Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language and some scenes which some viewers may find upsetting | 0:00:02 | 0:00:07 | |
DOG BARKS | 0:00:07 | 0:00:08 | |
From the chill down your neck | 0:00:09 | 0:00:11 | |
to the stain in your pants, | 0:00:11 | 0:00:13 | |
fear can do many things. | 0:00:13 | 0:00:15 | |
It can chill... THEY SCREAM | 0:00:15 | 0:00:17 | |
..thrill... SHE WAILS | 0:00:17 | 0:00:19 | |
-..and entertain... -Oh, my God! | 0:00:19 | 0:00:20 | |
..which is precisely why we're here. | 0:00:20 | 0:00:23 | |
We've asked amateur film makers to send us their creepiest, | 0:00:23 | 0:00:27 | |
goriest, and freakiest short horror films | 0:00:27 | 0:00:30 | |
for your viewing pleasure. | 0:00:30 | 0:00:32 | |
Movies such as Saw and Evil Dead | 0:00:33 | 0:00:36 | |
both started out as shorts | 0:00:36 | 0:00:37 | |
before becoming multi-million dollar franchises. | 0:00:37 | 0:00:41 | |
So we're hoping to find the next horror master | 0:00:41 | 0:00:44 | |
worthy of a blood-curdling blockbuster. | 0:00:44 | 0:00:47 | |
MAN YELLS This is The Fear, | 0:00:47 | 0:00:51 | |
where who scares wins. | 0:00:51 | 0:00:53 | |
Oh, my God! | 0:00:53 | 0:00:56 | |
THUNDER RUMBLES, DOG BARKS | 0:01:07 | 0:01:08 | |
Welcome to the screaming room. | 0:01:12 | 0:01:15 | |
As a kid, many things scare you - | 0:01:15 | 0:01:17 | |
spiders, PE, weird Uncle Pete. | 0:01:17 | 0:01:20 | |
As an adult, it's pay-day loans, my waistline, | 0:01:20 | 0:01:23 | |
and still weird Uncle Pete. | 0:01:23 | 0:01:25 | |
But what scares an audience of horror fans? | 0:01:26 | 0:01:29 | |
Here they'll be watching a host of terrifying short films, | 0:01:29 | 0:01:32 | |
they'll vote for the scariest in this special cinema, | 0:01:32 | 0:01:35 | |
rigged with cameras to catch their every jump... | 0:01:35 | 0:01:38 | |
YELPING AND SCREAMING ..scream and cry. | 0:01:38 | 0:01:41 | |
So let's welcome back the horror fans tasked with rating our films... | 0:01:41 | 0:01:46 | |
..including London boys Antoine, Nick and Daniel, | 0:01:48 | 0:01:51 | |
who are using the competition to bring themselves closer. | 0:01:51 | 0:01:56 | |
Get the fuck out of here, mate. | 0:01:56 | 0:01:58 | |
Newly-dating Poppy and Joe. | 0:01:58 | 0:02:00 | |
It's very, very, very easy to scare Poppy. | 0:02:00 | 0:02:03 | |
SHE YELPS | 0:02:03 | 0:02:04 | |
Oh, my God, argh! | 0:02:04 | 0:02:07 | |
No! Stop it! | 0:02:07 | 0:02:08 | |
I think I'm a tougher scare than she is, definitely. | 0:02:09 | 0:02:13 | |
Bringing a philosophical spin to the experience | 0:02:13 | 0:02:16 | |
are nurses and besties Aaron and Michelle. | 0:02:16 | 0:02:18 | |
I want to be scared. | 0:02:18 | 0:02:19 | |
Then I'm left in a puddle of piss. | 0:02:19 | 0:02:21 | |
Yeah, sitting there in your own shit. | 0:02:21 | 0:02:23 | |
No, I wouldn't... No, it smells more. | 0:02:23 | 0:02:26 | |
And at two ends of the horror fan spectrum, | 0:02:26 | 0:02:29 | |
sisters Amelia and Grace. | 0:02:29 | 0:02:31 | |
I'm basically the person you don't want to sit next to | 0:02:31 | 0:02:33 | |
if you're going to watch a horror film. | 0:02:33 | 0:02:35 | |
SHE SCREAMS | 0:02:35 | 0:02:37 | |
Now you know why we're just in the middle on our own. | 0:02:37 | 0:02:40 | |
And film buffs Ash and Brad. | 0:02:42 | 0:02:45 | |
I think it's the hardest thing you can possibly pull off, | 0:02:45 | 0:02:47 | |
to genuinely scare someone. | 0:02:47 | 0:02:49 | |
I think you're going to jump today. | 0:02:49 | 0:02:51 | |
-If you jump before I do... -Yep. | 0:02:51 | 0:02:54 | |
..you have to get my face tattooed on your arm. | 0:02:54 | 0:02:56 | |
I'll do it on my leg. | 0:02:56 | 0:02:58 | |
Remember, these little monsters | 0:02:59 | 0:03:01 | |
will be scoring the films on scariness alone | 0:03:01 | 0:03:04 | |
and all the films are under four minutes | 0:03:04 | 0:03:06 | |
and made by amateur film makers. | 0:03:06 | 0:03:08 | |
So onto the first film of the evening. | 0:03:08 | 0:03:10 | |
It's called Capture and was made by Kiefer McGinn | 0:03:10 | 0:03:13 | |
and Rachael Hegarty from Ireland. | 0:03:13 | 0:03:15 | |
She likes taking pictures of dandelions. | 0:03:15 | 0:03:17 | |
He likes making 3D dogs | 0:03:17 | 0:03:20 | |
and that is why it works. | 0:03:20 | 0:03:22 | |
Viewers at home, stop looking at Twitter for a second, | 0:03:22 | 0:03:25 | |
turn the lights off and get ready to get freaked out, | 0:03:25 | 0:03:28 | |
because it's show time! | 0:03:28 | 0:03:30 | |
Sh! Sh! | 0:03:37 | 0:03:38 | |
Lizzie? | 0:03:53 | 0:03:55 | |
Lizzie, wake up. | 0:03:55 | 0:03:58 | |
We're here. | 0:03:58 | 0:03:59 | |
Look. | 0:03:59 | 0:04:01 | |
LIZZIE YAWNS | 0:04:02 | 0:04:04 | |
SHE GASPS | 0:04:06 | 0:04:08 | |
Peter, it's perfect! | 0:04:08 | 0:04:10 | |
Wow. | 0:04:14 | 0:04:15 | |
Look at this place. | 0:04:15 | 0:04:18 | |
You like it? | 0:04:18 | 0:04:19 | |
I love it! | 0:04:19 | 0:04:20 | |
We finally have a home! | 0:04:20 | 0:04:22 | |
Hey, look what I found. | 0:04:33 | 0:04:35 | |
Whoa! | 0:04:35 | 0:04:37 | |
FLASH BULB POPS | 0:04:45 | 0:04:47 | |
FLASH BURSTS | 0:04:56 | 0:04:57 | |
FLASH BURSTS | 0:05:06 | 0:05:08 | |
Hello? | 0:05:17 | 0:05:18 | |
Who's there? | 0:05:22 | 0:05:24 | |
SHE SCREAMS | 0:05:27 | 0:05:29 | |
SHE WAILS | 0:05:29 | 0:05:31 | |
SHE HYPERVENTILATES | 0:05:31 | 0:05:33 | |
Lizzie, Lizzie, what's going on? | 0:05:33 | 0:05:36 | |
There's a woman in the corridor! | 0:05:36 | 0:05:38 | |
What? | 0:05:38 | 0:05:39 | |
Lizzie, Lizzie, calm...calm... | 0:05:39 | 0:05:41 | |
Calm down. | 0:05:41 | 0:05:43 | |
Calm... Calm down! | 0:05:43 | 0:05:44 | |
There's no-one, there's no-one there. | 0:05:44 | 0:05:47 | |
There's no-one. There's no-one there, OK? | 0:05:47 | 0:05:49 | |
See, there's no-one there. | 0:05:57 | 0:05:59 | |
Is the camera there? | 0:06:01 | 0:06:03 | |
It's right there. | 0:06:03 | 0:06:04 | |
How did it get there? | 0:06:07 | 0:06:09 | |
Lizzie... | 0:06:09 | 0:06:11 | |
You must be dreaming, all right? | 0:06:13 | 0:06:15 | |
Just go back to bed. | 0:06:15 | 0:06:16 | |
CAMERA SHUTTER CLICKS | 0:06:16 | 0:06:18 | |
Peter? | 0:06:18 | 0:06:19 | |
Hang on, OK? | 0:06:20 | 0:06:22 | |
SHE MOUTHS SILENTLY | 0:06:44 | 0:06:46 | |
SCREAM | 0:06:54 | 0:06:55 | |
HE EXCLAIMS | 0:06:55 | 0:06:56 | |
Peter! | 0:06:56 | 0:06:57 | |
SHE WHIMPERS | 0:07:03 | 0:07:04 | |
SHE SHRIEKS | 0:07:04 | 0:07:07 | |
What do you want?! | 0:07:09 | 0:07:11 | |
-You! -SHE SCREAMS | 0:07:11 | 0:07:14 | |
No! No! | 0:07:14 | 0:07:15 | |
Stop, please! | 0:07:15 | 0:07:16 | |
No! No! | 0:07:16 | 0:07:19 | |
No-o-o-o-o-o! | 0:07:19 | 0:07:23 | |
CREDIT MUSIC PLAYS | 0:07:23 | 0:07:24 | |
"What do you want?!" | 0:07:27 | 0:07:28 | |
-BOTH: -"You!" | 0:07:28 | 0:07:30 | |
Move into a new house and get murdered on your first night. | 0:07:32 | 0:07:35 | |
Good old Irish hospitality at its best there, | 0:07:35 | 0:07:37 | |
but did it scare the craic out of that lot? | 0:07:37 | 0:07:40 | |
They're scoring all films on a scariness scale of one to ten. | 0:07:40 | 0:07:43 | |
At the end of the competition, | 0:07:43 | 0:07:45 | |
Blair Witch Project's co-director Eduardo Sanchez | 0:07:45 | 0:07:47 | |
will view the three scariest films and pick the ultimate winner. | 0:07:47 | 0:07:51 | |
He'll take that lucky director a step closer to Hollywood | 0:07:51 | 0:07:54 | |
with £20,000 worth of support | 0:07:54 | 0:07:57 | |
for their next fright-fest. | 0:07:57 | 0:07:59 | |
So, did our first film of the night capture the audience's heart? | 0:07:59 | 0:08:03 | |
-It was scary. -That film there, that was top notch, to be fair. | 0:08:05 | 0:08:08 | |
I had a brief look around during the film | 0:08:09 | 0:08:12 | |
and noticed that people were really on the edge of their seats. | 0:08:12 | 0:08:15 | |
This film had quite a few jumps. | 0:08:15 | 0:08:17 | |
-Oh! -Oh! | 0:08:17 | 0:08:19 | |
It made me jump, like, four times, | 0:08:19 | 0:08:21 | |
so I thought it was really scary. | 0:08:21 | 0:08:23 | |
WOMAN SCREAMING | 0:08:23 | 0:08:25 | |
Oh, my God! | 0:08:25 | 0:08:27 | |
The big old country house in the middle of nowhere was | 0:08:27 | 0:08:29 | |
certainly classic horror film fodder. | 0:08:29 | 0:08:32 | |
I would never live in an old mansion because...you're asking for trouble. | 0:08:32 | 0:08:38 | |
If the poltergeist doesn't get you, the heating bills will. | 0:08:38 | 0:08:42 | |
I know. We're finally home. | 0:08:42 | 0:08:45 | |
Oh, it's perfect! And then, I'm, like, | 0:08:45 | 0:08:47 | |
"Who the fuck buys a house without consulting their wife nowadays?" | 0:08:47 | 0:08:50 | |
Exactly. | 0:08:50 | 0:08:51 | |
-Who's there? -WOMAN SCREAMING | 0:08:51 | 0:08:54 | |
If I went for a weekend away with Joe, I'd make sure | 0:08:54 | 0:08:57 | |
-he's the one that dies. -Wow. | 0:08:57 | 0:08:59 | |
You know, you've got to look after yourself. | 0:08:59 | 0:09:02 | |
Ah, who said romance is dead? Probably Joe, that's who. | 0:09:02 | 0:09:05 | |
Still, if you're going to get tormented and brutally murdered | 0:09:07 | 0:09:11 | |
by an evil entity, there's solace in a familiar face. | 0:09:11 | 0:09:13 | |
You. | 0:09:13 | 0:09:15 | |
I think the ghost in that film | 0:09:15 | 0:09:16 | |
definitely looked like Marilyn Manson. | 0:09:16 | 0:09:18 | |
It was disgusting, to be fair. | 0:09:18 | 0:09:21 | |
No offence to Marilyn Manson. | 0:09:21 | 0:09:23 | |
The lady looked a little bit like Amelia, going to be honest here. | 0:09:24 | 0:09:29 | |
-I mean it in a nice way. -Is there a nice way to go about that? | 0:09:29 | 0:09:32 | |
MEOW! Moving on. | 0:09:32 | 0:09:35 | |
Capture seemed to make an impression with our cinemagoers, | 0:09:35 | 0:09:38 | |
but was it enough to net a place on the competition leaderboard? | 0:09:38 | 0:09:41 | |
Stay with us, because we'll be revealing all the scores | 0:09:41 | 0:09:45 | |
at the end of the show. | 0:09:45 | 0:09:46 | |
# La, la, la, la, la-la-la. # | 0:09:46 | 0:09:48 | |
Our next film is called Chestwyrm | 0:09:49 | 0:09:52 | |
and was directed by teacher Gary Rogers. | 0:09:52 | 0:09:55 | |
It really makes you wonder what kind of education our kids are getting | 0:09:55 | 0:09:58 | |
when you see what's on their teachers' minds. | 0:09:58 | 0:10:01 | |
Be warned, the following film contains scenes of a graphic nature. | 0:10:01 | 0:10:04 | |
ALARM BLARES | 0:10:11 | 0:10:14 | |
It's been three months since I left this shithole. | 0:10:16 | 0:10:20 | |
Three fucking months. | 0:10:20 | 0:10:22 | |
HE COUGHS | 0:10:22 | 0:10:23 | |
HE COUGHS AND RETCHES | 0:10:39 | 0:10:40 | |
I can't leave. | 0:10:40 | 0:10:41 | |
Every time I get close, it stops me. | 0:10:41 | 0:10:45 | |
HE COUGHS AND SPITS | 0:10:46 | 0:10:48 | |
It can fucking hear what I'm thinking. | 0:10:53 | 0:10:57 | |
What are you? Why are you keeping me here?! | 0:10:57 | 0:11:00 | |
I want out of here. | 0:11:12 | 0:11:14 | |
I hate this fucking thing. | 0:11:14 | 0:11:17 | |
I don't know how much more of this I can take. | 0:11:20 | 0:11:23 | |
I went crazy after the first week | 0:11:25 | 0:11:28 | |
and now... | 0:11:28 | 0:11:30 | |
Now, I'm just praying for it all to end. | 0:11:31 | 0:11:33 | |
One way or another, I'm going to die in here. | 0:11:35 | 0:11:39 | |
Yeah! Do you like that, eh? | 0:11:40 | 0:11:43 | |
You like that, you fucker?! | 0:11:43 | 0:11:46 | |
CREATURE SCREECHES | 0:11:46 | 0:11:47 | |
It doesn't matter that I'm dying. | 0:11:58 | 0:12:02 | |
I'm out of that thing. | 0:12:02 | 0:12:04 | |
Squashed... | 0:12:04 | 0:12:07 | |
but free at last. | 0:12:07 | 0:12:09 | |
-Oh, my God. -HE LAUGHS | 0:12:42 | 0:12:44 | |
-Oh, my God. -That was gross! | 0:12:46 | 0:12:49 | |
-That was so gross. -That was so gory. | 0:12:49 | 0:12:51 | |
You almost died in that one. | 0:12:51 | 0:12:53 | |
HE WHIMPERS | 0:12:53 | 0:12:56 | |
Wow. That was probably the goriest film | 0:12:58 | 0:13:01 | |
we've had in the competition so far | 0:13:01 | 0:13:03 | |
and with reactions that good, it would be rude not to see them again. | 0:13:03 | 0:13:07 | |
So, here's Michelle and her popcorn slowly becoming one. | 0:13:07 | 0:13:11 | |
Ah! AHHH! | 0:13:11 | 0:13:13 | |
Poppy turning into an "Oh, my God" gif, or jif, or whatever. | 0:13:13 | 0:13:17 | |
Oh, my God! | 0:13:17 | 0:13:19 | |
Oh, my God! Oh, my God! | 0:13:19 | 0:13:22 | |
Oh, my God! | 0:13:22 | 0:13:24 | |
And Amelia doing...I don't know. | 0:13:24 | 0:13:28 | |
What is he? Is that a worm?! | 0:13:28 | 0:13:31 | |
I'd say, yes, Amelia, that was a worm. | 0:13:32 | 0:13:35 | |
And while all that was going on, this is how Ash reacted. | 0:13:36 | 0:13:39 | |
HE LAUGHS | 0:13:41 | 0:13:42 | |
That sicko looked like he was in the Adam Sandler matinee next door | 0:13:42 | 0:13:46 | |
and that's why we like him. | 0:13:46 | 0:13:47 | |
I'll never unsee what I witnessed on that screen. It was disgusting. | 0:13:47 | 0:13:52 | |
SHE STAMMERS | 0:13:52 | 0:13:55 | |
Do you just want a second to gather yourself a little bit? | 0:13:55 | 0:13:58 | |
I'm going to be sick! | 0:13:58 | 0:14:00 | |
But if Chestwyrm had our audience feeling rank, | 0:14:02 | 0:14:05 | |
spare a thought for the film's lead character. | 0:14:05 | 0:14:07 | |
Yeah, at the beginning of the film, you do wonder if he's just hungover | 0:14:07 | 0:14:11 | |
and he's had a bit of a mental night, don't you? | 0:14:11 | 0:14:13 | |
I've certainly woken up on numerous occasions feeling as bad as he did. | 0:14:13 | 0:14:17 | |
I really felt for him, like, I wanted to give him a hug. | 0:14:17 | 0:14:20 | |
He had a really nice voice as well, which helped. | 0:14:20 | 0:14:23 | |
I don't know how much more of this I can take. | 0:14:23 | 0:14:25 | |
Hold on, who had the nice voice? | 0:14:25 | 0:14:27 | |
In amongst all the blood and worm guts, Amelia missed the twist, | 0:14:27 | 0:14:30 | |
but in fairness, she wasn't alone. | 0:14:30 | 0:14:32 | |
There was a twist? Did you get it? | 0:14:32 | 0:14:34 | |
-I'm asking you, did you two get the twist? -What was the twist? | 0:14:34 | 0:14:37 | |
Now I'm just praying for it all to end. | 0:14:37 | 0:14:39 | |
I had a feeling early on, maybe this first person voice we're hearing | 0:14:39 | 0:14:43 | |
is actually something inside him. | 0:14:43 | 0:14:45 | |
When the twist arrives that it's actually the worm | 0:14:45 | 0:14:48 | |
inside the guy who's narrating and that's why he wants to get out, | 0:14:48 | 0:14:51 | |
I thought that was a really, really good twist. | 0:14:51 | 0:14:54 | |
Squashed, but free at last. | 0:14:54 | 0:14:57 | |
-Oh, yeah, the little worm. Oh. -Oh! | 0:14:58 | 0:15:01 | |
The worm was the voice! | 0:15:01 | 0:15:03 | |
Ew! The worm had such a good-looking voice. | 0:15:03 | 0:15:06 | |
So it had twists and worms, but did it deliver on the fear front? | 0:15:07 | 0:15:12 | |
Chestwyrm is actually a pretty great short film. | 0:15:12 | 0:15:15 | |
Films I've watched at home have never made me react that way. | 0:15:15 | 0:15:18 | |
(I'm going to be sick!) | 0:15:18 | 0:15:19 | |
I actually can't stop thinking about this film. | 0:15:19 | 0:15:22 | |
It's still in my mind, so I think that's a good sign, | 0:15:22 | 0:15:25 | |
cos it shocked us. | 0:15:25 | 0:15:26 | |
Well, we'll be seeing later whether Chestwyrm's shock and gore tactics | 0:15:28 | 0:15:32 | |
were enough for it to wriggle its way into contention. | 0:15:32 | 0:15:35 | |
Our next film tonight, Visitation, promises to be short, | 0:15:41 | 0:15:45 | |
but hopefully not very sweet. | 0:15:45 | 0:15:48 | |
Directed by 22-year-old Welsh YouTuber Sam Evans, | 0:15:48 | 0:15:51 | |
who works in a tiny room. | 0:15:51 | 0:15:52 | |
We must warn you, this one is very dark, so turn the lights down, | 0:15:53 | 0:15:57 | |
don't adjust the volume and keep your eyes locked to the screen. | 0:15:57 | 0:16:01 | |
HAUNTING MUSIC PLAYS | 0:16:15 | 0:16:18 | |
SILENCE | 0:16:41 | 0:16:43 | |
EERIE MUSIC | 0:17:40 | 0:17:42 | |
SCREAMING IN CINEMA | 0:17:58 | 0:18:00 | |
Are you all right? Do you just need a moment to gather yourself now? | 0:18:11 | 0:18:15 | |
That one actually made me jump. | 0:18:15 | 0:18:16 | |
Incredibly simple yet remarkably effective, | 0:18:18 | 0:18:21 | |
like a windmill or a kick to the nuts. | 0:18:21 | 0:18:23 | |
But did Visitation's little visitor fire up the fear in our audience? | 0:18:23 | 0:18:28 | |
For me personally, that's my type of film. I like the simplicity. | 0:18:28 | 0:18:31 | |
There's not much going on, so your brain's really doing | 0:18:31 | 0:18:34 | |
the working of what's going to happen next. | 0:18:34 | 0:18:36 | |
So when it did happen... | 0:18:36 | 0:18:37 | |
SCREAMING | 0:18:37 | 0:18:38 | |
..it was like, "OK, boom, bam." | 0:18:38 | 0:18:40 | |
-You wasn't scared this time? -No, I wasn't scared. | 0:18:40 | 0:18:42 | |
-You didn't flinch? -No, of course. -I felt something, but OK. Yeah. | 0:18:42 | 0:18:46 | |
Then again, obviously, I wasn't scared, | 0:18:46 | 0:18:48 | |
cos, then again, I was sneezing. | 0:18:48 | 0:18:49 | |
Eh, bruv. | 0:18:51 | 0:18:52 | |
I thought it was going to absolutely terrify me. | 0:18:52 | 0:18:55 | |
I was on edge on the basis of the name. | 0:18:55 | 0:18:58 | |
That kind of started to tap into my whole alien fear. | 0:18:58 | 0:19:01 | |
Oh, fuck. | 0:19:01 | 0:19:03 | |
It's going to be aliens. | 0:19:05 | 0:19:06 | |
But I was pretty happy when it turned out to be demons, | 0:19:06 | 0:19:09 | |
cos I didn't want to look stupid on telly when I started to cry. | 0:19:09 | 0:19:13 | |
I thought something was going to happen at the door, | 0:19:13 | 0:19:15 | |
and then when that face just came up right in front, I mean... | 0:19:15 | 0:19:18 | |
Oh, wow. | 0:19:18 | 0:19:19 | |
-SHE SCREAMS -Oh! | 0:19:19 | 0:19:20 | |
HE LAUGHS | 0:19:20 | 0:19:21 | |
Ah, yes - the creature. | 0:19:21 | 0:19:24 | |
A little cutie as far as I'm concerned, but then...I have issues. | 0:19:24 | 0:19:28 | |
The monster looked like a Freddy Krueger head, | 0:19:28 | 0:19:30 | |
but it was still good. | 0:19:30 | 0:19:31 | |
It was a good head. | 0:19:31 | 0:19:33 | |
It was a little bit like a rotting demon boner. | 0:19:36 | 0:19:40 | |
THEY LAUGH | 0:19:43 | 0:19:45 | |
Right. | 0:19:45 | 0:19:46 | |
Rotting demon boners aside, | 0:19:46 | 0:19:48 | |
could this basic beauty of a movie prove to be a game-changer? | 0:19:48 | 0:19:52 | |
SCREAMING | 0:19:52 | 0:19:53 | |
This film definitely made me | 0:19:53 | 0:19:55 | |
think more about what's needed for a film to be scary, | 0:19:55 | 0:19:58 | |
because this was so simple, no dialogue, one take, | 0:19:58 | 0:20:01 | |
and it was probably the scariest one. | 0:20:01 | 0:20:03 | |
-Yeah. -Oh, it was so scary. | 0:20:03 | 0:20:05 | |
You know it's coming, but it still gets you. | 0:20:05 | 0:20:07 | |
So Visitation left our audience jumpier than a cricket on a campfire, | 0:20:09 | 0:20:13 | |
but did it do enough to earn a place on the leaderboard? | 0:20:13 | 0:20:16 | |
Find out at the end of the show. | 0:20:16 | 0:20:18 | |
Yeah, mate. | 0:20:26 | 0:20:28 | |
I need some more popcorn. | 0:20:31 | 0:20:33 | |
-Want some popcorn? -Yes. No, I've got some. | 0:20:33 | 0:20:36 | |
Amelia, really? Seriously? Amelia, please. | 0:20:36 | 0:20:38 | |
-OK, it's just popcorn. -Amelia! | 0:20:38 | 0:20:40 | |
-AMELIA LAUGHS -Stop it. | 0:20:40 | 0:20:42 | |
My ice gems are all gone. | 0:20:43 | 0:20:44 | |
Remember, this competition isn't just about scaring you for fun. | 0:20:51 | 0:20:55 | |
The three films that terrify our audience the most | 0:20:55 | 0:20:57 | |
will be shown to Blair Witch co-director Eduardo Sanchez, | 0:20:57 | 0:21:01 | |
who will choose one to win £20,000 worth of support. | 0:21:01 | 0:21:05 | |
That would be bellissimo news to the maker of our final film tonight. | 0:21:05 | 0:21:09 | |
It's Federico Sfascia from Italia. | 0:21:10 | 0:21:12 | |
Federico appears to live in a dark attic with his cats, | 0:21:12 | 0:21:14 | |
drawings of girls and his Doctor Who notebook. | 0:21:14 | 0:21:17 | |
Well, film geeks are the same all over the world. | 0:21:17 | 0:21:20 | |
And trust me, it takes one to know one. | 0:21:20 | 0:21:23 | |
Anyway, here's his film - D.S. | 0:21:23 | 0:21:25 | |
-I don't think... -Oh... | 0:21:30 | 0:21:32 | |
-Dun-dun-dun-dun! -Heee! | 0:21:32 | 0:21:35 | |
You know this cinema is haunted, right? | 0:21:35 | 0:21:37 | |
GLASS SHATTERS | 0:21:39 | 0:21:41 | |
PHONE RINGS | 0:21:48 | 0:21:51 | |
PHONE BEEPS | 0:21:56 | 0:21:58 | |
PHONE RINGS | 0:22:04 | 0:22:07 | |
Is this a comedy? | 0:22:07 | 0:22:09 | |
PHONE BEEPS | 0:22:13 | 0:22:15 | |
PHONE RINGS | 0:22:19 | 0:22:22 | |
RINGING CONTINUES | 0:22:29 | 0:22:32 | |
PHONE BEEPS | 0:22:37 | 0:22:38 | |
HE SCREAMS | 0:22:38 | 0:22:40 | |
JAUNTY MUSIC PLAYS | 0:22:40 | 0:22:42 | |
CACKLING | 0:22:49 | 0:22:51 | |
HE SCREAMS | 0:22:55 | 0:22:57 | |
JAUNTY MUSIC PLAYS | 0:22:57 | 0:23:00 | |
CACKLING | 0:23:10 | 0:23:12 | |
CLATTERING | 0:23:17 | 0:23:19 | |
HE LAUGHS | 0:23:26 | 0:23:28 | |
BEEPING | 0:23:32 | 0:23:35 | |
CACKLING | 0:23:44 | 0:23:46 | |
PHONE BEEPS | 0:24:03 | 0:24:06 | |
CACKLING | 0:24:20 | 0:24:23 | |
Oh, my God! | 0:24:31 | 0:24:33 | |
That was so bizarre! | 0:24:34 | 0:24:36 | |
That was my favourite one. That was my actual favourite. | 0:24:36 | 0:24:39 | |
Of course it was your favourite one. It panders to all your tastes. | 0:24:39 | 0:24:42 | |
-I know! -Juvenile idiot. | 0:24:42 | 0:24:45 | |
-The film or me? -Both. | 0:24:45 | 0:24:48 | |
Juvenile and idiotic! | 0:24:48 | 0:24:50 | |
Not a great three-word review, but did the rest of the audience agree? | 0:24:50 | 0:24:54 | |
Demon Sitter, what was this? | 0:24:56 | 0:24:59 | |
It was like a piece of art and at the same time, it was a mess. | 0:24:59 | 0:25:03 | |
I loved it so much! | 0:25:03 | 0:25:05 | |
I don't know what it was meant to be. | 0:25:05 | 0:25:08 | |
I hope it was meant to be funny, | 0:25:08 | 0:25:10 | |
because I laughed my arse off all the way through it. | 0:25:10 | 0:25:12 | |
I was like, "Ah!" | 0:25:12 | 0:25:14 | |
I've never seen her so happy | 0:25:14 | 0:25:15 | |
after the end of a film that's supposed to scare you! | 0:25:15 | 0:25:18 | |
I just loved it, I want to watch it again and again. | 0:25:18 | 0:25:22 | |
Yes, fun to watch, but would you be comfortable | 0:25:22 | 0:25:25 | |
telling those demon critters it's bedtime at eight? | 0:25:25 | 0:25:28 | |
I don't think I'd ever want to babysit Satan's babies | 0:25:28 | 0:25:31 | |
and I hope I never have to! | 0:25:31 | 0:25:33 | |
I thought they were cute in a way. | 0:25:33 | 0:25:36 | |
Ratty little things. | 0:25:36 | 0:25:37 | |
It's kind of cuddly. | 0:25:37 | 0:25:39 | |
As long as it didn't bite your tongue out. | 0:25:39 | 0:25:41 | |
Ooh! | 0:25:41 | 0:25:42 | |
Have you ever had a bad kisser like that? All tongue? | 0:25:42 | 0:25:45 | |
Washing machine. | 0:25:45 | 0:25:47 | |
Spin cycle. | 0:25:47 | 0:25:50 | |
I wouldn't mind some demons looking after me! | 0:25:50 | 0:25:53 | |
-I'd quite like that. -What'd you feed them though? | 0:25:53 | 0:25:55 | |
Meat, probably. Ask Satan. | 0:25:55 | 0:25:57 | |
I ain't got his number. | 0:25:57 | 0:25:59 | |
It made me chuckle so much. | 0:25:59 | 0:26:01 | |
I think I liked it because it was different. | 0:26:01 | 0:26:05 | |
That is everything I love about the horror comedy genre. It's superb. | 0:26:05 | 0:26:08 | |
I'm pretty sure that DS notched up more LOLs than scares, | 0:26:08 | 0:26:12 | |
so I'm intrigued to see how that rates for fear factor, | 0:26:12 | 0:26:16 | |
and with tonight's final scores in, | 0:26:16 | 0:26:18 | |
it's time to take a look at all the films to see how they scored. | 0:26:18 | 0:26:23 | |
So, in fourth place is critter comedy DS. | 0:26:27 | 0:26:33 | |
If you're watching, film-maker, I adored your film, | 0:26:34 | 0:26:37 | |
but it just wasn't scary and that's what we're judging it on. | 0:26:37 | 0:26:40 | |
Next up, in third, is Visitation. | 0:26:40 | 0:26:43 | |
I don't think it made me very scared. | 0:26:43 | 0:26:46 | |
I just think it made me jump because it was so...in your face. | 0:26:46 | 0:26:50 | |
So, who finished top? The one with the worm or the one with the camera? | 0:26:50 | 0:26:54 | |
In at 2, it's Chestwyrm. | 0:26:54 | 0:26:57 | |
I don't think I've ever been | 0:26:57 | 0:26:59 | |
affected by a gory film like that, ever. | 0:26:59 | 0:27:02 | |
Which makes Capture our scariest film of the night. | 0:27:02 | 0:27:05 | |
I think Capture is quite a strong contender for being able | 0:27:07 | 0:27:10 | |
to win this competition. | 0:27:10 | 0:27:12 | |
So, in the overall top three, What It Wants is out, | 0:27:12 | 0:27:15 | |
and with a score of 6.9, | 0:27:15 | 0:27:17 | |
Capture sits pretty at number 2. | 0:27:17 | 0:27:20 | |
So, congratulations to Capture, but for how long? | 0:27:23 | 0:27:25 | |
Will it still be there after next week's terrifying treats? | 0:27:25 | 0:27:29 | |
Coming soon... | 0:27:29 | 0:27:31 | |
This was weird. | 0:27:31 | 0:27:32 | |
It was really unnecessary! | 0:27:32 | 0:27:34 | |
That is just evil. | 0:27:34 | 0:27:37 | |
Oh, my God! | 0:27:37 | 0:27:40 | |
I didn't see it coming, no. | 0:27:40 | 0:27:42 | |
-What would you have done? -Weed myself. | 0:27:42 | 0:27:44 | |
Jesus Christ! | 0:27:44 | 0:27:46 | |
Wow. | 0:27:48 | 0:27:50 | |
The audience lost their minds. | 0:27:50 | 0:27:52 | |
What? What is that? | 0:27:52 | 0:27:54 | |
Until then, sleep tight. | 0:27:56 | 0:27:58 |