Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
In the beginning was the word. | 0:00:02 | 0:00:03 | |
This programme contains strong language. | 0:00:03 | 0:00:05 | |
And the word was shit. The angry dead, the Fades... | 0:00:05 | 0:00:08 | |
Argh! | 0:00:08 | 0:00:09 | |
..stand ready to overwhelm the living. | 0:00:09 | 0:00:11 | |
This programme contains some violent scenes. | 0:00:11 | 0:00:14 | |
And we're not ready. | 0:00:14 | 0:00:15 | |
Many people have left town already. | 0:00:15 | 0:00:18 | |
There's only one person that can do anything. | 0:00:18 | 0:00:22 | |
-That's my best friend, Paul. -I'm not listening. | 0:00:22 | 0:00:24 | |
Paul! | 0:00:24 | 0:00:26 | |
He's special. | 0:00:26 | 0:00:28 | |
So special that he died and came back to life. | 0:00:28 | 0:00:31 | |
He's Frankenstein meets Neo. | 0:00:31 | 0:00:33 | |
-Paul's back! -Back from the dead?! | 0:00:33 | 0:00:35 | |
-He closed an ascension point. -Ascension point's closed? | 0:00:35 | 0:00:38 | |
What I am, who I am, has got to mean something. | 0:00:38 | 0:00:40 | |
You have 30 seconds to tell me everything I need to know about Paul. | 0:00:40 | 0:00:43 | |
He came back for a reason. | 0:00:43 | 0:00:46 | |
To stop you. | 0:00:46 | 0:00:47 | |
He's acquired powers that are... freaky. | 0:00:47 | 0:00:50 | |
SHE SCREAMS | 0:00:50 | 0:00:51 | |
And scary. | 0:00:53 | 0:00:55 | |
I don't want to be a killer. | 0:00:55 | 0:00:57 | |
You don't have to be one. | 0:00:57 | 0:00:59 | |
He's seen what coming if he makes the wrong choice. | 0:00:59 | 0:01:02 | |
THUNDER CRACKS | 0:01:02 | 0:01:03 | |
If these powers have been given to me for a reason then... | 0:01:04 | 0:01:08 | |
maybe it's not to kill everyone. | 0:01:08 | 0:01:11 | |
Ascension's broken, I'll put it right. | 0:01:11 | 0:01:13 | |
You're signing a death warrant for everyone. There'll be Reborns everywhere. | 0:01:13 | 0:01:17 | |
Do not walk away from me. Don't walk away from me! | 0:01:17 | 0:01:20 | |
Paul wants to set the Fades free. | 0:01:20 | 0:01:23 | |
But only one Angelic still believes in him. | 0:01:23 | 0:01:25 | |
I will find a way to kill you. | 0:01:25 | 0:01:28 | |
I didn't come back to be a monster. | 0:01:28 | 0:01:30 | |
-I'm here to take you with me, Mac. -Where? | 0:01:30 | 0:01:34 | |
Somewhere I can persuade Paul to follow. | 0:01:35 | 0:01:38 | |
I'll find a way to help you. To free you. | 0:01:38 | 0:01:41 | |
Oh, good luck with that. | 0:01:41 | 0:01:42 | |
Why? | 0:01:42 | 0:01:44 | |
Because he's stronger than me. In every way. | 0:01:44 | 0:01:47 | |
Except one. | 0:01:49 | 0:01:50 | |
I'm his weakness? | 0:01:50 | 0:01:52 | |
Yeah. | 0:01:52 | 0:01:53 | |
In the beginning it was the word. | 0:01:55 | 0:01:57 | |
And the word was shit. | 0:02:00 | 0:02:02 | |
Now, who's seen my ET box set? | 0:02:05 | 0:02:09 | |
Hm? The three-disc set with the original celluloid cut? | 0:02:10 | 0:02:14 | |
I'm in the mood to... | 0:02:18 | 0:02:20 | |
..cry. | 0:02:22 | 0:02:23 | |
Na-Nu, Na-Nu. | 0:02:28 | 0:02:30 | |
Get out. | 0:02:36 | 0:02:37 | |
This programme contains some violent scenes. | 0:02:37 | 0:02:41 | |
This programme contains strong language. | 0:02:41 | 0:02:46 | |
This programme contains scenes which some viewers may find disturbing. | 0:02:46 | 0:02:50 | |
This programme contains some scenes of a sexual nature. | 0:02:50 | 0:02:55 | |
RADIO: 'I just want to talk about my daughter, | 0:03:06 | 0:03:09 | |
'who's been missing for a few days.' | 0:03:09 | 0:03:11 | |
GUN CLICKS | 0:03:21 | 0:03:23 | |
WIND BLOWS | 0:03:23 | 0:03:25 | |
FLIES BUZZ | 0:03:39 | 0:03:42 | |
CLOCK TICKS LOUDLY | 0:03:55 | 0:03:58 | |
GUNSHOT | 0:04:03 | 0:04:04 | |
We're in the fucking Mayor's office. | 0:04:06 | 0:04:08 | |
We've won. | 0:04:08 | 0:04:10 | |
-Everybody's leaving town. There's no-one. -Ssh. | 0:04:11 | 0:04:15 | |
GUNSHOT | 0:04:17 | 0:04:19 | |
I would just like to know why we are not leaving town. | 0:04:20 | 0:04:24 | |
We'll starve here. | 0:04:24 | 0:04:25 | |
For someone who talked for a living, you're remarkably boring. | 0:04:25 | 0:04:28 | |
Paul can pick us off one by one. | 0:04:31 | 0:04:34 | |
That makes him the most dangerous person alive. | 0:04:34 | 0:04:37 | |
I've got people tracking him. | 0:04:37 | 0:04:39 | |
You can go and join them if you like. | 0:04:39 | 0:04:42 | |
We shoot him, we butcher him, | 0:04:42 | 0:04:45 | |
then bury the bits everywhere from Land's End to John o'Groats. | 0:04:45 | 0:04:48 | |
John, we need to move. We need to eat, John! | 0:04:48 | 0:04:51 | |
No! | 0:04:54 | 0:04:55 | |
Argh! | 0:04:55 | 0:04:57 | |
Eat this. | 0:04:59 | 0:05:00 | |
We find him. | 0:05:03 | 0:05:05 | |
We kill Paul, and then... THEN we move on. | 0:05:05 | 0:05:09 | |
THEY FEAST NOISILY | 0:05:16 | 0:05:21 | |
THUNDER BOOMS | 0:05:25 | 0:05:27 | |
HE BREATHES HEAVILY | 0:05:29 | 0:05:32 | |
Ah! | 0:05:37 | 0:05:38 | |
HE WHEEZES | 0:05:38 | 0:05:41 | |
WATCH TICKS LOUDLY | 0:05:41 | 0:05:45 | |
Paul. | 0:05:53 | 0:05:55 | |
Paul! Paul! | 0:05:57 | 0:05:59 | |
HE GASPS | 0:05:59 | 0:06:00 | |
-What did you see? -Ash. Ash. It's all ash. | 0:06:00 | 0:06:05 | |
I'm going to die. | 0:06:09 | 0:06:10 | |
Today. | 0:06:14 | 0:06:15 | |
Yeah? | 0:06:15 | 0:06:17 | |
I've seen it before. | 0:06:17 | 0:06:19 | |
This world of ash is... | 0:06:23 | 0:06:24 | |
It was in my dreams. | 0:06:27 | 0:06:28 | |
It's today. | 0:06:28 | 0:06:30 | |
It's today, it's the end of everything. | 0:06:33 | 0:06:35 | |
Sarah had those visions. | 0:06:35 | 0:06:37 | |
I'm going to die. | 0:06:37 | 0:06:40 | |
Maybe we all are. | 0:06:40 | 0:06:41 | |
Paul, believe in your plan. You can re-open ascension. | 0:06:41 | 0:06:45 | |
You need to be prepared. | 0:06:46 | 0:06:48 | |
Prove Neil wrong, OK? | 0:06:48 | 0:06:51 | |
I'll never kill again. | 0:06:53 | 0:06:56 | |
THUNDER CRACKS | 0:06:56 | 0:06:59 | |
We haven't much time. | 0:06:59 | 0:07:00 | |
Let's try the point I broke in the woods. | 0:07:00 | 0:07:02 | |
Yeah? | 0:07:02 | 0:07:04 | |
Christ! | 0:07:04 | 0:07:05 | |
Those things of his are everywhere. | 0:07:07 | 0:07:10 | |
'Latest reports from Garlow suggest little progress...' | 0:07:15 | 0:07:18 | |
Mum, you're being thick. Paul wants us to leave. | 0:07:18 | 0:07:21 | |
I'm supposed to be looking after you! | 0:07:21 | 0:07:23 | |
Anna, this is my son. There's no way I'm leaving him. | 0:07:23 | 0:07:27 | |
He's going to come back. | 0:07:28 | 0:07:30 | |
I know he is. | 0:07:32 | 0:07:33 | |
The last thing I said to him... | 0:07:35 | 0:07:37 | |
"You scare me." | 0:07:38 | 0:07:39 | |
I told my son he scared me. | 0:07:41 | 0:07:43 | |
He is scary. | 0:07:43 | 0:07:45 | |
And the world is scary. | 0:07:45 | 0:07:47 | |
And unless we leave now, it's going to get scarier. | 0:07:47 | 0:07:51 | |
HOWLING | 0:07:51 | 0:07:53 | |
What was that? | 0:07:53 | 0:07:55 | |
They're outside. | 0:08:14 | 0:08:15 | |
DOOR RATTLES | 0:08:25 | 0:08:27 | |
DOOR RATTLES AND THUMPS | 0:08:31 | 0:08:35 | |
Right. This is the place. | 0:08:54 | 0:08:56 | |
This is where Phil tried to bring you back. | 0:08:58 | 0:09:00 | |
Where you broke ascension. | 0:09:02 | 0:09:04 | |
It won't be easy. | 0:09:04 | 0:09:07 | |
No Angelic has ever re-opened an ascension point. | 0:09:07 | 0:09:09 | |
What shall I do? | 0:09:09 | 0:09:11 | |
Just concentrate. | 0:09:13 | 0:09:15 | |
MOBILE RINGS | 0:09:15 | 0:09:17 | |
-It's Neil. -Give me that. | 0:09:22 | 0:09:23 | |
No. I'm waiting on a call from Anna, | 0:09:25 | 0:09:28 | |
to tell me when she's got out of town! | 0:09:28 | 0:09:30 | |
She's not important right now. | 0:09:30 | 0:09:32 | |
Nor's your mum. Nor's...time. Nor's your life. | 0:09:34 | 0:09:38 | |
Do you have any idea what's going on here? | 0:09:38 | 0:09:41 | |
You need to be pure. You need to selfless. | 0:09:43 | 0:09:46 | |
You need to be free from distractions. | 0:09:46 | 0:09:48 | |
Now, you may be all of those things but I'm not sure you're ready. | 0:09:49 | 0:09:53 | |
That's what Neil kept telling me... | 0:09:55 | 0:09:58 | |
-I'm not ready. -Well, he wasn't wrong about everything, was he? | 0:09:58 | 0:10:02 | |
Shit! | 0:10:02 | 0:10:03 | |
No. | 0:10:05 | 0:10:07 | |
Wait! | 0:10:07 | 0:10:09 | |
Don't come any closer! | 0:10:09 | 0:10:11 | |
Argh! | 0:10:11 | 0:10:13 | |
Thanks. | 0:10:18 | 0:10:20 | |
Paul, look. | 0:10:23 | 0:10:25 | |
-What did I do? -It's working. | 0:10:25 | 0:10:29 | |
The ascension point is beginning to open. | 0:10:29 | 0:10:31 | |
Mac was right. | 0:10:33 | 0:10:34 | |
I can... | 0:10:36 | 0:10:38 | |
This thing, it does have more than one use. | 0:10:38 | 0:10:40 | |
I'm a... | 0:10:40 | 0:10:41 | |
I'm an Angelic Swiss Army knife. | 0:10:43 | 0:10:45 | |
Try again. | 0:10:45 | 0:10:46 | |
It'll be very deep, so direct your power into the centre of it. | 0:10:47 | 0:10:51 | |
BIRDS TWITTER | 0:11:04 | 0:11:08 | |
RUMBLING | 0:11:18 | 0:11:22 | |
BIRDS CALL | 0:11:22 | 0:11:25 | |
RUMBLING CONTINUES | 0:11:31 | 0:11:35 | |
THUNDER CRACKS | 0:11:43 | 0:11:44 | |
SHE BREATHES HEAVILY | 0:11:59 | 0:12:00 | |
OK? | 0:12:10 | 0:12:12 | |
Yeah. | 0:12:12 | 0:12:13 | |
Just a bad dream. | 0:12:16 | 0:12:18 | |
When I woke up and I saw you there, I... | 0:12:30 | 0:12:32 | |
I thought I was... | 0:12:32 | 0:12:34 | |
HE LAUGHS | 0:12:35 | 0:12:36 | |
I can't believe you're real. | 0:12:38 | 0:12:41 | |
I'm real. | 0:12:42 | 0:12:43 | |
There's just so much that I don't understand. | 0:12:57 | 0:13:00 | |
There's so much I don't want to tell you. | 0:13:00 | 0:13:03 | |
SHE MOANS | 0:13:04 | 0:13:07 | |
SHE PANTS | 0:13:11 | 0:13:14 | |
SHE GROWLS | 0:13:16 | 0:13:18 | |
HE SCREAMS | 0:13:22 | 0:13:24 | |
HE YELLS | 0:13:24 | 0:13:26 | |
SHE WHIMPERS | 0:13:27 | 0:13:29 | |
GROWLING | 0:13:29 | 0:13:30 | |
-PANTING: -Fuck. Fuck. | 0:13:33 | 0:13:36 | |
What...the fuck? What was that? | 0:13:36 | 0:13:39 | |
Huh? What just happened? | 0:13:39 | 0:13:41 | |
You OK? | 0:13:43 | 0:13:44 | |
You sure you're OK? Cos I saw these.... | 0:13:46 | 0:13:49 | |
There were these things at the school. | 0:13:50 | 0:13:52 | |
Sorry. | 0:13:54 | 0:13:55 | |
Sorry, sorry, sorry, sorry, sorry. It's just been a bit crazy. | 0:13:55 | 0:13:58 | |
It's just been.. | 0:13:58 | 0:13:59 | |
Maybe, er... | 0:14:01 | 0:14:02 | |
You know, maybe you should just get me a glass of water or something. | 0:14:04 | 0:14:07 | |
Whatever it is, yeah? | 0:14:10 | 0:14:13 | |
Whatever it is, we'll get through it together, OK? | 0:14:13 | 0:14:17 | |
Am I supposed to be scared? I'm choosing not to be scared. | 0:14:47 | 0:14:50 | |
In case you were worried. | 0:14:50 | 0:14:52 | |
Not that I'm worried that you're worried. | 0:14:52 | 0:14:54 | |
I'm entirely without worry. I'm worry-free. | 0:14:54 | 0:14:56 | |
Shut up! | 0:14:56 | 0:14:58 | |
I'm warning you, answer your phone. | 0:15:01 | 0:15:03 | |
OK. Here's fun. Er... | 0:15:05 | 0:15:08 | |
do you have powers? | 0:15:08 | 0:15:10 | |
Paul can do more or less anything. What can you do? | 0:15:10 | 0:15:13 | |
No? | 0:15:14 | 0:15:15 | |
No, not biting. OK, er... | 0:15:15 | 0:15:18 | |
Simpler question. | 0:15:19 | 0:15:21 | |
If you could be any superhero, which would you be? | 0:15:21 | 0:15:24 | |
I'm really not interested in having this conversation. | 0:15:24 | 0:15:28 | |
Tell you who I'd be. It's an odd one - Jesus Christ. | 0:15:31 | 0:15:33 | |
Hear me out. | 0:15:33 | 0:15:35 | |
I know, I know. Blasphemous. | 0:15:35 | 0:15:37 | |
But Christ has special skills. | 0:15:37 | 0:15:38 | |
He can do miracles and all kinds of shit. | 0:15:38 | 0:15:41 | |
Actually, when I was 12, when I first read a Bible, | 0:15:41 | 0:15:44 | |
I thought it was more than possible that I was the second coming. | 0:15:44 | 0:15:48 | |
It's John! Bingo! | 0:15:48 | 0:15:50 | |
Jesus - lonely, very complicated relationship with my dad, | 0:15:50 | 0:15:54 | |
big love of carpentry. It just makes... | 0:15:54 | 0:15:56 | |
Shut up! Answer your phone, Paul. I'm warning you, answer your phone. | 0:15:56 | 0:16:00 | |
I was an orphan. | 0:16:08 | 0:16:09 | |
No-one liked me very much. | 0:16:10 | 0:16:12 | |
I could see dead people. | 0:16:12 | 0:16:14 | |
So yeah, I thought it was quite possible that I was Jesus Christ. | 0:16:15 | 0:16:20 | |
Do you understand that? Now get up, we got to go. | 0:16:20 | 0:16:24 | |
Where? | 0:16:26 | 0:16:27 | |
Your boyfriend's not answering his phone. | 0:16:27 | 0:16:30 | |
He's not my boyfriend. | 0:16:30 | 0:16:32 | |
He won't do what you want him to do. You know that, don't you? | 0:16:33 | 0:16:36 | |
-You think I don't struggle to get him to do what -I -want? | 0:16:36 | 0:16:40 | |
I mean, there was this one time, | 0:16:40 | 0:16:41 | |
we was in this orienteering competition at Scout camp | 0:16:41 | 0:16:45 | |
and he went totally maverick on me. | 0:16:45 | 0:16:47 | |
To cut a long story short, we ended up in Hereford. | 0:16:47 | 0:16:50 | |
We met this lovely couple there, but we came in a very bitter last. | 0:16:50 | 0:16:54 | |
But the thing is... | 0:16:57 | 0:16:58 | |
..where he goes to... | 0:17:00 | 0:17:03 | |
if he thinks it's the right path, he won't be put off. | 0:17:03 | 0:17:07 | |
Because on the outside, he may look like a Hereford cream sponge, | 0:17:09 | 0:17:14 | |
but on the inside, he's Spider-Man with balls, | 0:17:14 | 0:17:18 | |
he's Batman without the wanking, | 0:17:18 | 0:17:20 | |
he's Che Guevara meets Ross Kemp meets... | 0:17:20 | 0:17:23 | |
Alan Moore. | 0:17:23 | 0:17:25 | |
I know you're there, Neil. | 0:17:27 | 0:17:29 | |
Don't try and deny it. You're there. | 0:17:29 | 0:17:32 | |
You're listening. | 0:17:32 | 0:17:35 | |
They've gone. | 0:17:36 | 0:17:37 | |
Right, Mum, no questions. We leave now before they come back. | 0:17:37 | 0:17:41 | |
Anna, I... | 0:17:41 | 0:17:42 | |
Paul can look after himself. And, just a reminder, | 0:17:42 | 0:17:45 | |
I'm your other child! | 0:17:45 | 0:17:47 | |
Just a minute longer. | 0:17:47 | 0:17:48 | |
BANGING ON DOOR | 0:17:48 | 0:17:50 | |
Oh, God. | 0:17:50 | 0:17:51 | |
Shit! | 0:17:51 | 0:17:53 | |
BANGING ON DOOR | 0:17:54 | 0:17:56 | |
-< -Paul! It's Neil. | 0:17:56 | 0:17:58 | |
< It's you. Thank fuck! Where's Paul? | 0:18:05 | 0:18:08 | |
DOOR CLOSES | 0:18:09 | 0:18:11 | |
So you haven't seen him either? | 0:18:14 | 0:18:16 | |
No. | 0:18:16 | 0:18:17 | |
Shut up, sit down. Sit down over there. | 0:18:19 | 0:18:22 | |
PHONE CAMERA CLICKS | 0:18:34 | 0:18:35 | |
We have to re-open ascension. | 0:18:35 | 0:18:38 | |
It's the only way we'll ever get rid of all the Reborns at once. | 0:18:38 | 0:18:42 | |
It should have worked. | 0:18:42 | 0:18:43 | |
Look, you're knackered. That's five times you've tried. | 0:18:43 | 0:18:47 | |
Maybe we need to try another ascension point. | 0:18:47 | 0:18:51 | |
No, we can't. This is the last one in town. | 0:18:51 | 0:18:54 | |
Right, we're done here. It's not going to work. | 0:18:56 | 0:18:59 | |
No. No, no, no, no. We try it again. | 0:18:59 | 0:19:01 | |
No, no, Paul, they're going to be looking for you. It's not safe here. | 0:19:01 | 0:19:05 | |
I'm not... | 0:19:05 | 0:19:06 | |
I can do this. | 0:19:07 | 0:19:08 | |
PHONE CHIMES | 0:19:10 | 0:19:11 | |
Neil. Again. | 0:19:11 | 0:19:14 | |
Paul! | 0:19:18 | 0:19:21 | |
You haven't got a clue. | 0:19:24 | 0:19:26 | |
MOBILE RINGS | 0:19:28 | 0:19:30 | |
Oh, well, look at that. | 0:19:30 | 0:19:32 | |
You ready to talk now, are you, kid? | 0:19:34 | 0:19:37 | |
He's in the woods. Trying to re-open the ascension point. | 0:19:41 | 0:19:45 | |
Yeah? | 0:19:45 | 0:19:47 | |
Why the fuck isn't he here, then?! | 0:19:47 | 0:19:49 | |
Get after him! | 0:19:49 | 0:19:51 | |
If Paul re-opens ascension, he'll obliterate us all. | 0:19:51 | 0:19:53 | |
The boy is your quarrel, we just need food. | 0:19:53 | 0:19:56 | |
My quarrel will keep us alive! | 0:19:56 | 0:19:58 | |
He's just one boy. | 0:20:00 | 0:20:02 | |
Now, please, this time, get out there and kill him on sight. | 0:20:04 | 0:20:08 | |
Now, all of you, go! | 0:20:10 | 0:20:11 | |
Now...who's this? | 0:20:34 | 0:20:37 | |
Shall I guess? | 0:20:37 | 0:20:39 | |
What am I? What are we? | 0:20:39 | 0:20:41 | |
OK. Female voice. Young. Quite posh. | 0:20:41 | 0:20:44 | |
With a slight husk to it with just a hint of a salival gland out of control. | 0:20:44 | 0:20:49 | |
If I could, I'd kill you right now. | 0:20:49 | 0:20:52 | |
Shame you can't. | 0:20:56 | 0:20:58 | |
You need it, don't you? | 0:20:58 | 0:21:01 | |
No. | 0:21:03 | 0:21:05 | |
I can still cut your fucking throat out. | 0:21:05 | 0:21:08 | |
Now, what am I? | 0:21:08 | 0:21:09 | |
-Do you know what my favourite story from the Bible is, Sarah? -I don't give a shit. | 0:21:13 | 0:21:16 | |
It's Genesis 19. | 0:21:16 | 0:21:18 | |
-Lot, at the gates of Sodom, sees angels approaching. -What has this got...? | 0:21:18 | 0:21:21 | |
And he thinks to himself, "Now, I can't let the Sodomites, | 0:21:21 | 0:21:25 | |
"my filthy neighbours, at these angels. | 0:21:25 | 0:21:28 | |
"These angels need protecting." | 0:21:28 | 0:21:29 | |
What are you talking about? | 0:21:29 | 0:21:31 | |
So he moved the angels into his inn. | 0:21:31 | 0:21:34 | |
But before long, the sodomites surround his inn | 0:21:34 | 0:21:37 | |
and demand to be allowed to sodomise an angel. | 0:21:37 | 0:21:39 | |
Let's be honest, Sarah, who'd not sodomise an angel, given a chance? | 0:21:39 | 0:21:42 | |
Lot knew it wouldn't be too long before his inn was pulled apart | 0:21:42 | 0:21:46 | |
-brick by brick. "Let us fuck them, let us fuck them." -Shut up. | 0:21:46 | 0:21:49 | |
So he came up with a plan. | 0:21:49 | 0:21:52 | |
And he went outside, and he took his virginal teenage daughters with him. | 0:21:52 | 0:21:56 | |
And he said to the sodomites, | 0:21:56 | 0:21:57 | |
"I can't let you sodomise these angels. Oh, no. | 0:21:57 | 0:22:01 | |
"But why don't you do your best on these daughters of mine instead?" | 0:22:02 | 0:22:06 | |
I don't like this story. | 0:22:06 | 0:22:07 | |
It gets better. | 0:22:07 | 0:22:09 | |
'The next day, the angels led Lot, his wife and his teenage daughters | 0:22:09 | 0:22:14 | |
'out of the gates of Sodom and they burnt the city to the ground.' | 0:22:14 | 0:22:19 | |
And they told the family not to look. | 0:22:20 | 0:22:23 | |
However, Lot's wife turned round. | 0:22:23 | 0:22:24 | |
Maybe she wanted to see her daughter's rapists burn to death... | 0:22:26 | 0:22:30 | |
so the angels turned her into a pillar of salt for disobeying them. | 0:22:30 | 0:22:36 | |
This all meant, of course, that Lot and his teenage daughters | 0:22:37 | 0:22:41 | |
were left to repopulate the entire continent on their own. | 0:22:41 | 0:22:44 | |
See? Every nation has it's bloody beginning. | 0:22:44 | 0:22:49 | |
And now it's time for a new nation. Our nation. | 0:22:49 | 0:22:52 | |
And I won't even have to fuck my own daughters to make it happen. | 0:22:54 | 0:22:58 | |
You murdered me. | 0:22:58 | 0:22:59 | |
No, I freed you. | 0:22:59 | 0:23:00 | |
-No. -Every revolutionary has blood on his hands. | 0:23:00 | 0:23:05 | |
Face it, Sarah, you're one of us now. | 0:23:05 | 0:23:06 | |
No. No. No, no. | 0:23:06 | 0:23:08 | |
Know what you are. | 0:23:08 | 0:23:11 | |
SHE SIGHS | 0:23:15 | 0:23:16 | |
Wow. | 0:23:18 | 0:23:21 | |
Well, that reaction I wasn't expecting. | 0:23:21 | 0:23:23 | |
Jay?! | 0:23:37 | 0:23:39 | |
Stay still. Stay still. | 0:23:41 | 0:23:43 | |
Don't move. | 0:23:43 | 0:23:44 | |
What you doing here, Alice? | 0:23:44 | 0:23:47 | |
Huh? What you doing here? | 0:23:47 | 0:23:50 | |
Where's Mac? | 0:23:50 | 0:23:53 | |
Where's my family? What've you done, Neil? | 0:23:53 | 0:23:55 | |
Oh, I've got them, too, don't you worry about that. | 0:23:55 | 0:23:58 | |
They're safe. They're back-up. | 0:23:58 | 0:24:00 | |
So she's not. I mean, she's expendable. | 0:24:00 | 0:24:03 | |
Jay? Jay. I promise you, you're going to be fine. | 0:24:04 | 0:24:07 | |
-I promise. -Well, I need you to listen to me, then. | 0:24:07 | 0:24:09 | |
You have a gift, Paul. We're going to use it. | 0:24:09 | 0:24:12 | |
We're going to kill John, lop the head off this thing, | 0:24:12 | 0:24:15 | |
and then you'll kill them all. One by one. You'll kill all of them. | 0:24:15 | 0:24:19 | |
You're a killer, Paul. | 0:24:19 | 0:24:20 | |
No. | 0:24:20 | 0:24:22 | |
You need to listen to me. Too many of the dead have come back. | 0:24:24 | 0:24:27 | |
-We're past the tipping point. -A tipping point?! | 0:24:27 | 0:24:30 | |
I told YOU about tipping points ages ago. | 0:24:30 | 0:24:32 | |
Don't start quoting me back to me. | 0:24:32 | 0:24:34 | |
No, but I told you, I'm not a killer. | 0:24:34 | 0:24:38 | |
We can find a way to fix ascension. | 0:24:39 | 0:24:42 | |
We can ascend them all. | 0:24:43 | 0:24:45 | |
There is no other way. | 0:24:45 | 0:24:47 | |
Why won't you listen to me? | 0:24:47 | 0:24:48 | |
You do not mess with ascension. This is the only way, Paul. | 0:24:48 | 0:24:51 | |
OK, Jay? I promise you. I promise you'll be fine. | 0:24:51 | 0:24:55 | |
That's a bold statement to make. | 0:24:55 | 0:24:58 | |
GUNSHOT | 0:24:58 | 0:25:00 | |
JAY! | 0:25:00 | 0:25:01 | |
What have you done?! | 0:25:05 | 0:25:07 | |
She was just a girl! | 0:25:10 | 0:25:11 | |
Now you'll do as you're told. | 0:25:11 | 0:25:14 | |
She was just a girl. Not a Fade. She's an innocent girl! | 0:25:14 | 0:25:17 | |
"Innocent people will die." | 0:25:17 | 0:25:18 | |
Those were my exact words. I told you that. | 0:25:18 | 0:25:20 | |
I told you that. This is your fault. | 0:25:20 | 0:25:22 | |
-You're a fucking killer! -No! | 0:25:22 | 0:25:25 | |
NO! | 0:25:25 | 0:25:26 | |
I'm trying to stop a killer, Alice! | 0:25:26 | 0:25:28 | |
Someone has to stop John! Stop all of them! What are you doing, eh? | 0:25:28 | 0:25:32 | |
I love you, Alice, but get out of my way. | 0:25:34 | 0:25:37 | |
You're good, kid. | 0:25:43 | 0:25:45 | |
Even you can't raise the dead. | 0:25:46 | 0:25:48 | |
Paul... | 0:25:48 | 0:25:49 | |
Aaaaargh! | 0:25:49 | 0:25:51 | |
I'm making a mistake. | 0:25:59 | 0:26:01 | |
HE WHEEZES | 0:26:03 | 0:26:05 | |
What did you see? | 0:26:17 | 0:26:19 | |
Eat. | 0:26:27 | 0:26:28 | |
No. | 0:26:30 | 0:26:32 | |
Trust me, Sarah, this is the future now. | 0:26:33 | 0:26:37 | |
It's our time. | 0:26:39 | 0:26:40 | |
We've won. | 0:26:41 | 0:26:43 | |
If you've won, what's the gun for? | 0:26:44 | 0:26:46 | |
The boy. | 0:26:48 | 0:26:49 | |
He thinks he can stop me. | 0:26:51 | 0:26:52 | |
Probably knows as much about warfare as I did at his age. | 0:26:54 | 0:26:57 | |
And I'm going to kill him. | 0:26:59 | 0:27:01 | |
Yes. You are. | 0:27:02 | 0:27:05 | |
But no-one wins. | 0:27:09 | 0:27:10 | |
It doesn't matter, it's all ash. | 0:27:11 | 0:27:13 | |
You can have all the guns in the world. | 0:27:15 | 0:27:17 | |
The end is coming. | 0:27:19 | 0:27:21 | |
Where are my family? | 0:27:30 | 0:27:31 | |
It's as simple as this, Paul. | 0:27:31 | 0:27:33 | |
I know where John is and I'm going there and you'll follow me and you'll kill him. | 0:27:33 | 0:27:38 | |
Or the others will die. | 0:27:38 | 0:27:39 | |
It's as simple as that. | 0:27:41 | 0:27:43 | |
Paul, don't do it. You're not a killer. | 0:27:58 | 0:28:01 | |
There's no time! | 0:28:01 | 0:28:02 | |
Paul. | 0:28:02 | 0:28:03 | |
Paul, just wait. You're our last hope! | 0:28:05 | 0:28:09 | |
Where are we? | 0:28:13 | 0:28:15 | |
-Where are we? -I don't know. We were blindfolded, remember? | 0:28:17 | 0:28:20 | |
Paul's coming, right? | 0:28:20 | 0:28:22 | |
LOUD THUMPS | 0:28:22 | 0:28:24 | |
SHE WHIMPERS | 0:28:24 | 0:28:27 | |
Mac! | 0:28:28 | 0:28:30 | |
SHE CRIES OUT | 0:28:30 | 0:28:31 | |
Meg? Meg! | 0:28:31 | 0:28:35 | |
SHE PANTS | 0:28:35 | 0:28:37 | |
I thought you'd... I'm looking for Mac. | 0:28:38 | 0:28:42 | |
He's got him. He's got Jay. He's got Anna. He's got my daughter. | 0:28:42 | 0:28:46 | |
He only wanted the kids. | 0:28:46 | 0:28:49 | |
-Who? -Oh, someone called Neil! | 0:28:49 | 0:28:51 | |
Please, don't do this. Remember what you did in the woods. | 0:28:59 | 0:29:02 | |
-It didn't work. -Shut up! | 0:29:02 | 0:29:06 | |
-I'm not a superhero. I let Jay die. -No, Neil shot Jay. | 0:29:07 | 0:29:11 | |
Fuck off, Alice! What you doing here? The kid finally gets it. Go away! | 0:29:11 | 0:29:15 | |
I won't let that happen to Mac and Anna. | 0:29:15 | 0:29:17 | |
I'll do it. I'll do it, Neil. | 0:29:17 | 0:29:19 | |
-Come on, you're better than this. -I'll do it, whatever you want. -Good. | 0:29:19 | 0:29:23 | |
Do you know my first clear memory of you? | 0:30:01 | 0:30:04 | |
It was when Dad moved out for the first time. | 0:30:04 | 0:30:07 | |
We must have been about six. | 0:30:09 | 0:30:12 | |
This little boy who just turned up | 0:30:12 | 0:30:15 | |
and slept in my brother's room for a week. | 0:30:15 | 0:30:18 | |
He was upset. Seemed like the right thing to do. | 0:30:18 | 0:30:22 | |
-I hated him for having you. -And I hated him for having the | 0:30:22 | 0:30:25 | |
opportunity to walk in at any moment and see you in your underwear. | 0:30:25 | 0:30:29 | |
We used to play this game. We had these two Superheroes. | 0:30:29 | 0:30:33 | |
his was called 'Iron Skull', mine was called 'Supercop'. | 0:30:33 | 0:30:38 | |
mine could do things with a crossbow and an axe, | 0:30:38 | 0:30:40 | |
his could break walls with his bare fists. | 0:30:40 | 0:30:45 | |
I mean, basically, they were our Dads. | 0:30:47 | 0:30:53 | |
We decided the only reason they left us as to become Superheroes. | 0:30:53 | 0:30:58 | |
So it was OK if they walked out on us and treated us like shit. | 0:30:58 | 0:31:01 | |
Because they had bigger things to do. | 0:31:01 | 0:31:03 | |
Abandon me, abandon me, abandon me... | 0:31:05 | 0:31:08 | |
..only to save the world, Dad. | 0:31:10 | 0:31:12 | |
We used to play at heroes and now he's a real live one. HE LAUGHS | 0:31:14 | 0:31:18 | |
So why isn't he here yet? | 0:31:18 | 0:31:20 | |
FOOTSTEPS APPROACH Listen. | 0:31:22 | 0:31:25 | |
Is that? | 0:31:25 | 0:31:28 | |
BOTH: HELP! HELP! | 0:31:29 | 0:31:31 | |
There's two of us. We're been tied up. We're so pleased you're here! | 0:31:31 | 0:31:35 | |
DOORS BANG AND RATTLE | 0:31:40 | 0:31:43 | |
-You want to know my first memory of you? -If this is dirty, Mac... | 0:32:19 | 0:32:23 | |
-Your plays. -Oh, God the plays! | 0:32:23 | 0:32:25 | |
You were the princess in the tower and the knight would come | 0:32:25 | 0:32:29 | |
and save you and, you'd beat the shit out of him. | 0:32:29 | 0:32:32 | |
-THEY BOTH SOB -We're going to die here. | 0:32:36 | 0:32:40 | |
Neil! | 0:33:15 | 0:33:17 | |
Go near him and I'll shoot. | 0:33:18 | 0:33:21 | |
Sarah. | 0:33:22 | 0:33:24 | |
Why? Why? | 0:33:25 | 0:33:29 | |
Go! Go! | 0:33:33 | 0:33:36 | |
What the fuck do you think you are doing?! | 0:33:36 | 0:33:40 | |
THEY SCREAM AND GROAN | 0:33:40 | 0:33:41 | |
You can't win. You can't beat him. It's pointless. | 0:33:43 | 0:33:48 | |
GUNFIRE | 0:33:54 | 0:33:56 | |
There once was a boy called Paul... | 0:34:24 | 0:34:26 | |
Who had an enormous ball. | 0:34:28 | 0:34:31 | |
He had pants specially made. But he never got laid. | 0:34:31 | 0:34:34 | |
That poor unfortunate Paul. | 0:34:34 | 0:34:36 | |
You go. | 0:34:36 | 0:34:38 | |
-I'm quite talented at these. -You do what we came here to do. | 0:34:38 | 0:34:41 | |
There once was an orphan called Neil... | 0:34:41 | 0:34:44 | |
Who didn't know quite how to feel... | 0:34:44 | 0:34:47 | |
Abandoned at birth and lacking in mirth... | 0:34:47 | 0:34:51 | |
He... He... | 0:34:51 | 0:34:53 | |
He's turned into a bit of a dickhead, really. | 0:34:53 | 0:34:56 | |
GUNFIRE | 0:34:56 | 0:34:59 | |
HE GROANS | 0:34:59 | 0:35:00 | |
Neil, are you hurt? Did I shoot you? | 0:35:03 | 0:35:07 | |
I think Neil is dying, Paul. | 0:35:08 | 0:35:12 | |
-I'm not hurt! -It's a pity. It's quite some ride you know, dying. | 0:35:12 | 0:35:17 | |
I think you especially would get a kick out of it. | 0:35:17 | 0:35:20 | |
And then maybe you'd understand what I'm all about. | 0:35:20 | 0:35:24 | |
-Don't... it's me... you're still one of us. -Us?! | 0:35:24 | 0:35:27 | |
What's us? We're an extinct species? | 0:35:27 | 0:35:30 | |
Helen's dead. Higgy's dead. Maddie's dead. | 0:35:30 | 0:35:33 | |
Phil's dead. I'm dead! | 0:35:33 | 0:35:35 | |
I understand! I've been watching you my whole life... | 0:35:35 | 0:35:38 | |
I don't feel sorry for you. | 0:35:38 | 0:35:41 | |
Your whole life... 70 years I've suffered! | 0:35:41 | 0:35:44 | |
Who the fuck do you think you're talking to!? | 0:35:44 | 0:35:45 | |
The Angelics are over. | 0:35:45 | 0:35:47 | |
That's not for you to decide. There's always been something. | 0:35:47 | 0:35:51 | |
A defence. Look at Paul! | 0:35:51 | 0:35:52 | |
You know, when I died... | 0:35:52 | 0:35:54 | |
we couldn't find anywhere to ascend so we travelled across Europe, | 0:35:54 | 0:35:58 | |
sneaking onto cargo holders, | 0:35:58 | 0:36:00 | |
getting burnt by soldiers as they squeezed on between us. | 0:36:00 | 0:36:04 | |
All the points were closing. | 0:36:04 | 0:36:06 | |
Death is unfair! Accept it! Everyone else did! Why couldn't you? | 0:36:06 | 0:36:09 | |
So I went home and stood by ascension and I waited. | 0:36:09 | 0:36:13 | |
I waited. And it didn't happen. | 0:36:13 | 0:36:18 | |
So now you take without asking. Lives, hopes, dreams... | 0:36:18 | 0:36:24 | |
Sarah... Sarah was a good girl and you've broken her. | 0:36:24 | 0:36:28 | |
We're supposed to be the best! | 0:36:28 | 0:36:31 | |
-And I wasn't. -Well, then you should have tried fucking harder! | 0:36:31 | 0:36:34 | |
SHE SOBS | 0:36:37 | 0:36:39 | |
..until eventually they built a shopping centre over the spot. | 0:36:45 | 0:36:50 | |
A shopping centre. | 0:36:51 | 0:36:54 | |
For 70 years, I visited, frequented, haunted that place. | 0:36:54 | 0:36:59 | |
Shopping centre. | 0:36:59 | 0:37:01 | |
And yeah, your Sarah came to me, Neil. | 0:37:03 | 0:37:07 | |
Paul! Kill him! That's what we're here for! | 0:37:07 | 0:37:11 | |
It seemed quite a fitting end for her actually. A failed Angelic | 0:37:11 | 0:37:15 | |
-dropping to her death in a failed shopping complex. -Do it, kid! Now! | 0:37:15 | 0:37:20 | |
Don't let me down, Paul! You think about Mac. | 0:37:27 | 0:37:30 | |
Wow. That's a turn up for the books. | 0:37:33 | 0:37:36 | |
Yesterday you didn't want to hurt anyone and now you're a fucking assassin. | 0:37:36 | 0:37:39 | |
You turn on a sixpence, Paul. What has Neil done to you? | 0:37:39 | 0:37:43 | |
Only what was necessary. | 0:37:43 | 0:37:46 | |
Necessary? That's an interesting word to use there, Neil. | 0:37:46 | 0:37:49 | |
What was necessary? | 0:37:49 | 0:37:52 | |
Jay. | 0:37:53 | 0:37:55 | |
What about Jay? | 0:37:55 | 0:37:56 | |
-Don't get distracted, Paul. Not now... -Jay was necessary. | 0:37:56 | 0:38:00 | |
He killed her didn't he? Paul, did Neil kill your girlfriend? | 0:38:04 | 0:38:09 | |
Is that how much you wanted me dead, Neil? God, I'm flattered. | 0:38:09 | 0:38:13 | |
-Enough! Do it Paul, now. Do it. -Go on Paul... kill me. Make him proud. | 0:38:13 | 0:38:20 | |
End this thing. End it Paul, you'll be a hero. Do it. | 0:38:20 | 0:38:24 | |
-A hero? -A hero? -Fuck you. | 0:38:24 | 0:38:29 | |
Fuck you both! | 0:38:29 | 0:38:31 | |
No! You stay down. Either of you I will, I'll kill you. | 0:38:31 | 0:38:35 | |
You know when I was a kid, I used to pretend my Dad was a superhero. | 0:38:35 | 0:38:39 | |
What's your dad got to do with your Paul?! Now! | 0:38:39 | 0:38:41 | |
Because he was a selfish bastard, he just left us! | 0:38:41 | 0:38:44 | |
Left my mum in a mess. | 0:38:44 | 0:38:48 | |
And I won't be selfish. Not like him, | 0:38:48 | 0:38:52 | |
and not like you, either of you. | 0:38:52 | 0:38:54 | |
All this big talk, neither of you give a shit about the world. | 0:38:54 | 0:38:59 | |
You said I couldn't live two lives, Neil. | 0:39:02 | 0:39:05 | |
That was the ONE thing you were right about. | 0:39:05 | 0:39:07 | |
I have to choose. | 0:39:07 | 0:39:09 | |
And really, the choice is easy. | 0:39:12 | 0:39:14 | |
I can re-open Ascension. And I'm ready to do it. | 0:39:16 | 0:39:20 | |
You leave this room, Mac will die. It's as simple as that. | 0:39:22 | 0:39:25 | |
I promise you that, Paul. | 0:39:25 | 0:39:27 | |
Yeah, I know, Neil. And I may die too. | 0:39:27 | 0:39:30 | |
But Mac would want me to do this. | 0:39:33 | 0:39:35 | |
I hate to say it, Paul, but Neil's right. | 0:39:37 | 0:39:39 | |
You're not leaving this room. | 0:39:39 | 0:39:42 | |
Yeah? | 0:39:42 | 0:39:44 | |
CRASHING AND GUNFIRE | 0:39:49 | 0:39:53 | |
-Where are you going? -The shopping centre. It was an ascension point. | 0:39:53 | 0:39:57 | |
-It was the first to close. It's the place. -Paul, I've seen the future... it won't work. -So have I. | 0:39:57 | 0:40:02 | |
-Then don't go. If we don't go it can't happen! -It's where you died. It's where it all started. | 0:40:02 | 0:40:08 | |
-Come with me. -You've seen what happens. | 0:40:08 | 0:40:12 | |
Yeah. I have. And what's the point of seeing the future | 0:40:12 | 0:40:16 | |
if you can't change it? | 0:40:16 | 0:40:18 | |
Find my friends. | 0:40:19 | 0:40:21 | |
DOOR BANGS AND RATTLES | 0:40:24 | 0:40:25 | |
SHE SCREAMS | 0:40:28 | 0:40:30 | |
If you could be any character in any film what would it be? | 0:40:32 | 0:40:36 | |
The character Living Person in the film I Don't Want to Die Here! | 0:40:36 | 0:40:40 | |
ET. For me, ET every time. | 0:40:40 | 0:40:42 | |
But the question is, what character would you be? | 0:40:42 | 0:40:45 | |
ET, Mary, Keys, Michael, Elliot? I'd be Gertie I think. | 0:40:45 | 0:40:50 | |
Yeah, Gertie every time. | 0:40:50 | 0:40:52 | |
Cynical, yet romantic, young yet wise. | 0:40:52 | 0:40:56 | |
Neil? | 0:40:57 | 0:40:59 | |
Where is he? | 0:41:02 | 0:41:04 | |
Where is John? | 0:41:07 | 0:41:09 | |
He's gone. | 0:41:13 | 0:41:15 | |
Thank you. | 0:41:31 | 0:41:33 | |
Thank you or coming for me. | 0:41:33 | 0:41:36 | |
Fuck off. | 0:41:36 | 0:41:39 | |
So where are we going? | 0:41:39 | 0:41:40 | |
As far away from this town as it's possible to be. | 0:41:42 | 0:41:46 | |
Ever heard of the oldies? | 0:41:46 | 0:41:48 | |
Where are the kids, Neil? | 0:42:08 | 0:42:10 | |
She told me what you did, Neil. | 0:42:12 | 0:42:14 | |
Chris. Chris! | 0:42:21 | 0:42:22 | |
My God... Oh, my God! | 0:42:24 | 0:42:27 | |
-SHE SOBS -Where's my daughter? Where's my son? | 0:42:31 | 0:42:36 | |
Where's my daughter?! | 0:42:36 | 0:42:39 | |
I had to control the boy. | 0:42:43 | 0:42:47 | |
I did the right thing, Sarah. Always. | 0:42:47 | 0:42:51 | |
Don't tell me I was wrong. | 0:42:57 | 0:42:59 | |
Don't tell me we were fighting the wrong battles. | 0:42:59 | 0:43:02 | |
Fighting the wrong battles? You were losing the wrong war! | 0:43:02 | 0:43:06 | |
I am what I am... | 0:43:12 | 0:43:14 | |
-I'm an Angelic. -Not any more. | 0:43:16 | 0:43:19 | |
You're as much of a Fade as I am. | 0:43:21 | 0:43:24 | |
You're right, it's over. | 0:43:25 | 0:43:28 | |
It's over. | 0:43:29 | 0:43:31 | |
WATCH TICKS | 0:43:54 | 0:43:58 | |
BANGING If we're going to die, I may as well tell you | 0:44:02 | 0:44:05 | |
-why I think we'd make a great couple. -Frankly, it'd be easier to just die. -Two reasons. First reason. | 0:44:05 | 0:44:09 | |
Because we're really similar. | 0:44:09 | 0:44:11 | |
If you're going to come kill us... come and do it quickly, please! | 0:44:11 | 0:44:15 | |
I don't believe in chalk and cheese. I believe in chalk and chalk and you and me. | 0:44:46 | 0:44:50 | |
Low self-confidence. Chalk that. Low self-confidence from feeling | 0:44:50 | 0:44:54 | |
overwhelmed by the exact same person, Paul. Chalk that. | 0:44:54 | 0:44:58 | |
-He's getting in! -Over exuberance conversationally... | 0:44:59 | 0:45:02 | |
yours with aggression, mine with interesting anecdotes | 0:45:02 | 0:45:05 | |
to mask the fact that we see the world quite cynically. Chalk that. | 0:45:05 | 0:45:08 | |
We're both funny, chalk that. We both like the same people. Paul, Jay, your Mum. Chalk that. | 0:45:08 | 0:45:13 | |
I'm going to stick chalk up your japseye when we get out of here. | 0:45:13 | 0:45:15 | |
Second reason, because I've been in love with you since I was ten. | 0:45:15 | 0:45:19 | |
And you've sort of loved me since then too. | 0:45:22 | 0:45:25 | |
Ash. | 0:46:03 | 0:46:05 | |
I'm the ash. | 0:46:09 | 0:46:11 | |
I've got to get higher. | 0:46:23 | 0:46:25 | |
-So, this is inevitable. -No. It isn't. I can free you. | 0:46:38 | 0:46:46 | |
I meant I'm here to kill you. | 0:46:46 | 0:46:48 | |
Listen, I'm trying to make it right. | 0:46:51 | 0:46:56 | |
I can, I can make it right. | 0:46:56 | 0:46:58 | |
Really. For 70 years of pain? | 0:46:58 | 0:47:01 | |
Let me do this. | 0:47:07 | 0:47:10 | |
I just need to get up there. One shot. | 0:47:11 | 0:47:14 | |
Don't try and stop me. | 0:47:16 | 0:47:18 | |
KEEPS FIRING BUT CHAMBER IS EMPTY | 0:47:30 | 0:47:32 | |
Mac! | 0:49:02 | 0:49:04 | |
HE SCREAMS | 0:49:07 | 0:49:09 | |
Yeah. | 0:49:09 | 0:49:11 | |
You're making a mistake. | 0:49:26 | 0:49:29 | |
John, he can do it. Let him. It's what you've always wanted. | 0:49:37 | 0:49:43 | |
-To ascend. -Not any more. I want to live. | 0:49:43 | 0:49:47 | |
SHE GASPS | 0:49:47 | 0:49:50 | |
LOUD RUMBLING | 0:50:08 | 0:50:11 | |
Nooo! | 0:50:23 | 0:50:26 | |
Aaaarrrrggghhh! | 0:51:31 | 0:51:38 | |
RUMBLING STOPS | 0:51:55 | 0:51:59 | |
BIRDS TWEET | 0:51:59 | 0:52:02 | |
WATCH TICKS | 0:52:06 | 0:52:10 | |
Some party, eh? | 0:52:35 | 0:52:37 | |
You want to hear the good news or the bad news? | 0:52:43 | 0:52:47 | |
Good news, er... | 0:52:47 | 0:52:49 | |
We're alive. | 0:52:49 | 0:52:51 | |
Bad news... | 0:52:53 | 0:52:54 | |
-I'm going to be your brother in law. -What?! | 0:52:56 | 0:52:59 | |
-You really aren't. -Anna has decided she's in love with me. | 0:53:00 | 0:53:03 | |
-She really hasn't. -She wants me so much she can't control herself. | 0:53:03 | 0:53:07 | |
She really doesn't. | 0:53:07 | 0:53:09 | |
Paul. | 0:53:18 | 0:53:22 | |
Really? | 0:53:25 | 0:53:26 | |
What happened here? | 0:53:28 | 0:53:31 | |
What did you do? | 0:53:33 | 0:53:35 | |
CLAPS OF THUNDER | 0:53:56 | 0:53:58 | |
I told him. | 0:54:13 | 0:54:16 | |
I told him, you don't fuck with ascension. | 0:54:16 | 0:54:20 | |
And where's Jay? | 0:54:32 | 0:54:34 | |
Paul? Where's Jay? | 0:54:41 | 0:54:43 | |
HE SOBS | 0:54:44 | 0:54:49 | |
Subtitles by Red Bee Media Ltd | 0:55:21 | 0:55:24 | |
E-mail: [email protected] | 0:55:24 | 0:55:26 |