Episode 6 The Fades


Episode 6

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Transcript


LineFromTo

In the beginning was the word.

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This programme contains strong language.

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And the word was shit. The angry dead, the Fades...

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Argh!

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..stand ready to overwhelm the living.

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This programme contains some violent scenes.

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And we're not ready.

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Many people have left town already.

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There's only one person that can do anything.

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-That's my best friend, Paul.

-I'm not listening.

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Paul!

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He's special.

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So special that he died and came back to life.

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He's Frankenstein meets Neo.

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-Paul's back!

-Back from the dead?!

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-He closed an ascension point.

-Ascension point's closed?

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What I am, who I am, has got to mean something.

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You have 30 seconds to tell me everything I need to know about Paul.

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He came back for a reason.

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To stop you.

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He's acquired powers that are... freaky.

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SHE SCREAMS

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And scary.

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I don't want to be a killer.

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You don't have to be one.

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He's seen what coming if he makes the wrong choice.

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THUNDER CRACKS

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If these powers have been given to me for a reason then...

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maybe it's not to kill everyone.

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Ascension's broken, I'll put it right.

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You're signing a death warrant for everyone. There'll be Reborns everywhere.

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Do not walk away from me. Don't walk away from me!

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Paul wants to set the Fades free.

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But only one Angelic still believes in him.

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I will find a way to kill you.

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I didn't come back to be a monster.

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-I'm here to take you with me, Mac.

-Where?

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Somewhere I can persuade Paul to follow.

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I'll find a way to help you. To free you.

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Oh, good luck with that.

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Why?

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Because he's stronger than me. In every way.

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Except one.

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I'm his weakness?

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Yeah.

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In the beginning it was the word.

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And the word was shit.

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Now, who's seen my ET box set?

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Hm? The three-disc set with the original celluloid cut?

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I'm in the mood to...

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..cry.

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Na-Nu, Na-Nu.

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Get out.

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This programme contains some violent scenes.

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This programme contains strong language.

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This programme contains scenes which some viewers may find disturbing.

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This programme contains some scenes of a sexual nature.

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RADIO: 'I just want to talk about my daughter,

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'who's been missing for a few days.'

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GUN CLICKS

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WIND BLOWS

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FLIES BUZZ

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CLOCK TICKS LOUDLY

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GUNSHOT

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We're in the fucking Mayor's office.

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We've won.

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-Everybody's leaving town. There's no-one.

-Ssh.

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GUNSHOT

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I would just like to know why we are not leaving town.

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We'll starve here.

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For someone who talked for a living, you're remarkably boring.

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Paul can pick us off one by one.

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That makes him the most dangerous person alive.

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I've got people tracking him.

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You can go and join them if you like.

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We shoot him, we butcher him,

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then bury the bits everywhere from Land's End to John o'Groats.

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John, we need to move. We need to eat, John!

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No!

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Argh!

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Eat this.

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We find him.

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We kill Paul, and then... THEN we move on.

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THEY FEAST NOISILY

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THUNDER BOOMS

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HE BREATHES HEAVILY

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Ah!

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HE WHEEZES

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WATCH TICKS LOUDLY

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Paul.

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Paul! Paul!

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HE GASPS

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-What did you see?

-Ash. Ash. It's all ash.

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I'm going to die.

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Today.

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Yeah?

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I've seen it before.

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This world of ash is...

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It was in my dreams.

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It's today.

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It's today, it's the end of everything.

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Sarah had those visions.

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I'm going to die.

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Maybe we all are.

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Paul, believe in your plan. You can re-open ascension.

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You need to be prepared.

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Prove Neil wrong, OK?

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I'll never kill again.

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THUNDER CRACKS

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We haven't much time.

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Let's try the point I broke in the woods.

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Yeah?

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Christ!

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Those things of his are everywhere.

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'Latest reports from Garlow suggest little progress...'

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Mum, you're being thick. Paul wants us to leave.

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I'm supposed to be looking after you!

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Anna, this is my son. There's no way I'm leaving him.

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He's going to come back.

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I know he is.

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The last thing I said to him...

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"You scare me."

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I told my son he scared me.

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He is scary.

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And the world is scary.

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And unless we leave now, it's going to get scarier.

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HOWLING

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What was that?

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They're outside.

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DOOR RATTLES

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DOOR RATTLES AND THUMPS

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Right. This is the place.

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This is where Phil tried to bring you back.

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Where you broke ascension.

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It won't be easy.

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No Angelic has ever re-opened an ascension point.

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What shall I do?

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Just concentrate.

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MOBILE RINGS

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-It's Neil.

-Give me that.

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No. I'm waiting on a call from Anna,

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to tell me when she's got out of town!

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She's not important right now.

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Nor's your mum. Nor's...time. Nor's your life.

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Do you have any idea what's going on here?

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You need to be pure. You need to selfless.

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You need to be free from distractions.

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Now, you may be all of those things but I'm not sure you're ready.

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That's what Neil kept telling me...

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-I'm not ready.

-Well, he wasn't wrong about everything, was he?

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Shit!

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No.

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Wait!

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Don't come any closer!

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Argh!

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Thanks.

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Paul, look.

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-What did I do?

-It's working.

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The ascension point is beginning to open.

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Mac was right.

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I can...

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This thing, it does have more than one use.

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I'm a...

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I'm an Angelic Swiss Army knife.

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Try again.

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It'll be very deep, so direct your power into the centre of it.

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BIRDS TWITTER

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RUMBLING

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BIRDS CALL

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RUMBLING CONTINUES

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THUNDER CRACKS

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SHE BREATHES HEAVILY

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OK?

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Yeah.

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Just a bad dream.

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When I woke up and I saw you there, I...

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I thought I was...

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HE LAUGHS

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I can't believe you're real.

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I'm real.

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There's just so much that I don't understand.

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There's so much I don't want to tell you.

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SHE MOANS

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SHE PANTS

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SHE GROWLS

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HE SCREAMS

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HE YELLS

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SHE WHIMPERS

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GROWLING

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-PANTING:

-Fuck. Fuck.

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What...the fuck? What was that?

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Huh? What just happened?

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You OK?

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You sure you're OK? Cos I saw these....

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There were these things at the school.

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Sorry.

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Sorry, sorry, sorry, sorry, sorry. It's just been a bit crazy.

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It's just been..

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Maybe, er...

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You know, maybe you should just get me a glass of water or something.

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Whatever it is, yeah?

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Whatever it is, we'll get through it together, OK?

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Am I supposed to be scared? I'm choosing not to be scared.

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In case you were worried.

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Not that I'm worried that you're worried.

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I'm entirely without worry. I'm worry-free.

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Shut up!

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I'm warning you, answer your phone.

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OK. Here's fun. Er...

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do you have powers?

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Paul can do more or less anything. What can you do?

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No?

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No, not biting. OK, er...

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Simpler question.

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If you could be any superhero, which would you be?

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I'm really not interested in having this conversation.

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Tell you who I'd be. It's an odd one - Jesus Christ.

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Hear me out.

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I know, I know. Blasphemous.

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But Christ has special skills.

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He can do miracles and all kinds of shit.

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Actually, when I was 12, when I first read a Bible,

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I thought it was more than possible that I was the second coming.

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It's John! Bingo!

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Jesus - lonely, very complicated relationship with my dad,

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big love of carpentry. It just makes...

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Shut up! Answer your phone, Paul. I'm warning you, answer your phone.

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I was an orphan.

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No-one liked me very much.

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I could see dead people.

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So yeah, I thought it was quite possible that I was Jesus Christ.

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Do you understand that? Now get up, we got to go.

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Where?

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Your boyfriend's not answering his phone.

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He's not my boyfriend.

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He won't do what you want him to do. You know that, don't you?

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-You think I don't struggle to get him to do what

-I

-want?

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I mean, there was this one time,

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we was in this orienteering competition at Scout camp

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and he went totally maverick on me.

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To cut a long story short, we ended up in Hereford.

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We met this lovely couple there, but we came in a very bitter last.

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But the thing is...

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..where he goes to...

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if he thinks it's the right path, he won't be put off.

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Because on the outside, he may look like a Hereford cream sponge,

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but on the inside, he's Spider-Man with balls,

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he's Batman without the wanking,

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he's Che Guevara meets Ross Kemp meets...

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Alan Moore.

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I know you're there, Neil.

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Don't try and deny it. You're there.

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You're listening.

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They've gone.

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Right, Mum, no questions. We leave now before they come back.

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Anna, I...

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Paul can look after himself. And, just a reminder,

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I'm your other child!

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Just a minute longer.

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BANGING ON DOOR

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Oh, God.

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Shit!

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BANGING ON DOOR

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-<

-Paul! It's Neil.

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< It's you. Thank fuck! Where's Paul?

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DOOR CLOSES

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So you haven't seen him either?

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No.

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Shut up, sit down. Sit down over there.

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PHONE CAMERA CLICKS

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We have to re-open ascension.

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It's the only way we'll ever get rid of all the Reborns at once.

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It should have worked.

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Look, you're knackered. That's five times you've tried.

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Maybe we need to try another ascension point.

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No, we can't. This is the last one in town.

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Right, we're done here. It's not going to work.

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No. No, no, no, no. We try it again.

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No, no, Paul, they're going to be looking for you. It's not safe here.

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I'm not...

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I can do this.

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PHONE CHIMES

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Neil. Again.

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Paul!

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You haven't got a clue.

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MOBILE RINGS

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Oh, well, look at that.

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You ready to talk now, are you, kid?

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He's in the woods. Trying to re-open the ascension point.

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Yeah?

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Why the fuck isn't he here, then?!

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Get after him!

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If Paul re-opens ascension, he'll obliterate us all.

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The boy is your quarrel, we just need food.

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My quarrel will keep us alive!

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He's just one boy.

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Now, please, this time, get out there and kill him on sight.

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Now, all of you, go!

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Now...who's this?

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Shall I guess?

0:20:370:20:39

What am I? What are we?

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OK. Female voice. Young. Quite posh.

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With a slight husk to it with just a hint of a salival gland out of control.

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If I could, I'd kill you right now.

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Shame you can't.

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You need it, don't you?

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No.

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I can still cut your fucking throat out.

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Now, what am I?

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-Do you know what my favourite story from the Bible is, Sarah?

-I don't give a shit.

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It's Genesis 19.

0:21:160:21:18

-Lot, at the gates of Sodom, sees angels approaching.

-What has this got...?

0:21:180:21:21

And he thinks to himself, "Now, I can't let the Sodomites,

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"my filthy neighbours, at these angels.

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"These angels need protecting."

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What are you talking about?

0:21:290:21:31

So he moved the angels into his inn.

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But before long, the sodomites surround his inn

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and demand to be allowed to sodomise an angel.

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Let's be honest, Sarah, who'd not sodomise an angel, given a chance?

0:21:390:21:42

Lot knew it wouldn't be too long before his inn was pulled apart

0:21:420:21:46

-brick by brick. "Let us fuck them, let us fuck them."

-Shut up.

0:21:460:21:49

So he came up with a plan.

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And he went outside, and he took his virginal teenage daughters with him.

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And he said to the sodomites,

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"I can't let you sodomise these angels. Oh, no.

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"But why don't you do your best on these daughters of mine instead?"

0:22:020:22:06

I don't like this story.

0:22:060:22:07

It gets better.

0:22:070:22:09

'The next day, the angels led Lot, his wife and his teenage daughters

0:22:090:22:14

'out of the gates of Sodom and they burnt the city to the ground.'

0:22:140:22:19

And they told the family not to look.

0:22:200:22:23

However, Lot's wife turned round.

0:22:230:22:24

Maybe she wanted to see her daughter's rapists burn to death...

0:22:260:22:30

so the angels turned her into a pillar of salt for disobeying them.

0:22:300:22:36

This all meant, of course, that Lot and his teenage daughters

0:22:370:22:41

were left to repopulate the entire continent on their own.

0:22:410:22:44

See? Every nation has it's bloody beginning.

0:22:440:22:49

And now it's time for a new nation. Our nation.

0:22:490:22:52

And I won't even have to fuck my own daughters to make it happen.

0:22:540:22:58

You murdered me.

0:22:580:22:59

No, I freed you.

0:22:590:23:00

-No.

-Every revolutionary has blood on his hands.

0:23:000:23:05

Face it, Sarah, you're one of us now.

0:23:050:23:06

No. No. No, no.

0:23:060:23:08

Know what you are.

0:23:080:23:11

SHE SIGHS

0:23:150:23:16

Wow.

0:23:180:23:21

Well, that reaction I wasn't expecting.

0:23:210:23:23

Jay?!

0:23:370:23:39

Stay still. Stay still.

0:23:410:23:43

Don't move.

0:23:430:23:44

What you doing here, Alice?

0:23:440:23:47

Huh? What you doing here?

0:23:470:23:50

Where's Mac?

0:23:500:23:53

Where's my family? What've you done, Neil?

0:23:530:23:55

Oh, I've got them, too, don't you worry about that.

0:23:550:23:58

They're safe. They're back-up.

0:23:580:24:00

So she's not. I mean, she's expendable.

0:24:000:24:03

Jay? Jay. I promise you, you're going to be fine.

0:24:040:24:07

-I promise.

-Well, I need you to listen to me, then.

0:24:070:24:09

You have a gift, Paul. We're going to use it.

0:24:090:24:12

We're going to kill John, lop the head off this thing,

0:24:120:24:15

and then you'll kill them all. One by one. You'll kill all of them.

0:24:150:24:19

You're a killer, Paul.

0:24:190:24:20

No.

0:24:200:24:22

You need to listen to me. Too many of the dead have come back.

0:24:240:24:27

-We're past the tipping point.

-A tipping point?!

0:24:270:24:30

I told YOU about tipping points ages ago.

0:24:300:24:32

Don't start quoting me back to me.

0:24:320:24:34

No, but I told you, I'm not a killer.

0:24:340:24:38

We can find a way to fix ascension.

0:24:390:24:42

We can ascend them all.

0:24:430:24:45

There is no other way.

0:24:450:24:47

Why won't you listen to me?

0:24:470:24:48

You do not mess with ascension. This is the only way, Paul.

0:24:480:24:51

OK, Jay? I promise you. I promise you'll be fine.

0:24:510:24:55

That's a bold statement to make.

0:24:550:24:58

GUNSHOT

0:24:580:25:00

JAY!

0:25:000:25:01

What have you done?!

0:25:050:25:07

She was just a girl!

0:25:100:25:11

Now you'll do as you're told.

0:25:110:25:14

She was just a girl. Not a Fade. She's an innocent girl!

0:25:140:25:17

"Innocent people will die."

0:25:170:25:18

Those were my exact words. I told you that.

0:25:180:25:20

I told you that. This is your fault.

0:25:200:25:22

-You're a fucking killer!

-No!

0:25:220:25:25

NO!

0:25:250:25:26

I'm trying to stop a killer, Alice!

0:25:260:25:28

Someone has to stop John! Stop all of them! What are you doing, eh?

0:25:280:25:32

I love you, Alice, but get out of my way.

0:25:340:25:37

You're good, kid.

0:25:430:25:45

Even you can't raise the dead.

0:25:460:25:48

Paul...

0:25:480:25:49

Aaaaargh!

0:25:490:25:51

I'm making a mistake.

0:25:590:26:01

HE WHEEZES

0:26:030:26:05

What did you see?

0:26:170:26:19

Eat.

0:26:270:26:28

No.

0:26:300:26:32

Trust me, Sarah, this is the future now.

0:26:330:26:37

It's our time.

0:26:390:26:40

We've won.

0:26:410:26:43

If you've won, what's the gun for?

0:26:440:26:46

The boy.

0:26:480:26:49

He thinks he can stop me.

0:26:510:26:52

Probably knows as much about warfare as I did at his age.

0:26:540:26:57

And I'm going to kill him.

0:26:590:27:01

Yes. You are.

0:27:020:27:05

But no-one wins.

0:27:090:27:10

It doesn't matter, it's all ash.

0:27:110:27:13

You can have all the guns in the world.

0:27:150:27:17

The end is coming.

0:27:190:27:21

Where are my family?

0:27:300:27:31

It's as simple as this, Paul.

0:27:310:27:33

I know where John is and I'm going there and you'll follow me and you'll kill him.

0:27:330:27:38

Or the others will die.

0:27:380:27:39

It's as simple as that.

0:27:410:27:43

Paul, don't do it. You're not a killer.

0:27:580:28:01

There's no time!

0:28:010:28:02

Paul.

0:28:020:28:03

Paul, just wait. You're our last hope!

0:28:050:28:09

Where are we?

0:28:130:28:15

-Where are we?

-I don't know. We were blindfolded, remember?

0:28:170:28:20

Paul's coming, right?

0:28:200:28:22

LOUD THUMPS

0:28:220:28:24

SHE WHIMPERS

0:28:240:28:27

Mac!

0:28:280:28:30

SHE CRIES OUT

0:28:300:28:31

Meg? Meg!

0:28:310:28:35

SHE PANTS

0:28:350:28:37

I thought you'd... I'm looking for Mac.

0:28:380:28:42

He's got him. He's got Jay. He's got Anna. He's got my daughter.

0:28:420:28:46

He only wanted the kids.

0:28:460:28:49

-Who?

-Oh, someone called Neil!

0:28:490:28:51

Please, don't do this. Remember what you did in the woods.

0:28:590:29:02

-It didn't work.

-Shut up!

0:29:020:29:06

-I'm not a superhero. I let Jay die.

-No, Neil shot Jay.

0:29:070:29:11

Fuck off, Alice! What you doing here? The kid finally gets it. Go away!

0:29:110:29:15

I won't let that happen to Mac and Anna.

0:29:150:29:17

I'll do it. I'll do it, Neil.

0:29:170:29:19

-Come on, you're better than this.

-I'll do it, whatever you want.

-Good.

0:29:190:29:23

Do you know my first clear memory of you?

0:30:010:30:04

It was when Dad moved out for the first time.

0:30:040:30:07

We must have been about six.

0:30:090:30:12

This little boy who just turned up

0:30:120:30:15

and slept in my brother's room for a week.

0:30:150:30:18

He was upset. Seemed like the right thing to do.

0:30:180:30:22

-I hated him for having you.

-And I hated him for having the

0:30:220:30:25

opportunity to walk in at any moment and see you in your underwear.

0:30:250:30:29

We used to play this game. We had these two Superheroes.

0:30:290:30:33

his was called 'Iron Skull', mine was called 'Supercop'.

0:30:330:30:38

mine could do things with a crossbow and an axe,

0:30:380:30:40

his could break walls with his bare fists.

0:30:400:30:45

I mean, basically, they were our Dads.

0:30:470:30:53

We decided the only reason they left us as to become Superheroes.

0:30:530:30:58

So it was OK if they walked out on us and treated us like shit.

0:30:580:31:01

Because they had bigger things to do.

0:31:010:31:03

Abandon me, abandon me, abandon me...

0:31:050:31:08

..only to save the world, Dad.

0:31:100:31:12

We used to play at heroes and now he's a real live one. HE LAUGHS

0:31:140:31:18

So why isn't he here yet?

0:31:180:31:20

FOOTSTEPS APPROACH Listen.

0:31:220:31:25

Is that?

0:31:250:31:28

BOTH: HELP! HELP!

0:31:290:31:31

There's two of us. We're been tied up. We're so pleased you're here!

0:31:310:31:35

DOORS BANG AND RATTLE

0:31:400:31:43

-You want to know my first memory of you?

-If this is dirty, Mac...

0:32:190:32:23

-Your plays.

-Oh, God the plays!

0:32:230:32:25

You were the princess in the tower and the knight would come

0:32:250:32:29

and save you and, you'd beat the shit out of him.

0:32:290:32:32

-THEY BOTH SOB

-We're going to die here.

0:32:360:32:40

Neil!

0:33:150:33:17

Go near him and I'll shoot.

0:33:180:33:21

Sarah.

0:33:220:33:24

Why? Why?

0:33:250:33:29

Go! Go!

0:33:330:33:36

What the fuck do you think you are doing?!

0:33:360:33:40

THEY SCREAM AND GROAN

0:33:400:33:41

You can't win. You can't beat him. It's pointless.

0:33:430:33:48

GUNFIRE

0:33:540:33:56

There once was a boy called Paul...

0:34:240:34:26

Who had an enormous ball.

0:34:280:34:31

He had pants specially made. But he never got laid.

0:34:310:34:34

That poor unfortunate Paul.

0:34:340:34:36

You go.

0:34:360:34:38

-I'm quite talented at these.

-You do what we came here to do.

0:34:380:34:41

There once was an orphan called Neil...

0:34:410:34:44

Who didn't know quite how to feel...

0:34:440:34:47

Abandoned at birth and lacking in mirth...

0:34:470:34:51

He... He...

0:34:510:34:53

He's turned into a bit of a dickhead, really.

0:34:530:34:56

GUNFIRE

0:34:560:34:59

HE GROANS

0:34:590:35:00

Neil, are you hurt? Did I shoot you?

0:35:030:35:07

I think Neil is dying, Paul.

0:35:080:35:12

-I'm not hurt!

-It's a pity. It's quite some ride you know, dying.

0:35:120:35:17

I think you especially would get a kick out of it.

0:35:170:35:20

And then maybe you'd understand what I'm all about.

0:35:200:35:24

-Don't... it's me... you're still one of us.

-Us?!

0:35:240:35:27

What's us? We're an extinct species?

0:35:270:35:30

Helen's dead. Higgy's dead. Maddie's dead.

0:35:300:35:33

Phil's dead. I'm dead!

0:35:330:35:35

I understand! I've been watching you my whole life...

0:35:350:35:38

I don't feel sorry for you.

0:35:380:35:41

Your whole life... 70 years I've suffered!

0:35:410:35:44

Who the fuck do you think you're talking to!?

0:35:440:35:45

The Angelics are over.

0:35:450:35:47

That's not for you to decide. There's always been something.

0:35:470:35:51

A defence. Look at Paul!

0:35:510:35:52

You know, when I died...

0:35:520:35:54

we couldn't find anywhere to ascend so we travelled across Europe,

0:35:540:35:58

sneaking onto cargo holders,

0:35:580:36:00

getting burnt by soldiers as they squeezed on between us.

0:36:000:36:04

All the points were closing.

0:36:040:36:06

Death is unfair! Accept it! Everyone else did! Why couldn't you?

0:36:060:36:09

So I went home and stood by ascension and I waited.

0:36:090:36:13

I waited. And it didn't happen.

0:36:130:36:18

So now you take without asking. Lives, hopes, dreams...

0:36:180:36:24

Sarah... Sarah was a good girl and you've broken her.

0:36:240:36:28

We're supposed to be the best!

0:36:280:36:31

-And I wasn't.

-Well, then you should have tried fucking harder!

0:36:310:36:34

SHE SOBS

0:36:370:36:39

..until eventually they built a shopping centre over the spot.

0:36:450:36:50

A shopping centre.

0:36:510:36:54

For 70 years, I visited, frequented, haunted that place.

0:36:540:36:59

Shopping centre.

0:36:590:37:01

And yeah, your Sarah came to me, Neil.

0:37:030:37:07

Paul! Kill him! That's what we're here for!

0:37:070:37:11

It seemed quite a fitting end for her actually. A failed Angelic

0:37:110:37:15

-dropping to her death in a failed shopping complex.

-Do it, kid! Now!

0:37:150:37:20

Don't let me down, Paul! You think about Mac.

0:37:270:37:30

Wow. That's a turn up for the books.

0:37:330:37:36

Yesterday you didn't want to hurt anyone and now you're a fucking assassin.

0:37:360:37:39

You turn on a sixpence, Paul. What has Neil done to you?

0:37:390:37:43

Only what was necessary.

0:37:430:37:46

Necessary? That's an interesting word to use there, Neil.

0:37:460:37:49

What was necessary?

0:37:490:37:52

Jay.

0:37:530:37:55

What about Jay?

0:37:550:37:56

-Don't get distracted, Paul. Not now...

-Jay was necessary.

0:37:560:38:00

He killed her didn't he? Paul, did Neil kill your girlfriend?

0:38:040:38:09

Is that how much you wanted me dead, Neil? God, I'm flattered.

0:38:090:38:13

-Enough! Do it Paul, now. Do it.

-Go on Paul... kill me. Make him proud.

0:38:130:38:20

End this thing. End it Paul, you'll be a hero. Do it.

0:38:200:38:24

-A hero?

-A hero?

-Fuck you.

0:38:240:38:29

Fuck you both!

0:38:290:38:31

No! You stay down. Either of you I will, I'll kill you.

0:38:310:38:35

You know when I was a kid, I used to pretend my Dad was a superhero.

0:38:350:38:39

What's your dad got to do with your Paul?! Now!

0:38:390:38:41

Because he was a selfish bastard, he just left us!

0:38:410:38:44

Left my mum in a mess.

0:38:440:38:48

And I won't be selfish. Not like him,

0:38:480:38:52

and not like you, either of you.

0:38:520:38:54

All this big talk, neither of you give a shit about the world.

0:38:540:38:59

You said I couldn't live two lives, Neil.

0:39:020:39:05

That was the ONE thing you were right about.

0:39:050:39:07

I have to choose.

0:39:070:39:09

And really, the choice is easy.

0:39:120:39:14

I can re-open Ascension. And I'm ready to do it.

0:39:160:39:20

You leave this room, Mac will die. It's as simple as that.

0:39:220:39:25

I promise you that, Paul.

0:39:250:39:27

Yeah, I know, Neil. And I may die too.

0:39:270:39:30

But Mac would want me to do this.

0:39:330:39:35

I hate to say it, Paul, but Neil's right.

0:39:370:39:39

You're not leaving this room.

0:39:390:39:42

Yeah?

0:39:420:39:44

CRASHING AND GUNFIRE

0:39:490:39:53

-Where are you going?

-The shopping centre. It was an ascension point.

0:39:530:39:57

-It was the first to close. It's the place.

-Paul, I've seen the future... it won't work.

-So have I.

0:39:570:40:02

-Then don't go. If we don't go it can't happen!

-It's where you died. It's where it all started.

0:40:020:40:08

-Come with me.

-You've seen what happens.

0:40:080:40:12

Yeah. I have. And what's the point of seeing the future

0:40:120:40:16

if you can't change it?

0:40:160:40:18

Find my friends.

0:40:190:40:21

DOOR BANGS AND RATTLES

0:40:240:40:25

SHE SCREAMS

0:40:280:40:30

If you could be any character in any film what would it be?

0:40:320:40:36

The character Living Person in the film I Don't Want to Die Here!

0:40:360:40:40

ET. For me, ET every time.

0:40:400:40:42

But the question is, what character would you be?

0:40:420:40:45

ET, Mary, Keys, Michael, Elliot? I'd be Gertie I think.

0:40:450:40:50

Yeah, Gertie every time.

0:40:500:40:52

Cynical, yet romantic, young yet wise.

0:40:520:40:56

Neil?

0:40:570:40:59

Where is he?

0:41:020:41:04

Where is John?

0:41:070:41:09

He's gone.

0:41:130:41:15

Thank you.

0:41:310:41:33

Thank you or coming for me.

0:41:330:41:36

Fuck off.

0:41:360:41:39

So where are we going?

0:41:390:41:40

As far away from this town as it's possible to be.

0:41:420:41:46

Ever heard of the oldies?

0:41:460:41:48

Where are the kids, Neil?

0:42:080:42:10

She told me what you did, Neil.

0:42:120:42:14

Chris. Chris!

0:42:210:42:22

My God... Oh, my God!

0:42:240:42:27

-SHE SOBS

-Where's my daughter? Where's my son?

0:42:310:42:36

Where's my daughter?!

0:42:360:42:39

I had to control the boy.

0:42:430:42:47

I did the right thing, Sarah. Always.

0:42:470:42:51

Don't tell me I was wrong.

0:42:570:42:59

Don't tell me we were fighting the wrong battles.

0:42:590:43:02

Fighting the wrong battles? You were losing the wrong war!

0:43:020:43:06

I am what I am...

0:43:120:43:14

-I'm an Angelic.

-Not any more.

0:43:160:43:19

You're as much of a Fade as I am.

0:43:210:43:24

You're right, it's over.

0:43:250:43:28

It's over.

0:43:290:43:31

WATCH TICKS

0:43:540:43:58

BANGING If we're going to die, I may as well tell you

0:44:020:44:05

-why I think we'd make a great couple.

-Frankly, it'd be easier to just die.

-Two reasons. First reason.

0:44:050:44:09

Because we're really similar.

0:44:090:44:11

If you're going to come kill us... come and do it quickly, please!

0:44:110:44:15

I don't believe in chalk and cheese. I believe in chalk and chalk and you and me.

0:44:460:44:50

Low self-confidence. Chalk that. Low self-confidence from feeling

0:44:500:44:54

overwhelmed by the exact same person, Paul. Chalk that.

0:44:540:44:58

-He's getting in!

-Over exuberance conversationally...

0:44:590:45:02

yours with aggression, mine with interesting anecdotes

0:45:020:45:05

to mask the fact that we see the world quite cynically. Chalk that.

0:45:050:45:08

We're both funny, chalk that. We both like the same people. Paul, Jay, your Mum. Chalk that.

0:45:080:45:13

I'm going to stick chalk up your japseye when we get out of here.

0:45:130:45:15

Second reason, because I've been in love with you since I was ten.

0:45:150:45:19

And you've sort of loved me since then too.

0:45:220:45:25

Ash.

0:46:030:46:05

I'm the ash.

0:46:090:46:11

I've got to get higher.

0:46:230:46:25

-So, this is inevitable.

-No. It isn't. I can free you.

0:46:380:46:46

I meant I'm here to kill you.

0:46:460:46:48

Listen, I'm trying to make it right.

0:46:510:46:56

I can, I can make it right.

0:46:560:46:58

Really. For 70 years of pain?

0:46:580:47:01

Let me do this.

0:47:070:47:10

I just need to get up there. One shot.

0:47:110:47:14

Don't try and stop me.

0:47:160:47:18

KEEPS FIRING BUT CHAMBER IS EMPTY

0:47:300:47:32

Mac!

0:49:020:49:04

HE SCREAMS

0:49:070:49:09

Yeah.

0:49:090:49:11

You're making a mistake.

0:49:260:49:29

John, he can do it. Let him. It's what you've always wanted.

0:49:370:49:43

-To ascend.

-Not any more. I want to live.

0:49:430:49:47

SHE GASPS

0:49:470:49:50

LOUD RUMBLING

0:50:080:50:11

Nooo!

0:50:230:50:26

Aaaarrrrggghhh!

0:51:310:51:38

RUMBLING STOPS

0:51:550:51:59

BIRDS TWEET

0:51:590:52:02

WATCH TICKS

0:52:060:52:10

Some party, eh?

0:52:350:52:37

You want to hear the good news or the bad news?

0:52:430:52:47

Good news, er...

0:52:470:52:49

We're alive.

0:52:490:52:51

Bad news...

0:52:530:52:54

-I'm going to be your brother in law.

-What?!

0:52:560:52:59

-You really aren't.

-Anna has decided she's in love with me.

0:53:000:53:03

-She really hasn't.

-She wants me so much she can't control herself.

0:53:030:53:07

She really doesn't.

0:53:070:53:09

Paul.

0:53:180:53:22

Really?

0:53:250:53:26

What happened here?

0:53:280:53:31

What did you do?

0:53:330:53:35

CLAPS OF THUNDER

0:53:560:53:58

I told him.

0:54:130:54:16

I told him, you don't fuck with ascension.

0:54:160:54:20

And where's Jay?

0:54:320:54:34

Paul? Where's Jay?

0:54:410:54:43

HE SOBS

0:54:440:54:49

Subtitles by Red Bee Media Ltd

0:55:210:55:24

E-mail: [email protected]

0:55:240:55:26

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