Episode 5 The Hour


Episode 5

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Transcript


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TV: 'And here they are, the debutantes of 1956.'

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And one young woman in particular has the caught the eye of a certain leading man, actor Adam Le Ray.

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You said marry her and everything will be all right.

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-Now she's dead.

-Get him out!

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She wanted me to help her.

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And did you?

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There is such purpose in taking one's own life, isn't there?

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She didn't kill herself. She was killed.

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He starts a new job tomorrow at the railway station...

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You are a natural front man, Hector.

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I'm only as good as the team around me.

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Darling! There you are!

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-That's your..?

-Wife.

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She told you? I knew she'd tell you.

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You're her best friend. It just happened.

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Darrell left this the night he was killed at a newspaper kiosk.

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"He knows. Revert to Bright Stone."

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What are you doing?

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You never told me any of this. This conversation hasn't happened.

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You must tell Mr Lyon to stop investigating the Elms story.

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There is not a Soviet agent on my team.

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'I will not have my team watched.

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'Everyone is watched some time or other during their career.'

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-TV:

-'The gentleman in the front row.

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'The question that the country wishes to know the answer to,

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'is there going to be a ground invasion in Egypt and when?

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'No announcement has been made yet.

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'No, no, please, I am curious that Eden calls the intervention in Suez

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'a police action, but with a ground invasion imminent,

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-'are we in fact at war with Egypt and Israel?

-Thank you.

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'As you may appreciate, under the restrictions of the 14-Day Rule,

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'this programme is unable to comment on events unfolding in Suez.

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'However, we are able to discuss events in Hungary

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'and I would like to open questions from the floor.

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'You, sir, in the bow tie.

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'What legal right does Eden have to lead this country to war?'

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-DOORBELL RINGS

-Are you expecting someone?

-No.

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Don't answer it.

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DOORBELL RINGS

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-Sorry, am I late?

-Freddie...

-I'm starving.

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-Sorry, already eaten.

-Hector. You haven't even got it on!

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-We lost track of the time.

-Open it.

-Fine.

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-It's French.

-I can see that.

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-Is stew all right? It's not very warm.

-Marvellous.

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Mm!

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-Oh, your nose is freezing.

-I swear it's colder in Belgravia.

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-Colder than Clapham?

-Yes.

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I spent the last four hours waiting outside the Elms' mansion block.

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He's on!

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Cheers!

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Do you mind?

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Suit yourself.

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-TV:

-'Again and again, passions have come to the boil.

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'Ever since the uneasy armistice of 1949,

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'Israel and the Arab states...'

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This is jolly!

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'..Egypt has been insisting ever since then

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'that she's still at war with Israel.

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'The other reflection is this.

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'It's a personal one.

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'All my life, I've been a man of peace...'

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'working for peace, striving for peace -

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'but I'm utterly convinced that the action we have taken is right.

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'There are times for courage, times for action.

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'Our passionate love of peace, our intense loathing of war

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'have often held us back from using force,

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'even at times when we knew in our head,

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'if not in our in our heart,

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'that its use was in the interest of peace.

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'And I believe with all my heart and head,

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'for both are needed.

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'Good night to you all.'

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Eden was certainly resolute.

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They have to let the opposition respond. We can't call ourselves a public television service

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and not let the opposition, Gaitskell, bat back.

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Oh, brilliant, we'll have McCain on our backs again.

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I don't know. He's gone pretty quiet. We normally have a call or one of his visits.

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It's been three days. In less than 72 hours we go out.

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Why's he not hovering to see how we'll sell it?

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If we CAN sell it with their fortnightly gag.

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-There are ways around these things.

-Are there?

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I have been lying awake for the last three nights trying to come up with one.

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We can't debate, we can't comment, we can't analyse,

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we can only deliver the most basic facts

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until two weeks after they've discussed it in Parliament.

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-It makes a mockery of what we do.

-So we make a mockery of it.

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We present the facts in a way that points to the truth.

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We garner opinion from abroad. What? Comment and assessment from our American cousins

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in the light of Eisenhower's election campaign.

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-They can't stop us broadcasting the views of foreign nationals.

-You're brilliant.

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Why should we be gagged when the newspapers can print what they like?

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-Where did you get this?

-I cannot divulge my sources.

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Suffice to say, that runs as a leader in tomorrow's Observer.

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"We wish to make an apology. We had not realised the Government was capable..."

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"..of such folly and of such crookedness."

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Hector...

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..you have the country in your palm.

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They'll listen to you, to us.

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We show the public what the world thinks

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and we affirm what they already know.

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The rumours are out there, the press are talking of collusion, that this is a rushed war,

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secretly orchestrated by Britain and France

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with the help of Israel, to get the canal back.

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And we overlook that there's no proof whatsoever of collusion?

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We can't just assume that our government's guilty.

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Hardly impartial journalism. You'll bring the show down.

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-McCain'd have a heart attack.

-And?

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Go easy because McCain's cage is a little rattled?!

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We get out on the streets, tomorrow.

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We canvass opinion from people at the rally and fire the debate.

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-Let me go.

-Where?

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Tomorrow, to the demonstration. Keep you in line.

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You don't mind slumming it on the streets with a microphone?

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Sound judgment is required on occasions like this.

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One must be light on one's feet and mercurial of mind, ready to adapt to any situation.

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Tomorrow's the 4th. We go out on the 6th.

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Well, it's a date.

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Hell, last bus. Shall I kip on the sofa?

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Goodbye.

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Night then!

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MUFFLED CHATTING AND GIGGLING

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What?

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I'm one of the last women to tolerate him.

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It's not that.

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-You're different with him.

-Different? How?

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How you should be.

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How I think you are, when you're not being head girl, news chief.

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Or irresistible woman.

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-Don't be silly.

-Am I being?

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PHONE RINGS

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Hello?

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Er, yes?

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Clarence...

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Yes.

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I wasn't sure if you'd still be up. Hector.

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Oh, we were going over the outline of the show with Freddie.

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Well, you may as well join us now you're here.

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If Gaitskell insists on responding to the Prime Minister's broadcast tomorrow,

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it will only fuel the flames.

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You are asking the BBC to waive its policy of impartiality?

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It is the duty of the BBC to offer the opposition the chance

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to reply to a ministerial broadcast if it is deemed controversial.

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It will be neither useful nor reassuring to the public.

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We expect The Hour to... redress the balance somewhat.

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-And present the Government's view.

-Miss Rowley, that's not helpful.

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The Government's actions are not universally supported,

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that's your problem?

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If your programme fails to fall into line,

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it will comfort the enemy and undermine our country at war.

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Angus, the BBC would NEVER jeopardise the security of our nation.

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We are experienced in news management in times of peace AND war.

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I'm obliged to tell you that there may be...funding implications.

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-Are you threatening us?

-Clarence.

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Always advice, Douglas, always advice.

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Never to be taken as prescriptive.

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-Let me talk to him.

-He doesn't talk. He dictates.

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Angus. Angus!

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-You look like you haven't slept for a week.

-I hear the same.

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I hope you sleep better tonight.

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You were two a penny at my school.

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Four a penny during the war.

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Little men, desperately trying to make themselves bigger.

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A little quieter, Hector. Or do you wish the whole world to know

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that you have your producer's ear?

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These are testing times for us all.

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The mark of a man is how he conducts himself in these times.

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Does Wallace know how you're conducting yourself?

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You may not be fearful for yourself but it would be such a pity

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if Miss Rowley found her career blighted

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by mere temptations of the flesh.

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And she seems such a dear girl.

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Dad?

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Dad...?

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Yes, same look in his eyes.

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Visitor.

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What's happened?

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Oh, it was like this when I arrived.

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Dad? Are you all right?

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He was looking for something, apparently.

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You've paid me so many visits recently,

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I thought I should return the call.

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We were just catching up on old times, weren't we?

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-Go to bed, Dad.

-Bed?

-Yes.

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I'll be through in five minutes.

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My goodness. What a room.

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So many of one's most treasured things.

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Your father seems well.

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He was remembering a tea party that we had,

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when he came down to visit you once.

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Ruthie had one of her awful nosebleeds.

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The doctor said it was her nerves.

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Stop coming to our house.

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Stop loitering on the pavement.

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Stop bothering us.

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You're defiling our memory of Ruth.

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And stop with these persistent phone calls to myself and my husband.

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You will leave this alone, Frederick.

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Oh, good, it is him who answers the telephone. I'm never sure.

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The silence at the other end of the line

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when I ask why his wife is lying to me.

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-You don't know who you're dealing with.

-Yes, I do.

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They're outside now, sitting in their car.

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Apparently, they're convinced I'm a Soviet agent. Which I'm not, by the way...

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if you're at all concerned.

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As someone who once...knew you, I am imploring you to leave it.

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Just leave us alone in our grief.

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Grief?!

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This isn't grief. This is shameful denial.

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I will never let this go. Ruth came to me to ask me to help her.

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I won't stop helping her until the truth is known.

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She knew something, something that was terrifying,

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something that threatened those who wanted her dead.

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Oh, you're terrified.

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How brave you are.

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We're not all as brave as you, Frederick.

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PHONE RINGS

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Hello?

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Why did she come to me?

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Why did Ruth come to me?

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Because you're tenacious.

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'Because you care more about the truth'

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than you do about your own safety.

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'Because if I was scared for my life, I would run to you.'

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And...trust that you would know the answer.

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Because there's no-one else like you, Freddie.

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Who is he? Who is Bright Stone?

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Freddie.

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-Is it me?

-This is why you shouldn't drink bad wine.

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Why else are they following me?

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'Because you're an irritant.'

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SHE SIGHS

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You obviously know something, even if you don't know what it is.

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-<

-You get under people's skin.

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Are you still there?

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Yes.

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They're scared.

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'McCain, Eden...

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'They're petrified.'

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'They should be.'

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Douglas called me in tonight. With McCain.

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He's worried.

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-We're getting to them, Bel.

-I'm putting the phone down.

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-'Not yet!'

-Go to sleep.

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McCain knows...

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about us.

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We have to play it carefully now, Bel.

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-I don't know what you mean.

-He will use it against us.

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Don't be naive.

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I'm sorry, I'm sorry, sorry.

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Not tonight.

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Dad?

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I never wanted you to go there.

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But your mother thought it would be safer.

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I always thought a little piece of you never came back.

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I packed your case. I found your bathers.

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CHANTING AND SHOUTING

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'..about the situation into which we have been thrust.'

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Here, here.

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Get it, Isaac, get it.

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-Where shall I stand?

-To the left. Here.

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We're standing in a side street by Trafalgar Square.

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You can see the crowds behind me, holding up their placards.

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Bevan's words have united the people as they march

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towards Downing Street. You can hear the crowd chanting,

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"One, two, three, four, we won't fight in Eden's war,"

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-as they snake their way along from every corner...

-Hector.

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You need to come down here! We need to talk to more people!

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It's a waste of time canvassing opinion if it can't be broadcast!

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Nothing's ever wasted, Hector. Come on!

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-Isaac!

-One more minute!

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OK.

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What's so funny?

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Isaac's asked me to look over his sketches.

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They're ever so funny. He wants me to proof them.

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Is that what he calls it?

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-Nah, he's not my type.

-Sadly, I think you're his.

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Really?

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Ah, Bel, Freddie in?

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Oh, he just asked me to do something for him.

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What?

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Oh, nothing. It can wait.

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Has he taken you to the cinema yet?

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French? I bet French.

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You know he doesn't speak a word? Infuriating.

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I can only apologise, because I, more than anyone,

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know how irritating a trip to the cinema with Freddie can be.

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But perhaps you don't feel that way?

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Feel what way?

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About Freddie?

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About how infuriatingly irritating he is.

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There's a fine line between fury and desire, I tend to find.

0:21:220:21:25

I've never seen a film with Freddie in my life, nor do I intend to.

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Can't stand the cinema.

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The darkness, the sense one has of being trapped.

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Now, a little fun...

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Freddie is most certainly that.

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But what did he ask you to do for him?

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Oh, he wanted some information on Peter Darrall.

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It's nothing, darling. His heart is still with you.

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We're just friends.

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Of course.

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I had a friend once.

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Treated him like a dog.

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Adorable man, absolutely useless at seduction.

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Then he married someone else and I realised it wasn't him that was useless, it was me.

0:22:010:22:06

My man in Cairo managed to smuggle out these memos

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before British Embassy staff got to them.

0:22:110:22:14

They've been burning documents all weekend.

0:22:140:22:16

LAUGHTER

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SHOUTING

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It's getting rather heated. There are people running everywhere.

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The sense of anger today is overwhelming.

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There are police on horseback,

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desperately trying to control the fray.

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Keep the heart out and head focused. Don't queer the pitch with your emotion.

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This from a man who can't drink a cup of tea

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without worrying about the oppression of tea leaf pickers in Ceylon(!)

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SHOUTS

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Freddie, we should get out of here.

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We've got to get further in, Hector. Come on!

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Isaac, come on. Over here.

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I can't keep it straight. I need to find somewhere and stay there!

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I need this microphone.

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HORSE WHICKERS

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I don't know what time they'll be back.

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It's utter mayhem out there. Bedlam all the way down the Strand.

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The world has gone quite mad.

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I hope they'll be all right.

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Oh, I never worry. Hector can always look after himself.

0:23:290:23:33

Your poor wife, Mr Fendley. Doesn't she miss you, working all the time?

0:23:350:23:38

She is very accommodating. Marry the man and you marry the job.

0:23:380:23:42

Yes, well, isn't that so true.

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I'm gasping for a cup of tea.

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Yes, of course! Perhaps you would, Bel?

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Of course. If you go through to my office...

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Yes, it's quite all right. I do know the way, thank you.

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No excuses.

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I have more pressing matters on my mind.

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Just get her a cup of tea and be nice.

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'You're all right.'

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We're getting you help.

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Just grip my hand. What's your name?

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Harry.

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Harry. Keep talking to me, Harry.

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Here you are, have some of this.

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We have to get him to the road. The ambulance can't get through.

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This is just one of many protesters injured today.

0:24:310:24:33

A day of peaceful protest soured by violence.

0:24:330:24:36

This is Frederick Lyon, reporting for The Hour, in London.

0:24:360:24:39

DOOR SLAMS

0:24:390:24:41

You're very lucky.

0:24:410:24:43

I have a very small corner in my living room

0:24:430:24:46

to do all my thank you cards and letters.

0:24:460:24:48

Um, if you'd care to leave a message,

0:24:480:24:50

I can ask Hector to telephone you when he comes back.

0:24:500:24:54

I don't usually come into town if I can help it.

0:24:580:25:02

It's very odd, me being here today.

0:25:020:25:05

Puts one's whole week out.

0:25:050:25:07

Well, there's always the country at the weekend.

0:25:070:25:10

Yes.

0:25:100:25:11

Monday's my art class. I'm absolutely hopeless.

0:25:130:25:18

Last week, we painted a gentleman in the nude.

0:25:180:25:21

Wednesday, Thursday's Bridge.

0:25:210:25:24

I'm in a club, I'm actually rather good.

0:25:240:25:26

And Friday's the country.

0:25:260:25:29

Except if Hector has to work

0:25:290:25:30

and he has...had to work a lot.

0:25:300:25:32

Yes.

0:25:340:25:35

This whole week, in fact, he's not been home.

0:25:360:25:38

I say, "Hector, they should pay you more."

0:25:450:25:47

Daddy thinks, well, knows

0:25:490:25:51

that Hector won't be staying in the BBC for ever.

0:25:510:25:54

Daddy says there's a lot of interest around Hector and The Hour.

0:25:550:25:58

And that's good. That's what I want. It's very, very good.

0:26:000:26:03

If you'll just excuse me a moment...

0:26:030:26:06

At least you're not his secretary.

0:26:060:26:08

You see, I knew you were an intelligent woman.

0:26:130:26:16

I knew that I wouldn't have to say much.

0:26:160:26:18

Normally, it's with one of those silly little girls...

0:26:180:26:21

..I'm just glad that with a clever women like you...

0:26:230:26:27

you do fully understand.

0:26:270:26:29

He just can't control himself.

0:26:360:26:37

I think it's the creative in him.

0:26:510:26:52

Picasso has a heap of lovers.

0:26:540:26:56

Not that I'm putting Hector on a par with an artiste like that...

0:26:560:27:00

..but there is always someone.

0:27:020:27:05

And normally I have to unpick their little fingers from his arm.

0:27:070:27:11

But it is such a relief to finally meet a proper woman.

0:27:140:27:18

I do like you very much.

0:27:210:27:23

You're such fun.

0:27:260:27:27

He's always just on loan.

0:27:310:27:34

And he always comes back.

0:27:340:27:36

Do you love him at all?

0:27:390:27:41

I love him.

0:27:420:27:45

Warts and all. That's me. That's what I do.

0:27:450:27:48

I don't matter.

0:27:520:27:54

And whatever you see of Hector, I know who he really is.

0:27:570:28:03

Do you?

0:28:030:28:04

-Would you like me to call you a taxi?

-No, thank you.

0:28:040:28:08

Do tell Hector I called by.

0:28:220:28:24

KNOCKING ON DOOR

0:28:470:28:49

Yes. Come in.

0:28:490:28:50

-Are they back yet?

-Not yet. Clarence...

0:28:540:28:57

I can't believe you've been so stupid.

0:28:570:28:59

-I can't explain.

-Bad luck. I want you to.

0:29:080:29:10

I want you to explain to me

0:29:110:29:13

why you're throwing away your career for an affair that means nothing,

0:29:130:29:17

that will not last beyond this news story, Bel.

0:29:170:29:20

And if you're telling yourself anything other, then you're lying.

0:29:200:29:24

So explain, because in five minutes I will receive a concerned call from Douglas.

0:29:250:29:30

I will defend your actions, reassure him you have come to your senses.

0:29:300:29:33

-I'm not a child.

-No, you are NOT!

0:29:330:29:36

YOU are producer of THIS programme - a programme that is already under pressure.

0:29:360:29:40

Can you imagine how McCain will use this against us? Against you? Against Hector?

0:29:400:29:45

It is inappropriate. It is unprofessional. And it MUST end.

0:29:450:29:49

I will defend your right to make this programme however you want.

0:29:490:29:52

But I CANNOT defend someone who has sold herself so short.

0:29:520:29:55

So fix it. Fix it now.

0:29:550:29:58

So is that how you got your second medal? Saving lives.

0:30:110:30:14

No. I got my first medal saving lives.

0:30:140:30:16

The second one was for an act of heroism which we need not dwell upon.

0:30:160:30:20

You're God's cruel joke.

0:30:200:30:23

Sent to throw horrible relief on all our personal inadequacies.

0:30:230:30:27

It's only what anyone would have done.

0:30:270:30:29

I would possibly have given him an aspirin if pushed.

0:30:290:30:32

We open with the image of thousands amassing in Trafalgar Square.

0:30:340:30:37

Why not? Newsreels will have run it.

0:30:370:30:39

A peaceful protest or attempt to control the masses?

0:30:390:30:42

Or something less leading. Then an interview with...

0:30:420:30:44

Someone who matters. Someone with a voice.

0:30:440:30:47

-Eden!

-Macmillan!

-Calm down.

0:30:470:30:50

-Yes, we show the protest. We cover Bevan's speech.

-You weren't there.

0:30:520:30:55

I'll look at the footage and decide what to do from there. But I am serious.

0:30:550:31:00

We need to find a way of addressing the suspicion of collusion

0:31:000:31:03

between Britain and France and Israel.

0:31:030:31:05

-Like in a sketch?

-What kind of sketch?

-Satire.

0:31:050:31:10

This is a news show. It's not vaudeville.

0:31:100:31:12

A satirical sketch. Why not? It works on the radio.

0:31:120:31:15

I'd like to see McCain's face.

0:31:150:31:17

It gets us around the fortnightly gag, doesn't it?

0:31:170:31:21

-It could be disastrous.

-Or daring.

0:31:210:31:23

-It makes me nervous.

-Always a good reason to do it.

0:31:230:31:26

-Keep it simple.

-Really?

-I want it by the end of the day.

0:31:290:31:33

-You can't run it.

-We'll see.

-Are you mad?

0:31:350:31:37

Report the demonstration, yes, but you can't...

0:31:370:31:40

The Russians have taken Budapest.

0:31:400:31:43

Hundreds of tanks. It's all over the radio.

0:31:430:31:45

Nagy himself making an appeal to the West to intervene.

0:31:450:31:48

And we're too busy with the Suez.

0:31:480:31:50

Damn.

0:31:500:31:52

I've got something for you.

0:31:560:31:58

I'm going, I'm going.

0:32:000:32:02

A memo from Tom Kish about Peter Darrall in May this year.

0:32:080:32:13

They were both in Egypt, on secondment from MI6.

0:32:140:32:18

McCain was copied in.

0:32:180:32:20

They were meant to be there specifically to dig up dirt on Colonel Nasser.

0:32:220:32:26

But it looks like that there were already questions about Peter Darrall.

0:32:260:32:30

He'd clearly turned.

0:32:300:32:32

They allude to him passing secrets between Egypt and the Soviets.

0:32:320:32:37

Reading between the lines, poor Kish is clearly frantic.

0:32:370:32:42

Why the hell was Tom Kish reporting to McCain?

0:32:420:32:45

He was reporting to a lot of people. He's just one of several names on the memo.

0:32:450:32:50

-You all right?

-Why can you never get hold of the British Embassy in Moscow when you need them?

0:32:530:32:58

Marnie came by today.

0:33:040:33:06

She said it was a nightmare getting in.

0:33:060:33:09

She knows?

0:33:100:33:12

It was quietly humiliating.

0:33:140:33:16

Apparently you've done this kind of thing before.

0:33:160:33:18

-KNOCKING

-There's a call for you from...

0:33:180:33:20

Take a message. I WILL call them back.

0:33:200:33:23

Clarence has warned me that it has to end.

0:33:230:33:26

-It's not up to bloody Clarence.

-We're in a ridiculously precarious situation, Hector.

0:33:260:33:32

Wallace is on the BBC board.

0:33:330:33:35

He has friends in high places. He's friends with McCain.

0:33:350:33:39

Christ's sake, you're friends with McCain.

0:33:390:33:41

Angus McCain is not a friend of mine. You know that damn well.

0:33:410:33:44

But it's foolish to make enemies of people close to Government. Your words, Bel.

0:33:440:33:48

I never thought your ambition would compromise your integrity.

0:33:480:33:51

It hasn't. It doesn't.

0:33:510:33:54

Look, we can't talk here. I'll come to yours tonight.

0:33:580:34:01

-I want to watch the Gaitskell broadcast.

-Let's watch it together.

-No!

0:34:010:34:06

Verda needs a bed.

0:34:060:34:08

-Oh.

-And you should go home to yours.

0:34:100:34:12

Hector, just the man I'm looking for.

0:34:130:34:16

Sissy, put that call through.

0:34:190:34:23

You have to call McCain.

0:34:230:34:26

-Take him out for a drink, butter him up.

-Do I?

-Yes.

0:34:260:34:29

Crikey.

0:34:380:34:39

He knew. About Peter Darrall. He was in on whatever was going on.

0:34:390:34:43

You want me to find out.

0:34:430:34:44

Get him plastered if you have to. He talks to you.

0:34:440:34:47

Have you been talking to Bel?

0:34:480:34:51

You seem friendly enough.

0:34:510:34:53

I tolerate him. It doesn't mean we talk.

0:34:530:34:55

-Someone is on edge.

-I'm not on edge!

0:34:560:34:59

You heard the news from Budapest.

0:35:080:35:10

Bloody tragedy, and we're ignoring it because we're lost in our own mess.

0:35:100:35:13

He'll have to call a ceasefire.

0:35:130:35:15

The pound is spiralling down, out of control.

0:35:150:35:17

Even his own cabinet are voicing their concerns.

0:35:170:35:20

-We can't afford a war.

-We are strapped into our seats unable to truly get up and shout.

0:35:200:35:24

They can't shut us down, Clarence. Douglas is...

0:35:240:35:26

Is our ally. But Douglas is only one man,

0:35:260:35:29

and this corporation is a machine of many cogs and wheels.

0:35:290:35:32

There are still those inside as well as out under pressure to support Eden in this campaign.

0:35:320:35:37

That doesn't mean we buckle.

0:35:370:35:39

For Christ's sake, Freddie, I've waited my entire life to run a programme like this.

0:35:390:35:43

It's not going to be snatched away from me now.

0:35:430:35:48

You have several opportunities still ahead of you.

0:35:480:35:52

But this...

0:35:550:35:57

This is it.

0:35:570:35:58

There is not another Hour for me.

0:36:000:36:03

And now I'm late, and Edith will be furious because dinner will be spoilt.

0:36:040:36:09

You're right. Doesn't mean we buckle.

0:36:110:36:14

Clarence?

0:36:140:36:16

They're still following me.

0:36:180:36:21

-Still pursuing the Elms story?

-Yes.

0:36:210:36:24

Then you must get quicker on your feet.

0:36:240:36:27

Put me through to Whitehall 2995, please.

0:36:410:36:44

Thank you.

0:36:440:36:45

Thank you. Angus McCain.

0:36:500:36:51

Oh! Sissy, would you read this?

0:36:550:36:57

-Miss Rowley wants it any minute.

-I'm very busy, Isaac.

-Please.

0:36:570:37:01

-It's just the bare bones.

-I don't get it.

0:37:010:37:05

-It's too complicated?

-Get what?

-Isaac's written a sketch.

0:37:050:37:09

Hand it over. Immediately.

0:37:090:37:11

It's not ready yet!

0:37:120:37:15

-It needs to be balanced.

-Yes.

0:37:170:37:19

We're not looking to lynch anyone, just to stir debate.

0:37:190:37:22

And he does cartoons. Does it work?

0:37:220:37:25

I think it does.

0:37:250:37:28

A sketch on Suez? They'll pull the plug on us.

0:37:280:37:31

What for? I'd rather debate a question without settling it

0:37:310:37:34

than settle a question with no debate.

0:37:340:37:36

I've got McCain.

0:37:360:37:39

One hour. Executive bar.

0:37:390:37:40

-Shall I come?

-No.

-No.

0:37:400:37:42

-Anyone for a drink?

-No, thanks.

0:37:490:37:52

Looks like it's just you and me, then.

0:37:520:37:54

Something like that.

0:37:560:37:58

-Isaac, want me to type it up?

-Would you?

0:37:580:38:00

-My handwriting's pretty illegible.

-It's characterful.

0:38:000:38:03

-And after we could go and...

-Oh, he's here. I told him to wait outside.

0:38:030:38:08

-Oh, sorry, Isaac, go and...?

-Nothing.

0:38:080:38:12

-Mind if I type it up tomorrow?

-Of course.

0:38:130:38:16

How tall do you reckon he is?

0:38:210:38:23

Five foot nine? Ten?

0:38:240:38:26

-Did you take those?

-Yes.

0:38:410:38:45

Don't you miss it?

0:38:470:38:49

Yes.

0:38:490:38:51

And you wouldn't go back?

0:38:530:38:55

Report overseas again. Take photos again.

0:38:550:38:58

Too old, too slow and... huh.

0:38:580:39:01

That one...was taken just outside of Madrid.

0:39:040:39:08

They were one of the last to surrender in '39.

0:39:100:39:14

She was running away from her house. Leaving everything.

0:39:140:39:17

A row of men were being executed just behind that door.

0:39:170:39:21

Amongst them her husband.

0:39:230:39:25

She...she didn't look back.

0:39:270:39:30

I was irritated because I had my camera in my hand

0:39:310:39:34

and I couldn't find another film.

0:39:340:39:37

They were being shot one by one,

0:39:370:39:39

and all I could think was, "I've got no bloody film."

0:39:390:39:43

I'm still proud I got it. You've got to grab it while you can.

0:39:450:39:48

No, I've reached my limit.

0:39:530:39:56

You've got glasses.

0:40:330:40:35

Yes.

0:40:360:40:37

-You didn't tell me.

-Well, I don't tell you everything.

0:40:370:40:40

Yes, you do.

0:40:400:40:42

Are you all right?

0:40:440:40:45

Absolutely.

0:40:450:40:48

What's wrong?

0:41:030:41:05

It's my father who's been messing up the house,

0:41:050:41:09

making it look like it's been burgled.

0:41:090:41:11

Why?

0:41:130:41:14

He's always trying to find something.

0:41:140:41:17

That sounds familiar.

0:41:170:41:18

TELEPHONE RINGS

0:41:180:41:22

Hello?

0:41:230:41:25

Hello?

0:41:260:41:28

Is that you?

0:41:300:41:32

'Lord Elms?

0:41:340:41:36

'Lord Elms?'

0:41:370:41:39

-'Hello, operator.'

-Operator, from where was that last call placed?

0:41:490:41:54

'Framlingham 2355, sir.'

0:41:540:41:57

Thank you.

0:41:570:41:58

Guess who just...

0:42:000:42:02

Good evening, sir.

0:42:140:42:15

-Glengoyne, please.

-Certainly.

0:42:150:42:17

Same?

0:42:270:42:28

Corner table, please.

0:42:340:42:36

Can't stay long.

0:42:450:42:47

They want us all back after Gaitskell's broadcast.

0:42:470:42:51

Well, THEY will have to wait.

0:42:510:42:53

Oh, Hector, that's not like you.

0:42:530:42:55

Whatever you think you have on me, I have something more on you, Angus.

0:42:550:42:59

Thank you very much, thank you.

0:42:590:43:01

Mm-hm. And what might that be, dear boy?

0:43:020:43:06

Your relationship with Adam Le Ray.

0:43:060:43:09

Hector...

0:43:140:43:16

I'm not interested in the details of your private life, Angus.

0:43:160:43:19

But other people certainly might be.

0:43:190:43:21

Why did Tom Kish copy you in on a memo

0:43:240:43:27

that was clearly a matter of national security?

0:43:270:43:30

My father was a drinker.

0:43:440:43:46

Gave it up when I was...19.

0:43:480:43:51

He swore he could never remember a word during one of his "episodes".

0:43:510:43:57

Whisky does obscure the memory, doesn't it?

0:43:590:44:01

I won't remember any of this tomorrow.

0:44:010:44:06

Of course.

0:44:060:44:08

May I hold onto it?

0:44:220:44:24

Last spring I was approached by Lord and Lady Elms.

0:44:300:44:34

Our families have been acquainted for years.

0:44:340:44:36

They asked me to...

0:44:360:44:40

allay their concerns their daughter had become "involved".

0:44:400:44:44

-With Peter Darrall?

-They knew I had connections at the Foreign Office.

0:44:440:44:48

They asked me to make enquiries.

0:44:480:44:50

I dutifully agreed.

0:44:500:44:52

I had hoped to reassure them.

0:44:520:44:55

Much to my surprise, it was revealed that Darrall worked for MI6,

0:44:570:45:02

and that they clearly had concerns of their own.

0:45:020:45:06

This was verified to me in that memo which I was included in.

0:45:060:45:13

-So you informed Lord and Lady Elms?

-I informed them

0:45:140:45:17

their daughter was involved with a very dangerous man, a spy, a traitor.

0:45:170:45:23

They in turn had discovered that she was...in trouble.

0:45:230:45:28

So you introduced the idea of Adam Le Ray.

0:45:280:45:31

She talked to the press.

0:45:350:45:36

No, sorry, she talked to Mr Lyon.

0:45:380:45:41

Whatever lengths had been gone to to protect her,

0:45:430:45:46

-she had now made her own bed.

-Oh.

0:45:460:45:48

Miss Elms had been singled out by Darrall.

0:45:500:45:53

By the Soviets.

0:45:530:45:54

The KGB have a list circulating which MI6 managed to intercept.

0:45:550:46:00

On this list are the names of young men and women,

0:46:000:46:05

bright, intelligent, often...connected,

0:46:050:46:10

who might be susceptible, open to betraying their country.

0:46:100:46:16

Apparently they call them their Bright Stones.

0:46:200:46:23

CANNED LAUGHTER ON TV

0:46:250:46:27

MEN CHUCKLE

0:46:270:46:29

HANCOCK'S HALF HOUR ON TV

0:46:290:46:33

'You make me mad. That's all you do... '

0:46:330:46:36

WOMAN CHUCKLES

0:46:360:46:39

If you're cold, there's an extra blanket.

0:46:460:46:49

Or you can turn the gas on if you wake in the night.

0:46:490:46:53

I used to think the worst possible thing would be to be like you.

0:47:000:47:06

But I could never be like you.

0:47:090:47:11

I can never live so lightly.

0:47:140:47:16

It all matters too much to me.

0:47:180:47:20

It all matters very much to me, sweetheart,

0:47:260:47:30

I just don't let my face show that.

0:47:300:47:32

It's all about how you sell it.

0:47:320:47:36

You have a suitcase and five pounds in a savings account.

0:47:360:47:41

But that very nice lady

0:47:410:47:43

who sold me a cup of tea in that little hovel that you call a cafe on the corner, she doesn't know.

0:47:430:47:47

-Well, what does it matter?

-Hmm.

0:47:470:47:52

'..Postal orders and stamps.'

0:47:520:47:55

Why do we have to be married?

0:48:000:48:03

Or not married?

0:48:030:48:04

Why can't we do what the hell we like?

0:48:070:48:10

Men can.

0:48:110:48:13

They can sleep with women without getting a name for themselves, they can have careers...

0:48:130:48:17

Darling, you, YOU have a career.

0:48:170:48:22

You have a career.

0:48:220:48:24

Well, I am going to do exactly what I like and to hell with the rest of them.

0:48:360:48:40

What?

0:48:470:48:48

You're more like me than you know.

0:48:500:48:52

-'Ladies and gentleman, now follows a broadcast...'

-Come on.

0:48:530:48:57

-'..from the Leader of the Labour Party, Mr Hugh Gaitskill.'

-Come on.

-'Good Evening.

0:48:570:49:01

'It has been a tragic, terrible week, indeed a tragic and terrible day.

0:49:010:49:07

'How tragic it is that we, by our criminal folly,

0:49:070:49:12

'should have lost the moral leadership of which we were once so proud.

0:49:120:49:18

'Here at home, the Government policy of war with Egypt

0:49:190:49:23

'has produced terrible heart searchings.

0:49:230:49:27

'The Archbishop of Canterbury has led a deputation

0:49:270:49:31

'of all denominations of the churches to the Government. What are the consequences?

0:49:310:49:37

'We have violated the charter of the United Nations.

0:49:370:49:41

'We have betrayed all that Great Britain has stood for in World affairs

0:49:410:49:47

'Since the War at least,

0:49:470:49:50

'we have supported every stand against aggression.

0:49:500:49:53

'We did so...'

0:49:530:49:55

SPEECH BARELY AUDIBLE IN BACKGROUND

0:49:550:49:58

SHE SIGHS

0:50:000:50:03

Oh...

0:50:070:50:09

-About...

-Yes?

0:50:140:50:16

Er, the other night.

0:50:180:50:20

What?

0:50:220:50:23

We are - you and I...

0:50:280:50:30

We are...

0:50:310:50:33

between you and I...

0:50:330:50:35

..all right?

0:50:370:50:38

We're marvellous Freddie.

0:50:400:50:43

Good. Good.

0:50:450:50:46

Mmm...

0:50:500:50:51

-Did Hector say what time he'd be back?

-Er, no.

0:50:580:51:01

Damn!

0:51:010:51:04

Freddie?

0:51:140:51:17

-The code? It said something about...

-Bright Stone.

0:51:170:51:19

-Revert to...

-Bright Stone! She was a Bright Stone.

0:51:190:51:22

-Who? What?

-Ruth Elms was a Bright Stone.

-What are you talking about?

0:51:220:51:26

-I'll tell you in the car.

-Where are we going?

-Well, I don't know. I'd thought you'd know.

0:51:260:51:30

They were in on it. The Elms were in on it.

0:51:300:51:34

-They live in Suffolk.

-I'll drive.

0:51:340:51:37

You can't walk in a straight line.

0:51:370:51:39

Does it matter? It's nearly midnight. There will be no-one on the roads. Here...

0:51:390:51:44

Put this on.

0:51:460:51:47

Not yet. Not yet. Wait until I've pulled away.

0:52:130:52:17

A lady never removes her hat in a gentleman's car.

0:52:170:52:22

CROWS CAW

0:52:380:52:40

Hector?

0:52:450:52:47

Oh... One more minute.

0:52:500:52:52

We've been here three hours.

0:52:540:52:57

-Just wait until...

-They're awake!

0:53:000:53:03

-Good morning, sir.

-Are they in? Are Lord and Lady Elms in?

0:53:180:53:21

I wish to speak with Lord Elms, excuse me. Lord Elms?

0:53:210:53:24

Lord Elms! I know!

0:53:260:53:29

I know!

0:53:290:53:31

I know about Tom Kish and Peter Darrall.

0:53:310:53:34

I know that you married your daughter off. I know what you did.

0:53:340:53:37

Good morning, Freddie.

0:53:390:53:42

What I don't understand...

0:53:450:53:47

-Shall we come in here and talk?

-What I don't understand is why you came to me if you don't want me to help you?

0:53:470:53:52

-Shall we sit? Thank you.

-No. Ruth came to see me because she couldn't talk to you.

0:53:520:53:56

Because she was so frightened. She was frightened and pregnant and you did nothing.

0:53:560:54:00

-You did more than nothing. You married her off.

-Don't speak to him!

0:54:000:54:04

Don't say anything to him, Richard.

0:54:060:54:10

She didn't kill herself, admit it! Say it!

0:54:100:54:13

No.

0:54:220:54:25

She didn't.

0:54:250:54:26

Please, Richard? Please?

0:54:280:54:31

We've tried silence, Alice,

0:54:310:54:33

and it doesn't work.

0:54:330:54:36

We've tried doing what they asked

0:54:360:54:39

and it still didn't save her.

0:54:390:54:41

They thought...

0:54:430:54:45

that she was a liability to herself, but the biggest liability to her...

0:54:450:54:50

was US.

0:54:500:54:51

We knew what that threat meant.

0:54:540:54:56

We were trying to save her life.

0:54:560:54:59

LADY ELMS SOBS

0:55:010:55:03

Who are they?

0:55:080:55:10

THEY are...us.

0:55:120:55:16

Men like me.

0:55:180:55:19

-There was a list.

-Yes.

0:55:230:55:28

Did you see it?

0:55:280:55:30

The list of Bright Stones?

0:55:300:55:34

Was there anybody else you recognised?

0:55:340:55:37

Yes.

0:55:370:55:38

You, Freddie.

0:55:410:55:43

You.

0:55:460:55:48

'If Sir Anthony Eden is sincere in what he is saying,

0:55:510:55:56

'if nations more powerful than ourselves

0:55:560:56:00

'accept the absence of principle, the anarchistic attitude of Eden,

0:56:000:56:07

'and launch bombs on London, what answer have we got?

0:56:070:56:11

'They have besmirched the name of Britain.

0:56:110:56:14

'They have made us ashamed of the things for which we were proud.'

0:56:140:56:18

CHEERING ON FILM

0:56:180:56:20

'One, two, three, four

0:56:200:56:23

'we won't fight in Eden's war! One, two, three, four...

0:56:230:56:26

'They have offended against every principle of decency

0:56:260:56:30

'and there is only one way in which they can even begin to restore

0:56:300:56:34

'their tarnished reputation and that is to get out!

0:56:340:56:38

'Get out! Get out!'

0:56:380:56:39

CHEERING

0:56:390:56:42

'Eden must go!

0:56:420:56:44

'Eden must go! Eden must go!

0:56:440:56:47

'Eden must go! Eden must go!

0:56:470:56:50

'Eden must go! Eden must go!

0:56:500:56:54

'Eden must go! Eden must go!'

0:56:540:56:56

If we use the word collusion,

0:57:010:57:03

then that's treason, isn't it?

0:57:030:57:06

-These gentleman work for Her Majesty's Government.

-Really?

0:57:060:57:11

Do you have any idea what you're risking here?

0:57:110:57:14

Where will you go when all the dirty secrets come out?

0:57:140:57:17

Five.

0:57:180:57:19

Four. Three.

0:57:200:57:23

Two.

0:57:240:57:25

You're fired.

0:57:250:57:27

One. CLICK

0:57:270:57:29

Subtitles by Red Bee Media Ltd.

0:57:430:57:46

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0:57:460:57:49

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