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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:07 | |
From the chill down your neck, to the stain in your pants, | 0:00:09 | 0:00:12 | |
fear can do many things. | 0:00:12 | 0:00:15 | |
It can chill... SHE GASPS | 0:00:15 | 0:00:17 | |
..thrill... and entertain. | 0:00:17 | 0:00:19 | |
Oh, my God! | 0:00:19 | 0:00:20 | |
Which is precisely why we're here. | 0:00:20 | 0:00:23 | |
We've asked amateur film-makers | 0:00:23 | 0:00:25 | |
to send us their creepiest, goriest and freakiest short horror films | 0:00:25 | 0:00:30 | |
for your viewing pleasure. | 0:00:30 | 0:00:32 | |
Movies such as SAW and Evil Dead both started out as shorts | 0:00:32 | 0:00:37 | |
before becoming multimillion dollar franchises. | 0:00:37 | 0:00:40 | |
So we're hoping to find next horror master | 0:00:40 | 0:00:43 | |
worthy of a of a bloodcurdling blockbuster. | 0:00:43 | 0:00:46 | |
SHOUTING ON SCREEN | 0:00:46 | 0:00:48 | |
This is The Fear, | 0:00:48 | 0:00:50 | |
where who scares... | 0:00:50 | 0:00:52 | |
wins. | 0:00:52 | 0:00:53 | |
-Oh, my God! -HE LAUGHS | 0:00:53 | 0:00:55 | |
Welcome to The Screaming Room. | 0:01:09 | 0:01:12 | |
Here, we'll be spooking an audience of horror fans | 0:01:12 | 0:01:15 | |
with a host of terrifying short films. | 0:01:15 | 0:01:18 | |
They'll vote for their scariest in this special cinema, | 0:01:18 | 0:01:21 | |
rigged with cameras to catch their every jump... | 0:01:21 | 0:01:23 | |
SHE SCREAMS ..scream... | 0:01:23 | 0:01:24 | |
SHE CRIES OUT ..and cry. | 0:01:24 | 0:01:27 | |
So let's welcome back the horror fans tasked with rating our films. | 0:01:27 | 0:01:31 | |
They include London lads Antoine, Nick and Daniel, | 0:01:33 | 0:01:36 | |
who can already smell the fear... | 0:01:36 | 0:01:38 | |
-FARTING SOUND -You little stinker! | 0:01:38 | 0:01:41 | |
Plus, newly dating Poppy and Joe, | 0:01:43 | 0:01:45 | |
on whom the amateur film-making is starting to rub off. | 0:01:45 | 0:01:48 | |
-Do you reckon me and you could make a film? -I think we could. | 0:01:48 | 0:01:51 | |
But I have a feeling it probably wouldn't be made public. | 0:01:51 | 0:01:54 | |
SHE LAUGHS | 0:01:54 | 0:01:56 | |
Cinema aficionados Brad and Ash. | 0:01:58 | 0:02:01 | |
When I want to go and see a film that is specifically aimed at kids, | 0:02:02 | 0:02:05 | |
but I want to see it and there are kids there, like little schmucks. | 0:02:05 | 0:02:09 | |
See, mine's the whole... chair kickers. | 0:02:09 | 0:02:13 | |
Fear not, it's very much a 18 certificate tonight and, relax, | 0:02:13 | 0:02:16 | |
we've checked the IDs of these two - it's sisters Amelia and Grace. | 0:02:16 | 0:02:20 | |
-I bet you £250 you'll scream. -Jesus. | 0:02:20 | 0:02:23 | |
-Jesus! -I don't have that money. OK? | 0:02:23 | 0:02:26 | |
And, finally, Aaron and Michelle, our Essex scare fans... | 0:02:26 | 0:02:29 | |
-SHE SCREAMS -What you fucking doing? | 0:02:29 | 0:02:31 | |
..and all-around pop culture analysts. | 0:02:31 | 0:02:34 | |
It's about a titwank. | 0:02:34 | 0:02:35 | |
# My milkshake brings all the boys to the yard | 0:02:35 | 0:02:37 | |
# And they're like, it's better than yours. # | 0:02:37 | 0:02:39 | |
Well, it is. It's like that. | 0:02:39 | 0:02:40 | |
# Damn right, it's better than yours. # | 0:02:40 | 0:02:41 | |
Because it's milk, shake. | 0:02:41 | 0:02:43 | |
My milkshake. | 0:02:43 | 0:02:44 | |
-SHE GASPS -Oh, my God! | 0:02:44 | 0:02:47 | |
Could we have booked a better bunch to judge a horror competition? | 0:02:48 | 0:02:51 | |
Well, yes, frankly, but this ragtag crowd was all that was available. | 0:02:51 | 0:02:55 | |
All the films will be under four minutes, | 0:02:55 | 0:02:57 | |
made by amateur film-makers | 0:02:57 | 0:02:59 | |
and will be scored by our audience, solely on scariness. | 0:02:59 | 0:03:03 | |
So switch off the lights, turn off your phones | 0:03:03 | 0:03:05 | |
and clasp a neighbouring hand for comfort, | 0:03:05 | 0:03:08 | |
because it's time to begin. | 0:03:08 | 0:03:11 | |
Our first film of the night comes from 24-year-old Nathan Seedhouse, | 0:03:11 | 0:03:14 | |
who is a master baker. | 0:03:14 | 0:03:15 | |
No, not that. | 0:03:15 | 0:03:17 | |
Yeah, there you go. | 0:03:17 | 0:03:19 | |
But there's more to this than caterer than cobs, cookies and cats. | 0:03:19 | 0:03:22 | |
Nathan also likes ignoring girls and scaring folk. | 0:03:22 | 0:03:26 | |
Like with this, tonight's first frightful flick. | 0:03:26 | 0:03:28 | |
It's called Anomaly. | 0:03:28 | 0:03:30 | |
-Oh, no. -Here we go. | 0:03:35 | 0:03:37 | |
BEEPING | 0:03:44 | 0:03:46 | |
EERIE MUSIC | 0:04:04 | 0:04:06 | |
MUSIC BUILDS | 0:04:10 | 0:04:12 | |
MUSIC STOPS | 0:04:18 | 0:04:19 | |
EERIE SINGING | 0:04:19 | 0:04:22 | |
SINGING FADES | 0:04:24 | 0:04:25 | |
BEEPING STARTS | 0:04:25 | 0:04:27 | |
HEAVY BREATHING | 0:04:56 | 0:04:57 | |
RAPID THUDDING | 0:05:25 | 0:05:28 | |
LIGHT SWITCH CLICKS | 0:05:36 | 0:05:38 | |
LIGHT SWITCH CLICKS | 0:05:47 | 0:05:48 | |
Shit, that's scary. | 0:05:55 | 0:05:56 | |
HEARTBEAT | 0:06:02 | 0:06:04 | |
HEARTBEAT | 0:06:14 | 0:06:15 | |
THUDDING | 0:06:20 | 0:06:21 | |
HEARTBEAT QUICKENS | 0:06:25 | 0:06:26 | |
HEARTBEAT QUICKENS | 0:06:31 | 0:06:34 | |
HEARTBEAT STOPS | 0:06:37 | 0:06:39 | |
SLOW HEARTBEAT | 0:06:43 | 0:06:44 | |
DRAMATIC MUSIC | 0:06:49 | 0:06:50 | |
HEARTBEAT | 0:07:02 | 0:07:04 | |
DRAMATIC MUSIC | 0:07:08 | 0:07:09 | |
SHE GASPS | 0:07:09 | 0:07:11 | |
ALL TALK | 0:07:11 | 0:07:12 | |
Ooh, I like that. | 0:07:12 | 0:07:13 | |
Oh, it's done. | 0:07:13 | 0:07:14 | |
HE SIGHS HEAVILY | 0:07:14 | 0:07:16 | |
That was wicked. | 0:07:16 | 0:07:17 | |
That heartbeat was so good. That ruined you. | 0:07:17 | 0:07:20 | |
Oh, my God. | 0:07:20 | 0:07:23 | |
That was Anomaly. | 0:07:23 | 0:07:24 | |
That was jumpier than a particularly skittish nervous wreck on a bronco. | 0:07:24 | 0:07:27 | |
That could work in its favour, as our cinemagoers will be scoring | 0:07:27 | 0:07:31 | |
all shorts between 1 and 10 for scariness, | 0:07:31 | 0:07:34 | |
with the three most frightening films at the end of the competition | 0:07:34 | 0:07:37 | |
going before Blair Witch Project co-director Eduardo Sanchez. | 0:07:37 | 0:07:42 | |
He'll pick the ultimate winner, | 0:07:42 | 0:07:43 | |
who'll receive £20,000 worth of support | 0:07:43 | 0:07:46 | |
towards their next project. | 0:07:46 | 0:07:47 | |
With that in mind, let's see how many pairs of pants Anomaly's ruined. | 0:07:47 | 0:07:51 | |
Fear. | 0:07:51 | 0:07:52 | |
SHE GASPS | 0:07:54 | 0:07:55 | |
SHE SCREAMS | 0:07:55 | 0:07:56 | |
-SHE GASPS -Oh! | 0:07:56 | 0:07:59 | |
That film was so scary. | 0:07:59 | 0:08:00 | |
Like, some of the big blockbuster Hollywood films I've seen. | 0:08:00 | 0:08:03 | |
It really, really had me freaked out. | 0:08:03 | 0:08:05 | |
-DRAMATIC MUSIC -Ooh! Oh, God. | 0:08:05 | 0:08:08 | |
Even our usually unshakeable resident tough guys were spooked. | 0:08:08 | 0:08:12 | |
I'm not going to lie, I was on edge for a very long time, | 0:08:12 | 0:08:14 | |
but at the end little thing... | 0:08:14 | 0:08:17 | |
If we go to a Halloween party after this | 0:08:17 | 0:08:18 | |
and we see a girl in a white gown... | 0:08:18 | 0:08:20 | |
-I'm out of that, like... -I'm not... | 0:08:20 | 0:08:22 | |
-I'm not going in there, mate. -Out of that. | 0:08:22 | 0:08:24 | |
I actually made a bet with Amelia that she would scream. | 0:08:24 | 0:08:27 | |
-And what did you do, Amelia? -I did a little scream. | 0:08:27 | 0:08:29 | |
It was more of a gasp, I would say. | 0:08:29 | 0:08:31 | |
SHE MIMICS GASP | 0:08:31 | 0:08:33 | |
A very high-pitched, loud gasp. | 0:08:33 | 0:08:34 | |
SHE GASPS | 0:08:34 | 0:08:36 | |
I won the bet. | 0:08:36 | 0:08:38 | |
Amelia will have to cough up for that, | 0:08:38 | 0:08:40 | |
but at least Grace should have some kind words to soften the blow. | 0:08:40 | 0:08:43 | |
The girl in the film reminded me of... | 0:08:43 | 0:08:45 | |
-this beautiful person. -What? | 0:08:45 | 0:08:47 | |
All these girls have really long, dark hair | 0:08:47 | 0:08:49 | |
and, like, some form of... | 0:08:49 | 0:08:50 | |
I don't know, this face going on. | 0:08:50 | 0:08:53 | |
What are sisters for, if not to compare your face | 0:08:54 | 0:08:57 | |
to that of the pallid, decrepit undead? | 0:08:57 | 0:09:00 | |
Now, explain to me why this fella's seasoning his home... | 0:09:00 | 0:09:03 | |
I think the salt was, like, a preventer. To, like... | 0:09:07 | 0:09:10 | |
-To not let whatever it is... -Ward off bad spirits and stuff like that. | 0:09:10 | 0:09:13 | |
Yeah. Not let this anon... | 0:09:13 | 0:09:15 | |
-BOTH: -..anonononomally... | 0:09:15 | 0:09:17 | |
Whatever it is, in. | 0:09:17 | 0:09:18 | |
I thought he was warding off slugs. | 0:09:18 | 0:09:20 | |
Being someone that's stood on a slug barefoot, | 0:09:20 | 0:09:23 | |
I know the horror of what that could be. | 0:09:23 | 0:09:25 | |
-ASH LAUGHS -So I was all onboard for an awkward slug movie. | 0:09:25 | 0:09:28 | |
I hadn't even thought of slugs until you mentioned it to me | 0:09:28 | 0:09:30 | |
and then I was actually kind of bummed out | 0:09:30 | 0:09:32 | |
that it wasn't a giant slug movie. | 0:09:32 | 0:09:35 | |
So Anomaly looks to have set our moviewatchers' hearts racing, | 0:09:35 | 0:09:38 | |
but did they score it highly enough to make the competition leaderboard? | 0:09:38 | 0:09:42 | |
We'll be revealing all of tonight's scores at the end of the show. | 0:09:42 | 0:09:46 | |
EERIE SINGING | 0:09:46 | 0:09:49 | |
Fear. | 0:09:49 | 0:09:51 | |
Next up on our macabre menu is this tasty morsel from Stanislava Buevich. | 0:09:51 | 0:09:57 | |
When she's not wearing other people's faces like a hipster Hannibal Lecter, | 0:09:57 | 0:10:01 | |
being brutally attacked by tiny humans, | 0:10:01 | 0:10:03 | |
or struggling to get to grips with this whole selfie lark... | 0:10:03 | 0:10:07 | |
she's trying to get your adrenaline pumping | 0:10:07 | 0:10:09 | |
with her short, Geoffrey's Heart. | 0:10:09 | 0:10:11 | |
Ssh. | 0:10:13 | 0:10:15 | |
DOOR OPENS | 0:10:18 | 0:10:21 | |
DOOR SHUTS | 0:10:21 | 0:10:23 | |
KEYS JANGLE | 0:10:23 | 0:10:25 | |
There you are. | 0:10:25 | 0:10:26 | |
Hasn't changed, I think, just as you remember. | 0:10:27 | 0:10:30 | |
We're home, Geoffrey. | 0:10:31 | 0:10:32 | |
FOOTSTEPS | 0:10:35 | 0:10:36 | |
What would you like to do? | 0:10:40 | 0:10:43 | |
I bought you some new comics and movies. | 0:10:43 | 0:10:45 | |
-They're in your room, if you want to... -I'm hungry. | 0:10:45 | 0:10:47 | |
You say that and...and you don't eat anything. | 0:10:49 | 0:10:52 | |
What would you like, Geoffrey? | 0:10:54 | 0:10:56 | |
I'll...I'll make you something. | 0:11:00 | 0:11:02 | |
EERIE HUMMING | 0:11:52 | 0:11:53 | |
DOOR CREAKS | 0:11:54 | 0:11:56 | |
SHE HUMS | 0:11:58 | 0:12:00 | |
SHE STOPS HUMMING | 0:12:06 | 0:12:08 | |
Geoff, you're back. | 0:12:08 | 0:12:09 | |
DULL THUD | 0:12:14 | 0:12:15 | |
Geoffrey? | 0:12:20 | 0:12:23 | |
FOOTSTEPS | 0:12:23 | 0:12:24 | |
EERIE MUSIC | 0:12:29 | 0:12:32 | |
MUSIC BUILDS | 0:12:33 | 0:12:34 | |
CREAKING | 0:12:46 | 0:12:48 | |
HEAVY BREATHING | 0:12:59 | 0:13:00 | |
PEOPLE MURMUR | 0:13:10 | 0:13:12 | |
That's not normal. | 0:13:12 | 0:13:14 | |
-But he was hungry, in fairness. -Yeah. | 0:13:14 | 0:13:17 | |
EERIE SINGING | 0:13:17 | 0:13:18 | |
Well, that got messy quickly, but... | 0:13:22 | 0:13:24 | |
what did our cinemagoers make of the peckish patient | 0:13:24 | 0:13:27 | |
with the tricky ticker? | 0:13:27 | 0:13:30 | |
It was a great bit of casting, because he was a creepy-looking kid. | 0:13:30 | 0:13:33 | |
And it's something... You got that vibe straight away. | 0:13:33 | 0:13:36 | |
I'm not actually quite sure what Geoffrey is. I know he's... | 0:13:36 | 0:13:39 | |
a person who eats a person, but I can't remember the word. | 0:13:39 | 0:13:42 | |
What word was it you said, Amelia? | 0:13:42 | 0:13:43 | |
I think it was carnivore or a herb... | 0:13:43 | 0:13:46 | |
It's something vore, or canavore? | 0:13:46 | 0:13:48 | |
-Apparently, it's a herbivore. -Cannival? | 0:13:48 | 0:13:50 | |
Don't fret it. I'm sure our resident nurses can offer a more accurate diagnosis. | 0:13:50 | 0:13:55 | |
Oh, my God. | 0:13:55 | 0:13:56 | |
-Geoffrey? I thought he was a bit... -Weird. | 0:13:56 | 0:13:58 | |
Looked a bit disturbed. He's just, like, "I'm hungry." | 0:13:58 | 0:14:02 | |
# Everybody's got a hungry heart... # | 0:14:02 | 0:14:05 | |
I'm hungry. | 0:14:05 | 0:14:07 | |
# Everybody's got a hungry heart... # | 0:14:07 | 0:14:09 | |
'If I spoke to my mum like that...' | 0:14:09 | 0:14:11 | |
Oh, mate. All hell would break loose. | 0:14:11 | 0:14:14 | |
Our lot obviously expect their cannibals to be courteous. | 0:14:14 | 0:14:17 | |
Geoffrey doesn't really seem to play by the rules though, does he? | 0:14:17 | 0:14:20 | |
Oh, whoop. | 0:14:20 | 0:14:21 | |
-Oh, my God. What a benefit fraud. -THEY LAUGH | 0:14:21 | 0:14:24 | |
While Geoffrey's cleaning up on the welfare, his mum's... | 0:14:24 | 0:14:27 | |
well, not cleaning at all, much to Aaron's disgust. | 0:14:27 | 0:14:30 | |
Then she goes out and gets a big bit of meat and slaps it on the side. | 0:14:30 | 0:14:33 | |
-Exactly! -And don't wash her hands afterwards. | 0:14:33 | 0:14:35 | |
-Walks all round the house, smearing all meat up the walls. -Oh! | 0:14:35 | 0:14:38 | |
To be honest, I don't think the fella scoffing raw entrails | 0:14:38 | 0:14:41 | |
straight from a carcass is that fussed about food hygiene standards! | 0:14:41 | 0:14:45 | |
But what was to blame for this gnarly noshing? | 0:14:45 | 0:14:47 | |
Geoffrey had had a heart transplant. | 0:14:47 | 0:14:49 | |
-Now he's, like, a heartless person! -Yeah. | 0:14:49 | 0:14:52 | |
And that's why she got the devil card and then death, | 0:14:52 | 0:14:54 | |
-cos the devil was going to make her die. -The devil's heart! | 0:14:54 | 0:14:57 | |
Yeah, she got the devil's heart. | 0:14:57 | 0:14:58 | |
It's true. Something bad was definitely on the cards | 0:14:58 | 0:15:01 | |
for that young lady and it certainly came with a big reveal at the end. | 0:15:01 | 0:15:05 | |
As soon as I saw Geoffrey on the bed eating the girl, I thought, | 0:15:05 | 0:15:08 | |
-that was zero to 100 real quick, like. -Yeah. | 0:15:08 | 0:15:11 | |
He just ate his sister. | 0:15:11 | 0:15:13 | |
SHE LAUGHS QUIETLY | 0:15:13 | 0:15:14 | |
I didn't, at first, clock that they may have been siblings, so... | 0:15:14 | 0:15:18 | |
SHE SNORTS | 0:15:18 | 0:15:19 | |
I may have thought that | 0:15:19 | 0:15:20 | |
their foreplay got a little bit out of hand. | 0:15:20 | 0:15:23 | |
Do we need to have a little chat about the birds and the bees, Joe? | 0:15:23 | 0:15:26 | |
I don't know what you do, but doesn't go like that. | 0:15:26 | 0:15:29 | |
Jesus! | 0:15:29 | 0:15:30 | |
God knows if you'll get another date now, mate. | 0:15:30 | 0:15:33 | |
But, if you do, just be sure to ignore | 0:15:33 | 0:15:34 | |
Geoffrey's interpretation of eating out. | 0:15:34 | 0:15:37 | |
We'll be finding out later whether Geoffrey's Heart | 0:15:38 | 0:15:40 | |
set enough pulses racing to be in with a chance of winning | 0:15:40 | 0:15:43 | |
that cool £20,000 worth of support | 0:15:43 | 0:15:46 | |
toward its director's next film. | 0:15:46 | 0:15:49 | |
EERIE SINGING | 0:15:49 | 0:15:50 | |
Our next film comes from 26-year-old fitness fanatic Cal Thomson. | 0:15:54 | 0:15:58 | |
When he's not pointlessly running around | 0:15:58 | 0:16:00 | |
and pulling off poses like this... | 0:16:00 | 0:16:01 | |
(Nice!) | 0:16:01 | 0:16:03 | |
..he gets his heart racing by subjecting folk to his chilling take | 0:16:03 | 0:16:06 | |
on a roadside safety film. | 0:16:06 | 0:16:08 | |
So buckle up, kids! This is Drive Safe. | 0:16:08 | 0:16:10 | |
-Oh, here we go. -Here we go, mate. | 0:16:14 | 0:16:17 | |
EERIE MUSIC | 0:16:20 | 0:16:22 | |
Bye, hon. I'll text you later. | 0:16:24 | 0:16:26 | |
CAR BEEPS | 0:16:27 | 0:16:28 | |
CAR STARTS | 0:16:41 | 0:16:42 | |
DRAMATIC MUSIC | 0:16:56 | 0:16:58 | |
DRAMATIC MUSIC | 0:17:10 | 0:17:11 | |
TYRES SCREECH | 0:17:11 | 0:17:13 | |
SHE PANTS | 0:17:13 | 0:17:14 | |
BEEPING | 0:17:24 | 0:17:26 | |
-Oh! -SHE RATTLES KEYS | 0:17:28 | 0:17:31 | |
Come on! | 0:17:31 | 0:17:32 | |
-SHE WHISPERS: -Come on. | 0:17:34 | 0:17:36 | |
SHE PANTS | 0:17:36 | 0:17:37 | |
-Oh! -MOBILE PHONE GLITCHES | 0:17:39 | 0:17:42 | |
-No! -No! | 0:17:49 | 0:17:51 | |
EERIE MUSIC | 0:17:52 | 0:17:53 | |
BONNET CREAKS | 0:18:06 | 0:18:07 | |
CREAKING | 0:18:14 | 0:18:15 | |
BONNET SHUTS | 0:18:21 | 0:18:23 | |
Hello? | 0:18:25 | 0:18:26 | |
Hello? | 0:18:29 | 0:18:30 | |
SHE PANTS | 0:18:41 | 0:18:43 | |
MOBILE PHONE GLITCHES | 0:18:49 | 0:18:50 | |
-AMELIA SCREAMS -Oh, God! Oh! | 0:18:54 | 0:18:56 | |
HE SNIGGERS | 0:18:56 | 0:18:57 | |
Car breakdowns are a nightmare for sure, | 0:18:59 | 0:19:02 | |
but if there's a shadowy phantom tormenting you - | 0:19:02 | 0:19:04 | |
roadside assistance or not - | 0:19:04 | 0:19:06 | |
you are screwed! | 0:19:06 | 0:19:07 | |
What other handy safety tips did our back-seat drivers pick up? | 0:19:07 | 0:19:11 | |
TYRES SCREECH | 0:19:11 | 0:19:12 | |
This is why I don't drive. | 0:19:12 | 0:19:15 | |
Because it can be a creepy experience, right? | 0:19:15 | 0:19:17 | |
If your car stops working and your phone's dead, | 0:19:17 | 0:19:20 | |
you're going to get killed, basically. | 0:19:20 | 0:19:22 | |
Would I stay in the car, would I get out? I would have stayed. | 0:19:22 | 0:19:24 | |
Don't get out the car! Like, it's dark. | 0:19:24 | 0:19:27 | |
Oh, yeah. The old "lift up the hood and pretend you know what you're doing" trick. | 0:19:27 | 0:19:31 | |
Just shined a light. | 0:19:31 | 0:19:33 | |
You never know, she could have been a mechanic or anything, but, obviously... You never know! | 0:19:33 | 0:19:37 | |
I think maybe our trusty film buffs could do with borrowing that light. | 0:19:37 | 0:19:40 | |
I was looking at something different every time | 0:19:40 | 0:19:43 | |
the big scare supposedly happened. | 0:19:43 | 0:19:44 | |
DRAMATIC MUSIC | 0:19:44 | 0:19:46 | |
-BOTH: -What am I looking at? | 0:19:46 | 0:19:48 | |
Guys! It's right there. For goodness' sake, put your specs on! | 0:19:48 | 0:19:51 | |
-Oh. -And then, when it did appear, | 0:19:51 | 0:19:54 | |
I was fine with that, it was in front of the car. | 0:19:54 | 0:19:56 | |
I've got it, I've got it. | 0:19:56 | 0:19:57 | |
I bet you're rubbish at Where's Wally, Ash. | 0:19:57 | 0:20:00 | |
There was no missing the final scare, though. | 0:20:00 | 0:20:03 | |
-SHE SCREAMS -Oh, my... | 0:20:03 | 0:20:05 | |
The ending did get me, which was really good. | 0:20:05 | 0:20:07 | |
This is too much of a build-up. This is too much, this is too much. | 0:20:07 | 0:20:10 | |
AMELIA SCREAMS | 0:20:10 | 0:20:11 | |
-Oh! Oh, God! -HE SNIGGERS | 0:20:11 | 0:20:13 | |
So the back seat of the car provided a satisfying jump for Poppy. | 0:20:13 | 0:20:17 | |
Oh, God! | 0:20:17 | 0:20:18 | |
But how did she and the rest of our moviegoers score Drive Safe? | 0:20:18 | 0:20:21 | |
Find out at the end of the show. | 0:20:21 | 0:20:23 | |
-You're such a mess, you know that? Look at you. -Oh, shut up. | 0:20:30 | 0:20:33 | |
-Look at you. -Look at you. -You're shaking. | 0:20:33 | 0:20:35 | |
Shaking and dropping your food. | 0:20:35 | 0:20:36 | |
One time, I was watching Frozen on me own | 0:20:36 | 0:20:38 | |
-in the cinema... -THEY LAUGH | 0:20:38 | 0:20:40 | |
That's all right. I did it too. | 0:20:40 | 0:20:42 | |
All right. But this woman, right, | 0:20:42 | 0:20:44 | |
not only did her phone ring, but she answered it! | 0:20:44 | 0:20:47 | |
I stood up and shouted, "Get off your fucking phone!" | 0:20:47 | 0:20:50 | |
I do love a horror, me. | 0:20:51 | 0:20:52 | |
The last of tonight's tiny terrors | 0:20:57 | 0:20:59 | |
comes from that well-known fiery hellmouth... | 0:20:59 | 0:21:01 | |
Cornwall. | 0:21:01 | 0:21:03 | |
Living room photographer Stephen Oxborrow | 0:21:03 | 0:21:05 | |
and pals, Mark Guthrie and Ben Fullman - | 0:21:05 | 0:21:07 | |
seen here invading France - | 0:21:07 | 0:21:09 | |
met as film extras. | 0:21:09 | 0:21:10 | |
They also appear to be highly flammable. | 0:21:10 | 0:21:14 | |
Together, they're looking to set your world on fire | 0:21:14 | 0:21:16 | |
with their film, 999. | 0:21:16 | 0:21:17 | |
-IN EERIE VOICE: -Prepare to meet your destiny. | 0:21:22 | 0:21:25 | |
THEY LAUGH | 0:21:25 | 0:21:26 | |
DRAMATIC MUSIC | 0:21:27 | 0:21:29 | |
THUDDING | 0:21:33 | 0:21:34 | |
BREATHING | 0:21:34 | 0:21:36 | |
Hello, fire department! | 0:21:36 | 0:21:39 | |
Fire's out. We've got reports of somebody inside. | 0:21:39 | 0:21:41 | |
Let's check these rooms and get out. I don't want to be here all night. | 0:21:41 | 0:21:44 | |
HEAVY BREATHING | 0:21:44 | 0:21:46 | |
Let's do this. | 0:21:46 | 0:21:47 | |
Man, don't these places give you the creeps? | 0:21:49 | 0:21:51 | |
Back home, you only ever go into a place like this on Halloween. | 0:21:51 | 0:21:55 | |
Just try and concentrate, Jay. | 0:21:55 | 0:21:56 | |
I'm just saying, I'm... | 0:21:56 | 0:21:58 | |
Places like this, you never know | 0:21:58 | 0:22:00 | |
when something is going to jump out at you. | 0:22:00 | 0:22:02 | |
DRAMATIC MUSIC, JAY SHOUTS | 0:22:02 | 0:22:03 | |
OTHER LAUGHS | 0:22:03 | 0:22:05 | |
Come on. | 0:22:06 | 0:22:07 | |
That is some messed-up shit. | 0:22:07 | 0:22:09 | |
HEAVY BREATHING | 0:22:09 | 0:22:10 | |
Right, Jay, we've got three rooms remaining. | 0:22:18 | 0:22:20 | |
-I'm going to have to radio down to Jack. -All right. | 0:22:20 | 0:22:23 | |
Jack, you're receiving? | 0:22:23 | 0:22:24 | |
HEAVY BREATHING | 0:22:24 | 0:22:26 | |
ENGINE RUNS | 0:22:26 | 0:22:27 | |
-RADIO: -Jack, you're receiving? | 0:22:27 | 0:22:29 | |
Yeah, go ahead, Mark. | 0:22:29 | 0:22:30 | |
We've got three rooms remaining. | 0:22:30 | 0:22:32 | |
Haven't seen anything unusual so far. | 0:22:32 | 0:22:34 | |
Only a cat hung up by a chain. | 0:22:34 | 0:22:36 | |
No real indication of how the fire actually started. | 0:22:36 | 0:22:40 | |
OK, it's 2:55 and you have 28 minutes of air remaining. | 0:22:40 | 0:22:43 | |
Jay, we got 28 minutes remaining. | 0:22:45 | 0:22:47 | |
Oh, jeez. So much for finishing early. | 0:22:47 | 0:22:50 | |
Roger that, Jack. We'll be down in ten. | 0:22:50 | 0:22:52 | |
-Come on, you bitch! -JAY BANGS DOOR | 0:22:52 | 0:22:55 | |
Mark? Mark, get your ass over here! We got movement! | 0:22:55 | 0:22:59 | |
-HE SHOUTS: -Hello? | 0:22:59 | 0:23:00 | |
-THEY STRUGGLE -Hey, fire department! | 0:23:00 | 0:23:03 | |
BANGING, DOOR CREAKS | 0:23:03 | 0:23:05 | |
HEAVY BREATHING | 0:23:07 | 0:23:08 | |
There's our body. | 0:23:08 | 0:23:10 | |
I'm calling it in. | 0:23:11 | 0:23:13 | |
Jack? We have a body. | 0:23:13 | 0:23:16 | |
Jack? | 0:23:16 | 0:23:18 | |
Jack? Are you there? Come in. | 0:23:18 | 0:23:20 | |
JAY BREATHES | 0:23:20 | 0:23:21 | |
-MARK SHOUTS: -Jack? Jack? | 0:23:21 | 0:23:23 | |
MARK MUTTERS | 0:23:23 | 0:23:24 | |
-MARK SHOUTS: -Jack? | 0:23:24 | 0:23:26 | |
I'm not getting anything here. | 0:23:27 | 0:23:29 | |
JAY BREATHES | 0:23:29 | 0:23:31 | |
Do you think I should give her CPR? | 0:23:31 | 0:23:33 | |
SHE SHRIEKS | 0:23:33 | 0:23:35 | |
-JAY SHOUTS -Jay! | 0:23:35 | 0:23:36 | |
-BANGING -Jay! Where the fuck are you? | 0:23:36 | 0:23:39 | |
JAY PANTS | 0:23:39 | 0:23:41 | |
DRAMATIC MUSIC, JAY YELPS | 0:23:46 | 0:23:47 | |
HEAVY PANTING | 0:23:47 | 0:23:48 | |
HE SCREAMS | 0:23:52 | 0:23:54 | |
HE COUGHS | 0:23:54 | 0:23:55 | |
HE PANTS | 0:23:56 | 0:23:57 | |
What the fuck? | 0:23:59 | 0:24:00 | |
EERIE MUSIC | 0:24:01 | 0:24:03 | |
DRAMATIC MUSIC | 0:24:10 | 0:24:14 | |
Shall we stop holding hands now? | 0:24:15 | 0:24:16 | |
Yeah! It's a bit much, Michelle. It's like you're all over me. | 0:24:16 | 0:24:19 | |
-Fear. -MENACING LAUGH | 0:24:19 | 0:24:22 | |
Barbecued baddies and frightened firefighters abound, | 0:24:22 | 0:24:25 | |
but did 999 hold a candle to tonight's other shorts | 0:24:25 | 0:24:29 | |
in our filmgoers' eyes? | 0:24:29 | 0:24:31 | |
WOMAN SHRIEKS | 0:24:31 | 0:24:33 | |
-SHOUTING -Jay! | 0:24:33 | 0:24:35 | |
It really reminded me of the Spanish film Rec. | 0:24:35 | 0:24:37 | |
It's a very similar situation, with the firemen going into the building. | 0:24:37 | 0:24:41 | |
The twist being that the reason why the building went up in flames | 0:24:41 | 0:24:44 | |
was as a result of a demonic ritual. That was really cool. | 0:24:44 | 0:24:48 | |
-See, kids. Pyromania and Satanic rituals -are -cool. | 0:24:48 | 0:24:52 | |
It was a lot more professional. You could tell that immediately and that made me feel like, | 0:24:52 | 0:24:56 | |
instantly, I was watching a real horror film. | 0:24:56 | 0:24:58 | |
Yeah, it was really well put together. | 0:24:58 | 0:24:59 | |
I thought the film had a really high production value, | 0:24:59 | 0:25:02 | |
it almost seemed like a Hollywood picture. | 0:25:02 | 0:25:04 | |
BANGING AND CREAKING | 0:25:04 | 0:25:05 | |
Well, they certainly had a Hollywood cast. | 0:25:05 | 0:25:08 | |
# Liking this American boy. # | 0:25:08 | 0:25:11 | |
I swear the guy's accent changed during the film. | 0:25:11 | 0:25:13 | |
Let's get out of here. I don't want to be here all night. | 0:25:13 | 0:25:16 | |
"We gotta get in here, we gotta get the people out." | 0:25:16 | 0:25:19 | |
Places like this, you never know when something is going to jump out at you. | 0:25:19 | 0:25:23 | |
-He kept wavering... -Into, like... | 0:25:23 | 0:25:25 | |
-IRISH ACCENT: -"We've got to get out of here, you bugger!" | 0:25:25 | 0:25:28 | |
"You got 28 minutes of oxygen left." | 0:25:28 | 0:25:30 | |
-So much for finishing early. -They sound like Dark Vader. -Yeah. | 0:25:30 | 0:25:33 | |
THEY MIMIC BREATHING | 0:25:33 | 0:25:35 | |
Who's Dark Vader? | 0:25:35 | 0:25:37 | |
HEAVY BREATHING | 0:25:37 | 0:25:39 | |
You think I should give her CPR? | 0:25:39 | 0:25:42 | |
# This girl is on fire. # | 0:25:42 | 0:25:44 | |
She was crawled into a little ball, shaking, like this. | 0:25:44 | 0:25:48 | |
And he said, shall I resuscitate her? | 0:25:48 | 0:25:50 | |
-Or give her RSPC...? No, RS... -No, RS... | 0:25:50 | 0:25:53 | |
Oh! RS... Did you just say RSPCA? | 0:25:53 | 0:25:56 | |
The other one. The... | 0:25:56 | 0:25:58 | |
Probably best not to rely on our audience | 0:25:58 | 0:26:00 | |
in a medical emergency! | 0:26:00 | 0:26:02 | |
We can rely on them to score films for scares, though. | 0:26:02 | 0:26:04 | |
And the burning question for 999 and all of tonight's shorts, | 0:26:04 | 0:26:08 | |
is whether they've done enough to make the series' top three. | 0:26:08 | 0:26:12 | |
With the final votes in, | 0:26:12 | 0:26:13 | |
let's take a look back to see how they rated. | 0:26:13 | 0:26:16 | |
-Fear. -MENACING LAUGH | 0:26:16 | 0:26:18 | |
In fourth place, | 0:26:19 | 0:26:20 | |
it's creepy transplant tale Geoffrey's Heart, | 0:26:20 | 0:26:23 | |
which our cinemagoers rated as 3.4 on the scare-scale. | 0:26:23 | 0:26:27 | |
I really enjoyed it, but it just wasn't scary. | 0:26:27 | 0:26:30 | |
Tense motoring 'mare Drive Safe has stalled in third with 4.6. | 0:26:31 | 0:26:35 | |
I was so tense that I turned round to Joe and I was like, | 0:26:35 | 0:26:39 | |
"I think I'm about to go into cardiac arrest." I was right on the edge of my seat. | 0:26:39 | 0:26:42 | |
Just falling short of tonight's top spot | 0:26:42 | 0:26:44 | |
is firefighter film 999, in second place with 6.4. | 0:26:44 | 0:26:50 | |
Hello, fire department! | 0:26:50 | 0:26:51 | |
I was very impressed with 999. | 0:26:51 | 0:26:53 | |
-Very good budget, very good acting. -Mm. -Even the costume outfits. | 0:26:53 | 0:26:57 | |
-Yeah, yeah, yeah. -Good. | 0:26:57 | 0:26:58 | |
Meaning Anomaly takes first place as tonight's most frightening film, | 0:26:58 | 0:27:02 | |
with a scare-score of 6.7. | 0:27:02 | 0:27:05 | |
I was really impressed with Anomaly. | 0:27:05 | 0:27:07 | |
I thought it was really, really quite a taut little movie. | 0:27:07 | 0:27:10 | |
Remember that only the top three shorts across the series | 0:27:10 | 0:27:14 | |
will make it to Blair Witch co-director Eduardo Sanchez | 0:27:14 | 0:27:17 | |
to ultimately pick the winner. | 0:27:17 | 0:27:19 | |
And, unfortunately, Anomaly just misses a place | 0:27:19 | 0:27:22 | |
on our overall leaderboard by an anomaly of 0.1! | 0:27:22 | 0:27:25 | |
Fear. | 0:27:27 | 0:27:29 | |
But will those same films still be there next week, | 0:27:29 | 0:27:31 | |
after another whole host of horrors hope to sicken and scare? | 0:27:31 | 0:27:36 | |
Coming soon... HE SHOUTS AND LAUGHS | 0:27:36 | 0:27:38 | |
-I'm not going to front. That got me. -Absolutely terrified. | 0:27:38 | 0:27:42 | |
SHE SCREAMS, THEY SNIGGER | 0:27:42 | 0:27:44 | |
And there's a bit of, like, naughty stuff in it. | 0:27:44 | 0:27:46 | |
-You don't want to mess with your body like that. -THEY SCREAM | 0:27:46 | 0:27:50 | |
Oh, my God. I'm, like, shaking. | 0:27:50 | 0:27:52 | |
-SHE SHOUTS -Freaky. | 0:27:52 | 0:27:54 | |
Until then... sleep tight. | 0:27:54 | 0:27:57 | |
# Sunshine, lollipops and rainbows | 0:28:00 | 0:28:03 | |
# Everything that's wonderful is what I feel when | 0:28:03 | 0:28:06 | |
# We're together | 0:28:06 | 0:28:08 | |
# Brighter than a lucky penny | 0:28:08 | 0:28:11 | |
# When you're near, the rain cloud disappears, dear | 0:28:11 | 0:28:14 | |
# And I feel so fine | 0:28:14 | 0:28:16 | |
# Just to know that you are mine | 0:28:16 | 0:28:19 | |
# My life is sunshine, lollipops and rainbows | 0:28:19 | 0:28:23 | |
# That's how this refrain goes, so come on... # | 0:28:23 | 0:28:25 |