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'Who do you trust? How do you know?' | 0:00:01 | 0:00:03 | |
-You need help. -If you think. | 0:00:03 | 0:00:06 | |
Has it happened before? Did it happen then? | 0:00:06 | 0:00:10 | |
'..by how they appear? | 0:00:10 | 0:00:13 | |
'What they do?' | 0:00:13 | 0:00:14 | |
To get your sister out of Gaza, | 0:00:14 | 0:00:16 | |
the Israelis nailed you for a sniffer on your cables | 0:00:16 | 0:00:19 | |
and a listening unit within your academy. | 0:00:19 | 0:00:21 | |
That's quite a price to pay. | 0:00:21 | 0:00:23 | |
It was worth it. | 0:00:23 | 0:00:24 | |
You're going to give me the contract | 0:00:24 | 0:00:26 | |
because then your secret will be safe. | 0:00:26 | 0:00:28 | |
You want to know what my choice is? | 0:00:30 | 0:00:31 | |
I haven't got one. | 0:00:31 | 0:00:33 | |
Cos every road on this leads back to you. | 0:00:33 | 0:00:36 | |
There's something you should know. | 0:00:36 | 0:00:38 | |
How many other lies are you going to keep in this house? | 0:00:38 | 0:00:41 | |
I'm the one who got them out, Rachel. Me! | 0:00:41 | 0:00:44 | |
I got them out! | 0:00:44 | 0:00:46 | |
This is what it cost me! | 0:00:46 | 0:00:49 | |
You shouldn't have lied to me. | 0:00:49 | 0:00:52 | |
Whatever it is you think you're going to find, you won't. | 0:00:52 | 0:00:54 | |
It's gone. So's my brother. | 0:00:54 | 0:00:56 | |
-JALAL EL-AMIN: Good. -So give the boy back. | 0:00:56 | 0:00:59 | |
Go to Hebron. Shake my hand. All will be well. | 0:00:59 | 0:01:03 | |
Night before he left Washington, | 0:01:03 | 0:01:05 | |
Samir Meshal made a call into the Palestinian territories. | 0:01:05 | 0:01:09 | |
Someone heard. | 0:01:09 | 0:01:11 | |
What did you hear him say? | 0:01:11 | 0:01:12 | |
"She...has...agreed." | 0:01:12 | 0:01:16 | |
Who's "she"? | 0:01:16 | 0:01:19 | |
What did she agree to? | 0:01:19 | 0:01:20 | |
That's why I'm telling you. | 0:01:20 | 0:01:21 | |
That someone knows. And whoever it is... | 0:01:21 | 0:01:25 | |
they killed Samir Meshal. | 0:01:25 | 0:01:27 | |
Who else did you tell? | 0:01:27 | 0:01:29 | |
-About the wiretap? -Monica... | 0:01:29 | 0:01:31 | |
BOTH: Chatwin. | 0:01:31 | 0:01:33 | |
Let's not forget the long ball here, Julia. | 0:01:33 | 0:01:35 | |
Isn't that an Americanism? | 0:01:35 | 0:01:37 | |
It's what it's always been and what we all want. | 0:01:37 | 0:01:39 | |
Peace in the Middle East. | 0:01:39 | 0:01:41 | |
BEEPING | 0:01:41 | 0:01:43 | |
You'd better come and look at this. | 0:01:43 | 0:01:45 | |
Tell me it's not that easy. | 0:01:49 | 0:01:52 | |
The Americans killed Samir Meshal. | 0:01:52 | 0:01:56 | |
RECORDING IN ARABIC | 0:01:56 | 0:01:58 | |
Who has agreed to what? | 0:02:01 | 0:02:03 | |
I simply don't know. | 0:02:03 | 0:02:04 | |
Stay away from the Americans, Hugh. | 0:02:04 | 0:02:06 | |
Thursday 8pm. | 0:02:06 | 0:02:08 | |
It'll be a window seat. | 0:02:08 | 0:02:10 | |
There's something I want you to see. | 0:02:10 | 0:02:12 | |
-NESSA: -'So, when you think about it like that...' | 0:02:12 | 0:02:14 | |
GUNSHOT | 0:02:14 | 0:02:16 | |
THEY SHOUT IN ARABIC | 0:02:16 | 0:02:20 | |
I need help. | 0:02:20 | 0:02:21 | |
'..it's a wonder we trust anyone at all.' | 0:02:21 | 0:02:25 | |
This programme contains some violent scenes, some strong language | 0:03:24 | 0:03:28 | |
and some scenes of a sexual nature | 0:03:28 | 0:03:31 | |
EPHRA: Modeh Anee Lefanecha... | 0:03:33 | 0:03:35 | |
ATIKA: Don't be afraid. | 0:03:48 | 0:03:49 | |
KASIM: I'm safe. | 0:03:52 | 0:03:53 | |
NESSA SOBS: I can't do this. | 0:03:55 | 0:03:57 | |
ATIKA: ..if it's the price... | 0:04:04 | 0:04:06 | |
for a nation. | 0:04:06 | 0:04:08 | |
MALE VOICES IN ARABIC | 0:04:12 | 0:04:15 | |
That's fine, thanks. Do you have your passport, please? | 0:04:26 | 0:04:30 | |
Ah, you are Israeli, | 0:04:34 | 0:04:37 | |
Mr... | 0:04:37 | 0:04:39 | |
Geffen? | 0:04:39 | 0:04:41 | |
Yes. | 0:04:41 | 0:04:43 | |
My parents have emigrated there. | 0:04:43 | 0:04:46 | |
I even speak a little bit of Hebrew myself. | 0:04:46 | 0:04:49 | |
HE SPEAKS IN HEBREW | 0:04:51 | 0:04:55 | |
In England, I only speak English. | 0:04:59 | 0:05:02 | |
Of course. | 0:05:02 | 0:05:04 | |
My apologies. Enjoy your stay, Mr Geffen. | 0:05:04 | 0:05:08 | |
Room 90. | 0:05:08 | 0:05:10 | |
KNOCK ON DOOR | 0:05:20 | 0:05:22 | |
-SALEH AL-ZAHID: -Yes? -Mr Geffen? | 0:05:44 | 0:05:46 | |
I'm sorry, sir, a fault's been reported on your fire alarm. | 0:05:46 | 0:05:50 | |
What? | 0:05:50 | 0:05:51 | |
I need to check your alarm. | 0:05:51 | 0:05:52 | |
Go away. | 0:05:54 | 0:05:55 | |
I'm sorry, sir, I have to check it. | 0:06:07 | 0:06:09 | |
It'll take me seconds, it's just a reset switch. | 0:06:09 | 0:06:12 | |
I'm busy. | 0:06:12 | 0:06:14 | |
It's hotel policy, I'm so sorry. | 0:06:14 | 0:06:17 | |
Do you mind if I just switch on your lights? | 0:06:23 | 0:06:25 | |
No, it's not that one. | 0:06:31 | 0:06:33 | |
-Do you mind if I check your bathroom? -Somebody's using it. | 0:06:33 | 0:06:37 | |
Er, then I'll wait. | 0:06:37 | 0:06:39 | |
HE KNOCKS | 0:06:51 | 0:06:52 | |
He wants to check the bathroom. | 0:06:52 | 0:06:55 | |
Good evening, madam. | 0:07:08 | 0:07:11 | |
MAN: Yeah, it's this one. | 0:07:21 | 0:07:23 | |
HE SIGHS Done. | 0:07:35 | 0:07:36 | |
I'm so sorry to have disturbed you, especially at this time of night. | 0:07:36 | 0:07:40 | |
Sleep well. | 0:07:40 | 0:07:41 | |
DOOR CLOSES | 0:07:45 | 0:07:47 | |
Housekeeping. | 0:07:50 | 0:07:51 | |
Yeah, there was a guy just in our room. | 0:07:53 | 0:07:55 | |
Yes, that's correct. I do apologise. A fault came up on our board. | 0:07:55 | 0:07:59 | |
Yes, he's... | 0:08:01 | 0:08:03 | |
brown-haired, late 20s, about five foot six or seven. | 0:08:03 | 0:08:07 | |
Thank you, madam. | 0:08:09 | 0:08:10 | |
So sorry for the inconvenience. | 0:08:10 | 0:08:12 | |
Well done. | 0:08:18 | 0:08:19 | |
Got it. | 0:08:21 | 0:08:22 | |
You need to leave. | 0:08:25 | 0:08:26 | |
Now. | 0:08:33 | 0:08:35 | |
ALARM BEEPS | 0:08:37 | 0:08:38 | |
INTERMITTENT BEEPING | 0:08:38 | 0:08:40 | |
That's room 90. It's a fire. | 0:08:40 | 0:08:43 | |
We're blown. | 0:08:46 | 0:08:47 | |
You lost them. | 0:08:49 | 0:08:51 | |
400 people all out on the street. | 0:08:51 | 0:08:54 | |
She knew we would. | 0:08:54 | 0:08:55 | |
If she knows anything. It could just have been a precaution. | 0:08:55 | 0:08:59 | |
We got...this. | 0:08:59 | 0:09:01 | |
Wow. | 0:09:03 | 0:09:04 | |
Niki Lauda. | 0:09:04 | 0:09:06 | |
Who is he? | 0:09:07 | 0:09:09 | |
-What are those? -Ceremonial shovels. | 0:09:49 | 0:09:52 | |
The idea is that both you and El-Amin have one at the launch. | 0:09:52 | 0:09:55 | |
-OK. -The problem is, which one to choose. | 0:09:55 | 0:09:58 | |
This one's Palestinian made. This one's Israeli. | 0:09:58 | 0:10:01 | |
This one's got an Israeli handle on, but a Palestinian blade, | 0:10:01 | 0:10:03 | |
and this one's the other way round. | 0:10:03 | 0:10:05 | |
What you really need is a blade that's half and half, | 0:10:05 | 0:10:08 | |
split down the middle, so that both sides strike the ground | 0:10:08 | 0:10:10 | |
-at the same time. -So do that. | 0:10:10 | 0:10:12 | |
What if they crack, break apart? | 0:10:12 | 0:10:14 | |
I'm not sure that's the photo opportunity you're looking for. | 0:10:14 | 0:10:17 | |
-What's the alternative? -To these? | 0:10:17 | 0:10:20 | |
Well, there's also going to be a great big digger. | 0:10:21 | 0:10:23 | |
Go with that one. | 0:10:23 | 0:10:24 | |
PHONE RINGS | 0:10:24 | 0:10:27 | |
Hello? | 0:10:27 | 0:10:28 | |
I'm aware of what you're doing. | 0:10:28 | 0:10:30 | |
I know what you're doing for the child. | 0:10:33 | 0:10:35 | |
Have you told the police? | 0:10:41 | 0:10:44 | |
It's not my job. | 0:10:44 | 0:10:46 | |
What's your job? | 0:10:47 | 0:10:50 | |
You know what? I'm not sure any more. | 0:10:50 | 0:10:53 | |
Maybe I should stop doing it. | 0:10:54 | 0:10:55 | |
Because of that I'm supposed to trust you? | 0:10:57 | 0:11:00 | |
If there's one person you should trust in all this, | 0:11:02 | 0:11:04 | |
it's Shlomo Zahary. | 0:11:04 | 0:11:06 | |
Is the boy all right? | 0:11:12 | 0:11:13 | |
And when will you get him back? | 0:11:16 | 0:11:18 | |
-How did you work all this out? -I'm still trying to. | 0:11:20 | 0:11:23 | |
What is it they want that requires you to stay in your position? | 0:11:29 | 0:11:33 | |
I'm not going to discuss my business with you. | 0:11:33 | 0:11:36 | |
So it is about your business? | 0:11:36 | 0:11:38 | |
And...what about Monica Chatwin? | 0:11:40 | 0:11:43 | |
Don't pull me in on your turf war. | 0:11:45 | 0:11:47 | |
Except I think she's involved in yours. | 0:11:47 | 0:11:49 | |
-I'm not in one. -I can link her to your brother. | 0:11:49 | 0:11:52 | |
I can link her to that listening device. | 0:11:54 | 0:11:57 | |
How? | 0:11:57 | 0:11:58 | |
And I can link that device to the Americans. | 0:11:58 | 0:12:01 | |
And I can link the Americans to the killing of Samir Meshal. | 0:12:03 | 0:12:07 | |
I just can. | 0:12:07 | 0:12:08 | |
But...as yet... | 0:12:12 | 0:12:15 | |
..I don't have a link for this. | 0:12:17 | 0:12:19 | |
His name's Enad Geffen. He's Israeli. | 0:12:25 | 0:12:27 | |
He entered this country a month ago on a visitor's permit. | 0:12:27 | 0:12:30 | |
What's the link between Monica Chatwin and the Israelis? | 0:12:30 | 0:12:34 | |
SIGHS | 0:12:38 | 0:12:40 | |
There isn't one. | 0:12:41 | 0:12:43 | |
Except there it is. | 0:12:43 | 0:12:44 | |
Oh, he's not Israeli. | 0:12:47 | 0:12:48 | |
You know him? | 0:12:50 | 0:12:51 | |
He was... When I was captured in Gaza... | 0:12:51 | 0:12:55 | |
..he was the one who... | 0:12:57 | 0:12:59 | |
He's Palestinian? | 0:12:59 | 0:13:00 | |
So why is he here? | 0:13:04 | 0:13:05 | |
SHE SIGHS DEEPLY | 0:13:06 | 0:13:09 | |
To threaten me. | 0:13:09 | 0:13:10 | |
I should imagine you feel threatened enough as it is. | 0:13:11 | 0:13:14 | |
SHE GROANS | 0:13:29 | 0:13:30 | |
It's yours. | 0:13:34 | 0:13:36 | |
The child's yours. | 0:13:38 | 0:13:40 | |
SHE SOBS | 0:13:40 | 0:13:43 | |
Oh, Nessa... | 0:13:48 | 0:13:49 | |
SHE CRIES | 0:13:49 | 0:13:51 | |
I'm so sorry. | 0:13:54 | 0:13:56 | |
I don't need pity from a spy. | 0:13:57 | 0:14:00 | |
I'm not saying it as a spy. | 0:14:00 | 0:14:02 | |
Er... | 0:14:08 | 0:14:10 | |
this is my... | 0:14:10 | 0:14:13 | |
security adviser's number. | 0:14:13 | 0:14:14 | |
You're not the only one who's looking at Monica Chatwin. | 0:14:16 | 0:14:19 | |
I will let him know you're going to call. | 0:14:19 | 0:14:23 | |
I think he may be able to help you in some way. | 0:14:23 | 0:14:25 | |
-I think you're the one who needs help. -No, I absolutely do not. | 0:14:25 | 0:14:30 | |
She's talking to your rapist. | 0:14:30 | 0:14:32 | |
Have you never talked to a bad person to get a good thing done? | 0:14:32 | 0:14:36 | |
-Is she getting a good thing done? -I am! | 0:14:36 | 0:14:39 | |
-Thank you very much for coming. -Nessa, you need my help. | 0:14:39 | 0:14:42 | |
Do you know what? Actually, I do. | 0:14:44 | 0:14:48 | |
There is one thing you could help me with. | 0:14:48 | 0:14:50 | |
Mrs Crace? | 0:15:03 | 0:15:05 | |
Oh, no... | 0:15:16 | 0:15:17 | |
-Don't make it worse. -What have you said? | 0:15:17 | 0:15:19 | |
I've told her who you are, what you are. | 0:15:19 | 0:15:22 | |
She's lying. | 0:15:26 | 0:15:28 | |
The fucking bitch is lying. | 0:15:28 | 0:15:30 | |
I know your blood type, I've told her what it is. | 0:15:30 | 0:15:33 | |
No. | 0:15:34 | 0:15:35 | |
How could you do that? | 0:15:37 | 0:15:38 | |
How could you do that to her? | 0:15:40 | 0:15:42 | |
How could you do this to any of us? | 0:15:42 | 0:15:44 | |
-HE WHISPERS: Where have you been? -Out. | 0:16:13 | 0:16:16 | |
Why did you tell her? | 0:16:16 | 0:16:18 | |
Because she has the right to know. | 0:16:20 | 0:16:22 | |
Why don't you tell the whole fucking world, Atika? | 0:16:22 | 0:16:24 | |
This is her house. | 0:16:26 | 0:16:27 | |
-If you know, so should she. -That's my decision. | 0:16:27 | 0:16:30 | |
She's my wife. | 0:16:30 | 0:16:31 | |
My wife. | 0:16:31 | 0:16:33 | |
-It wasn't yours to make. -And when did it become yours? | 0:16:34 | 0:16:37 | |
I didn't have a choice, Ephra. | 0:16:39 | 0:16:41 | |
You didn't give me one. | 0:16:42 | 0:16:43 | |
So, what, now you're trying to ruin my marriage? | 0:16:43 | 0:16:46 | |
Is that what you're trying to do? | 0:16:46 | 0:16:48 | |
Do you really want to keep it? | 0:16:48 | 0:16:51 | |
What? | 0:16:52 | 0:16:53 | |
Do you? | 0:16:53 | 0:16:55 | |
-I have to leave. -No. | 0:17:08 | 0:17:10 | |
I can't stay here now, not any more. | 0:17:10 | 0:17:14 | |
No, you can't go. | 0:17:14 | 0:17:15 | |
What would they all think if you did? | 0:17:15 | 0:17:17 | |
-I don't know what to do. -I'm sorry, I'm sorry. | 0:17:17 | 0:17:20 | |
I am sorry. Ssh! | 0:17:21 | 0:17:23 | |
SHE SOBS | 0:17:23 | 0:17:25 | |
-It was all my fault. -No, it was mine, mine. | 0:17:25 | 0:17:29 | |
I took her to Gaza. | 0:17:29 | 0:17:31 | |
Yeah, I'm the one who made her go. | 0:17:31 | 0:17:33 | |
I've kept so many lies. | 0:17:33 | 0:17:35 | |
So have I. | 0:17:35 | 0:17:37 | |
Which ones? | 0:17:42 | 0:17:43 | |
Too many to count. | 0:17:43 | 0:17:45 | |
You and I... | 0:17:50 | 0:17:51 | |
..we are one. | 0:17:54 | 0:17:56 | |
Yes. | 0:17:58 | 0:17:59 | |
Monica Chatwin is working for the Palestinians. | 0:18:16 | 0:18:20 | |
To be ensuring they have a man standing beside Nessa Stein. | 0:18:20 | 0:18:24 | |
Who isn't Shlomo Zahary. | 0:18:24 | 0:18:25 | |
Who isn't an Israeli. | 0:18:28 | 0:18:29 | |
But why is she doing that? | 0:18:29 | 0:18:31 | |
This may be helping you to find out. | 0:18:36 | 0:18:38 | |
She has one phone | 0:18:40 | 0:18:41 | |
she only uses for very rare things, very rare. | 0:18:41 | 0:18:46 | |
We found her having it because she used it | 0:18:47 | 0:18:50 | |
to call Nathaniel Bloom for a coffee meeting many months ago. | 0:18:50 | 0:18:54 | |
Since then, she has been...being called by one phone | 0:18:54 | 0:18:58 | |
in the UK, two nights ago. | 0:18:58 | 0:19:00 | |
And she is calling with it to another phone in... | 0:19:00 | 0:19:05 | |
Holland. | 0:19:05 | 0:19:07 | |
And another in... | 0:19:07 | 0:19:10 | |
Washington. | 0:19:10 | 0:19:12 | |
The United States. | 0:19:12 | 0:19:14 | |
Do you know what was said? | 0:19:15 | 0:19:16 | |
No, but these calls I'm suggesting you should now be listening in to. | 0:19:18 | 0:19:23 | |
You know she wants my job? | 0:19:26 | 0:19:28 | |
I think maybe she's getting it. | 0:19:28 | 0:19:30 | |
Good morning. | 0:20:15 | 0:20:17 | |
There have been many obstacles for us to overcome | 0:20:19 | 0:20:23 | |
in order to be here today, | 0:20:23 | 0:20:25 | |
not least the death of our colleague, Samir Meshal, | 0:20:25 | 0:20:30 | |
to whose family our thoughts go out, | 0:20:30 | 0:20:31 | |
PHONE BEEPS particularly today. | 0:20:31 | 0:20:34 | |
But I know that what he wished for, with all his heart... | 0:20:34 | 0:20:38 | |
was for this day to come. | 0:20:38 | 0:20:41 | |
-What's happened to your new partner? -I'm sure he'll be here in a moment. | 0:20:41 | 0:20:44 | |
In the meantime, | 0:20:44 | 0:20:46 | |
I'm happy to answer any questions. | 0:20:46 | 0:20:48 | |
What would your father think of today? | 0:20:49 | 0:20:51 | |
I hope he'd be very proud. | 0:20:52 | 0:20:54 | |
"The sword of Israel", | 0:20:54 | 0:20:55 | |
and his daughter holding her hand out to the Palestinians? | 0:20:55 | 0:20:58 | |
As I have continued to say throughout this whole process, | 0:21:00 | 0:21:05 | |
anything that contributes to promoting stability in the region, | 0:21:05 | 0:21:09 | |
I hope will be greeted with enthusiasm on all sides. | 0:21:09 | 0:21:13 | |
And I believe it is. I mean, otherwise, | 0:21:13 | 0:21:15 | |
we simply wouldn't be here today. | 0:21:15 | 0:21:17 | |
So you think you are single-handedly solving this problem? | 0:21:17 | 0:21:20 | |
No. | 0:21:20 | 0:21:22 | |
What we're doing here today is just a feather in the dove. | 0:21:22 | 0:21:25 | |
But you are part of the dove. | 0:21:25 | 0:21:26 | |
Well, I certainly hope so. | 0:21:26 | 0:21:28 | |
What about Tahet Technologies' relationship | 0:21:28 | 0:21:31 | |
with the PLO's terrorist past? | 0:21:31 | 0:21:33 | |
Those accusations are unsubstantiated. | 0:21:33 | 0:21:35 | |
But they still exist. | 0:21:35 | 0:21:36 | |
If every rumour in this region were taken as fact then... | 0:21:36 | 0:21:40 | |
..well, then, personally I would know for a fact | 0:21:42 | 0:21:44 | |
that TV2 news anchor, Ido Zamir, | 0:21:44 | 0:21:47 | |
would be standing here beside me right now | 0:21:47 | 0:21:49 | |
and I'd be bouncing our love child on my hip. | 0:21:49 | 0:21:51 | |
That's not true, then! | 0:21:51 | 0:21:53 | |
Er, for the moment, I'm going to deny it. | 0:21:53 | 0:21:55 | |
So, you don't feel compromised? | 0:21:55 | 0:21:57 | |
-By what? -Your relationship with Tahet. | 0:21:57 | 0:22:00 | |
Not at all. We all have a past. | 0:22:00 | 0:22:03 | |
Look at my own family name, | 0:22:03 | 0:22:05 | |
what it's meant to different people on different sides of the border. | 0:22:05 | 0:22:09 | |
But today, today is a day to let those differences go. | 0:22:09 | 0:22:14 | |
Today is a day to look toward the future. | 0:22:14 | 0:22:17 | |
Ladies and gentlemen, Tahet's CEO, Jalal El-Amin, | 0:22:17 | 0:22:20 | |
has been unavoidably detained, so may I suggest you hold all | 0:22:20 | 0:22:23 | |
further questions until this afternoon? | 0:22:23 | 0:22:25 | |
And just to confirm, the ceremony will take place in Hebron at 3pm. | 0:22:25 | 0:22:29 | |
Until then, thank you. | 0:22:29 | 0:22:30 | |
NESSA: So, what? | 0:22:35 | 0:22:37 | |
-FRANCES: -He's ill. Food poisoning. | 0:22:37 | 0:22:39 | |
Good morning. | 0:22:54 | 0:22:55 | |
Good morning. | 0:22:55 | 0:22:56 | |
Are you ready? | 0:22:59 | 0:23:01 | |
I feel like a 16-year-old. | 0:23:01 | 0:23:03 | |
You're supposed to. | 0:23:05 | 0:23:06 | |
Now, go on. | 0:23:15 | 0:23:17 | |
Start running. | 0:23:17 | 0:23:19 | |
Have you ever seen The Towering Inferno? | 0:23:27 | 0:23:28 | |
No. | 0:23:31 | 0:23:32 | |
No. It's very good. | 0:23:32 | 0:23:33 | |
Robert Wagner. | 0:23:34 | 0:23:36 | |
MAKES WHOOSHING NOISE | 0:23:38 | 0:23:40 | |
-AMERICAN ACCENT: -Don't worry, Lorrie, no-one's going to die. | 0:23:41 | 0:23:44 | |
CLICKS HIS TONGUE | 0:23:44 | 0:23:45 | |
-He's got to be there. -I know... | 0:23:52 | 0:23:53 | |
No, he's got to be. Shit! | 0:23:53 | 0:23:55 | |
-What did he eat? -I don't know, it's obviously pretty bad. | 0:23:56 | 0:23:58 | |
Frances, I don't care if he's on his fucking death bed, | 0:23:58 | 0:24:01 | |
he's got to be there this afternoon. | 0:24:01 | 0:24:03 | |
As-salamu alaykum. | 0:24:03 | 0:24:04 | |
Wa 'alaykum-salam. | 0:24:04 | 0:24:06 | |
HE SPEAKS IN ARABIC | 0:24:06 | 0:24:09 | |
I saw him go for a run this morning. | 0:24:13 | 0:24:16 | |
Ephra? Running? | 0:24:17 | 0:24:19 | |
-Hm. -I don't think so. | 0:24:19 | 0:24:22 | |
Maybe...he wants to get away from things. | 0:24:23 | 0:24:26 | |
Oh. | 0:24:26 | 0:24:28 | |
Well, that kind of running. | 0:24:28 | 0:24:29 | |
That makes perfect sense. | 0:24:31 | 0:24:33 | |
If only I could do the same. | 0:24:34 | 0:24:37 | |
You should stay in bed. | 0:24:37 | 0:24:38 | |
All right, they're going to get him up. | 0:24:46 | 0:24:48 | |
Fuck knows what it's going to look like if he starts vomiting | 0:24:49 | 0:24:51 | |
all over his shovel. | 0:24:51 | 0:24:53 | |
We're still using those? | 0:24:53 | 0:24:55 | |
Just for the photo, then you'll get in the digger. | 0:24:55 | 0:24:58 | |
-All I have to do is start it up? -Exactly. | 0:24:58 | 0:25:01 | |
I don't want to start swinging that thing around | 0:25:01 | 0:25:03 | |
when I don't know what I'm doing. | 0:25:03 | 0:25:04 | |
There's an engineer, he'll be right there, he'll explain it all | 0:25:04 | 0:25:07 | |
although I'm reassured it's simply a key in the ignition. | 0:25:07 | 0:25:09 | |
-Oh. -What? | 0:25:11 | 0:25:13 | |
I'm so sorry, I should have thought of this. | 0:25:13 | 0:25:16 | |
-What? -You can't wear a dress. | 0:25:16 | 0:25:19 | |
-Why? -Think about it. | 0:25:19 | 0:25:21 | |
You can't go climbing up a ladder into a cabin in a dress. | 0:25:21 | 0:25:25 | |
-Really? -Really. | 0:25:25 | 0:25:27 | |
You're going to have to wear trousers. | 0:25:27 | 0:25:30 | |
Look at this! | 0:25:30 | 0:25:33 | |
A world event rapidly turning into Carry On Up The Kibbutz. | 0:25:33 | 0:25:37 | |
-When did this happen? -What? | 0:27:37 | 0:27:39 | |
When was this clause added? | 0:27:39 | 0:27:41 | |
16B. | 0:27:41 | 0:27:43 | |
He can hold on to the rights to this deal no matter what happens | 0:27:43 | 0:27:46 | |
in the future? | 0:27:46 | 0:27:47 | |
No matter what? | 0:27:47 | 0:27:49 | |
And that... is your signature. | 0:27:51 | 0:27:53 | |
Yes. | 0:27:55 | 0:27:57 | |
Nessa... | 0:28:00 | 0:28:01 | |
I've stood beside you for six years, | 0:28:07 | 0:28:09 | |
hearing you say that you cannot be compromised, will not be. | 0:28:09 | 0:28:12 | |
So why this? Why have you signed this? | 0:28:12 | 0:28:15 | |
When it is absolutely obvious that you shouldn't. | 0:28:16 | 0:28:18 | |
Well... | 0:28:30 | 0:28:32 | |
you're compromised now. | 0:28:32 | 0:28:33 | |
And you've done it to yourself. | 0:28:37 | 0:28:39 | |
Do you trust me? | 0:28:43 | 0:28:44 | |
Trust me now. | 0:28:47 | 0:28:49 | |
-Well, he's up. -Good. | 0:29:02 | 0:29:05 | |
The man you've just bequeathed half your company to. | 0:29:05 | 0:29:08 | |
Although, with the amount of Imodium they've poured down his throat, | 0:29:09 | 0:29:12 | |
-he won't be shitting for 16 years. -Then we should go. | 0:29:12 | 0:29:16 | |
I'm doing the right thing, Frances. | 0:29:22 | 0:29:25 | |
I hope so. | 0:29:31 | 0:29:32 | |
Hi. My name's Ephra. Today, I'll mostly be having a nervous breakdown | 0:31:59 | 0:32:03 | |
and running away from it all. What's your alibi? | 0:32:03 | 0:32:05 | |
I've got to see my part-time tutor. | 0:32:06 | 0:32:08 | |
Fantastic. I've always admired an educated woman. | 0:32:08 | 0:32:12 | |
Drive on. | 0:32:12 | 0:32:13 | |
CAR HORN BEEPS | 0:33:37 | 0:33:39 | |
Here we go. | 0:33:47 | 0:33:49 | |
-Salamu alaykum. -Alaykum-salam. | 0:33:51 | 0:33:53 | |
-Salamu alaykum. -Alaykum-salam. | 0:33:53 | 0:33:56 | |
Shall we stop for a picture? | 0:33:59 | 0:34:01 | |
Alaykum-salam. | 0:34:07 | 0:34:08 | |
Salamu-alaykam. | 0:34:08 | 0:34:10 | |
CONTINUES GREETING | 0:34:10 | 0:34:12 | |
Thank you. | 0:34:13 | 0:34:14 | |
Just right up onto stage? OK. | 0:34:18 | 0:34:21 | |
-You made it. -Of course. | 0:34:41 | 0:34:44 | |
How are you feeling? | 0:34:44 | 0:34:45 | |
HE SIGHS | 0:34:45 | 0:34:47 | |
Let's get this thing done. | 0:34:48 | 0:34:50 | |
Wait. Wait. | 0:35:06 | 0:35:09 | |
-Wait. -What? | 0:35:09 | 0:35:10 | |
Let's switch the phones off. | 0:35:10 | 0:35:12 | |
Go away, world. | 0:35:15 | 0:35:16 | |
Shall we trade? | 0:35:31 | 0:35:32 | |
OK? | 0:35:42 | 0:35:44 | |
You have a scar...here. | 0:35:45 | 0:35:47 | |
Yes. | 0:35:47 | 0:35:49 | |
A dog. | 0:35:49 | 0:35:50 | |
A dog? | 0:35:50 | 0:35:52 | |
Yes. | 0:35:52 | 0:35:53 | |
When I was five. | 0:35:53 | 0:35:55 | |
Hello. | 0:36:17 | 0:36:18 | |
FEEDBACK FROM MICROPHONE | 0:36:18 | 0:36:20 | |
And hello? | 0:36:21 | 0:36:22 | |
Um... | 0:36:26 | 0:36:28 | |
some years ago, I came to Bethlehem and gave a very bad speech, | 0:36:28 | 0:36:32 | |
so I should probably learn the lesson of that and keep this one short. | 0:36:32 | 0:36:35 | |
Strangely enough... | 0:36:36 | 0:36:38 | |
..what I ended up saying that day... | 0:36:41 | 0:36:43 | |
..hadn't been pre-written or rehearsed. | 0:36:46 | 0:36:49 | |
I just said it from my heart. | 0:36:51 | 0:36:54 | |
And I think what I said then still holds true today. | 0:36:54 | 0:36:57 | |
All this technology, all this fibre optics... | 0:36:59 | 0:37:05 | |
last mile boxes... | 0:37:05 | 0:37:08 | |
..all this wizardry... | 0:37:09 | 0:37:10 | |
..all this speed... | 0:37:12 | 0:37:14 | |
..that's around us right now... | 0:37:15 | 0:37:17 | |
..what it's all really about is very, very simple. | 0:37:18 | 0:37:23 | |
It's about our need to communicate with each other. | 0:37:27 | 0:37:30 | |
And with others. | 0:37:32 | 0:37:33 | |
Here... | 0:37:33 | 0:37:35 | |
..and there. | 0:37:36 | 0:37:38 | |
Talk. | 0:37:40 | 0:37:42 | |
Trade. | 0:37:42 | 0:37:43 | |
Understand. | 0:37:45 | 0:37:47 | |
And that's it. | 0:37:53 | 0:37:54 | |
APPLAUSE | 0:37:55 | 0:37:58 | |
There's no secret to it. | 0:38:03 | 0:38:05 | |
Not any more. | 0:38:05 | 0:38:07 | |
When will we be reunited? | 0:38:09 | 0:38:11 | |
-This evening. -Then I think we're done here. | 0:38:12 | 0:38:15 | |
And what's next? | 0:38:15 | 0:38:17 | |
The digger. | 0:38:19 | 0:38:20 | |
FLY BUZZES | 0:38:24 | 0:38:26 | |
Shalom. | 0:38:30 | 0:38:31 | |
Salam. | 0:38:33 | 0:38:34 | |
Thank you. | 0:38:38 | 0:38:40 | |
OK. | 0:38:40 | 0:38:41 | |
What do I do? | 0:38:41 | 0:38:43 | |
Turn here... | 0:38:43 | 0:38:44 | |
then your finger... press. | 0:38:44 | 0:38:47 | |
Do I need to wait for a cue or...? | 0:38:55 | 0:38:57 | |
CAR ENGINE STARTS | 0:38:57 | 0:38:59 | |
No... | 0:39:04 | 0:39:06 | |
Now... | 0:39:06 | 0:39:08 | |
There's something wrong with the ignition. | 0:39:11 | 0:39:13 | |
BEEPS | 0:39:15 | 0:39:16 | |
ENGINE TURNS OVER | 0:39:21 | 0:39:23 | |
HE GASPS | 0:39:23 | 0:39:25 | |
DIGGER ENGINE TURNS OVER | 0:39:25 | 0:39:28 | |
DIGGER ENGINE STARTS | 0:40:00 | 0:40:02 | |
BEEPS | 0:40:03 | 0:40:05 | |
ENGINE RUNNING | 0:40:48 | 0:40:50 | |
-TV: -This is BBC News. The headlines at three o'clock. | 0:41:05 | 0:41:08 | |
The Prime Minister recognises... | 0:41:08 | 0:41:10 | |
What are you doing? | 0:41:10 | 0:41:12 | |
-Just wanted to catch the news. -Oh, don't! | 0:41:12 | 0:41:15 | |
-What will you give me for it? -Please, Ephra, switch it off. | 0:41:15 | 0:41:19 | |
A big one. Right here. | 0:41:19 | 0:41:20 | |
-TV: -..and in cricket, England insist their team are equal to the task... | 0:41:22 | 0:41:26 | |
Is this going to happen every time I try and turn on a TV? | 0:41:26 | 0:41:29 | |
You tell me. | 0:41:29 | 0:41:30 | |
You're here... | 0:41:35 | 0:41:37 | |
Do you think I'm that stupid? | 0:41:41 | 0:41:42 | |
Are you alone? | 0:41:44 | 0:41:46 | |
What? | 0:41:49 | 0:41:51 | |
You think only people like you | 0:41:51 | 0:41:53 | |
are clever enough to slip away unnoticed? | 0:41:53 | 0:41:55 | |
Rachel, are you alone? | 0:41:55 | 0:41:58 | |
Clearly. | 0:42:00 | 0:42:01 | |
Rachel, I... | 0:42:07 | 0:42:09 | |
-You must leave? -What? | 0:42:12 | 0:42:14 | |
-Now! -How dare you? | 0:42:14 | 0:42:17 | |
-My husband, my life... -Come on. | 0:42:17 | 0:42:20 | |
-What are you doing? -You have to leave... | 0:42:20 | 0:42:22 | |
Don't tell me what to do! | 0:42:22 | 0:42:24 | |
-Atika, it's too late. -It's not. Not if she leaves now. | 0:42:24 | 0:42:27 | |
-TV: -..a huge explosion... -What? | 0:42:27 | 0:42:29 | |
-You've got to go. -Why? | 0:42:29 | 0:42:31 | |
What's this? | 0:42:31 | 0:42:33 | |
Hebron is the location scheduled today for the opening | 0:42:33 | 0:42:36 | |
of a data cabling network | 0:42:36 | 0:42:37 | |
spreading throughout the West Bank that has been | 0:42:37 | 0:42:39 | |
-championed and coordinated... -Oh, Nessa. | 0:42:39 | 0:42:42 | |
GUNSHOT | 0:42:42 | 0:42:44 | |
GURGLING | 0:42:44 | 0:42:46 | |
GUNSHOT | 0:42:51 | 0:42:52 | |
SHE SCREAMS AND SHRIEKS | 0:42:55 | 0:42:58 | |
Calm down! | 0:43:03 | 0:43:04 | |
OK? Ssh, ssh, ssh. | 0:43:04 | 0:43:06 | |
Listen to me. Do you have a gun in this house? | 0:43:06 | 0:43:09 | |
Do you have a gun in this house? | 0:43:10 | 0:43:13 | |
Where? | 0:43:14 | 0:43:16 | |
Are you all right? | 0:43:21 | 0:43:23 | |
Are you all right? | 0:43:23 | 0:43:24 | |
OK. Take this. | 0:43:24 | 0:43:26 | |
-Take this! -What's happening? | 0:43:26 | 0:43:28 | |
You weren't supposed to be here. You don't move. Stay here. | 0:43:28 | 0:43:31 | |
-TV: -...amongst the casualties. | 0:43:36 | 0:43:37 | |
Despite the immediate tragedy... | 0:43:37 | 0:43:39 | |
..consider the cause of the blast. | 0:43:41 | 0:43:43 | |
..can't and shouldn't be ruled out at this stage, | 0:43:44 | 0:43:47 | |
the very real possibility of a terrorist attack | 0:43:47 | 0:43:49 | |
has to be considered. | 0:43:49 | 0:43:51 | |
Nessa Stein and her company | 0:43:51 | 0:43:53 | |
have been in the jaws of this complex region | 0:43:53 | 0:43:55 | |
for many years... | 0:43:55 | 0:43:57 | |
GUNSHOT | 0:44:32 | 0:44:34 | |
He killed my husband. | 0:44:38 | 0:44:40 | |
You led him here. | 0:44:41 | 0:44:44 | |
OK, Rachel... | 0:44:45 | 0:44:47 | |
Calm down. OK. | 0:44:49 | 0:44:52 | |
Put this gun down. Put it down. Come... | 0:44:52 | 0:44:56 | |
Give it to me. | 0:44:56 | 0:44:58 | |
Give it to me. Give it to me. | 0:44:58 | 0:45:00 | |
Ssh, Rachel. Rachel. | 0:45:01 | 0:45:03 | |
Rachel... OK. | 0:45:03 | 0:45:05 | |
-TV: -..between Israel and the Palestinian territories. | 0:45:30 | 0:45:33 | |
This, along with an extensive educational programme | 0:45:33 | 0:45:35 | |
within the territories, | 0:45:35 | 0:45:37 | |
ensured a radical change of profile for the Steins, | 0:45:37 | 0:45:40 | |
which culminated in Nessa Stein joining the House of Lords | 0:45:40 | 0:45:44 | |
as an independent member, not affiliated with a party, | 0:45:44 | 0:45:47 | |
in recognition of her ongoing efforts for... | 0:45:47 | 0:45:51 | |
-This is Dagon. MONICA CHATWIN: -Yes? | 0:45:51 | 0:45:53 | |
Ephra Stein is dead. | 0:45:53 | 0:45:55 | |
-Why are you using this phone? -Because he is dead too. | 0:45:55 | 0:45:58 | |
How? | 0:45:58 | 0:46:00 | |
Ephra Stein's wife, she shot him. | 0:46:00 | 0:46:03 | |
She wasn't supposed to be there. | 0:46:03 | 0:46:05 | |
-She followed us. -Where is she now? | 0:46:05 | 0:46:07 | |
-Also dead. -How? | 0:46:07 | 0:46:09 | |
I killed her. | 0:46:09 | 0:46:10 | |
-Could it be as if he did it? -Yes. | 0:46:10 | 0:46:13 | |
Then stick to the plan. Leave now. | 0:46:13 | 0:46:15 | |
CALL ENDS | 0:46:15 | 0:46:16 | |
LIQUID TRICKLES | 0:46:18 | 0:46:21 | |
She's dead? | 0:46:33 | 0:46:35 | |
-They think so. -Survivors? | 0:46:35 | 0:46:37 | |
Not intended. | 0:46:37 | 0:46:38 | |
There's a hole in the ground about 30ft across. | 0:46:38 | 0:46:41 | |
Let me know immediately. | 0:46:42 | 0:46:44 | |
Ephra Stein is missing. | 0:46:46 | 0:46:47 | |
So is his wife. | 0:46:47 | 0:46:49 | |
And Atika Halibi, the missing child's mother. | 0:46:49 | 0:46:52 | |
-Safe housed? -Not by us. | 0:46:52 | 0:46:54 | |
We've just had activity on Monica Chatwin's phone. | 0:46:54 | 0:46:57 | |
-You're listening in on Monica Chatwin? -She has a satellite phone | 0:46:57 | 0:47:00 | |
which doesn't appear to be accounted for on her expenses. | 0:47:00 | 0:47:03 | |
And...? | 0:47:03 | 0:47:04 | |
She's been rung again by the same number that called her last week. | 0:47:04 | 0:47:07 | |
-Audio? -No. Just number and duration. | 0:47:07 | 0:47:10 | |
All right. Log it. We'll get back to it. | 0:47:10 | 0:47:12 | |
-It's just... -Have you been watching the TV? | 0:47:12 | 0:47:14 | |
-It's really very exciting. -This number... | 0:47:14 | 0:47:17 | |
the closest we can place it is Ephra Stein's holiday home. | 0:47:17 | 0:47:21 | |
She's on again. | 0:47:31 | 0:47:33 | |
-DAME JULIA: -Why can't we hear it? | 0:47:33 | 0:47:34 | |
We haven't had a chance to access her phone. | 0:47:34 | 0:47:36 | |
-And she's calling... -Holland. | 0:47:36 | 0:47:38 | |
Holland. | 0:47:39 | 0:47:41 | |
Utrecht. | 0:47:43 | 0:47:45 | |
PHONE RINGS | 0:47:46 | 0:47:47 | |
Claim it. | 0:47:55 | 0:47:57 | |
They're approaching the Steins' second home now. | 0:48:31 | 0:48:33 | |
Can you pull that up? | 0:48:33 | 0:48:35 | |
Yeah, we've got a feed. | 0:48:35 | 0:48:36 | |
Two male fatalities. | 0:48:50 | 0:48:52 | |
One IC6. | 0:48:52 | 0:48:54 | |
Israeli. | 0:49:03 | 0:49:05 | |
Name - Enad Geffen. | 0:49:05 | 0:49:07 | |
Actually, we need to discuss that. | 0:49:07 | 0:49:08 | |
Really? Just that(?) | 0:49:08 | 0:49:10 | |
Second male fatality - IC1. | 0:49:10 | 0:49:13 | |
Ephra Stein. | 0:49:13 | 0:49:15 | |
-WOMAN: -Rachel, push! | 0:49:16 | 0:49:17 | |
SCREAMING | 0:49:17 | 0:49:20 | |
Push. OK. | 0:49:20 | 0:49:22 | |
-MAN: -Female, IC1, in labour. | 0:49:22 | 0:49:24 | |
Jesus. | 0:49:24 | 0:49:25 | |
See why I never came off the Pill? | 0:49:28 | 0:49:29 | |
She killed my husband! | 0:49:29 | 0:49:31 | |
She helped kill my husband! | 0:49:31 | 0:49:33 | |
Put the gun down! | 0:49:33 | 0:49:35 | |
What the fuck is going on? | 0:49:35 | 0:49:36 | |
SCREAMING AND WAILING | 0:49:36 | 0:49:40 | |
We've just had a claim posted on the internet | 0:49:40 | 0:49:42 | |
for the assassination of both Nessa Stein and Ephra Stein. | 0:49:42 | 0:49:45 | |
-Who by? -Coming up now. | 0:49:45 | 0:49:47 | |
I think I'm still asleep. | 0:49:47 | 0:49:48 | |
The baby is coming. Help me. | 0:49:48 | 0:49:50 | |
-Who made the claim, Max? -League of Samaria. | 0:49:50 | 0:49:52 | |
Israelis? Oh, shit. | 0:49:52 | 0:49:54 | |
Coming up now... | 0:49:54 | 0:49:55 | |
RACHEL SCREAMS | 0:49:55 | 0:49:57 | |
Oh, for fuck's sake! Will you switch that woman off? | 0:49:57 | 0:50:00 | |
COMMS FEED ENDS | 0:50:00 | 0:50:01 | |
AUDIO RECORDING PLAYS | 0:50:01 | 0:50:02 | |
A child? | 0:50:24 | 0:50:25 | |
Yes. The one that's been taken. | 0:50:25 | 0:50:27 | |
And you didn't think to tell me? | 0:50:27 | 0:50:29 | |
I can't fetch a ball and talk at the same time, | 0:50:29 | 0:50:32 | |
old dog that I am. | 0:50:32 | 0:50:34 | |
Fuck. | 0:50:38 | 0:50:39 | |
BABY CRIES | 0:50:56 | 0:50:58 | |
She has children at home. | 0:51:01 | 0:51:03 | |
Someone will need to collect them from school. | 0:51:03 | 0:51:06 | |
RACHEL SOBS | 0:51:09 | 0:51:11 | |
SOFTLY: Oh... | 0:51:17 | 0:51:19 | |
DIALS OUT | 0:51:30 | 0:51:32 | |
She's up again. | 0:51:32 | 0:51:33 | |
BEEPING | 0:51:36 | 0:51:37 | |
USA, east coast. | 0:51:39 | 0:51:42 | |
Washington. | 0:51:42 | 0:51:44 | |
Bethesda. | 0:51:44 | 0:51:45 | |
Exeter Road. | 0:51:45 | 0:51:47 | |
Moorland Lane. | 0:51:47 | 0:51:49 | |
Call terminated. | 0:51:50 | 0:51:51 | |
That's as close as we can get. | 0:51:53 | 0:51:55 | |
Now we wait for the aftershock. | 0:51:55 | 0:51:57 | |
Good morning, ladies and gentlemen. | 0:52:00 | 0:52:03 | |
Tragically, within the central grouping, | 0:52:03 | 0:52:05 | |
there are reported to be no survivors. | 0:52:05 | 0:52:08 | |
74 souls have yet to be accounted for. | 0:52:08 | 0:52:11 | |
-REPORTER: -Including Nessa Stein? -Yes, including Nessa Stein. | 0:52:12 | 0:52:15 | |
Her press adviser, Frances Pirsig, | 0:52:15 | 0:52:20 | |
is reported to be amongst that number, as are many of her team. | 0:52:20 | 0:52:24 | |
However, Jalal El-Amin, her partner in this cable venture, | 0:52:24 | 0:52:28 | |
is amongst the survivors. | 0:52:28 | 0:52:30 | |
The State of Israel categorically denounces these horrendous crimes. | 0:53:22 | 0:53:27 | |
Over many years we have worked tirelessly with the Stein company | 0:53:27 | 0:53:31 | |
to help achieve its aim of peaceful reconciliation, | 0:53:31 | 0:53:34 | |
and these heinous acts of violence will do nothing | 0:53:34 | 0:53:37 | |
to shake our resolve to continue along this path. | 0:53:37 | 0:53:40 | |
How do you respond to the fact an Israeli extremist group | 0:53:40 | 0:53:43 | |
has claimed the murders, and that its leader, Yaniv Levi, | 0:53:43 | 0:53:46 | |
has remained at liberty | 0:53:46 | 0:53:47 | |
and clearly unmonitored by your security forces? | 0:53:47 | 0:53:50 | |
I can assure you these issues will be addressed at the very highest level. | 0:53:50 | 0:53:55 | |
TV PLAYS | 0:54:14 | 0:54:17 | |
TV: Dutch police, | 0:54:33 | 0:54:34 | |
acting on information received from an anonymous source, | 0:54:34 | 0:54:37 | |
raided an apartment in Utrecht earlier today, | 0:54:37 | 0:54:39 | |
finding inside the body of known Israeli activist Yaniv Levi. | 0:54:39 | 0:54:44 | |
It wasn't us. | 0:54:45 | 0:54:47 | |
It's the same as Samir Meshal, we wanted to bring him in but... | 0:54:47 | 0:54:50 | |
-Someone got there first. -Again. | 0:54:50 | 0:54:52 | |
The man who shot Ephra Stein, his passport is a fake. | 0:54:52 | 0:54:55 | |
We're aware. But you've no idea who he is. | 0:54:55 | 0:54:58 | |
We have no record of him. | 0:54:58 | 0:55:01 | |
Whatever we may or may not have done in the past, | 0:55:03 | 0:55:06 | |
we didn't kill Nessa Stein or her brother. | 0:55:06 | 0:55:10 | |
Except that world opinion seems to think you did. | 0:55:10 | 0:55:12 | |
We've run a list of all government workers resident | 0:55:14 | 0:55:17 | |
in the Bethesda area. | 0:55:17 | 0:55:18 | |
As you can imagine, there's quite a few. | 0:55:18 | 0:55:20 | |
But on Moorland Lane there's just one. | 0:55:20 | 0:55:23 | |
-Kate Larsson, special adviser to the... -..Secretary of State. | 0:55:26 | 0:55:31 | |
What's her background? | 0:55:31 | 0:55:33 | |
Ivy League. Homeland Department. | 0:55:33 | 0:55:35 | |
Defence procurement then State Department. | 0:55:35 | 0:55:37 | |
Not a particularly noisy individual, | 0:55:37 | 0:55:39 | |
although we did trowel up a piece she wrote in 1999 | 0:55:39 | 0:55:42 | |
for the New Republic which was... pretty hawkish. | 0:55:42 | 0:55:46 | |
How much CCTV footage do we have of Samir Meshal's hotel | 0:55:46 | 0:55:49 | |
during his stay in Washington? | 0:55:49 | 0:55:51 | |
Within the lobby, the complete period. | 0:55:51 | 0:55:53 | |
Start looking. | 0:55:53 | 0:55:54 | |
Good morning, ladies and gentlemen... | 0:55:58 | 0:56:00 | |
MEDIA CLIP SPOOLS FORWARDS | 0:56:00 | 0:56:04 | |
Of course, at this stage it is too early | 0:56:04 | 0:56:05 | |
to give any definitive reactions | 0:56:05 | 0:56:07 | |
to these events, but once the facts are gathered, um, | 0:56:07 | 0:56:10 | |
you can expect a full and unambiguous response | 0:56:10 | 0:56:13 | |
from the Secretary of State. | 0:56:13 | 0:56:15 | |
-WOMAN: -Will that involve a full, unambiguous condemnation of | 0:56:15 | 0:56:19 | |
Israel's failure to rein in its own domestic extremists? | 0:56:19 | 0:56:21 | |
KATE LARSSON: If what looks to have happened actually has, | 0:56:21 | 0:56:24 | |
then, yes, you can expect a very strong response from this department. | 0:56:24 | 0:56:28 | |
And from the Secretary of State herself? | 0:56:28 | 0:56:30 | |
Yes, she has agreed. | 0:56:30 | 0:56:32 | |
But obviously it is vital that the facts are verified | 0:56:32 | 0:56:36 | |
before any such comment might or would be... | 0:56:36 | 0:56:40 | |
CLIP SPOOLS BACK | 0:56:40 | 0:56:42 | |
And from the Secretary of State herself? | 0:56:48 | 0:56:50 | |
Yes, she has agreed. | 0:56:50 | 0:56:53 | |
CLIP SPOOLS BACK | 0:56:53 | 0:56:55 | |
Yes, she has agreed. | 0:56:55 | 0:56:57 | |
CLIP SPOOLS BACK | 0:56:57 | 0:56:58 | |
Yes, she has agreed. | 0:57:00 | 0:57:02 |