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This programme contains some strong language. | 0:00:02 | 0:00:05 | |
This programme contains scenes which some viewers may find upsetting | 0:00:05 | 0:00:09 | |
From the chill down your neck, to the stain in your pants, | 0:00:09 | 0:00:12 | |
fear can do many things... | 0:00:12 | 0:00:15 | |
It can chill, thrill... | 0:00:15 | 0:00:18 | |
and entertain. | 0:00:18 | 0:00:21 | |
Which is precisely why we're here. | 0:00:21 | 0:00:23 | |
We've asked amateur film-makers to send us their creepiest... | 0:00:23 | 0:00:27 | |
goriest... | 0:00:27 | 0:00:28 | |
and freakiest short horror films for your viewing pleasure. | 0:00:28 | 0:00:32 | |
Movies such as Saw and Evil Dead both started out | 0:00:33 | 0:00:36 | |
as shorts before becoming multi-million-dollar franchises. | 0:00:36 | 0:00:41 | |
So we're hoping to find the next horror master | 0:00:41 | 0:00:43 | |
worthy of a blood-curdling blockbuster. | 0:00:43 | 0:00:46 | |
This is The Fear, | 0:00:49 | 0:00:51 | |
where who scares...wins. | 0:00:51 | 0:00:53 | |
Oh, my God! | 0:00:55 | 0:00:57 | |
Welcome to the screaming room! | 0:01:11 | 0:01:13 | |
Here we'll be spooking an audience of horror fans with | 0:01:13 | 0:01:16 | |
a host of terrifying short films. | 0:01:16 | 0:01:19 | |
They'll vote for their scariest in this special cinema | 0:01:19 | 0:01:22 | |
rigged with cameras to catch their every jump, scream and cry. | 0:01:22 | 0:01:27 | |
Oh, my God! | 0:01:27 | 0:01:28 | |
So, let's welcome back the horror fans tasked with rating our films. | 0:01:28 | 0:01:33 | |
Call 911 now! | 0:01:33 | 0:01:34 | |
Included in our audience are London lads Antoine, Nick and Daniel, | 0:01:34 | 0:01:39 | |
who like their horror like... | 0:01:39 | 0:01:41 | |
they like their steaks. | 0:01:41 | 0:01:42 | |
I prefer it, like, when it's, like, when it's proper bloody. | 0:01:42 | 0:01:46 | |
-And gory. -Yeah, man. | 0:01:46 | 0:01:48 | |
Perky young things Poppy and Joe. | 0:01:48 | 0:01:51 | |
My top keeps coming down, you can see my bra. | 0:01:51 | 0:01:54 | |
I think my hair covers it, but I don't know. | 0:01:54 | 0:01:57 | |
Eyes front, Joe! | 0:01:57 | 0:01:59 | |
And medical...er...professionals Aaron and Michelle. | 0:01:59 | 0:02:02 | |
-What are they? -Panadol. | 0:02:02 | 0:02:03 | |
HE SHUDDERS | 0:02:03 | 0:02:05 | |
I've got meningitis. | 0:02:05 | 0:02:06 | |
Developing a taste for the gruesome, it's sisters Amelia and Grace. | 0:02:07 | 0:02:11 | |
This popcorn tastes like banana. | 0:02:11 | 0:02:13 | |
-No, it doesn't. -Yeah. -It definitely does not. | 0:02:13 | 0:02:16 | |
And terrified of everything except horror movies, | 0:02:16 | 0:02:19 | |
film buffs Brad and Ash. | 0:02:19 | 0:02:20 | |
You know what scares me? | 0:02:20 | 0:02:22 | |
-Sharks. -Earthquakes and sharks. -World hunger. | 0:02:22 | 0:02:25 | |
Remember, these guys will be scoring each film out of 10 | 0:02:28 | 0:02:31 | |
on scariness alone. | 0:02:31 | 0:02:33 | |
So a 1 would be a kitten being put into a watering can. | 0:02:33 | 0:02:36 | |
A 10 would be a watering can put into a kitten. | 0:02:36 | 0:02:40 | |
The only rules are that each film must be under four minutes | 0:02:40 | 0:02:43 | |
and made by non-professional film-makers. | 0:02:43 | 0:02:46 | |
Got that? Let's put on a film, then. | 0:02:46 | 0:02:48 | |
The first offering comes from 18-year-old George Moore, | 0:02:50 | 0:02:53 | |
a student at the University of the Arts, London, | 0:02:53 | 0:02:55 | |
and I'm guessing not a real blonde. | 0:02:55 | 0:02:57 | |
George likes to touch pianos, | 0:02:57 | 0:02:58 | |
stand near pictures that may or may not be relevant to | 0:02:58 | 0:03:01 | |
the upcoming movie, and be really good at drawing. | 0:03:01 | 0:03:04 | |
So, make yourself comfortable for something really uncomfortable. | 0:03:04 | 0:03:08 | |
This is The Portrait. | 0:03:08 | 0:03:10 | |
GOTHIC HORROR MUSIC | 0:03:15 | 0:03:21 | |
CLOCK TICKS | 0:03:26 | 0:03:28 | |
CLATTERING | 0:03:28 | 0:03:31 | |
WHISPERING VOICES | 0:03:34 | 0:03:38 | |
CREAKING | 0:03:38 | 0:03:41 | |
DISTANT FEMALE SINGING | 0:03:46 | 0:03:53 | |
WHISPERING AND SINGING CONTINUE | 0:04:00 | 0:04:04 | |
TAPPING | 0:04:07 | 0:04:08 | |
WHISPERING VOICES | 0:04:13 | 0:04:17 | |
EERIE VIOLINS PLUCK | 0:04:19 | 0:04:23 | |
VIOLINS SCREECH | 0:04:39 | 0:04:43 | |
CHILD'S LAUGHTER IN THE DISTANCE | 0:04:56 | 0:04:59 | |
TAPPING | 0:04:59 | 0:05:02 | |
LAUGHTER AND SINGING | 0:05:02 | 0:05:04 | |
FOOTSTEPS | 0:05:04 | 0:05:09 | |
FLOORBOARDS CREAK | 0:05:20 | 0:05:23 | |
SHE PANTS | 0:05:23 | 0:05:28 | |
CREAKING | 0:05:30 | 0:05:34 | |
Oh, my God, I'm, like, shaking. | 0:05:59 | 0:06:01 | |
-Why did she buy that painting in the first place? She's a weirdo! -I know. | 0:06:01 | 0:06:04 | |
Good God, I hope that doesn't happen to the full-sized portrait | 0:06:06 | 0:06:09 | |
I've got of Robin Thicke in my bathroom. | 0:06:09 | 0:06:12 | |
Remember that these films are being marked on scariness alone. | 0:06:12 | 0:06:15 | |
The three with the highest score at the end of the series will be | 0:06:15 | 0:06:18 | |
put before Blair Witch Project co-director Eduardo Sanchez, | 0:06:18 | 0:06:21 | |
who will pick the ultimate winner. | 0:06:21 | 0:06:23 | |
So, did The Portrait scare the Picasso out of our audience? | 0:06:23 | 0:06:27 | |
-Nick jumped! It wasn't scary. -It got you, it got you. | 0:06:29 | 0:06:33 | |
THEY SCREAM AND LAUGH | 0:06:33 | 0:06:37 | |
I'm not going to front, that got me there, yeah. | 0:06:37 | 0:06:39 | |
GASPS | 0:06:39 | 0:06:41 | |
I think The Portrait could've been scarier, in my opinion. | 0:06:42 | 0:06:45 | |
-I found it really scary. I had little heart palpitations. -But it doesn't take a lot for you. | 0:06:45 | 0:06:49 | |
SHE SCREAMS | 0:06:49 | 0:06:53 | |
It was scary, it was scary. | 0:06:53 | 0:06:54 | |
Oh, my God! | 0:06:56 | 0:06:57 | |
I thought it was one of the better ones we've seen so far. | 0:06:57 | 0:07:00 | |
Of course, we all express fear in different ways, | 0:07:03 | 0:07:05 | |
but it seems the star of The Portrait is | 0:07:05 | 0:07:08 | |
a fan of the traditional method. | 0:07:08 | 0:07:10 | |
CREAKING | 0:07:12 | 0:07:14 | |
Did she fart? | 0:07:14 | 0:07:16 | |
She just farted. I'm not going to lie. | 0:07:16 | 0:07:19 | |
Still, let's be honest, though, she brought it all on herself, right? | 0:07:19 | 0:07:22 | |
SHE SCREAMS | 0:07:23 | 0:07:25 | |
I feel like she deserved what she got. | 0:07:25 | 0:07:27 | |
If you have something like that on your wall... | 0:07:27 | 0:07:29 | |
I bet she bought it from one of them old scary little antique shops. | 0:07:29 | 0:07:33 | |
Exactly. You just wouldn't do it. | 0:07:33 | 0:07:35 | |
You'd get something like flowers or unicorns or a portrait of yourself. | 0:07:35 | 0:07:38 | |
I've just realised it looks like a dirty juggalo. | 0:07:38 | 0:07:41 | |
THEY LAUGH | 0:07:41 | 0:07:43 | |
In fairness, if a juggalo turned up in my bedroom, I'd be terrified. | 0:07:43 | 0:07:48 | |
So, it seems The Portrait creeped a few people out, but will it | 0:07:48 | 0:07:53 | |
be enough to take a place on the competition leaderboard? | 0:07:53 | 0:07:56 | |
Hang around, | 0:07:56 | 0:07:57 | |
because we'll be revealing all the scores at the end of the show. | 0:07:57 | 0:08:00 | |
Creeping creepily on, our next film comes from 36-year-old Rob Nevitt, | 0:08:05 | 0:08:10 | |
who, judging by this empty cinema, | 0:08:10 | 0:08:12 | |
has pretty severe personal hygiene issues. I'm kidding! | 0:08:12 | 0:08:15 | |
He runs a horror festival and I'm sure he smells like candyfloss. | 0:08:15 | 0:08:18 | |
This is his uber-unsettling offering, Metamorphosis. | 0:08:18 | 0:08:22 | |
Hello, I'm Dr Carter, you are Mr...? | 0:08:29 | 0:08:33 | |
-Frost. -Mr Frost, yes. How are you feeling? | 0:08:33 | 0:08:36 | |
-I feel a bit sick. -Just a side effect of the treatment, it'll pass. | 0:08:36 | 0:08:41 | |
Hopefully it comes as a comfort that your participation in this programme | 0:08:42 | 0:08:46 | |
brings us that bit closer to finding a possible cure. | 0:08:46 | 0:08:50 | |
So when do I get paid? | 0:08:51 | 0:08:53 | |
-All in good time. -'Dr Carter to security, please. | 0:08:53 | 0:08:57 | |
'Immediately.' | 0:08:57 | 0:08:59 | |
What's the problem? | 0:08:59 | 0:09:01 | |
Nothing to worry about. Excuse me a minute. | 0:09:03 | 0:09:06 | |
HE HUMS | 0:09:10 | 0:09:13 | |
-BANGING -What the f...? | 0:09:13 | 0:09:16 | |
'Security to level three...' | 0:09:20 | 0:09:22 | |
Er...hello? | 0:09:25 | 0:09:26 | |
'All patients please return to your rooms, | 0:09:26 | 0:09:29 | |
'there is no cause for alarm.' | 0:09:29 | 0:09:31 | |
What the f...? | 0:09:34 | 0:09:36 | |
HE PANTS | 0:09:37 | 0:09:40 | |
(Shit, shit, shit!) | 0:09:59 | 0:10:01 | |
Fuck! | 0:10:04 | 0:10:06 | |
SIRENS | 0:10:13 | 0:10:17 | |
LIQUID SPRAY | 0:10:18 | 0:10:20 | |
HE GROANS | 0:10:20 | 0:10:23 | |
SIRENS BLARE | 0:10:23 | 0:10:26 | |
GUNSHOTS | 0:10:48 | 0:10:52 | |
Subject 87... | 0:10:57 | 0:10:59 | |
..unsuccessful. | 0:11:01 | 0:11:02 | |
Please, can somebody clear Mr Frost away? | 0:11:04 | 0:11:07 | |
I like it. I like that. | 0:11:21 | 0:11:24 | |
I didn't like how he turned into some big, winged guy. But I liked it. | 0:11:24 | 0:11:28 | |
-That was my favourite film so far. -Really? | 0:11:28 | 0:11:30 | |
Personally, I'd thoroughly recommend experimenting with your body. | 0:11:31 | 0:11:35 | |
I mean, how else are you going to discover that | 0:11:35 | 0:11:37 | |
a moustache like this can make you look so good? | 0:11:37 | 0:11:40 | |
But what about our hospital drama, Metamorphosis? | 0:11:40 | 0:11:43 | |
Did it give our audience a decent dose of shock therapy? | 0:11:43 | 0:11:46 | |
I liked Metamorphosis. | 0:11:48 | 0:11:50 | |
It was the first first-person genre one that we saw. | 0:11:50 | 0:11:53 | |
It's the huge thing in horror right now. | 0:11:53 | 0:11:56 | |
When you only see what the character sees, you put yourself | 0:11:56 | 0:11:59 | |
in their shoes and it makes it a lot more real to me. | 0:11:59 | 0:12:01 | |
It felt like a video game, when you're watching it. | 0:12:01 | 0:12:04 | |
I felt like I was in the video game and I was directing this character | 0:12:04 | 0:12:07 | |
to try and survive. | 0:12:07 | 0:12:08 | |
-And then at the end, we lost. -Yeah. | 0:12:08 | 0:12:11 | |
So what exactly had those barkingly berserk boffins done | 0:12:14 | 0:12:17 | |
to our protagonist? | 0:12:17 | 0:12:19 | |
I think he turned into some sort of alien dragon. | 0:12:19 | 0:12:22 | |
Something like you'd see in Harry Potter. | 0:12:22 | 0:12:24 | |
I think he turned into a weird bat. | 0:12:24 | 0:12:27 | |
He's a butterfly! | 0:12:27 | 0:12:29 | |
He wasn't feathered wings - I don't think so - | 0:12:29 | 0:12:31 | |
and then the title was called Metamorphosis. | 0:12:31 | 0:12:33 | |
-(Am I saying that right?) -(Yeah.) | 0:12:33 | 0:12:36 | |
I think you'd be a moth. | 0:12:38 | 0:12:40 | |
You're irritating, you're attracted to light. | 0:12:40 | 0:12:43 | |
No-one really wants to go to sleep with you in the room. | 0:12:43 | 0:12:46 | |
If you had wings, you'd be a bat | 0:12:46 | 0:12:50 | |
because you suck the life out of people and it rhymes with twat. | 0:12:50 | 0:12:54 | |
So, obviously, it's really worked out for me, | 0:12:57 | 0:13:00 | |
but how would our audience feel about a bit of experimentation? | 0:13:00 | 0:13:04 | |
You don't want to mess with your body like that! | 0:13:04 | 0:13:06 | |
I've dropped him to the clinic a few times. | 0:13:06 | 0:13:08 | |
Dropped who, who? | 0:13:08 | 0:13:10 | |
When you, um, took that pill. | 0:13:10 | 0:13:11 | |
I don't know what you're talking about, mate. | 0:13:11 | 0:13:15 | |
Well, if you're going to play, then play safe. | 0:13:17 | 0:13:20 | |
So, Metamorphosis is a wonderfully unusual addition to the | 0:13:20 | 0:13:23 | |
competition, but how did it score? | 0:13:23 | 0:13:26 | |
Find out at the end of the show. | 0:13:26 | 0:13:27 | |
Our next film is about those tricky date interactions - | 0:13:33 | 0:13:36 | |
the early nerves, the awkward silences. | 0:13:36 | 0:13:39 | |
Dinner Date comes from 24-year-old Sam Hoggarth | 0:13:39 | 0:13:43 | |
and 29-year-old Danny Cotton from Norwich. | 0:13:43 | 0:13:45 | |
Sam has a huge imaginary girlfriend and Danny likes bowling. | 0:13:45 | 0:13:49 | |
Hey, cool! | 0:13:49 | 0:13:51 | |
They hope their film, Dinner Date, whets the audience's appetite | 0:13:51 | 0:13:54 | |
and is still around for breakfast in the morning. | 0:13:54 | 0:13:57 | |
I'm so glad you could come over. | 0:14:07 | 0:14:09 | |
I find it a bit difficult to go out | 0:14:09 | 0:14:13 | |
and meet people sometimes. My, uh, friends tell me | 0:14:13 | 0:14:16 | |
that my...habits can put people off a little. | 0:14:16 | 0:14:20 | |
Even just now, my friend, she was on the telephone, | 0:14:20 | 0:14:23 | |
lecturing me about it all. | 0:14:23 | 0:14:25 | |
Oh, gosh, look at me, I'm just rabbiting on. | 0:14:25 | 0:14:29 | |
Shall we eat? | 0:14:29 | 0:14:30 | |
Oh... | 0:14:34 | 0:14:35 | |
I've done it again, haven't I? | 0:14:38 | 0:14:40 | |
Oh, well. | 0:14:44 | 0:14:45 | |
-That's a "gutsy" performance. -Wahey! | 0:14:57 | 0:15:00 | |
Well, they say the best way to man's heart is through his stomach, | 0:15:01 | 0:15:05 | |
but it also turns out to be the best way to his gall bladder, | 0:15:05 | 0:15:09 | |
kidneys and lungs. | 0:15:09 | 0:15:10 | |
I actually quite liked Dinner Date. | 0:15:10 | 0:15:12 | |
It kind of blends the line between surrealist comedy horror. | 0:15:12 | 0:15:16 | |
It's very short, sharp and punchy. | 0:15:16 | 0:15:18 | |
It got my attention when I saw fishnet dress, to be fair. | 0:15:18 | 0:15:21 | |
I'm so glad you could come over. | 0:15:21 | 0:15:23 | |
Yeah, it was nice. | 0:15:23 | 0:15:25 | |
THEY LAUGH | 0:15:25 | 0:15:27 | |
Whilst it's clear where Antoine's mind is, | 0:15:28 | 0:15:30 | |
Dinner Date put the human anatomy at the forefront of everyone's brain. | 0:15:30 | 0:15:34 | |
Horror doesn't usually get much of a squirm out of me but, yeah, she was | 0:15:34 | 0:15:38 | |
really tearing at them guts. | 0:15:38 | 0:15:39 | |
If you go on a dinner date, normally you're expecting at least | 0:15:39 | 0:15:42 | |
a decent meal or a little bit of laughter or something like that. | 0:15:42 | 0:15:45 | |
Yeah, you don't expect to have your intestines eaten. | 0:15:45 | 0:15:48 | |
Yeah, and pulled out across the table in front of you. | 0:15:48 | 0:15:50 | |
-Yeah, I kind of hope that never happens to me. -Yes. | 0:15:50 | 0:15:53 | |
Well, if Poppy and Joe need any tips, | 0:15:55 | 0:15:57 | |
the rest of the audience are on hand with their dating expertise. | 0:15:57 | 0:16:00 | |
For a good dinner date you need to be a good eater. | 0:16:00 | 0:16:03 | |
-You've had loads of bad dates. -I've had lots of bad dates. | 0:16:03 | 0:16:06 | |
-What happened last night? -I don't want to talk about it, | 0:16:06 | 0:16:08 | |
that doesn't matter. Um... | 0:16:08 | 0:16:10 | |
You kind of need a connection. I really don't think there was | 0:16:10 | 0:16:13 | |
a connection going between them in that film. Definitely not. | 0:16:13 | 0:16:16 | |
I haven't tried to eat my date at the dinner table! | 0:16:16 | 0:16:19 | |
HE LAUGHS | 0:16:19 | 0:16:21 | |
Oh... | 0:16:21 | 0:16:22 | |
Table manners, Michelle! | 0:16:24 | 0:16:26 | |
Dinner Date certainly gave our judges their fill of gory guts, | 0:16:26 | 0:16:30 | |
but did it have the stomach to make it onto our leaderboard | 0:16:30 | 0:16:33 | |
or is it just "offal"? | 0:16:33 | 0:16:35 | |
And so onto our next film, which is a nocturnal nightmare | 0:16:40 | 0:16:43 | |
by insurance underwriter Amy Freeman. | 0:16:43 | 0:16:46 | |
When she's not begging passing shoppers for funds for her next feature, | 0:16:46 | 0:16:50 | |
she's "insuring" you soil yourself in front of this one. | 0:16:50 | 0:16:53 | |
Amy's called her film... | 0:16:53 | 0:16:55 | |
..Waiting. | 0:16:57 | 0:16:58 | |
-It's my arm... You get your own armrest. -You get two. | 0:17:02 | 0:17:05 | |
PHONE CLATTERS | 0:18:57 | 0:18:58 | |
LINE RINGS | 0:19:28 | 0:19:32 | |
SHE GASPS | 0:19:40 | 0:19:42 | |
-The jump-scares are good, right? -Yeah, that was really good. | 0:20:36 | 0:20:40 | |
-I got a little bit of a... -It had, like, a good atmosphere to it. -Yeah. | 0:20:40 | 0:20:44 | |
Ah, the night bus, a magical place of nocturnal activity. | 0:20:45 | 0:20:49 | |
Let's see what our audience made of... | 0:20:49 | 0:20:53 | |
Waiting. | 0:20:53 | 0:20:54 | |
Never gets old, that! | 0:20:54 | 0:20:57 | |
I thought it was quite a good set-up, actually. | 0:20:57 | 0:21:00 | |
SHE MOANS | 0:21:00 | 0:21:01 | |
SHE GASPS | 0:21:01 | 0:21:02 | |
Oh! | 0:21:02 | 0:21:03 | |
HE CHUCKLES | 0:21:04 | 0:21:06 | |
Plenty of nervy moments but nothing as unsettling as what was | 0:21:06 | 0:21:08 | |
going through Amelia's mind. | 0:21:08 | 0:21:10 | |
I first thought it was, like, | 0:21:10 | 0:21:12 | |
"Aw, they're going to get together, this is so cute." | 0:21:12 | 0:21:14 | |
BOTH: Aww. | 0:21:14 | 0:21:16 | |
I kind of liked him at the beginning. | 0:21:16 | 0:21:18 | |
He kind of had that little, sweet smile. | 0:21:18 | 0:21:20 | |
# I go ahead and smile... # | 0:21:20 | 0:21:24 | |
So you're attracted to murderers? | 0:21:24 | 0:21:26 | |
You can't fault the logic but there were no such romantic thoughts | 0:21:26 | 0:21:30 | |
from Poppy. She could only see the practical side of things. | 0:21:30 | 0:21:33 | |
Guess it's just a really easy place to target someone - a bus stop. | 0:21:35 | 0:21:38 | |
If you see someone there on their own and it's late at night, | 0:21:38 | 0:21:41 | |
there's not many people around, | 0:21:41 | 0:21:42 | |
that's where you can find your victim. | 0:21:42 | 0:21:46 | |
Er, maybe you should get a taxi home, Joe. | 0:21:46 | 0:21:49 | |
So how did our audience score our bus stop stalker scarer? | 0:21:53 | 0:21:56 | |
No need to wait much longer - all the scores coming up very soon. | 0:21:56 | 0:22:00 | |
It's time for the final film of the night, people, | 0:22:06 | 0:22:08 | |
so settle down and get into the dead zone. | 0:22:08 | 0:22:12 | |
Don't Open is written by and stars 25-year-old Alex Blackwood, | 0:22:12 | 0:22:16 | |
who works the night shift at his local supermarket, stacking shelves | 0:22:16 | 0:22:20 | |
and putting cameras in trolleys. | 0:22:20 | 0:22:22 | |
Bet he can't wait for you to "checkout" his film. | 0:22:22 | 0:22:25 | |
INDISTINCT CHATTER | 0:22:26 | 0:22:30 | |
-Cheeky! -Oh, hello. -Cheeky. | 0:24:03 | 0:24:06 | |
-That made me jump. -You jumped! Yeah! The last one, you jumped! | 0:24:06 | 0:24:12 | |
Bloody hell, internet dating | 0:24:15 | 0:24:17 | |
is a bit more interactive these days, isn't it? | 0:24:17 | 0:24:19 | |
But what did our audience make of Don't Open | 0:24:19 | 0:24:22 | |
and its devastatingly stupid leading man? | 0:24:22 | 0:24:25 | |
Frustrating. It's one of those films where the person does everything | 0:24:27 | 0:24:30 | |
you don't want them to do and that they shouldn't do. | 0:24:30 | 0:24:33 | |
Don't open. | 0:24:33 | 0:24:34 | |
If it says "don't open", don't open. | 0:24:34 | 0:24:36 | |
I would probably think, like, they've sent it to me | 0:24:36 | 0:24:38 | |
by accident and there's a bit of naughty stuff in it, like... | 0:24:38 | 0:24:41 | |
So you'd want to open it? | 0:24:41 | 0:24:42 | |
Yeah, you'd want to have a look and see what they've been up to. | 0:24:42 | 0:24:45 | |
I would open it. I'm curious, I'm nosy, I'd be like, | 0:24:45 | 0:24:47 | |
"Ooh, what's this? Am I going to find out secrets?" | 0:24:47 | 0:24:49 | |
-Well, you'd die and I wouldn't. -Yeah. | 0:24:49 | 0:24:52 | |
Ah, sisterly love there. Heart-warming(!) | 0:24:52 | 0:24:55 | |
I think this one worked really well in terms of photos coming up | 0:24:57 | 0:25:01 | |
and up and up. It kind of ramped up the tension. | 0:25:01 | 0:25:03 | |
Yeah, instead of someone ringing you saying, "I'm in the house. | 0:25:03 | 0:25:06 | |
"Oh, I'm behind you. Oh, I'm nearly there." | 0:25:06 | 0:25:08 | |
They're pulling everything down from the Cloud and it was just | 0:25:08 | 0:25:11 | |
a very intelligent, well-planned, well thought-out thriller. | 0:25:11 | 0:25:15 | |
I was on edge watching it. Why is he opening the folder? | 0:25:15 | 0:25:18 | |
And he's seeing the pictures of someone stalking him. | 0:25:18 | 0:25:21 | |
That was good, the build-up. | 0:25:21 | 0:25:22 | |
I was expecting a jump-scare of some kind. | 0:25:22 | 0:25:25 | |
I was expecting something bad to happen. But not the way it did. | 0:25:25 | 0:25:28 | |
SHE GASPS | 0:25:28 | 0:25:29 | |
SHE LAUGHS | 0:25:29 | 0:25:32 | |
-That was scary. -Yeah, that was clever. I enjoyed that. | 0:25:32 | 0:25:34 | |
It was really good. | 0:25:34 | 0:25:35 | |
I did still jump at the end even though the arm wasn't that scary, | 0:25:37 | 0:25:41 | |
because I jump at absolutely everything. | 0:25:41 | 0:25:44 | |
Shock, horror - man at computer involved in dodgy hand job! | 0:25:44 | 0:25:48 | |
We're almost at our own happy ending. Time for one final thought. | 0:25:48 | 0:25:51 | |
If I had to stalk anyone... | 0:25:51 | 0:25:53 | |
..I would stalk you, the viewer. | 0:25:55 | 0:25:58 | |
Rude! I know we're on late, Brad, but we've got more than one viewer! | 0:26:00 | 0:26:04 | |
-Sorry! -THEY LAUGH | 0:26:04 | 0:26:06 | |
So with the final votes now in for all of tonight's films, | 0:26:06 | 0:26:09 | |
it's time to take a look back at them to see how they've scored. | 0:26:09 | 0:26:13 | |
So, in fifth place with 2.3, it's the lady with the red fishnet dress, | 0:26:16 | 0:26:21 | |
it's Dinner Date. | 0:26:21 | 0:26:23 | |
I thought it was a really fun little ride they took us on but... | 0:26:23 | 0:26:25 | |
it's not scary. | 0:26:25 | 0:26:27 | |
In fourth place, it will make you think next time a stranger sidles up | 0:26:28 | 0:26:31 | |
to you at a bus stop, it's Waiting. | 0:26:31 | 0:26:34 | |
-We could feel the vibes from the stuff. -There was a scary vibe given. | 0:26:36 | 0:26:39 | |
Next up in third place it's clinical trials gone wrong, Metamorphosis. | 0:26:40 | 0:26:45 | |
I thought this film was really different compared to everything | 0:26:47 | 0:26:50 | |
else we've seen cos it was the point of view, so all you're seeing is | 0:26:50 | 0:26:53 | |
what that person's seeing. | 0:26:53 | 0:26:54 | |
And in joint first place with a score of 5.5, it's The Portrait... | 0:26:54 | 0:26:59 | |
It was creepy and it was kind of frightening. | 0:27:01 | 0:27:04 | |
I really liked the nods to classic horror cinema - there was | 0:27:04 | 0:27:06 | |
the Nosferatu nod... | 0:27:06 | 0:27:08 | |
..and Don't Open. | 0:27:08 | 0:27:10 | |
Loved the element of it, loved the suspense, loved the build-up. | 0:27:10 | 0:27:12 | |
Really, really good and really quite interesting. | 0:27:12 | 0:27:15 | |
So, going into the final week of the competition | 0:27:15 | 0:27:17 | |
our top three remain unchanged, | 0:27:17 | 0:27:20 | |
but with more terrifying treats to come, it's all up for grabs. | 0:27:20 | 0:27:24 | |
Next time, our final fright fests... | 0:27:26 | 0:27:29 | |
SHE SCREAMS | 0:27:29 | 0:27:30 | |
-Oh, my God! -That was a really good job. | 0:27:32 | 0:27:34 | |
..and Hollywood scaremonger Eduardo Sanchez | 0:27:34 | 0:27:37 | |
is here to pick the ultimate winner. | 0:27:37 | 0:27:39 | |
My judging criteria is just how scared does it make me? | 0:27:39 | 0:27:43 | |
Until then, nighty-night. | 0:27:43 | 0:27:46 | |
# When you're alone and life is making you lonely | 0:27:53 | 0:27:57 | |
# You can always go | 0:27:57 | 0:28:00 | |
# Downtown | 0:28:00 | 0:28:01 | |
# When you've got worries, all the noise and the hurry | 0:28:01 | 0:28:05 | |
# Seems to help, I know | 0:28:05 | 0:28:08 | |
# Downtown | 0:28:08 | 0:28:10 | |
# Just listen to the music of the traffic in the city | 0:28:10 | 0:28:13 | |
# Linger on the sidewalk... # | 0:28:13 | 0:28:16 |