Browse content similar to The Unfaithful Husband. Check below for episodes and series from the same categories and more!
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Contains strong language, scenes of a sexual nature | 0:00:02 | 0:00:04 | |
and scenes which some viewers may find upsetting from the beginning. | 0:00:04 | 0:00:07 | |
Who do you trust? How do you know? By how they appear? | 0:00:07 | 0:00:09 | |
Or what they say... | 0:00:09 | 0:00:11 | |
what they do? | 0:00:11 | 0:00:12 | |
We all have secrets. | 0:00:13 | 0:00:16 | |
But sometimes... | 0:00:21 | 0:00:22 | |
..rarely... | 0:00:23 | 0:00:24 | |
..something can happen that leaves you no choice... | 0:00:26 | 0:00:29 | |
..but to reveal it... | 0:00:30 | 0:00:32 | |
..to let the world see who you really are... | 0:00:34 | 0:00:37 | |
..your secret self. | 0:00:38 | 0:00:40 | |
But mostly we tell lies, | 0:00:40 | 0:00:43 | |
we hide our secrets from each other... | 0:00:43 | 0:00:46 | |
from ourselves. | 0:00:46 | 0:00:48 | |
So, when you think about it like that, | 0:00:50 | 0:00:53 | |
it's a wonder we trust anyone at all. | 0:00:53 | 0:00:55 | |
MAN CRIES OUT IN PAIN | 0:01:05 | 0:01:06 | |
DOGS BARK | 0:01:11 | 0:01:12 | |
DOG HOWLS | 0:01:15 | 0:01:16 | |
MAN CRIES OUT | 0:01:16 | 0:01:18 | |
MAN CRIES OUT | 0:01:30 | 0:01:32 | |
Modeh ani l'faneykha. | 0:01:59 | 0:02:02 | |
Don't be afraid. | 0:02:14 | 0:02:15 | |
I'm safe. | 0:02:18 | 0:02:19 | |
I can't do this. | 0:02:21 | 0:02:23 | |
If it's the price...for a nation. | 0:02:30 | 0:02:33 | |
RADIO COMMUNICATION IN ARABIC | 0:02:38 | 0:02:40 | |
PASSIONATE MOANS | 0:02:55 | 0:02:57 | |
Hang on! What are you doing? | 0:03:56 | 0:03:58 | |
-Wait. -What? | 0:04:00 | 0:04:01 | |
Um... | 0:04:01 | 0:04:02 | |
Oh, where's the...? | 0:04:02 | 0:04:05 | |
Where is it? | 0:04:05 | 0:04:07 | |
Where's what? | 0:04:07 | 0:04:08 | |
What? | 0:04:09 | 0:04:11 | |
Fuck. Who was that? | 0:04:13 | 0:04:15 | |
After this, | 0:04:18 | 0:04:20 | |
you and I are going to have to have a straight talk. | 0:04:20 | 0:04:23 | |
What? | 0:04:23 | 0:04:25 | |
You know who that was. | 0:04:27 | 0:04:29 | |
I don't think there's much about me you don't know. | 0:04:30 | 0:04:32 | |
Who do you work for? | 0:04:37 | 0:04:39 | |
You. | 0:04:39 | 0:04:40 | |
No. | 0:04:41 | 0:04:43 | |
A real bodyguard knows how to keep his distance. | 0:04:43 | 0:04:46 | |
Are you MI6? | 0:04:48 | 0:04:50 | |
You work for Hayden-Hoyle. | 0:04:52 | 0:04:54 | |
Fuck! | 0:04:55 | 0:04:56 | |
Tell him thank you. | 0:04:57 | 0:04:59 | |
Tell him, "Tighten up on the training." | 0:05:00 | 0:05:02 | |
Yeah, well, don't you worry. | 0:05:04 | 0:05:06 | |
I've got more than I need. | 0:05:06 | 0:05:07 | |
What do you get? | 0:05:07 | 0:05:09 | |
Get off me. | 0:05:09 | 0:05:10 | |
Easy with your body. | 0:05:12 | 0:05:14 | |
Dead behind the eyes. | 0:05:16 | 0:05:17 | |
SHE LAUGHS | 0:05:17 | 0:05:19 | |
Oh...don't even start. | 0:05:19 | 0:05:22 | |
Kasim? | 0:05:35 | 0:05:37 | |
Kasim! | 0:05:37 | 0:05:39 | |
GUNSHOTS | 0:05:41 | 0:05:42 | |
Kasim! | 0:05:44 | 0:05:46 | |
MOTORBIKE SPEEDS AWAY | 0:05:46 | 0:05:47 | |
Modeh ani l'faneykha... | 0:07:21 | 0:07:24 | |
melekh chai vekayam... | 0:07:24 | 0:07:27 | |
she-hechezarta bi nishmati bechemlah... | 0:07:27 | 0:07:29 | |
..rabbah emunatekha. | 0:07:31 | 0:07:32 | |
BLEEPING | 0:07:51 | 0:07:52 | |
VACUUM CLEANER OFF | 0:08:19 | 0:08:21 | |
I thought you were going to leave it. | 0:08:22 | 0:08:24 | |
I can't. | 0:08:25 | 0:08:27 | |
VACUUM CLEANER RESTARTS | 0:08:33 | 0:08:35 | |
REGULAR BEEPING | 0:08:38 | 0:08:40 | |
Thank you. | 0:08:50 | 0:08:51 | |
I don't trust her. | 0:08:59 | 0:09:01 | |
Because she caught you with your pants down... | 0:09:02 | 0:09:04 | |
literally? | 0:09:04 | 0:09:06 | |
That was my job...sir. | 0:09:06 | 0:09:08 | |
-Nice work if you can get it. -It wasn't hers. | 0:09:08 | 0:09:10 | |
So what do you want me to do - commend you for the effort | 0:09:10 | 0:09:13 | |
or sack you for the result? | 0:09:13 | 0:09:15 | |
Go on, get lost before the boss sees you. | 0:09:16 | 0:09:19 | |
-Too late. -Shit. | 0:09:19 | 0:09:21 | |
And here comes a chopper to chop off... | 0:09:21 | 0:09:24 | |
My dick. | 0:09:24 | 0:09:26 | |
Hugh. | 0:09:27 | 0:09:28 | |
C. | 0:09:28 | 0:09:30 | |
Where are you on Samir Meshal? | 0:09:31 | 0:09:33 | |
About to interview his wife. | 0:09:33 | 0:09:34 | |
And the Stein kidnap? | 0:09:34 | 0:09:36 | |
The police are handling that. | 0:09:36 | 0:09:38 | |
Really?! | 0:09:39 | 0:09:41 | |
Yes, really. | 0:09:42 | 0:09:43 | |
Are you suggesting we took the child? | 0:09:45 | 0:09:49 | |
No, of course not. | 0:09:49 | 0:09:50 | |
But I am aware of the visit made by you | 0:09:51 | 0:09:53 | |
to Nessa Stein before his disappearance. | 0:09:53 | 0:09:56 | |
-I went to warn her. -Of what? | 0:09:56 | 0:09:58 | |
-The Israelis. -Why? | 0:09:58 | 0:10:01 | |
We have never tried to influence Nessa Stein, and we never will. | 0:10:01 | 0:10:06 | |
So you don't have any idea who may have abducted the child? | 0:10:07 | 0:10:09 | |
Because the Palestinians think it was us. | 0:10:09 | 0:10:12 | |
Your..."informant" is all too transparent, Commander. | 0:10:12 | 0:10:16 | |
It's not beyond your history. | 0:10:17 | 0:10:20 | |
And what do you know about our history? | 0:10:21 | 0:10:25 | |
Be very careful. | 0:10:28 | 0:10:30 | |
The story you've just stepped into, it stretches back thousands of years. | 0:10:30 | 0:10:34 | |
All I rely on is what I can see with my own eyes. | 0:10:36 | 0:10:39 | |
Then I hope you read Braille. | 0:10:40 | 0:10:42 | |
Sir? | 0:10:45 | 0:10:47 | |
The kidnap driver. | 0:10:51 | 0:10:52 | |
He is awake. | 0:10:53 | 0:10:55 | |
Press 1. There's an answerphone message. | 0:11:09 | 0:11:12 | |
Listen to it, then delete it. | 0:11:13 | 0:11:15 | |
-Who are you? -Take it. | 0:11:17 | 0:11:19 | |
MAN'S VOICE ON PHONE | 0:11:27 | 0:11:29 | |
Delete it. | 0:11:33 | 0:11:35 | |
REGULAR BEEPING | 0:12:00 | 0:12:03 | |
GASPS | 0:12:51 | 0:12:53 | |
BEEPING SPEEDS UP | 0:12:55 | 0:12:57 | |
LIFT TANNOY: Third floor. Doors opening. | 0:13:06 | 0:13:09 | |
CONTINUOUS BEEP | 0:13:22 | 0:13:23 | |
Wait here. | 0:13:23 | 0:13:24 | |
You lost him. | 0:13:32 | 0:13:33 | |
We did everything we could. | 0:13:33 | 0:13:35 | |
Except keep him alive. | 0:13:35 | 0:13:37 | |
Who was he? | 0:13:40 | 0:13:41 | |
His name was Michael Gatz. He was ex Intelligence Corps. | 0:13:42 | 0:13:46 | |
So was the man your security officer killed. | 0:13:47 | 0:13:49 | |
You're suggesting this was a military operation. | 0:13:49 | 0:13:51 | |
No, no, no. They left four years ago and functionally disappeared. Until now. | 0:13:51 | 0:13:56 | |
Too late. | 0:13:56 | 0:13:57 | |
-HE SIGHS -Clearly, they're a team that leaves no trace...at all. | 0:13:57 | 0:14:02 | |
So, where next? | 0:14:02 | 0:14:03 | |
Given what's happened, I have to suggest the possibility | 0:14:05 | 0:14:08 | |
that our most likely point of first contact | 0:14:08 | 0:14:11 | |
will be when Kasim's kidnappers choose to make it with us. | 0:14:11 | 0:14:14 | |
So the long arm of the law has just come up short. | 0:14:15 | 0:14:18 | |
Is that what you're telling us? | 0:14:18 | 0:14:19 | |
And how do you expect us to react to that? | 0:14:21 | 0:14:23 | |
He doesn't. | 0:14:24 | 0:14:26 | |
He expects us to wait. | 0:14:26 | 0:14:28 | |
The Palestinian funding debate - do you still want to speak? | 0:14:36 | 0:14:39 | |
Yes, but no questions on this. | 0:14:39 | 0:14:42 | |
-There won't be. There's a complete blackout. -Are you sure? | 0:14:42 | 0:14:45 | |
It's a kidnapping. The outside world is always the last to hear. | 0:14:45 | 0:14:48 | |
But mostly they're never even told. | 0:14:48 | 0:14:51 | |
All right? | 0:15:08 | 0:15:10 | |
How long do I have to put up with these monkeys in my house? | 0:15:11 | 0:15:14 | |
What? | 0:15:14 | 0:15:15 | |
There is urine all over the floor in the cloakroom. | 0:15:15 | 0:15:18 | |
If they aim like they piss, someone tries to kill us, we're done for anyway. | 0:15:18 | 0:15:22 | |
-Well, we have to have them. -Why? -Because you know why. | 0:15:22 | 0:15:25 | |
-So, are you coming to this lunch? -Uh-uh. | 0:15:31 | 0:15:33 | |
-Are you getting something out of this? -What? | 0:15:34 | 0:15:37 | |
We go to that lunch, we'll be turning up in a fucking motorcade. | 0:15:37 | 0:15:40 | |
Is that something you want? | 0:15:40 | 0:15:43 | |
I'm an educational fundraiser, Rachel. I have been for seven years now. | 0:15:43 | 0:15:46 | |
-Yes, but are you missing it? -Of course I'm not missing it. | 0:15:46 | 0:15:48 | |
There's a big streak of vanity running through your family, Ephra, | 0:15:48 | 0:15:51 | |
and it appears to be growing. | 0:15:51 | 0:15:53 | |
First your father wants to save Israel, | 0:15:53 | 0:15:56 | |
now your sister's trying to save the Middle East. | 0:15:56 | 0:15:58 | |
What's your plan for my daughters? | 0:15:58 | 0:16:00 | |
Is kryptonite involved? | 0:16:00 | 0:16:01 | |
I gave it all up! It's not my fault. | 0:16:01 | 0:16:04 | |
It was you who insisted on taking them to that fucking concert. | 0:16:04 | 0:16:06 | |
Now you're blaming me? | 0:16:06 | 0:16:08 | |
I think you wanted to present my Jewish daughters with Atika's Palestinian son... | 0:16:09 | 0:16:14 | |
just so the world could see the United Colours of Stein. | 0:16:14 | 0:16:17 | |
-That's not... -It was a vanity. It's all vanity. | 0:16:17 | 0:16:21 | |
And having men with guns | 0:16:21 | 0:16:23 | |
pissing all over my cloakroom is not a price I'm going to pay. | 0:16:23 | 0:16:27 | |
Is she sedated? | 0:16:51 | 0:16:53 | |
I don't know. I don't think so. Why? | 0:16:54 | 0:16:57 | |
If it was me, I'm not sure I'd be so calm. | 0:16:59 | 0:17:01 | |
You mean like she's not behaving the way you'd expect? | 0:17:02 | 0:17:05 | |
Well, nothing's happening the way I'd expect. | 0:17:05 | 0:17:09 | |
I mean...where's the father? | 0:17:09 | 0:17:12 | |
Dead, Frances, in a car crash eight years ago. | 0:17:12 | 0:17:15 | |
Right. I didn't know that. | 0:17:15 | 0:17:17 | |
-You didn't? -No! | 0:17:17 | 0:17:19 | |
Um...yeah, he worked as a driver for us in Gaza, so... | 0:17:22 | 0:17:27 | |
after it happened, we brought Atika back with the baby. | 0:17:27 | 0:17:29 | |
-OK. So, if I'd known that... -Now that you know that, you're OK with her reaction? | 0:17:31 | 0:17:35 | |
Why, when something like this happens, | 0:17:37 | 0:17:39 | |
do people expect you to behave a certain way, | 0:17:39 | 0:17:41 | |
and then, when you don't, everyone gets suspicious? | 0:17:41 | 0:17:44 | |
I'm not suspicious. | 0:17:44 | 0:17:46 | |
Good. | 0:17:51 | 0:17:52 | |
So... | 0:17:59 | 0:18:00 | |
..these are the, er, potential bullet points for the debate. | 0:18:02 | 0:18:04 | |
-Right. -But obviously, | 0:18:04 | 0:18:06 | |
-which way it goes depends entirely on who's dominating. -Yeah. | 0:18:06 | 0:18:10 | |
On the one side, you've got Margaret Andrews, who's rabidly pro-Israeli. | 0:18:10 | 0:18:14 | |
Refreshingly unfashionable! | 0:18:14 | 0:18:16 | |
On the other side, you've got Angela Roberts. | 0:18:16 | 0:18:20 | |
Just a couple of steps away from a Holocaust denier. | 0:18:20 | 0:18:23 | |
That's why, with everything that's going on right now... | 0:18:23 | 0:18:26 | |
No, no. | 0:18:26 | 0:18:29 | |
No, no. I want to go. I have to go. | 0:18:29 | 0:18:31 | |
Do you really think that's the right choice? | 0:18:32 | 0:18:35 | |
Are you suspicious of me now? | 0:18:35 | 0:18:37 | |
I'm just mindful of avoiding an overtly flammable situation. | 0:18:37 | 0:18:41 | |
And you think I'm not? | 0:18:41 | 0:18:43 | |
Frances, why don't you just tell me what you expect me to be doing here? | 0:18:43 | 0:18:47 | |
OK! Everything we can to get that little boy back. | 0:18:47 | 0:18:49 | |
That is the job of the police. | 0:18:49 | 0:18:51 | |
-The British bobby against the Middle East? -So you think we should be doing it for them? | 0:18:51 | 0:18:54 | |
This is your world, Nessa, no-one knows it better than you. | 0:18:54 | 0:18:57 | |
Where does the corruption start, Frances? | 0:18:57 | 0:18:59 | |
In the boot of a car, if that's where we find him. | 0:18:59 | 0:19:01 | |
You don't think I want to be tearing this place apart, | 0:19:01 | 0:19:03 | |
do everything I fucking can to get that boy back? | 0:19:03 | 0:19:05 | |
Of course I do! | 0:19:05 | 0:19:07 | |
This is exactly why they took them, I know this, | 0:19:08 | 0:19:11 | |
to make me react in the way that people like you expect me to. | 0:19:11 | 0:19:15 | |
Nessa, I am not people, I'm your advisor, I have been... | 0:19:15 | 0:19:17 | |
Well, then, will you stop telling me to curve-ball around the police? | 0:19:17 | 0:19:21 | |
Nothing can change because of this. | 0:19:23 | 0:19:25 | |
I'm sorry. | 0:19:26 | 0:19:28 | |
Nothing can change. | 0:19:31 | 0:19:32 | |
Except it has. | 0:19:37 | 0:19:38 | |
It's changed everything. | 0:19:40 | 0:19:41 | |
And that's why Number 10 want her out. | 0:19:45 | 0:19:47 | |
They've only just put her in. | 0:19:47 | 0:19:49 | |
Kidnap, suicide, shooting. | 0:19:49 | 0:19:52 | |
I think they were hoping for an insight into the Middle East, | 0:19:52 | 0:19:55 | |
not a practical demonstration. | 0:19:55 | 0:19:57 | |
Which only goes to show how much she needs our support. | 0:19:57 | 0:19:59 | |
Or what a mistake we made in making it so public. | 0:19:59 | 0:20:02 | |
I still think it was the right thing to do. | 0:20:02 | 0:20:04 | |
Is the right thing. | 0:20:04 | 0:20:06 | |
And you are...? | 0:20:07 | 0:20:08 | |
The best person to advise this government on Anglo-American relations in the Middle East. | 0:20:08 | 0:20:12 | |
I've been there eight years, Julia. | 0:20:12 | 0:20:14 | |
I know when the President farts. | 0:20:14 | 0:20:16 | |
And yet I'm the one who had General Berkoff | 0:20:16 | 0:20:18 | |
sitting in front of me, right where you are, two hours ago. | 0:20:18 | 0:20:22 | |
And he told you he wanted her to remain in the House of Lords. | 0:20:23 | 0:20:26 | |
I'll admit I was a bit surprised to hear an American give such wholehearted support | 0:20:29 | 0:20:34 | |
to a non-elected chamber. | 0:20:34 | 0:20:36 | |
Be careful, Monica. | 0:20:36 | 0:20:38 | |
Just because you think you've got the protection of the playground bully | 0:20:38 | 0:20:42 | |
doesn't mean that people won't be waiting for you on your way home. | 0:20:42 | 0:20:45 | |
The only person I think needs protecting is Nessa Stein. | 0:20:45 | 0:20:49 | |
Samir Meshal. | 0:20:54 | 0:20:55 | |
His suicide note - | 0:20:55 | 0:20:58 | |
no fingerprints on the envelope. | 0:20:58 | 0:20:59 | |
It's about to be discounted. | 0:20:59 | 0:21:01 | |
-Why? -Fingerprints wouldn't necessarily have been carried onto it. | 0:21:01 | 0:21:04 | |
But a suicide? Right at that moment? | 0:21:05 | 0:21:08 | |
He had a mistress in Washington. | 0:21:08 | 0:21:10 | |
She broke up with him the evening before he flew back. | 0:21:10 | 0:21:14 | |
In the note, he apologises to his wife. | 0:21:14 | 0:21:16 | |
Hm... | 0:21:21 | 0:21:22 | |
I'm letting Hayden-Hoyle take a look. | 0:21:25 | 0:21:28 | |
Let's not forget the long ball here, Julia. | 0:21:31 | 0:21:33 | |
"The long ball"? | 0:21:35 | 0:21:36 | |
Isn't that an Americanism? | 0:21:38 | 0:21:39 | |
It's what it's always been and what we all want. Peace in the Middle East. | 0:21:39 | 0:21:43 | |
And you think Hoyle is standing in the way of that? | 0:21:43 | 0:21:45 | |
-Yes. Otherwise I wouldn't have asked you to get rid of him. -So that you can step into his shoes. | 0:21:45 | 0:21:49 | |
LORD SPEAKER: Lady Roberts. | 0:22:41 | 0:22:43 | |
I am surprised | 0:22:43 | 0:22:44 | |
a historical scholar of such standing appears to need reminding | 0:22:44 | 0:22:48 | |
that the presence of Arabs in Israel long precedes the state of Israel itself. | 0:22:48 | 0:22:53 | |
LORDS: Hear, hear. | 0:22:53 | 0:22:54 | |
And I am surprised to have to remind the noble Baroness, | 0:22:54 | 0:22:58 | |
who purports to be such an expert, | 0:22:58 | 0:23:00 | |
that the 12 tribes of the Israelites | 0:23:00 | 0:23:02 | |
were in fact first united into the kingdom of Israel | 0:23:02 | 0:23:04 | |
over three thousand years ago. | 0:23:04 | 0:23:07 | |
On that argument, | 0:23:07 | 0:23:10 | |
does this give the residents of Normandy the right to repatriate Kent? | 0:23:10 | 0:23:13 | |
-LADY ANDREWS: -Perhaps the noble Baroness would be a little less willing | 0:23:13 | 0:23:16 | |
to make a joke if in fact rocket bombs were falling on Dover. | 0:23:16 | 0:23:20 | |
I don't make jokes, | 0:23:20 | 0:23:21 | |
Lady Andrews, not while Israel uses phosphorus. | 0:23:21 | 0:23:25 | |
LORD SPEAKER: Baroness Stein. | 0:23:25 | 0:23:27 | |
I welcome this government's | 0:23:28 | 0:23:31 | |
continued financial commitment to the Palestinian Authority | 0:23:31 | 0:23:33 | |
whilst reminding my noble Lords that if this bill | 0:23:33 | 0:23:37 | |
were to collapse, | 0:23:37 | 0:23:38 | |
there is a serious danger | 0:23:38 | 0:23:40 | |
that all prospects of proper peace negotiations would collapse also. | 0:23:40 | 0:23:44 | |
LORDS: Hear, hear. | 0:23:44 | 0:23:45 | |
In this light, I equally welcome | 0:23:45 | 0:23:48 | |
the positive steps announced by Israel in the past days | 0:23:48 | 0:23:51 | |
towards assisting the Palestinian economy. | 0:23:51 | 0:23:53 | |
Measures such as the joint committees on water and agriculture | 0:23:53 | 0:23:57 | |
are positive signals for both sides | 0:23:57 | 0:23:59 | |
on their journey towards peace negotiation. | 0:23:59 | 0:24:02 | |
LORDS: Hear, hear. | 0:24:02 | 0:24:03 | |
I congratulate my newly ennobled colleague's | 0:24:03 | 0:24:06 | |
expert display of fence sitting, | 0:24:06 | 0:24:08 | |
whilst taking the opportunity to remind her | 0:24:08 | 0:24:11 | |
that a fence is only a fence... | 0:24:11 | 0:24:14 | |
until it turns into a spike. | 0:24:14 | 0:24:16 | |
INAUDIBLE | 0:25:10 | 0:25:12 | |
SCREAMING | 0:25:29 | 0:25:31 | |
Samaria belongs to Israel! Samaria belongs to Israel! | 0:25:33 | 0:25:37 | |
Oh, God! | 0:25:37 | 0:25:38 | |
PROTESTER: There is no such place as Palestine! | 0:25:38 | 0:25:40 | |
TAKES A DEEP BREATH | 0:25:46 | 0:25:48 | |
PARLIAMENTARY DIVISION BELL | 0:25:58 | 0:26:00 | |
Take this. | 0:26:06 | 0:26:08 | |
-We're fine, all right? -Oh, my God! | 0:26:17 | 0:26:19 | |
Er... | 0:26:20 | 0:26:21 | |
Um, it was just a silly game, all right? | 0:26:23 | 0:26:25 | |
Daddy was just playing a little game. | 0:26:25 | 0:26:28 | |
Don't let her see this. | 0:26:28 | 0:26:30 | |
I just need to...to clean it off. | 0:26:30 | 0:26:31 | |
Two seconds. It'll be fine. | 0:26:31 | 0:26:33 | |
Atika, take her away. | 0:26:36 | 0:26:37 | |
Hey, don't worry. | 0:26:37 | 0:26:40 | |
Atika, take my child out of this room. | 0:26:41 | 0:26:45 | |
-NOW! -Rachel... | 0:26:45 | 0:26:46 | |
This is my house, not his father's. | 0:26:46 | 0:26:48 | |
Not any more. | 0:26:48 | 0:26:49 | |
-Mine. -It's all right. It'll be all right. -No, it's not. It's not. | 0:26:49 | 0:26:54 | |
Oh, Rachel, I'm sorry. | 0:26:56 | 0:26:58 | |
What does that mean? You're sorry for what? | 0:27:02 | 0:27:05 | |
For what you've just been through. | 0:27:05 | 0:27:07 | |
And you understand that, do you, what I'm going through? | 0:27:07 | 0:27:09 | |
You've got a big message, Nessa. | 0:27:12 | 0:27:13 | |
You want the world to hear. | 0:27:16 | 0:27:17 | |
What's that worth? | 0:27:20 | 0:27:22 | |
Is it worth a child? | 0:27:24 | 0:27:25 | |
No, of course not. | 0:27:29 | 0:27:31 | |
How do you know when you don't have one? | 0:27:31 | 0:27:33 | |
-That's not fair. -Really? | 0:27:33 | 0:27:35 | |
You know what the police think? | 0:27:36 | 0:27:37 | |
-They don't know... -They think they took the wrong one, | 0:27:37 | 0:27:40 | |
that they weren't looking for Kasim, | 0:27:40 | 0:27:42 | |
that they were looking for one of mine. | 0:27:42 | 0:27:45 | |
My child. | 0:27:45 | 0:27:47 | |
Mine. | 0:27:47 | 0:27:48 | |
Just to get to you. | 0:27:49 | 0:27:50 | |
How could you possibly understand how that makes me feel? | 0:27:53 | 0:27:58 | |
SIGHS | 0:28:18 | 0:28:19 | |
I don't believe it. | 0:28:26 | 0:28:28 | |
Why not? | 0:28:30 | 0:28:31 | |
My husband didn't have a mistress. | 0:28:31 | 0:28:34 | |
His autopsy revealed that he was gravely ill. | 0:28:34 | 0:28:38 | |
Did you know that? | 0:28:38 | 0:28:39 | |
Yes. | 0:28:39 | 0:28:40 | |
Secondary lung cancer. | 0:28:41 | 0:28:43 | |
But he didn't want anyone to know, so he... | 0:28:45 | 0:28:47 | |
Kept it a secret. | 0:28:47 | 0:28:49 | |
Yes. | 0:28:49 | 0:28:50 | |
But not from me. | 0:28:51 | 0:28:52 | |
Sometimes...ah-say-yeeda. | 0:28:55 | 0:28:58 | |
The wife is the last to know? | 0:28:58 | 0:29:00 | |
Yes. | 0:29:02 | 0:29:03 | |
Was yours? | 0:29:05 | 0:29:06 | |
And you think everyone is like you. | 0:29:11 | 0:29:12 | |
Not everyone. | 0:29:14 | 0:29:15 | |
But my husband. | 0:29:15 | 0:29:16 | |
Let me take another look. | 0:29:20 | 0:29:22 | |
Please. | 0:29:23 | 0:29:25 | |
And look hard... | 0:29:25 | 0:29:26 | |
..because I want everyone to know that my husband didn't have a mistress... | 0:29:27 | 0:29:31 | |
..and he did not write that note. | 0:29:33 | 0:29:36 | |
Samir Meshal came to my house and suddenly we were in this massive row. | 0:29:39 | 0:29:43 | |
And I told him how I felt and that I'd been feeling it for some time | 0:29:43 | 0:29:47 | |
and that it'd been great while it lasted, but...you know. | 0:29:47 | 0:29:50 | |
And he was just devastated. | 0:29:52 | 0:29:54 | |
HAYDEN-HOYLE WHISTLES NONCHALANTLY | 0:29:54 | 0:29:55 | |
But what can you do? | 0:29:55 | 0:29:57 | |
And when did you last see him? | 0:29:58 | 0:30:00 | |
In the end, I had to ask him to leave. | 0:30:00 | 0:30:02 | |
I mean, if I had known he would do what he did, I... | 0:30:02 | 0:30:05 | |
WHISTLES NONCHALANTLY | 0:30:11 | 0:30:13 | |
You don't believe her? | 0:30:13 | 0:30:15 | |
Single child, parents deceased, | 0:30:17 | 0:30:20 | |
unmarried, freelance... | 0:30:20 | 0:30:23 | |
international... | 0:30:23 | 0:30:24 | |
Lonely, disorientated jet-setter | 0:30:25 | 0:30:29 | |
makes disastrous romantic choice by | 0:30:29 | 0:30:32 | |
trying to replace lost parents. Palestinian sugar daddy. | 0:30:32 | 0:30:36 | |
Could be. | 0:30:37 | 0:30:38 | |
-Could really be. -But could be not. | 0:30:39 | 0:30:42 | |
If I was going to construct a background that was hard to check up on... | 0:30:43 | 0:30:48 | |
..that's a good one to choose. | 0:30:49 | 0:30:51 | |
You think it's a legend. | 0:30:51 | 0:30:52 | |
-How come she's in the country? -Well, she flew in yesterday. | 0:30:52 | 0:30:54 | |
Because of Meshal's death? | 0:30:54 | 0:30:55 | |
I don't know. | 0:30:55 | 0:30:57 | |
WHISTLES | 0:30:58 | 0:31:00 | |
Let's find out. | 0:31:02 | 0:31:03 | |
Well, you know, when it's all said and done, | 0:31:05 | 0:31:07 | |
we were still good friends and business colleagues. | 0:31:07 | 0:31:09 | |
And how did that work? | 0:31:09 | 0:31:11 | |
I made a few introductions to help his business, that sort of thing. | 0:31:11 | 0:31:16 | |
Do you mind me asking what you got in return? | 0:31:16 | 0:31:18 | |
20% of gross of whatever came of it. | 0:31:18 | 0:31:22 | |
And what came of it? | 0:31:22 | 0:31:23 | |
SHE LAUGHS Well... | 0:31:23 | 0:31:24 | |
less than expected, actually. | 0:31:24 | 0:31:26 | |
OK. | 0:31:27 | 0:31:28 | |
That's fine, Ms Lantham. Thanks. | 0:31:30 | 0:31:31 | |
You have a lovely view here. | 0:31:34 | 0:31:36 | |
You must be a man worth knowing. | 0:31:36 | 0:31:38 | |
Do you mind if I ask you... a personal question? | 0:31:38 | 0:31:43 | |
Absolutely. | 0:31:44 | 0:31:46 | |
Did you love Samir Meshal? | 0:31:46 | 0:31:47 | |
I was very fond of him. | 0:31:50 | 0:31:52 | |
That's not my question. | 0:31:55 | 0:31:57 | |
Well, I ended the relationship, so obviously maybe I didn't. | 0:31:58 | 0:32:03 | |
And do you think he loved you? | 0:32:03 | 0:32:04 | |
What is this, The Love Boat? | 0:32:06 | 0:32:08 | |
Did he? | 0:32:08 | 0:32:10 | |
He wanted more from the relationship than I was willing to offer. | 0:32:13 | 0:32:16 | |
And what were you willing to offer, exactly? | 0:32:16 | 0:32:20 | |
What do you think? | 0:32:22 | 0:32:23 | |
I don't know. | 0:32:24 | 0:32:25 | |
That's why I'm asking. | 0:32:27 | 0:32:29 | |
Two lonely people meeting in hotel lobbies all around the world? | 0:32:32 | 0:32:35 | |
Sex. | 0:32:37 | 0:32:38 | |
And they call your line of work "intelligence"? | 0:32:38 | 0:32:41 | |
And this was full sex? We're not just talking holding hands? | 0:32:41 | 0:32:45 | |
"Full sex"? You mean like did we fuck? | 0:32:45 | 0:32:49 | |
Yes. | 0:32:50 | 0:32:52 | |
Well, then, yes, we fucked. A lot. | 0:32:52 | 0:32:55 | |
-How often? -Wait a second. | 0:32:55 | 0:32:57 | |
Do you get off on this? | 0:32:57 | 0:32:59 | |
Did you have sex every time you met? | 0:32:59 | 0:33:01 | |
What, because he was an old man? Don't sell yourself short. | 0:33:01 | 0:33:04 | |
You'd be surprised what you could do with the right woman. | 0:33:04 | 0:33:07 | |
And were you the right woman for Samir Meshal? | 0:33:07 | 0:33:09 | |
We fucked like rabbits. | 0:33:09 | 0:33:10 | |
You need a tissue now? | 0:33:12 | 0:33:13 | |
Did you know he was dying? | 0:33:21 | 0:33:23 | |
Excuse me? | 0:33:27 | 0:33:28 | |
It was a secret. No-one knew. | 0:33:28 | 0:33:31 | |
Except his wife. | 0:33:31 | 0:33:32 | |
So I thought maybe you did too. | 0:33:32 | 0:33:35 | |
I had no idea. None. | 0:33:36 | 0:33:38 | |
So obviously he didn't share his secrets. | 0:33:39 | 0:33:42 | |
No. | 0:33:43 | 0:33:45 | |
Secondary lung cancer. | 0:33:47 | 0:33:48 | |
Oh. | 0:33:50 | 0:33:51 | |
But you were still having sex right until the end? | 0:33:52 | 0:33:55 | |
Not the last time. He was too busy pitching glass at me. | 0:33:55 | 0:33:59 | |
-And when was the last time? -Couple of weeks ago, maybe a month. | 0:33:59 | 0:34:02 | |
You know, I forgot to keep a diary. | 0:34:02 | 0:34:04 | |
But that recent? | 0:34:04 | 0:34:06 | |
He came to my house in DC. We fucked three times in an hour. | 0:34:06 | 0:34:08 | |
Maybe that's when he knew he was running out of time. | 0:34:08 | 0:34:11 | |
Miss Lantham, why are you lying to me? | 0:34:13 | 0:34:15 | |
Oh, honey, trust me. I can get any man to do that. | 0:34:16 | 0:34:19 | |
Not this one. | 0:34:20 | 0:34:21 | |
Samir Meshal's primary cancer was prostate. | 0:34:24 | 0:34:27 | |
He had a radical prostatectomy | 0:34:27 | 0:34:29 | |
four years ago, which rendered him clinically impotent. | 0:34:29 | 0:34:31 | |
It was impossible for you to have sex with Samir Meshal. | 0:34:31 | 0:34:35 | |
The truth is, I don't believe you've even met Samir Meshal, | 0:34:37 | 0:34:42 | |
and I don't believe your name's Rebecca Lantham. | 0:34:42 | 0:34:45 | |
We should end this...now. | 0:34:50 | 0:34:52 | |
Do you think that's wise? | 0:34:52 | 0:34:54 | |
-Are you holding me? -Of course not. | 0:34:54 | 0:34:56 | |
But I think you should let us. | 0:34:56 | 0:34:59 | |
Why? | 0:34:59 | 0:35:00 | |
Because you've just made a serious mistake. | 0:35:03 | 0:35:06 | |
So if you really want to get to know me, | 0:35:07 | 0:35:11 | |
why don't you start by telling me who you really are, | 0:35:11 | 0:35:15 | |
and what really happened to Samir Meshal? | 0:35:15 | 0:35:17 | |
I've been holding for five minutes. I need to speak with her now! | 0:35:28 | 0:35:31 | |
-AMERICAN MAN: -Designation? | 0:35:32 | 0:35:34 | |
Topaz, 48427. | 0:35:34 | 0:35:36 | |
Are you using a company cell, Topaz? | 0:35:36 | 0:35:39 | |
Yes. | 0:35:39 | 0:35:40 | |
-Are you alone? -Yes. | 0:35:40 | 0:35:42 | |
Are you secure? | 0:35:42 | 0:35:43 | |
-I'm not sure. -One moment. | 0:35:44 | 0:35:47 | |
Right, go to your agreed rest point. Wait for further instruction. | 0:35:53 | 0:35:56 | |
If you think she's in danger, | 0:35:59 | 0:36:00 | |
why did you let her go? | 0:36:00 | 0:36:03 | |
She'll only talk to us if it turns out I'm right. | 0:36:03 | 0:36:06 | |
Well, what if you are? | 0:36:06 | 0:36:07 | |
Then she'll come to us. | 0:36:07 | 0:36:08 | |
What if she doesn't make it? | 0:36:08 | 0:36:11 | |
Then I'll still have been proved right. | 0:36:11 | 0:36:13 | |
You're willing to play a life to find out? | 0:36:14 | 0:36:16 | |
But if I am right, | 0:36:18 | 0:36:19 | |
Samir Meshal's life has already been played. | 0:36:19 | 0:36:22 | |
By them. | 0:36:23 | 0:36:25 | |
Who's "them"? | 0:36:25 | 0:36:26 | |
That's what I'm waiting for her to tell us. | 0:36:26 | 0:36:30 | |
-AMERICAN WOMAN: -Tracy? -Yes. | 0:36:36 | 0:36:37 | |
It's Kate. | 0:36:37 | 0:36:39 | |
Thank God. I've been on this phone for ages. | 0:36:39 | 0:36:42 | |
Are you OK? | 0:36:42 | 0:36:43 | |
SHE SIGHS I got burned. British intelligence. | 0:36:43 | 0:36:46 | |
-What do they know? -I'm not sure. | 0:36:46 | 0:36:48 | |
But they know Rebecca Lantham's a cover. | 0:36:48 | 0:36:50 | |
Why are you calling? | 0:36:50 | 0:36:51 | |
Because of something he said. | 0:36:51 | 0:36:53 | |
What? | 0:36:53 | 0:36:55 | |
What did he say, Tracy? | 0:36:55 | 0:36:56 | |
-Are you at your rest point? -Yes. | 0:36:59 | 0:37:01 | |
Do you think your life is in imminent danger? | 0:37:01 | 0:37:04 | |
What? | 0:37:04 | 0:37:05 | |
Is your life in danger, Tracy? | 0:37:05 | 0:37:07 | |
I don't know. Why would it be? | 0:37:07 | 0:37:10 | |
Sit tight. Call no-one. Someone will be with you shortly. | 0:37:10 | 0:37:13 | |
Oh, and, Tracy...? | 0:37:13 | 0:37:14 | |
Yes? | 0:37:14 | 0:37:15 | |
We graduated together and we both had the hots for Rick Carver. Remember? | 0:37:15 | 0:37:19 | |
Yes. | 0:37:19 | 0:37:21 | |
So trust me. | 0:37:21 | 0:37:22 | |
I'm your friend, OK? | 0:37:22 | 0:37:24 | |
OK. | 0:37:25 | 0:37:26 | |
Sit tight. | 0:37:26 | 0:37:27 | |
JET ROARS PAST | 0:37:27 | 0:37:31 | |
PHONE RINGS | 0:37:45 | 0:37:47 | |
-Hello? BRITISH WOMAN: -Rebecca Lantham? | 0:37:49 | 0:37:51 | |
Who is this? | 0:37:51 | 0:37:52 | |
I'm a member of the British Secret Service. | 0:37:52 | 0:37:54 | |
You spoke to my colleague in interview earlier today. | 0:37:54 | 0:37:57 | |
We have reason to believe your life is in danger. | 0:37:57 | 0:38:00 | |
This phone is not secure. | 0:38:00 | 0:38:01 | |
I know. But I need you to leave your room. | 0:38:01 | 0:38:04 | |
-Right now, please. -I can't do that. | 0:38:04 | 0:38:07 | |
Rebecca, I know you're an FBI agent. | 0:38:07 | 0:38:09 | |
Unfortunately, what you don't know is that your operation is off book | 0:38:09 | 0:38:13 | |
and now your cover has been blown they're going to cut the trail. | 0:38:13 | 0:38:16 | |
How do you know this? | 0:38:16 | 0:38:18 | |
Go to your window. | 0:38:18 | 0:38:19 | |
-Do you see a silver Transit van? -Yes. | 0:38:26 | 0:38:28 | |
I don't have to tell you what that's for, do I? | 0:38:28 | 0:38:30 | |
They're here to clean up... | 0:38:30 | 0:38:33 | |
you. | 0:38:33 | 0:38:34 | |
But you could be the one doing it. | 0:38:37 | 0:38:39 | |
And that's why we're not sending anyone to you. | 0:38:39 | 0:38:41 | |
We want you to leave the hotel, get a cab, go to a public place, | 0:38:41 | 0:38:44 | |
where we'll meet. | 0:38:44 | 0:38:46 | |
Rebecca, what you need is time, time to make your own choices, | 0:38:46 | 0:38:49 | |
and that's what I'm offering. But right now it's running out. | 0:38:49 | 0:38:53 | |
Believe me when I tell you your life's in immediate danger. | 0:38:53 | 0:38:56 | |
You've got to leave the room, Rebecca. | 0:38:56 | 0:38:58 | |
It's against my training. | 0:38:59 | 0:39:01 | |
It's the people that trained you who are coming to get you. | 0:39:01 | 0:39:05 | |
Copperhill Lane. It's off Wraysbury reservoir. | 0:40:03 | 0:40:06 | |
-AMERICAN ACCENT: -What's out there? -Stop! | 0:40:06 | 0:40:08 | |
You're American. | 0:40:08 | 0:40:10 | |
-So shoot me. -How come you're here? | 0:40:10 | 0:40:12 | |
You're on my route. | 0:40:12 | 0:40:14 | |
No, I meant at all. | 0:40:14 | 0:40:16 | |
Well, we could start with the 2nd Amendment. | 0:40:16 | 0:40:19 | |
Come on, who do you work for? | 0:40:19 | 0:40:21 | |
Why, you want me to sound like Dick Van Dyke? | 0:40:21 | 0:40:24 | |
I work for Emperor Zod. | 0:40:24 | 0:40:26 | |
So, you want this lift or not? | 0:40:28 | 0:40:31 | |
Yeah, OK, fine, come on, let's go. Go, go, go. | 0:40:33 | 0:40:35 | |
Rebecca Lantham? | 0:40:40 | 0:40:42 | |
I'm with British security. | 0:40:43 | 0:40:45 | |
She's flown. | 0:40:50 | 0:40:52 | |
JET ROARS OVERHEAD | 0:41:17 | 0:41:19 | |
You want me to turn around? | 0:41:28 | 0:41:30 | |
Shit, shit, shit, shit, shit. | 0:41:32 | 0:41:35 | |
Are we OK here? | 0:41:36 | 0:41:37 | |
PHONE RINGS | 0:41:37 | 0:41:39 | |
-Hello. BRITISH WOMAN: -We can see you. | 0:41:42 | 0:41:44 | |
Where are you? | 0:41:44 | 0:41:45 | |
What's that? | 0:41:45 | 0:41:47 | |
See the headlights behind you? | 0:41:47 | 0:41:49 | |
They're here to pick you up. | 0:41:49 | 0:41:51 | |
-What do you want me to do? -Walk over to it. | 0:41:51 | 0:41:53 | |
-I'm not going out there. -Why not? | 0:41:53 | 0:41:56 | |
-Why do you think? -Because you're afraid. | 0:41:56 | 0:41:59 | |
Duh! | 0:41:59 | 0:42:01 | |
I'm sorry, Tracy. | 0:42:01 | 0:42:03 | |
For us, a situation like this, it's all about logistics. | 0:42:03 | 0:42:06 | |
And when we're having to do it this fast, | 0:42:06 | 0:42:08 | |
the first thing that gets forgotten | 0:42:08 | 0:42:10 | |
is that what we're actually trying to move is a human being. | 0:42:10 | 0:42:12 | |
So I'm sorry, I understand how you feel. | 0:42:12 | 0:42:15 | |
Good. | 0:42:15 | 0:42:16 | |
In two hours' time, you'll be on a flight home. | 0:42:16 | 0:42:19 | |
But right now you just need to sit tight and we'll come and collect you. | 0:42:19 | 0:42:22 | |
Her name's Ann. She'll introduce herself to you. | 0:42:22 | 0:42:25 | |
CALLER HANGS UP | 0:42:25 | 0:42:26 | |
There's a woman who's going to come over here. | 0:42:38 | 0:42:40 | |
And she's going to try to kill me. | 0:42:40 | 0:42:43 | |
What?! | 0:42:43 | 0:42:44 | |
And if she does, then she'll kill you. JET ROARS PAST | 0:42:44 | 0:42:46 | |
Why? | 0:42:46 | 0:42:48 | |
They called me Tracy. They shouldn't know my name. | 0:42:48 | 0:42:51 | |
Don't start the car! Not yet. That'll just fire it up. | 0:42:52 | 0:42:55 | |
Look at me. | 0:42:56 | 0:42:57 | |
They wouldn't have brought us here if they thought all I had to do was drive out. | 0:42:59 | 0:43:02 | |
You want to survive this, you got to do exactly what I say. OK? | 0:43:04 | 0:43:08 | |
This is exactly what I came here to get away from. | 0:43:15 | 0:43:19 | |
Yeah, well, some things just can't help but catch up with you. | 0:43:19 | 0:43:22 | |
What's your name? | 0:43:24 | 0:43:25 | |
What? | 0:43:25 | 0:43:27 | |
What's your name? | 0:43:27 | 0:43:28 | |
Paul. | 0:43:28 | 0:43:30 | |
Where do you come from, Paul, originally? | 0:43:30 | 0:43:32 | |
Montana. | 0:43:32 | 0:43:33 | |
Good. Country kid, like myself. | 0:43:33 | 0:43:36 | |
So, Paul... JET ROARS PAST | 0:43:37 | 0:43:40 | |
..you want to catch a turkey, you got to show it the grain, OK? | 0:43:40 | 0:43:43 | |
CAR DOOR CLOSES Here she comes. | 0:43:51 | 0:43:53 | |
Come on... | 0:43:54 | 0:43:56 | |
Come on... JET ROARS PAST | 0:44:01 | 0:44:03 | |
SHOT | 0:44:05 | 0:44:07 | |
You want to catch a turkey, honey, | 0:44:08 | 0:44:10 | |
you just blow its head off. | 0:44:10 | 0:44:12 | |
-Well, if it isn't Mary Poppins. -CHUCKLES | 0:44:14 | 0:44:16 | |
HORN BLARES | 0:44:17 | 0:44:22 | |
JET ROARS OVERHEAD | 0:44:24 | 0:44:26 | |
At least we'll be able to tell Mrs Meshal she was right. | 0:44:48 | 0:44:51 | |
That she had a faithful husband? | 0:44:53 | 0:44:55 | |
No, Max, I don't think we'll be doing that. | 0:44:58 | 0:45:01 | |
Why not? | 0:45:02 | 0:45:04 | |
It was a robbery that went wrong. | 0:45:06 | 0:45:08 | |
The taxi driver was employed by a gang to bring her to a spot to be mugged, | 0:45:08 | 0:45:13 | |
things got messy, it all lit up... | 0:45:13 | 0:45:15 | |
Mostly because two of your nationals were carrying firearms, Harlan, | 0:45:15 | 0:45:18 | |
on British sovereign territory. | 0:45:18 | 0:45:20 | |
What can I say? First you took our Big Macs... | 0:45:20 | 0:45:24 | |
And now we have your gun crime. | 0:45:24 | 0:45:25 | |
And none of it's good for our health. | 0:45:25 | 0:45:27 | |
In fairness, I believe we're still the world leaders | 0:45:27 | 0:45:30 | |
in the export of cranberry juice. | 0:45:30 | 0:45:32 | |
And the policies of neo-conservatism. | 0:45:33 | 0:45:35 | |
Julia...I need to leave this room | 0:45:37 | 0:45:41 | |
knowing this situation's been contained. | 0:45:41 | 0:45:44 | |
Completely contained. | 0:45:45 | 0:45:47 | |
And I'd be happy to agree. | 0:45:49 | 0:45:51 | |
Good. | 0:45:51 | 0:45:53 | |
Except... | 0:45:54 | 0:45:56 | |
Except what? | 0:46:00 | 0:46:01 | |
Well, if I don't know where not to look, | 0:46:01 | 0:46:04 | |
how can I tell other people not to look there? | 0:46:04 | 0:46:06 | |
I think events have made that perfectly clear. Don't you? | 0:46:06 | 0:46:09 | |
No. | 0:46:09 | 0:46:10 | |
Right now, General, I'm doing that thing | 0:46:10 | 0:46:12 | |
where you pin the tail on the end of a donkey, | 0:46:12 | 0:46:14 | |
only I'm worried that if you don't cut me a little hole in my blindfold | 0:46:14 | 0:46:18 | |
I might just end up sticking it on your bollocks. | 0:46:18 | 0:46:21 | |
Look away from Samir Meshal. | 0:46:25 | 0:46:27 | |
Which bit? | 0:46:29 | 0:46:30 | |
All of it. | 0:46:30 | 0:46:32 | |
-That's it? -That's it. | 0:46:32 | 0:46:34 | |
Happy to agree. | 0:46:37 | 0:46:38 | |
I suppose there's simply no point using locks in a place like this. | 0:47:03 | 0:47:06 | |
There was a time when you had the key to my front door. | 0:47:07 | 0:47:10 | |
-And it cost me my marriage. -Hm... | 0:47:11 | 0:47:13 | |
If that were really true, Hugh, | 0:47:14 | 0:47:16 | |
I think you would've tried a little harder to keep a hold of it. | 0:47:16 | 0:47:19 | |
I didn't have you as a woman scorned, Julia. | 0:47:20 | 0:47:23 | |
I don't think you had me with any feelings at all. | 0:47:25 | 0:47:28 | |
Is that why you're looking to let me go? | 0:47:28 | 0:47:31 | |
Now that you no longer wish to put your feet under my table? | 0:47:31 | 0:47:35 | |
And there was me thinking C stood for Cumming. | 0:47:36 | 0:47:39 | |
SHE SCOFFS | 0:47:39 | 0:47:41 | |
If you'd been in the meeting that I had with Brigadier General Berkoff, you'd know | 0:47:41 | 0:47:45 | |
that I just saved you from having your balls cut off. | 0:47:45 | 0:47:48 | |
And what's the going rate for an ageing penis these days? | 0:47:48 | 0:47:50 | |
Yes, they did. | 0:47:57 | 0:47:59 | |
No, you can't. | 0:48:01 | 0:48:02 | |
But, yes, you should. | 0:48:03 | 0:48:06 | |
See? | 0:48:06 | 0:48:08 | |
I can read your mind. | 0:48:08 | 0:48:10 | |
So what's the answer to my next question? | 0:48:11 | 0:48:13 | |
Oh, well, that's easy. | 0:48:13 | 0:48:15 | |
Nessa Stein. | 0:48:15 | 0:48:16 | |
Ah. | 0:48:17 | 0:48:18 | |
Not quite the woman she appears to be. | 0:48:20 | 0:48:22 | |
Is any woman, Hugh? | 0:48:23 | 0:48:25 | |
The police don't have a clue and they're not likely to find one. | 0:48:25 | 0:48:29 | |
Such a masculine institution. | 0:48:29 | 0:48:31 | |
There's only one set of eyes seen this file. Yours will be the second. | 0:48:32 | 0:48:36 | |
I'll be back to pick it up in half an hour. | 0:48:38 | 0:48:41 | |
COMPUTER GOLF GAME | 0:48:44 | 0:48:46 | |
Your children are safe. | 0:49:36 | 0:49:38 | |
I know. | 0:49:39 | 0:49:40 | |
A team that leaves no trace, they're not going to make a mistake like that. | 0:49:43 | 0:49:46 | |
They meant to take Kasim. | 0:49:48 | 0:49:49 | |
Yes. | 0:49:49 | 0:49:50 | |
Rachel thinks we should tell the police. | 0:49:53 | 0:49:54 | |
About what? | 0:49:56 | 0:49:57 | |
About what happened to you and Nessa. | 0:49:59 | 0:50:02 | |
No. You mustn't. | 0:50:04 | 0:50:06 | |
-You promised. So did Rachel. -Yes, but what if it helps find him? | 0:50:07 | 0:50:11 | |
We don't know it will. | 0:50:14 | 0:50:16 | |
We don't know anything! | 0:50:17 | 0:50:18 | |
And...until we do, we must say nothing. | 0:50:19 | 0:50:24 | |
For Nessa. For me. | 0:50:24 | 0:50:26 | |
Please...say nothing. | 0:50:29 | 0:50:31 | |
Promise me. | 0:51:14 | 0:51:15 | |
Promise me. | 0:51:23 | 0:51:24 | |
Promise me. | 0:51:29 | 0:51:30 | |
I promise. | 0:51:40 | 0:51:41 | |
Be quick. | 0:52:04 | 0:52:05 | |
Wait, wait. Wait, wait, wait. | 0:52:07 | 0:52:09 | |
Get in! Get in! In one! | 0:52:14 | 0:52:17 | |
So, these aliens decide to invade Earth. | 0:53:38 | 0:53:42 | |
And to show they mean business, what they do | 0:53:42 | 0:53:45 | |
is first they destroy London and New York and Paris, | 0:53:45 | 0:53:50 | |
and then they land... | 0:53:50 | 0:53:52 | |
..right on the Green Line between Israel and the West Bank. | 0:53:53 | 0:53:57 | |
And they decide to call a meeting between the Palestinian Authority and Israel. | 0:53:58 | 0:54:03 | |
And their message is simple. | 0:54:03 | 0:54:06 | |
"Resistance is useless. Lay down your arms." | 0:54:06 | 0:54:09 | |
PHONE RINGS | 0:54:09 | 0:54:13 | |
And...I can't really tell you the detail of what happened next, | 0:54:13 | 0:54:16 | |
but basically, by the end of it all, | 0:54:16 | 0:54:19 | |
your sympathy was with the aliens. | 0:54:19 | 0:54:21 | |
LAUGHTER | 0:54:21 | 0:54:22 | |
PHONE CONTINUES RINGING | 0:54:24 | 0:54:25 | |
Would someone mind telling their deaf partner that their phone is ringing? | 0:54:28 | 0:54:31 | |
-Unless, of course, it's mine. -LAUGHS NERVOUSLY | 0:54:35 | 0:54:38 | |
It is mine! | 0:54:44 | 0:54:46 | |
If this is a wrong number...! | 0:54:58 | 0:55:00 | |
Hello? | 0:55:03 | 0:55:05 | |
MAN: We know your secret, Nessa Stein. | 0:55:05 | 0:55:07 | |
And we know you will do anything we say just to keep it. | 0:55:09 | 0:55:12 | |
Go to reception. | 0:55:14 | 0:55:16 | |
Um, I'm sorry, ladies and gentlemen. | 0:55:19 | 0:55:22 | |
If you'll, er, excuse us just for a moment... | 0:55:22 | 0:55:24 | |
Excuse me. Excuse me. | 0:55:24 | 0:55:27 | |
Do you have a...? | 0:55:29 | 0:55:31 | |
PHONE RINGS | 0:56:02 | 0:56:04 | |
Yes. | 0:56:15 | 0:56:16 | |
-Where is she? -In the ladies'. I've blocked it off. | 0:56:24 | 0:56:26 | |
-What's wrong? -I don't know. She won't tell me. | 0:56:26 | 0:56:29 | |
Nessa? | 0:56:32 | 0:56:34 | |
Nessa? | 0:56:38 | 0:56:40 | |
What's wrong? | 0:56:45 | 0:56:46 | |
He's alive. | 0:56:51 | 0:56:52 | |
SIGH OF RELIEF | 0:56:54 | 0:56:55 | |
Oh, thanks, God! | 0:56:55 | 0:56:56 | |
Where is he? | 0:57:03 | 0:57:05 | |
Mummy, I'm safe. | 0:57:08 | 0:57:10 | |
I'm safe. | 0:57:10 | 0:57:11 | |
They know. | 0:57:24 | 0:57:25 | |
They know. | 0:57:31 | 0:57:33 | |
Subtitles by Red Bee Media Ltd | 0:57:46 | 0:57:49 |