Episode 4 The Fall


Episode 4

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Transcript


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This programme contains some violent scenes from the start,

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some strong language and scenes which some viewers may find disturbing

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I'd like you to meet the girls of Monroe Air.

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It was an accident.

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All I want is for somebody to hold me.

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Tell me I'm going to be all right.

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Liz needs help, Jimmy.

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You stay away from my wife. Or I'll kill you.

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And your wife. And your kids.

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He clearly has a victim type.

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They are not victims of chance, they are victims of choice.

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It's possible that he's out there stalking his next victim now.

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'It is with great sorrow and regret that I can confirm the identity

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'of the officer killed in the line of duty

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'on Monday in North Belfast.'

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'Detective Sergeant James Olson

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'was a dedicated and hard-working policeman,

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'liked and respected by his colleagues.'

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'Just 31 years old,

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'he leaves behind a wife and two small children.'

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'On behalf of all the law-abiding citizens of Northern Ireland,

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'I wish to offer my deep condolences

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'to his family, his friends and his colleagues.'

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Dani?

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'Yes, ma'am?'

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I've got the lab report back on the varnish that was used

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on Sarah Kay's finger and toenails.

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It's called Jezebel Red. It's by Connell.

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Part of their Painted Lady range.

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Sold everywhere, unfortunately.

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'Right.'

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Can you get me some?

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The shops aren't open yet.

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You'll think of something.

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Daddy!

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Hey.

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Yeugh, you're sweaty!

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I thought you were at work.

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I got back early, went for a run.

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Instead of being here to help me with the kids.

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Must be nice to have all that energy to burn.

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Get your things. It's time to go.

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Liam.

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Here.

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Right, I'm leaving now. >

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If anyone's coming with me, they'd better hurry up. >

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SHE MOUTHS

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-Bye, Pops.

-Bye.

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I took a call on Olson's phone the morning after the shooting

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from an unregistered mobile number.

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The number subsequently went dead.

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The call came from somewhere inside this hotel. We checked the register.

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A suite was booked in the name of Belfast Events Limited.

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Company director, Aaron Monroe.

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This is the next morning.

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Breedlove with one of the girls.

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The suite has been cleaned at least twice since then.

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But we still found traces of Class A drugs and blood.

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These two were picked up an hour or so later by Morgan Monroe's driver.

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Both Rossmeisl and Lang

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have made substantial contributions to the Alice Monroe Fund.

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How do Breedlove and Olson fit into this?

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Back in the day,

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Breedlove was Morgan Monroe's close protection officer.

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He might have been there moonlighting, providing security.

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He might have been there to supply them with the drugs,

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and/or the girls.

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Olson, I'm not sure.

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It's starting to look like my praise for a dear departed colleague

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was fabulously premature.

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We have a facility on Breedlove's phone.

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He put in a call to Aaron Monroe this morning.

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He seems to have some concerns

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that he might meet the same fate as Olson.

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Looking at this girl's face,

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if she's badly injured, that's a loss of earnings right there.

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These girls make ten grand a week easily.

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Breedlove seemed to be suggesting that this has happened before.

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Talked about making a payment of 30 grand to someone called "Mirko".

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The girls flew into Dublin from Heathrow. Then came north by road.

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I'm making inquiries with the Met.

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-Bring him in.

-Breedlove?

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Bring him in.

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Paul.

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Paul?

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Paul!

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Did you not hear me calling you?

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When, Charles?

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You just passed me in the corridor.

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Did I? I didn't see you.

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I have an appointment.

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And I've just had James Tyler in here this morning.

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To say he was angry would be a considerable understatement.

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He says you made an unscheduled house call on his wife.

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When she was home alone.

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It wasn't unscheduled. She called.

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Very upset.

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Why didn't you have an appointment here?

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You know he beats her? She was black and blue.

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Then you report it to the police. There are protocols,

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that you seem to think you can ignore with impunity.

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Anyway, she has an appointment. She's coming in today.

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It's not in the diary.

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I need to make a phone call to confirm.

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Did you talk to any of the local residents when you were there?

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Discuss Mr Tyler's personal business with them?

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Does that seem likely?

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I don't know.

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You tell me.

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I asked for some directions.

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Maybe they saw my name tag.

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You can bet your life they did. This is Shankill, Paul.

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Not some place you can come and go willy-nilly without being noticed.

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-"Willy-nilly"?

-You know what I mean.

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I'd like to talk to Mrs Tyler when she comes in.

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PHONE RINGS

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'Detective Inspector Breedlove?'

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Speaking.

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'It's DCI Eastwood.'

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'I'd like to have a talk with you, Rob.'

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When?

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'Right away, if possible.'

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What about?

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'I think you might be able to help me clarify some issues

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'surrounding the murder of James Olson.'

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'I'd appreciate your help.'

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I'll come in.

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I have to go.

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Don't be long.

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They're Mosuo women.

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They're a small ethnic group living in China on the border with Tibet.

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They're a matriarchal society. Well, matrilineal.

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They don't practise traditional marriage, no husbands and wives.

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They practise what's called walking marriage.

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The partners live in different households.

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I'm simplifying.

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One of Sarah Kay's work colleagues said she talked about them

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at the bar on the night that she called you to the house.

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Drinking wine with her friends suggests to me

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that she didn't know that she was pregnant.

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And she didn't tell any of her family

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and no-one's come forward to say that they're the father.

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So I thought maybe it was just a sweet night.

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What's that?

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It's what the Mosuo women call secret visits

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when a woman asks a man to spend the night and then leave in the morning.

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How do you know so much about it?

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It's not a secret.

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My first degree was in Anthropology.

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You're FIRST degree?

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Umm. I have hundreds.

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I need you to come in.

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'I can't.'

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Liz, I shouldn't have called on you at home like that.

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It's against the rules.

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My job is on the line.

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Jimmy needn't know.

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I just want you to come in. This afternoon.

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'I can't.'

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Why?

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'I don't want to see anyone at the moment.'

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Put on a headscarf and some dark glasses.

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You'll look like Sophia Loren.

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'Who's she?'

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You asked me to hold you, Liz.

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And I held you.

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Now I'm asking you to do this for me.

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DOOR BUZZES

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Rob.

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Come on through.

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Do you want kids?

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Maybe, one day.

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Do you have a man?

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A man?

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No.

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I'm gay.

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The neighbours report hearing a hairdryer

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in the early hours of the morning.

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Perhaps he was drying her body?

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Perhaps he was drying the nails.

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Where were you when I called you?

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At the Olsons'.

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How are they? Are they bearing up?

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I don't think it's really sunk in yet.

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Your phone records show a lot of calls to the Olson home number.

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You've pulled my phone records?

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Why so many calls?

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He was my partner. My friend.

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A high proportion of those calls were at times Olson was at work.

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Often at work with you.

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Were those calls made to Vicky?

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-Do you know why he joined the police force?

-I don't.

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That bomb in '87. He lost his father.

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Would have been six at the time, same age.

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I don't remember the name Olson.

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His mother remarried.

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It was me called his phone that morning, when you answered.

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OK, Robbie. Be careful what you say now.

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I had no idea he was already dead. You have to believe me.

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You should take legal advice before you say anything more.

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Gunned down in the street in front of his son. Fucking shitbags.

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Who?

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Who's a shitbag? McInturff?

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Yes, McInturff!

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Do you really believe that?

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Or was your outburst at the station all for show?

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-Have you had someone following me?

-No.

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Cos there was a car on my tail coming here just now.

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-Nothing to do with me.

-You swear?

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I swear.

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I'm going to have to caution you, Rob.

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What are you doing, arresting me?

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We want to get this sorted.

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Are you carrying a firearm?

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-No.

-Where is it?

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-Er, it's in my desk drawer.

-I had someone check your desk drawer.

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If I'd just lost a partner, and I feared I might be next,

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I'd be carrying.

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I need to take the weapon from you, Rob. I'm sorry.

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That's all right.

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I understand.

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You're just doing what you have to do.

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All this can be sorted out really easily. Really, really easily.

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GUNSHOT

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WOMAN SCREAMS

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Somebody call an ambulance!

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Get this woman out.

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Matthew, Matthew.

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Come with me.

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Get everybody out.

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Jerry.

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Seal these rooms off.

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Call forensics.

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Matthew, can you hear me?

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Look at me.

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Matthew, what happened in there?

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What happened?

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He was handing me his gun.

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Then he put it to his face and fired.

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-Deliberately?

-Yes.

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-Wasn't just a threat and the gun went off?

-No.

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No, he meant to do it.

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-Do you have your gun on you?

-No.

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Right, I'm going to get a CSI here to take your clothes, all right?

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-Yes.

-Right.

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We're going to do this right, we're going to sort this out.

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Do you feel afraid at home?

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It's unacceptable, Liz.

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You have the right to feel safe in your own home.

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I start it.

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I throw things at him.

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I provoke him.

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Even if that's true, the responsibility for domestic violence

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always lies with the abuser, Liz.

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Never with the abused.

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He wasn't always like this.

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It's been since Danny died.

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You're wearing a long sleeved top.

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That's unusual for you.

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Are you self-harming?

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No.

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Does he force you sexually?

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As your counsellor, Liz, I'm not supposed to give advice.

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But these people can.

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He's out of prison on licence.

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If I call the police, he'll go straight back to jail.

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I can't do that to him.

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Liz, under the Domestic Violence, Crime And Victims Act,

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charges can be brought against your husband without your permission.

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I can make the call.

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But it's important for you that you do it yourself.

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They can arrange a shelter until he's arrested.

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I'm offering you a lifeline.

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Take it.

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Can we talk?

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I have to wash.

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I'll come with you.

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It seems Breedlove was having an affair with James Olson's wife.

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Why are you telling me?

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I thought it might help.

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If you were feeling at all guilty.

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I'm not.

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It's unclear whether Olson knew or not,

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whether he suspected anything.

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How was he when he was with you?

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Fine. We've been over this.

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But the text messages, the picture images,

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breaching the cordon at a crime scene?

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They all surprised me.

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I read him wrong.

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In what way?

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I thought he was the type to accept it for what it was and move on.

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A sweet night.

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What?

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Nothing.

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Do you have any idea of the effect you have on men?

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I'd have left my wife...

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..my kids...

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..everything for you.

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That would have been a mistake.

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I'm sorry.

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I shouldn't have said that.

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I'm sorry.

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Thank you.

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For handling things so calmly.

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And so efficiently.

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You've done the right thing calling us.

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Making that call is the hardest part.

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From now on you'll have our support.

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Boss.

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All three victims are on professional websites.

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All have a detailed profile.

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All with a professional portrait photograph.

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Maybe this is how he finds them?

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I mean, if the killer's trawling professional websites

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looking for victims,

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should we do the same to identify potential targets?

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I'm not sure we can.

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If we do identify women who we think conform to the killer's type,

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what are we going to do?

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Warn them?

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PHONE RINGS

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If we warn them we have to protect them

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and we don't have the resources.

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Hello?

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'Hi, it's me.'

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'The crime scene is being released back to the family

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'and I'd like to take another look.'

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When?

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'Now.'

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All right, I'll meet you there.

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Mrs Shergold and I would like a word.

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When?

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Now.

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Home-visiting can be very useful from a diagnostic point of view.

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But it's in breach of department guidelines.

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Seeing someone in their home environment can provide

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unexpected information about their psyche...

0:25:290:25:32

Paul, please.

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"Paul, please"?

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Mrs Shergold is in complete agreement with me over this matter.

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The protocols are in place to protect you as well as the clients.

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We simply cannot tolerate any further indiscipline.

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You can consider this an official warning.

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You'll be receiving a letter.

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You'll be receiving a letter.

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What?

0:25:510:25:52

What?

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I'm sorry, I'm not following.

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I'm sorry, I'm not following.

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Are you taking this seriously?

0:26:000:26:02

Are you taking this seriously?

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I don't understand.

0:26:040:26:06

Then let me explain.

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I've just done a good thing.

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A very good thing.

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And thanks to me, Liz Tyler can sleep safe tonight.

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You people should be congratulating me,

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not bleating on about petty rules and regulations.

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Where was he hiding?

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Do you think?

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When he first attacked her?

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In here?

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Or from here?

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'She's at the top of the stairs.'

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'He comes out fast, overpowers her.'

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GIRL SCREAMS

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'So he lifts her...'

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..carries her, struggling, into the bedroom.

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He gets her on to the bed, pins her down,

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then he ties her to the bed frame.

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The ligature marks suggest maybe here and there.

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You know, it's possible he was in here with her

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and had her tied up, when there were patrol cops at the front door.

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I didn't know that.

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Yeah, the answer machine was over there.

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It was set to play messages as they came in.

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She might even have heard the call.

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'This is PC Dani Ferrington.'

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'I'm calling from outside your house.'

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'If you are there, it is the police at the door.'

0:27:500:27:52

'I was hoping to speak with you

0:27:520:27:54

'to follow up on the incident that occurred on Friday.'

0:27:540:27:56

-'Please ring when you get this message.'

-Why these women?

0:27:560:27:58

Why professional women? What's he punishing them for?

0:27:580:28:01

What will you tell your daughters in the future?

0:28:110:28:15

About how to stay safe?

0:28:160:28:17

Pretty much what I tell them now.

0:28:190:28:21

Don't talk to strange men.

0:28:210:28:22

Strange men?

0:28:250:28:26

Any man.

0:28:280:28:29

Hey.

0:28:480:28:50

Hey.

0:28:500:28:51

-You going home?

-Yes.

0:28:550:28:57

Do you want a lift?

0:28:570:28:58

I'm OK walking.

0:28:590:29:01

Haven't you heard? There's a strangler on the prowl.

0:29:030:29:05

Are you going to protect me?

0:29:080:29:09

What's it like?

0:29:340:29:35

You know, being face to face with someone who's killed over and over?

0:29:360:29:41

You're thinking of Moon?

0:29:410:29:42

Hmm.

0:29:420:29:44

I directed the interviews. I didn't speak to him personally.

0:29:440:29:46

How do you interview someone like that?

0:29:460:29:49

Well, with Moon it was easy. He wanted to talk.

0:29:500:29:53

Most of the time he seemed deranged.

0:29:530:29:55

During his trial, he had to be removed from the court for singing.

0:29:560:30:00

He was an idiot.

0:30:010:30:03

We had CCTV footage of him arriving at his block of flats

0:30:030:30:08

with a nice new suitcase, clearly empty,

0:30:080:30:11

and then leaving an hour later dragging it along the ground.

0:30:110:30:15

Moving a body?

0:30:150:30:16

What was left of it.

0:30:160:30:18

The prime cuts were in the freezer.

0:30:180:30:20

When I was a DC, I spent years as a lead interviewer and a sweeper.

0:30:240:30:30

And the techniques are pretty standard.

0:30:310:30:34

You try and establish a rapport.

0:30:350:30:37

With a cannibal?

0:30:370:30:38

Well, with anybody. You start with what you know,

0:30:380:30:41

present the facts that you have at your disposal...

0:30:410:30:44

..and then you take it from there.

0:30:460:30:48

I've been thinking a lot lately about a friend of mine.

0:30:530:30:56

Really? Why?

0:30:580:30:59

When she was a student she was briefly with a guy who...

0:30:590:31:03

..almost strangled her to death one night, in bed.

0:31:060:31:10

Where was this?

0:31:120:31:13

In Belfast.

0:31:140:31:16

When?

0:31:160:31:18

About eight or nine years ago.

0:31:180:31:19

Did she report it to the police?

0:31:220:31:23

No, she didn't.

0:31:230:31:25

She's married now and has children.

0:31:250:31:27

I know she's never told her husband.

0:31:280:31:30

What's her name?

0:31:310:31:33

# You walked me home in the dark

0:31:350:31:39

# Streets wet from rain near the park

0:31:390:31:42

# We said goodbye at my door

0:31:430:31:47

# And I knew then that life Could be so much more

0:31:470:31:51

# Rain brought me back to your door

0:31:540:31:58

# You held me down on the floor

0:31:590:32:02

# I saw the pain in your eyes

0:32:030:32:07

# And I knew then that love Would be my demise

0:32:070:32:12

# And I know, yes, I know... #

0:32:120:32:15

It's just right.

0:32:150:32:16

# From the tips of my fingers To the ring on my toe

0:32:160:32:20

# I know

0:32:200:32:22

# Yes I know... #

0:32:220:32:24

I meant to show you.

0:33:250:33:27

Another of Livvy's drawings.

0:33:310:33:32

Where did she get this paper?

0:33:440:33:47

What?

0:33:470:33:48

I'm just wondering where she got the paper.

0:33:490:33:51

There's a baby at work, she's really poorly.

0:33:520:33:55

Her mother, she's only 18 herself.

0:33:550:33:59

But she's really devoted, a really good mother.

0:34:010:34:05

It's really got to me.

0:34:080:34:09

I can tell.

0:34:130:34:14

Come back to bed.

0:34:220:34:23

I guess she hears me talking about babies and mothers.

0:34:260:34:29

I get upset and then I get short with them.

0:34:290:34:31

And then there's all the stuff in the papers at the moment.

0:34:310:34:34

She doesn't read the papers.

0:34:350:34:37

It's on the telly, on the radio.

0:34:370:34:39

Her teacher says it's just a stage.

0:34:490:34:51

She doesn't just draw what she sees, she draws what she knows.

0:34:530:34:56

She knows a pregnant lady has a baby in her tummy, that's all.

0:34:580:35:02

BANGING ON DOOR

0:35:270:35:28

Armed police! Open up.

0:35:280:35:30

Police!

0:35:350:35:36

Oi! Oi! What the fuck is going...

0:35:430:35:46

James Tyler, I'm arresting you for assault and causing

0:35:500:35:53

actual bodily harm on your wife Liz Tyler.

0:35:530:35:56

You do not have to say anything but it may harm your defence

0:35:560:35:58

if you do not mention something which you may later rely on.

0:35:580:36:03

Anything you do say may be given in evidence.

0:36:030:36:06

Do you understand?

0:36:060:36:07

Get fucking off me.

0:36:070:36:08

Get in there!

0:36:080:36:10

That's it lads, well done.

0:36:100:36:11

-It could be a lot worse.

-How?

0:36:180:36:20

He hasn't got hold of the fact that they went back on Sunday night.

0:36:210:36:24

Ferrington has effectively been taken off uniformed duties.

0:36:380:36:41

Stone has been assigned to another team.

0:36:430:36:45

It's good it's out there at last. Now they can move on.

0:36:460:36:49

Maybe you'd like to explain that to the Policing Executive.

0:36:490:36:51

Why is that your responsibility?

0:36:510:36:53

Leave that to the Uniform to deal with.

0:36:530:36:55

PHONE RINGS

0:36:550:36:56

I need to take this.

0:36:560:36:58

Gibson.

0:37:000:37:01

'It's McCurdy, ma'am.'

0:37:010:37:03

'It seems the killer of Sarah Kay...'

0:37:030:37:05

Morgan, I'd hoped I'd run into you.

0:37:060:37:09

Sorry, sir. I have to go. There's been a development.

0:37:110:37:14

Take my car. Keep me up to speed.

0:37:150:37:17

I don't have long, I'm afraid, Jim.

0:37:220:37:24

This won't take long. Morgan. I'm banking on your support today.

0:37:240:37:28

The investigation into the murder of those three young women,

0:37:300:37:33

Alice included, the murder of Michael Lockwood, James Olson,

0:37:330:37:36

the apparent suicide of Rob Breedlove,

0:37:360:37:38

has stretched us very thin. To breaking point, in fact.

0:37:380:37:41

I'm not sure I can give you that support, Jim.

0:37:430:37:45

I was speaking to the Chief Constable today...

0:37:460:37:49

The investigation into the murder of James Olson has thrown up

0:37:490:37:52

some very uncomfortable details.

0:37:520:37:53

Uncomfortable, I think, for both of us.

0:37:530:37:56

Like?

0:38:010:38:02

Like one of my officers being present in a hotel suite

0:38:020:38:04

with your son and two of your German business colleagues

0:38:040:38:07

on the night that Olson was killed.

0:38:070:38:09

A hotel suite where prostitutes were present, where serious Class A drugs

0:38:090:38:15

were being consumed and where a serious assault took place.

0:38:150:38:18

We'll continue to ventilate her and provide pain relief.

0:38:220:38:25

But I think the time has come to let nature take its course.

0:38:260:38:29

We will withdraw intensive care this morning.

0:38:310:38:34

How long will it take?

0:38:380:38:40

A matter of hours.

0:38:400:38:41

Will you stay with me?

0:38:470:38:49

Yes.

0:38:490:38:51

Of course.

0:38:510:38:52

It came with this morning's post. Addressed to me.

0:38:550:38:58

I opened it and Marion has touched it, too. That's it.

0:38:580:39:03

Mary, would you read that out loud for me?

0:39:110:39:14

Would that be all right?

0:39:140:39:16

Of course.

0:39:160:39:17

"Dear Mr Kay."

0:39:220:39:24

"I saw your other daughter Marion named in the newspaper

0:39:240:39:28

"and was able to obtain her address without too much difficulty."

0:39:280:39:32

"I also saw that you had to identify your daughter's body

0:39:320:39:36

"and I am sorry you had to do that."

0:39:360:39:38

"Please understand. I would never have killed her

0:39:380:39:41

"if I had known she was pregnant..."

0:39:410:39:43

'..babies are innocent,

0:39:430:39:44

'and I have always felt very protective of children.'

0:39:440:39:48

'Part of me says, "What's one less person on this earth?"

0:39:480:39:51

'Part of me hopes I do not have to meet you face-to-face

0:39:520:39:55

'in this world or the next to explain.'

0:39:550:39:58

'I took her driver's licence from her blue wallet -

0:39:590:40:02

'now I'm giving it back.'

0:40:020:40:04

'You won't see the cat again - cats are evil creatures.'

0:40:040:40:08

'One must have chaos in oneself to give birth to a dancing star.'

0:40:100:40:14

Hello, you.

0:41:010:41:02

It's from Thus Spake Zara...

0:41:040:41:08

Zarathustra. Yes, Nietzsche. Have you got the context?

0:41:080:41:12

"I say unto you: one must still have chaos in oneself

0:41:140:41:17

"to be able to give birth to a dancing star."

0:41:170:41:20

"Alas, the time of the most despicable man is coming."

0:41:200:41:24

"He that is no longer able to despise himself."

0:41:240:41:28

"Behold, I show you the last man. What is love?"

0:41:290:41:32

"What is creation? What is longing? What is a star?"

0:41:330:41:37

"Thus asks the last man and blinks."

0:41:390:41:41

We have your fingerprints on record, Marion.

0:41:510:41:54

We're going to need yours, too, sir.

0:41:540:41:56

Of course.

0:41:570:41:59

We'll take a look at these.

0:41:590:42:01

Fingerprints, paper analysis, ink analysis.

0:42:010:42:03

We'll check for indentations.

0:42:030:42:05

This could be very significant for us.

0:42:070:42:08

He talks about meeting me in this world or the next.

0:42:180:42:21

Yes.

0:42:210:42:22

I believe he has had faith at some point in his life.

0:42:220:42:25

I'd like to make an appeal. A public appeal.

0:42:280:42:32

I'd like to ask him to stop what he's doing.

0:42:360:42:38

Stop these terrible crimes.

0:42:380:42:40

Give himself up.

0:42:400:42:42

Repent and ask for God's forgiveness.

0:42:420:42:45

Hey, Joan, it's me. How are the kids?

0:42:560:42:58

'Ah, they're grand.'

0:42:580:42:59

Has Paul left for work yet?

0:42:590:43:01

'Ten, 15 minutes ago.'

0:43:010:43:04

Is there any way you can stay tonight?

0:43:040:43:07

'All night?'

0:43:070:43:08

Baby girl Mitchell's off the life support.

0:43:090:43:11

And I want to see it through with her mother.

0:43:110:43:14

'Oh, God. I really can't, Sally.'

0:43:140:43:16

It's OK.

0:43:170:43:19

'I'm sorry, I have to leave by nine at the latest.'

0:43:190:43:21

OK.

0:43:230:43:24

Are you sure it's him? Not a hoax?

0:43:360:43:38

I think it's him.

0:43:380:43:39

Expressing remorse?

0:43:390:43:41

Yes, remorse.

0:43:410:43:43

Just not about the murder itself as Ian Kay would like to think.

0:43:430:43:46

Then what?

0:43:460:43:47

Well, he spent the most time with Sarah Kay.

0:43:480:43:51

He posed her carefully. Painted her nails, did her hair.

0:43:510:43:54

Everything perfect.

0:43:540:43:56

Probably took photographs, beautiful photographs.

0:43:560:43:59

And then he heard the news that she was pregnant.

0:44:000:44:03

I believe it when he says he wouldn't have killed a pregnant woman.

0:44:030:44:06

That has a ring of truth.

0:44:080:44:09

So remorse, that his perfect kill had been tainted, spoiled?

0:44:110:44:15

Hmm.

0:44:150:44:17

What about this Ian Kay appeal?

0:44:170:44:19

I think it would give the killer pleasure...

0:44:220:44:24

..an opportunity to gloat.

0:44:250:44:26

But it could be invaluable to us.

0:44:280:44:30

It could open up a line of communication between us.

0:44:310:44:33

I've never gone up here.

0:45:160:45:18

I twisted Ferrington's arm. She told me where you were.

0:45:190:45:23

It's a good place to clear the head.

0:45:240:45:26

I just wanted to say thank you.

0:45:290:45:30

For your help.

0:45:320:45:33

I didn't do anything.

0:45:330:45:34

Yes.

0:45:340:45:35

You did.

0:45:370:45:38

I froze.

0:45:400:45:41

I've never done that before.

0:45:450:45:47

I should have seen it coming.

0:45:520:45:53

A man eaten up with guilt...

0:45:560:45:59

..in fear for his life.

0:46:000:46:02

About to lose his job, his reputation, his freedom.

0:46:040:46:10

I should have had someone else in the room with me.

0:46:100:46:13

We all make mistakes.

0:46:130:46:14

I don't want to stop holding her.

0:46:240:46:26

You don't have to.

0:46:280:46:29

When you're ready we can wash and dress her.

0:46:330:46:36

Take some photos if you like?

0:46:370:46:39

Yes.

0:46:420:46:43

There's someone to see you, ma'am.

0:47:000:47:02

Who?

0:47:020:47:03

Rose Stagg? A friend of Professor Reed Smith?

0:47:030:47:06

I spent years interviewing the victims of rape.

0:47:340:47:37

I don't think anyone ever felt worse

0:47:390:47:41

after talking to me about their experiences.

0:47:410:47:43

I was in my last year of medical studies at the university.

0:47:530:47:56

I already had a boyfriend

0:47:580:48:00

when I met a guy in one of the Student Union bars.

0:48:000:48:02

And he was a student too?

0:48:040:48:06

I think so.

0:48:070:48:08

Literature? Maybe Queen's or Stranmillis.

0:48:100:48:13

And how old was he, would you say?

0:48:150:48:17

22, 23.

0:48:190:48:21

We'd spent a couple of nights together.

0:48:230:48:25

What sort of sex did you have?

0:48:270:48:28

The sort that went on all night.

0:48:310:48:32

Rough?

0:48:340:48:36

Yes, but tender, too.

0:48:360:48:39

But then a strange thing happened.

0:48:420:48:44

We'd both been drinking.

0:48:450:48:47

Maybe too much.

0:48:480:48:49

We were in bed together.

0:48:510:48:53

I woke to find his hands around my throat.

0:48:560:48:58

-Was he raping you?

-No.

0:49:000:49:03

At first I couldn't work out what was happening.

0:49:040:49:07

The look in his eyes was really cold.

0:49:080:49:10

I started fighting him,

0:49:110:49:13

but I couldn't get his hands away from my throat.

0:49:130:49:16

Take your time.

0:49:200:49:21

CAR APPROACHES

0:49:280:49:31

CAR DOOR OPENS

0:49:340:49:36

CAR DOOR OPENS

0:49:390:49:41

FRONT DOOR OPENS

0:49:500:49:52

'Right, stick the kettle on. I'm bursting.'

0:49:570:49:59

-'Do you want some music on?'

-'Aye.'

0:49:590:50:00

DANCE MUSIC PLAYS

0:50:060:50:11

SHE SCREAMS

0:50:360:50:39

'The pain was acute.'

0:50:470:50:48

'I felt as though my lungs would burst, my head.'

0:50:490:50:53

'I was in total panic.'

0:50:550:50:57

'I've never felt such strength in someone before or since.'

0:50:590:51:02

How did you get away from him?

0:51:030:51:06

I didn't.

0:51:060:51:08

Suddenly I could breathe again.

0:51:080:51:11

I was gasping for breath

0:51:110:51:13

and his hands weren't around my neck any more.

0:51:130:51:16

I felt like I'd returned from the dead.

0:51:170:51:20

'He sort of sat up and came to.'

0:51:220:51:26

Was he aroused? Did he have an erection?

0:51:270:51:30

Oh, yes.

0:51:300:51:31

He, erm, got up from the bed and stumbled away.

0:51:350:51:39

-What happened then?

-I felt sick.

0:51:420:51:43

I was sick.

0:51:450:51:46

I lay down on the bed.

0:51:480:51:49

I just laid there.

0:51:500:51:52

I think I went to sleep.

0:51:540:51:56

DANCE MUSIC CONTINUES

0:52:000:52:03

What the...?

0:52:060:52:07

MUSIC STOPS

0:52:200:52:23

GIRL CRIES

0:52:280:52:32

I had bruises all over my neck and marks from my fingernails

0:53:390:53:44

where I'd tried to get his hands away from my throat.

0:53:440:53:46

I was hoarse for days.

0:53:480:53:50

I couldn't swallow.

0:53:510:53:52

Did you meet with him again?

0:53:530:53:55

Just once.

0:53:560:53:57

Did he apologise?

0:53:590:54:00

Yes, he did.

0:54:020:54:03

Did he offer any kind of explanation for his behaviour?

0:54:060:54:09

He said he wanted to know what it was like...

0:54:120:54:15

..to make love to someone who was unconscious.

0:54:160:54:18

Make love?

0:54:200:54:21

Fuck.

0:54:220:54:23

GIRL STRUGGLES TO BREATHE

0:54:230:54:27

Hello?

0:56:270:56:28

The door's open.

0:56:290:56:30

-Hello?

-Be careful.

0:56:300:56:32

And you haven't seen him since?

0:56:330:56:34

No.

0:56:340:56:36

-Even glimpsed him, about town?

-No.

0:56:360:56:38

And you know of him as Peter? Anything else?

0:56:390:56:43

I know it seems crazy...

0:56:430:56:44

..being in bed with a guy when you don't know anything about him.

0:56:460:56:49

Just his first name.

0:56:490:56:50

I learnt my lesson.

0:56:520:56:53

KNOCK AT DOOR

0:56:540:56:56

You're wanted, ma'am.

0:56:560:56:57

It's urgent.

0:57:000:57:01

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