Browse content similar to The Empty Chair. Check below for episodes and series from the same categories and more!
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This programme contains strong language and some violent scenes | 0:00:03 | 0:00:08 | |
STREET NOISES | 0:00:10 | 0:00:13 | |
BABY CRIES | 0:00:19 | 0:00:23 | |
Who do you trust? | 0:00:38 | 0:00:40 | |
How do you know? | 0:00:43 | 0:00:45 | |
By how they appear... | 0:00:47 | 0:00:49 | |
..or what they say? | 0:00:52 | 0:00:54 | |
What they do? | 0:00:56 | 0:00:57 | |
How? | 0:00:59 | 0:01:00 | |
We all have secrets. | 0:01:24 | 0:01:25 | |
We all tell lies, just to keep them... | 0:01:29 | 0:01:32 | |
..from each other... | 0:01:34 | 0:01:35 | |
..and from ourselves. | 0:01:37 | 0:01:39 | |
But sometimes... | 0:01:44 | 0:01:46 | |
..rarely... | 0:01:48 | 0:01:49 | |
..something can happen that leaves you no choice... | 0:01:53 | 0:01:57 | |
..but to reveal it. | 0:01:58 | 0:02:00 | |
To let the world see who you really are. | 0:02:04 | 0:02:07 | |
-Your secret self. -HE GASPS | 0:02:11 | 0:02:14 | |
GUN FIRES | 0:02:27 | 0:02:29 | |
LOUD THUMP | 0:02:29 | 0:02:31 | |
But mostly, we tell lies. | 0:02:31 | 0:02:33 | |
We hide our secrets from each other, | 0:02:33 | 0:02:36 | |
from ourselves. | 0:02:36 | 0:02:38 | |
And the easiest way to do this is not to even know that you are. | 0:02:39 | 0:02:43 | |
So when you think about it like that... | 0:02:43 | 0:02:45 | |
..it's a wonder we trust anyone at all. | 0:02:47 | 0:02:50 | |
(Don't be afraid.) | 0:03:18 | 0:03:20 | |
-CHILD: -I'm safe. | 0:03:22 | 0:03:24 | |
-CRYING: -I can't do this. | 0:03:25 | 0:03:27 | |
If it's the price...for a nation. | 0:03:34 | 0:03:38 | |
BELL RINGS IN DISTANCE | 0:04:38 | 0:04:40 | |
FOOTSTEPS ECHO | 0:04:40 | 0:04:44 | |
I, Nessa, Baroness Stein of Tilbury, | 0:04:47 | 0:04:52 | |
in the county of Essex, | 0:04:52 | 0:04:55 | |
do solemnly, sincerely, | 0:04:55 | 0:04:58 | |
and truly declare... | 0:04:58 | 0:05:00 | |
Wait here. | 0:05:01 | 0:05:03 | |
..that I will be faithful... | 0:05:03 | 0:05:05 | |
..and bear true allegiance | 0:05:06 | 0:05:09 | |
to Her Majesty Queen Elizabeth... | 0:05:09 | 0:05:11 | |
..her heirs and successors... | 0:05:13 | 0:05:15 | |
..according to law... | 0:05:17 | 0:05:19 | |
..so help me God. | 0:05:21 | 0:05:23 | |
A SLIDING DOOR OPENS | 0:05:30 | 0:05:32 | |
ALARM WHISTLES | 0:05:42 | 0:05:47 | |
ALARM WHISTLES IN THE DISTANCE | 0:06:07 | 0:06:11 | |
ALARM WHISTLES | 0:06:22 | 0:06:24 | |
CORD SNAPS | 0:06:37 | 0:06:39 | |
VIOLIN MUSIC | 0:06:39 | 0:06:47 | |
PEOPLE MURMUR QUIETLY | 0:07:39 | 0:07:45 | |
Well, the girls won't manage any of this. | 0:07:55 | 0:07:58 | |
Atika, the girls won't eat any of this. Would you be a sweetheart | 0:07:58 | 0:08:02 | |
and ask them if they could have something simpler? | 0:08:02 | 0:08:04 | |
Of course, Mrs Stein. | 0:08:04 | 0:08:06 | |
Stay still, Kasim. | 0:08:06 | 0:08:07 | |
Why does she always do that? | 0:08:10 | 0:08:12 | |
Hmm? | 0:08:12 | 0:08:14 | |
Use my surname. It makes me look bad. | 0:08:14 | 0:08:17 | |
There you are, my lovely Rachel. | 0:08:17 | 0:08:20 | |
You look wonderful! | 0:08:21 | 0:08:23 | |
I wonder why you still keep him. | 0:08:23 | 0:08:26 | |
Eh, my boy. | 0:08:26 | 0:08:27 | |
All good? | 0:08:29 | 0:08:30 | |
Your sister. Ah, a Lady. | 0:08:32 | 0:08:35 | |
Who'd've thought? | 0:08:35 | 0:08:36 | |
Come here. Give old Shlomo a hug! | 0:08:38 | 0:08:40 | |
You all right? | 0:08:40 | 0:08:42 | |
So, have I got it? | 0:08:42 | 0:08:43 | |
I don't know. | 0:08:45 | 0:08:46 | |
Even if I did, I couldn't tell you, could I? | 0:08:46 | 0:08:49 | |
Well, you could give me a hint cos I've seen the shit in your nappies. | 0:08:49 | 0:08:52 | |
Nessa runs the business, Shlomo. | 0:08:52 | 0:08:54 | |
Now, yes. But there was a time... | 0:08:54 | 0:08:57 | |
I just run the foundation. | 0:08:57 | 0:08:59 | |
If you're looking for a job as a professor or something, | 0:08:59 | 0:09:01 | |
then maybe I could help you out. | 0:09:01 | 0:09:03 | |
Professor! I got three ways I spell my own name. | 0:09:03 | 0:09:05 | |
Do I need to find a new job? | 0:09:07 | 0:09:08 | |
Sholmo. I don't know, honestly. | 0:09:08 | 0:09:10 | |
All you have to do is wait a couple of minutes. | 0:09:10 | 0:09:12 | |
She's going to announce it in her speech. | 0:09:12 | 0:09:14 | |
Why so theatrical? | 0:09:14 | 0:09:16 | |
You can't leak these things. It wouldn't be fair, would it? | 0:09:16 | 0:09:19 | |
And you always got to be fair, right? | 0:09:19 | 0:09:21 | |
It's how we survive, Shlomo. | 0:09:21 | 0:09:23 | |
Is that why that Palestinian bastard, Samir Meshal, has been invited? | 0:09:23 | 0:09:27 | |
Everyone who's put in a tender has been invited. | 0:09:27 | 0:09:30 | |
Hasn't turned up yet, I see. | 0:09:31 | 0:09:33 | |
Well... | 0:09:33 | 0:09:34 | |
Waiting to make some big fucking entrance on some big fucking camel | 0:09:36 | 0:09:39 | |
just to prove he's such a big fucking Arab, huh? | 0:09:39 | 0:09:43 | |
I tell you, he wins that contract and I get my hands on his neck... | 0:09:43 | 0:09:47 | |
fuck the Six-Day War, it'll be over in seconds. | 0:09:47 | 0:09:51 | |
-CROWD APPLAUDS -Best of luck. | 0:09:51 | 0:09:53 | |
So now I need luck, eh? | 0:09:53 | 0:09:55 | |
Shlomo! | 0:10:01 | 0:10:03 | |
Hello... what a day. | 0:10:05 | 0:10:08 | |
I can't tell you how heavy that robe is! | 0:10:09 | 0:10:11 | |
I do have an announcement to make, | 0:10:13 | 0:10:15 | |
but first I'd just like to say a couple of things. | 0:10:15 | 0:10:17 | |
The violinist here today is Mustapha Shamar. | 0:10:17 | 0:10:20 | |
He's a virtuoso, | 0:10:20 | 0:10:22 | |
he's a graduate of the Stein Music Centre in Ramallah | 0:10:22 | 0:10:24 | |
and this Saturday night, he's going to be playing | 0:10:24 | 0:10:27 | |
at the Royal College of Music. | 0:10:27 | 0:10:28 | |
I can't think of a better example of what we're trying to achieve here. | 0:10:30 | 0:10:34 | |
And I'm certain that he would not be here today | 0:10:34 | 0:10:37 | |
if it weren't for one man... | 0:10:37 | 0:10:39 | |
my brother, Ephra Stein. | 0:10:39 | 0:10:42 | |
Unlike his sister, he doesn't court the limelight, | 0:10:42 | 0:10:44 | |
probably because he's an awful lot cleverer than me. | 0:10:44 | 0:10:48 | |
But as President of the Stein Foundation, it's his educational | 0:10:48 | 0:10:51 | |
programmes that make sense of everything else I try to do. | 0:10:51 | 0:10:55 | |
So make no mistake, as this is my hand, that is his! | 0:10:55 | 0:10:59 | |
Thank you, Ephra. | 0:10:59 | 0:11:00 | |
Where is Kasim? | 0:11:03 | 0:11:05 | |
Have you seen Kasim? | 0:11:12 | 0:11:14 | |
OK. I'm looking. | 0:11:14 | 0:11:15 | |
So, these aliens decide to invade Earth and to show they mean business | 0:11:15 | 0:11:22 | |
what they do is first they destroy London then New York | 0:11:22 | 0:11:25 | |
and then they land, right on the Green Line | 0:11:25 | 0:11:28 | |
between Israel and the West Bank. | 0:11:28 | 0:11:30 | |
And they decide to call a meeting | 0:11:30 | 0:11:32 | |
between the Palestinian Authority and the Israeli Government. | 0:11:32 | 0:11:35 | |
And their message is simple. | 0:11:35 | 0:11:37 | |
"Resistance is useless! Lay down your arms!" | 0:11:37 | 0:11:40 | |
I can't really tell you the detail of what happened next, | 0:11:42 | 0:11:44 | |
but basically by the end of it your sympathy was with the aliens. | 0:11:44 | 0:11:47 | |
29 years ago, | 0:11:54 | 0:11:56 | |
my father, Eli Stein, | 0:11:56 | 0:11:59 | |
was murdered here in this room. | 0:11:59 | 0:12:01 | |
He was a wonderful father to my brother and me. | 0:12:09 | 0:12:12 | |
But first and foremost, I think it's fair to say, | 0:12:12 | 0:12:15 | |
he was a great son of Israel. | 0:12:15 | 0:12:17 | |
-IN THE DISTANCE: -He arrived here in Britain in 1939 | 0:12:18 | 0:12:21 | |
a refugee and an orphan. | 0:12:21 | 0:12:23 | |
This country took him in and the protection it offered | 0:12:23 | 0:12:27 | |
became the defining experience of his life. | 0:12:27 | 0:12:30 | |
Eli Stein believed that no home could thrive | 0:12:31 | 0:12:35 | |
unless it was surrounded by strong walls. | 0:12:35 | 0:12:38 | |
And so, yes, it's true. | 0:12:38 | 0:12:41 | |
His company name, my family name, | 0:12:41 | 0:12:44 | |
was stamped on the side of mortar shells and rifles and tanks... | 0:12:44 | 0:12:50 | |
because that's what my father offered Israel. | 0:12:50 | 0:12:53 | |
Strong walls for a fledgling nation. | 0:12:53 | 0:12:55 | |
And that's what cost him his life, here in this room... | 0:12:57 | 0:13:00 | |
..29 years ago. | 0:13:02 | 0:13:03 | |
Kasim? | 0:13:07 | 0:13:09 | |
-IN THE DISTANCE: -Last year, Israel's gross domestic product... | 0:13:09 | 0:13:12 | |
exceeded 220 billion dollars. | 0:13:12 | 0:13:16 | |
I know my father would be very proud of that figure. | 0:13:16 | 0:13:19 | |
A fledgling state no more, I think you'll agree, | 0:13:19 | 0:13:22 | |
but one that's thriving within strong walls. | 0:13:22 | 0:13:26 | |
Last year, the combined domestic product | 0:13:28 | 0:13:31 | |
of the Palestinian territories barely touched four billion dollars. | 0:13:31 | 0:13:35 | |
Four. | 0:13:36 | 0:13:38 | |
What a difference a wall makes. | 0:13:38 | 0:13:40 | |
I believe in Israel and I believe I can say this with heartfelt intent, | 0:13:44 | 0:13:50 | |
because like Her, I am also an orphan. | 0:13:50 | 0:13:53 | |
I lost most of my extended family to the Holocaust, | 0:13:53 | 0:13:57 | |
my father here in this room | 0:13:57 | 0:13:59 | |
and my mother to childbirth, delivering me. | 0:13:59 | 0:14:02 | |
My brother and I know what it means | 0:14:03 | 0:14:05 | |
to have to forge an existence alone, without family. | 0:14:05 | 0:14:09 | |
Kasim? | 0:14:09 | 0:14:10 | |
-IN THE DISTANCE: -And how precious it is, no... | 0:14:10 | 0:14:12 | |
It's Mummy! | 0:14:12 | 0:14:13 | |
..how necessary it is to feel... | 0:14:13 | 0:14:15 | |
secure after such a loss. | 0:14:15 | 0:14:17 | |
But when Ephra and I took over this company, | 0:14:19 | 0:14:21 | |
almost a decade ago now, we decided on a fundamental change. | 0:14:21 | 0:14:27 | |
In our view, amongst the greatest threats to Israel | 0:14:27 | 0:14:30 | |
is Palestinian poverty. | 0:14:30 | 0:14:32 | |
Terror thrives in poverty, | 0:14:32 | 0:14:35 | |
it dies in wealth. | 0:14:35 | 0:14:37 | |
And so we decided that instead of mines, we would lay cables. | 0:14:38 | 0:14:43 | |
Millions of miles of cables, for telephones, for the internet, | 0:14:43 | 0:14:48 | |
millions of miles of communication. | 0:14:48 | 0:14:51 | |
Because we believe that the strongest wall | 0:14:51 | 0:14:54 | |
we can help Israel to maintain, | 0:14:54 | 0:14:57 | |
is the one through which equality of opportunity can pass. | 0:14:57 | 0:15:01 | |
Kasim? | 0:15:04 | 0:15:05 | |
And so today, after months of negotiation with both | 0:15:13 | 0:15:16 | |
the Palestinian Authority and the Israeli government, | 0:15:16 | 0:15:19 | |
I am finally in a position to announce | 0:15:19 | 0:15:22 | |
that the Phase Three roll-out of broadband internet | 0:15:22 | 0:15:25 | |
throughout the West Bank has been agreed. | 0:15:25 | 0:15:28 | |
Fibre optic... | 0:15:28 | 0:15:30 | |
linking every university, every hospital, | 0:15:30 | 0:15:33 | |
every school to high-speed internet. | 0:15:33 | 0:15:35 | |
Universities we helped fund | 0:15:35 | 0:15:37 | |
to give hospitals we helped to build the graduates they need. | 0:15:37 | 0:15:42 | |
-MAN: -Are you lost? | 0:15:49 | 0:15:51 | |
As you know, the Stein Group is always looking to make partnerships | 0:15:53 | 0:15:57 | |
and I know the competition for this particular contract has been fierce. | 0:15:57 | 0:16:00 | |
But I am now in a position to say that the winner | 0:16:01 | 0:16:04 | |
of the Phase Three contract... | 0:16:04 | 0:16:06 | |
..is Samir Meshal of Qassim Communications. | 0:16:08 | 0:16:12 | |
CROWD APPLAUDS | 0:16:12 | 0:16:14 | |
Is he here? | 0:16:25 | 0:16:27 | |
Kasim! | 0:16:43 | 0:16:45 | |
He was nice. | 0:16:46 | 0:16:48 | |
He was a stranger! And what do strangers do? | 0:16:49 | 0:16:53 | |
They steal little boys who don't tell their mother | 0:16:53 | 0:16:56 | |
where they're going, OK? | 0:16:56 | 0:16:58 | |
Great. Come on. | 0:16:59 | 0:17:01 | |
What the fuck you think you've done, hmm? | 0:17:08 | 0:17:11 | |
-I'm sorry. -Oh, you're sorry? | 0:17:11 | 0:17:14 | |
I rolled out Phase One and Phase Two just for you and now you're sorry? | 0:17:14 | 0:17:18 | |
Samir fucking Meshal. | 0:17:18 | 0:17:20 | |
That guy is so mired in Palestinian politics, | 0:17:20 | 0:17:23 | |
he opens his eyes, they're still covered in shit. | 0:17:23 | 0:17:26 | |
He's clean, Shlomo. We checked. | 0:17:26 | 0:17:28 | |
Oh, you checked. | 0:17:28 | 0:17:29 | |
Just like we have to check on everyone who wants to work with us. | 0:17:29 | 0:17:32 | |
Just like we had to check on you. | 0:17:32 | 0:17:34 | |
Well, what's that? | 0:17:35 | 0:17:36 | |
In October 2009, you received a contract for 287 million dollars | 0:17:36 | 0:17:40 | |
from a Lebanese French private bank to supply computer systems, | 0:17:40 | 0:17:44 | |
which were then shipped to a West African state. | 0:17:44 | 0:17:47 | |
The proceeds of their resale were then returned | 0:17:47 | 0:17:49 | |
to a Lebanese holding account, where they were then layered through | 0:17:49 | 0:17:52 | |
a number of further shell companies until the laundered funds | 0:17:52 | 0:17:55 | |
finally arrived back to their original source. | 0:17:55 | 0:17:57 | |
Hezbollah. | 0:17:57 | 0:17:58 | |
This is bullshit. | 0:18:03 | 0:18:04 | |
I'm sure the original sale was perfectly legal | 0:18:04 | 0:18:07 | |
and you were unaware of what followed. | 0:18:07 | 0:18:10 | |
But unfortunately, we had to be. | 0:18:10 | 0:18:12 | |
(What the fuck...?) | 0:18:15 | 0:18:16 | |
Where'd you get this? Hmm? | 0:18:16 | 0:18:18 | |
All right, it's not true. | 0:18:24 | 0:18:27 | |
You listening to me? It's not true. | 0:18:27 | 0:18:30 | |
We cannot carry secrets, Shlomo. Ever. | 0:18:30 | 0:18:34 | |
But it isn't one of them. Whoever gave you this is lying. | 0:18:34 | 0:18:37 | |
I'm sorry. I'm sorry. | 0:18:37 | 0:18:39 | |
Sorry! You're sorry, for Christ's sakes! Ness, I... | 0:18:39 | 0:18:42 | |
Ephra, pull your sister in line! | 0:18:42 | 0:18:43 | |
Like I said, Shlomo, she runs the business. | 0:18:43 | 0:18:46 | |
Oh, she runs the business. | 0:18:46 | 0:18:47 | |
Are you, are you mad? Are you fucking mad? | 0:18:47 | 0:18:49 | |
You're getting rid of me? | 0:18:49 | 0:18:51 | |
I've been loyal to your family longer than you've been alive. | 0:18:52 | 0:18:55 | |
-I know that. -You know, you know. | 0:18:55 | 0:18:57 | |
You keep picking and choosing and dropping and fucking up, | 0:18:57 | 0:19:01 | |
pretty soon you end up on your own. | 0:19:01 | 0:19:03 | |
And out there... | 0:19:03 | 0:19:05 | |
trust me, you can't be alone. | 0:19:05 | 0:19:07 | |
I'm not alone. | 0:19:07 | 0:19:09 | |
Oh, you think a red robe is going to protect you, huh? | 0:19:09 | 0:19:13 | |
Is that what this is, some massive father thing? | 0:19:13 | 0:19:16 | |
You think that place is going to protect you, because he can't? | 0:19:16 | 0:19:20 | |
All they want to do is keep you so close you can't escape | 0:19:20 | 0:19:23 | |
when they decide to knife you. | 0:19:23 | 0:19:24 | |
Nessa, my daughter, you have enemies enough already. | 0:19:28 | 0:19:31 | |
It's the Middle East, Shlomo. Enemies is what you make. | 0:19:33 | 0:19:36 | |
So all the more reason to keep your friends. | 0:19:38 | 0:19:41 | |
I'm sorry. | 0:19:47 | 0:19:49 | |
MAN ON PHONE: 'So what does it finally feel like | 0:19:51 | 0:19:53 | |
'to be in the House of Lords?' | 0:19:53 | 0:19:54 | |
-A great honour. -'But why you?' | 0:19:54 | 0:19:57 | |
I hope it's a reflection of the UK's continuing commitment to the | 0:19:57 | 0:20:00 | |
Middle East and to progressive ways of thinking about it. | 0:20:00 | 0:20:04 | |
'It's controversial appointment, though.' | 0:20:04 | 0:20:06 | |
No, no controversy. | 0:20:06 | 0:20:08 | |
I was interviewed extensively. | 0:20:08 | 0:20:11 | |
I'll serve as an independent cross-bencher | 0:20:11 | 0:20:13 | |
with no party affiliation whatsoever. None. | 0:20:13 | 0:20:16 | |
'But you're an Israeli.' | 0:20:16 | 0:20:19 | |
Well, I was born and raised in the UK, my companies are based here, | 0:20:19 | 0:20:23 | |
the Stein Group is here, we employ over 3,000 people here | 0:20:23 | 0:20:27 | |
with annual exports of over 350 million on which we pay UK tax, | 0:20:27 | 0:20:31 | |
both personal and corporate... | 0:20:31 | 0:20:34 | |
So I think that makes me a UK citizen, don't you? | 0:20:34 | 0:20:38 | |
'Well, you do hold an Israeli passport.' | 0:20:38 | 0:20:40 | |
Anyone with direct Jewish ancestry holds that right. | 0:20:40 | 0:20:43 | |
'Well, you certainly have the ancestry. | 0:20:43 | 0:20:45 | |
'Eli Stein, The Sword Of Israel, your father. | 0:20:45 | 0:20:48 | |
'That's quite an inheritance.' | 0:20:48 | 0:20:50 | |
Well, I hope you'll recognise that it's precisely | 0:20:50 | 0:20:53 | |
because of what we've chosen to do with it that I'm here today. | 0:20:53 | 0:20:58 | |
'Do you have close protection, Lady Stein?' | 0:20:58 | 0:21:00 | |
-Yes, I do. -'Why?' | 0:21:02 | 0:21:05 | |
It's an unfortunate necessity. | 0:21:06 | 0:21:09 | |
'But you're meant to be everyone's friend, aren't you?' | 0:21:09 | 0:21:12 | |
There are militant factions on both sides, so realistically... | 0:21:12 | 0:21:15 | |
'Sorry, but are you a realist? | 0:21:15 | 0:21:17 | |
'Because as an idealist, | 0:21:17 | 0:21:19 | |
'I'd completely understand why you'd need a bodyguard. | 0:21:19 | 0:21:21 | |
'After all, when it comes to the history of the Middle East | 0:21:21 | 0:21:24 | |
'it never ends well for idealists, does it?' | 0:21:24 | 0:21:26 | |
Hello. Hi. | 0:21:31 | 0:21:33 | |
It was so good to see you! Thank you for coming... | 0:21:33 | 0:21:36 | |
-Hello. -Hello! -Wonderful speech. | 0:21:36 | 0:21:39 | |
It's been ages since I've seen both of you. Hope you're happy. | 0:21:39 | 0:21:42 | |
Thank you. | 0:21:42 | 0:21:43 | |
Thank you so much for coming. | 0:21:47 | 0:21:50 | |
-Hello. -Monica Chatwin. Foreign Office. Washington bureau. | 0:21:50 | 0:21:53 | |
-Oh. -Although I'm due to return here soon. | 0:21:53 | 0:21:55 | |
-I have a particular interest in the Middle East. -I see. | 0:21:55 | 0:21:58 | |
And I just wanted to say hello so you can put a face to the name. | 0:21:58 | 0:22:01 | |
Well, now you have. Thank you. | 0:22:01 | 0:22:03 | |
Don't worry about it. | 0:22:05 | 0:22:06 | |
-IN THE DISTANCE: -Hello. I can't tell you how much... | 0:22:06 | 0:22:08 | |
Run along and find Mummy, I'll come down soon. | 0:22:08 | 0:22:10 | |
-IN DISTANCE: -So nice to see you all here. Thank you. | 0:22:10 | 0:22:13 | |
I hope from now on you'll feel you have all the support you deserve. | 0:22:13 | 0:22:16 | |
-From who? -The British government. | 0:22:16 | 0:22:18 | |
-The support but not influence. -Of course not. | 0:22:18 | 0:22:20 | |
It's simply recognition of the UK's historic responsibility | 0:22:20 | 0:22:23 | |
-to the Middle East. -I hope so. | 0:22:23 | 0:22:25 | |
Oh, I know so. I heard it from the Prime Minister's lips. | 0:22:25 | 0:22:27 | |
Excuse me, what job exactly are you about to take on, Mrs...? | 0:22:27 | 0:22:30 | |
-Monica... -Chatwin. | 0:22:30 | 0:22:32 | |
Oh, shh... | 0:22:32 | 0:22:34 | |
But I'm sure you'll be asking your security | 0:22:34 | 0:22:36 | |
the moment I've turned my back. | 0:22:36 | 0:22:38 | |
-Congratulations! -Thank you very much. | 0:22:38 | 0:22:39 | |
-It really is a wonderful day. -Thank you. | 0:22:39 | 0:22:41 | |
MI6. | 0:22:45 | 0:22:46 | |
Julia Walsh is bringing her back to run the Middle East desk. | 0:22:46 | 0:22:49 | |
-I thought Hayden-Hoyle was doing that? -So does he. | 0:22:49 | 0:22:52 | |
-Why are you here? -To congratulate your sister. | 0:22:58 | 0:23:00 | |
Leave her alone. | 0:23:00 | 0:23:02 | |
-I just offered her my help. -She doesn't need your help. | 0:23:02 | 0:23:05 | |
She has before and I think she might again. | 0:23:05 | 0:23:07 | |
Stay away from my sister. | 0:23:07 | 0:23:08 | |
It's my job, Ephra, keeping secrets. | 0:23:11 | 0:23:14 | |
So what are you worrying about? | 0:23:15 | 0:23:17 | |
Yours is perfectly safe. | 0:23:20 | 0:23:22 | |
OK, just a couple more minutes. | 0:23:34 | 0:23:37 | |
RACHEL: What have you been doing with your hands? | 0:23:37 | 0:23:39 | |
-EPHRA: -Sorry. | 0:23:39 | 0:23:41 | |
Where have you been? | 0:23:41 | 0:23:43 | |
Just someone I haven't seen in years. | 0:23:43 | 0:23:45 | |
All right? All right. | 0:23:45 | 0:23:47 | |
Oh, Nessa. What they do to our bodies, you would never believe. | 0:23:47 | 0:23:50 | |
Hello. | 0:23:54 | 0:23:55 | |
Hello. | 0:23:55 | 0:23:57 | |
That's a very big watch. | 0:24:00 | 0:24:02 | |
-RECORDING OF WAITER'S VOICE: -'Are you lost?' | 0:24:02 | 0:24:04 | |
Well, let's hope not. | 0:24:04 | 0:24:06 | |
We're ready. | 0:24:08 | 0:24:09 | |
They're all good names. | 0:24:38 | 0:24:40 | |
And who might be your choice for successor? | 0:24:40 | 0:24:43 | |
Julia knows my choice. He's been my deputy for three years. | 0:24:43 | 0:24:46 | |
And if it wasn't him? | 0:24:46 | 0:24:49 | |
Then it wouldn't be my choice. | 0:24:49 | 0:24:51 | |
The next one, please. | 0:24:51 | 0:24:53 | |
It's not my choice. | 0:24:59 | 0:25:01 | |
When? | 0:25:03 | 0:25:04 | |
Well, obviously, we'd like you to finish up on whatever's outstanding. | 0:25:04 | 0:25:08 | |
And then you'll be free. | 0:25:13 | 0:25:14 | |
You haven't asked me who it's going to be. | 0:25:26 | 0:25:28 | |
-Is it you? -Oh, no, no. | 0:25:33 | 0:25:36 | |
I'm not a... Actually, what are you? | 0:25:36 | 0:25:39 | |
Oh, a son of a...Lord? | 0:25:39 | 0:25:42 | |
Baronet. | 0:25:43 | 0:25:44 | |
Baronet. From Ireland. | 0:25:44 | 0:25:47 | |
Now there's a conflict. | 0:25:47 | 0:25:49 | |
Maybe that's why they gave me the Middle East. | 0:25:49 | 0:25:51 | |
It's a dangerous kind of spy, | 0:25:53 | 0:25:54 | |
Sir Hugh, who even lies to himself. | 0:25:54 | 0:25:56 | |
Wait. | 0:25:58 | 0:26:00 | |
You really want these so much? | 0:26:14 | 0:26:16 | |
And this is just so perfect. | 0:26:18 | 0:26:21 | |
Because we all know THAT'S how you really got the job... | 0:26:26 | 0:26:29 | |
Well, I don't suppose you fucked Dame Julia with them on. | 0:26:32 | 0:26:36 | |
Sir Hugh. | 0:26:45 | 0:26:47 | |
DOORBELL RINGS | 0:26:50 | 0:26:51 | |
Lady Hoyle. | 0:27:00 | 0:27:02 | |
I tore up that name with our credit cards, Hugh. | 0:27:02 | 0:27:05 | |
Just one of the many things I've left behind. | 0:27:05 | 0:27:08 | |
I like your hair. | 0:27:10 | 0:27:12 | |
Is that the line you always use? | 0:27:13 | 0:27:15 | |
Because I'm surprised it's ever worked. | 0:27:15 | 0:27:18 | |
What do you want? | 0:27:22 | 0:27:24 | |
If I'd told you the truth, would you have stayed? | 0:27:25 | 0:27:28 | |
I'm too tired. | 0:27:32 | 0:27:33 | |
I only lied because I didn't want to hurt you. | 0:27:35 | 0:27:38 | |
Hugh, most people get fucked by their job, not for it. | 0:27:40 | 0:27:44 | |
Still...least you got a nice car. | 0:27:50 | 0:27:53 | |
Not sure for how long. | 0:27:55 | 0:27:57 | |
Is that sulphur I can smell? | 0:27:58 | 0:28:00 | |
I'm not a devil, Angie. | 0:28:03 | 0:28:04 | |
Didn't say you were. | 0:28:05 | 0:28:07 | |
But I'm sure you've made a deal with one. | 0:28:08 | 0:28:10 | |
HAUNTING MUSIC DROWNS SOUNDS | 0:29:40 | 0:29:46 | |
Samir Meshal. | 0:29:58 | 0:30:00 | |
Palestinian. Multimillionaire. Telecommunications. | 0:30:00 | 0:30:03 | |
I know him. | 0:30:03 | 0:30:04 | |
He's dead. | 0:30:05 | 0:30:07 | |
Suicide. Approximately two o'clock this afternoon. | 0:30:08 | 0:30:12 | |
How? | 0:30:12 | 0:30:14 | |
Hung himself from a flagpole wrapped in his national flag. | 0:30:14 | 0:30:18 | |
How very patriotic. | 0:30:20 | 0:30:21 | |
Are you sure it's suicide? | 0:30:27 | 0:30:29 | |
From what I can gather, he left a note. | 0:30:29 | 0:30:31 | |
Hmm. | 0:30:33 | 0:30:34 | |
This... | 0:30:36 | 0:30:37 | |
Definitely from him? | 0:30:39 | 0:30:41 | |
Well, those are his fingerprints. It's addressed to his wife. | 0:30:41 | 0:30:44 | |
Do you think if I'd learnt to read Arabic, | 0:30:47 | 0:30:49 | |
-it would have made my job a whole lot easier? -Sir. | 0:30:49 | 0:30:52 | |
Why'd it come to us? | 0:30:56 | 0:30:57 | |
This. | 0:30:59 | 0:31:01 | |
We need to speak to the Israelis. | 0:31:05 | 0:31:07 | |
I'll set up a meeting. | 0:31:07 | 0:31:08 | |
For a formal response, go right ahead, but for a truthful one, | 0:31:08 | 0:31:11 | |
-or at least the chance of it, leave it with me. -Sir. | 0:31:11 | 0:31:14 | |
Someone about to win a multimillion contract | 0:31:37 | 0:31:39 | |
just goes and puts a rope round his neck? | 0:31:39 | 0:31:41 | |
Maybe he couldn't stand the wait. | 0:31:45 | 0:31:47 | |
You think he's been killed. | 0:31:54 | 0:31:56 | |
You don't? | 0:31:56 | 0:31:57 | |
It's odd, I agree. | 0:31:58 | 0:32:00 | |
Someone gets cancer, I think they've been given it. | 0:32:01 | 0:32:03 | |
I'll look into it. | 0:32:06 | 0:32:07 | |
Hmm... | 0:32:11 | 0:32:12 | |
I was so happy this morning. | 0:32:15 | 0:32:17 | |
Didn't even make the day. | 0:32:20 | 0:32:22 | |
MUSIC: "How To Disappear Completely" by Radiohead | 0:32:31 | 0:32:34 | |
I won't be going out again tonight. | 0:32:35 | 0:32:38 | |
-ON PHONE: -We'll be here, sir. | 0:32:38 | 0:32:41 | |
-You can go home. -Just in case. | 0:32:41 | 0:32:43 | |
And that's supposed to make me feel better? | 0:32:45 | 0:32:49 | |
Good night, sir. | 0:32:49 | 0:32:51 | |
Good night. | 0:32:51 | 0:32:53 | |
# That there | 0:33:10 | 0:33:15 | |
# That's not me | 0:33:18 | 0:33:24 | |
# I go | 0:33:28 | 0:33:34 | |
# Where I please | 0:33:37 | 0:33:42 | |
# I walk through walls | 0:33:47 | 0:33:53 | |
# I float down the Liffey | 0:33:55 | 0:34:02 | |
# I'm not here | 0:34:05 | 0:34:11 | |
# This isn't happening | 0:34:14 | 0:34:19 | |
# I'm not here | 0:34:23 | 0:34:29 | |
# I'm not here | 0:34:33 | 0:34:37 | |
# In a little while | 0:34:42 | 0:34:50 | |
# I'll be gone | 0:34:51 | 0:34:56 | |
# The moment's already passed | 0:35:01 | 0:35:08 | |
# Yeah, it's gone | 0:35:10 | 0:35:15 | |
# I'm not here | 0:35:19 | 0:35:26 | |
# This isn't happening | 0:35:29 | 0:35:34 | |
# I'm not here | 0:35:39 | 0:35:44 | |
# I'm not here. # | 0:35:47 | 0:35:54 | |
-INTO INTERCOM: -I'm going out. | 0:35:59 | 0:36:01 | |
-Hello. -Hey, good to see you. -Lovely to see you. OK. | 0:37:02 | 0:37:06 | |
-Congratulations. -Thank you. | 0:37:14 | 0:37:17 | |
DOOR BUZZES | 0:37:26 | 0:37:28 | |
Knight to B6. | 0:39:09 | 0:39:11 | |
Interesting. | 0:39:18 | 0:39:20 | |
It's OK. It's OK. It's OK, it's OK. | 0:39:22 | 0:39:23 | |
Can I get you something to drink? | 0:39:23 | 0:39:25 | |
Go away. NESSA SOBS | 0:39:25 | 0:39:27 | |
-EMOTIONAL: -I can't do this. | 0:39:30 | 0:39:32 | |
-I can't... -Yes, you can. | 0:39:34 | 0:39:36 | |
We're strong, you and I. | 0:39:38 | 0:39:41 | |
What if they find out? | 0:39:41 | 0:39:42 | |
-They won't. -They might... | 0:39:42 | 0:39:44 | |
They will never find out. I promise. | 0:39:44 | 0:39:47 | |
Never. Never. | 0:39:47 | 0:39:50 | |
It's OK. It's OK. | 0:39:57 | 0:39:59 | |
I wanted to celebrate. | 0:40:06 | 0:40:08 | |
Everything will be fine. | 0:40:10 | 0:40:12 | |
Nessa. | 0:40:12 | 0:40:14 | |
OK? Trust me. Trust me. | 0:40:14 | 0:40:16 | |
OK? OK? | 0:40:16 | 0:40:19 | |
OK? | 0:40:19 | 0:40:20 | |
The Israeli government has had no hand in this. | 0:40:22 | 0:40:27 | |
Yes, Judah, I understand. | 0:40:30 | 0:40:32 | |
From what I hear, it was a suicide. | 0:40:36 | 0:40:38 | |
Because of the note. | 0:40:40 | 0:40:41 | |
Is what I hear. | 0:40:41 | 0:40:43 | |
They found fingerprints on the letter. | 0:40:46 | 0:40:48 | |
Is what I hear. | 0:40:50 | 0:40:51 | |
But not on the envelope, Judah. | 0:40:53 | 0:40:55 | |
And yet that's where we found the letter... | 0:40:59 | 0:41:02 | |
..inside the envelope. | 0:41:05 | 0:41:07 | |
Now how is that possible? | 0:41:10 | 0:41:12 | |
The last time I saw that trick, it was David Nixon and Ali Baba. | 0:41:15 | 0:41:19 | |
I don't know them. | 0:41:21 | 0:41:23 | |
It wasn't us. | 0:41:28 | 0:41:30 | |
-The Mossad? -No. | 0:41:32 | 0:41:34 | |
-Kidron? -No. | 0:41:34 | 0:41:36 | |
Was he on your graph? | 0:41:37 | 0:41:39 | |
I'm about to be retired. | 0:41:51 | 0:41:53 | |
-Oh? -Hmm. | 0:41:54 | 0:41:57 | |
So this will probably be my last case. | 0:41:57 | 0:42:00 | |
And like every good spy, when I leave a case... | 0:42:02 | 0:42:05 | |
..I like to leave it... | 0:42:07 | 0:42:08 | |
..empty. | 0:42:12 | 0:42:13 | |
Are you all right? | 0:42:30 | 0:42:31 | |
She needed to see me. | 0:42:34 | 0:42:36 | |
She OK? | 0:42:36 | 0:42:38 | |
She'll be fine. | 0:42:38 | 0:42:39 | |
What's wrong? | 0:42:41 | 0:42:42 | |
She'll be fine, Ephra... | 0:42:44 | 0:42:46 | |
Trust me. | 0:42:48 | 0:42:49 | |
Good night. | 0:42:52 | 0:42:53 | |
ATIKA SINGS IN OWN LANGUAGE | 0:43:03 | 0:43:08 | |
GUNS FIRE | 0:44:52 | 0:44:53 | |
THE WOMEN SCREAM | 0:44:53 | 0:44:55 | |
SPEECH INAUDIBLE | 0:44:56 | 0:45:04 | |
LOCKS THUD INTO PLACE | 0:45:47 | 0:45:50 | |
-RECORDING OF WAITER'S VOICE: -'Are you lost?' | 0:46:12 | 0:46:14 | |
We think the Israelis killed him. | 0:46:38 | 0:46:40 | |
And who is it exactly that's thinking that? | 0:46:40 | 0:46:43 | |
The entire Palestinian Authority or just you? | 0:46:43 | 0:46:47 | |
I speak on behalf of my country, Baroness Stein, | 0:46:47 | 0:46:50 | |
for whom Samir Meshal has become a martyr. | 0:46:50 | 0:46:52 | |
We don't know that. | 0:46:55 | 0:46:57 | |
They don't want you to choose a Palestinian. They want an Israeli. | 0:46:57 | 0:47:02 | |
It doesn't matter what anyone wants, Mr Muraji. | 0:47:02 | 0:47:05 | |
We want you to choose a Palestinian. | 0:47:05 | 0:47:08 | |
I will choose whoever best protects the aims and ideals of this company | 0:47:08 | 0:47:14 | |
and nothing you or anyone else wants will affect that decision. | 0:47:14 | 0:47:18 | |
You cannot choose an Israeli... | 0:47:19 | 0:47:21 | |
not after this. | 0:47:21 | 0:47:23 | |
I'll choose exactly who I want. | 0:47:24 | 0:47:25 | |
Then you will have made a mistake. | 0:47:27 | 0:47:29 | |
And if I do, at least it will be mine. | 0:47:31 | 0:47:33 | |
(Don't be afraid, hmm?) | 0:47:46 | 0:47:49 | |
(Everything is going to be all right.) | 0:47:49 | 0:47:52 | |
(OK?) | 0:47:52 | 0:47:53 | |
It's going to be more than that, it'll be great. | 0:47:53 | 0:47:56 | |
CROWD CHANTS ANGRILY | 0:48:19 | 0:48:22 | |
So once we're inside, we've agreed to a short interview about | 0:48:27 | 0:48:31 | |
the academy and what we're trying to do in Ramallah, but obviously | 0:48:31 | 0:48:33 | |
they'll probably want a comment on whatever's going on outside. | 0:48:33 | 0:48:37 | |
I don't want to be drawn. | 0:48:37 | 0:48:38 | |
Then don't be. The message is music. | 0:48:38 | 0:48:41 | |
So it's, erm, it's vocal but contained. | 0:48:42 | 0:48:45 | |
You're set up to go in the main entrance, | 0:48:45 | 0:48:47 | |
-but there is an alternative. -Which is? | 0:48:47 | 0:48:49 | |
The rear loading bay. It's an easy drive in. | 0:48:49 | 0:48:52 | |
No. Main entrance. | 0:48:52 | 0:48:54 | |
It's meant to be a celebration, not a run for a bunker. | 0:48:54 | 0:48:56 | |
All right, straight in, OK? | 0:48:56 | 0:48:59 | |
CROWD CHANTS ANGRILY | 0:48:59 | 0:49:03 | |
Tonight, is really about celebrating this music | 0:49:15 | 0:49:18 | |
and celebrating this extraordinary musician. | 0:49:18 | 0:49:20 | |
But everywhere you go, you bring this with you. | 0:49:20 | 0:49:22 | |
Sorry, we really have to go now. | 0:49:22 | 0:49:24 | |
Do you know what? Can I say...? | 0:49:26 | 0:49:29 | |
I don't pretend to have an all-encompassing solution, | 0:49:29 | 0:49:32 | |
clearly we don't, but with what we're trying to do here, | 0:49:32 | 0:49:36 | |
at least we're no longer part of the problem. | 0:49:36 | 0:49:39 | |
-You all right? -Yeah. | 0:49:46 | 0:49:48 | |
-Hey. -Hi. | 0:49:48 | 0:49:50 | |
-You all right? -Yeah. -Sure? -Yeah. | 0:49:50 | 0:49:53 | |
Where's Rachel? | 0:49:54 | 0:49:56 | |
Her ankles are a bit swollen, it's a late pregnancy thing. | 0:49:56 | 0:49:59 | |
Where's Atika? | 0:49:59 | 0:50:01 | |
Well, she thought it best if she stayed at home as well, it's fine. | 0:50:01 | 0:50:03 | |
It's fine, it's fine. | 0:50:03 | 0:50:05 | |
I'm quite capable of looking after my own kids... | 0:50:05 | 0:50:07 | |
-aren't I? -Are you OK? | 0:50:07 | 0:50:10 | |
They need you backstage. | 0:50:10 | 0:50:11 | |
Who's looking after them? | 0:50:11 | 0:50:13 | |
-This gentleman's going take us in. -Are you cleared? | 0:50:13 | 0:50:15 | |
Yes, of course he's cleared. | 0:50:15 | 0:50:17 | |
-Are you cleared? Is he cleared? -Yeah, he's cleared, it's fine. | 0:50:17 | 0:50:21 | |
-Come on, glasses, drink up. -It's fine. | 0:50:21 | 0:50:23 | |
SEATING BELL RINGS | 0:50:23 | 0:50:26 | |
Mazel, this one. | 0:50:32 | 0:50:34 | |
Come on, darling, do you want to take this, this last one? | 0:50:34 | 0:50:37 | |
Fingers crossed for the Star Wars theme. | 0:51:09 | 0:51:11 | |
Hello. | 0:51:28 | 0:51:30 | |
Welcome to this unique and historic event. | 0:51:30 | 0:51:33 | |
I've been asked to say a few words | 0:51:37 | 0:51:39 | |
and do you know what? That's literally all I'm going to do | 0:51:39 | 0:51:42 | |
because tonight I really think the music should speak for itself. | 0:51:42 | 0:51:46 | |
-So enjoy. -AUDIENCE APPLAUDS | 0:51:48 | 0:51:51 | |
(What?) | 0:52:25 | 0:52:26 | |
LOUD ALARM BLARES | 0:52:28 | 0:52:32 | |
-EPHRA: -It's all right, everything's fine. Just stay where you are. | 0:52:32 | 0:52:36 | |
PEOPLE SHOUT IN PANIC | 0:52:36 | 0:52:38 | |
-Take us to the rear loading bay now. -OK. | 0:52:44 | 0:52:47 | |
Kasim. It's just a fire alarm but follow me. | 0:52:50 | 0:52:53 | |
Quick as you can. | 0:52:55 | 0:52:56 | |
Possible fire, meet us at the rear loading bay. Over. | 0:52:56 | 0:52:59 | |
-EPHRA: -Kasim! Kasim? | 0:53:13 | 0:53:15 | |
Come back. Wait, wait, wait, wait... | 0:53:15 | 0:53:17 | |
-SHOUTS: -Kasim? | 0:53:17 | 0:53:21 | |
Kasim?! | 0:53:21 | 0:53:22 | |
-Wait! -What? | 0:53:27 | 0:53:29 | |
Hello? | 0:53:36 | 0:53:38 | |
Kasim! | 0:53:45 | 0:53:46 | |
MAN GRUNTS | 0:53:48 | 0:53:49 | |
Excuse me! | 0:53:52 | 0:53:53 | |
MAN GRUNTS | 0:54:17 | 0:54:18 | |
CAR HORN BLARES | 0:54:21 | 0:54:23 | |
KASIM GASPS FOR AIR | 0:54:30 | 0:54:33 | |
PHONE RINGS | 0:54:59 | 0:55:00 | |
I'll wait there. | 0:55:02 | 0:55:04 | |
-SHE SHOUTS: -Kasim! | 0:55:16 | 0:55:17 | |
NESSA GASPS FOR AIR | 0:55:32 | 0:55:34 | |
NESSA PANTS | 0:56:02 | 0:56:05 | |
What do you want?! | 0:56:19 | 0:56:21 | |
GUN FIRES | 0:56:41 | 0:56:43 | |
SHE GASPS IN RELIEF | 0:56:46 | 0:56:48 | |
GUN FIRES | 0:56:48 | 0:56:49 | |
GUN FIRES | 0:56:58 | 0:57:00 | |
ENGINE ROARS | 0:57:00 | 0:57:02 | |
ENGINE REVS | 0:57:08 | 0:57:09 | |
-NESSA YELLS: -Kasim! | 0:57:09 | 0:57:11 |