Browse content similar to The Killing Call. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:01 | 0:00:04 | |
NESSA: 'Who do you trust?' Thank you. 'How do you know?' | 0:00:04 | 0:00:07 | |
-JULIA: -The winner of the Phase Three contract | 0:00:07 | 0:00:09 | |
is Samir Meshal. | 0:00:09 | 0:00:11 | |
'By how they appear?' | 0:00:11 | 0:00:13 | |
Look away from Samir Meshal. | 0:00:13 | 0:00:14 | |
Happy to agree. | 0:00:16 | 0:00:17 | |
'Or what they say?' | 0:00:17 | 0:00:19 | |
Nessa Stein. | 0:00:19 | 0:00:20 | |
Not quite the woman she appears to be. | 0:00:20 | 0:00:23 | |
'What they do?' | 0:00:23 | 0:00:25 | |
If I'd told you the truth, would you have stayed? | 0:00:25 | 0:00:28 | |
'We all have secrets.' | 0:00:28 | 0:00:30 | |
Kasim! | 0:00:30 | 0:00:32 | |
'But sometimes...' | 0:00:32 | 0:00:33 | |
MAN SCREAMS | 0:00:33 | 0:00:35 | |
'..something can happen that leaves you no choice... | 0:00:35 | 0:00:38 | |
'..but to reveal it, | 0:00:39 | 0:00:41 | |
'to let the world see who you really are... | 0:00:41 | 0:00:44 | |
'..your secret self.' | 0:00:47 | 0:00:49 | |
They know. | 0:00:49 | 0:00:50 | |
'But mostly we tell lies, | 0:00:50 | 0:00:53 | |
'we hide our secrets from each other, | 0:00:53 | 0:00:55 | |
'from ourselves. | 0:00:55 | 0:00:57 | |
'So, when you think about it like that... | 0:00:57 | 0:01:01 | |
'..it's a wonder we trust anyone at all.' | 0:01:03 | 0:01:05 | |
WHOOSHING | 0:01:08 | 0:01:09 | |
ENGINE STARTS SUDDENLY | 0:01:48 | 0:01:49 | |
Modeh ani l'faneykha. | 0:02:11 | 0:02:13 | |
-ATIKA: -Don't be afraid. | 0:02:25 | 0:02:27 | |
-KASIM: -I'm safe. | 0:02:30 | 0:02:31 | |
NESSA: I can't do this. | 0:02:33 | 0:02:34 | |
If it's the price...for a nation. | 0:02:42 | 0:02:45 | |
RADIO COMMUNICATION IN ARABIC | 0:02:49 | 0:02:51 | |
ELECTRONIC WHIRRING | 0:03:16 | 0:03:17 | |
DOOR CLOSES | 0:05:28 | 0:05:30 | |
MONITOR BEEPS STEADILY | 0:05:30 | 0:05:31 | |
ALARM CLOCK BEEPS | 0:05:42 | 0:05:44 | |
BEEPS INTENSIFY | 0:05:53 | 0:05:54 | |
WOMAN SIGHS | 0:05:55 | 0:05:56 | |
Morning. | 0:06:08 | 0:06:10 | |
SHE GRUNTS | 0:06:10 | 0:06:11 | |
Oh, fuck. | 0:06:16 | 0:06:17 | |
Oh... | 0:06:19 | 0:06:20 | |
SHE SIGHS | 0:06:26 | 0:06:27 | |
PHONE RINGS | 0:06:30 | 0:06:31 | |
Hello? | 0:06:42 | 0:06:43 | |
FAINT BREATH ON PHONE | 0:06:43 | 0:06:45 | |
'Is your secret safe?' | 0:06:51 | 0:06:52 | |
Tell me what it is. | 0:06:58 | 0:06:59 | |
Tell me something no-one else could know. | 0:07:03 | 0:07:06 | |
'You burnt my face. | 0:07:11 | 0:07:12 | |
'Is your secret safe?' | 0:07:16 | 0:07:17 | |
Yes, it is. | 0:07:19 | 0:07:21 | |
It's them. | 0:07:40 | 0:07:42 | |
-Yes. -What do they want? | 0:07:42 | 0:07:45 | |
They haven't said. | 0:07:45 | 0:07:47 | |
Why not? | 0:07:48 | 0:07:50 | |
I don't think they're ready. | 0:07:50 | 0:07:52 | |
I think they've taken him in reaction to something... | 0:07:52 | 0:07:56 | |
..that they weren't expecting. | 0:07:57 | 0:07:59 | |
-What? -Samir Meshal's death. | 0:07:59 | 0:08:01 | |
You don't know that. | 0:08:01 | 0:08:03 | |
Why else would they have taken him? | 0:08:03 | 0:08:05 | |
So I think we should expose them. | 0:08:09 | 0:08:12 | |
I think we should tell the world what happened to us. | 0:08:14 | 0:08:17 | |
It's their shame! Whatever it is they want, they'll lose. | 0:08:17 | 0:08:21 | |
And we'll lose Kasim. | 0:08:21 | 0:08:23 | |
I should never have done this. | 0:08:25 | 0:08:28 | |
I should never have agreed to this. | 0:08:28 | 0:08:30 | |
Oh, I should've just told everyone what happened, right from the start. | 0:08:30 | 0:08:34 | |
You didn't have a choice. | 0:08:34 | 0:08:36 | |
I did have a choice. I made the wrong one. | 0:08:36 | 0:08:38 | |
For the right reason! We both did. | 0:08:38 | 0:08:40 | |
Look what this has done to us! | 0:08:43 | 0:08:45 | |
We don't know what it's done. | 0:08:46 | 0:08:48 | |
All we can do now is wait and find out. | 0:08:48 | 0:08:52 | |
But, Nessa... | 0:08:52 | 0:08:53 | |
Nessa, look at me. | 0:08:56 | 0:08:58 | |
NESSA SIGHS HEAVILY | 0:08:58 | 0:09:01 | |
Nessa. | 0:09:01 | 0:09:02 | |
NESSA GASPS | 0:09:02 | 0:09:04 | |
SHE SOBS | 0:09:04 | 0:09:06 | |
SHE BREATHES HEAVILY | 0:09:06 | 0:09:09 | |
SHE EXHALES | 0:09:11 | 0:09:13 | |
We must be very, very careful now. | 0:09:14 | 0:09:17 | |
Tell no-one. | 0:09:19 | 0:09:20 | |
-(Rachel and Ephra already know.) -About this? | 0:09:23 | 0:09:25 | |
-What happened to us. -Oh, not everything. | 0:09:27 | 0:09:30 | |
Er... | 0:09:30 | 0:09:31 | |
They know enough. If they go to the police... | 0:09:33 | 0:09:35 | |
They won't. I'll speak to them. | 0:09:35 | 0:09:38 | |
They'll listen to me. | 0:09:38 | 0:09:40 | |
I am his mother...after all. | 0:09:40 | 0:09:44 | |
-RACHEL: -Who else knows? | 0:09:49 | 0:09:51 | |
No-one, just the four of us. | 0:09:51 | 0:09:54 | |
Well, I think that circle | 0:09:57 | 0:09:58 | |
-should be widened now to include the police. -No. | 0:09:58 | 0:10:02 | |
Atika, you were kidnapped for nearly a year | 0:10:04 | 0:10:06 | |
and we weren't allowed to tell a soul. | 0:10:06 | 0:10:08 | |
Now your son's been taken, apparently by the same people, | 0:10:08 | 0:10:12 | |
and still you're telling me to say nothing. | 0:10:12 | 0:10:15 | |
Yes. | 0:10:15 | 0:10:16 | |
Why? | 0:10:16 | 0:10:18 | |
Because it's the best chance I have of getting him back. | 0:10:18 | 0:10:21 | |
-You don't know that. -I am the only one that does. | 0:10:21 | 0:10:24 | |
I am the only one who know what these people are like... | 0:10:24 | 0:10:29 | |
first-hand. | 0:10:29 | 0:10:31 | |
I say we go to the police. | 0:10:38 | 0:10:40 | |
It isn't their world. | 0:10:40 | 0:10:42 | |
Atika, it's our world you're living in! | 0:10:42 | 0:10:45 | |
But Kasim's in theirs! | 0:10:45 | 0:10:47 | |
And the best thing I can do right now is to wait, | 0:10:48 | 0:10:52 | |
find out what they want | 0:10:52 | 0:10:54 | |
and then decide whether or not...we give it to them. | 0:10:54 | 0:10:58 | |
Nothing the police can do will change that. | 0:11:01 | 0:11:04 | |
But if they try...it may kill him. | 0:11:05 | 0:11:08 | |
I'm not comfortable with this. | 0:11:15 | 0:11:16 | |
Then be uncomfortable! | 0:11:16 | 0:11:18 | |
He's MY child! | 0:11:18 | 0:11:20 | |
Ephra! | 0:11:21 | 0:11:22 | |
She's right. | 0:11:27 | 0:11:28 | |
Rachel, please, you must say nothing. | 0:11:33 | 0:11:37 | |
Actually, you know what? I'm happy with "Mrs Stein". | 0:11:42 | 0:11:45 | |
Rachel... | 0:11:50 | 0:11:51 | |
You'd better be right... | 0:11:57 | 0:11:58 | |
-I am. -..because if I were you, | 0:11:59 | 0:12:01 | |
I'm not sure I'd be able to make that kind of decision. | 0:12:01 | 0:12:04 | |
If you were me, you'd be a Gazan, | 0:12:06 | 0:12:10 | |
born in a refugee camp that's still there today. | 0:12:10 | 0:12:14 | |
You'd have spent your whole life a stranger... | 0:12:15 | 0:12:19 | |
on your own land. | 0:12:19 | 0:12:21 | |
No home, no nation. | 0:12:22 | 0:12:24 | |
Nothing. | 0:12:25 | 0:12:26 | |
But if you were me, you would have learned one thing. | 0:12:28 | 0:12:34 | |
How to wait. | 0:12:35 | 0:12:37 | |
Not everyone's going to be so patient. | 0:12:40 | 0:12:42 | |
With a hole like this... | 0:12:44 | 0:12:46 | |
..they're going to start filling it with all sorts of shit, Atika. | 0:12:47 | 0:12:51 | |
Let them. | 0:12:51 | 0:12:52 | |
What?! | 0:12:59 | 0:13:00 | |
That's ridiculous! | 0:13:03 | 0:13:04 | |
Mr Stein is not Kasim's father. | 0:13:05 | 0:13:07 | |
That's unbelievable. | 0:13:07 | 0:13:09 | |
What we're doing here, it's just routine, belt and braces. | 0:13:09 | 0:13:11 | |
Except you're not the one having to drop his trousers! | 0:13:11 | 0:13:14 | |
Miss Halabi, | 0:13:14 | 0:13:16 | |
-Kasim's father was... -Killed. | 0:13:16 | 0:13:19 | |
Seven years ago. In a car crash in Gaza. | 0:13:19 | 0:13:21 | |
As she's told you before, but you obviously don't believe her. | 0:13:21 | 0:13:24 | |
Excuse me. | 0:13:26 | 0:13:27 | |
You know what I think? I think I think time's ticking on | 0:13:29 | 0:13:32 | |
and you have absolutely nothing to show for it... | 0:13:32 | 0:13:34 | |
..which is why you're now clutching at straws, or my balls. | 0:13:36 | 0:13:38 | |
-Ephra... -What?! He's the one fucking it up! | 0:13:38 | 0:13:40 | |
-What if it was true? -Rachel! | 0:13:40 | 0:13:42 | |
-Mrs Stein! -How would it help? | 0:13:42 | 0:13:44 | |
If it was true... | 0:13:44 | 0:13:45 | |
-This is crazy. -..it would mean you have a secret, | 0:13:45 | 0:13:47 | |
one that they may be willing to exploit. | 0:13:47 | 0:13:50 | |
But, as I say, I'm sure it's not. | 0:13:50 | 0:13:52 | |
No, you're not, or you wouldn't even ask. | 0:13:52 | 0:13:55 | |
-Why were you so aggressive? -What?! | 0:13:58 | 0:14:01 | |
Because he was an idiot. | 0:14:02 | 0:14:04 | |
Is this it? | 0:14:05 | 0:14:06 | |
Is this why you agree with Atika on everything she says? | 0:14:08 | 0:14:11 | |
I agree with her because she is the child's mother. | 0:14:11 | 0:14:13 | |
And now it seems you have a vested interest all of your own. | 0:14:13 | 0:14:16 | |
Rachel... | 0:14:16 | 0:14:18 | |
-So take the test. -What? | 0:14:18 | 0:14:21 | |
-Take the test. -No. | 0:14:23 | 0:14:25 | |
Why not? | 0:14:25 | 0:14:27 | |
Because it is ridiculous! | 0:14:27 | 0:14:28 | |
But if it's so crazy, why not just do it to placate them? | 0:14:28 | 0:14:31 | |
I'm not even going to justify this with an answer. | 0:14:31 | 0:14:34 | |
I'm certainly not going to give... the Keystone Kops any of my sperm! | 0:14:34 | 0:14:37 | |
-They won't need sperm. -Oh, thank you, doctor(!) | 0:14:37 | 0:14:40 | |
You, Nessa, Atika - what you three are up to, I don't get. | 0:14:42 | 0:14:45 | |
But you schtupping the housekeeper | 0:14:45 | 0:14:47 | |
and not wanting anyone to find out about it - this, I do! | 0:14:47 | 0:14:49 | |
-No. -It is possible. -Just don't. Please... -I've worked it out, | 0:14:49 | 0:14:52 | |
it's possible. Atika was your translator before she was Nessa's. | 0:14:52 | 0:14:55 | |
You gave her to Nessa before she went out there. | 0:14:55 | 0:14:57 | |
-Why'd you do that? -Because she was a good translator! | 0:14:57 | 0:14:59 | |
So, how come she became a housekeeper, | 0:15:00 | 0:15:02 | |
here, in our house? | 0:15:02 | 0:15:05 | |
You know why. | 0:15:05 | 0:15:06 | |
I know she and Nessa went through a terrible experience, | 0:15:08 | 0:15:10 | |
one that we are unable to let anyone else know about, but... | 0:15:10 | 0:15:13 | |
..how come she didn't go and live with Nessa? | 0:15:15 | 0:15:19 | |
How come she had to come and live with us? | 0:15:19 | 0:15:21 | |
-Because it was the right thing to do. -Who for? | 0:15:21 | 0:15:23 | |
When I said, "The United Colours of Stein," I didn't mean it literally. | 0:15:25 | 0:15:29 | |
-Rachel... -Take the test. | 0:15:29 | 0:15:31 | |
Thank you for agreeing to do this. | 0:15:35 | 0:15:38 | |
So, they take a mouth swab from the mother and from the male. | 0:15:41 | 0:15:47 | |
And something from the child. | 0:15:47 | 0:15:49 | |
A strand of hair. | 0:15:49 | 0:15:50 | |
Does Kasim have a hairbrush? | 0:15:50 | 0:15:53 | |
No. | 0:15:53 | 0:15:54 | |
Well, then perhaps from his bed. | 0:15:54 | 0:15:57 | |
No. | 0:15:57 | 0:15:59 | |
What about a toothbrush? | 0:15:59 | 0:16:01 | |
Why, yes, that would be excellent. | 0:16:01 | 0:16:03 | |
Well, there we are, then. | 0:16:03 | 0:16:05 | |
Let's use that. | 0:16:06 | 0:16:08 | |
MONITOR BEEPS STEADILY | 0:16:35 | 0:16:37 | |
Why do you keep staring at me? | 0:16:41 | 0:16:44 | |
You're awake! | 0:16:44 | 0:16:46 | |
I have been for some time. | 0:16:50 | 0:16:52 | |
Hmm. | 0:16:59 | 0:17:01 | |
BREATHES HEAVILY | 0:17:12 | 0:17:14 | |
BREATHES HEAVILY | 0:17:26 | 0:17:28 | |
-NURSE: -What are you doing in here?! | 0:17:49 | 0:17:51 | |
It's OK. | 0:17:51 | 0:17:52 | |
I've got gloves on. | 0:17:52 | 0:17:54 | |
You're not allowed in here! | 0:17:54 | 0:17:56 | |
You're just making it worse. | 0:17:57 | 0:17:58 | |
I need a phone. | 0:18:03 | 0:18:04 | |
PHONE RINGS | 0:18:10 | 0:18:12 | |
-Anjelica Rosen's office. -'Hello, Jenny.' | 0:18:12 | 0:18:14 | |
It's Hugh. | 0:18:14 | 0:18:15 | |
Oh...hello, Hugh. How are you? | 0:18:15 | 0:18:18 | |
'I-I'm very well, thank you.' | 0:18:18 | 0:18:20 | |
Is Anjie available? | 0:18:20 | 0:18:22 | |
Um, just let me check. Hold the line. | 0:18:22 | 0:18:24 | |
'Thank you.' | 0:18:24 | 0:18:25 | |
Hugh's on the line. | 0:18:29 | 0:18:30 | |
-What does he want? -Didn't say, | 0:18:30 | 0:18:33 | |
just wants to know if you're available. | 0:18:33 | 0:18:35 | |
Tell him I've gone to lunch. | 0:18:35 | 0:18:37 | |
I'm sorry, I'm afraid she's not here. | 0:18:42 | 0:18:43 | |
'She's gone out to lunch.' | 0:18:43 | 0:18:45 | |
Oh, er...would you mind giving her a message? | 0:18:45 | 0:18:49 | |
'Sure.' | 0:18:49 | 0:18:50 | |
Would you tell her that I love her? | 0:18:51 | 0:18:53 | |
Of course. | 0:18:53 | 0:18:54 | |
Please, tell her exactly that, it's very important. | 0:18:54 | 0:18:58 | |
-I'll let her know. -'Thank you.' | 0:18:58 | 0:19:01 | |
GENTLE KNOCK ON DOOR | 0:19:15 | 0:19:17 | |
He told me to tell you that... he loves you. | 0:19:17 | 0:19:19 | |
Go on, smile! | 0:19:21 | 0:19:24 | |
"He does not know what it...means." | 0:19:33 | 0:19:35 | |
-Apparently, you've been giving them the run-around. -Hmm! | 0:19:47 | 0:19:50 | |
-Well, it's my job. -Your job is to get better. | 0:19:52 | 0:19:55 | |
-My job is to get that boy back. -No, | 0:19:56 | 0:19:58 | |
-that's the job of the police. -Hmm. | 0:19:58 | 0:20:01 | |
Yeah, well... | 0:20:04 | 0:20:06 | |
They're not doing it, though, are they? | 0:20:10 | 0:20:13 | |
(Will you get back in bed?!) | 0:20:15 | 0:20:17 | |
Don't you start! | 0:20:18 | 0:20:19 | |
Come on. | 0:20:22 | 0:20:24 | |
-Where are we going? -I want to show you something. | 0:20:24 | 0:20:27 | |
(I can't cross this.) | 0:20:34 | 0:20:36 | |
OK. Stay there. | 0:20:36 | 0:20:37 | |
This is the room in which Michael Gatz, the kidnap driver, killed himself. | 0:20:39 | 0:20:43 | |
He was... | 0:20:43 | 0:20:44 | |
He was rigged up to this monitor when he did it, so... | 0:20:44 | 0:20:48 | |
..in effect... | 0:20:49 | 0:20:50 | |
..it's a...it's a recording of the last moments of his life. | 0:20:52 | 0:20:55 | |
OK, so here you can see he's dead. | 0:21:01 | 0:21:02 | |
Great(!) | 0:21:02 | 0:21:04 | |
Don't be sarcastic. | 0:21:04 | 0:21:06 | |
OK, here you can see where he's dying. | 0:21:08 | 0:21:10 | |
If we take it back... | 0:21:12 | 0:21:13 | |
HE BREATHES HEAVILY | 0:21:13 | 0:21:16 | |
..to about five minutes beforehand... | 0:21:16 | 0:21:18 | |
OK, there, you see that? You see that interference? | 0:21:23 | 0:21:26 | |
Yeah, what is that? | 0:21:26 | 0:21:28 | |
That's what I wondered. | 0:21:32 | 0:21:33 | |
I reread the profile I had drawn up on you before I gave you this job. | 0:21:43 | 0:21:48 | |
You have someone watch the watcher, that's interesting. | 0:21:48 | 0:21:52 | |
You wouldn't expect me not to. | 0:21:52 | 0:21:54 | |
No, I wouldn't. I'm glad that you do. | 0:21:54 | 0:21:57 | |
What did it tell you? | 0:21:57 | 0:21:59 | |
That you're acutely sensitive to... | 0:22:00 | 0:22:02 | |
TOGETHER: To threat. | 0:22:02 | 0:22:04 | |
-Yes! -Yeah. | 0:22:04 | 0:22:05 | |
Isn't that why you employed me? | 0:22:05 | 0:22:07 | |
Not to be compromised, Nathaniel. | 0:22:07 | 0:22:10 | |
I'm not going to. | 0:22:10 | 0:22:12 | |
Crossing that line - you already have. Don't do it again. | 0:22:12 | 0:22:15 | |
-You want that boy back, don't you? -I already | 0:22:16 | 0:22:18 | |
told you to leave it to the police. | 0:22:18 | 0:22:20 | |
MONITOR BEEPS | 0:22:20 | 0:22:21 | |
Who are you calling? | 0:22:24 | 0:22:26 | |
Doesn't matter. | 0:22:26 | 0:22:27 | |
Look. | 0:22:32 | 0:22:33 | |
Do you see? | 0:22:33 | 0:22:35 | |
Yeah. | 0:22:35 | 0:22:36 | |
So... | 0:22:38 | 0:22:40 | |
..five minutes before Gatz killed himself, he made a call, | 0:22:41 | 0:22:45 | |
which is very odd, cos when he came in here, | 0:22:45 | 0:22:49 | |
the police had taken his phone away. | 0:22:49 | 0:22:50 | |
So someone gave him another one? | 0:22:52 | 0:22:54 | |
-Yeah. And I have an idea who it might've been. -Who? | 0:22:54 | 0:22:56 | |
-CLEARS THROAT -Someone who's been watching over me. | 0:22:56 | 0:22:59 | |
Mrs Dalloway? | 0:23:09 | 0:23:10 | |
You know who I am? | 0:23:16 | 0:23:18 | |
You know what I represent? | 0:23:19 | 0:23:21 | |
Trouble for you | 0:23:23 | 0:23:25 | |
on every level, unless you co-operate. | 0:23:25 | 0:23:27 | |
-I thought... -Is that your daughter, | 0:23:30 | 0:23:32 | |
up there in your flat? | 0:23:32 | 0:23:33 | |
And you're afraid because of what they threatened to do to her, | 0:23:35 | 0:23:38 | |
am I right? | 0:23:38 | 0:23:39 | |
I understand. | 0:23:39 | 0:23:41 | |
Believe me, I do. | 0:23:41 | 0:23:43 | |
Now, let me tell you what I think's happened. | 0:23:45 | 0:23:48 | |
They sent you a phone | 0:23:48 | 0:23:50 | |
and then they called it, and they threatened you with your daughter, | 0:23:50 | 0:23:54 | |
unless you did what they said. | 0:23:54 | 0:23:55 | |
And what they wanted was for you to pass a phone on to that man. | 0:23:55 | 0:24:00 | |
And so that's what you did. | 0:24:01 | 0:24:03 | |
What did you do with it after? | 0:24:04 | 0:24:06 | |
Put it in the incinerator. | 0:24:08 | 0:24:09 | |
And that's it? | 0:24:12 | 0:24:13 | |
(Yes.) | 0:24:13 | 0:24:15 | |
That's everything? | 0:24:15 | 0:24:17 | |
And then they gave her £5,000. | 0:24:21 | 0:24:23 | |
So you were right. | 0:24:23 | 0:24:24 | |
I didn't guess about the money. | 0:24:26 | 0:24:27 | |
Well, you would've done if you'd seen her Prada bag. | 0:24:27 | 0:24:30 | |
I thought you were going to tell the police. | 0:24:30 | 0:24:33 | |
No. | 0:24:33 | 0:24:34 | |
Well, who's crossing the line now, Nessa? | 0:24:36 | 0:24:38 | |
I don't want to put another child in danger because of me. | 0:24:38 | 0:24:41 | |
Telling the police about this, hers could be. | 0:24:41 | 0:24:45 | |
Mm-hm. | 0:24:45 | 0:24:46 | |
Did you see her on your own? No security with you? | 0:24:46 | 0:24:49 | |
Now, don't start checking up on me. | 0:24:49 | 0:24:51 | |
That's not what I meant. | 0:24:51 | 0:24:53 | |
I mean it's a hard thing to do. | 0:24:53 | 0:24:55 | |
It wasn't that difficult. | 0:24:57 | 0:24:59 | |
The only way to get someone like that to talk | 0:25:03 | 0:25:05 | |
is to make them more afraid of you than of anyone else. | 0:25:05 | 0:25:08 | |
That's... | 0:25:08 | 0:25:09 | |
That's difficult. | 0:25:10 | 0:25:11 | |
It was quite dark. | 0:25:13 | 0:25:15 | |
She must've seen something. | 0:25:17 | 0:25:19 | |
Hmm. | 0:25:19 | 0:25:20 | |
I am quite chilly, wouldn't you say? | 0:25:23 | 0:25:25 | |
No, I wouldn't say that. | 0:25:29 | 0:25:31 | |
I'd say that you're full of anger. | 0:25:31 | 0:25:33 | |
No. | 0:25:35 | 0:25:36 | |
Rage. | 0:25:38 | 0:25:39 | |
Which is curious, given your public role as peacemaker. | 0:25:41 | 0:25:45 | |
NESSA MOANS | 0:26:00 | 0:26:01 | |
I can't. | 0:26:07 | 0:26:08 | |
It's professional suicide. | 0:26:13 | 0:26:14 | |
THEY LAUGH | 0:26:15 | 0:26:17 | |
You're nothing more than a professional. | 0:26:19 | 0:26:21 | |
(OK.) | 0:26:27 | 0:26:28 | |
-I'll need to go away and think about that. -No, don't. | 0:26:33 | 0:26:38 | |
Nessa, please? | 0:26:38 | 0:26:39 | |
OK, nothing... | 0:26:51 | 0:26:53 | |
Nothing's happened, OK? We're fine. | 0:26:53 | 0:26:56 | |
OK? | 0:26:58 | 0:26:59 | |
You almost killed me. | 0:27:03 | 0:27:05 | |
So...what do you want to do now? | 0:27:09 | 0:27:11 | |
OK. | 0:27:15 | 0:27:16 | |
I don't think we should go to the police. | 0:27:17 | 0:27:19 | |
-Good. -I don't think the nurse is important. | 0:27:19 | 0:27:22 | |
What is interesting... | 0:27:23 | 0:27:25 | |
BOTH LAUGH | 0:27:25 | 0:27:27 | |
OK, what is interesting | 0:27:31 | 0:27:33 | |
is what it's told us about Kasim's kidnappers. | 0:27:33 | 0:27:37 | |
OK, they have a method. They... they threaten, but they also reward. | 0:27:38 | 0:27:42 | |
Now, when Gatz made that call, she said that he didn't say a word. | 0:27:43 | 0:27:47 | |
So I think that he heard a repeated threat, | 0:27:48 | 0:27:50 | |
which, if he didn't do what he did to himself, they would carry out. | 0:27:50 | 0:27:54 | |
But he did and having done it, | 0:27:54 | 0:27:56 | |
my guess is that his family got a reward. | 0:27:56 | 0:27:58 | |
-So? -So... | 0:27:58 | 0:28:00 | |
who did the profile on me, before you took me on? | 0:28:00 | 0:28:04 | |
Caleb Schwako. | 0:28:05 | 0:28:07 | |
OK. | 0:28:09 | 0:28:10 | |
No, that's OK. | 0:28:13 | 0:28:14 | |
While I'm still in here, I need him to get me some equipment. | 0:28:16 | 0:28:19 | |
-It's a program for my laptop. He'll know it. -What'll it do? | 0:28:19 | 0:28:23 | |
Start giving me some answers. | 0:28:24 | 0:28:26 | |
Lady Stein, it is a pleasure to be seeing you again. | 0:28:31 | 0:28:33 | |
Mr Schwako, there is something I need you to do for me. | 0:28:33 | 0:28:38 | |
Who would you like me to be watching? | 0:28:41 | 0:28:43 | |
-Perfect. -What are you looking for? | 0:28:48 | 0:28:51 | |
What you always look for in these situations. | 0:28:52 | 0:28:55 | |
Are you Mr Gatz? | 0:28:58 | 0:29:00 | |
No, he's my brother. My husband's recently deceased. | 0:29:00 | 0:29:04 | |
Oh, I'm sorry. | 0:29:04 | 0:29:05 | |
-Whose name will the car be insured under? -Mine. | 0:29:05 | 0:29:08 | |
So this is your e-mail address? | 0:29:09 | 0:29:12 | |
Yes. | 0:29:12 | 0:29:13 | |
And that's £15,000. | 0:29:21 | 0:29:24 | |
Yes. | 0:29:24 | 0:29:26 | |
Cash? | 0:29:26 | 0:29:27 | |
Yes. | 0:29:27 | 0:29:29 | |
Well, your insurance is up and running now. | 0:29:41 | 0:29:44 | |
They'll send you an e-mail to confirm. | 0:29:44 | 0:29:46 | |
But once I've counted that... | 0:29:46 | 0:29:48 | |
the vehicle's yours. | 0:29:48 | 0:29:50 | |
Congratulations. | 0:29:50 | 0:29:52 | |
COMPUTER BEEPS | 0:30:00 | 0:30:01 | |
Gotcha. | 0:30:07 | 0:30:08 | |
A guy goes to see a rabbi and tells him his wife is trying to poison him. | 0:30:11 | 0:30:16 | |
So the rabbi says, "Don't worry, I'll talk to her." | 0:30:16 | 0:30:19 | |
The next time they meet, the guy asks him how it went | 0:30:19 | 0:30:23 | |
and the rabbi says... | 0:30:23 | 0:30:26 | |
.."Look, I've been talking to your wife for five hours. | 0:30:27 | 0:30:32 | |
"Take the poison." | 0:30:32 | 0:30:34 | |
NESSA LAUGHS | 0:30:34 | 0:30:35 | |
I can't give you a contract, Shlomo. | 0:30:39 | 0:30:41 | |
HE SIGHS | 0:30:43 | 0:30:44 | |
It isn't true, you know. | 0:30:46 | 0:30:47 | |
It was what we found. | 0:30:47 | 0:30:49 | |
Who found it? | 0:30:49 | 0:30:50 | |
Me, work with Hezbollah?! | 0:30:51 | 0:30:53 | |
That kind of crazy I'd be sitting in front of you now | 0:30:54 | 0:30:57 | |
-surrounded by a pool of piss! -Can you prove it? | 0:30:57 | 0:31:00 | |
Do I have to? | 0:31:00 | 0:31:02 | |
-You know you have a scar...here. -Long since gone, Shlomo. | 0:31:07 | 0:31:11 | |
But I know it's there because you sat on my knee | 0:31:11 | 0:31:16 | |
when the doctor stitched it. | 0:31:16 | 0:31:17 | |
We can't be compromised, Shlomo. | 0:31:19 | 0:31:22 | |
You already have been. | 0:31:22 | 0:31:24 | |
Do you ever enter a restaurant from the front? | 0:31:32 | 0:31:35 | |
Rarely. | 0:31:37 | 0:31:38 | |
Have you been offered anything? | 0:31:44 | 0:31:46 | |
I didn't ask. | 0:31:46 | 0:31:48 | |
-It's free. -I don't think so. | 0:31:48 | 0:31:50 | |
Thank you. | 0:31:52 | 0:31:53 | |
You people own this place? | 0:31:55 | 0:31:58 | |
We've come to an agreement. | 0:31:58 | 0:32:00 | |
Does that involve skimming the till? | 0:32:00 | 0:32:02 | |
No, we leave that to the VAT man. | 0:32:03 | 0:32:05 | |
SHLOMO CHUCKLES | 0:32:05 | 0:32:07 | |
"And pig was man and man was pig." | 0:32:07 | 0:32:10 | |
It's all kosher, Mr Zahary. | 0:32:11 | 0:32:13 | |
It's Italian. | 0:32:14 | 0:32:16 | |
If we were to meet in public, | 0:32:16 | 0:32:18 | |
I think it would be you who would feel more compromised. | 0:32:18 | 0:32:21 | |
Don't fuck with me, you scrawny little shit! | 0:32:21 | 0:32:24 | |
-I didn't ask to meet you at all. -I understand. | 0:32:24 | 0:32:26 | |
No, you don't understand nothing! | 0:32:26 | 0:32:28 | |
Look at you, pasty-faced arsehole! | 0:32:28 | 0:32:31 | |
What are you, a fucking vampire or something, | 0:32:31 | 0:32:33 | |
-you can't see sunlight? -I want to help you, Shlomo. | 0:32:33 | 0:32:37 | |
HE SCOFFS | 0:32:37 | 0:32:38 | |
You should have been given that contract. | 0:32:38 | 0:32:41 | |
Oh, now you're my fucking business advisor! | 0:32:41 | 0:32:43 | |
Chutzpah! | 0:32:43 | 0:32:45 | |
But never mind fingers. I shake your hand, | 0:32:45 | 0:32:47 | |
I'm going to check I've still got a soul. | 0:32:47 | 0:32:49 | |
You didn't deal with Hezbollah. | 0:32:56 | 0:32:58 | |
We looked. | 0:33:00 | 0:33:02 | |
And this...proves it. | 0:33:02 | 0:33:05 | |
Oh. | 0:33:10 | 0:33:11 | |
Seven years ago, the Stein Group launched its first phase | 0:33:13 | 0:33:17 | |
of the telecommunications roll-out into the Palestinian territories | 0:33:17 | 0:33:21 | |
and you got that contract. | 0:33:21 | 0:33:23 | |
-So? -So, | 0:33:25 | 0:33:26 | |
maybe you can tell me, | 0:33:26 | 0:33:29 | |
how come it was Ephra Stein launched it and not his sister? | 0:33:29 | 0:33:33 | |
How come he was in the lead back then, | 0:33:40 | 0:33:43 | |
but now their roles are reversed? | 0:33:43 | 0:33:45 | |
Take your time, it was seven years ago. | 0:33:48 | 0:33:51 | |
Why don't you ask him that question? | 0:33:53 | 0:33:56 | |
Oh, I will. | 0:33:57 | 0:33:58 | |
And maybe in the future I can ask you a few more. | 0:34:00 | 0:34:04 | |
NESSA: That's not proof, Shlomo. | 0:34:13 | 0:34:16 | |
-Looks pretty like it to me. -But you would say that, wouldn't you? | 0:34:17 | 0:34:20 | |
Hmm. | 0:34:20 | 0:34:22 | |
So you've got two bits of paper. | 0:34:27 | 0:34:30 | |
One says you can't trust me, the other says you can. | 0:34:30 | 0:34:33 | |
Which are you going to choose? | 0:34:34 | 0:34:35 | |
I think I already have. | 0:34:38 | 0:34:40 | |
HE SIGHS | 0:34:40 | 0:34:41 | |
You chose wrong, dear. | 0:34:43 | 0:34:45 | |
Do you know why I know that? | 0:34:47 | 0:34:49 | |
Cos I can feel it. | 0:34:50 | 0:34:52 | |
Here. | 0:34:53 | 0:34:54 | |
I don't need no bits of paper to tell me what to think. | 0:34:56 | 0:35:00 | |
And nor should you. | 0:35:00 | 0:35:02 | |
Except it doesn't work that way, Shlomo, | 0:35:02 | 0:35:04 | |
-and you know that. -What the fuck are you talking about? | 0:35:04 | 0:35:07 | |
It's the only way it works! | 0:35:07 | 0:35:09 | |
Forget about all this papieren geschift. | 0:35:09 | 0:35:12 | |
It's all bullshit! Anyone can write anything, | 0:35:12 | 0:35:14 | |
but this... | 0:35:14 | 0:35:15 | |
This you write for yourself. | 0:35:16 | 0:35:19 | |
This, darling, is the only thing you should ever trust. | 0:35:20 | 0:35:24 | |
Have you ever lied to me, Nathaniel? | 0:35:33 | 0:35:35 | |
No. | 0:35:35 | 0:35:37 | |
-No? -No. | 0:35:39 | 0:35:41 | |
Would you? | 0:35:41 | 0:35:43 | |
No. | 0:35:43 | 0:35:44 | |
Who told you about Shlomo Zahary's Hezbollah connection? | 0:35:46 | 0:35:50 | |
-I can't tell you that. -Why not? | 0:35:55 | 0:35:58 | |
HE SIGHS | 0:36:00 | 0:36:02 | |
What people are willing to say to me, they have to do in confidence. | 0:36:02 | 0:36:05 | |
I'm your employer. | 0:36:05 | 0:36:07 | |
Yeah, and you employ me to find things out, which is what I do. | 0:36:07 | 0:36:10 | |
But how I do it, the methods I use, | 0:36:10 | 0:36:13 | |
you should leave that to me. | 0:36:13 | 0:36:15 | |
How do you know people are telling the truth? | 0:36:17 | 0:36:19 | |
You don't. | 0:36:19 | 0:36:20 | |
You have to use your judgment. | 0:36:22 | 0:36:24 | |
What do you do if you've made a mistake? | 0:36:24 | 0:36:28 | |
Then you try and rectify it, which is what I'm trying to do here. | 0:36:31 | 0:36:35 | |
(Will you stop?) | 0:36:36 | 0:36:37 | |
Stop, stop. | 0:36:38 | 0:36:40 | |
Stop. | 0:36:40 | 0:36:41 | |
Stop what? | 0:36:41 | 0:36:43 | |
Stop looking for him, let the police do it! | 0:36:43 | 0:36:45 | |
No, I don't think so. | 0:36:47 | 0:36:48 | |
Then I'll fire you. | 0:36:49 | 0:36:51 | |
What, money? | 0:36:52 | 0:36:54 | |
-Ah, well, you've got me there! -Good! | 0:36:54 | 0:36:57 | |
I'm joking. | 0:36:57 | 0:36:59 | |
I'm not! You saved my life. | 0:36:59 | 0:37:01 | |
Look at me. | 0:37:09 | 0:37:11 | |
I'd do it again... | 0:37:18 | 0:37:20 | |
..whether you paid me or not. | 0:37:22 | 0:37:24 | |
Mr Bloom, he has his laptop, and mine, it is being its mirror | 0:37:51 | 0:37:56 | |
and this is what he is finding. | 0:37:56 | 0:37:59 | |
The family Gatz. | 0:37:59 | 0:38:02 | |
-The kidnap driver. -Yes. | 0:38:02 | 0:38:04 | |
Well, the police already know about him. | 0:38:04 | 0:38:07 | |
But not that they are spending money. Lots of it. | 0:38:07 | 0:38:09 | |
In cash. | 0:38:09 | 0:38:11 | |
In Rye. It's a very nice place, Rye. | 0:38:11 | 0:38:14 | |
And that's where Mr Bloom will go next? | 0:38:18 | 0:38:21 | |
He is very good, very thorough. | 0:38:22 | 0:38:24 | |
He has the bite between his teeth. | 0:38:24 | 0:38:26 | |
Nothing will stop him, I think. Nothing. | 0:38:26 | 0:38:28 | |
PHONE RINGS | 0:38:31 | 0:38:34 | |
NESSA SOBS | 0:38:34 | 0:38:36 | |
PHONE CONTINUES TO RING | 0:38:36 | 0:38:38 | |
NESSA'S SOBBING INTENSIFIES | 0:38:39 | 0:38:41 | |
PHONE CONTINUES TO RING | 0:38:44 | 0:38:46 | |
SHE SNIFFLES | 0:38:51 | 0:38:54 | |
'Is your secret safe?' | 0:38:54 | 0:38:56 | |
No, it's not. | 0:39:01 | 0:39:03 | |
'Why not?' | 0:39:05 | 0:39:07 | |
KNOCKING | 0:39:11 | 0:39:12 | |
Oh, Atika. | 0:39:23 | 0:39:24 | |
I've done something terrible. | 0:39:25 | 0:39:27 | |
What? | 0:39:29 | 0:39:30 | |
What's this for? | 0:40:11 | 0:40:13 | |
My face. | 0:40:14 | 0:40:15 | |
MIMICS RIFLE SHOT | 0:41:06 | 0:41:08 | |
TOILET FLUSHES | 0:41:08 | 0:41:09 | |
So, we have the results. | 0:41:42 | 0:41:44 | |
Mr Stein... | 0:41:45 | 0:41:47 | |
..no trace was found of your DNA on Kasim's toothbrush. | 0:41:48 | 0:41:52 | |
Actually, no trace of paternal DNA was found at all, only Atika's. | 0:41:53 | 0:41:57 | |
But then that's not unusual, | 0:41:57 | 0:42:00 | |
and as we had Mr Stein's sample to cross-match, | 0:42:00 | 0:42:02 | |
if it had been on the toothbrush, it would have shown up. | 0:42:02 | 0:42:06 | |
So...you are not the father. | 0:42:07 | 0:42:10 | |
So, where now, Commander? | 0:42:12 | 0:42:13 | |
No, no, don't tell me. | 0:42:14 | 0:42:16 | |
-Now you're the one with your dick in your hands. -Excuse me. | 0:42:16 | 0:42:19 | |
Thank you. | 0:42:24 | 0:42:25 | |
DOOR CLOSES | 0:42:25 | 0:42:27 | |
HE SIGHS | 0:42:28 | 0:42:29 | |
I wondered how long it'd be before you came out of the woodwork. | 0:42:37 | 0:42:40 | |
And as it turned out, it was the rose beds. | 0:42:40 | 0:42:44 | |
Well, woodworm, blackfly, it's all the same, isn't it? | 0:42:44 | 0:42:47 | |
-I'm sorry for your troubles, Ephra. -Mm. | 0:42:47 | 0:42:51 | |
And you just wanted to help, hmm? | 0:42:51 | 0:42:53 | |
How many countries have you people destroyed with that kind of offer? | 0:42:55 | 0:42:58 | |
I'm not sure, | 0:42:58 | 0:42:59 | |
but I'm certainly glad not to be standing here in a pair of jackboots | 0:42:59 | 0:43:03 | |
and I'm sure you are, too. | 0:43:03 | 0:43:04 | |
Given the history of my tribe, hmm? | 0:43:04 | 0:43:07 | |
"Never Again." Isn't that the military motto? | 0:43:07 | 0:43:10 | |
Shayetet 13? | 0:43:11 | 0:43:13 | |
-I wouldn't know. -Really? | 0:43:13 | 0:43:15 | |
The Israeli SBS. I would have thought your father helped set them up. | 0:43:17 | 0:43:20 | |
If he had, it would've been a long time ago. | 0:43:20 | 0:43:22 | |
When your family pursued a very different agenda | 0:43:22 | 0:43:25 | |
to the one you have today. | 0:43:25 | 0:43:26 | |
Radically. | 0:43:26 | 0:43:27 | |
Except... | 0:43:27 | 0:43:29 | |
you and Unit 13, your paths have crossed, | 0:43:29 | 0:43:33 | |
haven't they, seven years ago, in their role as specialists | 0:43:33 | 0:43:38 | |
in hostage rescue? | 0:43:38 | 0:43:40 | |
I know your secret, Ephra. | 0:43:50 | 0:43:52 | |
I know Nessa and Atika Halabi were both kidnapped in Gaza, | 0:43:52 | 0:43:55 | |
-seven years ago. -No, you don't. -Yes, I do. | 0:43:55 | 0:43:59 | |
What's that? | 0:44:05 | 0:44:06 | |
The car from which they were both taken. | 0:44:06 | 0:44:09 | |
And who's that? | 0:44:10 | 0:44:11 | |
The driver. | 0:44:11 | 0:44:12 | |
I don't think so. | 0:44:14 | 0:44:15 | |
All the same, there it is. | 0:44:15 | 0:44:18 | |
Take it. | 0:44:18 | 0:44:19 | |
That's not right. | 0:44:29 | 0:44:30 | |
I wouldn't put it in the family album. | 0:44:32 | 0:44:34 | |
But I wouldn't pretend it doesn't exist. | 0:44:36 | 0:44:38 | |
Not any more. | 0:44:40 | 0:44:41 | |
Tell me about him. | 0:45:03 | 0:45:05 | |
Who? | 0:45:05 | 0:45:07 | |
Kasim's father. | 0:45:09 | 0:45:10 | |
I really did not know him. | 0:45:12 | 0:45:14 | |
Sometimes... | 0:45:15 | 0:45:17 | |
in situations like that... | 0:45:17 | 0:45:20 | |
..things happen... | 0:45:21 | 0:45:22 | |
..much faster than they should. | 0:45:23 | 0:45:26 | |
He was... | 0:45:28 | 0:45:29 | |
..hopeful. | 0:45:31 | 0:45:32 | |
And if he hadn't died? | 0:45:34 | 0:45:36 | |
But he did. | 0:45:36 | 0:45:37 | |
On the day you were kidnapped. | 0:45:39 | 0:45:41 | |
I can't imagine how it must've been for you... | 0:45:46 | 0:45:49 | |
..to have to see that and then go through this. | 0:45:51 | 0:45:53 | |
In all that horror. | 0:45:55 | 0:45:56 | |
I had Nessa. | 0:45:58 | 0:45:59 | |
-And she had you. -Hmm. | 0:46:01 | 0:46:04 | |
We were strong together. | 0:46:05 | 0:46:07 | |
You still are. | 0:46:08 | 0:46:10 | |
Much stronger than me. | 0:46:12 | 0:46:13 | |
MULTIPLE LOCKS CLUNK | 0:46:32 | 0:46:34 | |
She says you can go. | 0:46:48 | 0:46:50 | |
When? | 0:46:50 | 0:46:52 | |
Straightaway. | 0:46:52 | 0:46:53 | |
Everything you do, car hire, whatever, | 0:46:57 | 0:47:00 | |
I want it done with a false ID. | 0:47:00 | 0:47:02 | |
-Why? -I understand right now you've agreed to | 0:47:02 | 0:47:06 | |
withhold information from the police. | 0:47:06 | 0:47:08 | |
Technically, that's obstruction of justice. | 0:47:08 | 0:47:11 | |
At her request. | 0:47:12 | 0:47:14 | |
Exactly. | 0:47:14 | 0:47:16 | |
So whatever proof you need to find, | 0:47:16 | 0:47:19 | |
I want you getting it before the police catch wind of you looking, | 0:47:19 | 0:47:21 | |
because if they do, our employer could be dangerously compromised. | 0:47:21 | 0:47:26 | |
Do you understand? | 0:47:26 | 0:47:28 | |
Yes. | 0:47:30 | 0:47:31 | |
No trail. | 0:47:32 | 0:47:34 | |
Agreed. | 0:47:36 | 0:47:37 | |
LIFT BEEPS | 0:47:37 | 0:47:39 | |
'Doors opening.' | 0:47:39 | 0:47:40 | |
And she told me to tell you you were right about what you saw. | 0:47:40 | 0:47:44 | |
What did I see? | 0:47:44 | 0:47:45 | |
I don't know, she just told me to tell you. | 0:47:45 | 0:47:48 | |
John Hopkinson? | 0:48:12 | 0:48:13 | |
Are you going to cause trouble? | 0:48:26 | 0:48:28 | |
If everything goes as it should, | 0:48:29 | 0:48:30 | |
no-one will even know I've been here. | 0:48:30 | 0:48:32 | |
COCKEREL CROWS | 0:48:47 | 0:48:50 | |
CHICKENS CLUCK | 0:48:53 | 0:48:56 | |
DOOR CREAKS | 0:49:24 | 0:49:26 | |
FOOTSTEPS | 0:50:10 | 0:50:11 | |
FAINT CREAK | 0:50:34 | 0:50:35 | |
Gail Gatz? | 0:50:48 | 0:50:50 | |
There's a man downstairs in the kitchen. | 0:50:50 | 0:50:52 | |
He's dead. | 0:50:52 | 0:50:54 | |
Who is he? | 0:50:54 | 0:50:56 | |
Gail, if I wanted to kill you, I'd be putting holes in the ceiling. | 0:50:59 | 0:51:04 | |
FOOTSTEPS | 0:51:07 | 0:51:09 | |
He's my brother. | 0:51:15 | 0:51:17 | |
Who killed him? | 0:51:17 | 0:51:19 | |
I heard them arguing. | 0:51:20 | 0:51:22 | |
My brother told him I wasn't here. I hid. | 0:51:22 | 0:51:24 | |
Where did he say you were? | 0:51:24 | 0:51:26 | |
At his house. I clean it. | 0:51:26 | 0:51:29 | |
When was this? | 0:51:29 | 0:51:30 | |
I don't know. | 0:51:32 | 0:51:34 | |
We have to get you out of here. | 0:51:35 | 0:51:37 | |
Your husband was on a contract that went wrong. | 0:51:43 | 0:51:46 | |
To cover it up, his employers took you | 0:51:46 | 0:51:48 | |
to make sure that he did what he was meant to do, | 0:51:48 | 0:51:50 | |
so...which he did, he saved your life. | 0:51:50 | 0:51:52 | |
Now they seem to have changed their mind. Why? | 0:51:52 | 0:51:54 | |
Who gave you the money? Gail! Who gave you the money? | 0:51:54 | 0:51:56 | |
-Where are you taking me? -To the police. -I can't go to the police. -You have to. -Just stop the car. -No. | 0:51:56 | 0:52:01 | |
-Just stop the car! -Jesus Ch.... Gail! | 0:52:01 | 0:52:03 | |
SHE SOBS | 0:52:03 | 0:52:05 | |
-I can't go to the police. -Yes, you can. -I can't... | 0:52:07 | 0:52:09 | |
-Gail, you have to... -I killed him! | 0:52:09 | 0:52:11 | |
I killed my brother. | 0:52:13 | 0:52:15 | |
He was going to spend the money, all of it. | 0:52:16 | 0:52:20 | |
-GAIL SOBS -OK. | 0:52:21 | 0:52:23 | |
You still have to go to the police. | 0:52:25 | 0:52:26 | |
Please, I've got to see my mother first. | 0:52:28 | 0:52:30 | |
I have to tell her where I've left the money. | 0:52:30 | 0:52:32 | |
Please! Just let me see my mother first. | 0:52:32 | 0:52:34 | |
Please! | 0:52:35 | 0:52:37 | |
I'll tell you everything. | 0:52:37 | 0:52:39 | |
-Where is she? -At work. | 0:52:41 | 0:52:44 | |
It's a stone factory. | 0:52:44 | 0:52:46 | |
She does their books at night. | 0:52:46 | 0:52:48 | |
-Where is she? -In the back. | 0:53:35 | 0:53:37 | |
Stay here if you want. | 0:53:38 | 0:53:40 | |
This isn't a stone factory. | 0:54:14 | 0:54:16 | |
I didn't kill my brother. | 0:54:19 | 0:54:21 | |
Who did? | 0:54:21 | 0:54:22 | |
I had to bring you here. | 0:54:24 | 0:54:25 | |
I had to. | 0:54:27 | 0:54:28 | |
He said he'll kill my mother if I didn't. | 0:54:29 | 0:54:32 | |
Who? | 0:54:32 | 0:54:33 | |
GUNSHOT | 0:54:33 | 0:54:34 | |
SHE WALKS CAUTIOUSLY | 0:55:55 | 0:55:58 | |
What happened when you were kidnapped? | 0:55:58 | 0:56:00 | |
What do you mean? | 0:56:04 | 0:56:05 | |
What happened to Kasim's father? | 0:56:07 | 0:56:09 | |
-You know what happened. -Well, tell me again. | 0:56:10 | 0:56:13 | |
He was driving the car the day we were taken. | 0:56:17 | 0:56:20 | |
He was killed. | 0:56:21 | 0:56:22 | |
RAPID GUNFIRE | 0:56:22 | 0:56:23 | |
SCREAMING | 0:56:23 | 0:56:24 | |
The toothbrush wasn't Kasim's. | 0:56:26 | 0:56:28 | |
It was new. I saw you use it. | 0:56:31 | 0:56:33 | |
Is Kasim mine? | 0:56:36 | 0:56:38 | |
-No. -Well, then, whose is he? | 0:56:38 | 0:56:40 | |
-I just told you. -No, you haven't. | 0:56:43 | 0:56:45 | |
No, you haven't. | 0:56:47 | 0:56:48 | |
Because that was the driver of the car. | 0:56:51 | 0:56:52 | |
She was the driver of the car. | 0:56:55 | 0:56:57 | |
I'm going to ask you again, and I want you to tell me the truth. | 0:57:16 | 0:57:18 | |
Who is Kasim's father? | 0:57:20 | 0:57:22 | |
TV PLAYS IN NEXT ROOM | 0:57:39 | 0:57:42 | |
TV PLAYS IN BACKGROUND | 0:57:47 | 0:57:50 |