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NESSA: 'Who do you trust? How do you know?' | 0:00:01 | 0:00:03 | |
This programme contains scenes of sexual violence and some strong language | 0:00:03 | 0:00:07 | |
'By how they appear? Or what they say?' | 0:00:07 | 0:00:10 | |
Have you ever lied to me, Nathaniel? | 0:00:10 | 0:00:12 | |
-'What they do?' -No. | 0:00:12 | 0:00:13 | |
Who told you about Shlomo Zahary's Hezbollah connection? | 0:00:13 | 0:00:17 | |
I can't tell you that. | 0:00:17 | 0:00:19 | |
' We all have secrets.' GUN COCKS | 0:00:19 | 0:00:22 | |
'But sometimes, | 0:00:23 | 0:00:25 | |
'rarely...' | 0:00:25 | 0:00:27 | |
I know your secret, Ephra. | 0:00:27 | 0:00:29 | |
'..something can happen that leaves you no choice... | 0:00:29 | 0:00:32 | |
'..but to reveal it.' | 0:00:34 | 0:00:36 | |
-SHE CRIES MAN: -'Is your secret safe?' | 0:00:36 | 0:00:38 | |
No, it's not. | 0:00:38 | 0:00:41 | |
GUNSHOT | 0:00:41 | 0:00:42 | |
'But mostly we tell lies. | 0:00:42 | 0:00:44 | |
'We hide our secrets from each other, | 0:00:45 | 0:00:48 | |
'from ourselves. | 0:00:48 | 0:00:50 | |
'So, when you think about it like that...' | 0:00:50 | 0:00:53 | |
Who is Kasim's father? | 0:00:53 | 0:00:55 | |
'..it's a wonder we trust anyone at all.' | 0:00:58 | 0:01:00 | |
What about Palestinian rights? | 0:01:10 | 0:01:12 | |
Which Palestinians are you talking about? | 0:01:12 | 0:01:14 | |
The ones under the rule of the Palestinian Authority, | 0:01:14 | 0:01:16 | |
or the ones under the rule of Hamas? | 0:01:16 | 0:01:19 | |
Because Hamas, who run Gaza right now, | 0:01:19 | 0:01:20 | |
not only refuse to acknowledge that the Israeli state exists, | 0:01:20 | 0:01:24 | |
they keep flinging rockets into the country to prove it. | 0:01:24 | 0:01:27 | |
The effects aren't comparable. You're talking David and Goliath. | 0:01:27 | 0:01:30 | |
How do the effects diminish the intention? I don't get it. | 0:01:30 | 0:01:33 | |
And if you talk David and Goliath, | 0:01:33 | 0:01:35 | |
at least get your history the right way round. | 0:01:35 | 0:01:37 | |
-Goliath came from Gaza. -GLASS CLINKS | 0:01:37 | 0:01:39 | |
Do you make these arguments | 0:01:39 | 0:01:40 | |
because you're genuinely an Israeli apologist, | 0:01:40 | 0:01:43 | |
or is it simply the fundamental default of being a Jew? | 0:01:43 | 0:01:46 | |
Do you ask this question because you're genuinely anti-Semitic, | 0:01:46 | 0:01:50 | |
or is it because you're an absolute fucking shit? | 0:01:50 | 0:01:52 | |
SHOUTING, PLATES SMASHING | 0:01:52 | 0:01:56 | |
DOOR SLAMS | 0:01:56 | 0:01:58 | |
Fish was good. | 0:01:58 | 0:02:00 | |
-Why didn't you say something? -Like what? | 0:02:00 | 0:02:03 | |
You're the Middle East expert, Hugh. | 0:02:03 | 0:02:05 | |
You could have at least tried to calm things down. | 0:02:05 | 0:02:07 | |
That's not my job. All I do is give other people information. | 0:02:07 | 0:02:10 | |
It's up to them to decide what they do with it. | 0:02:10 | 0:02:12 | |
And that way your lot sent us to war with Iraq. | 0:02:12 | 0:02:15 | |
And that way you separate yourself from the problem. | 0:02:15 | 0:02:19 | |
And you're very good at that, you really are. | 0:02:20 | 0:02:23 | |
Do you know what I'd like to see? | 0:02:24 | 0:02:25 | |
You engaging with a problem, | 0:02:25 | 0:02:27 | |
getting all hot and sweaty about it. | 0:02:27 | 0:02:30 | |
-What, like those two idiots? -Like it mattered. To you. | 0:02:30 | 0:02:33 | |
Stick your head over a parapet. | 0:02:34 | 0:02:37 | |
You mean just before I get it shot off? | 0:02:37 | 0:02:38 | |
At least then we'd know you stood for something. | 0:02:38 | 0:02:41 | |
We? Who's we? | 0:02:41 | 0:02:43 | |
Me. Then I'd know. | 0:02:45 | 0:02:47 | |
Darling, have you been upping my insurance? | 0:02:50 | 0:02:52 | |
-SIGHING: What? -Well, you know. | 0:02:54 | 0:02:56 | |
There's only one qualification for martyrdom. | 0:02:56 | 0:02:58 | |
Death. | 0:03:02 | 0:03:03 | |
-EPHRA: -Modeh ani lefanecha. | 0:03:13 | 0:03:15 | |
-ATIKA: -Don't be afraid. | 0:03:28 | 0:03:29 | |
-KASIM: -I'm safe. | 0:03:32 | 0:03:35 | |
NESSA: I can't do this. | 0:03:35 | 0:03:36 | |
-ATIKA: -If it's the price for a nation. | 0:03:44 | 0:03:47 | |
MAN SPEAKS ARABIC | 0:03:52 | 0:03:54 | |
CLAPPING IN TIME TO FOLK TUNE | 0:04:10 | 0:04:13 | |
SINGING | 0:04:21 | 0:04:23 | |
SONG CONTINUES | 0:04:49 | 0:04:52 | |
MUSIC SOUNDTRACK DROWNS SPEECH | 0:04:52 | 0:04:55 | |
SINGING AND CLAPPING | 0:05:27 | 0:05:29 | |
So, here she is. | 0:05:38 | 0:05:40 | |
Little Judith, after her grandmother, | 0:05:42 | 0:05:44 | |
who, er...left this house and this life too soon. | 0:05:44 | 0:05:48 | |
Too soon, but whose loss taught us to carry on | 0:05:49 | 0:05:52 | |
and to endure all hardships and all trials | 0:05:52 | 0:05:56 | |
and maybe this is why we called her Mazel also, hm? | 0:05:56 | 0:05:59 | |
Because for all of life's hardships, | 0:05:59 | 0:06:01 | |
sometimes all you need is a little bit of luck. | 0:06:01 | 0:06:04 | |
So, look, I don't want to hold you up. | 0:06:08 | 0:06:10 | |
Er...the idea of me standing between Shlomo and a plate of food is | 0:06:10 | 0:06:14 | |
-a danger of truly biblical proportion. -True. | 0:06:14 | 0:06:16 | |
-LAUGHTER -But I did just want to take this opportunity to... | 0:06:16 | 0:06:19 | |
..say a few words. | 0:06:21 | 0:06:22 | |
Er... | 0:06:22 | 0:06:24 | |
I formally took over the reins of the Stein Group five years ago... | 0:06:26 | 0:06:29 | |
..my father wisely guessing | 0:06:30 | 0:06:33 | |
that before the age of 28 I probably would have blown it all | 0:06:33 | 0:06:36 | |
on a lifestyle to match my, um... George Clooney looks. | 0:06:36 | 0:06:39 | |
LAUGHTER | 0:06:39 | 0:06:41 | |
But...but, having done so, | 0:06:41 | 0:06:44 | |
I know that what I decided to do with the company was so radical | 0:06:44 | 0:06:47 | |
and, to many people's eyes, so appalling, | 0:06:47 | 0:06:50 | |
that we lost a lot of friends... | 0:06:50 | 0:06:52 | |
..which is why, seeing you here today, | 0:06:53 | 0:06:57 | |
in my father's house, | 0:06:57 | 0:06:59 | |
means so much. | 0:06:59 | 0:07:01 | |
You've endured... | 0:07:03 | 0:07:05 | |
..and we know that. | 0:07:06 | 0:07:08 | |
But, and there is a but... | 0:07:08 | 0:07:11 | |
..I also hope and believe that we have enjoyed a little bit of luck. | 0:07:12 | 0:07:16 | |
The seeds of our educational investment programme | 0:07:16 | 0:07:19 | |
are beginning to show their first fruits | 0:07:19 | 0:07:20 | |
with faculty funding both in Israel, East Jerusalem | 0:07:20 | 0:07:24 | |
and the West Bank seeing our first crop of graduates last year, | 0:07:24 | 0:07:27 | |
and, to that end, next week, Nessa will be travelling to the West Bank | 0:07:27 | 0:07:32 | |
to formally open our computer faculty... | 0:07:32 | 0:07:35 | |
..whilst our dear friend Shlomo Zahary | 0:07:36 | 0:07:38 | |
is about to roll out phase one | 0:07:38 | 0:07:40 | |
of our telecommunications network which will link it all together. | 0:07:40 | 0:07:43 | |
Thank you. | 0:07:43 | 0:07:45 | |
BABY GURGLES | 0:07:45 | 0:07:47 | |
And as I stand here in front of my...beautiful baby daughter... | 0:07:49 | 0:07:53 | |
-BABY CRIES -..who we're all doing a wonderful | 0:07:53 | 0:07:55 | |
job of pretending she isn't crying when she really, really is, | 0:07:55 | 0:07:58 | |
I just wanted remind you that... | 0:07:58 | 0:08:00 | |
..as idealistic and as foolish as many people have condemned me for being, | 0:08:02 | 0:08:06 | |
we remain utterly committed | 0:08:06 | 0:08:11 | |
and now we're beginning to flourish. | 0:08:11 | 0:08:13 | |
-Our luck has held. -Ah, crazy kid. | 0:08:14 | 0:08:17 | |
How many times have I told you? Never ask for luck. Never! | 0:08:17 | 0:08:22 | |
Luck is a beautiful woman you turn away from, | 0:08:22 | 0:08:26 | |
cos you know you ain't ever going to get her. | 0:08:26 | 0:08:30 | |
And then, maybe then, she'll touch your shoulder. | 0:08:30 | 0:08:35 | |
And this I know | 0:08:36 | 0:08:37 | |
because I married her. | 0:08:37 | 0:08:40 | |
LAUGHTER | 0:08:40 | 0:08:43 | |
-Oh, Shlomo! -Oh, yes. | 0:08:43 | 0:08:45 | |
Have you finished? Finished? | 0:08:45 | 0:08:47 | |
Well, you keep talking like that, we all are! | 0:08:47 | 0:08:50 | |
-SHLOMO LAUGHS -Ladies and gentlemen, enough of me. | 0:08:50 | 0:08:53 | |
-Please go and help yourselves. -Let's get something to eat! | 0:08:53 | 0:08:56 | |
FOLK MUSIC PLAYING | 0:08:56 | 0:08:59 | |
MUSIC DROWNS OUT SPEECH | 0:09:09 | 0:09:12 | |
KLEZMER SONG PLAYING | 0:09:18 | 0:09:21 | |
# Unter Yideles vigele | 0:09:24 | 0:09:31 | |
# Shteyt a klor-vays tsigele | 0:09:31 | 0:09:38 | |
# Dos tsigele iz geforn handlen | 0:09:38 | 0:09:45 | |
# Dos vet zayn dayn baru | 0:09:45 | 0:09:52 | |
# Rozhinkes mit mandlen | 0:09:52 | 0:09:59 | |
# Shlof-zhe, Yidele, shlof | 0:10:00 | 0:10:07 | |
# Rozhinkes mit mandlen | 0:10:08 | 0:10:13 | |
# Shlof-zhe, Yidele, shlof | 0:10:15 | 0:10:21 | |
# Ah, ah, ah, ah, ah, ah | 0:10:21 | 0:10:25 | |
# Ah, ah, ah | 0:10:25 | 0:10:29 | |
# Oh... # | 0:10:29 | 0:10:33 | |
GUESTS APPLAUD | 0:10:33 | 0:10:36 | |
LOW CHATTER | 0:10:38 | 0:10:41 | |
Hi. | 0:10:42 | 0:10:43 | |
-Are you all right? -Yes. | 0:10:43 | 0:10:45 | |
Even now, I think I can see her in Mazel. | 0:10:47 | 0:10:50 | |
-Ephra. -True. | 0:10:50 | 0:10:52 | |
You don't mind that it's me making all these speeches? | 0:10:52 | 0:10:54 | |
No, I prefer it. | 0:10:54 | 0:10:56 | |
-It was your idea, all this. -You sell it better. | 0:10:56 | 0:10:59 | |
Really? | 0:10:59 | 0:11:00 | |
Anyway, primogeniture - | 0:11:00 | 0:11:02 | |
woe betide a little Jewish girl to get in the way of that. | 0:11:02 | 0:11:05 | |
-TV: -'Earlier today Israel welcomed...' -I'm proud of you. | 0:11:05 | 0:11:08 | |
-'..the release of a soldier...' -Thank you. | 0:11:08 | 0:11:10 | |
-'..from the Israeli Defence Force.' -So would Papa be. | 0:11:10 | 0:11:12 | |
CHEERING AND APPLAUSE | 0:11:12 | 0:11:14 | |
'The Palestinian Authority, | 0:11:15 | 0:11:17 | |
'who claim to have negotiated the release of the Israeli soldier, | 0:11:17 | 0:11:21 | |
'insisted that the handover was a unilateral gesture of goodwill. | 0:11:21 | 0:11:24 | |
'This position has been reinforced today | 0:11:24 | 0:11:26 | |
'by Israel's public reiteration of its refusal to negotiate with terrorists.' | 0:11:26 | 0:11:30 | |
CHEERING | 0:11:30 | 0:11:32 | |
Yes, I think he would be. | 0:11:34 | 0:11:35 | |
It's bad news. | 0:12:00 | 0:12:02 | |
-You're joking? -He won't budge. | 0:12:02 | 0:12:04 | |
But after the September dossier... | 0:12:06 | 0:12:08 | |
Well, you know Sir Christopher. He's going to brass it out. | 0:12:08 | 0:12:11 | |
He shouldn't be given the choice. He should be fired. | 0:12:14 | 0:12:17 | |
Publicly sacking the head of the Secret Intelligence Service? | 0:12:17 | 0:12:20 | |
That's a little too transparent, even for this government. | 0:12:20 | 0:12:23 | |
He has lost all credibility, every bloody ounce of it, | 0:12:24 | 0:12:26 | |
and if he carries on in position, | 0:12:26 | 0:12:28 | |
-it's only going to bleed into the rest of us. -Yes, we all agree. | 0:12:28 | 0:12:30 | |
But he's simply not going to move on unless he's encouraged to. | 0:12:30 | 0:12:35 | |
Who by? | 0:12:36 | 0:12:37 | |
Hm? Julia, you are the DEPUTY head of the Secret Intelligence Service. | 0:12:37 | 0:12:42 | |
If you can't think of something, | 0:12:42 | 0:12:44 | |
well, who can? | 0:12:44 | 0:12:46 | |
FOOTBALL BOUNCING | 0:12:51 | 0:12:53 | |
LOW VOICES | 0:13:14 | 0:13:17 | |
Atika? | 0:13:17 | 0:13:19 | |
Hi! | 0:13:19 | 0:13:21 | |
Oh, I hope I didn't keep you waiting. | 0:13:22 | 0:13:26 | |
To be expected. Atika Halabi. | 0:13:28 | 0:13:30 | |
Yes. No, I know. I know who you are. I read all about you on the plane. | 0:13:30 | 0:13:34 | |
Oh. | 0:13:34 | 0:13:35 | |
-You're from Gaza. -Originally. | 0:13:35 | 0:13:37 | |
-And do you get back there much? -The borders are closed, Miss Stein. | 0:13:37 | 0:13:41 | |
No, no. I know, I know. I know. I'm sorry. | 0:13:41 | 0:13:43 | |
Now anyway, my life is here now. | 0:13:43 | 0:13:45 | |
And Ephra says you are an excellent translator. | 0:13:45 | 0:13:48 | |
The proud graduate of one of your faculties. | 0:13:48 | 0:13:51 | |
-Is no-one travelling with you? -Who were you expecting? | 0:13:54 | 0:13:57 | |
No-one. Did they give you trouble? | 0:13:57 | 0:13:59 | |
-Yeah, a few calls. -Mm. | 0:13:59 | 0:14:02 | |
But once they knew who your father was... | 0:14:02 | 0:14:04 | |
Well, I hope it's more once they know what my brother and I are all about. | 0:14:04 | 0:14:07 | |
Of course. | 0:14:07 | 0:14:09 | |
But I came prepared. So, let's make the most of it, shall we? | 0:14:09 | 0:14:12 | |
Welcome to the West Bank, | 0:14:12 | 0:14:15 | |
-Miss Stein. -Thank you. | 0:14:15 | 0:14:16 | |
No, "Nessa", please, please. It is a pleasure to be here. | 0:14:16 | 0:14:20 | |
-OK, the car is just here. Shall we? -Yeah, yeah, OK. | 0:14:20 | 0:14:23 | |
So, this is your agenda for the day. | 0:14:29 | 0:14:33 | |
We arrive at the university, you will open the computer faculty, | 0:14:33 | 0:14:36 | |
and then there will be people for you to meet, | 0:14:36 | 0:14:40 | |
from the university - staff, students. | 0:14:40 | 0:14:42 | |
And also you should know, I think, they might be expecting you to make a speech. | 0:14:42 | 0:14:46 | |
Oh, yeah, I know. I've been practising in the mirror all night. | 0:14:46 | 0:14:50 | |
You're not used to make speeches? | 0:14:51 | 0:14:53 | |
Well, if there's one advantage to having a darling elder brother, it's that. | 0:14:53 | 0:14:57 | |
Mr Stein is well? | 0:15:00 | 0:15:02 | |
Yeah. Yeah, yeah, he is. Thank you. | 0:15:02 | 0:15:05 | |
I was expecting to see him. | 0:15:05 | 0:15:07 | |
You're not too disappointed, I hope? | 0:15:07 | 0:15:09 | |
I hear he had a baby. | 0:15:11 | 0:15:13 | |
Yeah, a little girl. | 0:15:13 | 0:15:15 | |
Rachel's Tomb is where you crossed, you know. | 0:15:17 | 0:15:20 | |
Yeah, I know. Unfortunately, she died in childbirth. | 0:15:20 | 0:15:24 | |
Many women, they go there to pray to become pregnant. | 0:15:26 | 0:15:29 | |
Be careful what you wish for. | 0:15:29 | 0:15:32 | |
-Are you married? -Oh, no. | 0:15:32 | 0:15:34 | |
-You have a boyfriend? -No. | 0:15:34 | 0:15:36 | |
Please, be sure to give my best wishes to Mr Stein. | 0:15:39 | 0:15:43 | |
Oh, I will. | 0:15:45 | 0:15:47 | |
APPLAUSE | 0:15:56 | 0:15:59 | |
Wow, there's such a lot of you! | 0:16:17 | 0:16:19 | |
Um...it's wonderful to be here today... | 0:16:23 | 0:16:26 | |
..not only to see these fantastic facilities for the first time... | 0:16:27 | 0:16:32 | |
..but also to see all of you... | 0:16:33 | 0:16:35 | |
..overwhelming as you are to this nervous speaker. | 0:16:37 | 0:16:41 | |
THUNDERCLAP | 0:16:48 | 0:16:50 | |
Is it raining? | 0:16:56 | 0:16:57 | |
A FEW CHUCKLES | 0:16:57 | 0:16:59 | |
-Yes? WOMAN: -Yes. | 0:16:59 | 0:17:01 | |
ROLLING THUNDER | 0:17:01 | 0:17:04 | |
I'd better be quick, then. | 0:17:04 | 0:17:06 | |
SIGHS | 0:17:09 | 0:17:11 | |
I mean, these computers... | 0:17:11 | 0:17:13 | |
what are they, really? | 0:17:13 | 0:17:15 | |
They're just pixels and digits and bits of circuitry, | 0:17:15 | 0:17:20 | |
and as...as our programme continues to advance | 0:17:20 | 0:17:23 | |
and we roll out more bits of wiring | 0:17:23 | 0:17:26 | |
so that more pixels and more digits can connect to more universities, | 0:17:26 | 0:17:29 | |
it all gets to feel a bit technical, | 0:17:29 | 0:17:33 | |
and also a bit overwhelming sometimes... | 0:17:33 | 0:17:36 | |
..frankly, to someone like me... | 0:17:37 | 0:17:39 | |
..when what it's all actually about... | 0:17:42 | 0:17:45 | |
..is really very simple. It's about you. | 0:17:46 | 0:17:49 | |
So... | 0:17:51 | 0:17:53 | |
just use it. | 0:17:53 | 0:17:55 | |
Be curious. | 0:17:55 | 0:17:57 | |
Communicate. | 0:17:58 | 0:18:00 | |
Connect. | 0:18:00 | 0:18:01 | |
Share with each other and with other people. | 0:18:02 | 0:18:06 | |
Across the border, across the world. | 0:18:06 | 0:18:09 | |
Be the future. Make it better. | 0:18:10 | 0:18:13 | |
It's really very simple. | 0:18:16 | 0:18:18 | |
Thank you. SHE LAUGHS | 0:18:35 | 0:18:36 | |
Thank you very much. | 0:18:36 | 0:18:39 | |
APPLAUSE CONTINUES | 0:18:39 | 0:18:41 | |
I think I did well, don't you? | 0:18:46 | 0:18:48 | |
-Yeah. -Oh, yes. Ridiculous shoes I wore. | 0:18:48 | 0:18:52 | |
RAIN POURING | 0:18:59 | 0:19:02 | |
You have a wonderful campus. | 0:19:05 | 0:19:07 | |
You must be very proud. | 0:19:07 | 0:19:09 | |
-And grateful. -It was just a contribution. | 0:19:09 | 0:19:13 | |
A very significant one. | 0:19:13 | 0:19:15 | |
It... It's true we're in early days, but I feel like there's a kind of excitement. | 0:19:16 | 0:19:19 | |
-Oh! European languages? -Yes. | 0:19:19 | 0:19:22 | |
-Would it be possible...? -Of course. | 0:19:23 | 0:19:26 | |
-And when do you start building? -Building? | 0:19:26 | 0:19:29 | |
-For the extension. -What extension? | 0:19:29 | 0:19:32 | |
-For the European languages block. -We have no plan to put an extension. | 0:19:32 | 0:19:35 | |
Yes! Yes. We donated a 1.5 million dollar grant towards it. | 0:19:35 | 0:19:40 | |
IN TRANSLATION: | 0:19:40 | 0:19:43 | |
Not to us, Miss Stein. | 0:19:49 | 0:19:50 | |
-Yes, to you. -No. | 0:19:50 | 0:19:51 | |
Yes. Yes, it was in the paperwork. I read it on the plane. | 0:19:51 | 0:19:54 | |
They are very worried. They think... | 0:20:12 | 0:20:15 | |
They think I think there's been corruption. | 0:20:15 | 0:20:17 | |
Yes. | 0:20:17 | 0:20:19 | |
Hello? | 0:20:19 | 0:20:20 | |
No, listen. Please tell him I need to speak with him now. | 0:20:21 | 0:20:26 | |
-NESSA SIGHS -You shouldn't have come alone. | 0:20:28 | 0:20:31 | |
Yeah. | 0:20:32 | 0:20:33 | |
I didn't realise I was going to need assistance. | 0:20:35 | 0:20:37 | |
I can tell you, no question, that this has not happened in our institution. | 0:20:38 | 0:20:42 | |
-PHONE RINGS -We did not ask for a grant. | 0:20:42 | 0:20:45 | |
-We do not need one. -Excuse me. I need to take this. | 0:20:45 | 0:20:48 | |
Ephra, I think we have a situation here. | 0:20:48 | 0:20:52 | |
All right, let me deal with it. | 0:20:54 | 0:20:55 | |
But I'm here right now. You'd better tell me what to do. | 0:20:55 | 0:20:58 | |
Er...nothing. Don't...don't do anything. Let me handle it. | 0:20:58 | 0:21:01 | |
(I think I might have really put my foot in it.) | 0:21:01 | 0:21:04 | |
Yeah, I think you might have done. Where did you pick this up? | 0:21:04 | 0:21:07 | |
'I read it on the plane.' | 0:21:07 | 0:21:08 | |
-What? What did you read? -'A spreadsheet.' | 0:21:08 | 0:21:11 | |
You read spreadsheets? | 0:21:11 | 0:21:12 | |
I'm not just a ribbon-cutter, Ephra. | 0:21:12 | 0:21:15 | |
-'You should have checked with me first.' -That's what I'm doing. | 0:21:15 | 0:21:18 | |
-'No, no, before you said anything.' -I know, I know. I'm sorry. | 0:21:18 | 0:21:21 | |
Let me contact the Education Minister at PA. | 0:21:21 | 0:21:24 | |
-OK. So should I. -'Look, no. Just leave it to me.' | 0:21:24 | 0:21:28 | |
If I've made a mistake, I want to apologise for it personally. | 0:21:28 | 0:21:31 | |
'If?' | 0:21:31 | 0:21:32 | |
You've MADE a mistake, Nessa, a big one. | 0:21:32 | 0:21:34 | |
HE SPEAKS ARABIC | 0:21:43 | 0:21:46 | |
He says they could not possibly have approved this grant. | 0:21:49 | 0:21:52 | |
Their records suggest it went to the Shekba Institute of Higher Education. | 0:21:52 | 0:21:57 | |
-Where is that? -Gaza. | 0:21:57 | 0:22:00 | |
Gaza. | 0:22:00 | 0:22:02 | |
No. No, we don't deal with Gaza. | 0:22:02 | 0:22:05 | |
SPEAKS ARABIC | 0:22:05 | 0:22:07 | |
Nor do they. | 0:22:08 | 0:22:09 | |
This is not a good place for you to be talking. | 0:22:18 | 0:22:21 | |
You shouldn't be hearing any of this. | 0:22:21 | 0:22:24 | |
I hear many things, Miss Stein, but I never, never speak of them. | 0:22:24 | 0:22:29 | |
Trust me. | 0:22:29 | 0:22:30 | |
I need a place where I can talk. | 0:22:34 | 0:22:37 | |
Where are you? | 0:22:37 | 0:22:39 | |
In Ramallah. | 0:22:39 | 0:22:41 | |
'You...you should come out of there, Nessa. | 0:22:41 | 0:22:43 | |
'You should go home to Jerusalem.' | 0:22:43 | 0:22:46 | |
Ephra, I'm looking at the figures. A transfer WAS made, | 0:22:46 | 0:22:49 | |
but according to the minister, the money went into Gaza. | 0:22:49 | 0:22:53 | |
SIGHING: Well, when did we start funding projects in Gaza? | 0:22:53 | 0:22:56 | |
-We didn't. -'Well, according to him we did.' | 0:22:56 | 0:22:58 | |
Then he's mistaken. | 0:22:58 | 0:23:00 | |
Well, someone must have approved that payment from our side. | 0:23:00 | 0:23:03 | |
'I know.' | 0:23:05 | 0:23:06 | |
Ephra? | 0:23:07 | 0:23:09 | |
There are still elements of Fatah in Gaza that the Authority unofficially supports. | 0:23:13 | 0:23:18 | |
'What?' | 0:23:19 | 0:23:20 | |
It's possible they passed the money on, using us as cover. | 0:23:20 | 0:23:23 | |
Using us? | 0:23:23 | 0:23:25 | |
We can't allow them to do that. | 0:23:26 | 0:23:28 | |
'We cannot go accusing them of corruption, Nessa.' | 0:23:28 | 0:23:32 | |
Well, we can if they did it. | 0:23:32 | 0:23:34 | |
-In fact, we have to. -'No.' | 0:23:34 | 0:23:36 | |
We cannot be compromised, Ephra, ever. | 0:23:36 | 0:23:40 | |
The Authority is rife with this sort of thing, it has been for years, | 0:23:40 | 0:23:43 | |
and...we have to work with it, | 0:23:43 | 0:23:45 | |
because if we call it out, then they won't work with us any more. | 0:23:45 | 0:23:48 | |
-That's corruption. -'That's reality.' | 0:23:48 | 0:23:51 | |
-I don't accept it. -'Well, then, you're going to have to.' | 0:23:51 | 0:23:54 | |
I'm going to call it. That's the only way this can go. | 0:23:54 | 0:23:58 | |
No, there is only one way this is going to go now. | 0:23:58 | 0:24:01 | |
A clerical error? | 0:24:02 | 0:24:03 | |
This money was always intended for this university, and this is where it will be. | 0:24:04 | 0:24:10 | |
And you will allow your cash flow to be audited? | 0:24:11 | 0:24:14 | |
Of course. Our book is open. | 0:24:14 | 0:24:17 | |
Miss Stein, believe me, this was a genuine mistake. | 0:24:18 | 0:24:22 | |
We are very grateful to you for bringing it to our attention. | 0:24:24 | 0:24:28 | |
Miss Stein. | 0:24:30 | 0:24:31 | |
Oh... | 0:24:35 | 0:24:37 | |
What else did you expect? | 0:24:48 | 0:24:50 | |
Did that money go into Gaza? | 0:24:50 | 0:24:53 | |
'We'll never know.' | 0:24:53 | 0:24:54 | |
1.5 million to an internationally recognised terrorist organisation? | 0:24:54 | 0:24:58 | |
-I think we should. -Well, I forbid you. | 0:24:58 | 0:25:01 | |
Oh, my brother forbids me? | 0:25:01 | 0:25:03 | |
'Just come home, Nessa, all right?' | 0:25:03 | 0:25:05 | |
Just, please, just come home. | 0:25:05 | 0:25:07 | |
-'You're just going to let it go?' -There is nothing for us to follow. | 0:25:07 | 0:25:10 | |
-'There is if we look.' -Don't. | 0:25:10 | 0:25:13 | |
Do you believe in what we're doing? | 0:25:15 | 0:25:17 | |
'Oh, I'm insulted you even have to ask.' | 0:25:17 | 0:25:19 | |
Because it's not just the result, Ephra. | 0:25:19 | 0:25:22 | |
It's every little step. | 0:25:23 | 0:25:25 | |
We cannot be compromised. | 0:25:26 | 0:25:28 | |
Don't be so naive. | 0:25:28 | 0:25:31 | |
This is NOT the way to do it. | 0:25:31 | 0:25:34 | |
It's the Middle East, Nessa. It's the only way. | 0:25:34 | 0:25:37 | |
And maybe that's why, from now on, you SHOULD stick to cutting ribbons... | 0:25:37 | 0:25:40 | |
at home. | 0:25:40 | 0:25:42 | |
LINE GOES DEAD | 0:25:42 | 0:25:44 | |
PHONE BEEPS | 0:25:46 | 0:25:48 | |
You want to go to Gaza? | 0:25:50 | 0:25:52 | |
-Can you get me in there? -Maybe. | 0:25:54 | 0:25:57 | |
But I would need to trace that money. | 0:25:57 | 0:25:59 | |
There are people you could speak to. | 0:26:00 | 0:26:02 | |
Who? | 0:26:02 | 0:26:03 | |
Not everyone support Hamas. But it is dangerous. | 0:26:05 | 0:26:09 | |
Well, I don't want to put you at risk. | 0:26:09 | 0:26:11 | |
Gaza is my home. I am born to it. | 0:26:11 | 0:26:14 | |
But for you, maybe it's not worth the risk. | 0:26:14 | 0:26:17 | |
BREATHES HARD | 0:26:22 | 0:26:24 | |
Do you have brothers? | 0:26:24 | 0:26:26 | |
No. I'm an orphan. | 0:26:27 | 0:26:30 | |
So are we. | 0:26:32 | 0:26:34 | |
I love him so much. | 0:26:36 | 0:26:39 | |
But we have to do this right. | 0:26:43 | 0:26:44 | |
Put your scarf on. | 0:26:54 | 0:26:55 | |
MAN SHOUTS | 0:27:09 | 0:27:10 | |
Welcome to Gaza. | 0:27:23 | 0:27:25 | |
Oh. Oh, look. Look, look. | 0:27:34 | 0:27:36 | |
Yeah? | 0:27:37 | 0:27:38 | |
-Yeah? -No, sir. | 0:27:39 | 0:27:41 | |
She hasn't returned to Jerusalem | 0:27:41 | 0:27:42 | |
and the hotel in Ramallah has no record | 0:27:42 | 0:27:44 | |
-of her either. -What's happened? | 0:27:44 | 0:27:46 | |
It's, er...Nessa. We, um... | 0:27:48 | 0:27:50 | |
-What? -We're... | 0:27:52 | 0:27:53 | |
..not sure where she is. | 0:27:55 | 0:27:57 | |
Who's with her? | 0:27:59 | 0:28:00 | |
-You let her go out there alone? -No, she's with my translator. | 0:28:03 | 0:28:06 | |
-So, call him. -It's a her, | 0:28:06 | 0:28:08 | |
and she's not answering either. | 0:28:08 | 0:28:10 | |
Get me this number. | 0:28:10 | 0:28:12 | |
Washington State? DC. | 0:28:15 | 0:28:17 | |
Rachel, take Hannah home, would you? | 0:28:17 | 0:28:19 | |
What's going on? | 0:28:19 | 0:28:21 | |
-Rachel, please. -DOOR SHUTS | 0:28:21 | 0:28:23 | |
Hannah, darling, we're going home. | 0:28:26 | 0:28:27 | |
PHONE RINGS | 0:28:36 | 0:28:37 | |
Yeah? | 0:28:37 | 0:28:39 | |
Yeah, put her through. | 0:28:39 | 0:28:40 | |
Yes, there's a problem. | 0:28:42 | 0:28:44 | |
-Are you all right? -Yeah. | 0:28:48 | 0:28:51 | |
Funny to think we're just over an hour from Tel-Aviv. | 0:28:53 | 0:28:56 | |
MAN SPEAKS ARABIC | 0:28:57 | 0:29:00 | |
THEY SPEAK ARABIC | 0:29:01 | 0:29:04 | |
The man we were due to meet here, | 0:29:07 | 0:29:09 | |
-he's pulled out. -What? | 0:29:09 | 0:29:11 | |
It's not safe for him. | 0:29:14 | 0:29:15 | |
And it's safe for me? | 0:29:15 | 0:29:17 | |
Collaboration here, especially with you, it's very dangerous. | 0:29:17 | 0:29:21 | |
For everyone. | 0:29:21 | 0:29:23 | |
There's someone else. | 0:29:26 | 0:29:28 | |
Who? | 0:29:31 | 0:29:32 | |
He's Fatah, but he knows people in the administration. | 0:29:32 | 0:29:37 | |
If the money you're looking for has come to them, he'll be able to tell us. | 0:29:37 | 0:29:41 | |
OK. | 0:29:41 | 0:29:42 | |
Let's meet him. | 0:29:42 | 0:29:44 | |
There's one problem. He won't come here. We would have to go to him. | 0:29:44 | 0:29:49 | |
So? Let's do it. | 0:29:49 | 0:29:50 | |
Let's do it? | 0:29:50 | 0:29:52 | |
Are you crazy? | 0:29:52 | 0:29:54 | |
Before, we had a plan. Now we don't. | 0:29:54 | 0:29:57 | |
In a place like this, without a plan, you should get out. | 0:29:57 | 0:30:01 | |
But we're here now. | 0:30:01 | 0:30:03 | |
And from here, we can leave. | 0:30:03 | 0:30:05 | |
I want to meet him. | 0:30:09 | 0:30:10 | |
For what? | 0:30:18 | 0:30:20 | |
For your company? | 0:30:20 | 0:30:22 | |
Or for you against your brother? | 0:30:22 | 0:30:24 | |
Which? | 0:30:26 | 0:30:27 | |
What do you think? | 0:30:31 | 0:30:33 | |
I think both. | 0:30:33 | 0:30:34 | |
This company cannot be compromised. | 0:30:40 | 0:30:43 | |
You cannot be compromised. | 0:30:43 | 0:30:45 | |
One serves the other. | 0:30:45 | 0:30:47 | |
Then you are the company. | 0:30:49 | 0:30:51 | |
Yes, I am. | 0:30:53 | 0:30:54 | |
I just have to prove it. | 0:30:57 | 0:31:00 | |
ATIKA SIGHS | 0:31:04 | 0:31:06 | |
I think you already have. | 0:31:10 | 0:31:13 | |
SCREAMING | 0:32:15 | 0:32:16 | |
My ears! | 0:32:21 | 0:32:22 | |
I can't hear you! | 0:32:23 | 0:32:24 | |
SHOUTING | 0:32:27 | 0:32:29 | |
SHOUTING, GUNFIRE | 0:32:30 | 0:32:34 | |
SHOUTING | 0:32:36 | 0:32:38 | |
We don't negotiate with terrorists. | 0:33:08 | 0:33:12 | |
Neither do we. But just so as you know, | 0:33:12 | 0:33:14 | |
they want 1.5 million dollars for her. | 0:33:14 | 0:33:17 | |
The Al Karameh Brigade. | 0:33:17 | 0:33:20 | |
-Zahid Al-Zahid. -Yes, a dinosaur... | 0:33:20 | 0:33:23 | |
-HE SNIFFS -..whose time has passed. | 0:33:23 | 0:33:25 | |
Well, clearly, he's still alive. | 0:33:25 | 0:33:27 | |
Not for us. We have withdrawn from Gaza. | 0:33:27 | 0:33:30 | |
Let them fight it out amongst themselves. | 0:33:30 | 0:33:32 | |
-For Nessa Stein? -Zahid is Fatah. | 0:33:32 | 0:33:35 | |
Gaza is run by Hamas. They hate each other. | 0:33:35 | 0:33:38 | |
No wonder he's scuttling around in cellars. You see our problem? | 0:33:38 | 0:33:42 | |
How can we negotiate with any of these people, | 0:33:42 | 0:33:45 | |
when all they want to do is kill each other? | 0:33:45 | 0:33:49 | |
-We have no contact with Al-Zahid. -I have a woman, | 0:33:49 | 0:33:52 | |
who has a British passport, | 0:33:52 | 0:33:54 | |
who is being held by an armed wing of your organisation. | 0:33:54 | 0:33:57 | |
We don't have an armed wing. | 0:33:57 | 0:33:59 | |
Maybe you've forgotten to tell Al-Zahid. | 0:33:59 | 0:34:00 | |
We can't tell him anything. He's in Gaza and Gaza is run by Hamas now. | 0:34:00 | 0:34:05 | |
We have no jurisdiction there, | 0:34:05 | 0:34:07 | |
not since the Americans forced us to have that election. | 0:34:07 | 0:34:09 | |
I'm sorry. We cannot help you. | 0:34:09 | 0:34:12 | |
SHE SIGHS Then who can? | 0:34:12 | 0:34:15 | |
So, let me get this straight. | 0:34:15 | 0:34:17 | |
It is the position of the UK government not to help my sister. | 0:34:19 | 0:34:23 | |
It is the position of the Israeli government not to help my sister, | 0:34:24 | 0:34:27 | |
and it is the position of the PLO not to help my sister. | 0:34:27 | 0:34:31 | |
At least now I know where charity... | 0:34:31 | 0:34:34 | |
..ends. | 0:34:35 | 0:34:37 | |
-She shouldn't have gone in there. -But there she is. | 0:34:37 | 0:34:39 | |
And I think you already know what has to happen next. | 0:34:41 | 0:34:43 | |
It is the strong advice of the British Government | 0:34:43 | 0:34:47 | |
that you do not enter negotiations with these people. | 0:34:47 | 0:34:50 | |
Is that so? | 0:34:50 | 0:34:51 | |
And should you do so, I am in a position to formally warn you | 0:34:51 | 0:34:55 | |
that this government may enact sanctions | 0:34:55 | 0:34:57 | |
against any part or parts of your company believed to be involved. | 0:34:57 | 0:35:01 | |
Where would you say you were on the pay scale, Mrs Walsh? | 0:35:02 | 0:35:06 | |
How far up? To make those kind of statements. | 0:35:07 | 0:35:10 | |
Pretty high. | 0:35:10 | 0:35:11 | |
So, you think you have the authority of your government | 0:35:11 | 0:35:14 | |
to come in here and threaten me? | 0:35:14 | 0:35:17 | |
I think you should listen very carefully. | 0:35:17 | 0:35:20 | |
We do not negotiate with terrorists. | 0:35:20 | 0:35:22 | |
Really? | 0:35:22 | 0:35:24 | |
Well, then, I'm sorry to have to inform you | 0:35:26 | 0:35:27 | |
that you're lower down that pay scale than you think. | 0:35:27 | 0:35:30 | |
So, you go and tell your boss, Sir Christopher, something from me. | 0:35:30 | 0:35:34 | |
He was happy to help us out last time. | 0:35:34 | 0:35:36 | |
Why not this? | 0:35:37 | 0:35:39 | |
Last time? | 0:35:40 | 0:35:41 | |
It's not a hook, Mrs Walsh. It's a message. | 0:35:41 | 0:35:45 | |
Run along and give it. | 0:35:47 | 0:35:49 | |
That was quick. | 0:36:18 | 0:36:20 | |
It was a short message. | 0:36:20 | 0:36:21 | |
Who the fuck do you think you are? | 0:36:25 | 0:36:27 | |
You think you can play games with a national government and win? | 0:36:28 | 0:36:33 | |
-I think I've got a pretty strong hand. -Hand? | 0:36:33 | 0:36:36 | |
Cards? | 0:36:36 | 0:36:38 | |
Oh, my God, you think you're the fucking Sundance Kid! | 0:36:40 | 0:36:43 | |
SHE SCOFFS You are so going to lose. | 0:36:44 | 0:36:47 | |
Everything. | 0:36:48 | 0:36:50 | |
If you really had been doing something with my superior... | 0:36:53 | 0:36:55 | |
Oh, I have. | 0:36:55 | 0:36:56 | |
..then, sure as shit, he'll have had you sign the Official Secrets Act. | 0:36:56 | 0:37:00 | |
I know him. He loves a contract, does Christopher, | 0:37:00 | 0:37:03 | |
which is how I know precisely where I am on the pay scale. | 0:37:03 | 0:37:06 | |
You so much as whisper a word to your fucking wife, | 0:37:06 | 0:37:10 | |
let alone a journalist, | 0:37:10 | 0:37:12 | |
and that'll be two Steins banged up, | 0:37:12 | 0:37:13 | |
-with no hope of getting either one of you out. -You don't get to... | 0:37:13 | 0:37:16 | |
I have not... | 0:37:16 | 0:37:18 | |
finished. | 0:37:18 | 0:37:19 | |
You cannot win, Mr Stein... not at this level. | 0:37:21 | 0:37:25 | |
You shouldn't even be playing. | 0:37:25 | 0:37:28 | |
If you really were Robert Redford, | 0:37:28 | 0:37:30 | |
right now that's the Bolivian army outside | 0:37:30 | 0:37:33 | |
and all their guns are pointed at you. | 0:37:33 | 0:37:36 | |
However, you are correct in one thing. | 0:37:38 | 0:37:40 | |
You want any chance of getting out of this mess, | 0:37:40 | 0:37:43 | |
you, your family, your business, maybe even your sister, | 0:37:43 | 0:37:46 | |
then you do need to tell SOMEONE everything you know... | 0:37:46 | 0:37:51 | |
..and that someone is me. | 0:37:52 | 0:37:54 | |
Now you may talk. | 0:38:01 | 0:38:03 | |
And you swam over from Washington? | 0:38:15 | 0:38:17 | |
It increases blood volume. | 0:38:17 | 0:38:20 | |
Why don't you step in and put your feet up? | 0:38:21 | 0:38:22 | |
What is it you want to talk about? | 0:38:22 | 0:38:25 | |
Ephra Stein. | 0:38:25 | 0:38:26 | |
And how much? | 0:38:35 | 0:38:36 | |
1.5 million dollars. | 0:38:36 | 0:38:39 | |
Channelled through Ephra Stein's education charity to an institute in Gaza. | 0:38:41 | 0:38:45 | |
But in reality a payment to secure the release of an Israeli soldier. | 0:38:45 | 0:38:50 | |
Which it got. | 0:38:50 | 0:38:52 | |
Secured by Ephra Stein. | 0:38:52 | 0:38:54 | |
-And the Israelis? -Know nothing. | 0:38:55 | 0:38:57 | |
As soon as they agreed to withdraw from Gaza, they couldn't get involved. | 0:38:57 | 0:39:01 | |
The money came from Harold Parr. | 0:39:01 | 0:39:04 | |
The American? | 0:39:04 | 0:39:06 | |
He's AIPAC. | 0:39:06 | 0:39:08 | |
Big-time, and a huge Republican donor. | 0:39:08 | 0:39:10 | |
But you know the rugged individualists, always a law unto themselves. | 0:39:10 | 0:39:14 | |
And why you? | 0:39:14 | 0:39:16 | |
I was approached through the Washington Bureau. | 0:39:16 | 0:39:18 | |
They wanted to get that boy out, Julia. | 0:39:18 | 0:39:20 | |
They couldn't think of another way of doing it | 0:39:20 | 0:39:22 | |
and I just carried the message. | 0:39:22 | 0:39:23 | |
To Ephra Stein. | 0:39:23 | 0:39:25 | |
And then to Sir Christopher. | 0:39:28 | 0:39:30 | |
Which I recorded. | 0:39:32 | 0:39:34 | |
Just in case... | 0:39:34 | 0:39:35 | |
Just in case a day like today ever arrived. | 0:39:37 | 0:39:39 | |
-So, he didn't block the deal? -Sir Christopher? | 0:39:41 | 0:39:44 | |
No, no. Parr's offered him a university chancellorship over there, | 0:39:44 | 0:39:48 | |
-for when he steps down. -Where? | 0:39:48 | 0:39:50 | |
Kent, Connecticut. | 0:39:50 | 0:39:52 | |
Not Ivy League. | 0:39:52 | 0:39:54 | |
-Huh! -Sold himself cheap. | 0:39:54 | 0:39:56 | |
So...I'm guessing you're about to gun for his job. | 0:39:59 | 0:40:04 | |
Hm. | 0:40:06 | 0:40:07 | |
-And what do you want? -Yours. | 0:40:08 | 0:40:11 | |
-For that recording of Sir Christopher? -Yes, please. | 0:40:11 | 0:40:14 | |
But I'd like to stay in Washington a while yet, | 0:40:15 | 0:40:17 | |
seeing as I'm making so many new friends. | 0:40:17 | 0:40:20 | |
-How long? -A few years. | 0:40:20 | 0:40:22 | |
Give your present job to a night watchman, | 0:40:22 | 0:40:24 | |
then call me over to walk in your wake, as it were. | 0:40:24 | 0:40:27 | |
JULIA SIGHS | 0:40:30 | 0:40:32 | |
I'll have to burn Harold Parr. | 0:40:34 | 0:40:36 | |
-To the Israelis? -Mm. | 0:40:36 | 0:40:38 | |
That's fine. They'll bury it. They won't let this go public. | 0:40:38 | 0:40:41 | |
But I...I have one other stipulation. | 0:40:43 | 0:40:45 | |
The Stein Foundation has to stay intact. It cannot be compromised. | 0:40:45 | 0:40:50 | |
It already is. The Israelis will know. Hamas probably already does. | 0:40:50 | 0:40:53 | |
But the world doesn't. What's just happened, it can be cauterised. | 0:40:53 | 0:40:57 | |
Cauterised? | 0:40:57 | 0:40:59 | |
That's clinical. | 0:40:59 | 0:41:01 | |
But what that company stands for, what it's trying to do, | 0:41:01 | 0:41:03 | |
-in the eyes of the world, that has to stay intact. -Why? | 0:41:03 | 0:41:06 | |
-Because it'll help. -What? | 0:41:06 | 0:41:07 | |
For us to construct peace in the Middle East. | 0:41:07 | 0:41:09 | |
Then maybe you should start with Nessa Stein. | 0:41:09 | 0:41:11 | |
-And get her out of Gaza? -Yes. | 0:41:11 | 0:41:13 | |
They're parking that one. | 0:41:13 | 0:41:14 | |
Parking? My, how you're picking up on the lingo! | 0:41:14 | 0:41:17 | |
And will they be "circling back on it" any time in the future? | 0:41:17 | 0:41:19 | |
From now on, Julia, we really don't negotiate with terrorists. | 0:41:19 | 0:41:26 | |
DOOR SLAMS | 0:41:27 | 0:41:29 | |
Daniel, I'm afraid I have some rather distressing news for you. | 0:41:37 | 0:41:42 | |
Done. | 0:41:53 | 0:41:54 | |
Sir Christopher Grieff announced his retirement today | 0:41:59 | 0:42:01 | |
after six years as head of the Secret Intelligence Service. | 0:42:01 | 0:42:04 | |
No direct reason has been cited, | 0:42:04 | 0:42:06 | |
although rumours of a chancellorship | 0:42:06 | 0:42:08 | |
at an American university have not been denied. | 0:42:08 | 0:42:10 | |
Harold Parr today stepped down as a leading member | 0:42:10 | 0:42:13 | |
of the American Israel Public Affairs Committee. | 0:42:13 | 0:42:16 | |
A representative of the Israeli Embassy in Washington | 0:42:16 | 0:42:19 | |
thanked Mr Parr for his great contribution | 0:42:19 | 0:42:22 | |
to American/Israeli affairs, but looked on his retirement | 0:42:22 | 0:42:26 | |
as an opportunity for both sides | 0:42:26 | 0:42:28 | |
to re-examine the strength of their bonds. | 0:42:28 | 0:42:31 | |
Julia Walsh has been named | 0:42:31 | 0:42:32 | |
as the new head of the Secret Intelligence Service. | 0:42:32 | 0:42:35 | |
Walsh, 45, a career civil servant | 0:42:35 | 0:42:36 | |
and previously head of the service's Middle East department, | 0:42:36 | 0:42:39 | |
made no comment this evening, | 0:42:39 | 0:42:41 | |
which is perhaps only appropriate | 0:42:41 | 0:42:43 | |
for the latest incumbent of that legendary nickname, C. | 0:42:43 | 0:42:47 | |
PHONE RINGS | 0:42:55 | 0:42:57 | |
BEEP | 0:43:00 | 0:43:01 | |
Hello? | 0:43:01 | 0:43:03 | |
-JULIA: 'Are you still fucking your wife?' -Actually, I was sleeping. | 0:43:03 | 0:43:07 | |
'Yeah, for quite a while now. | 0:43:07 | 0:43:10 | |
'Time to wake up, so you can come over here and fuck me in your new office.' | 0:43:10 | 0:43:14 | |
What new office? | 0:43:14 | 0:43:15 | |
'I'm giving you the Middle East desk.' | 0:43:15 | 0:43:18 | |
Oh. | 0:43:19 | 0:43:20 | |
'Well, I can't just be shagging any old analyst, now, can I? | 0:43:21 | 0:43:24 | |
'There are a few strings, though.' | 0:43:24 | 0:43:26 | |
Oh? | 0:43:26 | 0:43:27 | |
'Mm-hm. A couple of places I don't want you to look. | 0:43:27 | 0:43:30 | |
'One of them's my stomach.' | 0:43:30 | 0:43:32 | |
And the other? | 0:43:32 | 0:43:34 | |
'The Stein Foundation.' | 0:43:34 | 0:43:36 | |
I'm a realist, Julia. | 0:43:39 | 0:43:42 | |
JULIA CHUCKLES | 0:43:42 | 0:43:43 | |
'That's why I've offered you the job.' | 0:43:43 | 0:43:45 | |
PHONE BEEPS | 0:43:49 | 0:43:51 | |
If you try to get her released, by any means, | 0:43:59 | 0:44:03 | |
we will find out where she is and we will bomb it. | 0:44:03 | 0:44:06 | |
If you try to compromise us again, in any way, | 0:44:06 | 0:44:10 | |
we will find out where she is and we will bomb it. | 0:44:10 | 0:44:14 | |
If from now on you don't do exactly what we say, | 0:44:14 | 0:44:18 | |
we will bomb it. | 0:44:18 | 0:44:20 | |
Please, please. I will do anything. | 0:44:20 | 0:44:23 | |
-You've done it all already. -SOBBING: -Please. | 0:44:23 | 0:44:26 | |
Get up! | 0:44:27 | 0:44:28 | |
We only ever had each other! | 0:44:28 | 0:44:31 | |
Please! | 0:44:31 | 0:44:33 | |
So... | 0:44:35 | 0:44:36 | |
..every morning, | 0:44:39 | 0:44:40 | |
every single morning that you wake up and you say your prayers, | 0:44:40 | 0:44:45 | |
you say them for her, | 0:44:45 | 0:44:47 | |
because YOU are the one who put her there. | 0:44:47 | 0:44:51 | |
And God may forgive you for what you've done. | 0:44:54 | 0:44:56 | |
But Israel won't. | 0:44:57 | 0:45:00 | |
HE SOBS | 0:45:00 | 0:45:02 | |
DOG HOWLS | 0:45:12 | 0:45:14 | |
DOG BARKS, WATER DRIPS | 0:45:15 | 0:45:19 | |
HE SNIFFS | 0:46:22 | 0:46:24 | |
HE SIGHS | 0:46:42 | 0:46:44 | |
Ah! | 0:46:49 | 0:46:50 | |
HE BREATHES HARD | 0:46:51 | 0:46:53 | |
SCREAMS | 0:47:00 | 0:47:01 | |
HE SCREAMS | 0:47:03 | 0:47:06 | |
HE SCREAMS | 0:47:19 | 0:47:21 | |
HE SNIFFS | 0:47:24 | 0:47:26 | |
HE BREATHES HARD | 0:47:32 | 0:47:34 | |
-DOOR SLAMS -Get up. | 0:47:38 | 0:47:41 | |
Aah! | 0:47:47 | 0:47:48 | |
HE SIGHS | 0:47:49 | 0:47:51 | |
-BREATHING HARD: -This is my wife. | 0:47:58 | 0:48:01 | |
This is my daughter. | 0:48:01 | 0:48:03 | |
When you take away my wife... | 0:48:06 | 0:48:09 | |
..when you take away | 0:48:11 | 0:48:14 | |
my child... | 0:48:14 | 0:48:15 | |
..my life... | 0:48:16 | 0:48:18 | |
..all you've got... | 0:48:21 | 0:48:22 | |
..is nothing. | 0:48:25 | 0:48:27 | |
Then... | 0:48:30 | 0:48:32 | |
you will fight with whatever you have left. | 0:48:32 | 0:48:35 | |
HE BREATHES HARD | 0:48:39 | 0:48:41 | |
Lie down. | 0:48:47 | 0:48:48 | |
What are you going to do? | 0:48:51 | 0:48:53 | |
(Lie down.) | 0:48:55 | 0:48:57 | |
You don't have to do this. | 0:48:59 | 0:49:01 | |
SHE GRUNTS | 0:49:04 | 0:49:06 | |
HE ROARS Stop it! Stop it! | 0:49:10 | 0:49:14 | |
You're going to kill her! Stop it! | 0:49:14 | 0:49:17 | |
OK, look, I'm lying down! | 0:49:19 | 0:49:20 | |
I'm lying down, look! | 0:49:20 | 0:49:23 | |
I'm lying down! Stop it! | 0:49:23 | 0:49:25 | |
Stop it! Stop it! I'm lying down! | 0:49:26 | 0:49:28 | |
ATIKA COUGHS | 0:49:31 | 0:49:33 | |
It's all right. It's OK. | 0:49:42 | 0:49:44 | |
It's OK. It's all right. | 0:49:44 | 0:49:47 | |
Turn... Turn around. | 0:49:57 | 0:49:59 | |
CRYING | 0:50:09 | 0:50:11 | |
SOBBING | 0:50:11 | 0:50:13 | |
HE GRUNTS, NESSA SOBS | 0:50:14 | 0:50:17 | |
HE PANTS | 0:50:18 | 0:50:20 | |
HE SIGHS | 0:50:28 | 0:50:29 | |
NESSA SOBS | 0:50:35 | 0:50:37 | |
HE GRUNTS | 0:50:39 | 0:50:41 | |
HE GRUNTS AND GROANS | 0:50:45 | 0:50:47 | |
HE GRUNTS LOUDLY | 0:50:49 | 0:50:52 | |
HE PANTS | 0:50:57 | 0:50:59 | |
HE BREATHES HARD | 0:51:23 | 0:51:25 | |
HE BREATHES HARD | 0:51:33 | 0:51:35 | |
HE GRUNTS | 0:51:46 | 0:51:48 | |
HE MOANS | 0:51:51 | 0:51:53 | |
HE RASPS | 0:51:53 | 0:51:55 | |
HE CHOKES | 0:51:58 | 0:52:00 | |
HE RASPS, CHAINS CLINK | 0:52:03 | 0:52:06 | |
HE GROANS | 0:52:13 | 0:52:15 | |
HE MOANS | 0:52:15 | 0:52:17 | |
MAN SPEAKS ARABIC | 0:52:32 | 0:52:35 | |
He has been banished. He's not allowed to return. | 0:52:37 | 0:52:41 | |
HE SPEAKS ARABIC | 0:52:41 | 0:52:43 | |
But you will not be allowed an abortion. | 0:52:50 | 0:52:52 | |
The sharia life's sacred, no matter how it was created. | 0:52:52 | 0:52:56 | |
DISTANT GUNFIRE | 0:52:56 | 0:52:58 | |
I can do it to myself. | 0:52:59 | 0:53:01 | |
SPEAKS ARABIC I can do it to myself. | 0:53:01 | 0:53:04 | |
HE SHOUTS IN ARABIC | 0:53:04 | 0:53:07 | |
You will have the child here. | 0:53:08 | 0:53:10 | |
No. | 0:53:10 | 0:53:11 | |
-You must. -No. | 0:53:11 | 0:53:13 | |
SPEAKS ARABIC | 0:53:14 | 0:53:17 | |
ATIKA BREATHES HARD | 0:53:20 | 0:53:22 | |
If you kill the child, they kill me. | 0:53:22 | 0:53:24 | |
MAN SPEAKS ARABIC | 0:53:25 | 0:53:27 | |
SPEAKS ARABIC | 0:53:31 | 0:53:33 | |
-But if you have it, afterwards... -MAN CONTINUES IN ARABIC | 0:53:36 | 0:53:38 | |
..you will be allowed... They're going to let you go, Nessa. | 0:53:39 | 0:53:43 | |
They're going to let you go home, | 0:53:43 | 0:53:46 | |
and you will be free to tell the world what happened to you. | 0:53:46 | 0:53:50 | |
They'll say nothing. | 0:53:50 | 0:53:52 | |
-SNIFFLING: -This is their shame, their punishment, | 0:53:52 | 0:53:56 | |
for you to speak of them as you wish. | 0:53:56 | 0:53:59 | |
You have that power. | 0:54:02 | 0:54:03 | |
What about you? What's going to happen to you? | 0:54:13 | 0:54:15 | |
ATIKA SNIFFS | 0:54:15 | 0:54:17 | |
I still burned him. | 0:54:22 | 0:54:24 | |
DISTANT GUNFIRE | 0:54:26 | 0:54:27 | |
She has to come with me. | 0:54:38 | 0:54:40 | |
Tell them. | 0:54:42 | 0:54:44 | |
Nessa, I can't ask that. | 0:54:44 | 0:54:47 | |
It's impossible. Nessa, I can't. | 0:54:47 | 0:54:49 | |
Please. | 0:55:09 | 0:55:12 | |
I give you my heart. | 0:55:12 | 0:55:15 | |
I give you both hearts. | 0:55:16 | 0:55:19 | |
Please. | 0:55:21 | 0:55:22 | |
She must come with me. | 0:55:22 | 0:55:25 | |
Please. | 0:55:26 | 0:55:28 | |
SPEAKS ARABIC | 0:55:33 | 0:55:35 | |
Yes. | 0:55:42 | 0:55:43 | |
SPEAKS ARABIC | 0:55:47 | 0:55:49 | |
(Nessa.) | 0:55:53 | 0:55:54 | |
Ah. | 0:56:03 | 0:56:04 | |
TRANSLATED FROM ARABIC: | 0:56:26 | 0:56:29 | |
MONITOR BEEPS | 0:56:56 | 0:56:58 |