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THIS PROGRAMME CONTAINS STRONG LANGUAGE AND SCENES WHICH SOME VIEWERS MAY FIND DISTURBING | 0:00:02 | 0:00:07 | |
The dead are walking the Earth. They're angry. | 0:00:07 | 0:00:10 | |
They're doing a pretty good job of fighting back, mainly by eating human flesh, which allows them to touch. | 0:00:10 | 0:00:15 | |
But on the other side of the net, there's these...these guys called the Angelics | 0:00:15 | 0:00:18 | |
who are trying to stop these growing-powerful, eating-flesh dead people. | 0:00:18 | 0:00:22 | |
But they keep getting killed off | 0:00:22 | 0:00:23 | |
by this Angelic-killing Fade guy. He's bad, and not in a good way. | 0:00:23 | 0:00:28 | |
And something very strange may have just happened to him, | 0:00:28 | 0:00:31 | |
but I'm not sure of the details. | 0:00:31 | 0:00:33 | |
As the bodies pile up and people disappear, | 0:00:33 | 0:00:34 | |
in the ordinary world they're beginning to ask questions. | 0:00:34 | 0:00:37 | |
People like my dad, a police officer. | 0:00:37 | 0:00:40 | |
Sadly, they're asking the wrong questions, which is why my history teacher is under arrest | 0:00:40 | 0:00:43 | |
for...dead people's crimes. | 0:00:43 | 0:00:46 | |
Finally, there's my...friend Paul, | 0:00:46 | 0:00:47 | |
an Angelic, | 0:00:47 | 0:00:49 | |
he's a pretty...special Angelic. | 0:00:49 | 0:00:52 | |
In fact, he may be the best Angelic, | 0:00:52 | 0:00:55 | |
not that that matters any more | 0:00:55 | 0:00:57 | |
because, um, he got knocked over by a truck. | 0:00:57 | 0:00:59 | |
- Paul! - (TYRES SCREECH) | 0:00:59 | 0:01:01 | |
A truck. | 0:01:03 | 0:01:04 | |
Oh, um... | 0:01:04 | 0:01:07 | |
who's seen my copy of, um, Wizard Of Oz? Hmm? | 0:01:07 | 0:01:11 | |
Nanoo-nanoo. | 0:01:12 | 0:01:13 | |
Hello? | 0:01:53 | 0:01:55 | |
Excuse me. | 0:02:01 | 0:02:02 | |
Excuse... | 0:02:07 | 0:02:08 | |
Jay? | 0:02:09 | 0:02:10 | |
Jay! | 0:02:10 | 0:02:12 | |
(WEEPS) He's going to be OK, isn't he? | 0:02:16 | 0:02:18 | |
(BEEPING ECHOES) | 0:02:34 | 0:02:37 | |
(HER BREATH QUIVERS) | 0:02:40 | 0:02:43 | |
(GRUNTS) | 0:03:12 | 0:03:14 | |
Unh! (GASPS) | 0:03:20 | 0:03:22 | |
(MUFFLED) Hello? | 0:03:43 | 0:03:44 | |
Hello? | 0:03:45 | 0:03:47 | |
Hello? | 0:03:49 | 0:03:51 | |
Son, hello. | 0:03:52 | 0:03:54 | |
Are you OK? | 0:03:54 | 0:03:55 | |
(GRUNTS) | 0:03:58 | 0:03:59 | |
Where's your clothes, son? | 0:03:59 | 0:04:00 | |
(HE GRUNTS) | 0:04:02 | 0:04:03 | |
Drugs, is it? | 0:04:08 | 0:04:09 | |
(GRUNTS) | 0:04:09 | 0:04:11 | |
We can get you some help. | 0:04:14 | 0:04:15 | |
- Ynh! - Jesus Christ! | 0:04:18 | 0:04:20 | |
(THUMP) | 0:04:20 | 0:04:21 | |
21-down, eight letters. | 0:04:52 | 0:04:54 | |
"Blank Bound: The Incredible Journey." | 0:04:54 | 0:04:57 | |
Anyone? | 0:04:58 | 0:04:59 | |
PAUL: Homeward... | 0:05:01 | 0:05:02 | |
MAC: I'll give you a clue, it involves animals. | 0:05:02 | 0:05:04 | |
And it's not Ace Ventura, Dr Dolittle, Lassie or The Jungle Book. | 0:05:04 | 0:05:09 | |
Homeward Bound: The Incredible Journey. | 0:05:11 | 0:05:14 | |
Three-down, four letters. 1986 movie starring Grace Jones. | 0:05:16 | 0:05:20 | |
Vamp. | 0:05:20 | 0:05:21 | |
Slightly tricky. Supernatural. Slightly culty. | 0:05:21 | 0:05:24 | |
I'm going to have to help you out on this one. | 0:05:25 | 0:05:28 | |
Yeah. | 0:05:29 | 0:05:30 | |
You guessed it, it's, um... | 0:05:32 | 0:05:34 | |
PAUL: Mum... | 0:05:34 | 0:05:35 | |
MAC: Vamp. | 0:05:35 | 0:05:37 | |
- Mum... - We have a winner, | 0:05:37 | 0:05:38 | |
and the winner is me. | 0:05:38 | 0:05:40 | |
What a lovely audience you are, | 0:05:40 | 0:05:42 | |
- what a lovely audience - Mum! | 0:05:42 | 0:05:43 | |
Ah! | 0:05:43 | 0:05:45 | |
Gah! | 0:05:48 | 0:05:49 | |
Meg, can...we have a private word? | 0:05:59 | 0:06:03 | |
Anything you want to say to me, you can say to them. | 0:06:05 | 0:06:09 | |
OK. | 0:06:10 | 0:06:11 | |
Paul is braindead. | 0:06:14 | 0:06:17 | |
We did everything we could. | 0:06:19 | 0:06:20 | |
I'm so sorry. | 0:06:22 | 0:06:23 | |
But I'm afraid we're going to have to discuss taking him off life support. | 0:06:24 | 0:06:28 | |
- (SCREAMING) - Quick. OK. Got her? | 0:06:54 | 0:06:57 | |
Got her? | 0:06:57 | 0:06:59 | |
Try and keep her under control! | 0:06:59 | 0:07:02 | |
- (MOBILE RINGS) - Keep it quiet, please. | 0:07:04 | 0:07:06 | |
Phil, get that. | 0:07:06 | 0:07:07 | |
Yeah? | 0:07:08 | 0:07:09 | |
Neil! Neil! | 0:07:11 | 0:07:13 | |
It's some kid called Mac. | 0:07:13 | 0:07:15 | |
(SCREAMING CONTINUES) | 0:07:17 | 0:07:18 | |
What do you want? | 0:07:18 | 0:07:20 | |
Paul's been hurt. | 0:07:20 | 0:07:21 | |
There's been an accident. | 0:07:23 | 0:07:25 | |
You're honestly sitting there and saying...that I killed my wife? | 0:07:31 | 0:07:36 | |
That's the second time you've done that... | 0:07:36 | 0:07:38 | |
...talked about her in the past tense. | 0:07:39 | 0:07:42 | |
Will you stop?! | 0:07:42 | 0:07:43 | |
What changed your mind, Mark? | 0:07:43 | 0:07:44 | |
My wife's divorcing me at the moment, so I know how hard that is. | 0:07:50 | 0:07:53 | |
That feeling of everything you've done together...being spoiled. | 0:07:53 | 0:07:59 | |
That feeling of everything she's told you about yourself... | 0:07:59 | 0:08:03 | |
being lies. | 0:08:03 | 0:08:05 | |
No, she loved me. | 0:08:05 | 0:08:06 | |
I love you. | 0:08:06 | 0:08:07 | |
And I... | 0:08:07 | 0:08:09 | |
And you loved her back, of course you did. | 0:08:09 | 0:08:11 | |
But you couldn't live together. | 0:08:11 | 0:08:13 | |
Yes, it was difficult... | 0:08:13 | 0:08:15 | |
- So you killed her. - Will you stop? | 0:08:15 | 0:08:17 | |
I don't know what you've been doing here, Mark...but you scare me. | 0:08:17 | 0:08:22 | |
How do you work? | 0:08:23 | 0:08:24 | |
How have you done this? | 0:08:25 | 0:08:26 | |
Are you here? | 0:08:30 | 0:08:31 | |
Sarah? | 0:08:34 | 0:08:35 | |
- You're here. - (WHISPERS) Mark. | 0:08:36 | 0:08:38 | |
Ah! | 0:08:46 | 0:08:48 | |
You not going in? | 0:08:54 | 0:08:56 | |
They say his chances of survival are a million to one. | 0:08:59 | 0:09:01 | |
That's not very good odds, then, is it? | 0:09:03 | 0:09:04 | |
No. | 0:09:06 | 0:09:07 | |
Until you consider there's 62 million people in this country. | 0:09:08 | 0:09:11 | |
That means if every single person in the UK was in the same coma, | 0:09:12 | 0:09:15 | |
62 of them would survive. And I bet... Paul, with your help, | 0:09:15 | 0:09:18 | |
I bet on Paul definitely being one of them. | 0:09:18 | 0:09:19 | |
No. No, he's dead. | 0:09:19 | 0:09:21 | |
Worldwide, the population's 6.91 billion | 0:09:21 | 0:09:23 | |
and we're all citizens of the world so... | 0:09:23 | 0:09:25 | |
He's dead. | 0:09:28 | 0:09:29 | |
But they haven't turned the machines off yet, he still could come back to us. | 0:09:33 | 0:09:36 | |
I thought you were going to help him. | 0:09:37 | 0:09:39 | |
He's dead? | 0:09:42 | 0:09:44 | |
How do you know? | 0:09:45 | 0:09:46 | |
Because his Fade is standing right next to you. | 0:09:47 | 0:09:48 | |
Am I dead? | 0:09:54 | 0:09:55 | |
Yeah. I'm sorry... | 0:09:55 | 0:09:58 | |
Mac, but now that I've found him, we've got to go. | 0:09:58 | 0:10:01 | |
He's here? Can I say something? | 0:10:01 | 0:10:03 | |
Yeah, let him. Le...let him. | 0:10:03 | 0:10:04 | |
I need him to know how sorry I am. | 0:10:06 | 0:10:08 | |
- It was my fault. - No. | 0:10:10 | 0:10:12 | |
He was looking at me when a truck hit him. | 0:10:12 | 0:10:13 | |
Neil...please... | 0:10:13 | 0:10:15 | |
Just...say something. | 0:10:17 | 0:10:19 | |
He's not to blame. | 0:10:20 | 0:10:21 | |
Sounds like it was his fault to me. | 0:10:21 | 0:10:23 | |
Responsibility. | 0:10:25 | 0:10:27 | |
Blame. | 0:10:27 | 0:10:28 | |
Guilt. | 0:10:28 | 0:10:30 | |
They're not always bad things. | 0:10:30 | 0:10:31 | |
Paul? | 0:10:35 | 0:10:36 | |
Paul... Paul... | 0:10:37 | 0:10:40 | |
(AMPLIFIED SIZZLING) | 0:10:41 | 0:10:43 | |
(AMPLIFIED CLOTH FLAPPING) | 0:10:48 | 0:10:50 | |
Come on, darling. | 0:11:13 | 0:11:14 | |
Oi! Put it back! | 0:11:28 | 0:11:30 | |
Creepy fucker. | 0:11:32 | 0:11:34 | |
I told you this place would be a fucking goldmine. | 0:11:39 | 0:11:41 | |
Hey, li...listen, we don't do refunds. | 0:11:47 | 0:11:49 | |
(GRUNTS) Who? | 0:11:51 | 0:11:52 | |
(GRUNTS) Who? | 0:11:54 | 0:11:55 | |
Paul. | 0:11:55 | 0:11:56 | |
Paul Roberts, | 0:11:56 | 0:11:58 | |
AKA sports personality of the year. | 0:11:58 | 0:12:00 | |
He's in a coma. Some loss! | 0:12:01 | 0:12:03 | |
- (VOMITS) - Fucking freaks. | 0:12:05 | 0:12:06 | |
"This is Steve here. I'm not here right now. Leave us a message." | 0:12:17 | 0:12:19 | |
Hi, Steven. | 0:12:19 | 0:12:21 | |
Remember that time you blew a raspberry on my twat | 0:12:24 | 0:12:26 | |
and thought it was funny and I didn't speak to you for a week? | 0:12:26 | 0:12:28 | |
This is worse. | 0:12:30 | 0:12:31 | |
Call me back. | 0:12:31 | 0:12:32 | |
We've been using this place for 20 years. | 0:12:38 | 0:12:40 | |
It was built as a bunker during World War II. | 0:12:42 | 0:12:44 | |
Left to rot, now... | 0:12:44 | 0:12:45 | |
it's ours. | 0:12:45 | 0:12:47 | |
While there's an Angelic killer on the loose, | 0:12:48 | 0:12:50 | |
it's the safest place for us. | 0:12:50 | 0:12:51 | |
You know, you're not speaking too much | 0:12:52 | 0:12:54 | |
and I'm not great at mind reading. What, you sulking? | 0:12:54 | 0:12:57 | |
Why did you bring me here? | 0:12:59 | 0:13:01 | |
You said I'm no use to you now. So why am I here? | 0:13:02 | 0:13:05 | |
To prove a point. | 0:13:07 | 0:13:08 | |
Nothing. | 0:13:14 | 0:13:15 | |
The camera's not picking her up. | 0:13:15 | 0:13:16 | |
She seems to be changing. | 0:13:18 | 0:13:20 | |
This is organic matter. | 0:13:20 | 0:13:21 | |
Paul? | 0:13:28 | 0:13:30 | |
(GROANS) | 0:13:32 | 0:13:35 | |
- So he's really dead, then? - Yup. | 0:13:35 | 0:13:37 | |
He's really dead. | 0:13:37 | 0:13:38 | |
Shit. | 0:13:38 | 0:13:39 | |
- You know what? It's a good thing. - A good thing?! | 0:13:39 | 0:13:42 | |
Because there's no relying on some sort of rescue package now. | 0:13:42 | 0:13:44 | |
OK? Superman is dead. | 0:13:44 | 0:13:47 | |
God is dead. | 0:13:47 | 0:13:49 | |
The Easter Bunny is dead. | 0:13:49 | 0:13:50 | |
That's what I prove? | 0:13:50 | 0:13:52 | |
Yes, that's what you prove. | 0:13:52 | 0:13:54 | |
All right? This is now a war. | 0:13:54 | 0:13:56 | |
She's going to tell us how to win it. | 0:13:56 | 0:13:58 | |
Higgy, Maddy... | 0:13:58 | 0:13:59 | |
Where is he, Natalie? Where is he? | 0:13:59 | 0:14:01 | |
- Stop! Stop, Neil! - Where's the Angelic killer?! | 0:14:01 | 0:14:04 | |
Do it, go on. | 0:14:04 | 0:14:05 | |
Where is he? | 0:14:05 | 0:14:06 | |
- (SCREAMS) - Where's the killer? | 0:14:06 | 0:14:08 | |
Neil! Neil! | 0:14:08 | 0:14:11 | |
Neil, Neil, Neil, Neil, Neil, Neil, what you doing with that knife? | 0:14:11 | 0:14:13 | |
Shut up. You had an opportunity, you, and you blew it. | 0:14:13 | 0:14:16 | |
OK, kid? | 0:14:16 | 0:14:18 | |
We have a code, Neil! | 0:14:18 | 0:14:19 | |
Fuck the code. | 0:14:19 | 0:14:21 | |
Do you understand how much shit we're in? | 0:14:21 | 0:14:24 | |
Do you understand that there's going to come a tipping point soon, | 0:14:24 | 0:14:27 | |
beyond which we won't be able to beat them. | 0:14:27 | 0:14:29 | |
Now, you can fight me if you want, | 0:14:29 | 0:14:30 | |
but you're not going to convince me that this is not the right thing to do. | 0:14:30 | 0:14:34 | |
Do you want to fight me? | 0:14:34 | 0:14:36 | |
- No. - Right. Then let go of my fucking hand. | 0:14:36 | 0:14:39 | |
This is wrong. This...is wrong. | 0:14:40 | 0:14:44 | |
Where do you think you're going? | 0:14:44 | 0:14:45 | |
You're a Fade. You can't open doors. | 0:14:45 | 0:14:48 | |
Yeah, well, he's not going alone, is he, Neil, eh? | 0:14:48 | 0:14:51 | |
Phil... Phil! Shit! | 0:14:53 | 0:14:57 | |
Well, that sorted out the wheat from the chaff. | 0:14:57 | 0:14:58 | |
I'm going to ask you one more time before I use this. | 0:15:00 | 0:15:02 | |
Where is he, Natalie? | 0:15:02 | 0:15:04 | |
Where's the Angelic killer? | 0:15:04 | 0:15:05 | |
No? | 0:15:05 | 0:15:07 | |
(NATALIE SCREAMS) | 0:15:07 | 0:15:09 | |
- Paul! - Paul! | 0:15:10 | 0:15:12 | |
- Let me out. - No, just wait a minute. | 0:15:14 | 0:15:16 | |
Let me out! I don't want to be here! | 0:15:16 | 0:15:18 | |
(SCREAMING) | 0:15:18 | 0:15:19 | |
What's he even doing?! | 0:15:21 | 0:15:22 | |
I don't know. Whatever he feels is right. | 0:15:22 | 0:15:26 | |
- We can't stop him? - Yeah, well, | 0:15:26 | 0:15:27 | |
maybe we can with your help. | 0:15:27 | 0:15:29 | |
You could be important. | 0:15:29 | 0:15:31 | |
I'm not important. | 0:15:32 | 0:15:34 | |
I'm dead. | 0:15:35 | 0:15:36 | |
- Leave me alone. - Paul! | 0:15:38 | 0:15:40 | |
Hello. | 0:15:48 | 0:15:49 | |
Hello. | 0:15:52 | 0:15:53 | |
I thought you probably needed something to eat, so, um... | 0:15:57 | 0:15:59 | |
I brought you a sandwich. | 0:15:59 | 0:16:01 | |
Well, I brought you several because... | 0:16:02 | 0:16:04 | |
despite spending the last 17 years of my life in your house, | 0:16:04 | 0:16:07 | |
I'm not sure of your filling preference. | 0:16:07 | 0:16:09 | |
I got a cheese ploughman's, which, um... | 0:16:09 | 0:16:14 | |
advertises that it has no mayonnaise like it's a good thing, | 0:16:14 | 0:16:17 | |
spicy chicken... | 0:16:17 | 0:16:19 | |
and ham and pickle. | 0:16:19 | 0:16:21 | |
- I'm not hungry. - Which is a response I anticipated. | 0:16:21 | 0:16:24 | |
I'd like to counter that with the notion that... | 0:16:25 | 0:16:27 | |
Paul wouldn't want you to make yourself ill. | 0:16:27 | 0:16:30 | |
You know? | 0:16:32 | 0:16:33 | |
You should eat because he'd like you to. | 0:16:33 | 0:16:35 | |
Which one do you want? | 0:16:37 | 0:16:38 | |
I'm truly indifferent. | 0:16:38 | 0:16:40 | |
My taste buds aren't up to much. My mum smoked through pregnancy. | 0:16:40 | 0:16:43 | |
I always just mainly taste the bread. | 0:16:43 | 0:16:46 | |
I'll have the ham. | 0:16:46 | 0:16:47 | |
Good choice. | 0:16:47 | 0:16:48 | |
Please don't turn off the machines. | 0:17:09 | 0:17:11 | |
I'm here to beg you to not turn off the machines. | 0:17:13 | 0:17:16 | |
You're here to do what? | 0:17:16 | 0:17:18 | |
I love him more than any other person in this world, | 0:17:18 | 0:17:20 | |
which I know is not as much as you, but I do. | 0:17:20 | 0:17:22 | |
And I think it makes me the only person that can understand | 0:17:22 | 0:17:24 | |
even a tenth of what you're going through. | 0:17:24 | 0:17:27 | |
We're not having a competition to see who loves Paul best. | 0:17:27 | 0:17:30 | |
This boy... | 0:17:33 | 0:17:34 | |
This boy is part of me. | 0:17:35 | 0:17:37 | |
- No, I know. - And the doctor says | 0:17:37 | 0:17:39 | |
turning off the machines will make things better for him. | 0:17:39 | 0:17:41 | |
Doctors can be wrong. | 0:17:41 | 0:17:42 | |
After what you've done, | 0:17:42 | 0:17:44 | |
- you dare to come in here and... - He was... | 0:17:44 | 0:17:46 | |
I was... | 0:17:47 | 0:17:49 | |
I'm sorry. | 0:17:51 | 0:17:52 | |
He ran into a road with his ears shut. | 0:17:52 | 0:17:55 | |
I know. | 0:17:55 | 0:17:56 | |
- I saw and... - You were careless with him, Mac. | 0:17:56 | 0:17:59 | |
And that means it's my decision, | 0:18:01 | 0:18:03 | |
not yours. | 0:18:03 | 0:18:05 | |
Steve? | 0:18:35 | 0:18:37 | |
Oh, sorry. | 0:18:37 | 0:18:39 | |
I...am...John. | 0:19:04 | 0:19:10 | |
I...am... | 0:19:14 | 0:19:17 | |
...John. | 0:19:20 | 0:19:21 | |
What? | 0:19:49 | 0:19:50 | |
You can see me. | 0:20:31 | 0:20:32 | |
I can. | 0:20:35 | 0:20:37 | |
You're in my dreams. | 0:20:40 | 0:20:42 | |
Who are you? | 0:20:43 | 0:20:45 | |
Wait! | 0:20:50 | 0:20:51 | |
Agh! Agh! | 0:20:51 | 0:20:53 | |
Unh! | 0:20:53 | 0:20:54 | |
When I was a boy there were these sweets called...Pontefract cakes. | 0:22:02 | 0:22:07 | |
What were you doing in my dream? | 0:22:07 | 0:22:08 | |
- They were nice on their own, but... - How can you see me? | 0:22:08 | 0:22:11 | |
...you put them on your mouth with a Mackintosh rosemary chocolate, | 0:22:11 | 0:22:12 | |
which actually were my mother's favourite... | 0:22:12 | 0:22:14 | |
heaven, | 0:22:14 | 0:22:16 | |
a heavenly mixture. | 0:22:16 | 0:22:17 | |
But... | 0:22:20 | 0:22:21 | |
...that was 1932 and this is now. | 0:22:22 | 0:22:25 | |
And this chocolate is not bad. | 0:22:25 | 0:22:27 | |
19...32? | 0:22:27 | 0:22:29 | |
Sorry. Where are my manners? Are you... Are you hungry? | 0:22:29 | 0:22:31 | |
I'm starving. | 0:22:32 | 0:22:35 | |
I'm hungrier than starving. | 0:22:35 | 0:22:37 | |
I'm...I'm famished. | 0:22:37 | 0:22:39 | |
I'm ravenous. | 0:22:39 | 0:22:41 | |
I'm food impoverished. | 0:22:41 | 0:22:43 | |
You were a boy in 1932? | 0:22:44 | 0:22:46 | |
You're not much older than me! | 0:22:46 | 0:22:48 | |
(SIZZLE) | 0:22:48 | 0:22:49 | |
Huh! | 0:22:49 | 0:22:50 | |
Shocking, isn't it? | 0:22:50 | 0:22:52 | |
There was, of course, a...a dead bit in between. | 0:22:52 | 0:22:57 | |
I died for a bit. | 0:22:57 | 0:22:58 | |
And now I live. | 0:22:59 | 0:23:00 | |
Let's walk. | 0:23:04 | 0:23:06 | |
I still don't get what you were doing in my dream. | 0:23:39 | 0:23:42 | |
Haven't you worked it out yet? | 0:23:42 | 0:23:45 | |
Who I am? | 0:23:46 | 0:23:47 | |
Fuck off. | 0:23:50 | 0:23:51 | |
It's you...you tried to kill me. | 0:23:51 | 0:23:54 | |
Now here's the fun part - I can't kill you! | 0:23:58 | 0:24:00 | |
You're a Fade now. You can't touch, | 0:24:00 | 0:24:03 | |
you can't feel, but you can be trapped. | 0:24:03 | 0:24:05 | |
Those doors are shut. How are you going to open them, Paul? | 0:24:05 | 0:24:10 | |
You could be stuck up here for a very long, lonely time. | 0:24:10 | 0:24:13 | |
Unless... | 0:24:31 | 0:24:32 | |
...you can tell me what I need to know. | 0:24:35 | 0:24:37 | |
What do you need to know? | 0:24:39 | 0:24:41 | |
I sent a young girl to follow you. Her name's... | 0:24:42 | 0:24:45 | |
Natalie. | 0:24:45 | 0:24:47 | |
And I like her. | 0:24:49 | 0:24:50 | |
And I think damage is being done to her by your people. | 0:24:51 | 0:24:54 | |
(CHOKES) | 0:24:56 | 0:24:58 | |
And I want her back. | 0:25:00 | 0:25:01 | |
She tried to kill me. | 0:25:01 | 0:25:03 | |
So did I. | 0:25:05 | 0:25:06 | |
So you want me to help a murderer find a murderer? F...fuck you! | 0:25:06 | 0:25:10 | |
You're one of those honourable types. How modern! | 0:25:10 | 0:25:12 | |
I'd rather spend forever up here than... | 0:25:13 | 0:25:16 | |
I wouldn't help you even if it cost me everything! | 0:25:17 | 0:25:19 | |
Cost you everything? | 0:25:19 | 0:25:20 | |
You don't know what everything means. | 0:25:21 | 0:25:24 | |
For nearly 70 years I watched my wife suffer | 0:25:24 | 0:25:26 | |
while my Fade body rotted away from me. | 0:25:26 | 0:25:28 | |
You're a fucking child. | 0:25:29 | 0:25:32 | |
And I will not be lectured by you! | 0:25:32 | 0:25:35 | |
I was one of the first. | 0:25:37 | 0:25:39 | |
Sicily, 1943. Killed by a mortar. | 0:25:39 | 0:25:42 | |
One of many that year. | 0:25:44 | 0:25:45 | |
There was so much death, it's no wonder the ladder got broken. | 0:25:47 | 0:25:49 | |
And when it did, I, | 0:25:50 | 0:25:51 | |
along with thousands, and possibly millions of others, | 0:25:51 | 0:25:53 | |
became trapped in a world in which I couldn't touch. | 0:25:53 | 0:25:56 | |
I could only watch as my loved ones carry on without me. | 0:25:57 | 0:26:00 | |
And, while I watched, my body continued to age, and rot. | 0:26:02 | 0:26:07 | |
Not a nice situation. | 0:26:10 | 0:26:11 | |
I didn't deserve it. None of us did. | 0:26:13 | 0:26:15 | |
(VOMITS) | 0:26:17 | 0:26:19 | |
(GRUNTS) | 0:26:28 | 0:26:29 | |
So you killed people... | 0:26:42 | 0:26:43 | |
...to make it better? | 0:26:45 | 0:26:46 | |
No, I didn't kill. | 0:26:48 | 0:26:49 | |
That's not how it started. | 0:26:50 | 0:26:52 | |
I was saved. | 0:26:54 | 0:26:55 | |
By my wife, as it happens. | 0:26:57 | 0:26:59 | |
(SPLUTTERS) | 0:27:00 | 0:27:01 | |
We were married at 18. | 0:27:03 | 0:27:04 | |
At 20, I was sent to war and at 22, I didn't return. | 0:27:06 | 0:27:09 | |
I watched her marry again to a man that beat her. | 0:27:10 | 0:27:13 | |
I saw her give birth to children that didn't think that much of her. | 0:27:17 | 0:27:19 | |
And then... | 0:27:23 | 0:27:24 | |
...when the cancer came... | 0:27:26 | 0:27:27 | |
...I watched her choose dignity. | 0:27:30 | 0:27:32 | |
All I could do was watch. | 0:27:35 | 0:27:37 | |
I couldn't touch. I couldn't cry out. | 0:27:38 | 0:27:39 | |
The pain of that first drop of blood on my face was excruciating. | 0:27:45 | 0:27:49 | |
But the thought of leaving her was even more excruciating, | 0:27:49 | 0:27:52 | |
so I lay there...took the pain. | 0:27:52 | 0:27:56 | |
Three days of her blood dripping on me. | 0:27:58 | 0:28:00 | |
Drying on me, enveloping me. | 0:28:00 | 0:28:03 | |
And it was that blood... that saved me. | 0:28:05 | 0:28:09 | |
It burnt me. And where it burnt me, I grew new skin. | 0:28:11 | 0:28:14 | |
Skin that I could feel with. | 0:28:15 | 0:28:18 | |
I found a way...to be free. | 0:28:18 | 0:28:21 | |
But to be free... | 0:28:23 | 0:28:25 | |
...you became a killer. | 0:28:27 | 0:28:28 | |
Don't even think what I did even starts to compare | 0:28:28 | 0:28:30 | |
with what the Angelics did. | 0:28:30 | 0:28:31 | |
What did the Angelics do that was so bad? | 0:28:31 | 0:28:33 | |
From the start, we begged them for help. | 0:28:33 | 0:28:35 | |
We said that there must be a way for them to reopen ascension. | 0:28:37 | 0:28:40 | |
That they had to reopen ascension. | 0:28:40 | 0:28:42 | |
So they met, | 0:28:44 | 0:28:45 | |
they talked... | 0:28:45 | 0:28:47 | |
...and they decided that interfering with ascension | 0:28:48 | 0:28:50 | |
was beyond the Angelic remit. | 0:28:50 | 0:28:52 | |
We'd just have to learn to accept our pain. | 0:28:52 | 0:28:55 | |
They ref...refused to help? | 0:28:56 | 0:28:58 | |
We couldn't touch the living, | 0:28:59 | 0:29:00 | |
but they became afraid of what we might do. | 0:29:00 | 0:29:02 | |
So they made guns tipped with organic matter to hurt us. | 0:29:02 | 0:29:05 | |
They herded us like cattle. | 0:29:07 | 0:29:09 | |
They became our prison guards. | 0:29:09 | 0:29:12 | |
This is my truth, Paul, and it is the truth, and I think you know it. | 0:29:14 | 0:29:18 | |
And I think what they're doing to Natalie right now proves it. | 0:29:18 | 0:29:21 | |
I tried to get them to let her go. | 0:29:21 | 0:29:24 | |
I can't help you. | 0:29:28 | 0:29:30 | |
They won't listen to me. | 0:29:30 | 0:29:32 | |
All I need you to do is take me there. | 0:29:34 | 0:29:36 | |
I won't hurt them, I won't kill them, I give you my word. | 0:29:38 | 0:29:41 | |
I'll just go in and get her out. | 0:29:42 | 0:29:44 | |
(WOMAN GROANS IN PAIN) | 0:30:10 | 0:30:12 | |
The camera's picking her up. | 0:30:21 | 0:30:23 | |
So they can be seen. | 0:30:27 | 0:30:28 | |
She's becoming flesh. | 0:30:31 | 0:30:32 | |
(GROANS IN AGONY) | 0:30:34 | 0:30:36 | |
Pre-ascension jitters? Forget about it. | 0:30:42 | 0:30:46 | |
You'll definitely ascend. | 0:30:46 | 0:30:48 | |
You come to see us? | 0:30:51 | 0:30:53 | |
Argh. Fuck! | 0:30:53 | 0:30:55 | |
He'll be OK, right? | 0:31:04 | 0:31:05 | |
He'll be fine. Come on. | 0:31:05 | 0:31:08 | |
Whoa. That's... | 0:31:23 | 0:31:25 | |
(GROANING) | 0:31:25 | 0:31:26 | |
What have you been doing to her, Neil? | 0:31:26 | 0:31:28 | |
Who are you here with? | 0:31:29 | 0:31:31 | |
Phil and Alice come back, have they? Come crawling back? | 0:31:31 | 0:31:34 | |
Higgy let me in. | 0:31:36 | 0:31:37 | |
(GASPS) Neil? | 0:31:40 | 0:31:41 | |
What's going on? | 0:31:42 | 0:31:44 | |
Paul, where's Higgy? | 0:31:48 | 0:31:49 | |
Higgy! | 0:31:52 | 0:31:53 | |
You stay and watch Natalie. | 0:31:55 | 0:31:56 | |
Paul, you come with me. | 0:31:58 | 0:32:00 | |
Neil, why don't you just let her go? | 0:32:01 | 0:32:04 | |
(WHISPERS) Seriously, Neil, just let her go. | 0:32:09 | 0:32:11 | |
(GRUNTS AND RATTLES CHAINS) | 0:32:15 | 0:32:16 | |
(GROANS WILDLY) | 0:32:17 | 0:32:19 | |
(WHISPERS) Neil? | 0:32:30 | 0:32:31 | |
What the... | 0:32:43 | 0:32:45 | |
MADDY: Neil? | 0:32:49 | 0:32:51 | |
(DEEP RASP) Neil! | 0:32:52 | 0:32:54 | |
Neil... | 0:32:55 | 0:32:57 | |
Someone's in, someone's in! | 0:32:57 | 0:33:00 | |
Maddy! | 0:33:00 | 0:33:01 | |
(SCREECHES) | 0:33:04 | 0:33:06 | |
(MADDY SCREAMS) | 0:33:06 | 0:33:08 | |
Maddy! | 0:33:08 | 0:33:10 | |
(RAPID GUNFIRE) | 0:33:10 | 0:33:11 | |
No! | 0:33:11 | 0:33:13 | |
Fuck off! | 0:33:15 | 0:33:18 | |
(NATALIE WAILS) | 0:33:18 | 0:33:20 | |
Move over. | 0:33:21 | 0:33:22 | |
- It's OK, Maddy. - Maddy? | 0:33:22 | 0:33:24 | |
- Oh... - (GROANING) | 0:33:24 | 0:33:25 | |
No! | 0:33:29 | 0:33:30 | |
Maddy! | 0:33:30 | 0:33:31 | |
No. She's dying. She's going. | 0:33:37 | 0:33:39 | |
Come on, Maddy. | 0:33:41 | 0:33:42 | |
Maddy. | 0:33:44 | 0:33:45 | |
How did he get in? | 0:33:54 | 0:33:55 | |
I'll give you three guesses. | 0:33:55 | 0:33:57 | |
You'll only need one. | 0:33:59 | 0:34:01 | |
(SOFTLY) Neil... | 0:34:18 | 0:34:19 | |
(WHISPERS) Neil... | 0:34:21 | 0:34:22 | |
Neil. Neil, Neil! | 0:34:22 | 0:34:24 | |
Oh, my... No, no! | 0:34:25 | 0:34:27 | |
- No! - (GUNSHOT) | 0:34:30 | 0:34:31 | |
(SHOUTING DROWNED OUT BY SHOTS) | 0:34:31 | 0:34:34 | |
Neil! No! Neil! | 0:34:41 | 0:34:42 | |
- Arrrgh! - Higgy! | 0:34:42 | 0:34:45 | |
Higgy! No! | 0:34:47 | 0:34:48 | |
Get inside! In there! Go! | 0:34:48 | 0:34:52 | |
Aaarrrrgh! | 0:34:58 | 0:35:00 | |
You killed them. | 0:35:29 | 0:35:30 | |
(GIGGLES) | 0:35:37 | 0:35:39 | |
You killed them. | 0:35:40 | 0:35:41 | |
Do you understand what I've just learned? | 0:35:43 | 0:35:45 | |
I'm immortal. | 0:35:47 | 0:35:48 | |
This is better than I thought. | 0:35:52 | 0:35:53 | |
You killed them. | 0:35:53 | 0:35:55 | |
You...you promised! | 0:35:56 | 0:35:58 | |
I really hope you don't ascend. | 0:35:58 | 0:36:01 | |
You'll be a very useful member of my team. | 0:36:01 | 0:36:04 | |
(DOOR BANGS SHUT) | 0:36:19 | 0:36:21 | |
Who is he? | 0:36:23 | 0:36:24 | |
Who is he? | 0:36:25 | 0:36:26 | |
That's your Angelic killer. | 0:36:33 | 0:36:34 | |
He promised he wouldn't hurt anyone. | 0:36:38 | 0:36:39 | |
He what? | 0:36:39 | 0:36:41 | |
He pro...he promised you?! | 0:36:41 | 0:36:43 | |
Why? | 0:36:46 | 0:36:48 | |
Why did you do this to us? | 0:36:49 | 0:36:51 | |
Walk away from me, Paul, now. | 0:36:53 | 0:36:54 | |
Walk away from me! | 0:36:55 | 0:36:57 | |
(MACHINE BEEPS) | 0:37:15 | 0:37:17 | |
ANNA: I'm glad you fucked him. | 0:37:17 | 0:37:19 | |
In case you were worried. | 0:37:19 | 0:37:21 | |
Nice that he had a chance to... | 0:37:23 | 0:37:26 | |
you know, with a real girl. | 0:37:26 | 0:37:28 | |
Thanks. | 0:37:30 | 0:37:32 | |
And frankly, you're pretty good looking and you've got a great arse, | 0:37:34 | 0:37:38 | |
so he probably did better than he should have done. | 0:37:38 | 0:37:40 | |
Which is good, cos... | 0:37:43 | 0:37:45 | |
...now he's dead. | 0:37:47 | 0:37:48 | |
Are you OK, Anna? | 0:37:55 | 0:37:56 | |
Sorry. Stupid question. | 0:38:03 | 0:38:06 | |
I can't get this thought out of my head... | 0:38:12 | 0:38:14 | |
...if Mum had the choice... | 0:38:16 | 0:38:17 | |
...I'd be on that bed, not him. | 0:38:19 | 0:38:22 | |
That's not true. | 0:38:24 | 0:38:25 | |
Selfish bitch, aren't I? | 0:38:29 | 0:38:31 | |
We got forensics back. | 0:38:38 | 0:38:39 | |
And? | 0:38:39 | 0:38:40 | |
The teeth don't match. | 0:38:40 | 0:38:41 | |
Sorry, Sir. It's not our man. | 0:38:42 | 0:38:45 | |
(DOOR OPENS) | 0:39:02 | 0:39:04 | |
We're letting you go. | 0:39:08 | 0:39:10 | |
But I will be watching you. | 0:39:18 | 0:39:20 | |
Paul? | 0:40:04 | 0:40:05 | |
Are you here? | 0:40:06 | 0:40:08 | |
Paul? | 0:40:12 | 0:40:13 | |
Are you...here? | 0:40:14 | 0:40:17 | |
If your ghost is here just give me a signal. | 0:40:23 | 0:40:25 | |
Shut the fuck up! What? | 0:40:27 | 0:40:29 | |
Really? Oh, this is really OK. | 0:40:29 | 0:40:31 | |
OK. Shit. | 0:40:31 | 0:40:34 | |
I've got so many questions to ask you... | 0:40:36 | 0:40:37 | |
Well, let's start with who you are and what you're doing in this room. | 0:40:38 | 0:40:41 | |
I'm Mac, I'm Mac! I was looking for Paul's ghost and... | 0:40:41 | 0:40:44 | |
I have nowhere else to go. | 0:40:44 | 0:40:45 | |
Shit. It's the kid from the phone. | 0:40:46 | 0:40:49 | |
Sorry, we just didn't know who you were. | 0:40:50 | 0:40:52 | |
I know who you are. You're wizards, right? | 0:40:52 | 0:40:54 | |
You answered Neil's phone so that probably makes you wizards. | 0:40:54 | 0:40:57 | |
You're here to bring him back to life. I knew it! I knew it! | 0:40:57 | 0:41:01 | |
- Bollocks. - When I cut myself he made it better. | 0:41:01 | 0:41:03 | |
He just did. You did the same thing, but on a bigger scale. | 0:41:03 | 0:41:06 | |
He's back. He's alive! | 0:41:06 | 0:41:09 | |
We're here looking for Paul's Fade before he goes into ascension. | 0:41:09 | 0:41:11 | |
And we can't bring him back to life, all right? | 0:41:11 | 0:41:13 | |
I mean, this life-and-death thing, | 0:41:13 | 0:41:14 | |
it's a bit more complicated than a busted arm. | 0:41:14 | 0:41:16 | |
- I'm sorry. - OK, | 0:41:16 | 0:41:18 | |
so they're complicated, that means we can't even try? | 0:41:18 | 0:41:20 | |
Because I'm heartbroken. | 0:41:21 | 0:41:22 | |
His girlfriend's heartbroken, his twin sister's heartbroken. His mum... | 0:41:24 | 0:41:27 | |
It just doesn't seem fair. | 0:41:29 | 0:41:30 | |
Wait a minute...did you say twin? | 0:41:30 | 0:41:33 | |
What? What? | 0:41:33 | 0:41:35 | |
(SHE PRESSES BUTTON ON MACHINE) | 0:41:56 | 0:41:57 | |
(THUMP) | 0:42:03 | 0:42:05 | |
And Paul says he's the one with magic powers. | 0:42:05 | 0:42:07 | |
Where have you been? | 0:42:07 | 0:42:08 | |
Here... | 0:42:08 | 0:42:10 | |
there... | 0:42:10 | 0:42:12 | |
everywhere. | 0:42:12 | 0:42:13 | |
Well, it's good that you're back | 0:42:18 | 0:42:20 | |
cos we've got an hour... | 0:42:20 | 0:42:22 | |
until they turn the machines off. | 0:42:22 | 0:42:24 | |
They're turning the machines off at 8 o'clock? | 0:42:24 | 0:42:26 | |
Yes, weirdo. | 0:42:26 | 0:42:27 | |
They've been taking it in turns to say goodbye. | 0:42:30 | 0:42:32 | |
No, we're not. | 0:42:32 | 0:42:34 | |
What? | 0:42:34 | 0:42:35 | |
Fuck goodbyes, I hate them. I much prefer the French way - | 0:42:35 | 0:42:38 | |
au revoir - come back soon. | 0:42:38 | 0:42:41 | |
That's not what au revoir means. | 0:42:41 | 0:42:43 | |
I've met some really clever wizards. | 0:42:44 | 0:42:46 | |
What? | 0:42:46 | 0:42:47 | |
I found an exhaust port. | 0:42:48 | 0:42:50 | |
We're going to save your brother's life. Please. | 0:42:51 | 0:42:55 | |
What the fuck are you talking about? | 0:42:58 | 0:43:00 | |
You know my favourite time? | 0:43:02 | 0:43:06 | |
First thing in the morning. | 0:43:06 | 0:43:08 | |
I used to leave you in bed while I... had a shower, | 0:43:11 | 0:43:14 | |
and then when I came back into the bedroom, you'd always... | 0:43:14 | 0:43:17 | |
have fallen asleep again. | 0:43:17 | 0:43:18 | |
You'd wake me up by putting your cold, wet hand on my back. | 0:43:18 | 0:43:20 | |
I'd just watch you. | 0:43:20 | 0:43:22 | |
Just watch you sleep. | 0:43:24 | 0:43:26 | |
And you looked... | 0:43:29 | 0:43:30 | |
...perfect, you just looked perfect. | 0:43:33 | 0:43:35 | |
Once again, I'm not sure if I'm talking to myself or... | 0:43:39 | 0:43:42 | |
(SIGHS) Actually... | 0:43:45 | 0:43:48 | |
the truth is... | 0:43:48 | 0:43:50 | |
if you are there... | 0:43:50 | 0:43:52 | |
...I wish you weren't. | 0:43:55 | 0:43:56 | |
Cos I can't cope with knowing that you're there. | 0:43:59 | 0:44:01 | |
I can't cope with the idea that you're watching me | 0:44:03 | 0:44:06 | |
and I can't see you. | 0:44:06 | 0:44:07 | |
Can't feel you. | 0:44:07 | 0:44:09 | |
I wanna touch you too. | 0:44:09 | 0:44:11 | |
It's like, knowing that you're there, it should fill me with joy, | 0:44:13 | 0:44:16 | |
but it doesn't. In fact, it's beginning to make me hate you. | 0:44:16 | 0:44:20 | |
So...just...fuck off. | 0:44:20 | 0:44:23 | |
Please. | 0:44:25 | 0:44:26 | |
Out of my life, please. | 0:44:27 | 0:44:30 | |
OK. | 0:44:34 | 0:44:36 | |
OK, baby. | 0:44:39 | 0:44:40 | |
(BEEPING) | 0:44:43 | 0:44:44 | |
(BEEPING) | 0:44:46 | 0:44:48 | |
Door was open. | 0:45:43 | 0:45:44 | |
You look like shit. | 0:45:46 | 0:45:47 | |
What...happened here? | 0:45:51 | 0:45:52 | |
Do you remember Natalie? | 0:45:54 | 0:45:56 | |
Unlike you, I never remembered their names... | 0:45:58 | 0:46:01 | |
We had Natalie, and now she's gone. | 0:46:01 | 0:46:04 | |
It gets worse... | 0:46:10 | 0:46:11 | |
The Fade who killed you... | 0:46:13 | 0:46:15 | |
he's eaten flesh and taken human form. | 0:46:15 | 0:46:18 | |
They all can, Sarah. | 0:46:18 | 0:46:20 | |
It was him who did this. | 0:46:22 | 0:46:23 | |
You've got to get this cleared up. | 0:46:26 | 0:46:27 | |
I know. | 0:46:27 | 0:46:28 | |
Sarah, am I, um... | 0:46:30 | 0:46:33 | |
Am I a good man? | 0:46:37 | 0:46:39 | |
You're a principled wanker who gets confused sometimes. | 0:46:39 | 0:46:42 | |
You're also one of the best men I know. | 0:46:52 | 0:46:55 | |
You were right, you know. | 0:46:55 | 0:46:57 | |
It's inevitable, this whole thing, | 0:46:58 | 0:47:00 | |
there's nothing any of us can do. | 0:47:00 | 0:47:02 | |
Tonight I shot a man, and he came back to life... | 0:47:03 | 0:47:06 | |
How can we fight immortals? | 0:47:09 | 0:47:10 | |
How can I help people? | 0:47:10 | 0:47:12 | |
How can I be good? | 0:47:12 | 0:47:14 | |
Well, if I was right... | 0:47:14 | 0:47:16 | |
...you were right too - | 0:47:17 | 0:47:18 | |
even if the world is ending, even if they are inevitable... | 0:47:18 | 0:47:22 | |
...we can't give up. We've got to fight. | 0:47:24 | 0:47:28 | |
How? How can we fight them? | 0:47:30 | 0:47:32 | |
By having one of our team on theirs. | 0:47:36 | 0:47:39 | |
It's time for me to... | 0:47:43 | 0:47:45 | |
It's time for me to eat, Neil. | 0:47:47 | 0:47:49 | |
Don't tell me you haven't considered it. | 0:47:56 | 0:47:57 | |
I never considered you'd want to do it. - I don't. | 0:48:00 | 0:48:02 | |
But I will... | 0:48:04 | 0:48:05 | |
It's not going to be pleasant. | 0:48:07 | 0:48:09 | |
But it's the only way. | 0:48:13 | 0:48:15 | |
Thank you. | 0:48:26 | 0:48:28 | |
- Paul? - Paul? | 0:48:54 | 0:48:56 | |
What are you doing here? | 0:49:00 | 0:49:02 | |
Mac? | 0:49:03 | 0:49:04 | |
Why have you got my sister? | 0:49:07 | 0:49:09 | |
We're here to do a...a sort of a... | 0:49:09 | 0:49:11 | |
...a soul transplant - we're going to bring you back to life. | 0:49:13 | 0:49:15 | |
It's like a...it's like a liver transplant. | 0:49:16 | 0:49:18 | |
We just take a piece and then just watch it grow. | 0:49:18 | 0:49:21 | |
- This is fucking stupid... - No, no, no, no! | 0:49:21 | 0:49:23 | |
We haven't got a lot of time, guys, please. | 0:49:23 | 0:49:24 | |
Please, please. | 0:49:24 | 0:49:25 | |
No, won't work. | 0:49:25 | 0:49:27 | |
I'm dead. I'm done. | 0:49:27 | 0:49:29 | |
Cursed. Yeah? Well, we disagree, | 0:49:32 | 0:49:34 | |
so get over here and do as you're told, all right? | 0:49:34 | 0:49:37 | |
I shouldn't even be here. | 0:49:37 | 0:49:39 | |
PAUL: You're not listening to me. | 0:49:39 | 0:49:41 | |
I got Maddy and Higgy killed... | 0:49:44 | 0:49:46 | |
PHIL: You know what, Paul? You're right. | 0:49:50 | 0:49:53 | |
- I'm not listening to you. - MAC: Is he having doubts? | 0:49:53 | 0:49:55 | |
Tell him there's no time for doubts. | 0:49:55 | 0:49:56 | |
I don't need to tell him anything - he can hear you. | 0:49:56 | 0:49:58 | |
He can hear us? | 0:49:58 | 0:49:59 | |
MAC: Paul, this will work. Listen - remember that time | 0:49:59 | 0:50:01 | |
when we was 11 in sex ed class... | 0:50:01 | 0:50:03 | |
No time for fond memories, all right? | 0:50:03 | 0:50:05 | |
Now, we need to do this and we need to do it now, | 0:50:05 | 0:50:08 | |
so you get over here. | 0:50:08 | 0:50:09 | |
I just don't want to wait a moment more for Anna. | 0:50:39 | 0:50:43 | |
Never was there when I needed her. | 0:50:50 | 0:50:52 | |
What are you waiting for? | 0:50:59 | 0:51:00 | |
PHIL: Reflection. | 0:51:01 | 0:51:04 | |
(BEEPING) | 0:51:13 | 0:51:15 | |
Go ahead. | 0:51:17 | 0:51:19 | |
(HIGH-PITCHED BEEP) | 0:52:49 | 0:52:51 | |
Oh! | 0:52:54 | 0:52:56 | |
Oh! | 0:52:56 | 0:52:58 | |
(SCREAMS) | 0:52:58 | 0:53:00 | |
(SCREAMS) | 0:53:05 | 0:53:06 | |
(LONG BEEP) | 0:53:26 | 0:53:29 | |
You did everything you could. | 0:53:49 | 0:53:51 | |
Yeah. | 0:53:51 | 0:53:53 | |
And I failed. | 0:53:53 | 0:53:54 | |
We failed? | 0:53:54 | 0:53:56 | |
Told you I'm cursed. | 0:54:06 | 0:54:08 | |
I'm sorry. | 0:54:11 | 0:54:13 | |
MAC: What do you mean "sorry"? | 0:54:13 | 0:54:14 | |
- Paul? - just tell Mac... | 0:54:15 | 0:54:18 | |
MAC: Do something, Paul - I need you! | 0:54:18 | 0:54:21 | |
Tell him to try something else! | 0:54:21 | 0:54:23 | |
I need him. | 0:54:26 | 0:54:28 | |
Paul? | 0:54:30 | 0:54:32 | |
Paul? | 0:54:36 | 0:54:37 | |
Paul! | 0:54:38 | 0:54:40 | |
(LONG BEEP) | 0:54:43 | 0:54:45 | |
(BEEPING) | 0:54:46 | 0:54:50 | |
(IRREGULAR BEEPING) | 0:54:50 | 0:54:52 | |
- MEG: What's wrong with him? - JAY: Doctor, what's happening? | 0:54:53 | 0:54:56 | |
Whoa, whoa, whoa, whoa! | 0:54:58 | 0:54:59 | |
(FAST BEEPING) | 0:54:59 | 0:55:02 | |
(IRREGULAR BEEPING) | 0:55:02 | 0:55:03 | |
He moved. He just moved. | 0:55:03 | 0:55:07 | |
- What? - What? | 0:55:07 | 0:55:08 | |
Paul? | 0:55:13 | 0:55:14 | |
- Where's he gone? - Paul! | 0:55:14 | 0:55:17 | |
He's ascended? | 0:55:17 | 0:55:19 | |
Well, whatever happened, it wasn't us. | 0:55:19 | 0:55:21 | |
What is this?! | 0:55:28 | 0:55:30 | |
Someone make it stop. | 0:55:33 | 0:55:35 | |
My son. | 0:55:43 | 0:55:45 | |
My son's back. | 0:55:47 | 0:55:49 | |
My son is back. | 0:55:49 | 0:55:50 | |
My son is back. | 0:55:50 | 0:55:52 | |
My son is back. | 0:55:52 | 0:55:55 | |
Fuck. | 0:56:15 | 0:56:17 | |
Ah! | 0:56:24 | 0:56:26 | |
# I never knew you | 0:56:27 | 0:56:30 | |
# But now I'm haunted by your past | 0:56:30 | 0:56:34 | |
# How long will this last? | 0:56:34 | 0:56:36 | |
# I thought you loved me | 0:56:39 | 0:56:41 | |
# You say you love me | 0:56:41 | 0:56:44 | |
# Life's just a shadow that you cast. # | 0:56:44 | 0:56:48 | |
Subtitles by Red Bee Media | 0:56:52 | 0:56:55 |