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This programme contains some strong language and some scenes which some viewers may find upsetting | 0:00:03 | 0:00:11 | |
MATTHEW GIFFEN: From the chill down your neck, to the stain in your pants, fear can do many things. | 0:00:13 | 0:00:17 | |
It can chill, thrill and entertain... | 0:00:17 | 0:00:19 | |
Oh, my God! | 0:00:19 | 0:00:21 | |
..which is precisely why we're here. | 0:00:21 | 0:00:23 | |
We've asked amateur film-makers to send us their creepiest, | 0:00:23 | 0:00:27 | |
goriest and freakiest short horror films for your viewing pleasure. | 0:00:27 | 0:00:32 | |
Movies such as Saw and Evil Dead | 0:00:33 | 0:00:36 | |
both started out as shorts | 0:00:36 | 0:00:37 | |
before becoming multimillion-dollar franchises, | 0:00:37 | 0:00:40 | |
so we're hoping to find the next horror master, | 0:00:40 | 0:00:43 | |
worthy of a bloodcurdling blockbuster. | 0:00:43 | 0:00:47 | |
Aggh! | 0:00:47 | 0:00:48 | |
This is The Fear, where who scares wins. | 0:00:48 | 0:00:54 | |
Oh, my God. | 0:00:54 | 0:00:56 | |
Welcome to the screaming room. | 0:01:13 | 0:01:15 | |
You know, as a kid lots of things scared you - dark corridors, | 0:01:15 | 0:01:19 | |
the dentist, clowns. | 0:01:19 | 0:01:21 | |
As an adult, it's parental disappointment, loans and clowns. | 0:01:21 | 0:01:25 | |
It's still clowns. | 0:01:25 | 0:01:26 | |
But what scares an audience of horror fans? | 0:01:26 | 0:01:29 | |
Here, they'll be watching a host of terrifying short films. | 0:01:29 | 0:01:33 | |
They'll vote for their scariest in this special cinema, | 0:01:33 | 0:01:37 | |
rigged with cameras to catch their every jump, scream and cry. | 0:01:37 | 0:01:42 | |
But who are these unwitting individuals? | 0:01:42 | 0:01:45 | |
Among the audience, we have Essex nurses and BFFs Aaron and Michelle. | 0:01:47 | 0:01:52 | |
-I don't like zombie films, though. -No, no, no. I like demons. | 0:01:52 | 0:01:55 | |
-AS A DEMON: -Yeah, I like demons. | 0:01:55 | 0:01:58 | |
-AS A DEMON: -I like demons. | 0:01:58 | 0:01:59 | |
Joining them, veteran film geeks Ashley and Brad... | 0:01:59 | 0:02:03 | |
I'm ready for some bloody zombies. | 0:02:03 | 0:02:07 | |
..first-time daters Poppy and Joe... | 0:02:07 | 0:02:09 | |
-Oh, I'm so excited. -Do you reckon any of the films are going to get you, though? -Yeah. -100%. | 0:02:09 | 0:02:14 | |
..and not afraid of anything are the lads from Hackney, | 0:02:16 | 0:02:19 | |
Antoine, Nick and Daniel. | 0:02:19 | 0:02:21 | |
-Aggh! -Oh, fucking hell, man! | 0:02:25 | 0:02:27 | |
Like a complete and utter scaredy-cat. | 0:02:27 | 0:02:30 | |
Also in the audience, the twins from The Shining... | 0:02:30 | 0:02:33 | |
You just keep telling yourself that. | 0:02:33 | 0:02:35 | |
..well, nearly. | 0:02:35 | 0:02:36 | |
It's 18- and 20-year-old sisters Amelia and Grace. | 0:02:36 | 0:02:39 | |
I really like Disney. I love Frozen. | 0:02:39 | 0:02:41 | |
Oh, you're in for a treat(!) | 0:02:41 | 0:02:44 | |
Cheers. | 0:02:44 | 0:02:45 | |
So all this courageous crew have to do is score the films | 0:02:47 | 0:02:49 | |
and on scariness alone. | 0:02:49 | 0:02:52 | |
All the shorts are four minutes or less, | 0:02:52 | 0:02:54 | |
made by amateur film-makers, so, without further ado, | 0:02:54 | 0:02:58 | |
it's time for our first offering, | 0:02:58 | 0:02:59 | |
which comes from 22-year-old call centre worker Liam Banks. | 0:02:59 | 0:03:03 | |
When he's not dialling up total strangers | 0:03:04 | 0:03:07 | |
right in the middle of their dinners, | 0:03:07 | 0:03:09 | |
he's persuading them to buy into creep fests like this one - | 0:03:09 | 0:03:13 | |
it's Mr Creak. | 0:03:13 | 0:03:14 | |
-Shock me, shock me, shock me. -You need an exorcism. -I do. | 0:03:21 | 0:03:26 | |
CREAKING | 0:03:31 | 0:03:32 | |
METALLIC CLANG | 0:04:08 | 0:04:10 | |
"Don't move a muscle | 0:04:54 | 0:04:56 | |
"Don't even speak | 0:04:56 | 0:04:57 | |
"He watches closely | 0:04:57 | 0:04:59 | |
"He's Mr Creak." | 0:05:01 | 0:05:02 | |
CREAKING | 0:05:02 | 0:05:04 | |
"A crash, a jump | 0:05:14 | 0:05:17 | |
"A house that scares | 0:05:19 | 0:05:20 | |
"He's coming closer | 0:05:21 | 0:05:24 | |
"He's on the stairs." | 0:05:24 | 0:05:26 | |
CREAKING | 0:05:27 | 0:05:28 | |
"He's watching now | 0:05:35 | 0:05:36 | |
"He's in the room | 0:05:37 | 0:05:39 | |
"If you dare to look | 0:05:44 | 0:05:45 | |
"You'll see him soon." | 0:05:48 | 0:05:50 | |
CREAKING | 0:05:53 | 0:05:54 | |
SHE SCREAMS | 0:06:17 | 0:06:18 | |
My God! | 0:06:19 | 0:06:21 | |
That was the biggest scream I've ever heard in my life. | 0:06:21 | 0:06:24 | |
That wasn't me. That wasn't me. | 0:06:24 | 0:06:25 | |
Well, that was truly horrifying. | 0:06:25 | 0:06:27 | |
Has she not heard of WD-40? You need to get those doors looked at, love. | 0:06:27 | 0:06:32 | |
But, I wonder, how did our audience deal with it? | 0:06:32 | 0:06:34 | |
Each submission must be marked on a scale of one to ten - | 0:06:35 | 0:06:39 | |
the more they were scared, the higher the score. | 0:06:39 | 0:06:41 | |
At the end of the competition, the three scariest films will be viewed | 0:06:41 | 0:06:45 | |
by Blair Witch co-director Eduardo Sanchez. | 0:06:45 | 0:06:48 | |
He'll pick the ultimate winner | 0:06:48 | 0:06:51 | |
and take that lucky director a step closer to Hollywood | 0:06:51 | 0:06:54 | |
with £20,000 worth of support for their next fright fest. | 0:06:54 | 0:06:58 | |
So, with that in mind, what did our audience think of Mr Creak? | 0:06:58 | 0:07:02 | |
You screamed quite majorly. | 0:07:06 | 0:07:08 | |
Aggh! | 0:07:08 | 0:07:10 | |
Oh, my goodness. | 0:07:10 | 0:07:12 | |
-Aggh! Good job. It had you scared. -Good job. | 0:07:14 | 0:07:17 | |
Mr Creak, really, there was a lot of echoes of The Babadook, | 0:07:17 | 0:07:23 | |
not necessarily replication, but it felt like a decent homage to it. | 0:07:23 | 0:07:27 | |
Why are there always dollies in these horror films? | 0:07:27 | 0:07:29 | |
I'm thinking, "Are dollies really that scary now?" | 0:07:29 | 0:07:32 | |
I would never get my kid a dolly, never. | 0:07:32 | 0:07:33 | |
No-one in a horror film ever does what they're supposed to do, | 0:07:35 | 0:07:37 | |
so everyone deserves to die. | 0:07:37 | 0:07:39 | |
Oh, no, don't, don't, don't. | 0:07:40 | 0:07:43 | |
Don't do it. | 0:07:43 | 0:07:44 | |
You know what I'm going to do? Oh! | 0:07:45 | 0:07:47 | |
Aggh! | 0:07:47 | 0:07:49 | |
One big jump, but were our audience petrified pushovers or are things | 0:07:49 | 0:07:53 | |
looking up for Mr Creak? All will be revealed at the end of the show. | 0:07:53 | 0:07:56 | |
I thought you said the best person to get horny by is Bob Monkhouse. | 0:07:58 | 0:08:03 | |
-No. -Why are we talking about that? -Haunted. | 0:08:03 | 0:08:05 | |
-We are quite clearly watching horror films. -I just didn't hear all of it. | 0:08:05 | 0:08:10 | |
Your mind is obviously elsewhere right now. | 0:08:10 | 0:08:12 | |
I just didn't hear "haunted". | 0:08:12 | 0:08:14 | |
Did she say Bob Monkhouse? That is a scary thought. Ugh! | 0:08:14 | 0:08:18 | |
And hoping to go one scarier is film number two, | 0:08:18 | 0:08:23 | |
which comes from 27-year-old German bartender Frederik Wolf. | 0:08:23 | 0:08:27 | |
When he's not rustling up rancid cocktails, | 0:08:27 | 0:08:30 | |
he's enjoying getting drunk on his own mix of fear | 0:08:30 | 0:08:33 | |
and despair as he plays the starring role in this nightmare, 3am. | 0:08:33 | 0:08:39 | |
Oh. # Da-da-da-da! Da-da-da-da! # | 0:08:40 | 0:08:43 | |
Oh, my God. Calm down. | 0:08:43 | 0:08:44 | |
BELL RINGS | 0:08:57 | 0:08:59 | |
SCRAPING | 0:09:09 | 0:09:10 | |
CREAKING | 0:09:25 | 0:09:27 | |
TAPPING | 0:09:35 | 0:09:37 | |
TAPPING | 0:09:45 | 0:09:46 | |
HE GASPS | 0:09:49 | 0:09:51 | |
Oh, my God! | 0:09:51 | 0:09:52 | |
HE BREATHES HEAVILY | 0:10:10 | 0:10:11 | |
CLATTERING | 0:10:13 | 0:10:15 | |
CREAKING | 0:10:17 | 0:10:18 | |
HE GASPS | 0:10:30 | 0:10:31 | |
HE SIGHS WITH RELIEF | 0:11:00 | 0:11:01 | |
HE EXHALES SHARPLY | 0:11:04 | 0:11:05 | |
Aggh! | 0:11:43 | 0:11:44 | |
Oh-oh! Oh! | 0:11:46 | 0:11:49 | |
-Oh, my God! -That was wicked. That was good. | 0:11:49 | 0:11:52 | |
-I felt like my heart just jumped out of me. -That was incredible. | 0:11:53 | 0:11:56 | |
I liked that a lot. | 0:11:56 | 0:11:58 | |
The old jump-scare technique at its finest there. | 0:11:58 | 0:12:02 | |
That will give the cinema cleaning department something to look forward to. | 0:12:02 | 0:12:05 | |
It was so unexpected. | 0:12:06 | 0:12:08 | |
Aggh! That is good! | 0:12:09 | 0:12:11 | |
It was the jump - to the point that I didn't even scream | 0:12:11 | 0:12:13 | |
cos I was so scared. It was just a gasp. | 0:12:13 | 0:12:15 | |
Oh-oh! | 0:12:15 | 0:12:17 | |
It hit every beat that it wanted to hit and I don't think there was any flat... | 0:12:17 | 0:12:21 | |
In fact, it crescendoed into what was an effective jump-scare. | 0:12:21 | 0:12:25 | |
Like, my foot come up, my whole leg, my popcorn went all over me. | 0:12:26 | 0:12:31 | |
When you jumped, you kind of styled it out. | 0:12:31 | 0:12:34 | |
You did this little worm, like a little wave, innit? | 0:12:34 | 0:12:36 | |
I had one song on my mind, I was thinking of a dance | 0:12:36 | 0:12:39 | |
that I could do to it. | 0:12:39 | 0:12:40 | |
Nice try, Antoine. You were doing the same dance as everyone else. | 0:12:42 | 0:12:46 | |
It's called the jump. | 0:12:46 | 0:12:47 | |
Oh-h! | 0:12:47 | 0:12:50 | |
-# Jump! -Jump! -Might as well jump! # | 0:12:50 | 0:12:55 | |
Oh-oh! | 0:12:55 | 0:12:57 | |
-The creature made you jump. -No, it didn't. | 0:12:57 | 0:13:00 | |
# Jump! # | 0:13:00 | 0:13:02 | |
Fuck right off! | 0:13:02 | 0:13:03 | |
God, you tart, you had to make it worse. | 0:13:03 | 0:13:06 | |
Even our discerning horror buff Ash got a fright out of that one. | 0:13:06 | 0:13:10 | |
And is Joe starting to drop his guard with his date Poppy? | 0:13:10 | 0:13:13 | |
This film scared me. It was... Yeah, I really enjoyed being scared. | 0:13:13 | 0:13:17 | |
-Ugly women terrify me and she was like... -No. | 0:13:17 | 0:13:20 | |
-..like a corpse of a female. -That was... -Sick! | 0:13:20 | 0:13:23 | |
Why is it always women? | 0:13:23 | 0:13:24 | |
-It's always women, innit? -Yeah, it is. -Why is it not a man? | 0:13:24 | 0:13:27 | |
Well, hell hath no fury like a woman scorned. | 0:13:27 | 0:13:31 | |
Still, when you wake up clammy | 0:13:31 | 0:13:32 | |
and stiff in the middle of the night, | 0:13:32 | 0:13:34 | |
there are better ways of dealing with it, but will our audience | 0:13:34 | 0:13:37 | |
have found it scarier than Mr Creak? Find out at the end of the show. | 0:13:37 | 0:13:41 | |
And so to 25-year-old animation student Robert Poller from York. | 0:13:47 | 0:13:52 | |
Rob works part-time in a burger joint | 0:13:52 | 0:13:55 | |
which I hope for the sake of the good people of York | 0:13:55 | 0:13:57 | |
is not what inspired him to come up with his next offering. | 0:13:57 | 0:14:01 | |
It's The Butcher Man. | 0:14:01 | 0:14:03 | |
-Oh, here we go. -Here we go. | 0:14:06 | 0:14:08 | |
SHE SHUDDERS | 0:14:13 | 0:14:15 | |
Is it animated? | 0:14:18 | 0:14:20 | |
'You haven't heard of The Butcher Man, have you? | 0:14:20 | 0:14:23 | |
'Nobody has. | 0:14:25 | 0:14:26 | |
'If you have heard of him, | 0:14:27 | 0:14:29 | |
'then the chances are, he has already slaughtered you. | 0:14:29 | 0:14:32 | |
'How do I know this? Because he was the one that killed me.' | 0:14:32 | 0:14:35 | |
I don't like that voice. | 0:14:35 | 0:14:37 | |
-Oh, wow. -It is animated. | 0:14:37 | 0:14:39 | |
'I woke up in a strange room where I've never been before. | 0:14:39 | 0:14:44 | |
'My vision was blurry and I couldn't see straight. | 0:14:44 | 0:14:47 | |
'I was convinced that this was a dream. | 0:14:48 | 0:14:51 | |
'There was a large man. WET SLICING | 0:14:51 | 0:14:53 | |
'I couldn't make out what he was doing or who he was. | 0:14:53 | 0:14:56 | |
'Then, I realised... | 0:15:01 | 0:15:03 | |
'..this was not a dream.' | 0:15:04 | 0:15:05 | |
Where am I? What's going on? | 0:15:07 | 0:15:10 | |
Hey! Hey, you! | 0:15:11 | 0:15:13 | |
Get me out of here! | 0:15:13 | 0:15:15 | |
What the hell is going on here? | 0:15:17 | 0:15:19 | |
'The machine above me was activated.' | 0:15:26 | 0:15:29 | |
Shit! | 0:15:29 | 0:15:30 | |
'I began to sweat. | 0:15:30 | 0:15:32 | |
'Naively, I'd attempt to break free. | 0:15:33 | 0:15:36 | |
'It was no use. | 0:15:37 | 0:15:38 | |
'I looked around. | 0:15:38 | 0:15:40 | |
'There was jars that had human eyes and human hands. | 0:15:40 | 0:15:43 | |
FLIES BUZZ | 0:15:43 | 0:15:45 | |
'Also, buckets of blood that attracted insects. | 0:15:45 | 0:15:48 | |
'The blade came down. | 0:15:49 | 0:15:51 | |
'I am literally inches away from death. | 0:15:52 | 0:15:55 | |
'I'd shrink my stomach and hold my breath.' | 0:15:57 | 0:16:00 | |
-AUDIENCE: -Ooh! | 0:16:05 | 0:16:07 | |
'The sudden shock and pain jolted into my brain. | 0:16:07 | 0:16:11 | |
'There was a deep cut, | 0:16:11 | 0:16:13 | |
'but nothing could have prepared me for what was coming next.' | 0:16:13 | 0:16:17 | |
HE SCREAMS | 0:16:20 | 0:16:24 | |
-Ugh! Ahh! -BOYFRIEND LAUGHS | 0:16:25 | 0:16:28 | |
HE SCREAMS | 0:16:31 | 0:16:34 | |
Oh, Joe... | 0:16:40 | 0:16:41 | |
-It's animated! -HE LAUGHS | 0:16:41 | 0:16:43 | |
Is that the end? | 0:17:19 | 0:17:21 | |
That's a thing, isn't it? | 0:17:21 | 0:17:22 | |
'Fear.' ELECTRONIC CACKLE | 0:17:22 | 0:17:24 | |
A choice cut from The Butcher Man. | 0:17:24 | 0:17:26 | |
But what did our audience make of this gutsy effort? | 0:17:26 | 0:17:30 | |
I kind of enjoyed that film. | 0:17:30 | 0:17:31 | |
That's the first animated horror that I've seen. | 0:17:31 | 0:17:34 | |
HE SCREAMS | 0:17:34 | 0:17:35 | |
-AUDIENCE: -Ooh! | 0:17:35 | 0:17:37 | |
I didn't know what the guy had done, whether he deserved it or not. | 0:17:37 | 0:17:39 | |
Automatically, we just think it's to do with a girl. | 0:17:39 | 0:17:42 | |
So, he's already sawed up the girl and he's got caught, | 0:17:42 | 0:17:45 | |
and Bob's your uncle, mate. You're finished! | 0:17:45 | 0:17:48 | |
I enjoyed it. | 0:17:48 | 0:17:50 | |
'Even though it is a cartoon, it just kind of creeped me out...' | 0:17:50 | 0:17:53 | |
Grossed you out, I think. | 0:17:53 | 0:17:55 | |
It grossed me out, the thought of a knife cutting into my tummy. | 0:17:55 | 0:17:58 | |
When it kept swinging through... | 0:18:00 | 0:18:02 | |
'Ugh!' Just like these pink, bubbly things... | 0:18:02 | 0:18:04 | |
'Oh, come on!' It was making me feel really weird. | 0:18:04 | 0:18:06 | |
I thought that torture carried on a bit too long. | 0:18:09 | 0:18:12 | |
Just let it go, cut him up. | 0:18:12 | 0:18:14 | |
That's the whole point of a torturer, isn't it? | 0:18:14 | 0:18:16 | |
When you're a torturer, you take your time. Torture them. | 0:18:16 | 0:18:21 | |
Something I found curious - | 0:18:21 | 0:18:22 | |
The Butcher Man, he was actually kind of nice, | 0:18:22 | 0:18:24 | |
cos he kept the guy's dignity. | 0:18:24 | 0:18:26 | |
-Yeah. -He took his top off, but left his trousers on. | 0:18:26 | 0:18:29 | |
That was pretty OK of The Butcher Man. | 0:18:30 | 0:18:32 | |
Yeah, he's not a monster. | 0:18:32 | 0:18:33 | |
Trousers on, intestines out, nice cup of tea and a flapjack! | 0:18:33 | 0:18:37 | |
SCREAMS | 0:18:37 | 0:18:39 | |
Agh! | 0:18:40 | 0:18:42 | |
I think your reaction was better than the cartoon itself. | 0:18:42 | 0:18:45 | |
'So, Aaron's not a fan - and like several of our audience, | 0:18:45 | 0:18:48 | |
'he had a beef with one of The Butcher Man's key ingredients.' | 0:18:48 | 0:18:52 | |
The narrator's voice was very boring. | 0:18:52 | 0:18:55 | |
Hey, you! Get me out of here! | 0:18:55 | 0:18:58 | |
"Hey, you! Let me out of here!" | 0:18:58 | 0:19:00 | |
It was, like, so chill! | 0:19:00 | 0:19:02 | |
He sounded really unfazed by the whole situation. | 0:19:02 | 0:19:05 | |
-"There was jars of pickled eyeballs..." -Yeah. -LAUGHTER | 0:19:05 | 0:19:09 | |
'Well, not everyone can master | 0:19:09 | 0:19:11 | |
'the smooth-as-silk voice-over voice of a seasoned professional. | 0:19:11 | 0:19:15 | |
'Next time, call my agent.' | 0:19:15 | 0:19:17 | |
But can The Butcher Man cut it at the top of the leaderboard, | 0:19:17 | 0:19:20 | |
or will it go belly up with our audience? | 0:19:20 | 0:19:24 | |
I'm not expecting the goriness, and to see how it comes out. | 0:19:24 | 0:19:26 | |
I'd never seen it before, so when he done the first bit, it was a bit OK. | 0:19:26 | 0:19:29 | |
What the hell has gone on here? | 0:19:29 | 0:19:31 | |
-It was really creative and it was a good idea. -Yeah. | 0:19:31 | 0:19:33 | |
It just wasn't scary. | 0:19:33 | 0:19:34 | |
-Shit! -The animation was great. | 0:19:34 | 0:19:36 | |
I thought it was... It had that South Park touch to it, | 0:19:36 | 0:19:39 | |
where there's an element of kitsch to it. | 0:19:39 | 0:19:42 | |
It is quite good, and it makes it different, it makes it stand out. | 0:19:42 | 0:19:45 | |
It's something that I will remember. | 0:19:45 | 0:19:47 | |
I do love a horror. | 0:19:52 | 0:19:54 | |
I'm absolutely not too cool to be scared. | 0:19:54 | 0:19:56 | |
No, I am not too cool to be scared. | 0:19:56 | 0:19:58 | |
No, I'm absolutely not cool, even remotely. | 0:19:58 | 0:20:00 | |
That was me, smoothly trying to make you jump. | 0:20:00 | 0:20:03 | |
Er, get your hand off me. | 0:20:03 | 0:20:05 | |
-Get your hand off! -What hand? | 0:20:05 | 0:20:08 | |
LAUGHTER | 0:20:08 | 0:20:09 | |
They look far too relaxed down there. | 0:20:15 | 0:20:17 | |
Time to hit them with our final flick, which comes from | 0:20:17 | 0:20:20 | |
27-year-old Glaswegian wedding photographer Aaron Bird. | 0:20:20 | 0:20:24 | |
When he's not subjecting people | 0:20:24 | 0:20:26 | |
to the hell of having to smile in an ill-fitting suit, | 0:20:26 | 0:20:29 | |
he's terrifying them with sickening creations, | 0:20:29 | 0:20:32 | |
like the Shelack demon who possesses her victims in their sleep. | 0:20:32 | 0:20:36 | |
This is What It Wants. | 0:20:36 | 0:20:38 | |
CREEPY VIOLIN SCORE | 0:20:43 | 0:20:44 | |
I'm already scared! | 0:20:44 | 0:20:46 | |
-WHISPERED: -Follow me... | 0:21:04 | 0:21:07 | |
What I want... Get me what I want! | 0:21:44 | 0:21:48 | |
SINISTER TOLLING | 0:21:48 | 0:21:50 | |
SHE SCREAMS, THUD | 0:22:14 | 0:22:15 | |
VELCRO-LIKE RIPPING | 0:22:20 | 0:22:23 | |
Eurgh! | 0:22:25 | 0:22:27 | |
-No, no! No. -That is grim. | 0:22:27 | 0:22:29 | |
No! | 0:22:29 | 0:22:30 | |
SHE GASPS Oh, no - don't! | 0:22:41 | 0:22:43 | |
Eurgh! | 0:22:43 | 0:22:46 | |
ERRATIC GASPING | 0:22:53 | 0:22:58 | |
SINISTER CHORD | 0:23:10 | 0:23:12 | |
SHRIEK | 0:23:40 | 0:23:41 | |
Oh, my God! | 0:23:41 | 0:23:43 | |
THEY LAUGH | 0:23:43 | 0:23:46 | |
That was so good! I really enjoyed it! | 0:23:46 | 0:23:49 | |
Man up! | 0:23:49 | 0:23:51 | |
Shelack's appearance is really kind of creepy, | 0:23:53 | 0:23:56 | |
it's got a definite Grudge vibe to it. | 0:23:56 | 0:23:58 | |
Yes, Shelack needed a whole new makeover. | 0:23:58 | 0:24:00 | |
What's this bit on the side? | 0:24:00 | 0:24:02 | |
If he fell for that over what he had in bed, I feel for the guy. | 0:24:02 | 0:24:05 | |
He's going through things, man. | 0:24:05 | 0:24:08 | |
-And then he made the guy's eyes go funny, he went... -Yeah! | 0:24:08 | 0:24:12 | |
I didn't know what was coming | 0:24:12 | 0:24:14 | |
because I've not encountered this kind of demon before on film. | 0:24:14 | 0:24:17 | |
You sound like an exorcist! | 0:24:17 | 0:24:19 | |
"I haven't encountered this demon before"! | 0:24:19 | 0:24:21 | |
He's stolen her hair. | 0:24:23 | 0:24:24 | |
It's a hair demon. | 0:24:24 | 0:24:26 | |
-She's called Shelack because she lacks stuff. -Everything, | 0:24:27 | 0:24:30 | |
-she lacks eyes and lips. -Yeah! | 0:24:30 | 0:24:33 | |
Get me what I want! | 0:24:33 | 0:24:34 | |
I thought it was really rude that the demon didn't say thank you, | 0:24:35 | 0:24:38 | |
-just slammed the door in the poor sod's face. -Well, I don't think | 0:24:38 | 0:24:41 | |
you'd expect a thank-you from a demon. | 0:24:41 | 0:24:43 | |
-Eurgh! -We're girls, we don't need to think about our scalp being cut off! | 0:24:43 | 0:24:48 | |
That was gross and it was really slowly done. Eurgh! | 0:24:50 | 0:24:53 | |
See, when I think about it, it makes me do this sort of thing. | 0:24:55 | 0:24:59 | |
When the couple's in bed, I thought it was about to get saucy, | 0:24:59 | 0:25:02 | |
but...what a letdown! | 0:25:02 | 0:25:04 | |
Mate, there was no sauce in that at all, mate! | 0:25:04 | 0:25:07 | |
SCREAM, THUD | 0:25:07 | 0:25:08 | |
-The poor girlfriend. -I think one of the most terrifying things | 0:25:09 | 0:25:12 | |
-would be hurting someone you care about without realising you're hurting them. -Yeah. | 0:25:12 | 0:25:15 | |
Really, Joe? Or have we just caught you partaking in | 0:25:15 | 0:25:18 | |
some classic first-date bullshit? | 0:25:18 | 0:25:20 | |
It gave me a scream. | 0:25:22 | 0:25:24 | |
I found it very gruesome. | 0:25:24 | 0:25:25 | |
I couldn't watch it, I couldn't watch it. | 0:25:25 | 0:25:27 | |
I take great pleasure in the fact that you...got scared. | 0:25:27 | 0:25:31 | |
-Thank you(!) -You're welcome! | 0:25:33 | 0:25:35 | |
Needy housemates, eh? Just take, take, take. | 0:25:35 | 0:25:38 | |
Your favourite shirt, your leftover pizza, your girlfriend's scalp! | 0:25:38 | 0:25:41 | |
But how hair-raising did our audience find it? | 0:25:41 | 0:25:44 | |
With the final votes in, | 0:25:44 | 0:25:45 | |
it's time to take a look back at all our movies to see how they scored. | 0:25:45 | 0:25:49 | |
At number four, Robert Poller's | 0:25:55 | 0:25:56 | |
animated effort, The Butcher Man. | 0:25:56 | 0:25:58 | |
This sketchy short notched up | 0:25:58 | 0:26:00 | |
an average of 3.6/10 | 0:26:00 | 0:26:02 | |
for scariness. | 0:26:02 | 0:26:03 | |
It did gross me out and obviously scare me a little bit, | 0:26:03 | 0:26:06 | |
-but it wasn't jumpy and wasn't terrifying. -Shit! | 0:26:06 | 0:26:09 | |
In third place, | 0:26:09 | 0:26:10 | |
Aaron Bird's What It Wants. | 0:26:10 | 0:26:12 | |
If you ask me, it wants an 18 certificate with a warning not | 0:26:12 | 0:26:15 | |
to take your missus. | 0:26:15 | 0:26:16 | |
What It Wants got a jump out of me. | 0:26:16 | 0:26:19 | |
It's something I'd definitely like to see explored in a feature film. | 0:26:19 | 0:26:23 | |
I'd pay to see that. | 0:26:23 | 0:26:24 | |
But only one film can take top spot | 0:26:24 | 0:26:26 | |
on the leaderboard | 0:26:26 | 0:26:27 | |
and missing out this week was | 0:26:27 | 0:26:29 | |
Liam Banks' hideous jumper, Mr Creak. | 0:26:29 | 0:26:31 | |
It did shock me, even though it said, "Don't look up," and she looked up | 0:26:32 | 0:26:36 | |
and I was like, "Here it goes..." and I was like, "Oh, my God!" | 0:26:36 | 0:26:40 | |
I don't know how it got me so scared, it was heart hammering. | 0:26:40 | 0:26:43 | |
-Heart hammering? -Heart hammering. -It was heart hammering! | 0:26:43 | 0:26:46 | |
And smashing the final nail in on | 0:26:46 | 0:26:47 | |
this week's competition was | 0:26:47 | 0:26:49 | |
Frederik Wolf's 3am. | 0:26:49 | 0:26:51 | |
3am was the scariest film by far. | 0:26:51 | 0:26:53 | |
It did make me go a bit...inside. | 0:26:53 | 0:26:56 | |
I sort of clenched all my muscles up and I was like...uh! | 0:26:56 | 0:26:59 | |
You knew it was coming, but the best thing about it, you didn't know WHEN it was coming. | 0:26:59 | 0:27:03 | |
Hands up, it got me. | 0:27:03 | 0:27:04 | |
You weren't the only one. | 0:27:04 | 0:27:06 | |
A haggard old lady jumping at you from the ceiling is | 0:27:06 | 0:27:09 | |
a shit-the-bed moment worthy of a hell-raising 8.8. | 0:27:09 | 0:27:13 | |
Only the top three shorts at the end | 0:27:14 | 0:27:16 | |
of the series will be shown to | 0:27:16 | 0:27:18 | |
Blair Witch co-director | 0:27:18 | 0:27:19 | |
Eduardo Sanchez and from them, | 0:27:19 | 0:27:21 | |
he will pick the film that wins | 0:27:21 | 0:27:23 | |
£20,000 of funding and support. | 0:27:23 | 0:27:25 | |
So for now, | 0:27:25 | 0:27:26 | |
The Butcher Man gets the chop. | 0:27:26 | 0:27:28 | |
3am takes a deserved top spot, | 0:27:30 | 0:27:33 | |
but will it still be there after next week's bloody offerings? | 0:27:33 | 0:27:37 | |
Coming soon... | 0:27:37 | 0:27:39 | |
I can't stop thinking about this film. | 0:27:39 | 0:27:41 | |
Uh! I don't think I've ever been affected like that, ever. | 0:27:41 | 0:27:44 | |
Oh, my God! | 0:27:44 | 0:27:46 | |
That is everything I love, it's superb. | 0:27:46 | 0:27:48 | |
Whoa. | 0:27:48 | 0:27:50 | |
I will never un-see... | 0:27:50 | 0:27:52 | |
..what I witnessed on that screen! | 0:27:53 | 0:27:56 | |
Until then... | 0:27:56 | 0:27:57 | |
sleep tight! | 0:27:57 | 0:27:59 | |
MUSIC: What A Wonderful World by Louis Armstrong | 0:28:00 | 0:28:05 | |
# I see trees of green | 0:28:06 | 0:28:09 | |
# Red roses, too | 0:28:11 | 0:28:13 | |
# I see them bloom | 0:28:14 | 0:28:16 | |
# Just for me and you | 0:28:18 | 0:28:20 | |
# And I think to myself | 0:28:20 | 0:28:22 | |
# What a wonderf... # | 0:28:25 | 0:28:26 | |
VIOLIN SHRIEKS AND ECHOES | 0:28:26 | 0:28:28 |