:38:57 | 0:38:59 | |
why Adam and Eve were thrown out of Eden. | 0:38:59 | 0:39:02 | |
They say it was knowledge that cost them. | 0:39:03 | 0:39:05 | |
The fruit of knowledge. That's a misreading. | 0:39:07 | 0:39:10 | |
It wasn't knowledge that cost them. | 0:39:11 | 0:39:13 | |
It was doubt. | 0:39:14 | 0:39:15 | |
They doubted what they were told | 0:39:15 | 0:39:18 | |
and so they couldn't see the beauty around them. | 0:39:18 | 0:39:20 | |
And they weren't thrown out. | 0:39:22 | 0:39:24 | |
Eden was still there, | 0:39:25 | 0:39:27 | |
they were still in Eden, | 0:39:27 | 0:39:30 | |
only its beauty was lost to them. | 0:39:30 | 0:39:34 | |
Their own beauty was lost to them. | 0:39:34 | 0:39:37 | |
Well, I can see the beauty, so I'm lucky, aren't I? | 0:39:38 | 0:39:44 | |
No. No, you're not lucky. | 0:39:44 | 0:39:47 | |
Can you see the beauty, Neil? | 0:39:47 | 0:39:50 | |
Sarah thinks all of this is pointless. | 0:39:50 | 0:39:52 | |
That fate is coming. | 0:39:52 | 0:39:54 | |
No point in fighting. | 0:39:54 | 0:39:57 | |
You just find someone you love and you stick to them. | 0:39:57 | 0:40:00 | |
Sarah's...weak. | 0:40:00 | 0:40:02 | |
She always has been. | 0:40:02 | 0:40:04 | |
So you never doubt that we'll win? | 0:40:04 | 0:40:06 | |
It's not the absence of doubt. It's the conquering of it. | 0:40:06 | 0:40:11 | |
So, do you doubt me? | 0:40:14 | 0:40:15 | |
Yeah. | 0:40:15 | 0:40:17 | |
You do? | 0:40:19 | 0:40:20 | |
I don't doubt your stamina, Neil. | 0:40:20 | 0:40:22 | |
I do doubt your strength. | 0:40:23 | 0:40:25 | |
Guys! | 0:40:26 | 0:40:27 | |
Some good news. The kid has caught us one of them. | 0:40:27 | 0:40:31 | |
SHE SCREAMS | 0:40:33 | 0:40:36 | |
She can scream. | 0:40:36 | 0:40:38 | |
Her voice had rotted. She shouldn't be able to do that. | 0:40:38 | 0:40:40 | |
-So, they're acquiring everything? -Looks that way. | 0:40:40 | 0:40:42 | |
And what are we going to do with her? | 0:40:42 | 0:40:43 | |
We're going to find out where he is. | 0:40:43 | 0:40:47 | |
And we're going to show no mercy. | 0:40:48 | 0:40:50 | |
Tie her up. | 0:40:52 | 0:40:53 | |
SHE SCREAMS | 0:40:53 | 0:40:56 | |
Hi. | 0:41:03 | 0:41:05 | |
-Fraser reports she's dead. -We got cause? | 0:41:07 | 0:41:11 | |
Yeah. Um, teeth. | 0:41:11 | 0:41:13 | |
-To the neck. -Teeth? | 0:41:14 | 0:41:17 | |
Yeah. Human teeth. | 0:41:17 | 0:41:20 | |
We've got a suspect? | 0:41:23 | 0:41:24 | |
No, nothing on anyone so far. | 0:41:24 | 0:41:27 | |
People...are having their necks ripped out... | 0:41:27 | 0:41:32 | |
with human teeth? | 0:41:32 | 0:41:34 | |
Yeah. | 0:41:36 | 0:41:38 | |
Kids...with human teeth? | 0:41:39 | 0:41:42 | |
Yeah. | 0:41:44 | 0:41:45 | |
Well, that's going to make people, er...jumpy. | 0:41:47 | 0:41:51 | |
-Yeah, I know. -And people are already jumpy. | 0:41:52 | 0:41:57 | |
Including my superiors, by the way. | 0:41:57 | 0:42:00 | |
Yeah. | 0:42:02 | 0:42:03 | |
Look, I get it. | 0:42:03 | 0:42:04 | |
You're a good copper... | 0:42:05 | 0:42:08 | |
promoted way above his station by some affirmative-action bollocks. | 0:42:08 | 0:42:11 | |
That's not true. | 0:42:12 | 0:42:13 | |
I didn't want you to have this job, | 0:42:13 | 0:42:16 | |
not because I'm a racist, but because I didn't think you were up to it. | 0:42:16 | 0:42:20 | |
I know you didn't. | 0:42:20 | 0:42:22 | |
But you got it. You won. | 0:42:22 | 0:42:25 | |
And now you're a leader. | 0:42:25 | 0:42:28 | |
You lead a team. | 0:42:28 | 0:42:31 | |
And this team is in shit up to its eyeballs. | 0:42:31 | 0:42:36 | |
Its eyeballs are drowning in shit. | 0:42:36 | 0:42:40 | |
So sort it out. | 0:42:40 | 0:42:42 | |
Take some action. | 0:42:43 | 0:42:45 | |
Find a suspect, build a case. | 0:42:45 | 0:42:48 | |
Do something. | 0:42:48 | 0:42:49 | |
SHE LAUGHS | 0:43:09 | 0:43:10 | |
OK, that was a look I wasn't expecting. | 0:43:10 | 0:43:13 | |
What look? | 0:43:13 | 0:43:15 | |
I've seen boys look pleased, I've seen boys look disappointed. | 0:43:15 | 0:43:18 | |
I've never seen a boy look quite so scared. | 0:43:18 | 0:43:21 | |
No, no, I'm not scared. | 0:43:21 | 0:43:22 | |
I was just... I was thinking. | 0:43:22 | 0:43:24 | |
Thinking what? | 0:43:24 | 0:43:26 | |
And you're not allowed to say films | 0:43:26 | 0:43:28 | |
or what's-her-face from Mork And Mindy. | 0:43:28 | 0:43:31 | |
Pam Dawber. | 0:43:31 | 0:43:33 | |
I was thinking about you. | 0:43:34 | 0:43:36 | |
I think you look nice. | 0:43:36 | 0:43:38 | |
You've got nice feet. | 0:43:47 | 0:43:49 | |
And nice legs. | 0:43:51 | 0:43:52 | |
And, er, you've got nice... a nice, er... | 0:43:52 | 0:43:56 | |
bra and nice feet. | 0:43:56 | 0:43:58 | |
Did I already say feet? | 0:43:59 | 0:44:01 | |
CLEARS HIS THROAT | 0:44:01 | 0:44:03 | |
Paul? | 0:44:08 | 0:44:09 | |
It's OK to be scared. | 0:44:09 | 0:44:12 | |
Oh! No. No, no, no. | 0:44:13 | 0:44:16 | |
No, no, no, I'm not...I'm not scared. I just... | 0:44:16 | 0:44:19 | |
This wasn't, um, exactly how... | 0:44:19 | 0:44:22 | |
..how I expected this to, er, to go. | 0:44:23 | 0:44:26 | |
And what did you expect? | 0:44:26 | 0:44:28 | |
Have you ever played paper-scissors-stone? | 0:44:29 | 0:44:32 | |
Oh, no. | 0:44:42 | 0:44:44 | |
Oh, no. No, no, no. Seriously, I don't... | 0:44:44 | 0:44:47 | |
I think maybe we should just do a bit... | 0:44:47 | 0:44:49 | |
a bit more kissing first. | 0:44:49 | 0:44:51 | |
LAUGHS Paul... | 0:44:52 | 0:44:54 | |
this isn't 1955. Kids don't wait any more. | 0:44:54 | 0:44:57 | |
You don't have to marry me, or anything! | 0:45:08 | 0:45:11 | |
It's just...this feels right now, which is... | 0:45:11 | 0:45:15 | |
I don't know whether it does feel right. | 0:45:15 | 0:45:18 | |
I mean, I've seen a lot of things today which... | 0:45:18 | 0:45:21 | |
Paul? | 0:45:21 | 0:45:22 | |
Just forget about all that, think about me. | 0:45:22 | 0:45:26 | |
OK. | 0:45:28 | 0:45:30 | |
OK? | 0:45:32 | 0:45:34 | |
OK. | 0:45:34 | 0:45:35 | |
Yeah, but if we are...if we are doing this, then a quick warning. | 0:45:35 | 0:45:40 | |
If, um, at any point in this process I grow wings, don't be alarmed. | 0:45:40 | 0:45:45 | |
I'll try not to be. | 0:45:45 | 0:45:47 | |
OK. | 0:45:48 | 0:45:49 | |
-Like that. -OK. -HE CLEARS HIS THROAT | 0:45:49 | 0:45:52 | |
Don't push too hard. | 0:45:55 | 0:45:56 | |
OK. Sorry. | 0:45:56 | 0:45:59 | |
-That hurts. -Oh, OK. | 0:45:59 | 0:46:01 | |
That doesn't. | 0:46:03 | 0:46:05 | |
OK. | 0:46:05 | 0:46:06 | |
I don't know whether to... | 0:46:22 | 0:46:24 | |
I don't know what to do. | 0:46:26 | 0:46:27 | |
You don't do anything. | 0:46:27 | 0:46:29 | |
It's just so hard, this... | 0:46:32 | 0:46:34 | |
..knowing that you're there but knowing that you're not there. | 0:46:35 | 0:46:39 | |
I just... | 0:46:39 | 0:46:40 | |
..wish I could touch you. | 0:46:41 | 0:46:43 | |
I know. | 0:46:43 | 0:46:44 | |
But you know that. | 0:46:44 | 0:46:46 | |
HE SIGHS | 0:46:48 | 0:46:49 | |
You left me. | 0:46:49 | 0:46:51 | |
We broke up. It was shit. | 0:46:51 | 0:46:53 | |
What... | 0:46:53 | 0:46:55 | |
What changed? Are you stuck because of me? | 0:46:56 | 0:46:58 | |
Are we in a fucking film? | 0:46:58 | 0:47:00 | |
Are you... | 0:47:01 | 0:47:03 | |
Do you still... | 0:47:04 | 0:47:05 | |
..love me? | 0:47:07 | 0:47:09 | |
I wish you could answer that question without having to ask Neil. | 0:47:11 | 0:47:15 | |
DOORBELL RINGS | 0:47:17 | 0:47:19 | |
DOORBELL RINGS Coming. | 0:47:23 | 0:47:25 | |
Mark Etches. | 0:47:28 | 0:47:29 | |
I have a warrant to search these premises. | 0:47:29 | 0:47:31 | |
What?! | 0:47:31 | 0:47:32 | |
What's this about? | 0:47:32 | 0:47:34 | |
My name is Detective Chief Inspector Armstrong. | 0:47:41 | 0:47:44 | |
I know who you fucking are. | 0:47:44 | 0:47:45 | |
-I have to formally identify myself... -Why are you here? | 0:47:45 | 0:47:48 | |
What do you think I've done? | 0:47:48 | 0:47:50 | |
I'm arresting you on suspicion of your connection | 0:47:51 | 0:47:53 | |
-to the disappearance of Sarah Etches. -My wife?! | 0:47:53 | 0:47:56 | |
You think I have anything to do with Sarah's death? | 0:47:56 | 0:47:59 | |
And Helen Marshall, | 0:48:00 | 0:48:02 | |
and the murders of Sam Griegson and Fred Taylor. | 0:48:02 | 0:48:04 | |
Murder? | 0:48:04 | 0:48:06 | |
You don't have to say anything, but it may harm your defence if you... | 0:48:06 | 0:48:08 | |
How can you think... | 0:48:08 | 0:48:10 | |
What possible evidence do you have? | 0:48:10 | 0:48:13 | |
You have connections with all the victims. | 0:48:13 | 0:48:15 | |
You assaulted Sam Griegson a few days ago... | 0:48:15 | 0:48:17 | |
-Yeah, we sorted that out. -Desperate men do desperate things. | 0:48:17 | 0:48:21 | |
So... | 0:48:36 | 0:48:37 | |
So? | 0:48:39 | 0:48:40 | |
Well, go on, then, spit it out. | 0:48:47 | 0:48:49 | |
How was it? | 0:48:49 | 0:48:51 | |
You know... | 0:48:53 | 0:48:54 | |
-Nice, actually. -What's it feel like? | 0:48:56 | 0:48:59 | |
It's hotter than expected. | 0:49:01 | 0:49:03 | |
That's probably a good sign. | 0:49:03 | 0:49:05 | |
Yeah. | 0:49:05 | 0:49:06 | |
Though it was quite difficult...to fit. | 0:49:06 | 0:49:09 | |
HE LAUGHS That's probably a good sign, too! | 0:49:09 | 0:49:12 | |
-Yeah? -Yeah. | 0:49:12 | 0:49:14 | |
I never gave you your present, did I? For your birthday. | 0:49:21 | 0:49:24 | |
-Ah, you didn't need to. -Yeah, I did. | 0:49:24 | 0:49:27 | |
You totally did. | 0:49:27 | 0:49:29 | |
Wow. | 0:49:29 | 0:49:31 | |
It's a key. | 0:49:33 | 0:49:34 | |
Am I supposed to break it off and then give half to you | 0:49:34 | 0:49:38 | |
and wear my bit round my neck? | 0:49:38 | 0:49:40 | |
Are we in love? Because I'm flattered, but... | 0:49:40 | 0:49:43 | |
It's to my house. | 0:49:43 | 0:49:45 | |
Any time... Any time things at home with your mum, with your dad, | 0:49:46 | 0:49:51 | |
3am, whenever, you just come to my place, | 0:49:51 | 0:49:57 | |
sleep on the sofa, sleep in my room, whatever you like. | 0:49:57 | 0:50:01 | |
You're always welcome... because you're family. | 0:50:01 | 0:50:04 | |
I've cleared it with Mum. | 0:50:07 | 0:50:09 | |
-OK. -You do know, don't you, | 0:50:09 | 0:50:13 | |
that whatever happens with Jay, you'll always be more important to me, right? | 0:50:13 | 0:50:16 | |
Yeah. | 0:50:16 | 0:50:18 | |
You do know I'm going to use this key | 0:50:18 | 0:50:21 | |
to steal your sister's knickers, right? | 0:50:21 | 0:50:23 | |
-Whoo-hoo-hoo! -Did you just flick ice cream at me? | 0:50:23 | 0:50:26 | |
HE LAUGHS | 0:50:26 | 0:50:27 | |
Don't throw your bloody ice cream at me. | 0:50:27 | 0:50:31 | |
I'm going to comb through your photo albums and find | 0:50:31 | 0:50:33 | |
pictures of your sister in a bikini. No, I'm not listening to you. | 0:50:33 | 0:50:35 | |
-I'm not listening! -And your mum breast-feeding. | 0:50:35 | 0:50:37 | |
Then I'm going to snoop for dildodatic devices. Paul! | 0:50:37 | 0:50:40 | |
TYRES SCREECH | 0:50:40 | 0:50:41 | |
This is going to be fine. | 0:51:04 | 0:51:06 | |
This is going to be fine. | 0:51:12 | 0:51:14 | |
It's happening, Neil. | 0:51:42 | 0:51:43 | |
Is it? | 0:51:46 | 0:51:47 | |
You see? I was right not to have doubted. | 0:51:52 | 0:51:54 | |
No. | 0:51:56 | 0:51:57 | |
No, I'm not ready. | 0:51:58 | 0:52:00 | |
Keep the boy safe. | 0:52:00 | 0:52:02 | |
It's beautiful, Neil. | 0:52:05 | 0:52:06 | |
I'm not ready. You can't go. | 0:52:06 | 0:52:09 | |
You're right, I'm not strong enough. | 0:52:10 | 0:52:11 | |
I'm not strong... Helen? | 0:52:11 | 0:52:14 | |
Helen? | 0:52:14 | 0:52:15 | |
CONTINUOUS TONE | 0:53:08 | 0:53:11 | |
HE HOWLS | 0:54:35 | 0:54:39 | |
CONTINUOUS TONE | 0:55:07 | 0:55:10 | |
# Pretending I'm pretending that everything's OK | 0:55:11 | 0:55:15 | |
# So many masks I'm wearing my own face | 0:55:15 | 0:55:19 | |
# I can feel my toes burning from my deeds along the way | 0:55:19 | 0:55:23 | |
# Before you get up you've got to go down | 0:55:23 | 0:55:26 | |
# Fuck it, I love you, there you go | 0:55:28 | 0:55:31 | |
# Three little words on a mobile phone | 0:55:31 | 0:55:36 | |
# When are you coming home? # | 0:55:37 | 0:55:39 |