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This programme contains some strong language some scenes which some viewers may find upsetting | 0:00:02 | 0:00:08 | |
From the chill down your neck, to the stain in your pants, | 0:00:09 | 0:00:12 | |
fear can do many things. | 0:00:12 | 0:00:14 | |
It can chill... | 0:00:14 | 0:00:16 | |
SHE SQUEALS ..thrill... | 0:00:16 | 0:00:18 | |
-and entertain. -Oh, my God! | 0:00:18 | 0:00:21 | |
Which is precisely why we're here. | 0:00:21 | 0:00:23 | |
We've asked amateur filmmakers to send us their creepiest, | 0:00:23 | 0:00:27 | |
goriest and freakiest short horror films | 0:00:27 | 0:00:30 | |
for your viewing pleasure. | 0:00:30 | 0:00:33 | |
Movies such as Saw and Evil Dead | 0:00:33 | 0:00:36 | |
both started out as shorts before | 0:00:36 | 0:00:37 | |
becoming multimillion dollar franchises | 0:00:37 | 0:00:40 | |
So we're hoping to find next horror master, | 0:00:40 | 0:00:43 | |
worthy of a bloodcurdling blockbuster. | 0:00:43 | 0:00:47 | |
This is The Fear, | 0:00:48 | 0:00:51 | |
where who scares, wins. | 0:00:51 | 0:00:55 | |
Oh, my God! | 0:00:55 | 0:00:57 | |
Welcome to the screaming room. | 0:01:13 | 0:01:15 | |
As a kid, plenty of things terrified me - Aunty Moira's mystery meat pie, | 0:01:15 | 0:01:19 | |
acne and sexual inadequacy. | 0:01:19 | 0:01:21 | |
As an adult, it's losing my no-claims bonus, | 0:01:21 | 0:01:24 | |
stool consistency and still sexual inadequacy. | 0:01:24 | 0:01:28 | |
But what scares an audience of Horror fans? | 0:01:28 | 0:01:31 | |
Here they'll be watching a host of terrifying short films, | 0:01:31 | 0:01:34 | |
they'll vote for their scariest in this special cinema rigged with | 0:01:34 | 0:01:38 | |
cameras to catch their every jump, scream and cry. | 0:01:38 | 0:01:42 | |
So let's welcome back some of those tasked with rating our films. | 0:01:42 | 0:01:47 | |
Included in our audience tonight are... | 0:01:48 | 0:01:52 | |
Antoine, Nick and Daniel, | 0:01:52 | 0:01:54 | |
who are still getting to the bottom of who is the toughest. | 0:01:54 | 0:01:57 | |
-To be fair, yous two ain't built for horrors, you know. -Hey... | 0:01:57 | 0:02:00 | |
You chose to come on Halloween. You ain't got the guts for this, bro. | 0:02:00 | 0:02:03 | |
Sister act scaredy-cats Amelia and Grace... | 0:02:03 | 0:02:06 | |
SHE SCREAMS | 0:02:06 | 0:02:07 | |
Oh, my goodness! Really?! | 0:02:07 | 0:02:09 | |
Also included in our audience are nurses, best friends, | 0:02:09 | 0:02:14 | |
and singing sensations Aaron and Michelle. | 0:02:14 | 0:02:18 | |
-# Oh na-na -What's my name? | 0:02:18 | 0:02:20 | |
-# Oh na-na -What's my name? # | 0:02:20 | 0:02:23 | |
Hardcore horror fans Brad and Ash, who are just so proud to be here! | 0:02:24 | 0:02:28 | |
I probably won't tell my mum to watch it cos she'll be like, | 0:02:28 | 0:02:32 | |
"Look what I raised - a fucking moron!" | 0:02:32 | 0:02:35 | |
Me mum won't watch it because she doesn't support anything I do. | 0:02:35 | 0:02:38 | |
And ridiculously good-looking and sophisticated... | 0:02:40 | 0:02:43 | |
Ladies first. | 0:02:43 | 0:02:44 | |
..Poppy and Joe. | 0:02:44 | 0:02:46 | |
-SHE BURPS -Oh my God, I'm so sorry. | 0:02:46 | 0:02:48 | |
-Oh, my... -I'm really sorry. -Oh, my God! Such a strong smell. | 0:02:48 | 0:02:52 | |
Remember, this rag tag collection of fear junkies will be judging | 0:02:52 | 0:02:56 | |
the movies they see on one criteria alone - | 0:02:56 | 0:02:59 | |
scare factor. | 0:02:59 | 0:03:01 | |
The more a movie terrifies these twerps, | 0:03:01 | 0:03:03 | |
the better the chance it has of making it to the final. | 0:03:03 | 0:03:06 | |
All movies will be under four minutes and made by non-professionals. | 0:03:06 | 0:03:10 | |
And first off the Spool of Spooks tonight we have an offering from | 0:03:10 | 0:03:14 | |
16-year-old directors Harry Courtney and Matthew Traszko. | 0:03:14 | 0:03:17 | |
Personally, I think it's nice to see teenage boys finally discovering | 0:03:17 | 0:03:21 | |
a new way of entertaining themselves. | 0:03:21 | 0:03:24 | |
I know what I was like at that age! | 0:03:24 | 0:03:25 | |
This is Paranoia. | 0:03:25 | 0:03:27 | |
Oh! It's time! | 0:03:33 | 0:03:35 | |
# Da da da-da. # | 0:03:35 | 0:03:38 | |
-It's started, Joe. -Really, is it(?) -Yeah. | 0:03:38 | 0:03:40 | |
Mm-hm, yeah. | 0:03:43 | 0:03:46 | |
No, no, Mum. I'll be fine. | 0:03:46 | 0:03:48 | |
It's not like I haven't done it before. | 0:03:48 | 0:03:51 | |
Please, stop worrying. OK. | 0:03:51 | 0:03:53 | |
Yes, it's all done. Yes, OK. | 0:03:53 | 0:03:56 | |
I'm going now, bye. Love you. Bye. | 0:03:56 | 0:03:58 | |
Love you. Bye, bye, bye! | 0:03:58 | 0:04:00 | |
CLATTERING | 0:04:03 | 0:04:05 | |
DOOR CREAKS | 0:04:11 | 0:04:13 | |
DISCORDANT MUSIC ESCALATES | 0:04:34 | 0:04:38 | |
MUSIC STOPS | 0:04:44 | 0:04:46 | |
-Arghhhhhh! -Oh, my God! | 0:04:47 | 0:04:49 | |
HE LAUGHS | 0:04:49 | 0:04:50 | |
-Should've seen your face. -Hell, man. That's not cool. | 0:04:50 | 0:04:53 | |
HE LAUGHS | 0:04:53 | 0:04:56 | |
-Didn't tell me you had a basement. -I know it's spooooky, right?! | 0:04:56 | 0:04:59 | |
Whatever. | 0:04:59 | 0:05:01 | |
Was that it? | 0:05:08 | 0:05:10 | |
Oh, no, all right. | 0:05:12 | 0:05:14 | |
DOOR BELL RINGS | 0:05:14 | 0:05:16 | |
-Was that the door bell? -I think so. | 0:05:16 | 0:05:18 | |
BELL RINGS AGAIN | 0:05:18 | 0:05:20 | |
-Are you expecting someone? -No. | 0:05:20 | 0:05:22 | |
-You? -I don't think so. -TV PLAYS IN BACKGROUND | 0:05:22 | 0:05:25 | |
-New neighbours? -Maybe. | 0:05:25 | 0:05:27 | |
EERIE MUSIC PLAYS | 0:05:29 | 0:05:32 | |
Matt, you left the door open! Anyone could've got in! | 0:05:32 | 0:05:35 | |
What do you mean? You were the last one in. | 0:05:35 | 0:05:38 | |
Whatever. | 0:05:38 | 0:05:40 | |
-I didn't leave the door open. -Yeah, whatever, mate. I'm going to bed. | 0:05:40 | 0:05:43 | |
-Your turn to turn the lights off! -Mate, you can't... | 0:05:43 | 0:05:46 | |
Seriously! I turned them off last night. | 0:05:46 | 0:05:49 | |
EERIE MUSIC PLAYS | 0:05:56 | 0:05:58 | |
What the hell...? | 0:05:58 | 0:06:00 | |
PHONE RINGS | 0:06:39 | 0:06:41 | |
DOOR CLICKS OPEN | 0:06:43 | 0:06:46 | |
Very funny, Harry. | 0:06:46 | 0:06:47 | |
I can hear your phone, you idiot. | 0:06:49 | 0:06:51 | |
Who are you talking to? | 0:06:55 | 0:06:57 | |
-Huh? -Who are you talking to? | 0:06:57 | 0:06:58 | |
SHE SCREAMS | 0:06:59 | 0:07:01 | |
Fucking 'ell! | 0:07:01 | 0:07:02 | |
-There was two scares in that one for you. -Yeah. | 0:07:04 | 0:07:07 | |
-That's a good little tally. -Yeah. | 0:07:07 | 0:07:09 | |
So, two scares for the price of one. | 0:07:12 | 0:07:14 | |
Will that be enough to propel it into the final? | 0:07:14 | 0:07:16 | |
Our entire audience marks each film out of ten. | 0:07:16 | 0:07:19 | |
The more they were scared, the higher the score. | 0:07:19 | 0:07:22 | |
At the end of the competition, | 0:07:22 | 0:07:24 | |
Blair Witch Project co-director Eduardo Sanchez will view | 0:07:24 | 0:07:27 | |
the three scariest films and pick the ultimate winner. | 0:07:27 | 0:07:31 | |
He'll take that lucky director a step closer to Hollywood | 0:07:31 | 0:07:35 | |
with £20,000 worth of support for their next fright fest. | 0:07:35 | 0:07:39 | |
With that in mind, let's see what they thought of Paranoia. | 0:07:39 | 0:07:42 | |
A film that managed to get London's toughest jumping out of their seats. | 0:07:42 | 0:07:46 | |
I thought Paranoia was a good film. | 0:07:49 | 0:07:51 | |
Actually that's the best I've seen. It gave me a fright. | 0:07:51 | 0:07:54 | |
Yaaaaargh! | 0:07:54 | 0:07:56 | |
Oh, my God! | 0:07:56 | 0:07:58 | |
The audience around us for the first jump lost their minds. | 0:07:58 | 0:08:02 | |
SCREAMING | 0:08:02 | 0:08:04 | |
That first jump was really tense. Ohhhh! | 0:08:04 | 0:08:08 | |
Then you see the guy in the background and I was like, | 0:08:08 | 0:08:10 | |
"Ohhhh!" So, super tense. | 0:08:10 | 0:08:12 | |
It got me once. | 0:08:12 | 0:08:14 | |
Aw, fuck! | 0:08:14 | 0:08:16 | |
Oh, shit, it got me. | 0:08:16 | 0:08:19 | |
It got you lot twice. So it's still 2-2-1. | 0:08:19 | 0:08:22 | |
So great tension and great scares. | 0:08:22 | 0:08:24 | |
For some in the audience though the minor details were a little more important. | 0:08:24 | 0:08:28 | |
He's got really white teeth, doesn't he? | 0:08:28 | 0:08:31 | |
So, when I watched the film, | 0:08:31 | 0:08:32 | |
I want to see what it's trying to show, what style it's in. | 0:08:32 | 0:08:36 | |
Amelia is looking at teeth. | 0:08:36 | 0:08:38 | |
-I want to know what toothpaste he uses. -It was very distracting. | 0:08:40 | 0:08:43 | |
She ruined the tension | 0:08:43 | 0:08:45 | |
by asking what kind of stuff he uses on his teeth? | 0:08:45 | 0:08:47 | |
Like, I don't care, Amelia. | 0:08:47 | 0:08:49 | |
Whilst for Poppy the nightmare was in the nightwear... | 0:08:49 | 0:08:53 | |
Who sleeps in jeans? So he was lying in bed in his skinny jeans. | 0:08:53 | 0:08:57 | |
That's a health hazard because skinny jeans are really tight | 0:08:57 | 0:09:00 | |
and restricts blood flow. | 0:09:00 | 0:09:02 | |
They're not even joggers, they're jeans. | 0:09:02 | 0:09:04 | |
-That's really not good for you. -Thank you. | 0:09:04 | 0:09:07 | |
I'd say he probably has other things to worry about. | 0:09:07 | 0:09:09 | |
Like the massive red-faced demon in his cellar! | 0:09:09 | 0:09:12 | |
There's no way in hell I'd be going down to any basement. I don't care. | 0:09:12 | 0:09:17 | |
Whatever's in the basement can stay there! | 0:09:17 | 0:09:20 | |
In that situation, I'd have run out the door. | 0:09:20 | 0:09:22 | |
Aaaaargh! Fucking 'ell. | 0:09:22 | 0:09:24 | |
-What would you have done? -Probably just wee'd myself. | 0:09:24 | 0:09:27 | |
-Yaaaargh! -So, it seems flat share | 0:09:27 | 0:09:29 | |
horror stories aren't just about who left that mess in the bathroom. | 0:09:29 | 0:09:33 | |
Find out how Paranoia faired on our leader board at the end of the show. | 0:09:33 | 0:09:37 | |
The next film for you to get your teeth into is a cheery little | 0:09:41 | 0:09:44 | |
number made by PR copy-writer Robert Howells. | 0:09:44 | 0:09:47 | |
Aside from making short horror films, Robert rollerblades, types a lot, | 0:09:49 | 0:09:53 | |
and looks like this from this angle, and like this from this angle. | 0:09:53 | 0:09:57 | |
Handsome. | 0:09:57 | 0:09:59 | |
Prepare yourself for Bernard. | 0:09:59 | 0:10:02 | |
SHE GASPS | 0:10:06 | 0:10:08 | |
Jesus! | 0:10:08 | 0:10:09 | |
PIANO MUSIC PLAYS | 0:10:17 | 0:10:19 | |
TV CHATTER | 0:10:27 | 0:10:30 | |
We have to talk about it, Barb. | 0:10:31 | 0:10:34 | |
We can't just let him carry on stealing... | 0:10:34 | 0:10:37 | |
You were the same at 16, Reg. | 0:10:37 | 0:10:38 | |
He's only trying to help. | 0:10:38 | 0:10:41 | |
Times are tough. | 0:10:42 | 0:10:44 | |
I know. We're all struggling... | 0:10:44 | 0:10:46 | |
But we can't let it affect his school. | 0:10:46 | 0:10:49 | |
He won't change, Reg. | 0:10:49 | 0:10:50 | |
We are what we are. | 0:10:50 | 0:10:52 | |
Oh, fetch the sweet after, will you, love? | 0:10:56 | 0:10:59 | |
R&B MUSIC PLAYS | 0:11:16 | 0:11:20 | |
SHE SOBS | 0:11:31 | 0:11:33 | |
SHE SCREAMS | 0:11:42 | 0:11:43 | |
THEY GASP | 0:11:43 | 0:11:45 | |
SHE SCREAMS | 0:11:48 | 0:11:51 | |
SCREAMING CONTINUES | 0:11:59 | 0:12:03 | |
-BOTH: -What? | 0:12:19 | 0:12:21 | |
I don't know what to say. | 0:12:21 | 0:12:22 | |
I liked that. | 0:12:22 | 0:12:23 | |
Ah, there's nothing like a sweet family drama... | 0:12:25 | 0:12:28 | |
and that was nothing like a sweet family drama. | 0:12:28 | 0:12:31 | |
SHE SCREAMS | 0:12:31 | 0:12:32 | |
This was weird. | 0:12:32 | 0:12:34 | |
It was a pretty dark one. | 0:12:34 | 0:12:36 | |
A blow torch was really unnecessary. | 0:12:36 | 0:12:38 | |
I mean, that is just evil at its finest. | 0:12:38 | 0:12:41 | |
SHE SCREAMS | 0:12:41 | 0:12:43 | |
What? What is that? | 0:12:43 | 0:12:44 | |
Oh, my fuck. | 0:12:44 | 0:12:46 | |
Oh! | 0:12:46 | 0:12:48 | |
While some hid their faces, | 0:12:48 | 0:12:49 | |
horror buff Brad proved his credentials and spotted the twist | 0:12:49 | 0:12:53 | |
coming a mile away. | 0:12:53 | 0:12:54 | |
We are what we are. | 0:12:54 | 0:12:56 | |
Cannibals. | 0:12:56 | 0:12:57 | |
Incredible. Brad got that just 54 seconds into the film. | 0:12:57 | 0:13:01 | |
Maybe they are cannibals. | 0:13:01 | 0:13:03 | |
Antwuan, on the other hand... | 0:13:03 | 0:13:05 | |
JEOPARDY THEME TUNE PLAYS | 0:13:05 | 0:13:07 | |
-What? Was he eating her? -THEY LAUGH | 0:13:08 | 0:13:11 | |
Good God, man. He had a plateful of fingers. Keep up. | 0:13:11 | 0:13:14 | |
That boy's Jamie Oliver. | 0:13:14 | 0:13:15 | |
THEY LAUGH | 0:13:15 | 0:13:17 | |
With more brains than a value sausage, | 0:13:17 | 0:13:20 | |
Bernard's clever twist certainly whetted our audience's appetite, | 0:13:20 | 0:13:23 | |
but did the terror consume them like Bernard consumed all those people? | 0:13:23 | 0:13:28 | |
Find out at the end of the show. | 0:13:28 | 0:13:29 | |
Remember, only the audience's top three shorts at the end of the series | 0:13:32 | 0:13:36 | |
will be shown to Blair Witch co-director Eduardo Sanchez. | 0:13:36 | 0:13:39 | |
At the moment, 3am, Capture and Mr Creak are the ones to beat | 0:13:39 | 0:13:44 | |
and hoping to knock any of them off of the top spot is our next film - | 0:13:44 | 0:13:47 | |
a little car-based catastrophe called The Breakdown - | 0:13:47 | 0:13:50 | |
made by student Mohammed Rabbani and removals man Mark Benmore. | 0:13:50 | 0:13:55 | |
They look like a talented duo. Just look at those jazz hands. | 0:13:55 | 0:14:00 | |
I wonder what kind of horrendousness they can craft with those. | 0:14:00 | 0:14:04 | |
Oh, damn. | 0:14:07 | 0:14:09 | |
THUNDER RUMBLES | 0:14:09 | 0:14:12 | |
RAPID TAPPING ON WINDOW | 0:14:15 | 0:14:17 | |
FOOTSTEPS | 0:14:22 | 0:14:26 | |
Hello. | 0:14:26 | 0:14:28 | |
Hi. My car broke down and my phone is not working. | 0:14:28 | 0:14:31 | |
Can I use yours, please? | 0:14:31 | 0:14:32 | |
Of course, yes. Come in. | 0:14:32 | 0:14:34 | |
The landline's not working though, because of the storm, | 0:14:34 | 0:14:37 | |
but go on in. | 0:14:37 | 0:14:38 | |
CLOCK TICKS | 0:14:45 | 0:14:48 | |
Who are you? | 0:14:52 | 0:14:54 | |
How did you get in here? | 0:14:56 | 0:14:58 | |
Hi, I'm Emily. | 0:14:58 | 0:15:00 | |
My car broke down and the lady let me in. | 0:15:00 | 0:15:02 | |
Her. | 0:15:04 | 0:15:05 | |
This woman... | 0:15:05 | 0:15:08 | |
was... | 0:15:08 | 0:15:09 | |
my wife. | 0:15:09 | 0:15:10 | |
Oh... | 0:15:13 | 0:15:14 | |
She died five years ago. | 0:15:14 | 0:15:16 | |
I'm... | 0:15:18 | 0:15:19 | |
I'm just going to leave now. | 0:15:19 | 0:15:21 | |
I'm sorry. | 0:15:21 | 0:15:23 | |
No, no. | 0:15:23 | 0:15:25 | |
Stay away. | 0:15:25 | 0:15:27 | |
Stay away. | 0:15:27 | 0:15:28 | |
It's a joke. | 0:15:28 | 0:15:31 | |
It's a joke. | 0:15:31 | 0:15:33 | |
We're just having some fun. | 0:15:33 | 0:15:36 | |
What?! | 0:15:36 | 0:15:38 | |
A joke? | 0:15:38 | 0:15:39 | |
What kind of people are you? | 0:15:39 | 0:15:41 | |
-You guys are sick. -Ross. | 0:15:42 | 0:15:44 | |
I'm so sorry. My husband is obsessed with the dead. | 0:15:44 | 0:15:48 | |
Please, come and have a seat. | 0:15:48 | 0:15:50 | |
-I just need to use your phone... I... -Yes. | 0:15:50 | 0:15:53 | |
It was just some fun. | 0:15:53 | 0:15:55 | |
And I'm sure you'd like a warm drink. | 0:15:58 | 0:16:01 | |
What's that? | 0:16:12 | 0:16:14 | |
You want to play? | 0:16:14 | 0:16:15 | |
Ross, enough. | 0:16:15 | 0:16:17 | |
Put your finger on the planchette. | 0:16:23 | 0:16:25 | |
He's been at it all night. | 0:16:26 | 0:16:28 | |
I call upon the dead... | 0:16:34 | 0:16:36 | |
If there any among you... | 0:16:37 | 0:16:39 | |
speak to us...on this night. | 0:16:39 | 0:16:42 | |
KNOCK ON DOOR | 0:16:42 | 0:16:44 | |
KNOCKING CONTINUES | 0:16:46 | 0:16:47 | |
I'll get it. | 0:16:47 | 0:16:49 | |
CAR HORN BLARES | 0:16:55 | 0:17:00 | |
Ross! | 0:17:05 | 0:17:06 | |
Beth! | 0:17:06 | 0:17:09 | |
Ross! | 0:17:09 | 0:17:10 | |
Bethany! | 0:17:10 | 0:17:12 | |
What? What? | 0:17:13 | 0:17:15 | |
CAR HORN CONTINUES | 0:17:19 | 0:17:24 | |
BETH GASPS | 0:17:26 | 0:17:28 | |
SHE GASPS | 0:17:32 | 0:17:33 | |
What? | 0:17:33 | 0:17:34 | |
But what...? What...? | 0:17:36 | 0:17:38 | |
If the... How could...? Oh! She was dead all along! | 0:17:38 | 0:17:42 | |
But I wonder, did our audience pick up on the twist or did The Breakdown | 0:17:42 | 0:17:47 | |
leave them needing some assistance? | 0:17:47 | 0:17:49 | |
-The twist at the end was really good. I liked that. -Yeah. | 0:17:50 | 0:17:54 | |
-CAR HORN BEEPS -What? Is that her? | 0:17:54 | 0:17:56 | |
I didn't see it coming, no. | 0:17:56 | 0:17:57 | |
It kind of surprised me and I really liked that. | 0:17:57 | 0:18:00 | |
She's crashed and all that. The guy said he's obsessed with the dead, | 0:18:00 | 0:18:04 | |
so obviously she was dead already. | 0:18:04 | 0:18:06 | |
-BOTH: -Oh...! | 0:18:06 | 0:18:08 | |
What did the silly cow drive into a post for? | 0:18:08 | 0:18:11 | |
An intriguing question, | 0:18:12 | 0:18:14 | |
but our cinemagoers found something equally as provoking. | 0:18:14 | 0:18:17 | |
This woman was my wife. | 0:18:17 | 0:18:19 | |
The old people cracked me up, like, "Oh, yeah, my wife's dead." | 0:18:19 | 0:18:23 | |
It's a joke! | 0:18:23 | 0:18:24 | |
It's a joke. | 0:18:24 | 0:18:26 | |
COMEDY DRUM SOLO | 0:18:26 | 0:18:28 | |
"It was a joke!" | 0:18:28 | 0:18:30 | |
-Get the fuck out of here! -THEY LAUGH | 0:18:30 | 0:18:33 | |
And when they were calling out to each other - "Jo!" "Bethany!" | 0:18:33 | 0:18:37 | |
Bethany! | 0:18:37 | 0:18:39 | |
"Bethany!" | 0:18:39 | 0:18:40 | |
"Bethany!" | 0:18:40 | 0:18:41 | |
"Bethany!" | 0:18:41 | 0:18:42 | |
"Bethany!" | 0:18:42 | 0:18:43 | |
This makes it sounds like we didn't like it, but I really did! | 0:18:43 | 0:18:47 | |
Put your finger on the planchette. | 0:18:47 | 0:18:49 | |
-"Put your hand on the planchette." -THEY LAUGH | 0:18:49 | 0:18:52 | |
I once had a ghost put their hand on my planchette | 0:18:52 | 0:18:55 | |
and I've never fully recovered, | 0:18:55 | 0:18:57 | |
but will any of our audience members | 0:18:57 | 0:18:59 | |
have taken up the old man up on is offer? | 0:18:59 | 0:19:02 | |
No! I have never played a Ouija board and don't want to - | 0:19:02 | 0:19:05 | |
they're dangerous. | 0:19:05 | 0:19:07 | |
Yeah, I think I'd like to do a Ouija board. I'd be quite curious, | 0:19:07 | 0:19:10 | |
but then I'd probably be so scared if I got an answer | 0:19:10 | 0:19:14 | |
and I'd be like, "Oh, no, that was you. That was you." | 0:19:14 | 0:19:17 | |
-And it would be me. -Yeah. | 0:19:17 | 0:19:20 | |
Well, if I had a Ouija board with me right now, I'd only have | 0:19:20 | 0:19:23 | |
one question to ask it - did our audience find Breakdown scary? | 0:19:23 | 0:19:27 | |
It was a nice little thriller. Just gliding into it. | 0:19:27 | 0:19:31 | |
What the film-maker did, which was ingenious, was they just kept | 0:19:31 | 0:19:35 | |
throwing in fake twists, which made it really fun to watch. | 0:19:35 | 0:19:38 | |
So it sounds like Breakdown wasn't a write-off, | 0:19:39 | 0:19:42 | |
but what score was it dealt? | 0:19:42 | 0:19:44 | |
Find out at the end of the show. | 0:19:44 | 0:19:46 | |
Put your phone away. | 0:19:52 | 0:19:54 | |
Why? | 0:19:54 | 0:19:55 | |
Turn your phone off, fella. | 0:19:55 | 0:19:57 | |
I don't want your missus interrupting my movie, eh? | 0:19:57 | 0:19:59 | |
Why are you so fascinated by that straw? | 0:19:59 | 0:20:02 | |
Because it's, like, crunching my straw, so I couldn't suck anything | 0:20:02 | 0:20:06 | |
out of it. Look! What cup is aggressive enough to do that? | 0:20:06 | 0:20:09 | |
It's fine now. | 0:20:09 | 0:20:11 | |
You've broken it! That's why. | 0:20:11 | 0:20:13 | |
Time for something very different. | 0:20:16 | 0:20:18 | |
It comes from the sick mind of 23-year-old Josh Ward. | 0:20:18 | 0:20:22 | |
Like all good amateur film-makers, Josh enjoys making fake blood, | 0:20:22 | 0:20:26 | |
walking into gates and attacking soundmen. | 0:20:26 | 0:20:29 | |
This is A Mothers Touch. | 0:20:30 | 0:20:32 | |
What's next? I want the lights to go down. | 0:20:34 | 0:20:38 | |
Oh, here we go! | 0:20:38 | 0:20:39 | |
JINGLING | 0:20:51 | 0:20:53 | |
Fucking hell! | 0:21:49 | 0:21:51 | |
No! | 0:22:27 | 0:22:29 | |
You go, girl. | 0:22:30 | 0:22:31 | |
Daddy? | 0:23:09 | 0:23:10 | |
Argh! | 0:23:13 | 0:23:15 | |
SHE WHIMPERS | 0:23:15 | 0:23:18 | |
SHE CHOKES | 0:23:18 | 0:23:20 | |
Argh! | 0:23:21 | 0:23:23 | |
Daddy's weird! | 0:23:25 | 0:23:26 | |
Fucking... | 0:23:34 | 0:23:36 | |
bi... | 0:23:36 | 0:23:37 | |
ARGH! | 0:23:37 | 0:23:39 | |
HE WHIMPERS | 0:23:43 | 0:23:45 | |
What... What did we just watch? | 0:24:23 | 0:24:26 | |
I don't know! | 0:24:26 | 0:24:27 | |
But I think I liked it. | 0:24:27 | 0:24:29 | |
A Mothers Touch was one of those films that asked more questions | 0:24:31 | 0:24:34 | |
than it gave answers. But what did our audience make of it? | 0:24:34 | 0:24:37 | |
The way that I interpreted A Mother's Touch was that it was | 0:24:40 | 0:24:43 | |
like a parent's desperate attempts to maintain childhood innocence. | 0:24:43 | 0:24:46 | |
I thought it was about someone getting their eyes gouged out, | 0:24:46 | 0:24:49 | |
but then when you pointed it out, that's a very good interpretation. | 0:24:49 | 0:24:52 | |
I'm going to go with that and pretend to be smart. | 0:24:52 | 0:24:55 | |
I think she wants her daddy to save her, | 0:24:55 | 0:24:57 | |
but I don't think the guy that appeared was her dad. | 0:24:57 | 0:25:00 | |
That she poked the eyes out, weren't her dad. | 0:25:00 | 0:25:03 | |
Best thing I could put together from it is that it was maybe like... | 0:25:03 | 0:25:07 | |
Oh, do you know what? I just don't know. | 0:25:07 | 0:25:10 | |
Thanks for nothing, you lot! Luckily for me and you at home, | 0:25:10 | 0:25:13 | |
here's Amelia and Grace's Guide To A Mother's Touch. | 0:25:13 | 0:25:16 | |
There's this girl in the cage, she likes a baby, she takes pills. | 0:25:16 | 0:25:20 | |
It's the circle of life, but it's definitely not. | 0:25:20 | 0:25:22 | |
-She's... -Neglected from her mother's touch. | 0:25:22 | 0:25:26 | |
-And so... -That's why she locks her baby in the cage, | 0:25:26 | 0:25:28 | |
-cos she doesn't know how to be a good mother. -Whoa. | 0:25:28 | 0:25:32 | |
Yeah, I don't think we're going to get very far with this one. | 0:25:32 | 0:25:35 | |
It's clear that A Mother's Touch confused some of our audience, | 0:25:35 | 0:25:39 | |
but how much did it make them want their mummies? | 0:25:39 | 0:25:41 | |
With the final votes now in | 0:25:41 | 0:25:43 | |
it's time to take a look at all the films to see how they scored. | 0:25:43 | 0:25:46 | |
In fourth place is Bernard, Robert Howell's | 0:25:51 | 0:25:54 | |
tale of cannibalism-next-door, which bit off more than it could chew | 0:25:54 | 0:25:58 | |
with an unappetising 3.5. | 0:25:58 | 0:26:00 | |
I didn't find it scary at all. But really, really unsettling. | 0:26:03 | 0:26:06 | |
In third, it's stranded ghost thriller, The Breakdown. | 0:26:06 | 0:26:09 | |
A big twist finale failed to tow it from the hard shoulder, | 0:26:09 | 0:26:13 | |
as it crashes in with a 5.6. | 0:26:13 | 0:26:16 | |
I really enjoyed the film and I liked the idea, | 0:26:16 | 0:26:18 | |
but it wasn't actually that scary for me. | 0:26:18 | 0:26:20 | |
Bethany! | 0:26:20 | 0:26:21 | |
Bethany! | 0:26:21 | 0:26:23 | |
But only one film can take top spot on tonight's leader board. | 0:26:23 | 0:26:27 | |
And just pipped to the post this week with 6.1 was | 0:26:27 | 0:26:29 | |
Josh Ward's A Mother's Touch. | 0:26:29 | 0:26:32 | |
It ticked a lot of boxes. | 0:26:32 | 0:26:34 | |
It's unsettling, it's really well made, it's well scored. | 0:26:34 | 0:26:36 | |
Which means this week's winner | 0:26:36 | 0:26:39 | |
is basement-based panic provider Paranoia. | 0:26:39 | 0:26:42 | |
One of the best horror films I've seen, actually. | 0:26:43 | 0:26:47 | |
This film, I feel, like, gave us not one jump scare but two. | 0:26:47 | 0:26:51 | |
Yes, that double jump certainly gave it the edge it needed | 0:26:53 | 0:26:57 | |
to take today's top spot with a score of 6.8. | 0:26:57 | 0:27:00 | |
Remember, though, only the top three | 0:27:00 | 0:27:02 | |
at the end of the series will make it to the final, where Blair Witch | 0:27:02 | 0:27:06 | |
co-director Eduardo Sanchez will choose our ultimate winner | 0:27:06 | 0:27:10 | |
and hand over 20 grand's worth of support towards their next project. | 0:27:10 | 0:27:14 | |
So, what have tonight's scores done to the overall leader board? | 0:27:14 | 0:27:19 | |
Incredible! | 0:27:19 | 0:27:21 | |
Paranoia bumps off Mr Creak and joins 3am and Capture in our top three. | 0:27:21 | 0:27:25 | |
So congratulations to Paranoia, but with more terrifying offerings around | 0:27:31 | 0:27:34 | |
the corner, will that trio still top the table? | 0:27:34 | 0:27:38 | |
Or will one of next week's trouser-stainers take their place? | 0:27:38 | 0:27:41 | |
Coming soon... | 0:27:41 | 0:27:43 | |
That film was so scary. | 0:27:43 | 0:27:45 | |
Yeah, it was really well put together. | 0:27:46 | 0:27:49 | |
You little stinker! | 0:27:49 | 0:27:51 | |
Agh! | 0:27:52 | 0:27:53 | |
This is too much of a build-up. This is too much. | 0:27:53 | 0:27:56 | |
Until then, nighty-night. | 0:27:57 | 0:27:59 |