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This programme contains some strong language and some scenes which some viewers may find upsetting | 0:00:02 | 0:00:07 | |
From the chill down your neck, to the stain in your pants, | 0:00:10 | 0:00:12 | |
fear can do many things. | 0:00:12 | 0:00:15 | |
It can chill... | 0:00:15 | 0:00:16 | |
THEY SCREAM | 0:00:16 | 0:00:17 | |
..thrill, and entertain. | 0:00:17 | 0:00:19 | |
Oh, my God! | 0:00:19 | 0:00:20 | |
..which is precisely why we're here. | 0:00:20 | 0:00:23 | |
We've asked amateur film-makers to send us their creepiest, | 0:00:23 | 0:00:27 | |
goriest, and freakiest short horror films for your viewing pleasure. | 0:00:27 | 0:00:32 | |
Movies such as SAW and Evil Dead both started out | 0:00:33 | 0:00:37 | |
as shorts before becoming multimillion dollar franchises. | 0:00:37 | 0:00:41 | |
So, we're hoping to find the next horror master | 0:00:41 | 0:00:43 | |
worthy of a bloodcurdling blockbuster. | 0:00:43 | 0:00:46 | |
This... | 0:00:48 | 0:00:49 | |
..is The Fear | 0:00:49 | 0:00:51 | |
where who scares...wins. | 0:00:51 | 0:00:54 | |
Oh, my God! | 0:00:54 | 0:00:55 | |
HE LAUGHS | 0:00:55 | 0:00:58 | |
EERIE MUSIC | 0:00:59 | 0:01:03 | |
Welcome to the screaming room! | 0:01:07 | 0:01:10 | |
Over the last few weeks, we've been spooking an audience of horror fans | 0:01:10 | 0:01:13 | |
whilst catching their every jump, scream and cry. | 0:01:13 | 0:01:16 | |
Tonight, as the competition culminates, we've gone all la-di-da | 0:01:18 | 0:01:22 | |
and invited along Blair Witch co-director, Eduardo Sanchez, | 0:01:22 | 0:01:26 | |
to decide which of our audience's favourite is the ultimate | 0:01:26 | 0:01:29 | |
winner and worthy of a 20-grand prize. | 0:01:29 | 0:01:33 | |
But it's not over until the decomposing lady eviscerates you | 0:01:33 | 0:01:37 | |
as tonight we have two final shorts both vying for a place | 0:01:37 | 0:01:41 | |
on our coveted leader board. | 0:01:41 | 0:01:43 | |
And, as always, voting for their scariest is this lot! | 0:01:43 | 0:01:47 | |
Among them scaredy cats, and genius free thinkers, | 0:01:50 | 0:01:53 | |
Amelia and Grace. | 0:01:53 | 0:01:54 | |
I think if we were going to make a short film ourselves that's scary | 0:01:54 | 0:01:57 | |
it would definitely include me biting off my arm. | 0:01:57 | 0:02:00 | |
We have the inseparable buds with reputable bants. | 0:02:00 | 0:02:04 | |
It's Antoine, Nick and Daniel. | 0:02:04 | 0:02:05 | |
-No trick or treating this Halloween? -No. | 0:02:05 | 0:02:08 | |
No, it's overrated, mate. No tricks, no treats. | 0:02:08 | 0:02:11 | |
Just you and your right hand, mate! | 0:02:11 | 0:02:13 | |
Lovebirds Poppy and Joe. | 0:02:13 | 0:02:14 | |
I want to tell my high score again. | 0:02:14 | 0:02:16 | |
What? Six. | 0:02:18 | 0:02:19 | |
No, my high score so far was seven. | 0:02:19 | 0:02:21 | |
-No, it was six. -No, seven. | 0:02:21 | 0:02:23 | |
Trouble in paradise? | 0:02:23 | 0:02:24 | |
And best of all the besties, Aaron and Michelle. | 0:02:24 | 0:02:27 | |
I could be classed as like a horror professional now. | 0:02:27 | 0:02:29 | |
-I've nothing to say on that matter, Michelle. -No! | 0:02:29 | 0:02:32 | |
And bickering film buffs, Brad and Ash. | 0:02:32 | 0:02:34 | |
You jumped during the conjuring. What was that about? | 0:02:34 | 0:02:38 | |
That's one incident that you can think of where I've jumped. | 0:02:38 | 0:02:42 | |
Ah, I love those guys. | 0:02:43 | 0:02:45 | |
So, with two final films on tonight's menu, it's time for our first | 0:02:45 | 0:02:49 | |
offering from Sam Hartshorn. | 0:02:49 | 0:02:51 | |
Teenager Sam writes, directs and stars in his own films, | 0:02:52 | 0:02:55 | |
makes animation, plays in a band, does back flips, | 0:02:55 | 0:02:58 | |
runs and is only 16. | 0:02:58 | 0:03:02 | |
God, I wasted my life! | 0:03:02 | 0:03:03 | |
Here's his childhood nightmare come true, Itcher. | 0:03:03 | 0:03:06 | |
Gaw! You do your lips more than any woman I know! | 0:03:12 | 0:03:16 | |
Itcher. | 0:03:20 | 0:03:21 | |
CREAKING | 0:03:21 | 0:03:22 | |
That's a horrible sound. | 0:03:22 | 0:03:23 | |
SCRATCHING | 0:03:52 | 0:03:55 | |
SCRATCHING INTENSIFIES | 0:03:57 | 0:04:01 | |
SCRATCHING | 0:04:08 | 0:04:12 | |
BEATING | 0:04:15 | 0:04:18 | |
DOOR CREAKS OPEN | 0:04:18 | 0:04:21 | |
HE BREATHES OUT | 0:04:32 | 0:04:33 | |
'The Itcher dwells behind the walls | 0:04:37 | 0:04:40 | |
'In bedrooms, schools and bathroom stalls | 0:04:41 | 0:04:44 | |
'In moonlight, hear the Itcher's call | 0:04:44 | 0:04:47 | |
'Out from the shadows, the Itcher crawls | 0:04:47 | 0:04:51 | |
'Its face no man has ever seen | 0:04:54 | 0:04:56 | |
'For its grisly smile is too obscene | 0:04:56 | 0:04:59 | |
'Mortal eyes won't trigger shouts | 0:05:01 | 0:05:03 | |
'For Itcher's nails will gouge them out.' | 0:05:05 | 0:05:07 | |
SCRATCHING | 0:05:30 | 0:05:33 | |
'In dead of night the Itcher wakes | 0:05:51 | 0:05:54 | |
'From body and mind the Itcher takes.' | 0:05:54 | 0:05:56 | |
SCRATCHING CONTINUES | 0:06:03 | 0:06:06 | |
BEATING | 0:06:11 | 0:06:13 | |
'If you block the Itcher's path | 0:06:25 | 0:06:27 | |
'Prepare to watch the Itcher laugh.' | 0:06:28 | 0:06:30 | |
SHE SCREAMS | 0:06:44 | 0:06:45 | |
Oh, my God! | 0:06:46 | 0:06:47 | |
LAUGHTER | 0:06:47 | 0:06:51 | |
-FROM BEHIND POPCORN: -I like that! | 0:06:51 | 0:06:53 | |
HE CHUCKLES | 0:06:53 | 0:06:54 | |
SINISTER LAUGHTER | 0:06:54 | 0:06:57 | |
Nice to see a film-maker proving nothing's more horrifying | 0:06:57 | 0:07:00 | |
than a nasty itch. | 0:07:00 | 0:07:02 | |
But did it live up to its name and get under our audience's skin? | 0:07:02 | 0:07:06 | |
Well, it certainly seemed to flicker something in Poppy's psyche. | 0:07:06 | 0:07:11 | |
I hate flashing lights so much | 0:07:11 | 0:07:13 | |
and I said, "I can't do it." | 0:07:13 | 0:07:15 | |
Stop it! That's not OK. | 0:07:15 | 0:07:16 | |
No, no, no. | 0:07:18 | 0:07:19 | |
And then it popped out. | 0:07:19 | 0:07:20 | |
SHE SCREAMS | 0:07:20 | 0:07:21 | |
Oh, my God! | 0:07:21 | 0:07:22 | |
-I literally went into self-defence mode. -You did! | 0:07:23 | 0:07:26 | |
-I jumped out of my seat. -Oh, my God! | 0:07:26 | 0:07:28 | |
It built to eight with scare, which unfortunately I bang on counted. | 0:07:28 | 0:07:32 | |
One... Bang on! | 0:07:32 | 0:07:33 | |
I wasn't really scared until the end when the thing jumped out | 0:07:35 | 0:07:38 | |
-and I spilled my drink on Anton. -You didn't. | 0:07:38 | 0:07:41 | |
You spat your drink out of your mouth on me, you were so terrified. | 0:07:41 | 0:07:44 | |
THEY LAUGH | 0:07:47 | 0:07:50 | |
I quite like the way that Itcher looked. | 0:07:50 | 0:07:52 | |
It was kind of like if someone set a Kermit the frog puppet on fire | 0:07:52 | 0:07:56 | |
and then made it do the "Ah" thing... | 0:07:56 | 0:07:58 | |
He's a terrifying little chap and there's no doubt about that. | 0:07:58 | 0:08:02 | |
But what about that God-awful noise? | 0:08:02 | 0:08:04 | |
Put your teeth right on edge, didn't it? | 0:08:04 | 0:08:06 | |
SCRATCHING | 0:08:06 | 0:08:08 | |
I didn't like the itching noise. The "ur-ugh". | 0:08:08 | 0:08:11 | |
-I used to get that. -It makes you go all funny. | 0:08:11 | 0:08:15 | |
SCRATCHING | 0:08:15 | 0:08:16 | |
I used to have a starling's nest in my loft above my bed | 0:08:16 | 0:08:18 | |
so I used to hear it all the time so it didn't bother me at all. | 0:08:18 | 0:08:21 | |
But a starling's not going to kill you, is it? | 0:08:21 | 0:08:24 | |
At worst it will poo on your washing. | 0:08:24 | 0:08:26 | |
As for Itcher, will it be dropping onto our final leader board? | 0:08:26 | 0:08:30 | |
We'll be finding out how the audience scored it after one more film. | 0:08:30 | 0:08:33 | |
My fear is being buried alive. | 0:08:40 | 0:08:42 | |
-That's mine, that's why I'd rather get burnt. -Cremated. | 0:08:42 | 0:08:46 | |
Yeah, I mean cremated, to say it in a better way. | 0:08:46 | 0:08:49 | |
You're scared you'll jump, yeah? | 0:08:50 | 0:08:52 | |
Don't worry, I won't tell no-one. | 0:08:52 | 0:08:55 | |
Oh, look! Whoopsy! | 0:08:55 | 0:08:58 | |
-Oh, God! Did you have tit out? -No, I didn't have tit out. | 0:08:58 | 0:09:01 | |
So, ladies and gentleman, time now for our final movie, | 0:09:01 | 0:09:04 | |
made by Mike Tack... | 0:09:04 | 0:09:06 | |
..who's excellent with calculators, not so great at typing, | 0:09:06 | 0:09:10 | |
and judging by that mug, lonely. | 0:09:10 | 0:09:12 | |
This is his ode to Gok Wan. It's Makeover. | 0:09:12 | 0:09:15 | |
-I'm ready for this. -Everything ready for this. -I am. | 0:09:17 | 0:09:21 | |
MUSIC PLAYS | 0:09:27 | 0:09:32 | |
VEHICLE REVERSING BEEP | 0:09:37 | 0:09:43 | |
MUSIC PLAYS | 0:09:50 | 0:09:55 | |
GROWLING | 0:10:07 | 0:10:09 | |
GROWLING AND SCREAMING | 0:10:24 | 0:10:31 | |
HEART MONITOR BEEPS | 0:10:36 | 0:10:39 | |
ROARING | 0:10:52 | 0:10:54 | |
GUNSHOT | 0:11:27 | 0:11:28 | |
Tell them it's done. | 0:11:50 | 0:11:52 | |
BIG BEN TOLLS | 0:12:12 | 0:12:14 | |
Welcome to the House, Minister of Defence. | 0:12:14 | 0:12:17 | |
Minister? One for the papers? | 0:12:17 | 0:12:20 | |
Oh! | 0:12:34 | 0:12:36 | |
-I like that idea. -That was good. | 0:12:36 | 0:12:38 | |
Makeover there, proving what we already knew. | 0:12:41 | 0:12:43 | |
Politicians are all horny, yellow-eyed demons. | 0:12:43 | 0:12:45 | |
That is a cold hard fact, my friends, a cold hard fact. | 0:12:45 | 0:12:49 | |
But how did our audience deal with this conspiracy? | 0:12:49 | 0:12:51 | |
That's like that theory that they have with the Royal family, | 0:12:53 | 0:12:57 | |
that they're lizards. | 0:12:57 | 0:12:59 | |
He must get a lot of money for being a reptile. | 0:12:59 | 0:13:02 | |
I thought Makeover was a really, really good film. | 0:13:04 | 0:13:07 | |
It was really well shot. You could tell they had a bit more money. | 0:13:07 | 0:13:10 | |
The costumes were amazing. | 0:13:10 | 0:13:11 | |
The creature effects were really, really good. | 0:13:11 | 0:13:14 | |
There was a bit of splatter. | 0:13:14 | 0:13:15 | |
The monster did kill one of the people operating on him. | 0:13:15 | 0:13:18 | |
And he just stood there and I did think about these two. | 0:13:21 | 0:13:24 | |
If I'd got trouble, would they just stand there and watch? | 0:13:24 | 0:13:27 | |
But hang on a second. Who's really the bad guy, here? | 0:13:28 | 0:13:31 | |
The crazy, yellow-eyed murdering monster, | 0:13:31 | 0:13:34 | |
or its human puppet masters? | 0:13:34 | 0:13:36 | |
It's a philosophical one. | 0:13:36 | 0:13:38 | |
I felt sorry for the monster alien, rather than the humans. | 0:13:38 | 0:13:41 | |
Oh, my God! | 0:13:41 | 0:13:43 | |
They're the actual monsters in this. They're just taking it apart. | 0:13:43 | 0:13:47 | |
Whilst Makeover's subtext resonated with Grace and Amelia, | 0:13:47 | 0:13:50 | |
our little ray of sunshine, Aaron, experienced things a bit differently. | 0:13:50 | 0:13:55 | |
-I thought it was really boring. -Oh! | 0:13:55 | 0:13:57 | |
I was so bored as soon as it came on. | 0:13:57 | 0:13:59 | |
Tell us what you really think. | 0:13:59 | 0:14:01 | |
I thought it was a pile of pony. | 0:14:01 | 0:14:03 | |
It's not because I don't believe in aliens, that I don't like | 0:14:03 | 0:14:05 | |
alien films. It's purely because I find them very boring. | 0:14:05 | 0:14:08 | |
They've all got the same stupid plot. | 0:14:08 | 0:14:10 | |
I don't like Men In Black, anything like that. It's all boring. | 0:14:10 | 0:14:13 | |
-I like the Men In Black. -I don't like it. -I like Men In Black. | 0:14:13 | 0:14:17 | |
Honestly, who doesn't like Men In Black? | 0:14:17 | 0:14:19 | |
So, that's it from all our submissions, | 0:14:20 | 0:14:22 | |
but have either of tonight's video nasties done enough | 0:14:22 | 0:14:25 | |
to grab a place on our leader board? | 0:14:25 | 0:14:27 | |
Tonight's second offering was Mike Tack's gruesome Makeover! | 0:14:33 | 0:14:37 | |
Strong concept, but sadly the reptilian politician | 0:14:37 | 0:14:40 | |
only mustered up 2.9 in the opinion polls from our hardy bunch. | 0:14:40 | 0:14:45 | |
-I thought Makeover was a really good film. -It just wasn't a scary film. | 0:14:45 | 0:14:49 | |
Which means that scaring the shitcher out of our audience tonight, | 0:14:49 | 0:14:52 | |
was Sam Hartshorne's terrifying Itcher. | 0:14:52 | 0:14:54 | |
-Oh, my God! -It built to a good scare. | 0:14:57 | 0:14:59 | |
The poem really did help him building that mythology. | 0:14:59 | 0:15:02 | |
It does a really good job. | 0:15:02 | 0:15:04 | |
A sterling effort from one of our youngest film-makers, | 0:15:04 | 0:15:07 | |
but only the top three films voted scariest by our audience, can make | 0:15:07 | 0:15:11 | |
it onto the final leader board, and despite a valiant attempt, | 0:15:11 | 0:15:14 | |
it misses out. | 0:15:14 | 0:15:16 | |
Still, our audience's job is done, and it delights me to say the three | 0:15:18 | 0:15:21 | |
films that have reached the final stage are Paranoia, Capture and 3AM. | 0:15:21 | 0:15:28 | |
That means it's time to get serious. | 0:15:30 | 0:15:32 | |
To help us decide which film-maker will be winning the competition, | 0:15:32 | 0:15:36 | |
and with that, £20,000 worth of support towards their next | 0:15:36 | 0:15:40 | |
project, we've enlisted the help of a horror legend. | 0:15:40 | 0:15:44 | |
Meet Eduardo Sanchez. | 0:15:46 | 0:15:47 | |
In 1999, whilst only in his late 20s, he and his friend, Daniel Myrick, | 0:15:47 | 0:15:52 | |
wrote, directed and edited a small film that changed the landscape | 0:15:52 | 0:15:56 | |
of horror cinema. | 0:15:56 | 0:15:57 | |
From a budget of around just 20,000, | 0:15:58 | 0:16:01 | |
The Blair Witch Project grossed nearly 250 million, | 0:16:01 | 0:16:04 | |
making it one of the most successful independent movies of all time. | 0:16:04 | 0:16:09 | |
-Hurry up! -I'm coming. My boots aren't laced. | 0:16:09 | 0:16:13 | |
Oh, my God, what the fuck is that? | 0:16:13 | 0:16:15 | |
What the fuck is that?! | 0:16:15 | 0:16:18 | |
Its fake documentary style, with hand-held camera and shaky footage, | 0:16:18 | 0:16:22 | |
put viewers in the heart of the action. | 0:16:22 | 0:16:24 | |
With first person and found footage movies still popular today, | 0:16:24 | 0:16:28 | |
there's no denying its influence. | 0:16:28 | 0:16:30 | |
If anyone's got the scare skills to pick out the next big thing | 0:16:30 | 0:16:33 | |
in horror, it's Eduardo. | 0:16:33 | 0:16:35 | |
Being, like, a horror film-maker, you see everything, | 0:16:40 | 0:16:43 | |
so, my judging criteria is basically just how scared does it make me? | 0:16:43 | 0:16:48 | |
I'm looking forward to watching them in a dark theatre | 0:16:48 | 0:16:50 | |
and actually just see what it does to me in just four minutes. | 0:16:50 | 0:16:54 | |
So our audience have selected their scariest, | 0:17:00 | 0:17:03 | |
but it all rests on Eduardo's shoulders to pick the best. | 0:17:03 | 0:17:06 | |
Let's get him started with our early morning chiller, 3AM. | 0:17:06 | 0:17:10 | |
In a suburban street, one man wakes... | 0:17:13 | 0:17:18 | |
..to discover he's not alone. | 0:17:20 | 0:17:25 | |
-Oh! -Oh! | 0:17:28 | 0:17:31 | |
EERIE MUSIC PLAYS | 0:17:33 | 0:17:36 | |
SCREAMS | 0:17:37 | 0:17:39 | |
Oh! | 0:17:39 | 0:17:41 | |
Critically acclaimed by our audience... | 0:17:41 | 0:17:43 | |
..and written, starring and directed by 27-year-old Frederick Wolf. | 0:17:47 | 0:17:51 | |
Yes! | 0:17:51 | 0:17:52 | |
Being one of the final three films is really, really amazing for me. | 0:17:52 | 0:17:58 | |
It gives me a lot of joy knowing that the film worked, | 0:17:58 | 0:18:01 | |
that people got scared, | 0:18:01 | 0:18:03 | |
seeing the reactions of the people after having watched the film. | 0:18:03 | 0:18:07 | |
It's nice. It gives me a lot of joy. | 0:18:07 | 0:18:09 | |
Having reviewed the first finalist, what did Hollywood's | 0:18:15 | 0:18:18 | |
master scare-mongerer make of it? | 0:18:18 | 0:18:21 | |
3AM was fantastic. I loved the atmosphere created. | 0:18:21 | 0:18:25 | |
Those long shots at the beginning and the acting was great. | 0:18:25 | 0:18:30 | |
It's very difficult to act realistically scared. | 0:18:31 | 0:18:35 | |
He did it really well. | 0:18:35 | 0:18:36 | |
A little bit more darkness in that room would've been better | 0:18:36 | 0:18:39 | |
and then the sound was impeccable, a really great atmosphere, | 0:18:39 | 0:18:44 | |
especially at the end. | 0:18:44 | 0:18:45 | |
They brought it up and then they had a release of the tension and | 0:18:45 | 0:18:50 | |
then that thing at the end, whatever it was, | 0:18:50 | 0:18:54 | |
it definitely made me jump. | 0:18:54 | 0:18:56 | |
I thought it was just perfect timing and it was really effective. | 0:18:56 | 0:18:59 | |
A strong start from our first film-maker, | 0:19:01 | 0:19:03 | |
props for getting a jump out of Eduardo Sanchez - impressive stuff! | 0:19:03 | 0:19:07 | |
But how will the other finalists compare? | 0:19:07 | 0:19:10 | |
Next up, it's Capture. | 0:19:10 | 0:19:11 | |
Stephen, it's perfect. | 0:19:19 | 0:19:21 | |
I love it. We're finally home. | 0:19:25 | 0:19:28 | |
SCREAMS | 0:19:33 | 0:19:36 | |
Oh, my God! | 0:19:36 | 0:19:38 | |
Hailed by our audience... | 0:19:38 | 0:19:40 | |
..and directed by 25-year-old Irish couple | 0:19:47 | 0:19:50 | |
Kiefer McGinn and Rachel Hegarty. | 0:19:50 | 0:19:52 | |
We would love to win The Fear competition. | 0:19:52 | 0:19:55 | |
It will be an amazing achievement for people like us. | 0:19:55 | 0:19:58 | |
-We're only... -Starting out. | 0:19:58 | 0:20:00 | |
..starting out and making films, so, this would just give us | 0:20:00 | 0:20:04 | |
an extra push to create bigger and better things. | 0:20:04 | 0:20:07 | |
This terrifying short certainly captured our audience, | 0:20:14 | 0:20:17 | |
but did it grab Eduardo? | 0:20:17 | 0:20:19 | |
Capture was great. Great little horror film. | 0:20:19 | 0:20:22 | |
I loved the set-up at the beginning. | 0:20:22 | 0:20:24 | |
You had a little bit of story which is very difficult to | 0:20:24 | 0:20:28 | |
do in a short film and I think it was one of the best jump scares. | 0:20:28 | 0:20:32 | |
I thought it was really, really effective | 0:20:32 | 0:20:35 | |
and I loved the build-up to that, | 0:20:35 | 0:20:36 | |
like you knew something was going to happen, but it was very unexpected. | 0:20:36 | 0:20:40 | |
Who's there? | 0:20:40 | 0:20:41 | |
I thought that the performance of the woman at the end could | 0:20:43 | 0:20:46 | |
have been a little bit higher. | 0:20:46 | 0:20:48 | |
You really want to end the film with something that the audience | 0:20:48 | 0:20:52 | |
remembers and you don't want them remembering something | 0:20:52 | 0:20:55 | |
that is a bit too underplayed. | 0:20:55 | 0:20:56 | |
But it's hard to, kind of, surprise somebody like me | 0:20:56 | 0:20:59 | |
who watches a lot of horror films... | 0:20:59 | 0:21:01 | |
SCREAMING | 0:21:01 | 0:21:03 | |
..with something new, I thought it was just really effective. | 0:21:03 | 0:21:06 | |
It was a really great film. | 0:21:06 | 0:21:07 | |
Eduardo there, bemoaning the importance | 0:21:09 | 0:21:11 | |
of putting in a strong performance. | 0:21:11 | 0:21:12 | |
He should speak to my girlfriend. | 0:21:12 | 0:21:14 | |
They'd get on like a bloody house on fire. | 0:21:14 | 0:21:16 | |
But how will Capture perform against our last movie? | 0:21:16 | 0:21:20 | |
It's time for his remaining finalist, it's Paranoia. | 0:21:20 | 0:21:23 | |
What evil lurks beneath this house? | 0:21:27 | 0:21:32 | |
Things that go bump in the night. | 0:21:32 | 0:21:34 | |
Nominated by our cinemagoers! | 0:21:37 | 0:21:39 | |
Argh! | 0:21:48 | 0:21:50 | |
This psychological spine chiller was directed by 17-year-olds, | 0:21:50 | 0:21:54 | |
Harry Courtney and Matt Traszko. | 0:21:54 | 0:21:57 | |
We put a lot of hard work and effort into this. | 0:21:57 | 0:21:59 | |
It would be really good to see it amount to something, | 0:21:59 | 0:22:01 | |
something more than just a hobby. | 0:22:01 | 0:22:03 | |
Winning this competition would mean a lot, | 0:22:03 | 0:22:06 | |
as far as starting careers are concerned. | 0:22:06 | 0:22:08 | |
Paranoia was, you know, just left me really uneasy, you know? | 0:22:15 | 0:22:18 | |
It was one of these films that you don't know what's going to happen. | 0:22:19 | 0:22:23 | |
You don't know what tricks the film-makers are going to do | 0:22:23 | 0:22:26 | |
and I love the false scare at the beginning where the friend | 0:22:26 | 0:22:29 | |
scares the other guy. | 0:22:29 | 0:22:31 | |
-Argh! -Oh, my God! | 0:22:31 | 0:22:32 | |
And then I really loved how they had | 0:22:34 | 0:22:36 | |
that figure, the man, or whatever, in a couple of shots behind them. | 0:22:36 | 0:22:40 | |
It's probably the least technically savvy of the films, | 0:22:40 | 0:22:44 | |
but there was something about it that kind of really spoke to me. | 0:22:44 | 0:22:47 | |
The atmosphere in that film was really great. | 0:22:49 | 0:22:51 | |
From the very beginning to the very end. | 0:22:51 | 0:22:53 | |
So as the curtain closes for the last time | 0:22:53 | 0:22:55 | |
in the screaming room, it's time to bring up Eduardo | 0:22:55 | 0:22:59 | |
and find out which film will win the competition. | 0:22:59 | 0:23:02 | |
So here's Eduardo, | 0:23:02 | 0:23:03 | |
welcome to the projection room! | 0:23:03 | 0:23:06 | |
-How are you? -Thanks for having me here. | 0:23:06 | 0:23:08 | |
Pleasure to have you. | 0:23:08 | 0:23:10 | |
You've seen the three finalists. | 0:23:10 | 0:23:12 | |
What did you think? | 0:23:12 | 0:23:13 | |
I saw them, I thought they were great. | 0:23:13 | 0:23:15 | |
The decision to pick the winner, really tough. | 0:23:15 | 0:23:19 | |
Three very strong films. | 0:23:19 | 0:23:21 | |
Strong in different ways too, and they all creeped me out pretty good. | 0:23:21 | 0:23:25 | |
Right, so I think the only thing we need to find out now | 0:23:25 | 0:23:28 | |
is ultimately who our winner is. | 0:23:28 | 0:23:30 | |
So this is it, folks. | 0:23:30 | 0:23:31 | |
We are moments away from Eduardo revealing | 0:23:31 | 0:23:34 | |
to us who is the winner of this competition. | 0:23:34 | 0:23:37 | |
He will take his position at the projector, press play, | 0:23:37 | 0:23:41 | |
and we will be able to enjoy the winner in all its glory. | 0:23:41 | 0:23:44 | |
Eduardo, will you take your position, please? | 0:23:44 | 0:23:47 | |
-Let's do it! -Let's do this. | 0:23:47 | 0:23:49 | |
Before all that, though, a massive thank you to all our film-makers. | 0:23:49 | 0:23:52 | |
Hopefully they've given you some sleepless nights | 0:23:52 | 0:23:55 | |
and a big thank you to our esteemed judge, Eduardo. | 0:23:55 | 0:23:58 | |
Only one thing left to do. Hit it, baby! | 0:23:58 | 0:24:01 | |
So, will it be Capture, | 0:24:01 | 0:24:04 | |
Paranoia | 0:24:04 | 0:24:06 | |
or 3am? | 0:24:06 | 0:24:08 | |
The winner is... | 0:24:09 | 0:24:11 | |
Paranoia! | 0:24:11 | 0:24:13 | |
Mm-hmm. | 0:24:14 | 0:24:16 | |
Yeah. | 0:24:16 | 0:24:17 | |
No. | 0:24:17 | 0:24:19 | |
No, Mum, I'll be fine.... | 0:24:19 | 0:24:21 | |
It's not like I haven't lived away from home before. | 0:24:21 | 0:24:23 | |
Just, please, stop worrying. | 0:24:23 | 0:24:25 | |
OK. Yes, it's all done. Yes. OK. | 0:24:25 | 0:24:28 | |
I'm going now. Bye. Bye, love you, bye, bye. | 0:24:28 | 0:24:31 | |
CLATTERING | 0:24:36 | 0:24:38 | |
DOOR CREAKS | 0:24:44 | 0:24:46 | |
SWITCH CLICKS | 0:24:48 | 0:24:50 | |
HE SCREAMS | 0:25:21 | 0:25:22 | |
Oh, my God. | 0:25:22 | 0:25:24 | |
Should have seen your face. | 0:25:24 | 0:25:27 | |
What the hell, man, that's not cool. | 0:25:27 | 0:25:29 | |
Didn't tell me you had a basement. | 0:25:29 | 0:25:31 | |
-I know, it's spooky, right! -Whatever, mate. | 0:25:31 | 0:25:33 | |
DOOR BELL RINGS | 0:25:56 | 0:25:58 | |
Was that the door bell? | 0:25:58 | 0:25:59 | |
-DOOR BELL RINGS -I think so. You expecting someone? | 0:25:59 | 0:26:02 | |
-No, you? -I don't think so. | 0:26:02 | 0:26:05 | |
-New neighbours? -Maybe. | 0:26:07 | 0:26:09 | |
Matt, you left the door open! Anyone could've got in! | 0:26:17 | 0:26:20 | |
What do you mean? You were the last one in. | 0:26:20 | 0:26:22 | |
Whatever. | 0:26:22 | 0:26:24 | |
-I didn't leave the door open. -Yeah, whatever, mate. I'm going to bed. | 0:26:25 | 0:26:29 | |
-Your turn to turn the lights off! -Mate, you can't... | 0:26:29 | 0:26:31 | |
Seriously! I turned them off last night. | 0:26:31 | 0:26:33 | |
What the hell...? | 0:26:42 | 0:26:44 | |
PHONE RINGS | 0:27:23 | 0:27:25 | |
DOOR CLICKS OPEN | 0:27:30 | 0:27:32 | |
Very funny, Harry. | 0:27:32 | 0:27:34 | |
I can hear your phone, you idiot. | 0:27:36 | 0:27:38 | |
Matt, who are you talking to? | 0:27:40 | 0:27:43 | |
-Huh? -Who are you talking to? | 0:27:43 | 0:27:45 | |
I never thought, from the moment I found out about the competition, | 0:27:52 | 0:27:55 | |
-that we'd win. -I was shocked when we got into the top three. | 0:27:55 | 0:27:58 | |
-Waiting for everyone to go, "Ha! We're joking!" -"It's a joke!" | 0:27:58 | 0:28:00 | |
We're just two dudes with a camera and some spare time on the weekend | 0:28:00 | 0:28:04 | |
and we like to try and make people laugh or make people scream, | 0:28:04 | 0:28:07 | |
-and it worked! -We'd also like to thank Matt and Eduardo. | 0:28:07 | 0:28:10 | |
And we'd like to thank the cinema audience, because without you guys | 0:28:10 | 0:28:13 | |
-me and Matthew wouldn't be standing here. -Onwards and upwards from this. | 0:28:13 | 0:28:16 |