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Last week, my best friend came back to life. The day before, he died. | 0:00:02 | 0:00:08 | |
A few days before that, he emerges as the most powerful member | 0:00:08 | 0:00:11 | |
of this tribe called the Angelics. | 0:00:11 | 0:00:13 | |
He acquires magical powers they didn't even think was possible. | 0:00:13 | 0:00:16 | |
People used to think he was mad. They were wrong. He's special. | 0:00:18 | 0:00:22 | |
But him being special's been a tumultuous time. | 0:00:22 | 0:00:24 | |
And that's not even half of it! There's these dead people - | 0:00:24 | 0:00:27 | |
the Fades - and they're trying to come back to life, | 0:00:27 | 0:00:30 | |
led by this dude called John, | 0:00:30 | 0:00:32 | |
who died in 1943 and has come back to life by eating human flesh. | 0:00:32 | 0:00:35 | |
And now he's got a taste for it, he just can't stop. Yeah, I know. | 0:00:35 | 0:00:39 | |
He tricked Paul into helping him rescue this girl, Natalie, from the Angelics. | 0:00:39 | 0:00:43 | |
And with her help, he's bringing a whole army of dead people back into our town. | 0:00:43 | 0:00:48 | |
-We've got to fight. -Meanwhile, the Angelics have their own plan. | 0:00:48 | 0:00:52 | |
-How? -By having one of our team on theirs. | 0:00:52 | 0:00:55 | |
Those of us in the middle of it - me, my history teacher, | 0:00:55 | 0:00:58 | |
Paul's mum, Paul's sister, Paul's girlfriend - just stick out our chin, | 0:00:58 | 0:01:01 | |
grin and try and pretend we understand what's going on. Scary. | 0:01:01 | 0:01:05 | |
Now, who's seen my Matrix box set? | 0:01:05 | 0:01:08 | |
I'm pretty sure I've worked out who the Architect is a metaphor for. | 0:01:08 | 0:01:13 | |
Na-Nu, Na-Nu. | 0:01:13 | 0:01:14 | |
This programme contains some violent scenes. | 0:01:14 | 0:01:20 | |
This programme contains strong language. | 0:01:20 | 0:01:27 | |
This programme contains scenes which some viewers may find disturbing. | 0:01:27 | 0:01:35 | |
HE BREATHES LUSTFULLY | 0:02:11 | 0:02:14 | |
I've been waiting for over an hour! | 0:02:48 | 0:02:51 | |
'For those with missing persons enquiries, | 0:02:51 | 0:02:54 | |
'a crisis centre has been set up at St Barnabus School. | 0:02:54 | 0:02:58 | |
'I repeat, a missing persons crisis centre has been set up at the school.' | 0:02:58 | 0:03:04 | |
THEY LAUGH | 0:03:12 | 0:03:15 | |
I don't even know if he's all right or if he should be here! | 0:03:20 | 0:03:23 | |
The doctor didn't even want to discharge you. | 0:03:23 | 0:03:25 | |
-I am allowed to be worried. -He's fine. Watch this. | 0:03:25 | 0:03:28 | |
Lord Of The Rings. | 0:03:28 | 0:03:29 | |
Why don't they just fly in and out of Mordor on the back of a giant eagle? | 0:03:29 | 0:03:33 | |
-Boom! -They didn't want to discharge him because he's too well. | 0:03:33 | 0:03:36 | |
-That's ridiculous. -Mission Impossible 2. | 0:03:36 | 0:03:38 | |
Cruise finds a face mask of the bodyguard without having seen or met him? | 0:03:38 | 0:03:42 | |
-Likely(!) -Kaboosh. | 0:03:42 | 0:03:43 | |
Very few people actually come out of a coma healthier. It's...odd. | 0:03:43 | 0:03:47 | |
My name is Dr Mac the Movie Doctor and I pronounce a clear bill of health. | 0:03:47 | 0:03:51 | |
-He's got a good recall of basic facts. -"Basic facts"? | 0:03:51 | 0:03:54 | |
The Matrix. | 0:03:54 | 0:03:56 | |
'This is Steve...' | 0:03:56 | 0:03:58 | |
-Where do I start? -Direct hit. | 0:03:58 | 0:04:00 | |
-Steve! Call me back! -Boom! Ssh! Boom! | 0:04:00 | 0:04:03 | |
Home run. | 0:04:03 | 0:04:04 | |
"Got well soon." | 0:04:07 | 0:04:08 | |
See what you've done there. | 0:04:09 | 0:04:11 | |
-I'm OK, Mum. -Good to have you home. | 0:04:14 | 0:04:16 | |
Steve's still not answering my calls. | 0:04:20 | 0:04:22 | |
Yeah, the school's going to be a secondary location, | 0:04:27 | 0:04:30 | |
we're completely swamped on missing persons. | 0:04:30 | 0:04:32 | |
Armstrong wouldn't know a suspect if one bit him on the arse. | 0:04:32 | 0:04:35 | |
Look, Carol, I need to go, right? | 0:04:35 | 0:04:38 | |
Hello. | 0:04:43 | 0:04:45 | |
Hello. | 0:04:45 | 0:04:46 | |
KNOCK ON DOOR | 0:04:59 | 0:05:01 | |
We come in peace. | 0:05:19 | 0:05:21 | |
Oh, do you now? | 0:05:21 | 0:05:23 | |
That must be nice. | 0:05:24 | 0:05:26 | |
Sarah?! | 0:05:37 | 0:05:38 | |
-So why are you here? -Paul's back. | 0:05:40 | 0:05:42 | |
What? | 0:05:42 | 0:05:43 | |
-Back from the dead? -Sarah? | 0:05:45 | 0:05:47 | |
-Are you OK? -So has he eaten, then? | 0:05:47 | 0:05:50 | |
No, He hasn't eaten. He just...came back. | 0:05:50 | 0:05:52 | |
-He closed an ascension point but.. -The point's closed? | 0:05:52 | 0:05:55 | |
That's what happened, isn't it, eh? Sarah... | 0:05:55 | 0:05:58 | |
Sarah's eaten, hasn't she? | 0:06:00 | 0:06:02 | |
-Hasn't she? -It was my idea. | 0:06:02 | 0:06:05 | |
At least we're trying for a solution to this mess. | 0:06:05 | 0:06:08 | |
Sarah eats, she'll be reborn. | 0:06:08 | 0:06:11 | |
-Immortal, just like him. -The boy, he came back. The boy's the answer! | 0:06:11 | 0:06:16 | |
The answer to what? | 0:06:16 | 0:06:17 | |
People have died. | 0:06:17 | 0:06:18 | |
The boy's a joke. | 0:06:19 | 0:06:21 | |
We can beat them, we need to try. | 0:06:22 | 0:06:25 | |
With Sarah's help we can start to fight back. | 0:06:25 | 0:06:27 | |
You're going to destroy her, Neil. I'm not staying to watch. | 0:06:27 | 0:06:31 | |
RUMBLING AND RATTLING | 0:06:31 | 0:06:34 | |
What's happening? | 0:06:34 | 0:06:35 | |
I don't know. | 0:06:36 | 0:06:38 | |
Must be him. | 0:06:44 | 0:06:46 | |
We've got to get everyone out of here. | 0:06:46 | 0:06:49 | |
We've got two more. | 0:07:05 | 0:07:06 | |
Good. | 0:07:06 | 0:07:08 | |
I love this. | 0:07:08 | 0:07:09 | |
I love you. | 0:07:11 | 0:07:12 | |
I've never been happier than I am right now. | 0:07:14 | 0:07:17 | |
Thank you... | 0:07:29 | 0:07:30 | |
..for what you did. | 0:07:31 | 0:07:33 | |
Tried and failed to save you? | 0:07:33 | 0:07:36 | |
Tried and failed to save me. | 0:07:36 | 0:07:38 | |
-Pleasure. -I came back from the dead. | 0:07:38 | 0:07:40 | |
What I am, who I am has got to mean something. | 0:07:41 | 0:07:46 | |
It probably does. | 0:07:46 | 0:07:47 | |
MAC SPITS AND GARGLES | 0:07:51 | 0:07:54 | |
I was ready to ascend. | 0:07:54 | 0:07:56 | |
I'd let everyone down, | 0:07:59 | 0:08:02 | |
and I was ready to leave this... | 0:08:02 | 0:08:04 | |
..rock for ever. | 0:08:06 | 0:08:08 | |
Yeah, yeah, yeah, so you came back to life. | 0:08:08 | 0:08:11 | |
But can you do this? | 0:08:11 | 0:08:12 | |
-Can you though? -No. -Can you? | 0:08:14 | 0:08:17 | |
Well, then you're nothing to me. | 0:08:17 | 0:08:19 | |
THEY LAUGH | 0:08:19 | 0:08:22 | |
Shut up! | 0:08:22 | 0:08:23 | |
Paul. | 0:08:25 | 0:08:26 | |
Don't tell anyone but there's a real live girl in your room. | 0:08:26 | 0:08:29 | |
Are you wearing identical pyjamas? | 0:08:29 | 0:08:31 | |
Yeah, they were...they were the only two I had clean. | 0:08:31 | 0:08:34 | |
Likely story. | 0:08:36 | 0:08:37 | |
So your mum was pretty clear I should sleep in Anna's room. | 0:08:38 | 0:08:43 | |
Yeah. | 0:08:44 | 0:08:45 | |
But I don't want to. | 0:08:45 | 0:08:47 | |
No? | 0:08:47 | 0:08:49 | |
Oh. I get it. | 0:08:52 | 0:08:53 | |
Oh, don't mind me. I'll just be quiet in the corner. | 0:08:54 | 0:08:57 | |
You do anything you want to. I won't listen or watch. | 0:08:57 | 0:09:01 | |
-Sofa downstairs it is. -Yeah. | 0:09:03 | 0:09:05 | |
Night. | 0:09:07 | 0:09:09 | |
Night. | 0:09:09 | 0:09:10 | |
You're not even scarred. | 0:09:17 | 0:09:20 | |
The doctor thinks me a medical miracle. | 0:09:20 | 0:09:22 | |
The doctor thinks you're a freak. | 0:09:22 | 0:09:24 | |
You're my freak, though. | 0:09:26 | 0:09:29 | |
Yeah. | 0:09:30 | 0:09:31 | |
-You... Are you the man in charge? -How did you get in here? | 0:09:40 | 0:09:43 | |
You need to get everyone out of town. It's not safe. | 0:09:43 | 0:09:46 | |
Full scale evacuation? Great! You're just what I need(!) | 0:09:46 | 0:09:49 | |
-You need to leave. Now. -You're going to die here. All of you! | 0:09:49 | 0:09:52 | |
If you don't get out, you'll be arrested, understand? | 0:09:52 | 0:09:55 | |
Men with power. You think you can scare me, you little, little man? | 0:09:55 | 0:09:59 | |
I'm actually average height. | 0:09:59 | 0:10:01 | |
Any news on Clement? | 0:10:01 | 0:10:04 | |
Nothing. | 0:10:04 | 0:10:05 | |
When do we add him to that? | 0:10:08 | 0:10:10 | |
What now? | 0:10:11 | 0:10:13 | |
There's only one thing to do, we've got to try and find Paul, eh? | 0:10:13 | 0:10:17 | |
Alice? | 0:10:19 | 0:10:21 | |
Rargh! | 0:10:27 | 0:10:28 | |
What's she? | 0:10:50 | 0:10:51 | |
The girlfriend? | 0:10:52 | 0:10:55 | |
Yeah. | 0:10:56 | 0:10:57 | |
Pretty. | 0:10:57 | 0:10:58 | |
Neil, what are you doing here? | 0:11:02 | 0:11:03 | |
BREATHES HEAVILY | 0:11:03 | 0:11:07 | |
'You were dead.' | 0:11:11 | 0:11:12 | |
-I know. -And now you're back. | 0:11:12 | 0:11:15 | |
Alice thinks that makes you important. | 0:11:15 | 0:11:18 | |
What do you think? | 0:11:20 | 0:11:22 | |
Oh, I think I should have a knife at your throat right now. | 0:11:22 | 0:11:26 | |
SHE SHIVERS | 0:11:26 | 0:11:28 | |
Why did you do it? | 0:11:43 | 0:11:45 | |
-Why did you help him? -He promised he wouldn't hurt you. | 0:11:45 | 0:11:48 | |
And you believed him? | 0:11:48 | 0:11:50 | |
-A murderer? -You were cutting Natalie up. | 0:11:51 | 0:11:54 | |
You were torturing her. | 0:11:55 | 0:11:57 | |
He told me that's what the Angelics had always done. | 0:11:59 | 0:12:02 | |
Suppressed, policed. | 0:12:02 | 0:12:05 | |
-That's what I believed. -What we did, we did for the good of everyone. | 0:12:05 | 0:12:08 | |
We thought they could be dangerous. It turns out, we were right. | 0:12:09 | 0:12:13 | |
GROWLING | 0:12:13 | 0:12:15 | |
SHE PANTS | 0:12:16 | 0:12:19 | |
The past is a hole and it's full of what-ifs. | 0:12:34 | 0:12:38 | |
And I live in the present. | 0:12:39 | 0:12:41 | |
You? Don't know where you live. | 0:12:41 | 0:12:45 | |
You confuse me. | 0:12:45 | 0:12:46 | |
GROWLING | 0:12:46 | 0:12:50 | |
HER NECK CRUNCHES | 0:12:51 | 0:12:53 | |
'One thing I do know...' | 0:12:57 | 0:12:58 | |
is that you are going to matter. | 0:12:58 | 0:13:01 | |
And when we find out why that is... | 0:13:06 | 0:13:08 | |
..you'll have to pick a side. | 0:13:09 | 0:13:11 | |
Just make sure you pick the right side, kid. | 0:13:17 | 0:13:20 | |
SHE BREATHES HUNGRILY | 0:13:43 | 0:13:47 | |
BLOOD DRIPS | 0:13:50 | 0:13:54 | |
Hello, Sarah. | 0:14:05 | 0:14:06 | |
Welcome. | 0:14:09 | 0:14:10 | |
I can't... | 0:14:38 | 0:14:39 | |
You want to. | 0:14:39 | 0:14:40 | |
One time, during the war... | 0:14:43 | 0:14:46 | |
I was fighting alongside this NCO called Richard...something. | 0:14:46 | 0:14:51 | |
They brought a man with his guts ripped out | 0:14:51 | 0:14:54 | |
into the hole that we were in. | 0:14:54 | 0:14:56 | |
Then someone shouted for medical support... | 0:14:58 | 0:15:01 | |
and Richard raised his hand in the air | 0:15:01 | 0:15:04 | |
"I'm a medic." | 0:15:04 | 0:15:05 | |
And then I watched him... | 0:15:08 | 0:15:10 | |
as he went and held this man's guts together | 0:15:10 | 0:15:14 | |
and then watched him till he died. | 0:15:14 | 0:15:16 | |
And afterwards I said to him, | 0:15:18 | 0:15:20 | |
"Richard, I didn't know that you were a medic." | 0:15:20 | 0:15:24 | |
And he turned to me and he said... | 0:15:26 | 0:15:28 | |
"I'm not. | 0:15:31 | 0:15:32 | |
"I just wanted to know what the insides of a man felt like." | 0:15:36 | 0:15:40 | |
SHE PANTS | 0:15:40 | 0:15:43 | |
Urges are OK. | 0:15:47 | 0:15:49 | |
They're human. | 0:15:53 | 0:15:54 | |
Just eat. | 0:15:58 | 0:15:59 | |
And you'll be reborn. | 0:15:59 | 0:16:01 | |
Don't fight it, Sarah. We win. | 0:16:03 | 0:16:06 | |
SHE FEEDS NOISILY | 0:16:14 | 0:16:17 | |
Sarah? | 0:16:17 | 0:16:18 | |
Sarah! Oh... | 0:16:21 | 0:16:24 | |
WIND HOWLS | 0:16:28 | 0:16:32 | |
GLASS SHATTERS | 0:16:50 | 0:16:52 | |
Oh, shit. Mum? | 0:16:52 | 0:16:54 | |
MUM! | 0:17:04 | 0:17:07 | |
HE SNARLS | 0:17:07 | 0:17:09 | |
HE PANTS | 0:17:10 | 0:17:13 | |
Bad dream? | 0:17:20 | 0:17:21 | |
Yeah. | 0:17:24 | 0:17:25 | |
I didn't wet the bed, though, so that's a bonus. | 0:17:27 | 0:17:30 | |
-We're going to school. -Are we? -They've set up a crisis centre. | 0:17:37 | 0:17:40 | |
Steve's not answering my calls. | 0:17:40 | 0:17:41 | |
I think he's missing and Mum says she'll drive me but only if you come. | 0:17:41 | 0:17:45 | |
Paul, I'm not asking. I'm telling! | 0:17:45 | 0:17:48 | |
I don't know whether there's enough people... | 0:18:07 | 0:18:10 | |
Hi. Excuse me? My name's Mark Etches. | 0:18:11 | 0:18:14 | |
I was told to report to you. | 0:18:14 | 0:18:16 | |
Not unless you're in need of help and guidance you weren't. | 0:18:16 | 0:18:19 | |
Peter. Peter Tremlett. Doctor. | 0:18:19 | 0:18:23 | |
I'll be running a counselling service. | 0:18:23 | 0:18:25 | |
-Right. -Well, thanks for coming in, Mark. We're going to need everyone we can get. | 0:18:25 | 0:18:30 | |
Now, let's see if we can find someone to show Mark around, all right? | 0:18:30 | 0:18:33 | |
OK. | 0:18:33 | 0:18:35 | |
-You really don't have to show me everywhere, you know. -I want to. | 0:18:38 | 0:18:41 | |
And just round here, we're starting up an online database of missing persons. | 0:18:41 | 0:18:46 | |
Steve? What you doing here? | 0:18:46 | 0:18:49 | |
Didn't you know? | 0:18:49 | 0:18:51 | |
I'm dead civic-minded, sir. I work with the elderly, too. | 0:18:51 | 0:18:54 | |
Wiping their arses and everything. | 0:18:54 | 0:18:55 | |
We've actually had a remarkably good response to our request for volunteers. | 0:18:55 | 0:19:00 | |
I've got a clipboard and all. | 0:19:00 | 0:19:02 | |
Hi, hello. We're looking for missing persons. | 0:19:13 | 0:19:17 | |
-Who are you missing? -Steve. Steve McEwan. -Steve? | 0:19:17 | 0:19:20 | |
He's not missing. He's a volunteer. | 0:19:20 | 0:19:23 | |
-Steve's a volunteer? -He's helping with the online databasing. | 0:19:23 | 0:19:28 | |
Anna, wait. Anna! | 0:19:29 | 0:19:31 | |
I think I could be of more use here. | 0:19:32 | 0:19:34 | |
Yes, join me. | 0:19:36 | 0:19:37 | |
Hello, stranger. | 0:19:43 | 0:19:45 | |
Oh... Hello, stranger still. | 0:19:45 | 0:19:49 | |
Surprised to see you here. | 0:19:51 | 0:19:53 | |
My housemate's mum has gone missing. | 0:19:54 | 0:19:56 | |
I'm...moral support. | 0:19:57 | 0:19:59 | |
Is your wife still missing? | 0:20:00 | 0:20:02 | |
Um... | 0:20:02 | 0:20:04 | |
Pretty much officially dead. | 0:20:05 | 0:20:07 | |
Pink suits you. | 0:20:09 | 0:20:11 | |
SHE LAUGHS | 0:20:11 | 0:20:12 | |
What's so funny? | 0:20:12 | 0:20:14 | |
-What? -What's so funny? | 0:20:14 | 0:20:17 | |
-Sorry, who are you? -Oh, Vicky, this is...Dr Tremlett, right? | 0:20:17 | 0:20:21 | |
No, no, no, sorry. I'm just kind of interested... | 0:20:21 | 0:20:26 | |
in what's so funny right now, yeah? | 0:20:26 | 0:20:30 | |
It was just a private joke. | 0:20:30 | 0:20:33 | |
Yeah, and we're actually quite busy, so unless you want something? | 0:20:33 | 0:20:37 | |
Yeah. | 0:20:37 | 0:20:39 | |
Yeah, I want something. | 0:20:39 | 0:20:41 | |
Oh! | 0:20:41 | 0:20:43 | |
Oof. | 0:20:43 | 0:20:44 | |
Argh! | 0:20:44 | 0:20:45 | |
"Volunteering"? | 0:21:00 | 0:21:01 | |
He's seen some opportunity to seek out some new pussy, more like. | 0:21:01 | 0:21:04 | |
If I had you, I'd never let you go. | 0:21:04 | 0:21:06 | |
In order for you to have me, I'd have to be gagged, blindfolded and locked in a chest. | 0:21:06 | 0:21:11 | |
That could be arranged. | 0:21:11 | 0:21:12 | |
Why's this door locked? | 0:21:12 | 0:21:14 | |
Oh, speak of the fucking devil. Where have you been? | 0:21:18 | 0:21:22 | |
-Being a devil, I guess. -Are you dribbling?! | 0:21:22 | 0:21:24 | |
Course I am. I've missed you, sweetness. | 0:21:24 | 0:21:27 | |
Tch! Does that work? Does that work in your head? | 0:21:27 | 0:21:30 | |
"Haven't seen my girlfriend in days, I'll flob on myself and she'll forgive me." | 0:21:30 | 0:21:34 | |
-Anna. Stop. That's not normal dribble. He's one of them. -One of what? | 0:21:34 | 0:21:37 | |
-Yeah, one of what? -Don't come any closer. -Or what? | 0:21:37 | 0:21:40 | |
-He's my boyfriend. -Yeah, and now he's dead. | 0:21:40 | 0:21:43 | |
-He used to be dead, now he's come back to life! -What?! -Babe, that's not true. | 0:21:43 | 0:21:46 | |
Anna, trust me. He wants to kill you. | 0:21:46 | 0:21:49 | |
Go. | 0:21:54 | 0:21:55 | |
Steve, what the fuck are you doing? | 0:21:57 | 0:22:00 | |
Steve? | 0:22:00 | 0:22:02 | |
HE CHUCKLES | 0:22:04 | 0:22:07 | |
THUD AND SCREAM | 0:22:17 | 0:22:19 | |
Have to keep feeding... | 0:22:27 | 0:22:29 | |
-Sarah. Sarah! -They're coming for them so quickly. | 0:22:29 | 0:22:32 | |
Sarah. It's me. Sarah, Where were you? | 0:22:32 | 0:22:35 | |
We need to keep killing. | 0:22:35 | 0:22:38 | |
They can only eat flesh. | 0:22:38 | 0:22:39 | |
What did you see? Did you find him? | 0:22:41 | 0:22:45 | |
-I've done... -It's OK, you'll be fine. | 0:22:45 | 0:22:47 | |
-..some things. -Tell me where you've been. | 0:22:47 | 0:22:49 | |
-Sarah, you're going to be fine. Listen to me. -It hurt. So bad... | 0:22:49 | 0:22:53 | |
-Too badly. -I know it did. | 0:22:53 | 0:22:55 | |
There were bodies. So much blood. | 0:22:55 | 0:22:58 | |
Why is every door...locked?! | 0:23:01 | 0:23:04 | |
Steve's dead? My boyfriend's dead?! | 0:23:05 | 0:23:08 | |
Surely more important is the fact that he's a zombie? | 0:23:08 | 0:23:10 | |
-He was dead. Now he's not. That makes him a zombie. -It's more complicated than that. | 0:23:10 | 0:23:14 | |
In fact, you were dead and now you're not. Makes you a sort of zombie. | 0:23:14 | 0:23:18 | |
Mac, this is real. This is dangerous. This... | 0:23:18 | 0:23:20 | |
There you go. | 0:23:28 | 0:23:29 | |
So, er... so your children are at this school? | 0:23:31 | 0:23:33 | |
Yeah, Paul and Anna Roberts. | 0:23:33 | 0:23:35 | |
Anna, well, you've met her. | 0:23:35 | 0:23:37 | |
She's loud. Paul... | 0:23:37 | 0:23:40 | |
Well... | 0:23:40 | 0:23:42 | |
Well, he's... | 0:23:42 | 0:23:44 | |
Paul's quieter. | 0:23:44 | 0:23:45 | |
More contemplative. | 0:23:47 | 0:23:49 | |
If you ever want to talk to anyone, Dr Tremlett runs a counselling service in the gym. | 0:23:52 | 0:23:58 | |
OK, thank you. | 0:23:58 | 0:23:59 | |
-What are you doing with us? -We...are... | 0:24:18 | 0:24:22 | |
..keeping you. | 0:24:23 | 0:24:24 | |
Keeping us for what? | 0:24:26 | 0:24:27 | |
Keeping us for what?! | 0:24:29 | 0:24:31 | |
A WOMAN SCREAMS | 0:24:38 | 0:24:42 | |
THE SCREAMING CONTINUES | 0:24:50 | 0:24:52 | |
Come on! | 0:25:03 | 0:25:04 | |
THEY GASP | 0:25:12 | 0:25:13 | |
How'd you know where the key was? | 0:25:16 | 0:25:18 | |
I volunteer here sometimes. | 0:25:18 | 0:25:21 | |
You're a library monitor? | 0:25:21 | 0:25:23 | |
My boyfriend's dead, and you're a library monitor? | 0:25:23 | 0:25:26 | |
Paul, what the fuck has happened to Steve? | 0:25:36 | 0:25:39 | |
What is he? | 0:25:39 | 0:25:42 | |
If I make an educated guess, | 0:25:42 | 0:25:44 | |
he died, OK? | 0:25:44 | 0:25:45 | |
He became a ghost. | 0:25:45 | 0:25:48 | |
A Fade. Then this guy called John, he's from the 1940s, he used to be a Fade ghost, | 0:25:48 | 0:25:55 | |
he's probably taught him how to eat flesh and grow a new body. | 0:25:55 | 0:25:59 | |
-This is serious, Paul. -I am being serious. | 0:25:59 | 0:26:01 | |
-We are in so much danger. -Trap him or something. You ain't afraid of no ghost. | 0:26:01 | 0:26:05 | |
No, no, you're mental. You're both mental. | 0:26:05 | 0:26:07 | |
Steve's mental, you're mental... | 0:26:07 | 0:26:09 | |
and Jay's a fucking library monitor! | 0:26:09 | 0:26:13 | |
-I'm sorry, Anna. -My brother? | 0:26:13 | 0:26:18 | |
My stupid pissing brother? | 0:26:18 | 0:26:20 | |
Little pig, little pig, let me in! | 0:26:20 | 0:26:24 | |
Anna, let me in! Let me in right now. | 0:26:24 | 0:26:28 | |
BANGING That's it. That's it. | 0:26:28 | 0:26:32 | |
Dad, Dad? Aw, it's gone to answerphone. | 0:26:32 | 0:26:35 | |
The one time having a dad who's a policeman might be useful. School. Now! | 0:26:35 | 0:26:39 | |
There's.... | 0:26:39 | 0:26:40 | |
Fuck. | 0:26:43 | 0:26:45 | |
I'm going to rip your fucking head off and spit down your neck. | 0:26:45 | 0:26:49 | |
I'm not afraid of you, Steve. | 0:26:49 | 0:26:51 | |
-No-one could be that scary with a dick your size! -We're going to die here. | 0:26:51 | 0:26:54 | |
I knew this would happen. Death before life. | 0:26:54 | 0:26:59 | |
I'm going to die and I haven't even felt a breast in my hand. | 0:26:59 | 0:27:02 | |
Haven't even seen a breast. | 0:27:02 | 0:27:03 | |
That's your excuse to flash me, by the way. | 0:27:03 | 0:27:05 | |
-Flash this! -Hmm. | 0:27:05 | 0:27:07 | |
We need weapons. | 0:27:07 | 0:27:10 | |
Weapons are no use. | 0:27:10 | 0:27:12 | |
Can't kill them. They're immortal. | 0:27:14 | 0:27:16 | |
I don't even know how many there are. | 0:27:16 | 0:27:19 | |
-What about Mum? She's still in the hall. -We need to get out of here, get back to her. | 0:27:19 | 0:27:23 | |
Shit, fuck, shit. Paul, what are we going to do? | 0:27:23 | 0:27:27 | |
Right. Who's first? | 0:27:30 | 0:27:33 | |
Me! | 0:27:34 | 0:27:36 | |
-That's for scaring my... -Argh! | 0:27:39 | 0:27:42 | |
See? Now he's de... | 0:27:45 | 0:27:49 | |
This is your mess. I shouldn't be cleaning up your mess! | 0:27:49 | 0:27:52 | |
He'll be back. Let's go. | 0:27:52 | 0:27:55 | |
Where's Jay? | 0:27:55 | 0:27:57 | |
-Jay. -Jay? | 0:27:57 | 0:27:59 | |
-Jay? -Jay? | 0:28:00 | 0:28:02 | |
-Jay? -Jay? | 0:28:02 | 0:28:05 | |
Jay! | 0:28:05 | 0:28:06 | |
SHE GROANS | 0:28:06 | 0:28:08 | |
Ah! | 0:28:14 | 0:28:16 | |
You have 30 seconds to tell me everything I need to know about Paul. | 0:28:18 | 0:28:23 | |
-Start with what he can do. -He came back for a reason. | 0:28:23 | 0:28:27 | |
-To stop you. -Wrong answer. | 0:28:27 | 0:28:29 | |
Me? | 0:28:33 | 0:28:36 | |
No, take one of the others. I can be useful. | 0:28:36 | 0:28:38 | |
I can be useful, I can show you where things are. | 0:28:38 | 0:28:41 | |
I don't want to die yet! | 0:28:41 | 0:28:43 | |
-THWACK! -Fuck! | 0:28:43 | 0:28:45 | |
OK. I'll try again. | 0:28:47 | 0:28:50 | |
Paul. | 0:28:50 | 0:28:52 | |
The boy that was, that now is. | 0:28:52 | 0:28:54 | |
How has he dragged himself back to life? Did he eat? | 0:28:57 | 0:28:59 | |
No. | 0:28:59 | 0:29:01 | |
He's important. | 0:29:02 | 0:29:04 | |
Eeny. | 0:29:14 | 0:29:16 | |
Meeny. | 0:29:16 | 0:29:17 | |
Miny. | 0:29:17 | 0:29:20 | |
Mo. | 0:29:20 | 0:29:21 | |
You. | 0:29:21 | 0:29:23 | |
Are. | 0:29:23 | 0:29:26 | |
It. | 0:29:26 | 0:29:27 | |
-No, no, no... -It's OK, it's OK. | 0:29:30 | 0:29:34 | |
Phil! PHIL! | 0:29:38 | 0:29:40 | |
PHIL! | 0:29:40 | 0:29:43 | |
MUMBLED SINGING | 0:29:48 | 0:29:52 | |
SINGS QUIETLY | 0:29:58 | 0:30:01 | |
HALTED BREATHING | 0:30:05 | 0:30:07 | |
-I went to them. -Yeah? | 0:30:09 | 0:30:12 | |
I didn't mean to, but I went to them. | 0:30:12 | 0:30:17 | |
I was drawn there. | 0:30:17 | 0:30:19 | |
Where? Where, Sarah? | 0:30:20 | 0:30:23 | |
I fucked up, Neil. I fucked up. | 0:30:23 | 0:30:27 | |
Jay... | 0:30:28 | 0:30:30 | |
JAY WHIMPERS | 0:31:02 | 0:31:06 | |
You're pretty. You've got hair like a boy, but you're pretty. | 0:31:23 | 0:31:29 | |
Do you think I'm pretty? | 0:31:31 | 0:31:34 | |
SIGHS | 0:31:37 | 0:31:38 | |
Don't cry. | 0:31:39 | 0:31:41 | |
This life is going to be better for all of us. | 0:31:42 | 0:31:45 | |
I was never happy as a human. | 0:31:46 | 0:31:50 | |
But when the change happens to you, and it will... | 0:31:50 | 0:31:53 | |
..the world just...opens up. | 0:31:55 | 0:31:57 | |
Natalie. | 0:32:00 | 0:32:02 | |
Don't worry, he'll come for you. | 0:32:17 | 0:32:19 | |
Jay. Have, er... Have you seen Jay? | 0:32:55 | 0:32:59 | |
Jay? I'm sorry. She was the last one they took. | 0:32:59 | 0:33:02 | |
They took Phil. | 0:33:02 | 0:33:03 | |
Where? Where did they take her? | 0:33:05 | 0:33:08 | |
Paul! | 0:33:12 | 0:33:14 | |
Hello, Paul. | 0:33:19 | 0:33:21 | |
Dr Tremlett. | 0:33:21 | 0:33:24 | |
How's the nightmares? | 0:33:24 | 0:33:26 | |
-Still wetting the bed? -He's one of them. | 0:33:26 | 0:33:29 | |
Dr Tremlett. | 0:33:31 | 0:33:34 | |
I need to leave. | 0:33:34 | 0:33:36 | |
-Are you going to get out my way? -Paul... | 0:33:39 | 0:33:42 | |
-Don't pick a fight with it. -You should listen to your friend, Paul. | 0:33:42 | 0:33:47 | |
He's afraid. I'm surprised you're not. | 0:33:47 | 0:33:51 | |
You used to always be afraid of everything. | 0:33:53 | 0:33:56 | |
I'm still afraid. | 0:33:56 | 0:33:59 | |
I'm afraid of letting my friends down, | 0:34:01 | 0:34:03 | |
I'm afraid of not being good enough, | 0:34:03 | 0:34:05 | |
I'm afraid of not doing the right thing. | 0:34:05 | 0:34:08 | |
But you? | 0:34:10 | 0:34:12 | |
I'm bored of being afraid of things like you. | 0:34:13 | 0:34:16 | |
Do you remember I told you once that you reminded me of me? | 0:34:16 | 0:34:21 | |
You remember I told you once to get out of my way? | 0:34:21 | 0:34:24 | |
They've got my girlfriend. I need to get back to her. | 0:34:27 | 0:34:31 | |
You always were... | 0:34:32 | 0:34:35 | |
such a whinging little shit. | 0:34:35 | 0:34:39 | |
And all that talking, whining... | 0:34:41 | 0:34:44 | |
"I can't control my bladder." | 0:34:44 | 0:34:47 | |
Well, fuck you and fu... | 0:34:47 | 0:34:48 | |
HE SPLUTTERS AND GROANS | 0:34:48 | 0:34:51 | |
We may not be able to kill you but we can keep you from doing damage. | 0:34:53 | 0:34:57 | |
This was a mistake! I'm losing me. | 0:35:12 | 0:35:15 | |
-I've got this hunger. This hunger. -No. You're strong. | 0:35:15 | 0:35:19 | |
You're strong. You're stronger than you know. | 0:35:19 | 0:35:22 | |
Listen to me. | 0:35:22 | 0:35:23 | |
You need to go to the school. | 0:35:23 | 0:35:26 | |
I'm not leaving you. No way am I leaving you. | 0:35:26 | 0:35:29 | |
You did this for us. | 0:35:29 | 0:35:30 | |
For me. | 0:35:30 | 0:35:33 | |
Neil, that's not true. | 0:35:33 | 0:35:34 | |
I did it partly for you, | 0:35:36 | 0:35:40 | |
and partly because... | 0:35:40 | 0:35:43 | |
I was frightened of what was going to happen to me, but mostly... | 0:35:43 | 0:35:48 | |
..mostly... | 0:35:50 | 0:35:52 | |
..I did it because Mark didn't want me around any more and I couldn't... | 0:35:53 | 0:35:57 | |
You always did see the best in me. | 0:36:01 | 0:36:03 | |
Mark. | 0:36:05 | 0:36:07 | |
Please, please leave me. | 0:36:10 | 0:36:12 | |
Leave me. | 0:36:12 | 0:36:14 | |
You need to go to the school. | 0:36:14 | 0:36:16 | |
You need to stop him. | 0:36:16 | 0:36:18 | |
For me. | 0:36:18 | 0:36:20 | |
For everyone. | 0:36:20 | 0:36:22 | |
The boiler room. | 0:36:23 | 0:36:25 | |
The boiler room. | 0:36:27 | 0:36:29 | |
OK. | 0:36:32 | 0:36:33 | |
I'll always see the best in you. | 0:36:41 | 0:36:45 | |
DISTANT WHIMPERING | 0:36:55 | 0:36:59 | |
DOOR SLAMS | 0:37:05 | 0:37:07 | |
WHIMPERING GROWS LOUDER | 0:37:51 | 0:37:53 | |
JAY SOBS LOUDLY | 0:37:53 | 0:37:56 | |
You're all right. | 0:38:01 | 0:38:02 | |
It's all right. | 0:38:08 | 0:38:09 | |
SHE CRIES | 0:38:09 | 0:38:12 | |
Paul! Paul! | 0:38:15 | 0:38:19 | |
This is a school. Not a fucking...fridge. | 0:38:26 | 0:38:31 | |
It is...what it needs to be. | 0:38:31 | 0:38:37 | |
SHE WHIMPERS | 0:38:41 | 0:38:43 | |
MACHINE GUN FIRE | 0:38:54 | 0:38:55 | |
-PAUL! -Neil, NEIL! -Paul, go! | 0:38:55 | 0:38:59 | |
SHE SCREAMS | 0:39:00 | 0:39:02 | |
HE SCREAMS | 0:39:33 | 0:39:35 | |
What did I do?! What did I do to him, Neil?! | 0:39:41 | 0:39:44 | |
You killed him, Paul! You can kill them. | 0:39:44 | 0:39:46 | |
Where is he? Where's the killer? | 0:39:46 | 0:39:48 | |
-He's getting away! -MACHINE GUN FIRE | 0:39:50 | 0:39:54 | |
I need you, Paul! I can only slow them down. | 0:39:54 | 0:39:57 | |
Paul! | 0:40:08 | 0:40:10 | |
PAUL! | 0:40:10 | 0:40:12 | |
SCREAMING | 0:40:12 | 0:40:14 | |
I'm a freak. But I'm your freak, remember? | 0:40:15 | 0:40:20 | |
Paul! Come on! | 0:40:20 | 0:40:22 | |
Oh, shit. | 0:40:26 | 0:40:28 | |
Paul? | 0:40:29 | 0:40:31 | |
No, no, no. Stay back. Stay back! | 0:40:31 | 0:40:33 | |
Paul, you need to kill him. | 0:40:33 | 0:40:34 | |
I can't see him. I can't see him! | 0:40:34 | 0:40:36 | |
-It could be any of them. Kill them all! -My mum's in this room! | 0:40:36 | 0:40:39 | |
-He's there. -Do it! Do it, Paul! | 0:40:39 | 0:40:42 | |
SHE YELLS IN PAIN | 0:40:53 | 0:40:55 | |
SLITHERING | 0:41:43 | 0:41:45 | |
COUGHS AND SPLUTTERS | 0:42:18 | 0:42:20 | |
SHE YELLS | 0:42:34 | 0:42:36 | |
SHE WAILS | 0:42:39 | 0:42:43 | |
My name is Detective Chief Inspector Armstrong. | 0:44:07 | 0:44:10 | |
But I'm not here as a policeman. | 0:44:10 | 0:44:13 | |
I'm here as a citizen, | 0:44:14 | 0:44:18 | |
as a man, | 0:44:18 | 0:44:19 | |
as a father... | 0:44:19 | 0:44:21 | |
..to tell you I think you should leave town. | 0:44:23 | 0:44:26 | |
We don't know what's happening, we don't know how it's happening, | 0:44:26 | 0:44:30 | |
and we have no idea how to stop it. Not the murders, | 0:44:30 | 0:44:35 | |
the attacks, or the tremors. | 0:44:35 | 0:44:38 | |
We need to evacuate now. | 0:44:41 | 0:44:44 | |
Now! | 0:44:47 | 0:44:48 | |
SIRENS WAIL | 0:44:54 | 0:44:57 | |
This can't be why I came back. | 0:45:06 | 0:45:08 | |
No. | 0:45:10 | 0:45:12 | |
I killed Steve. | 0:45:12 | 0:45:15 | |
And that...girl. | 0:45:15 | 0:45:17 | |
Natalie. | 0:45:19 | 0:45:20 | |
They burnt up. | 0:45:23 | 0:45:25 | |
-But they were dead already, right? -I don't want to be a killer. | 0:45:25 | 0:45:29 | |
You don't have to be one. | 0:45:29 | 0:45:32 | |
Superman could crush Lois Lane after an argument about the washing-up. | 0:45:32 | 0:45:38 | |
He could melt the Daily Planet after a bad day at the office. | 0:45:38 | 0:45:42 | |
He doesn't. | 0:45:43 | 0:45:45 | |
He uses his powers for good. | 0:45:46 | 0:45:48 | |
That's all you need to do. | 0:45:50 | 0:45:52 | |
Got to go. | 0:45:59 | 0:46:01 | |
SIRENS WAIL | 0:46:05 | 0:46:09 | |
It's you and me, then. | 0:46:15 | 0:46:17 | |
-We start a clean up, Paul, now. -And identify them? How? | 0:46:17 | 0:46:22 | |
I can't tell them apart from ordinary people, can you? | 0:46:22 | 0:46:26 | |
-We don't even know how many of them there are. -Well, we'll find a way. | 0:46:26 | 0:46:31 | |
A way that doesn't involve me killing everyone? | 0:46:31 | 0:46:33 | |
Look after him, won't you? | 0:46:36 | 0:46:38 | |
Paul? | 0:46:38 | 0:46:39 | |
I think he can look after himself. | 0:46:39 | 0:46:42 | |
Look after your mum. | 0:46:45 | 0:46:47 | |
That I will try to do. | 0:46:47 | 0:46:49 | |
Look after yourself. | 0:46:52 | 0:46:54 | |
You want me to look after me? | 0:46:54 | 0:46:56 | |
Yeah. | 0:46:56 | 0:46:58 | |
Give me your hands. | 0:47:02 | 0:47:04 | |
-You've got three seconds. -OK. | 0:47:09 | 0:47:11 | |
Three. | 0:47:11 | 0:47:13 | |
Two. One. | 0:47:13 | 0:47:16 | |
-OK? -OK. | 0:47:16 | 0:47:17 | |
Look after yourself, too. | 0:47:23 | 0:47:25 | |
Yeah. | 0:47:27 | 0:47:28 | |
You ready? | 0:47:30 | 0:47:31 | |
Probably not. | 0:47:32 | 0:47:34 | |
Come on. | 0:47:35 | 0:47:36 | |
A 17-year-old boy, Neil. | 0:47:45 | 0:47:47 | |
And if these powers have been given to me for a reason, then... | 0:47:49 | 0:47:52 | |
..maybe it's not to kill everyone. | 0:47:53 | 0:47:56 | |
Maybe it's because I can see past your shit and his shit. | 0:47:56 | 0:48:00 | |
Is that the shit that just saved your life? | 0:48:00 | 0:48:02 | |
If all the world needed was more death... | 0:48:02 | 0:48:05 | |
-then you'd have been given these powers. -If I had one-tenth of your powers, | 0:48:05 | 0:48:09 | |
I'd be giving you such a fucking kicking. | 0:48:09 | 0:48:12 | |
I'm going to find a better plan. | 0:48:12 | 0:48:15 | |
Another way. | 0:48:15 | 0:48:17 | |
Ascension is broken, I'm going to put it right. | 0:48:17 | 0:48:19 | |
Better? You think you can do better? | 0:48:19 | 0:48:21 | |
You're signing a death warrant for everyone here. There's going to be reborns everywhere. | 0:48:21 | 0:48:26 | |
DON'T WALK AWAY FROM ME! | 0:48:26 | 0:48:27 | |
DOORBELL RINGS | 0:48:45 | 0:48:47 | |
Hello. | 0:49:14 | 0:49:15 | |
Hi. | 0:49:20 | 0:49:21 | |
Can I come in? | 0:49:21 | 0:49:23 | |
You've got no time. No time. | 0:49:47 | 0:49:49 | |
Dad, I have things here worth thousands of pounds on eBay. | 0:49:49 | 0:49:52 | |
I refuse to rush. | 0:49:52 | 0:49:54 | |
Yeah. Why rush? | 0:50:07 | 0:50:09 | |
Tortoise always wins. | 0:50:10 | 0:50:13 | |
I'm here to take you with me, Mac. | 0:50:18 | 0:50:20 | |
Where? | 0:50:20 | 0:50:22 | |
Somewhere I can persuade Paul to follow. | 0:50:22 | 0:50:25 | |
You're taking me hostage? | 0:50:25 | 0:50:28 | |
Yeah. | 0:50:28 | 0:50:29 | |
That's about the most efficient way of putting it. | 0:50:29 | 0:50:32 | |
Why? | 0:50:32 | 0:50:34 | |
Because he's stronger than me in every way... | 0:50:34 | 0:50:39 | |
except one. | 0:50:39 | 0:50:41 | |
He has people he cares about. | 0:50:41 | 0:50:43 | |
I'm his weakness? | 0:50:43 | 0:50:46 | |
Yep. | 0:50:46 | 0:50:48 | |
And I intend to take full advantage of that fact. | 0:50:48 | 0:50:52 | |
-MAC'S DAD: -Come on, Mac. Hurry up. | 0:50:52 | 0:50:54 | |
Don't make me hurt your dad, Mac, because I am this close. | 0:50:54 | 0:50:59 | |
Get a move on. | 0:51:18 | 0:51:20 | |
Mac! | 0:51:22 | 0:51:24 | |
Mac! | 0:51:29 | 0:51:31 | |
Mac! | 0:51:33 | 0:51:34 | |
Paul, kitchen. Anna, get some clothes. | 0:51:34 | 0:51:37 | |
Jay, call your mum. | 0:51:37 | 0:51:39 | |
You've got five minutes. | 0:51:39 | 0:51:41 | |
Paul. | 0:51:42 | 0:51:44 | |
What I saw you do... | 0:51:44 | 0:51:46 | |
Best to forget about that, Mum. | 0:51:46 | 0:51:47 | |
Sometimes, I'd sit outside your room listening to you have nightmares. | 0:51:49 | 0:51:53 | |
I'm scared. | 0:51:55 | 0:51:57 | |
That's understandable. | 0:51:59 | 0:52:01 | |
I don't know whether to be scared for you or scared of you. | 0:52:01 | 0:52:06 | |
I'm going to make you proud of me, Mum. | 0:52:07 | 0:52:10 | |
I hope so. | 0:52:12 | 0:52:14 | |
I'm a teeny tiny bit claustrophobic, | 0:52:22 | 0:52:23 | |
-so if you could leave the light on... -Shut up. | 0:52:23 | 0:52:26 | |
Can you knock?! | 0:53:09 | 0:53:11 | |
Erm, where's that stripy hoodie of yours? | 0:53:11 | 0:53:14 | |
Have you packed all the food? We need to move quickly. | 0:53:14 | 0:53:19 | |
DOG BARKS | 0:53:28 | 0:53:30 | |
I'll kill you. | 0:53:51 | 0:53:53 | |
Now! | 0:53:54 | 0:53:55 | |
You make one move towards my family. | 0:53:57 | 0:53:59 | |
Jesus. That almost sounded grown-up, then. | 0:54:02 | 0:54:04 | |
That was very manly, very good. | 0:54:04 | 0:54:07 | |
I meant... | 0:54:07 | 0:54:09 | |
-I mean it. -You know, it's interesting, isn't it? | 0:54:09 | 0:54:13 | |
When I kill, | 0:54:13 | 0:54:15 | |
people can come back. | 0:54:15 | 0:54:18 | |
But then when you kill, people are wiped from existence. | 0:54:18 | 0:54:21 | |
Yeah? Why's that interesting? | 0:54:21 | 0:54:24 | |
Because I'm the one people think is the monster. | 0:54:24 | 0:54:27 | |
And today, you killed the one person I had left that I loved. | 0:54:29 | 0:54:33 | |
And I wanted you to feel similar pain. | 0:54:33 | 0:54:36 | |
Me and you, we're the same. | 0:54:36 | 0:54:39 | |
I'm the chosen one of my people. | 0:54:41 | 0:54:43 | |
-You're the chosen one of yours. -Nah, we're not alike. | 0:54:43 | 0:54:48 | |
I will find a way... | 0:54:52 | 0:54:56 | |
to hurt you. | 0:54:56 | 0:54:58 | |
To kill you. | 0:54:58 | 0:55:00 | |
I didn't come back to be a monster. | 0:55:02 | 0:55:06 | |
D'you hear me? | 0:55:06 | 0:55:07 | |
I'll find a way to help you. | 0:55:08 | 0:55:11 | |
-Free you. -No, good luck with that. | 0:55:12 | 0:55:15 | |
You have been NOTHING but helpful so far. | 0:55:15 | 0:55:17 | |
Subtitles by Red Bee Media Ltd | 0:55:54 | 0:55:57 | |
E-mail [email protected] | 0:55:57 | 0:56:00 |