Browse content similar to The Paring Knife. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some violent scenes and some strong language | 0:00:09 | 0:00:13 | |
NESSA: 'Who do you trust? How do you know? By how they appear? | 0:00:13 | 0:00:16 | |
'What they do?' | 0:00:18 | 0:00:19 | |
We've just had activity on Monica Chatwin's phone. | 0:00:19 | 0:00:21 | |
The closest we can place it is Ephra Stein's holiday home. | 0:00:21 | 0:00:25 | |
Put the gun down! | 0:00:26 | 0:00:28 | |
IN HEBREW | 0:00:28 | 0:00:29 | |
Claim it. | 0:00:29 | 0:00:30 | |
We've just had a claim posted on the internet for the assassination | 0:00:30 | 0:00:33 | |
of both Nessa Stein and Ephra Stein. | 0:00:33 | 0:00:35 | |
League of Samaria. | 0:00:35 | 0:00:36 | |
Israelis! | 0:00:36 | 0:00:38 | |
His name's Enad Geffen. He's Israeli. Oh, he's not Israeli. | 0:00:38 | 0:00:41 | |
He's Palestinian? | 0:00:41 | 0:00:42 | |
Monica Chatwin is working for the Palestinians. | 0:00:42 | 0:00:45 | |
Why is she doing that? | 0:00:45 | 0:00:47 | |
She's up again. Washington, Exeter Road, Moorland Lane. | 0:00:47 | 0:00:52 | |
BOORMAN: Kate Larsson, special advisor... | 0:00:52 | 0:00:54 | |
To the Secretary of State. | 0:00:54 | 0:00:56 | |
Good morning, ladies and gentlemen. | 0:00:56 | 0:00:57 | |
'If what looks to have happened actually has, | 0:00:57 | 0:01:00 | |
'you can expect a very strong response from this department. | 0:01:00 | 0:01:03 | |
JOURNALIST: 'And from the Secretary of State herself? | 0:01:03 | 0:01:05 | |
'Yes. She has agreed.' | 0:01:05 | 0:01:07 | |
NESSA: 'So when you think about it like that...' | 0:01:07 | 0:01:09 | |
'Yes. She has agreed.' | 0:01:09 | 0:01:11 | |
'..it's a wonder we trust anyone at all.' | 0:01:11 | 0:01:14 | |
It's the Secretary of State. | 0:01:17 | 0:01:19 | |
She's the one who's agreed. | 0:01:19 | 0:01:21 | |
To what? I don't know. | 0:01:21 | 0:01:23 | |
But I think Samir Meshal was a go-between | 0:01:23 | 0:01:25 | |
for the Palestinians and the US. | 0:01:25 | 0:01:27 | |
This is a grab of him meeting Kate Larsson | 0:01:29 | 0:01:31 | |
in his hotel lobby two days before he died. | 0:01:31 | 0:01:34 | |
25 minutes later, he'd made his fatal mistake - | 0:01:34 | 0:01:36 | |
a phone call into the Palestinian territories. | 0:01:36 | 0:01:39 | |
And when he said, "She has agreed," | 0:01:39 | 0:01:41 | |
the Americans heard him say it. | 0:01:41 | 0:01:43 | |
And, because they were secretly piggybacking | 0:01:44 | 0:01:46 | |
on an Israeli wiretap, | 0:01:46 | 0:01:48 | |
they knew the Israelis had heard it, too. | 0:01:48 | 0:01:50 | |
So they had to take him out before the Israelis could get to him | 0:01:52 | 0:01:55 | |
and find out what it was she'd agreed to. | 0:01:55 | 0:01:58 | |
The murder of Nessa Stein? | 0:01:58 | 0:01:59 | |
Maybe, but I don't think so. | 0:02:01 | 0:02:03 | |
Come on, this is realpolitik. | 0:02:03 | 0:02:05 | |
Whatever it is, it has to make the US look good. | 0:02:05 | 0:02:09 | |
Nessa Stein's murder... actually, I think it's Monica Chatwin | 0:02:09 | 0:02:13 | |
who's holding the sticky end of that. | 0:02:13 | 0:02:14 | |
But she's only doing it to give the US the chance to step forward | 0:02:16 | 0:02:21 | |
and do something "incredible". | 0:02:21 | 0:02:23 | |
Huh! There was me thinking she's gunning for my job, | 0:02:28 | 0:02:31 | |
when, all along, she just wants yours. | 0:02:31 | 0:02:33 | |
Ouch. | 0:02:34 | 0:02:36 | |
EPHRA: Modeh Anee Lefanecha. | 0:02:46 | 0:02:48 | |
ATIKA: Don't be afraid. | 0:03:00 | 0:03:01 | |
KASIM: I'm safe. | 0:03:05 | 0:03:07 | |
NESSA: I can't do this. | 0:03:07 | 0:03:09 | |
ATIKA: If it's the price...for a nation. | 0:03:16 | 0:03:20 | |
MAN SPEAKS IN ARABIC | 0:03:24 | 0:03:27 | |
Ladies and gentlemen, the Secretary of State. | 0:03:39 | 0:03:42 | |
'Good morning. | 0:03:44 | 0:03:46 | |
'As many of you are aware, | 0:03:46 | 0:03:49 | |
'we have had to draw the tragic conclusion that, two days ago, | 0:03:49 | 0:03:53 | |
'Nessa Stein, | 0:03:53 | 0:03:54 | |
'an unending campaigner for reconciliation in the Middle East, | 0:03:54 | 0:03:58 | |
'was killed by a terrorist outrage perpetrated by a group functioning, | 0:03:58 | 0:04:03 | |
'apparently unencumbered, within the State of Israel. | 0:04:03 | 0:04:07 | |
'As the shock waves continue across the region and the world, | 0:04:07 | 0:04:12 | |
'this administration has decided | 0:04:12 | 0:04:14 | |
'that it cannot let this appalling act go unanswered. | 0:04:14 | 0:04:18 | |
'Throughout the length of Israel's existence, | 0:04:18 | 0:04:22 | |
'America has stood full square beside her. | 0:04:22 | 0:04:25 | |
'Our belief and loyalty cannot be called into question | 0:04:25 | 0:04:29 | |
'and we do not bring it into question here today. | 0:04:29 | 0:04:31 | |
'However, as a sister might her sibling, | 0:04:31 | 0:04:37 | |
'there can come a time | 0:04:37 | 0:04:38 | |
'when the conduct of one must be called into question by the other. | 0:04:38 | 0:04:43 | |
'This is such a time. | 0:04:43 | 0:04:45 | |
'Nessa Stein was not a politician, she was a businesswoman - | 0:04:46 | 0:04:50 | |
'a businesswoman who recognised with pragmatic, economic conviction | 0:04:50 | 0:04:55 | |
'that a balance needs to be brought between Israel and Palestine. | 0:04:55 | 0:04:58 | |
'It was a bold and charismatic stance in a region that has become | 0:05:00 | 0:05:05 | |
'mired in stalemate and distrust, and for which, tragically, | 0:05:05 | 0:05:10 | |
'she paid with her life. | 0:05:10 | 0:05:12 | |
'I am not a businesswoman, I am a politician. | 0:05:12 | 0:05:16 | |
'And a politician recognises that a state without a cohesive identity | 0:05:16 | 0:05:21 | |
'is a state that cannot function - | 0:05:21 | 0:05:23 | |
'a state that will fail - | 0:05:23 | 0:05:25 | |
'and a failed state is a danger to the world. | 0:05:25 | 0:05:28 | |
'A balance needs to be brought to bear | 0:05:30 | 0:05:32 | |
'and not only one that is economic, | 0:05:32 | 0:05:34 | |
'to which Nessa Stein's life must surely attest, | 0:05:34 | 0:05:37 | |
'but one that is also political... | 0:05:37 | 0:05:40 | |
'to which cause this administration has decided | 0:05:40 | 0:05:43 | |
'to take a bold and certain stance. | 0:05:43 | 0:05:46 | |
'Should the Palestinian Authority | 0:05:50 | 0:05:52 | |
'resubmit its application to the UN for full state recognition, | 0:05:52 | 0:05:56 | |
'it is the intent of this administration | 0:05:56 | 0:05:58 | |
'not to exercise its veto. | 0:05:58 | 0:06:01 | |
'We, the American people, | 0:06:01 | 0:06:03 | |
'will not stand in the way of Palestine's quest for statehood. | 0:06:03 | 0:06:06 | |
'Thank you.' | 0:06:07 | 0:06:08 | |
MAN: 'No questions.' | 0:06:10 | 0:06:11 | |
Wow! | 0:06:25 | 0:06:27 | |
You had that planned all along? | 0:06:27 | 0:06:29 | |
I heard it might be coming. | 0:06:29 | 0:06:31 | |
I hear you want my job. I'll take Hoyle's to start with. | 0:06:31 | 0:06:33 | |
I wouldn't push him. | 0:06:33 | 0:06:35 | |
I thought you were going to do that for me. | 0:06:35 | 0:06:37 | |
Today's a different world. | 0:06:43 | 0:06:44 | |
A better one. | 0:06:44 | 0:06:46 | |
Worth the life of Nessa Stein? | 0:06:46 | 0:06:47 | |
Stop! | 0:06:47 | 0:06:48 | |
I believed in Nessa Stein. I believed in what she stood for. | 0:06:52 | 0:06:54 | |
And I believe that, today, what she stood for has come to pass. | 0:06:55 | 0:06:58 | |
Thanks to her. | 0:06:58 | 0:06:59 | |
She made it happen. | 0:07:00 | 0:07:02 | |
With a little help from you. | 0:07:02 | 0:07:04 | |
Actually, she ignored any of my advice. | 0:07:04 | 0:07:06 | |
Oh, well... | 0:07:06 | 0:07:08 | |
that is certainly very sad. | 0:07:08 | 0:07:09 | |
Cos if she could smell a rat in you, | 0:07:14 | 0:07:15 | |
she certainly was someone to believe in. | 0:07:15 | 0:07:17 | |
What's this? | 0:08:12 | 0:08:13 | |
Should I know? | 0:08:13 | 0:08:14 | |
Should I start talking to IA? | 0:08:14 | 0:08:16 | |
I don't believe we have an IA | 0:08:16 | 0:08:18 | |
in the Secret Service... We will after this. | 0:08:18 | 0:08:20 | |
What is all this, HH? Claw marks on your desk top? | 0:08:22 | 0:08:25 | |
It's not worth it, just stand up and walk away. | 0:08:25 | 0:08:28 | |
Don't touch my wife. | 0:08:28 | 0:08:31 | |
Ex-wife. | 0:08:31 | 0:08:32 | |
And from what I understand, someone else is touching her already. | 0:08:33 | 0:08:36 | |
See? | 0:08:38 | 0:08:39 | |
Even that's over. | 0:08:39 | 0:08:40 | |
It's all over. | 0:08:42 | 0:08:43 | |
So say goodbye to the view, Hugh. | 0:08:47 | 0:08:50 | |
PHONE CHIMES | 0:09:23 | 0:09:24 | |
FEMALE VOICE: 'You have one new message.' | 0:09:28 | 0:09:31 | |
'Shlomo... | 0:09:31 | 0:09:32 | |
'It's me. | 0:09:33 | 0:09:35 | |
'It's Nessa. | 0:09:35 | 0:09:36 | |
'I'm alive.' | 0:09:38 | 0:09:39 | |
DOOR CLOSES | 0:10:36 | 0:10:38 | |
GIRL'S VOICE OUTSIDE | 0:10:46 | 0:10:49 | |
KEYS CLICK | 0:12:03 | 0:12:05 | |
RINGING | 0:12:14 | 0:12:16 | |
'Please leave a message after the tone.' No, no. | 0:12:16 | 0:12:18 | |
BEEP | 0:12:20 | 0:12:21 | |
Shlomo... | 0:12:21 | 0:12:23 | |
..it's me. | 0:12:25 | 0:12:25 | |
It's Nessa. | 0:12:27 | 0:12:28 | |
I'm alive. | 0:12:29 | 0:12:31 | |
DOOR LATCH CLICKS | 0:12:31 | 0:12:32 | |
It's all right. | 0:12:42 | 0:12:44 | |
SHE GASPS | 0:12:49 | 0:12:50 | |
It's a pay-as-you-go located in the H1 area of Hebron. | 0:13:00 | 0:13:03 | |
That's Palestinian responsibility - your responsibility. | 0:13:03 | 0:13:07 | |
We've checked. She's not there. | 0:13:07 | 0:13:09 | |
Well, of course not. She will have been moved. | 0:13:09 | 0:13:11 | |
We don't think so. | 0:13:11 | 0:13:13 | |
We think this is an Israeli ploy to discredit the brave stand | 0:13:13 | 0:13:16 | |
America has taken against them. | 0:13:16 | 0:13:18 | |
Nessa Stein is dead. | 0:13:18 | 0:13:20 | |
A martyr to our cause. | 0:13:20 | 0:13:22 | |
You want us to go in and get her out? | 0:13:23 | 0:13:26 | |
I'm surprised we're even having this conversation. | 0:13:26 | 0:13:28 | |
Really? | 0:13:28 | 0:13:30 | |
Even if she is alive, we find out where she is, | 0:13:30 | 0:13:33 | |
we go in and then she dies. | 0:13:33 | 0:13:36 | |
Think about that - then we really will have killed Nessa Stein. | 0:13:36 | 0:13:40 | |
This is your chance to save her - to save your face. | 0:13:40 | 0:13:44 | |
We can't take that risk. | 0:13:44 | 0:13:46 | |
I think you're going to have to. | 0:13:46 | 0:13:48 | |
You're not listening to me. | 0:13:48 | 0:13:50 | |
We can't take that risk. | 0:13:50 | 0:13:52 | |
WE cannot. | 0:13:53 | 0:13:54 | |
But we can. | 0:14:02 | 0:14:03 | |
We would not stand in your way. | 0:14:03 | 0:14:05 | |
Oh, and remember, the airspace above the Palestinian territories, | 0:14:06 | 0:14:11 | |
it is Israeli. | 0:14:11 | 0:14:13 | |
Hm. When you hear that, it makes you think, doesn't it? | 0:14:13 | 0:14:17 | |
There is no way that I'm suggesting UK boots on Palestinian soil. | 0:14:21 | 0:14:26 | |
You won't have to. The one person I think could get her out | 0:14:26 | 0:14:29 | |
belongs there already. | 0:14:29 | 0:14:31 | |
What do you think's going to happen, Atika? | 0:14:36 | 0:14:39 | |
I don't know. | 0:14:39 | 0:14:41 | |
Take a guess. | 0:14:43 | 0:14:44 | |
You see, right now, I think your group's confused, | 0:14:46 | 0:14:49 | |
otherwise they would've killed her already. | 0:14:49 | 0:14:51 | |
So this is our one opportunity. | 0:14:51 | 0:14:55 | |
But I'm sure it's...very narrow. | 0:14:55 | 0:14:58 | |
I understand. | 0:15:02 | 0:15:03 | |
What do you understand? | 0:15:07 | 0:15:09 | |
You believe in a cause. | 0:15:10 | 0:15:12 | |
Actually, I rather admire it. | 0:15:12 | 0:15:13 | |
One you can give your whole life to... | 0:15:15 | 0:15:17 | |
..kill for... | 0:15:18 | 0:15:20 | |
..and die. | 0:15:21 | 0:15:22 | |
Because he was... | 0:15:23 | 0:15:25 | |
You know, he would've killed you - | 0:15:26 | 0:15:30 | |
one of your own. | 0:15:30 | 0:15:31 | |
His name was Enad Geffen, he was an Israeli. | 0:15:34 | 0:15:37 | |
Yeah, yeah, we've been through all that. | 0:15:37 | 0:15:40 | |
Atika, you're as much of a pawn in this as Nessa Stein. | 0:15:43 | 0:15:46 | |
But then I can even understand you justifying in your mind | 0:15:50 | 0:15:54 | |
why he would do that. | 0:15:54 | 0:15:55 | |
As long as it's for the cause. | 0:15:57 | 0:15:59 | |
Anything for the cause. | 0:15:59 | 0:16:01 | |
And what is that? | 0:16:01 | 0:16:02 | |
Palestinian statehood? | 0:16:03 | 0:16:05 | |
And here we are, this close to your goal. | 0:16:07 | 0:16:09 | |
Nothing must stop it from happening. | 0:16:11 | 0:16:13 | |
Nothing. | 0:16:14 | 0:16:15 | |
And that is why you have to help us get Nessa Stein out. | 0:16:18 | 0:16:21 | |
Because if the world finds out that she wasn't killed by that bomb | 0:16:21 | 0:16:25 | |
but by your own people, while she was incarcerated | 0:16:25 | 0:16:27 | |
God knows where... | 0:16:27 | 0:16:29 | |
..imagine what that's going to do. | 0:16:31 | 0:16:32 | |
Imagine how far back that will set your cause. | 0:16:32 | 0:16:36 | |
Maybe they know. | 0:16:37 | 0:16:38 | |
Maybe that's why she's still alive. | 0:16:39 | 0:16:41 | |
Maybe they let her go. | 0:16:42 | 0:16:44 | |
Maybe. Maybe. | 0:16:44 | 0:16:46 | |
It's just that we also have another problem. | 0:16:47 | 0:16:49 | |
You have the problem. | 0:16:49 | 0:16:52 | |
We. | 0:16:52 | 0:16:53 | |
There's a wiretap listening | 0:16:56 | 0:16:57 | |
to everything that comes out of the territories. | 0:16:57 | 0:17:00 | |
Ha! | 0:17:00 | 0:17:01 | |
The Jews. | 0:17:01 | 0:17:03 | |
And someone else. | 0:17:03 | 0:17:04 | |
Someone who will also have heard that call | 0:17:05 | 0:17:07 | |
and who now knows that she's still alive. | 0:17:07 | 0:17:09 | |
And these people, | 0:17:09 | 0:17:12 | |
they've worked very hard to see her dead | 0:17:12 | 0:17:15 | |
and, now the world thinks she is, | 0:17:15 | 0:17:18 | |
they'll want her to stay that way. | 0:17:18 | 0:17:21 | |
So let them. | 0:17:21 | 0:17:22 | |
Except that we know she's not, Atika. | 0:17:25 | 0:17:29 | |
So I'm giving you this chance to go back in there | 0:17:31 | 0:17:33 | |
and explain exactly what it would mean for your cause, | 0:17:33 | 0:17:37 | |
for your people... | 0:17:37 | 0:17:39 | |
..if Nessa Stein doesn't come out of Palestine alive. | 0:17:40 | 0:17:43 | |
Chatwin still thinks you're free. | 0:17:45 | 0:17:47 | |
But you'd better hurry... | 0:17:51 | 0:17:53 | |
..cos we ain't got long. | 0:17:55 | 0:17:56 | |
MUSIC: "Troubled Water" by Cat Power | 0:18:14 | 0:18:16 | |
# I must be | 0:18:16 | 0:18:19 | |
# One of the devil's daughters | 0:18:21 | 0:18:26 | |
# They look at me with scorn | 0:18:26 | 0:18:30 | |
# I'll never hear their horn | 0:18:32 | 0:18:37 | |
# Sometimes | 0:18:38 | 0:18:41 | |
# It's like chains | 0:18:43 | 0:18:46 | |
# Sometimes I hang my head | 0:18:47 | 0:18:53 | |
# In shame | 0:18:53 | 0:18:55 | |
# When people see me | 0:18:57 | 0:19:02 | |
# And scandalise my name | 0:19:02 | 0:19:07 | |
# I'm going down | 0:19:07 | 0:19:10 | |
# To the devil's water | 0:19:11 | 0:19:14 | |
# I'm gonna drown | 0:19:17 | 0:19:21 | |
# In that troubled water | 0:19:21 | 0:19:27 | |
# It's coming round my soul | 0:19:29 | 0:19:33 | |
# It's way beyond control | 0:19:33 | 0:19:39 | |
# I must be one | 0:19:39 | 0:19:48 | |
# I must be... # | 0:19:49 | 0:19:52 | |
LOCK CLATTERS | 0:20:04 | 0:20:05 | |
I didn't know what that man would do to you. | 0:21:07 | 0:21:13 | |
But I did know they would take you in Gaza. | 0:21:31 | 0:21:33 | |
And you knew they'd taken Kasim. | 0:21:41 | 0:21:43 | |
Yes. | 0:21:43 | 0:21:45 | |
All we did was return him to his family. | 0:21:50 | 0:21:53 | |
And, after all, you had not claimed him for yourself. | 0:22:02 | 0:22:06 | |
You claimed him for me. | 0:22:11 | 0:22:13 | |
You let me, Nessa. | 0:22:17 | 0:22:18 | |
Where is he now? | 0:22:29 | 0:22:31 | |
Here. | 0:22:32 | 0:22:34 | |
He's in no danger. | 0:22:34 | 0:22:36 | |
He never was. | 0:22:37 | 0:22:38 | |
Oh, Atika... | 0:22:40 | 0:22:43 | |
Why? | 0:22:51 | 0:22:52 | |
Just talk to me. | 0:22:59 | 0:23:01 | |
When I was 12... | 0:23:19 | 0:23:20 | |
..I lost all my family. | 0:23:23 | 0:23:26 | |
All my family. | 0:23:29 | 0:23:30 | |
Your family. | 0:23:50 | 0:23:51 | |
Take it! | 0:23:56 | 0:23:58 | |
No, no, no, no. | 0:24:23 | 0:24:24 | |
Keep it with you. | 0:24:24 | 0:24:26 | |
I tried. | 0:24:44 | 0:24:45 | |
You tried? | 0:24:47 | 0:24:49 | |
With what? | 0:24:51 | 0:24:53 | |
With what, Nessa? | 0:24:54 | 0:24:55 | |
Cables? | 0:24:57 | 0:24:58 | |
We need a nation. | 0:25:01 | 0:25:03 | |
I always thought I had. | 0:25:05 | 0:25:07 | |
Have you seen the hills? | 0:25:08 | 0:25:10 | |
What they're building? | 0:25:12 | 0:25:14 | |
Every day and every day? | 0:25:14 | 0:25:16 | |
What you try don't change anything for my people. We need so much more. | 0:25:18 | 0:25:23 | |
What else can I do? | 0:25:28 | 0:25:29 | |
Do you need me to die? | 0:25:49 | 0:25:50 | |
Me? | 0:25:58 | 0:26:00 | |
Oh, no. | 0:26:00 | 0:26:01 | |
No. | 0:26:04 | 0:26:05 | |
But if it's the price... | 0:26:08 | 0:26:11 | |
for a nation... | 0:26:11 | 0:26:12 | |
..I'm sorry to tell you, yes. | 0:26:14 | 0:26:16 | |
But you survived. | 0:26:30 | 0:26:32 | |
You're here now. | 0:26:34 | 0:26:35 | |
And now we have to save you. | 0:26:49 | 0:26:51 | |
For exactly the same reason. | 0:26:54 | 0:26:57 | |
Do you know who I am? | 0:27:18 | 0:27:19 | |
I am Kasim's grandfather. | 0:27:27 | 0:27:29 | |
My son raped you. | 0:27:38 | 0:27:40 | |
On my orders. | 0:27:43 | 0:27:45 | |
Mine. | 0:27:47 | 0:27:48 | |
One of my soldiers, also... | 0:27:59 | 0:28:02 | |
..he killed your father. | 0:28:04 | 0:28:05 | |
On my orders. | 0:28:10 | 0:28:12 | |
What I have ordered | 0:28:17 | 0:28:19 | |
goes beyond all imagining. | 0:28:19 | 0:28:21 | |
So I must ask you... | 0:28:26 | 0:28:28 | |
if there was a knife | 0:28:28 | 0:28:31 | |
on the table between us here... | 0:28:31 | 0:28:34 | |
..what would you do? | 0:28:35 | 0:28:37 | |
Your brother... | 0:29:01 | 0:29:03 | |
..is dead. | 0:29:04 | 0:29:05 | |
My orders. | 0:29:08 | 0:29:10 | |
The hatred you feel for me right now... | 0:29:39 | 0:29:41 | |
..only matches what I have felt for your people... | 0:29:44 | 0:29:48 | |
..all my life. | 0:29:49 | 0:29:51 | |
SHE SOBS | 0:29:58 | 0:30:01 | |
SHE SNIFFS | 0:30:11 | 0:30:13 | |
I know you won't take it... | 0:30:27 | 0:30:29 | |
..because you think you are better than me. | 0:30:32 | 0:30:35 | |
More cultured, more sophisticated. | 0:30:36 | 0:30:40 | |
SHE SOBS | 0:30:40 | 0:30:41 | |
More human. | 0:30:42 | 0:30:43 | |
And I hate you all the more... | 0:30:48 | 0:30:50 | |
..because you have never stopped to think why that is. | 0:30:52 | 0:30:56 | |
No, I have. | 0:31:01 | 0:31:02 | |
I have. | 0:31:05 | 0:31:06 | |
And I know the answer. | 0:31:08 | 0:31:10 | |
And I've known it since I first asked... | 0:31:12 | 0:31:15 | |
..and after every dreadful thing that's happened since... | 0:31:17 | 0:31:21 | |
..and the answer's always the same. | 0:31:24 | 0:31:26 | |
I deserve it. | 0:31:31 | 0:31:32 | |
All of it. | 0:31:35 | 0:31:36 | |
No matter what I do. | 0:31:39 | 0:31:40 | |
Then I can let you go. | 0:32:00 | 0:32:02 | |
KNOCKING | 0:32:05 | 0:32:06 | |
When? | 0:32:10 | 0:32:12 | |
Now. | 0:32:12 | 0:32:13 | |
I want my boy. | 0:32:17 | 0:32:18 | |
No, he stays. | 0:32:21 | 0:32:22 | |
I want him. | 0:32:23 | 0:32:25 | |
He has a mother already. You gave him to her. | 0:32:26 | 0:32:29 | |
I want him back. | 0:32:29 | 0:32:30 | |
Too late. | 0:32:30 | 0:32:31 | |
Live with it. | 0:32:32 | 0:32:33 | |
I'll come back for him. | 0:32:33 | 0:32:35 | |
I don't think so. | 0:32:36 | 0:32:37 | |
I do. | 0:32:37 | 0:32:39 | |
CAR ENGINE STARTS | 0:32:56 | 0:32:58 | |
IN ARABIC | 0:32:59 | 0:33:00 | |
SHE SCREAMS | 0:35:51 | 0:35:53 | |
Ah! | 0:35:54 | 0:35:55 | |
SHE GASPS | 0:35:58 | 0:36:00 | |
IN ARABIC | 0:36:04 | 0:36:06 | |
SHE INHALES SHARPLY | 0:36:50 | 0:36:52 | |
SHE COUGHS | 0:36:52 | 0:36:54 | |
Oh! | 0:36:59 | 0:37:00 | |
This is Dagon. | 0:37:09 | 0:37:10 | |
Yes? | 0:37:10 | 0:37:11 | |
You must take the child. | 0:37:11 | 0:37:13 | |
'Why?' He's a witness. You must take him, too. | 0:37:13 | 0:37:17 | |
OK. 'Tell me where to go.' | 0:37:19 | 0:37:21 | |
SHOUTING OUTSIDE | 0:37:21 | 0:37:22 | |
She is already on her way. Tell your person to wait. | 0:37:24 | 0:37:27 | |
I will bring the boy. | 0:37:27 | 0:37:28 | |
Then you'd better put your foot on it. | 0:37:28 | 0:37:30 | |
SHE SIGHS | 0:37:30 | 0:37:31 | |
SHOUTING AND WAILING | 0:37:31 | 0:37:34 | |
It's all right, baby, it's me. | 0:37:45 | 0:37:48 | |
Ma'am? I'm from the American embassy, my name is Robert Hardy. | 0:38:34 | 0:38:39 | |
Nessa Stein? | 0:38:39 | 0:38:41 | |
Miss Stein? | 0:38:42 | 0:38:44 | |
I'm here to take you out. | 0:38:44 | 0:38:45 | |
Please. Ma'am? | 0:38:45 | 0:38:47 | |
You have to help me! Ma'am... That's what I'm here for, ma'am. | 0:38:47 | 0:38:50 | |
There's a child... I know. ..and we have to go back for him. | 0:38:50 | 0:38:52 | |
It's all right, they're bringing him to us. What? | 0:38:52 | 0:38:56 | |
They're bringing him here. | 0:38:56 | 0:38:57 | |
How do you know that? I've just been called. | 0:39:00 | 0:39:02 | |
It's Kasim, right? | 0:39:03 | 0:39:05 | |
Yes. Yes. | 0:39:07 | 0:39:09 | |
All we have to do is wait. Don't worry, Miss Stein... | 0:39:11 | 0:39:14 | |
SHE GASPS ...he's on his way. | 0:39:14 | 0:39:16 | |
You're safe now. | 0:39:16 | 0:39:17 | |
OK? You're safe. SHE EXHALES | 0:39:19 | 0:39:21 | |
PHONE BUTTONS BLEEP | 0:39:33 | 0:39:35 | |
RINGING | 0:39:35 | 0:39:37 | |
It's me. | 0:39:38 | 0:39:39 | |
Tell us where to be. | 0:39:39 | 0:39:41 | |
They're on stand-by. One hour. | 0:39:43 | 0:39:45 | |
PHONE BLEEPS | 0:39:45 | 0:39:47 | |
Don't worry. Everything will be well. | 0:39:53 | 0:39:55 | |
SIREN WAILS | 0:39:58 | 0:40:00 | |
Hold on. | 0:40:14 | 0:40:15 | |
BRAKES SCREECH | 0:40:18 | 0:40:20 | |
SHE EXHALES | 0:40:36 | 0:40:37 | |
OK, are you all right? | 0:40:37 | 0:40:39 | |
Yeah. Yeah? | 0:40:39 | 0:40:41 | |
ENGINE STUTTERS | 0:40:45 | 0:40:47 | |
ENGINE STUTTERS | 0:40:51 | 0:40:53 | |
ENGINE STARTS | 0:40:58 | 0:41:00 | |
Darling... | 0:41:03 | 0:41:06 | |
there is a game I want you to do. | 0:41:06 | 0:41:09 | |
And I need you to listen very carefully. | 0:41:09 | 0:41:12 | |
OK? | 0:41:13 | 0:41:14 | |
But first, you must know that I love you... | 0:41:14 | 0:41:18 | |
..very much. | 0:41:20 | 0:41:21 | |
Where are they? | 0:41:32 | 0:41:33 | |
We should go and meet them halfway. | 0:41:36 | 0:41:38 | |
It's best we stay put. | 0:41:38 | 0:41:39 | |
They know where we are. | 0:41:39 | 0:41:41 | |
Don't worry, they'll be here. | 0:41:42 | 0:41:44 | |
The whole world thinks you're dead. Did you know that? | 0:41:47 | 0:41:51 | |
Where are we? | 0:42:06 | 0:42:07 | |
About to link up with Waddington. | 0:42:07 | 0:42:09 | |
And we're on. | 0:42:12 | 0:42:13 | |
There! | 0:42:25 | 0:42:26 | |
Right there. See? | 0:42:34 | 0:42:36 | |
Oh, yes! | 0:42:36 | 0:42:38 | |
SHE GASPS Oh, yes! Yes! | 0:42:38 | 0:42:41 | |
PHONE RINGS | 0:42:43 | 0:42:45 | |
Pass me the phone. | 0:42:45 | 0:42:46 | |
Yes? We have you. | 0:42:54 | 0:42:56 | |
So... | 0:43:23 | 0:43:25 | |
you're going to keep your eyes tight shut, huh? | 0:43:25 | 0:43:28 | |
Just like I said, that's the game. | 0:43:28 | 0:43:30 | |
Tight shut. Can you do that for me? | 0:43:30 | 0:43:32 | |
OK, that's my boy. | 0:43:32 | 0:43:35 | |
OK. | 0:43:35 | 0:43:36 | |
Come with me. | 0:43:37 | 0:43:38 | |
Miss Stein, can you wait with me, please? | 0:43:42 | 0:43:44 | |
Miss Stein, can you wait with me, please?! Miss Stein! | 0:43:44 | 0:43:48 | |
What's happening, sir? | 0:43:48 | 0:43:49 | |
I don't know. | 0:43:50 | 0:43:51 | |
(Eyes shut, eyes tight shut.) | 0:43:53 | 0:43:55 | |
Kasim! | 0:43:55 | 0:43:57 | |
Kasim, oh... | 0:44:01 | 0:44:03 | |
SHE GASPS Oh! You're safe! | 0:44:03 | 0:44:06 | |
Ugh! | 0:44:06 | 0:44:07 | |
HE EXHALES | 0:44:10 | 0:44:11 | |
He was going to kill you both. | 0:44:16 | 0:44:18 | |
Back in the car. | 0:44:18 | 0:44:19 | |
Back in the car now! We don't have time. Come on. | 0:44:20 | 0:44:24 | |
Fuck! Trust me! Back in the car! | 0:44:25 | 0:44:27 | |
Hayden-Hoyle sent me, OK? You trust him? | 0:44:29 | 0:44:32 | |
So now back in the car. Where are you going to take us? | 0:44:32 | 0:44:35 | |
To the Israeli border. We don't have time. Come on. | 0:44:35 | 0:44:37 | |
PHONE RINGS | 0:44:38 | 0:44:41 | |
Now! | 0:44:41 | 0:44:43 | |
SHE EXHALES DEEPLY | 0:44:45 | 0:44:47 | |
RINGING CONTINUES | 0:44:47 | 0:44:49 | |
Pick up the phone! | 0:44:53 | 0:44:55 | |
RINGING CONTINUES | 0:44:55 | 0:44:58 | |
Why are his eyes closed? | 0:45:00 | 0:45:02 | |
I told him. PHONE BLEEPS | 0:45:02 | 0:45:05 | |
It's over, he's down. We're heading for the Israeli border. | 0:45:05 | 0:45:08 | |
Keep this line open. | 0:45:08 | 0:45:09 | |
You can open your eyes. | 0:45:09 | 0:45:11 | |
ENGINE STUTTERS | 0:45:12 | 0:45:14 | |
Hello. | 0:45:15 | 0:45:17 | |
Hi. | 0:45:17 | 0:45:18 | |
ENGINE STUTTERS | 0:45:18 | 0:45:20 | |
Are you hurt? | 0:45:21 | 0:45:23 | |
Are you saving us, Atika? | 0:45:27 | 0:45:29 | |
Remember that, huh? Remember that. | 0:45:29 | 0:45:31 | |
ENGINE STARTS | 0:45:33 | 0:45:35 | |
GUNFIRE | 0:45:44 | 0:45:45 | |
NESSA SCREAMS | 0:45:45 | 0:45:47 | |
He's all right? | 0:45:48 | 0:45:50 | |
OK. | 0:45:50 | 0:45:51 | |
We've lost vision. | 0:45:53 | 0:45:54 | |
Speak to me, Atika. | 0:45:54 | 0:45:56 | |
Send tone down the line. | 0:45:56 | 0:45:59 | |
ENGINE STUTTERS | 0:45:59 | 0:46:01 | |
Shitty fucking car! | 0:46:01 | 0:46:02 | |
HIGH-PITCHED TONE PLAYS | 0:46:06 | 0:46:07 | |
OK, you try. | 0:46:09 | 0:46:10 | |
And if it starts and I'm not back, you go. | 0:46:11 | 0:46:14 | |
No! | 0:46:14 | 0:46:15 | |
Yes, you go. Please? | 0:46:15 | 0:46:17 | |
Don't let him see. | 0:46:17 | 0:46:19 | |
Keep your eyes closed. | 0:46:19 | 0:46:20 | |
OK. Keep them closed. | 0:46:20 | 0:46:22 | |
You go! | 0:46:23 | 0:46:24 | |
OK. | 0:46:28 | 0:46:29 | |
ENGINE STUTTERS | 0:46:41 | 0:46:42 | |
Where is he? We can't see. | 0:46:42 | 0:46:44 | |
ENGINE STUTTERS THEN REVS | 0:46:44 | 0:46:46 | |
Go. Go! | 0:46:46 | 0:46:49 | |
GUNFIRE SHE SCREAMS | 0:46:49 | 0:46:51 | |
ENGINE REVS | 0:46:51 | 0:46:54 | |
They're leaving her behind. | 0:46:57 | 0:46:58 | |
GUNFIRE | 0:46:58 | 0:47:01 | |
GUNFIRE Ah! | 0:47:02 | 0:47:04 | |
Jesus! | 0:47:07 | 0:47:09 | |
GUNFIRE | 0:47:10 | 0:47:11 | |
SHE COUGHS | 0:47:28 | 0:47:29 | |
On me, now! | 0:47:31 | 0:47:34 | |
HE SIGHS | 0:47:48 | 0:47:49 | |
ELECTRONIC WHIRRING On her. | 0:47:52 | 0:47:55 | |
SHE COUGHS | 0:47:55 | 0:47:57 | |
Get off my land. | 0:48:06 | 0:48:08 | |
Target struck and destroyed, 15.56 GMT. | 0:48:28 | 0:48:33 | |
ENGINE STUTTERS | 0:48:53 | 0:48:55 | |
SHE SIGHS | 0:49:04 | 0:49:06 | |
Come on out. Come on out! | 0:49:10 | 0:49:12 | |
All right... | 0:49:15 | 0:49:16 | |
SHE PANTS | 0:49:16 | 0:49:18 | |
Are you OK? | 0:49:20 | 0:49:21 | |
Sorry. | 0:49:23 | 0:49:24 | |
I think we're going to have to walk. | 0:49:28 | 0:49:31 | |
Has it gone? Are you all right? | 0:49:37 | 0:49:40 | |
Yeah. OK. (Back up a bit.) | 0:49:40 | 0:49:43 | |
Can you see those birds up there? | 0:49:47 | 0:49:49 | |
You see them? | 0:49:51 | 0:49:52 | |
Look. | 0:50:04 | 0:50:05 | |
There. | 0:50:07 | 0:50:08 | |
Here. | 0:50:08 | 0:50:09 | |
Look! Looks like we've found it! | 0:50:14 | 0:50:16 | |
SHE PANTS | 0:50:16 | 0:50:19 | |
Oh... | 0:50:23 | 0:50:24 | |
OK! | 0:50:25 | 0:50:27 | |
HE SHOUTS IN HEBREW | 0:51:13 | 0:51:15 | |
It's all right, it's all right. | 0:51:15 | 0:51:17 | |
Who are you? | 0:51:17 | 0:51:18 | |
My name is Nessa Stein. | 0:51:18 | 0:51:20 | |
This is my son. | 0:51:25 | 0:51:26 | |
It's all right. | 0:51:32 | 0:51:34 | |
SHE SOBS Sh, sh, sh! | 0:52:39 | 0:52:42 | |
(It's OK.) | 0:52:43 | 0:52:45 | |
(It's OK.) | 0:52:46 | 0:52:48 | |
So...time for a tidy-up, wouldn't you say? | 0:53:04 | 0:53:07 | |
Before we all get back to that "see no monkey" business. | 0:53:07 | 0:53:10 | |
And, by the way, whatever that involves, | 0:53:12 | 0:53:14 | |
it does not involve Hayden-Hoyle, OK? | 0:53:14 | 0:53:17 | |
I think we can both agree that he's more than earned his retirement. | 0:53:17 | 0:53:21 | |
How come it all came down to you? | 0:53:21 | 0:53:23 | |
Well, I don't know, Harlan. | 0:53:23 | 0:53:25 | |
Perhaps it had something to do with the fact that, | 0:53:26 | 0:53:28 | |
in a room full of pussies... | 0:53:28 | 0:53:29 | |
..I'm the only one with a vagina. | 0:53:31 | 0:53:33 | |
TV: 'Although confusion still surrounds | 0:53:36 | 0:53:38 | |
'Stein's remarkable reappearance | 0:53:38 | 0:53:40 | |
'from an assassination attempt that killed 75 people last week, | 0:53:40 | 0:53:43 | |
'including Ephra Stein - Baroness Stein's elder brother, | 0:53:43 | 0:53:47 | |
'reaction to her survival in the region has been swift | 0:53:47 | 0:53:50 | |
'with both Israel and Palestine welcoming the news. | 0:53:50 | 0:53:54 | |
'Strained relations between Israel and the United States | 0:53:54 | 0:53:57 | |
'look set to continue, however, | 0:53:57 | 0:53:58 | |
'with the spokesman for the Secretary of State, Tippi Hagan, | 0:53:58 | 0:54:02 | |
'confirming the US's intention | 0:54:02 | 0:54:04 | |
'not to veto any future resolution on Palestinian statehood, | 0:54:04 | 0:54:08 | |
'insisting that it remains a priority for the administration. | 0:54:08 | 0:54:12 | |
'Lindsay Latham has this. | 0:54:12 | 0:54:14 | |
'Dick, Daniel Betheridge, State Department's new spokesman, | 0:54:14 | 0:54:18 | |
'cited Abraham Lincoln today in his response | 0:54:18 | 0:54:21 | |
'to the Lazarus-like survival | 0:54:21 | 0:54:23 | |
'of English Baroness, Nessa Stein, | 0:54:23 | 0:54:24 | |
'quoting the 16th President's famous adage | 0:54:24 | 0:54:27 | |
'that though a man may walk slowly, he should never walk backwards. | 0:54:27 | 0:54:31 | |
'He confirmed the Government remained committed to the removal of | 0:54:31 | 0:54:34 | |
'its UN veto from any Palestinian attempt for state recognition. | 0:54:34 | 0:54:38 | |
'However, in the light of this pre-emptive move, | 0:54:38 | 0:54:41 | |
'both Russia and China have indicated that, | 0:54:41 | 0:54:43 | |
'should it come to a final vote, | 0:54:43 | 0:54:45 | |
'they may now reconsider their previous record | 0:54:45 | 0:54:48 | |
'and veto the US plan. | 0:54:48 | 0:54:49 | |
'This, coupled with Stein's spectacular re-emergence, | 0:54:49 | 0:54:52 | |
'forced Betheridge to concede | 0:54:52 | 0:54:53 | |
'that the region's already volatile political landscape | 0:54:53 | 0:54:56 | |
'is set once again to undergo yet more tumultuous upheaval. | 0:54:56 | 0:55:00 | |
'Dick. | 0:55:00 | 0:55:01 | |
'Lindsay, makes you wonder why they bother.' | 0:55:02 | 0:55:05 | |
KNOCKING | 0:55:09 | 0:55:11 | |
WOMAN: Housekeeping. | 0:55:12 | 0:55:14 | |
DOOR UNLOCKS | 0:55:15 | 0:55:17 | |
HE WHISTLES | 0:55:24 | 0:55:25 | |
HORN BLARES BRAKES SCREECH | 0:55:31 | 0:55:33 | |
SUSTAINED HORN BLAST | 0:55:33 | 0:55:35 | |
Sorry, I'm sorry, so sorry. | 0:55:35 | 0:55:37 | |
See, I'd die for you. | 0:55:45 | 0:55:46 | |
I hear you've retired. | 0:55:49 | 0:55:50 | |
Yep. No car. | 0:55:50 | 0:55:53 | |
So I'm having to get used to just using my legs. | 0:55:53 | 0:55:56 | |
Looks like you need a little practice. | 0:55:57 | 0:55:59 | |
If I end up in a wheelchair, will you come and push me? | 0:56:00 | 0:56:03 | |
I'll think about it. | 0:56:07 | 0:56:08 | |
Then I'll be breaking them both this evening. | 0:56:08 | 0:56:11 | |
So what are you going to do next? | 0:56:13 | 0:56:15 | |
Apart from buying a hammer? | 0:56:15 | 0:56:17 | |
Apart from that. | 0:56:17 | 0:56:18 | |
Oh, I'm up for a university chancellorship. | 0:56:18 | 0:56:22 | |
Where? | 0:56:22 | 0:56:23 | |
Oxford, St Peter's. | 0:56:23 | 0:56:25 | |
Lovely flat. | 0:56:26 | 0:56:27 | |
Views over the quad. | 0:56:27 | 0:56:29 | |
Just the perfect weekend retreat for the high-flying female executive. | 0:56:31 | 0:56:35 | |
Oxford, that's not an appointment, is it? | 0:56:35 | 0:56:38 | |
You have to get yourself elected. | 0:56:38 | 0:56:40 | |
Yep, I'm finally going to stand up and be counted. | 0:56:40 | 0:56:43 | |
Actually, I think it's between me | 0:56:43 | 0:56:44 | |
and a guy who owns a chip shop on the high street. | 0:56:44 | 0:56:47 | |
Seriously? | 0:56:47 | 0:56:48 | |
I'll never lie to you, Anji. | 0:56:51 | 0:56:53 | |
Never again. | 0:56:55 | 0:56:57 | |
Ah, well. | 0:57:01 | 0:57:03 | |
Democracy... | 0:57:03 | 0:57:04 | |
Good luck with that! | 0:57:05 | 0:57:06 | |
AUTOMATIC GUNFIRE | 0:58:07 | 0:58:09 |