Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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All my life, I've been a man of peace. | 0:00:02 | 0:00:03 | |
"We had not realised that our government was capable of..." | 0:00:03 | 0:00:05 | |
"Such folly and of such crookedness." | 0:00:05 | 0:00:08 | |
Ruth came to me to ask me to help her, | 0:00:09 | 0:00:11 | |
and I will not stop helping her until the truth is known. | 0:00:11 | 0:00:14 | |
The KGB have a list circulating. | 0:00:14 | 0:00:16 | |
On this list are the names of young men and women, | 0:00:16 | 0:00:19 | |
open to betraying their country. | 0:00:19 | 0:00:22 | |
-She was a Brightstone. -Who, what? | 0:00:22 | 0:00:24 | |
Ruth Elms was a Brightstone. | 0:00:24 | 0:00:25 | |
Mr Brightstone... Was there anybody else you recognised? | 0:00:27 | 0:00:30 | |
Yes, you, Freddie. | 0:00:30 | 0:00:32 | |
You must tell Mr Lyon to stop investigating the Elms story. | 0:00:33 | 0:00:36 | |
There is not a Soviet agent on my team, | 0:00:36 | 0:00:38 | |
the BBC perhaps, but not my team. | 0:00:38 | 0:00:41 | |
-They can't shut us down. -I've waited my entire life to run a programme like this. | 0:00:41 | 0:00:45 | |
It will not be snatched from me now. | 0:00:45 | 0:00:46 | |
We need to find a way of addressing the suspicion of collusion | 0:00:46 | 0:00:50 | |
between Britain and France, and Israel. | 0:00:50 | 0:00:53 | |
Like in a sketch. | 0:00:53 | 0:00:54 | |
Explain why you're throwing away your career for an affair that means nothing, | 0:00:54 | 0:00:58 | |
and if you're telling yourself anything other, you're lying. | 0:00:58 | 0:01:01 | |
He's always just on loan | 0:01:01 | 0:01:03 | |
and he always comes back. | 0:01:03 | 0:01:05 | |
Um, maybe a little higher? | 0:02:13 | 0:02:15 | |
Freddie, your mystery guest, he will be here, won't he? | 0:02:18 | 0:02:21 | |
If not, I have that bore from the British Communist Party | 0:02:21 | 0:02:24 | |
talking about the fall of Hungary and the effect on its members. | 0:02:24 | 0:02:27 | |
-Freddie? -Let's hope so. | 0:02:28 | 0:02:30 | |
The footage of the demonstration, I want it in less than five minutes, Freddie! | 0:02:31 | 0:02:35 | |
What's the map for? | 0:02:38 | 0:02:39 | |
Um, Admiral Green, the logistics of a land invasion. | 0:02:39 | 0:02:43 | |
-Fact not opinion, Bel. -Of course. | 0:02:43 | 0:02:46 | |
-What's Ron doing with a bookies' board? -Isaac's sketch. | 0:02:46 | 0:02:50 | |
It's suicide. | 0:02:50 | 0:02:51 | |
It's satire. | 0:02:51 | 0:02:53 | |
-Satire is comment. -Clarence, what would you have me do? | 0:02:53 | 0:02:56 | |
I have one piece of footage of a demonstration on which we cannot pass comment, | 0:02:56 | 0:02:59 | |
a reasonably dry interview with Admiral Green | 0:02:59 | 0:03:02 | |
and coverage of the American elections | 0:03:02 | 0:03:04 | |
the result of which will not be called until after we are off air. Freddie has an idea mid-programme. | 0:03:04 | 0:03:10 | |
I have 60 minutes to fill. | 0:03:10 | 0:03:12 | |
No! | 0:03:12 | 0:03:13 | |
The last 24 hours have been an exercise in how to air a news programme | 0:03:18 | 0:03:23 | |
that is taking place in less than two hours, when one can't discuss, analyse or debate the news. | 0:03:23 | 0:03:29 | |
I am allowing you to take this programme to the edge of acceptability, | 0:03:29 | 0:03:33 | |
so have your maps if you must, but Isaac's sketch does not play tonight. | 0:03:33 | 0:03:37 | |
Is it not our duty as journalists, to present balanced news, | 0:03:37 | 0:03:41 | |
frankly, fearlessly and reasonably? | 0:03:41 | 0:03:44 | |
Life is about compromise. | 0:03:44 | 0:03:46 | |
The country is at war. We cannot show dissent, we cannot show... | 0:03:46 | 0:03:49 | |
News! On a news programme! | 0:03:49 | 0:03:52 | |
It's absurd! | 0:03:52 | 0:03:54 | |
Hector, sweetheart, have we been swimming? | 0:03:56 | 0:03:59 | |
You two really need to sort this out. | 0:04:02 | 0:04:04 | |
You've missed a bit. | 0:04:06 | 0:04:07 | |
Sissy! | 0:04:09 | 0:04:11 | |
Coffee in my office now, please! | 0:04:11 | 0:04:13 | |
He slept in his office again, which by the way, is MY perk. Two nights. | 0:04:18 | 0:04:23 | |
Ah, Sissy, just the girl. Can you type up this copy for me? Thank you. | 0:04:23 | 0:04:27 | |
Have you seen Isaac? I typed up his script again, he keeps changing it. | 0:04:27 | 0:04:31 | |
He's ever such a perfectionist. | 0:04:31 | 0:04:32 | |
I've done the best I can. | 0:04:33 | 0:04:35 | |
I cut back the footage of the demonstration, | 0:04:35 | 0:04:37 | |
-removed the police officer attacking that man... -Clarence wants to cut Isaac's sketch. | 0:04:37 | 0:04:42 | |
Every broadsheet is raising the issue of collusion. | 0:04:45 | 0:04:48 | |
I said that. But if we say that Britain colluded with Israel and France | 0:04:48 | 0:04:51 | |
in an illegal war to get the canal back we're effectively saying... | 0:04:51 | 0:04:55 | |
Eden lied to his Cabinet, his party and the Commons? | 0:04:55 | 0:04:58 | |
Yes. | 0:04:58 | 0:04:59 | |
But we don't say that. | 0:05:01 | 0:05:02 | |
We just acknowledge as the rest of the world is doing | 0:05:02 | 0:05:05 | |
that it is an intelligent possibility. | 0:05:05 | 0:05:08 | |
If we use the word "collusion", even in a sketch, | 0:05:09 | 0:05:13 | |
then that's treason, isn't it? | 0:05:13 | 0:05:16 | |
They could take us off air. | 0:05:16 | 0:05:18 | |
Put the policeman back in. | 0:05:22 | 0:05:24 | |
Tell Isaac to take that hat off in case Clarence sees him. | 0:05:24 | 0:05:27 | |
Oh, Christ! Hector! | 0:05:32 | 0:05:35 | |
I'm sorry. | 0:05:38 | 0:05:39 | |
You can't sleep in your office. | 0:05:41 | 0:05:44 | |
Right. | 0:05:45 | 0:05:46 | |
You need to go home to Marnie. | 0:05:50 | 0:05:53 | |
Right. | 0:05:53 | 0:05:54 | |
Aren't you going to say anything else? | 0:05:54 | 0:05:57 | |
I love you. | 0:05:57 | 0:05:58 | |
Is that the best you can do? | 0:05:59 | 0:06:01 | |
-For the moment, yes. -What does that actually mean? | 0:06:03 | 0:06:06 | |
-It's pretty self-explanatory. -It isn't. It really, really isn't. | 0:06:06 | 0:06:10 | |
Explain! I'm sorry, you love me. | 0:06:10 | 0:06:14 | |
But is this a proposal? | 0:06:15 | 0:06:17 | |
-Ooh, how exciting. When were you thinking, June? -Why are you doing this? | 0:06:17 | 0:06:21 | |
Because you would want me to play bridge and stop working here, | 0:06:21 | 0:06:25 | |
the place that I love, doing the job that I have waited my whole life for. | 0:06:25 | 0:06:28 | |
I'm not asking you to marry me! | 0:06:28 | 0:06:30 | |
So what were you asking me? You want me to stay as your mistress? | 0:06:30 | 0:06:34 | |
Oh, it's heaps of fun having a mistress. | 0:06:34 | 0:06:36 | |
Heaps of fun being a mistress. | 0:06:36 | 0:06:38 | |
It's just what every marriage needs. | 0:06:38 | 0:06:40 | |
-I have done it once too often. -Enough! | 0:06:40 | 0:06:42 | |
I don't want to be a mistress any more. | 0:06:45 | 0:06:47 | |
And I, I'm certainly not waiting to be anyone's wife. | 0:06:48 | 0:06:53 | |
You need a wife. | 0:07:00 | 0:07:02 | |
Have you seen Freddie? | 0:07:06 | 0:07:07 | |
-No. -Shouldn't you be down on the floor? | 0:07:07 | 0:07:10 | |
Excuse me. | 0:07:31 | 0:07:32 | |
Please follow me. | 0:07:40 | 0:07:42 | |
-Freddie. -I know, I know, I heard... -My office, if you wouldn't mind. | 0:08:09 | 0:08:13 | |
Well, I'll just... | 0:08:15 | 0:08:16 | |
These gentlemen work for Her Majesty's Government. | 0:08:19 | 0:08:22 | |
-Really? -They wish to ask you a few questions. | 0:08:25 | 0:08:28 | |
I hope that is acceptable to you, Mr Lyon. | 0:08:28 | 0:08:30 | |
-Do I have a choice? -We note you didn't do National Service, Mr Lyon. | 0:08:30 | 0:08:34 | |
-No. -We've been aware of your activities for some time. | 0:08:34 | 0:08:37 | |
-We understand you have been pursuing the death of Peter Darrall. -Yes. | 0:08:37 | 0:08:41 | |
And that you've approached an eminent peer and his family as part of your investigation. | 0:08:41 | 0:08:46 | |
As you're aware, they have suffered a recent loss. | 0:08:46 | 0:08:48 | |
I'm sure they would prefer to be left alone in their grief. | 0:08:48 | 0:08:51 | |
-Yeah, you're very sure. -Thankfully I have been given reassurance by your editor | 0:08:51 | 0:08:55 | |
that you have now closed your investigation, that there was no story to be found. | 0:08:55 | 0:09:00 | |
FREDDIE LAUGHS | 0:09:04 | 0:09:05 | |
Is that it? | 0:09:07 | 0:09:08 | |
Is that how it works? Am I being signed off? | 0:09:10 | 0:09:13 | |
I suppose there are worse ways to go. | 0:09:14 | 0:09:17 | |
Robbery, heart attack or suicide, I've heard. Is that true? | 0:09:18 | 0:09:21 | |
Please forgive Mr Lyon, he's very, very tired. | 0:09:23 | 0:09:25 | |
None of us has slept more than a few hours over the last few weeks | 0:09:25 | 0:09:29 | |
and we do have a programme to get out. | 0:09:29 | 0:09:31 | |
I am impressed. I wasn't sure if any of you could talk. | 0:09:31 | 0:09:35 | |
-Well, time is moving on. -Mr Fendley has kindly vouched for your good character. | 0:09:35 | 0:09:39 | |
We will not bother you again. | 0:09:39 | 0:09:41 | |
Did you kill her? | 0:09:42 | 0:09:44 | |
Did you murder Ruth Elms? | 0:09:44 | 0:09:46 | |
Freddie. | 0:09:46 | 0:09:47 | |
Good afternoon, Mr Lyon. ..Mr Fendley. | 0:09:49 | 0:09:52 | |
Goodbye. | 0:09:55 | 0:09:56 | |
-Is that really it? -They are merely collectors. | 0:10:03 | 0:10:06 | |
They collect information and pass it onto colleagues who verify or deny what they have found. | 0:10:06 | 0:10:10 | |
-They are seekers of truth in their own way. -I've been following this story for months. | 0:10:10 | 0:10:14 | |
With you silently encouraging me, Clarence. | 0:10:14 | 0:10:17 | |
And now I am quietly asking you to stop. | 0:10:17 | 0:10:20 | |
I had to ask Douglas to use his considerable influence in Whitehall | 0:10:22 | 0:10:26 | |
to get them off your back. | 0:10:26 | 0:10:28 | |
-I'm on a list! -Ssh. | 0:10:28 | 0:10:30 | |
Close the door. | 0:10:39 | 0:10:41 | |
What list? | 0:10:47 | 0:10:48 | |
Of potential KGB recruits. | 0:10:48 | 0:10:50 | |
Brightstones, they call them. | 0:10:50 | 0:10:52 | |
Revert to Brightstone. | 0:10:52 | 0:10:55 | |
Was Peter Darrall giving someone the nod to find a new Brightstone to replace him? | 0:10:55 | 0:11:00 | |
What, you've seen this list? | 0:11:00 | 0:11:02 | |
No. But I've spoken to someone who has. | 0:11:02 | 0:11:04 | |
Someone who would be willing to come on the show, maybe even talk about Ruth's death. | 0:11:04 | 0:11:08 | |
The Elms case is tragic, but it is not news. | 0:11:08 | 0:11:11 | |
It's time to terminate it. | 0:11:15 | 0:11:16 | |
Terminate? | 0:11:16 | 0:11:18 | |
Too personal a story. | 0:11:18 | 0:11:20 | |
What is the news if it's not personal, Clarence? | 0:11:20 | 0:11:23 | |
It's all personal, otherwise why write about it? | 0:11:23 | 0:11:26 | |
If it doesn't matter to you personally | 0:11:26 | 0:11:28 | |
then what kind of person are you? | 0:11:28 | 0:11:31 | |
I'm on that list. So was Ruth. | 0:11:32 | 0:11:34 | |
Someone put us there. | 0:11:34 | 0:11:36 | |
Sit down, Freddie. | 0:11:37 | 0:11:39 | |
What I'm about to tell you, you can't reveal it, as there's a mole at the BBC. | 0:11:50 | 0:11:54 | |
But it might help you lay the Elms case to rest. | 0:11:54 | 0:11:57 | |
In March, I received a transcript of a telephone call | 0:11:57 | 0:12:00 | |
between a high-ranking member of the government... | 0:12:00 | 0:12:04 | |
and a key operative in the Secret Service. | 0:12:04 | 0:12:06 | |
It confirms an unofficial order bypassing the Foreign Office, | 0:12:06 | 0:12:11 | |
going straight to MI6 to bring down Nasser by whatever means they can. | 0:12:11 | 0:12:16 | |
To assassinate him? | 0:12:16 | 0:12:18 | |
In the transcript, two agents are mentioned. | 0:12:18 | 0:12:22 | |
Peter Darrall and Tom Kish. | 0:12:22 | 0:12:25 | |
Freddie, Nasser's attempted assassination is a bigger story. | 0:12:25 | 0:12:30 | |
I'm asking you to draw a line under this. You are at risk. | 0:12:30 | 0:12:37 | |
Can't you see that? | 0:12:37 | 0:12:39 | |
KNOCK ON DOOR | 0:12:39 | 0:12:41 | |
Have you seen Hector? I've written him a new intro for Eisenhower. | 0:12:41 | 0:12:44 | |
Lix, I need you to telephone your man in Cairo. | 0:12:52 | 0:12:55 | |
-I need you to ask him to dig deeper. -What's wrong, you're sweating? | 0:12:55 | 0:12:58 | |
I need to know everything about that trip Kish and Darrall made to Cairo. | 0:12:58 | 0:13:02 | |
-What were they doing there? Please, just do it. -All right, all right. I just need some time. | 0:13:02 | 0:13:07 | |
-Everyone on set now, please. -Yes. -We're live in 20 minutes! -We're coming! | 0:13:07 | 0:13:10 | |
Ron, can you move the top right? | 0:13:12 | 0:13:15 | |
-Oi, Billy Wilder, where do you want this? -Oh, perhaps behind the flat. | 0:13:15 | 0:13:18 | |
-It needs chalking up. -No one said anything about chalking up. -I'll do it. | 0:13:18 | 0:13:22 | |
Isaac, can you wrap it up? Clarence will be here any minute. | 0:13:22 | 0:13:25 | |
Marnie. | 0:13:33 | 0:13:35 | |
Oh. | 0:13:35 | 0:13:36 | |
Hector needed a clean shirt. And suit. | 0:13:37 | 0:13:41 | |
I was afraid that he might not have changed it all week. | 0:13:41 | 0:13:45 | |
It's that way. | 0:13:45 | 0:13:46 | |
Oh, good luck. For tonight. | 0:13:48 | 0:13:50 | |
Daddy's very excited wondering how it's all going to play. | 0:13:50 | 0:13:53 | |
I'm sure he'll be brilliant...Hector. | 0:13:53 | 0:13:56 | |
Ron, can I...? | 0:14:02 | 0:14:04 | |
It's fine just don't worry about it. | 0:14:04 | 0:14:06 | |
15 minutes, people. 15 minutes! | 0:14:07 | 0:14:09 | |
I wasn't sure if you'd prefer your navy or grey, so I took a decision. | 0:14:11 | 0:14:15 | |
-What are you doing here? -We tried the Dorchester, Savoy, | 0:14:15 | 0:14:19 | |
Claridges and you don't seem to be staying anywhere. | 0:14:19 | 0:14:22 | |
Have you even shaved today? | 0:14:22 | 0:14:23 | |
There's some clean undergarments and socks in the bag, and a fresh razor. | 0:14:23 | 0:14:27 | |
Shall I just...just put it here? | 0:14:28 | 0:14:31 | |
Yes. It's fine. Look, don't flap. | 0:14:31 | 0:14:34 | |
I do hope it didn't get terribly crushed in the underground. | 0:14:34 | 0:14:37 | |
Are you coming home? | 0:14:40 | 0:14:42 | |
< Camera check, five minutes... | 0:14:47 | 0:14:49 | |
Your toothbrush, there's a...toothbrush. | 0:14:49 | 0:14:52 | |
Thank you. | 0:14:52 | 0:14:55 | |
I said I'd meet Daddy upstairs any minute now, so... | 0:14:57 | 0:15:01 | |
Douglas has invited us for drinks. | 0:15:01 | 0:15:04 | |
Daddy thinks he's worried, that he might have got wind of something. | 0:15:05 | 0:15:09 | |
Apparently a number of opportunities have been opening up for you. | 0:15:09 | 0:15:14 | |
-He can't believe how silly you've been, the damage you could have caused. -Marnie... | 0:15:15 | 0:15:21 | |
I will give you today, Hector, | 0:15:22 | 0:15:26 | |
but if you don't come home... I will divorce you. | 0:15:26 | 0:15:30 | |
There's only so much humiliation one girl can take. | 0:15:32 | 0:15:35 | |
Oh. | 0:15:38 | 0:15:39 | |
There he is. | 0:15:41 | 0:15:43 | |
Daddy? | 0:15:44 | 0:15:46 | |
RINGING TONE | 0:15:48 | 0:15:50 | |
PHONE RINGS | 0:15:54 | 0:15:57 | |
You all right? | 0:16:13 | 0:16:15 | |
Sissy's calling last checks. | 0:16:15 | 0:16:18 | |
She's dumped you. | 0:16:26 | 0:16:28 | |
It gets better. | 0:16:32 | 0:16:33 | |
A couple of months, you won't feel like slitting your wrists | 0:16:33 | 0:16:37 | |
every time you see her. | 0:16:37 | 0:16:38 | |
You should write this down. | 0:16:41 | 0:16:42 | |
-I'm sure it'd make a good novel. -Already tried. | 0:16:42 | 0:16:45 | |
You just smile and say your lines. | 0:16:46 | 0:16:48 | |
The rest I'm sure you can sort later. | 0:16:48 | 0:16:50 | |
You patronising bastard. | 0:16:50 | 0:16:52 | |
I proved myself over the last three months, | 0:16:52 | 0:16:54 | |
more than proved myself, | 0:16:54 | 0:16:55 | |
-and just cos I haven't got your wit... -Oh, self pity. | 0:16:55 | 0:16:58 | |
..your banter and your dexterity, your armoury of words, | 0:16:58 | 0:17:01 | |
designed to floor, to floor me. | 0:17:01 | 0:17:03 | |
-Just cos I'm too polite to ask provocative questions... -And again. | 0:17:03 | 0:17:06 | |
Shut up! | 0:17:06 | 0:17:09 | |
You'll, um, need to prep for another interview. | 0:17:17 | 0:17:22 | |
Mid-programme. | 0:17:22 | 0:17:24 | |
-With who? -I've jotted down a few questions. | 0:17:24 | 0:17:28 | |
Oh, my God. | 0:17:30 | 0:17:32 | |
Does Bel know? | 0:17:32 | 0:17:34 | |
She's humouring me she doesn't, but she does. | 0:17:34 | 0:17:38 | |
He's not going to answer these questions, | 0:17:38 | 0:17:40 | |
-and I'm not going to ask them. -Fine. | 0:17:40 | 0:17:42 | |
There's one or two that's all right. | 0:17:42 | 0:17:44 | |
Do you think I'm a weak person, Hector? | 0:17:46 | 0:17:49 | |
What? | 0:17:49 | 0:17:50 | |
I've never been to war, I've never fought for anything... | 0:17:52 | 0:17:57 | |
You fight every day, Freddie. | 0:17:58 | 0:18:00 | |
Weak's not the word I'd use. | 0:18:00 | 0:18:02 | |
My father always said a hero is a man who's too afraid to run away. | 0:18:03 | 0:18:07 | |
If you want we can, um... | 0:18:11 | 0:18:13 | |
..run through those together on the floor. | 0:18:14 | 0:18:17 | |
Freddie, I'm going to give you all your birthdays, | 0:18:22 | 0:18:25 | |
Christmases and holidays at once. | 0:18:25 | 0:18:27 | |
There's a story circulating the foreign press. | 0:18:27 | 0:18:31 | |
It's all conjecture, but in May... | 0:18:31 | 0:18:35 | |
Nasser's dentist was approached with a bribe to poison Nasser. | 0:18:35 | 0:18:38 | |
Two MI6 operatives met with him, posing as British diplomats. | 0:18:38 | 0:18:42 | |
I know. | 0:18:42 | 0:18:44 | |
Freddie, you need to hear this. | 0:18:44 | 0:18:46 | |
Apparently...apparently they had a female companion with them. | 0:18:48 | 0:18:53 | |
Pretty girl, blonde, well educated. | 0:18:54 | 0:18:57 | |
-No. -Freddie, it was Ruth. | 0:18:57 | 0:19:00 | |
She was the bait. | 0:19:00 | 0:19:02 | |
It seems as though there was nothing she wouldn't have done | 0:19:02 | 0:19:05 | |
for Peter Darrall. | 0:19:05 | 0:19:06 | |
She was working with them, Freddie. | 0:19:06 | 0:19:09 | |
I'm sorry. | 0:19:10 | 0:19:12 | |
Hector, how did you get on...? | 0:19:13 | 0:19:15 | |
-LOUDSPEAKER: -All staff on The Hour to studio D, please! | 0:19:26 | 0:19:30 | |
Five minute introduction, factual report on the Suez demonstration, | 0:19:33 | 0:19:39 | |
intercut with footage, then we're back to the studio | 0:19:39 | 0:19:41 | |
for military analysis of the ground invasion | 0:19:41 | 0:19:43 | |
with Admiral Green - see if he's here yet. | 0:19:43 | 0:19:45 | |
-Lix? -Move on to coverage of the United States. | 0:19:45 | 0:19:47 | |
Montgomery does general assessment of the election | 0:19:47 | 0:19:50 | |
then canvasses opinion of the wider political landscape. | 0:19:50 | 0:19:53 | |
-Isaac's sketch... -Miss Rowley, five minutes. | 0:19:53 | 0:19:55 | |
Clear the set, please, five minutes! | 0:19:55 | 0:19:57 | |
Mark? | 0:19:57 | 0:19:59 | |
Thank you. | 0:19:59 | 0:20:00 | |
Why's Isaac got a moustache? | 0:20:01 | 0:20:04 | |
Er, Guy Fawkes. | 0:20:04 | 0:20:05 | |
That was yesterday. | 0:20:05 | 0:20:07 | |
LAUGHTER | 0:20:08 | 0:20:10 | |
Extraordinary technology... | 0:20:11 | 0:20:13 | |
THEY CHATTER INAUDIBLY | 0:20:13 | 0:20:15 | |
Yes. | 0:20:18 | 0:20:19 | |
-I want them off my set. -We'll be watching from the Executive bar upstairs. | 0:20:19 | 0:20:24 | |
-That's meant to comfort me? -Good luck. | 0:20:24 | 0:20:26 | |
Clarence? | 0:20:26 | 0:20:29 | |
Mr Lyon. | 0:20:33 | 0:20:34 | |
You're very chirpy tonight. | 0:20:34 | 0:20:36 | |
Well, one must remain optimistic. | 0:20:36 | 0:20:38 | |
Wonderful piece this morning in the Daily Express, | 0:20:38 | 0:20:41 | |
rallying around our Prime Minister in the midst of such sniping. | 0:20:41 | 0:20:44 | |
I bought 12 copies, handed them out. | 0:20:44 | 0:20:46 | |
Boosted party morale. | 0:20:46 | 0:20:48 | |
Nothing like rearranging the deckchairs as the hull starts to tip. | 0:20:48 | 0:20:51 | |
Will you ever tire of such cynicism? | 0:20:51 | 0:20:53 | |
Hope you're cosying up to Macmillan. | 0:20:53 | 0:20:55 | |
Be terribly cold for you when this is all over. | 0:20:55 | 0:20:58 | |
Where will you go when all the dirty secrets come out? | 0:20:58 | 0:21:02 | |
One word of dissent in this time of war and... | 0:21:03 | 0:21:06 | |
They shot deserters for less. | 0:21:06 | 0:21:09 | |
Freddie, see you upstairs afterwards for a drink? | 0:21:09 | 0:21:12 | |
Ringside seats. | 0:21:12 | 0:21:14 | |
Mr Lyon, time. | 0:21:14 | 0:21:15 | |
I feel sick. | 0:21:17 | 0:21:18 | |
Don't be wet. | 0:21:18 | 0:21:20 | |
Hector. | 0:21:23 | 0:21:24 | |
Douglas invited me down. | 0:21:27 | 0:21:29 | |
To keep an eye on me? | 0:21:29 | 0:21:30 | |
SHERWIN CHUCKLES | 0:21:30 | 0:21:32 | |
Marnie insisted. | 0:21:36 | 0:21:38 | |
Thought you might need the support tonight. | 0:21:38 | 0:21:41 | |
Mr Madden, they're waiting. | 0:21:41 | 0:21:43 | |
That's fine, thank you. | 0:21:43 | 0:21:44 | |
Cigarette out, please, sir. | 0:21:44 | 0:21:46 | |
She's beside herself. | 0:21:53 | 0:21:55 | |
This is not the time. | 0:21:55 | 0:21:57 | |
Do you have any idea what you are risking here? | 0:22:00 | 0:22:03 | |
I couldn't care less | 0:22:03 | 0:22:05 | |
what antics you're embroiled in in your private life, | 0:22:05 | 0:22:08 | |
just don't bring them into your marriage. | 0:22:08 | 0:22:11 | |
You have only one of those, Hector, and one career. | 0:22:11 | 0:22:15 | |
Now, you make them both work or neither will. | 0:22:15 | 0:22:18 | |
Don't tell me what to do, Wallace. | 0:22:18 | 0:22:20 | |
I married your daughter, not you. | 0:22:20 | 0:22:22 | |
Don't get ahead of yourself, Hector. | 0:22:22 | 0:22:24 | |
See your limits, like the rest of us do. | 0:22:24 | 0:22:27 | |
Success is in your hands. | 0:22:27 | 0:22:30 | |
Think about where your loyalties lie. | 0:22:30 | 0:22:32 | |
Don't be ashamed to let yourself down, now you've got this far. | 0:22:32 | 0:22:37 | |
HE SIGHS | 0:22:45 | 0:22:47 | |
So, Admiral, you will notice two lights, two cameras. | 0:22:47 | 0:22:51 | |
-When the light turns red. -Yes, yes, I look... | 0:22:51 | 0:22:54 | |
Mr Madden will introduce you before you give your presentation. | 0:22:54 | 0:22:57 | |
-Admiral Green, delighted you could join us tonight. -Very good. | 0:22:57 | 0:23:00 | |
-Ron will show you where you're sitting. -Righty-ho. | 0:23:00 | 0:23:03 | |
Hurry up, Daddy, it's almost starting. | 0:23:06 | 0:23:08 | |
There we are. | 0:23:08 | 0:23:09 | |
-Um, Clarence. -Thank you. | 0:23:09 | 0:23:12 | |
-Is your guest here yet? -No. | 0:23:17 | 0:23:20 | |
And a penitent communist won't cut it. | 0:23:21 | 0:23:23 | |
He will if you don't fill that slot, Freddie. | 0:23:23 | 0:23:26 | |
-I am serious, I have really stuck my neck out for you. -He'll come. | 0:23:26 | 0:23:31 | |
What's wrong? | 0:23:31 | 0:23:33 | |
-Tell me. -Nothing. | 0:23:33 | 0:23:35 | |
He'll come. | 0:23:35 | 0:23:37 | |
If he's not here by the end of the second slot, then... | 0:23:38 | 0:23:41 | |
Ron, cue up our communist chap for the last slot if I give you the nod. | 0:23:42 | 0:23:48 | |
Are you coming up? | 0:23:48 | 0:23:51 | |
Moneypenny. | 0:23:51 | 0:23:53 | |
Whatever happens tonight, we, um... | 0:23:53 | 0:23:56 | |
we mustn't regret a minute of it. | 0:23:56 | 0:23:58 | |
Um, good luck, everyone. | 0:24:09 | 0:24:12 | |
Let's make this an extraordinary show for extraordinary times. | 0:24:12 | 0:24:15 | |
And, Ron, keep the bloody boom out of shot. | 0:24:15 | 0:24:19 | |
LAUGHTER | 0:24:19 | 0:24:20 | |
Ladies and gentlemen, are we ready? | 0:24:20 | 0:24:23 | |
-Oh, Angus, please. -Thank you. | 0:24:27 | 0:24:29 | |
Best seat in the house. | 0:24:29 | 0:24:30 | |
You got a bit of glue on you. | 0:24:45 | 0:24:47 | |
Do you think the moustache is too much? | 0:24:47 | 0:24:49 | |
No, it's very dashing. | 0:24:49 | 0:24:51 | |
Break a leg. | 0:24:51 | 0:24:52 | |
Hope not. | 0:24:52 | 0:24:54 | |
-No, no, it's just what you say when... -No, no, I know, yes. | 0:24:54 | 0:24:57 | |
Sorry, funny. | 0:24:57 | 0:25:00 | |
-Freddie... -All present and correct. | 0:25:01 | 0:25:03 | |
You know they put donkeys in with racehorses to calm them down. | 0:25:03 | 0:25:08 | |
You all right? | 0:25:08 | 0:25:10 | |
Fine. | 0:25:10 | 0:25:12 | |
Standby for count down. | 0:25:16 | 0:25:17 | |
-Will you be able to see? -Yes. | 0:25:17 | 0:25:19 | |
Wonderful team effort. | 0:25:22 | 0:25:25 | |
I do hope it doesn't all go to waste. | 0:25:25 | 0:25:27 | |
Five... | 0:25:43 | 0:25:44 | |
..four... | 0:25:45 | 0:25:47 | |
..three... | 0:25:48 | 0:25:49 | |
..two... | 0:25:50 | 0:25:52 | |
..one - go straight to studio. | 0:25:53 | 0:25:56 | |
Good evening. | 0:25:56 | 0:25:57 | |
Welcome to The Hour in this most extraordinary week. | 0:25:57 | 0:26:01 | |
In the last seven days, Britain and France have invaded Egypt. | 0:26:01 | 0:26:04 | |
A vast military operation is underway there, | 0:26:04 | 0:26:08 | |
and we are fortunate to have Admiral Green with us here - | 0:26:08 | 0:26:11 | |
one of the leading experts in tactical warfare. | 0:26:11 | 0:26:14 | |
-Admiral Green, thank you for joining us tonight. -Thank you. | 0:26:14 | 0:26:17 | |
-That's the wrong camera. -Wrong camera! | 0:26:17 | 0:26:20 | |
Wrong camera! | 0:26:20 | 0:26:21 | |
Wrong camera. | 0:26:21 | 0:26:22 | |
-And we have this very handy map to demonstrate. -Yes. | 0:26:26 | 0:26:29 | |
Would you like to show us exactly how the French | 0:26:29 | 0:26:32 | |
-and British invasion unfolded? -Absolutely. | 0:26:32 | 0:26:34 | |
At 05:15 hours yesterday, British airborne forces | 0:26:34 | 0:26:38 | |
were dropped on Gamil airbase, five miles west of Port Said. | 0:26:38 | 0:26:45 | |
After a fierce fight, they successfully took the airfield, | 0:26:45 | 0:26:49 | |
while French airborne troops landed south of Port Said. | 0:26:49 | 0:26:53 | |
Certainly efficient. | 0:26:54 | 0:26:56 | |
This success paves the way for advance on military targets further south. | 0:26:56 | 0:27:02 | |
Standby on the Eisenhower election campaign - how we doing? | 0:27:03 | 0:27:05 | |
Two minutes 13. | 0:27:05 | 0:27:07 | |
In your view, how well planned was this operation? | 0:27:07 | 0:27:10 | |
It's impressive, | 0:27:10 | 0:27:11 | |
the speed with which it's been organised - commendable. | 0:27:11 | 0:27:14 | |
Yes. Hear hear! | 0:27:14 | 0:27:16 | |
And it's our duty to continue | 0:27:16 | 0:27:17 | |
until the whole of the Canal Zone is once more under British and French control. | 0:27:17 | 0:27:22 | |
Nut? | 0:27:25 | 0:27:26 | |
Yes, why not? | 0:27:26 | 0:27:27 | |
-This is the only way to bring stability. -Let's hope so. | 0:27:29 | 0:27:33 | |
-Thank you very much, Admiral. -Thank you very much. | 0:27:33 | 0:27:36 | |
So far, so good. | 0:27:36 | 0:27:37 | |
And now it's over to America, with news coming in that Eisenhower has taken Texas. | 0:27:38 | 0:27:43 | |
Here is a report from our man in Washington, Robert Montgomery, | 0:27:43 | 0:27:46 | |
who sent this from the Election Trail. | 0:27:46 | 0:27:49 | |
Thank you. | 0:27:49 | 0:27:50 | |
-MONTGOMERY: -'Certainly canvassing opinion it is clear | 0:27:50 | 0:27:53 | |
'that Eisenhower seems on course to win. | 0:27:53 | 0:27:57 | |
'But there are those who believe his surge in popularity has been | 0:27:58 | 0:28:01 | |
'in part bolstered by his refusal to be drawn into the crisis in Suez.' | 0:28:01 | 0:28:06 | |
-AMERICAN INTERVIEWEE: -'Your Prime Minister may have | 0:28:06 | 0:28:08 | |
-'defended Suez in your economic interest.' -Oh, Christ. | 0:28:08 | 0:28:11 | |
'But from an American perspective, well, we'd be asking questions.' | 0:28:11 | 0:28:15 | |
Clarence? | 0:28:15 | 0:28:16 | |
'That's why I voted for Eisenhower, | 0:28:16 | 0:28:19 | |
'because he kept the hell out of there.' | 0:28:19 | 0:28:21 | |
Whose idea was this? | 0:28:21 | 0:28:23 | |
Views expressed by foreign nationals do not contravene the rule. | 0:28:23 | 0:28:29 | |
HE SIGHS | 0:28:33 | 0:28:35 | |
The protests in London are in response to events in Suez, | 0:28:35 | 0:28:39 | |
and our country is divided. | 0:28:39 | 0:28:41 | |
Oh, God, what next? | 0:28:41 | 0:28:44 | |
-We've been on the streets of London this week... -Stand by, TC. | 0:28:44 | 0:28:47 | |
-And this is what we saw... -Cue TC. | 0:28:47 | 0:28:50 | |
We're standing in a side street by Trafalgar Square. | 0:28:50 | 0:28:53 | |
You can see the crowds behind me. | 0:28:53 | 0:28:55 | |
"Law Not War" is the message they are taking to Downing Street today. | 0:28:55 | 0:29:00 | |
You can hear the crowds chanting, "one, two, three, four, | 0:29:00 | 0:29:04 | |
"we won't fight in Eden's war," | 0:29:04 | 0:29:06 | |
as they snake their way from every corner along Whitehall. | 0:29:06 | 0:29:11 | |
I met a man who'd come down from Carlisle this morning, | 0:29:11 | 0:29:14 | |
another from Lincolnshire... | 0:29:14 | 0:29:16 | |
Come back on the sound levels a bit. Time? | 0:29:16 | 0:29:18 | |
12 minutes 14 seconds. | 0:29:18 | 0:29:20 | |
REPORTER: Madam, I notice you're wearing medals. May I ask you which regiment? | 0:29:20 | 0:29:24 | |
Royal East Kent Regiment. | 0:29:24 | 0:29:26 | |
-He looks nervous tonight. -Mmmm. | 0:29:26 | 0:29:30 | |
REPORTER: Your husband's? | 0:29:30 | 0:29:32 | |
Son, and... | 0:29:32 | 0:29:34 | |
I don't want to lose another, | 0:29:34 | 0:29:36 | |
not that I don't know what we're fighting for. | 0:29:36 | 0:29:39 | |
-I notice that you've brought his daughter here today. -She never knew him, I... | 0:29:39 | 0:29:43 | |
I want her to remember today. | 0:29:43 | 0:29:45 | |
'If Sir Anthony Eden is sincere | 0:29:48 | 0:29:52 | |
'in what he is saying, and he may be...' | 0:29:52 | 0:29:55 | |
Um, anyone for a top-up? | 0:29:55 | 0:29:59 | |
-No, thank you. -'..If he is sincere in what he is saying, then he is too stupid to be a Prime Minister!' | 0:29:59 | 0:30:05 | |
CROWD CHEERS ON TV | 0:30:05 | 0:30:07 | |
Good on the Green interview. | 0:30:13 | 0:30:15 | |
-I would've been harder. -You weren't interviewing. | 0:30:15 | 0:30:17 | |
Get the communist chap ready. I can't wait any longer, Freddie. | 0:30:17 | 0:30:21 | |
He's not coming! Where are you going? | 0:30:21 | 0:30:24 | |
Let me make one more phone call. | 0:30:24 | 0:30:28 | |
Isaac, get ready. We're going straight to the sketch. | 0:30:28 | 0:30:31 | |
-TV: 'The police have gone bleeding mad. -They're just hitting out at anybody. | 0:30:34 | 0:30:38 | |
'A woman's on the floor. No-one's helping her.' | 0:30:38 | 0:30:41 | |
'It's becoming heated. You can see people running all over the place. | 0:30:41 | 0:30:45 | |
'There are police on horseback desperately trying to control the fray.' | 0:30:45 | 0:30:50 | |
A little harsh. | 0:30:52 | 0:30:54 | |
No laws broken yet, Angus. | 0:30:54 | 0:30:57 | |
Maybe I'd better have that top-up. | 0:30:59 | 0:31:03 | |
Time. | 0:31:07 | 0:31:09 | |
Five. | 0:31:09 | 0:31:10 | |
Four. | 0:31:10 | 0:31:11 | |
Three. Two. | 0:31:13 | 0:31:15 | |
One. Back to studio. | 0:31:15 | 0:31:18 | |
PHONE RINGS OUT | 0:31:18 | 0:31:21 | |
It was Ovid who said a horse never runs so fast | 0:31:25 | 0:31:28 | |
as when he has other horses to catch up and outpace. | 0:31:28 | 0:31:32 | |
-What now? -'Here at The Hour, we thought what better way to view the fast-unfolding events of recent days | 0:31:32 | 0:31:37 | |
'than by our very own day at the races?' | 0:31:37 | 0:31:41 | |
And what a beautiful day it is, | 0:31:43 | 0:31:45 | |
as punters place their last bets for this key race. | 0:31:45 | 0:31:49 | |
You can see them lining up at the post. One or two are frisky. | 0:31:49 | 0:31:52 | |
There's Colonel Nasser in the red, white and black... | 0:31:52 | 0:31:55 | |
Sketch? | 0:31:55 | 0:31:56 | |
You never said anything about a sketch. | 0:31:56 | 0:31:59 | |
There's the stars and stripes. President Eisenhower, | 0:31:59 | 0:32:02 | |
he's got the blinkers on, but his nose is set. | 0:32:02 | 0:32:07 | |
Yes, Eisenhower's hoping for electoral victory today. | 0:32:07 | 0:32:10 | |
And from where we're standing, it could be any man's race. | 0:32:10 | 0:32:14 | |
And they're off! | 0:32:14 | 0:32:15 | |
It's a good start for Rule Britannia | 0:32:15 | 0:32:17 | |
and Mademoiselle Francaise, heading off at a steady pace. | 0:32:17 | 0:32:21 | |
What is he saying? | 0:32:21 | 0:32:23 | |
I think it's a play on horse racing, Daddy. | 0:32:23 | 0:32:27 | |
You see, there's rather witty odds on Rule Britannia | 0:32:27 | 0:32:30 | |
and Mademoiselle Francaise to win. | 0:32:30 | 0:32:32 | |
It's a bloody farce. | 0:32:32 | 0:32:35 | |
What fun! | 0:32:35 | 0:32:37 | |
And there's no stopping | 0:32:37 | 0:32:39 | |
the Colonel. He's a good nose ahead. | 0:32:39 | 0:32:42 | |
And the United Nations are clearly flagging... | 0:32:42 | 0:32:45 | |
Fall back a bit. | 0:32:47 | 0:32:49 | |
Eisenhower's fallen back, his eye on the long game. | 0:32:49 | 0:32:52 | |
Amy, will you double check that there are no messages for me? | 0:32:52 | 0:32:57 | |
He's threatening to invade. He's invading. | 0:32:57 | 0:33:01 | |
Colonel Nasser is not happy. | 0:33:01 | 0:33:03 | |
The Israeli is in suspect form. | 0:33:04 | 0:33:07 | |
Look out, here come the American press. | 0:33:13 | 0:33:17 | |
And the American press are voicing concern. | 0:33:17 | 0:33:19 | |
Two riderless horses are moving in. | 0:33:19 | 0:33:22 | |
Man Of Peace and Illegal War. | 0:33:24 | 0:33:27 | |
Rule Britannia and Mademoiselle Francaise are clearly astounded. | 0:33:29 | 0:33:32 | |
Looks like Man Of Peace will undoubtedly win this race. | 0:33:32 | 0:33:36 | |
Yes, ladies and gentlemen, this is mayhem. | 0:33:36 | 0:33:39 | |
I've never seen the like. It is mayhem today! | 0:33:39 | 0:33:42 | |
Illegal War will now take over Man Of Peace to cross the line. | 0:33:42 | 0:33:46 | |
I specifically said no sketch! | 0:33:46 | 0:33:49 | |
The steward is waving his flag. | 0:33:50 | 0:33:52 | |
Just bring the bloody lights down. | 0:33:52 | 0:33:56 | |
..in a fury - there's sure to be an enquiry. | 0:33:56 | 0:34:01 | |
Stop it. Bring the lights down if you have to. Now! | 0:34:01 | 0:34:04 | |
Ladies and gentleman, the race has been pulled | 0:34:04 | 0:34:06 | |
as the riderless horses cross the line in a photo finish. | 0:34:06 | 0:34:10 | |
So, this is the BBC? | 0:34:21 | 0:34:26 | |
Where do you want me? | 0:34:26 | 0:34:27 | |
Ladies and gentlemen, all bets are off. | 0:34:27 | 0:34:30 | |
There are no winners today. | 0:34:30 | 0:34:32 | |
Bring the lights up on Hector. | 0:34:32 | 0:34:34 | |
Are you completely, completely mad? I said no sketch. | 0:34:37 | 0:34:40 | |
I specifically said no sketch! What the hell are you doing? | 0:34:40 | 0:34:43 | |
Trying to stay on air. We're still live. | 0:34:43 | 0:34:46 | |
Stand by with the Communist Party interview. | 0:34:49 | 0:34:52 | |
Counting down. | 0:34:54 | 0:34:55 | |
Five, four, | 0:34:55 | 0:34:57 | |
three, two, one. | 0:34:57 | 0:35:01 | |
We're joined in the studio | 0:35:01 | 0:35:03 | |
by a member of the British Communist Party, who is... | 0:35:03 | 0:35:06 | |
Different interview. Get our comrade out. | 0:35:06 | 0:35:09 | |
I'm terribly, sorry, ladies and gentlemen, that, er... | 0:35:09 | 0:35:12 | |
that interview won't be happening. | 0:35:12 | 0:35:14 | |
-And what do we have next? -This is my programme. | 0:35:14 | 0:35:17 | |
-You left tonight in my hands. -Bel, dear, | 0:35:17 | 0:35:20 | |
you might want to see this. | 0:35:20 | 0:35:22 | |
Thattaboy. | 0:35:27 | 0:35:29 | |
I must apologise for the technical fault. | 0:35:29 | 0:35:31 | |
There are gremlins everywhere. But that will not stop us tonight. | 0:35:31 | 0:35:36 | |
Our next guest, Lord Elms of Framlingham... | 0:35:36 | 0:35:38 | |
What was Hector thinking of? This could ruin him. | 0:35:38 | 0:35:42 | |
What's he doing here? | 0:35:42 | 0:35:43 | |
'..Is a Conservative peer...' | 0:35:43 | 0:35:45 | |
I don't know. I'll find out. | 0:35:45 | 0:35:47 | |
..in light of the momentous events of the last week. | 0:35:47 | 0:35:51 | |
The House of Lords, of course, is one of our oldest institutions and, er... | 0:35:52 | 0:35:58 | |
-Is he bottling it? -Yes. | 0:36:00 | 0:36:03 | |
..keeping an eye on the actions and decisions of Government... | 0:36:03 | 0:36:07 | |
PHONE RINGS | 0:36:07 | 0:36:10 | |
Yes. | 0:36:10 | 0:36:12 | |
..Bringing a wealth of experience, making laws, legislation, public policy... | 0:36:12 | 0:36:19 | |
I'll try to find out. | 0:36:19 | 0:36:20 | |
You're going to have to explain to Douglas | 0:36:20 | 0:36:24 | |
why no-one was informed that Lord Elms would be joining us on the programme tonight. | 0:36:24 | 0:36:28 | |
Keep going. | 0:36:36 | 0:36:37 | |
..perspective on legislation. | 0:36:37 | 0:36:39 | |
Tonight, Lord Elms... | 0:36:39 | 0:36:42 | |
will be interviewed by... | 0:36:43 | 0:36:44 | |
..my colleague. Mr Frederick Lyon, our home affairs reporter, | 0:36:50 | 0:36:54 | |
who has been keeping a very close eye on events. | 0:36:54 | 0:36:58 | |
-Lord Elms will have no doubt have something to say... -Christ. | 0:36:58 | 0:37:02 | |
..about the situation, and in particular... | 0:37:02 | 0:37:05 | |
Ron, keep it going. | 0:37:05 | 0:37:07 | |
..about this government. | 0:37:07 | 0:37:09 | |
Camera two. | 0:37:10 | 0:37:15 | |
Um...good evening, Lord Elms. | 0:37:24 | 0:37:27 | |
-Thank you for joining us tonight. -Thank you for asking me. | 0:37:29 | 0:37:32 | |
You have been a member of the House of Lords for many years. | 0:37:32 | 0:37:36 | |
Yes. I also served in both world wars. | 0:37:36 | 0:37:39 | |
And for several years, I practised at the bar. | 0:37:39 | 0:37:42 | |
And you've known Sir Anthony Eden for many years. Is that correct? | 0:37:42 | 0:37:45 | |
-Yes. -And what is your opinion of the Prime Minister? | 0:37:45 | 0:37:49 | |
I...I have believed him an honourable man. | 0:37:58 | 0:38:03 | |
-I've supported the Prime Minister in the past. -And what of now, Lord Elms? | 0:38:03 | 0:38:07 | |
I ask you as someone who has believed | 0:38:09 | 0:38:11 | |
and for many years, served this government. | 0:38:11 | 0:38:13 | |
What is your view of the government today? | 0:38:13 | 0:38:18 | |
I find that all that I believed, | 0:38:18 | 0:38:22 | |
all that I held true has been turned upside down in these last few fragile months. | 0:38:22 | 0:38:29 | |
I see. | 0:38:29 | 0:38:31 | |
And why is that, sir? | 0:38:31 | 0:38:33 | |
I don't care what you do, but you shut this programme down now. | 0:38:33 | 0:38:39 | |
Did you hear that, Clarence? | 0:38:39 | 0:38:41 | |
-I find myself... -I'll call presentation now. | 0:38:41 | 0:38:44 | |
..At an impasse, with a sense of loss | 0:38:44 | 0:38:48 | |
so great, one could call it a crisis of my own. | 0:38:48 | 0:38:55 | |
Put me through to Presentation. | 0:38:57 | 0:38:59 | |
It's a personal crisis, sir? A story that is close to you? | 0:38:59 | 0:39:05 | |
But it is not simply personal. | 0:39:07 | 0:39:09 | |
It's a loss of trust, a loss of belief | 0:39:09 | 0:39:12 | |
and more, a loss of my own ability | 0:39:12 | 0:39:17 | |
to judge what is true any more. | 0:39:17 | 0:39:21 | |
Is it not the case, Lord Elms, that it is a personal experience | 0:39:21 | 0:39:26 | |
that has led to this doubt? | 0:39:26 | 0:39:29 | |
All that I know is that | 0:39:32 | 0:39:33 | |
when the authority of a government is challenged, that government | 0:39:33 | 0:39:38 | |
will do everything in its power to ensure they are not exposed | 0:39:38 | 0:39:43 | |
as the... | 0:39:43 | 0:39:45 | |
liars and murderers... | 0:39:45 | 0:39:50 | |
that they are. | 0:39:52 | 0:39:55 | |
Liars and murderers? | 0:40:08 | 0:40:10 | |
These are strong words, Lord Elms. | 0:40:10 | 0:40:13 | |
Yes. I do not use them lightly. | 0:40:13 | 0:40:16 | |
And what was it that made you so radically change your view? | 0:40:16 | 0:40:20 | |
I have come to understand that it is possible, Frederick, | 0:40:20 | 0:40:26 | |
to be a patriot and at the same time question and judge | 0:40:26 | 0:40:32 | |
the wisdom and rightness of the government in power. | 0:40:32 | 0:40:36 | |
Ladies and gentlemen, if we cannot debate | 0:40:36 | 0:40:41 | |
that which troubles our society, | 0:40:41 | 0:40:43 | |
and more importantly troubles our government, | 0:40:43 | 0:40:47 | |
then we cannot in all honesty call ourselves a democracy. | 0:40:47 | 0:40:51 | |
If we cannot question our leaders | 0:40:55 | 0:40:57 | |
as they embark on what has been called an illegal military action, | 0:40:57 | 0:41:02 | |
an action publicly opposed by the United States government... | 0:41:02 | 0:41:06 | |
Shut it down now. | 0:41:06 | 0:41:08 | |
And the countries of the United Nations Security Council... | 0:41:08 | 0:41:11 | |
I want it off now. | 0:41:11 | 0:41:12 | |
-If we cannot reasonably and intelligently query... -Shut down The Hour. | 0:41:12 | 0:41:16 | |
-..about the rightness of an action that appears at heart to be deceitful... -Do it now. | 0:41:16 | 0:41:20 | |
Then we are not a free - | 0:41:20 | 0:41:22 | |
You're fired. | 0:41:44 | 0:41:46 | |
Right. | 0:41:46 | 0:41:47 | |
I expected nothing less. | 0:41:47 | 0:41:49 | |
For God's sake, turn that camera off. | 0:42:10 | 0:42:12 | |
36 minutes and 39 seconds. It's not bad. | 0:42:24 | 0:42:27 | |
Lord Elms, your car is waiting for you. | 0:42:27 | 0:42:30 | |
Thank you. | 0:42:34 | 0:42:36 | |
Lord Elms...did you realise how far Peter Darrall had led Ruth? | 0:43:05 | 0:43:12 | |
You know, Frederick, when you were first evacuated to us, | 0:43:15 | 0:43:19 | |
you were nearly 12. | 0:43:19 | 0:43:21 | |
We sent our driver to the station to pick you up. | 0:43:21 | 0:43:23 | |
It was only many years later that he told me | 0:43:23 | 0:43:26 | |
you chatted all the way to the house, insisted on sitting next to him. | 0:43:26 | 0:43:31 | |
You thought he was me. | 0:43:31 | 0:43:32 | |
You didn't see his rough hands. | 0:43:34 | 0:43:36 | |
You only saw a man you could talk about cars with. | 0:43:36 | 0:43:39 | |
I've thought often of this | 0:43:39 | 0:43:43 | |
and what a disappointment we must have been to you. | 0:43:43 | 0:43:46 | |
I must have been. | 0:43:46 | 0:43:48 | |
So stiff. | 0:43:48 | 0:43:49 | |
Always sitting in the back, away from the real conversation, when all you wanted | 0:43:49 | 0:43:54 | |
was to sit in the front and talk. | 0:43:54 | 0:43:57 | |
I realise it's what Ruthie longed for from me. | 0:43:57 | 0:44:02 | |
Such discoveries. | 0:44:04 | 0:44:05 | |
All too late. | 0:44:07 | 0:44:09 | |
We should have talked to her. | 0:44:12 | 0:44:14 | |
Not let her stray so far. | 0:44:16 | 0:44:19 | |
It all comes back to Ruth. | 0:44:24 | 0:44:25 | |
That's why MI6 killed her. | 0:44:30 | 0:44:32 | |
It all comes back to Ruthie. | 0:44:35 | 0:44:40 | |
I'll drive you home. | 0:44:49 | 0:44:51 | |
I have my car. I can drive my wife home. | 0:44:51 | 0:44:53 | |
Daddy, I'll be fine. | 0:44:55 | 0:44:56 | |
Shall we speak tomorrow, Hector? | 0:44:58 | 0:45:01 | |
There's a lot to talk about. | 0:45:01 | 0:45:03 | |
You made the right decision tonight. | 0:45:05 | 0:45:06 | |
I made a decision tonight, Wallace. | 0:45:06 | 0:45:09 | |
Well, you know where I am. | 0:45:11 | 0:45:13 | |
-Five minutes. -Hector... -Wait downstairs. | 0:45:16 | 0:45:19 | |
You're coming home? | 0:45:19 | 0:45:21 | |
Please convey my commiserations to Miss Rowley. | 0:45:26 | 0:45:29 | |
For her programme tonight. | 0:45:31 | 0:45:34 | |
I can't go back to the mailroom. I can't. I can't bear it. | 0:45:44 | 0:45:49 | |
The trick is to get very, very drunk and then dance until you're sick. | 0:45:49 | 0:45:55 | |
Fancy a drink? | 0:45:56 | 0:45:59 | |
I'll just get my coat. | 0:45:59 | 0:46:01 | |
-Mr Lyon? -Well, at least you can't say your copy's boring any more. | 0:46:03 | 0:46:08 | |
Whisky's finished. | 0:46:10 | 0:46:12 | |
-Lix, coming? -No, not tonight. | 0:46:12 | 0:46:13 | |
Tonight, I just want to go home. | 0:46:13 | 0:46:16 | |
Bravo, sweetheart. | 0:46:17 | 0:46:19 | |
Today you reminded me why I do this job. | 0:46:19 | 0:46:22 | |
You bottled that last interview. | 0:46:46 | 0:46:47 | |
Ambition over integrity, Hector, well done. | 0:46:47 | 0:46:52 | |
Freddie needed a chance. | 0:46:52 | 0:46:54 | |
Liar. | 0:46:54 | 0:46:55 | |
Do you think it's over? | 0:46:58 | 0:47:01 | |
Yes. | 0:47:01 | 0:47:02 | |
-I'm sorry. -Don't be. | 0:47:04 | 0:47:05 | |
I take nothing back. | 0:47:05 | 0:47:09 | |
You're going back to Marnie. | 0:47:11 | 0:47:14 | |
What if we left now? | 0:47:18 | 0:47:20 | |
What if we just went? You and me. To France, or... | 0:47:21 | 0:47:24 | |
No, I thought not too. | 0:47:29 | 0:47:32 | |
Apparently, there are... | 0:47:35 | 0:47:37 | |
there are openings in the Natural History department. | 0:47:37 | 0:47:41 | |
-Maybe I'll see you there. -Mmm. | 0:47:46 | 0:47:49 | |
Did we go too far? | 0:48:21 | 0:48:23 | |
Quite possibly. | 0:48:23 | 0:48:24 | |
Most definitely. | 0:48:26 | 0:48:28 | |
Good work, James. | 0:48:30 | 0:48:32 | |
You too, Moneypenny. | 0:48:33 | 0:48:36 | |
Where...where's Clarence? | 0:48:43 | 0:48:46 | |
It's over, Freddie! | 0:48:46 | 0:48:49 | |
Clarence? | 0:48:51 | 0:48:52 | |
Mr Lyon. We were just talking about you. | 0:48:54 | 0:48:59 | |
You really have outdone yourself tonight. Could you do any more | 0:49:01 | 0:49:06 | |
to undermine the future of this programme? | 0:49:06 | 0:49:09 | |
Really? I thought we showed restraint. | 0:49:09 | 0:49:11 | |
We could have been far more controversial. | 0:49:11 | 0:49:14 | |
What do you mean? | 0:49:14 | 0:49:16 | |
To reveal the government's unofficial attempts to destroy Colonel Nasser | 0:49:16 | 0:49:21 | |
might destabilise the country at a time of war, and we wouldn't do that to an already weak Prime Minister. | 0:49:21 | 0:49:26 | |
Unsubstantiated and outrageous accusations. Who the hell do you think you are? | 0:49:26 | 0:49:30 | |
Unofficial conversations have taken place between the government | 0:49:30 | 0:49:34 | |
and secret service, alluding to an attempt to assassinate Nasser. | 0:49:34 | 0:49:37 | |
Ruth Elms knew this. That is why they killed her. | 0:49:37 | 0:49:41 | |
What does he mean? | 0:49:45 | 0:49:46 | |
Clarence. | 0:49:46 | 0:49:48 | |
I have absolutely no idea. | 0:49:48 | 0:49:49 | |
Clarence, he needs to know. | 0:49:51 | 0:49:52 | |
Know what? My apologies. It's been a...a long night. | 0:49:52 | 0:49:56 | |
Hmm. Well, I'm sure it will all look very different in the morning. | 0:49:56 | 0:50:01 | |
Clarence. | 0:50:04 | 0:50:05 | |
Clarence! | 0:50:14 | 0:50:16 | |
Stupid, stupid, stupid, stupid, stupid boy! | 0:50:16 | 0:50:20 | |
What you did tonight was sabotage. | 0:50:20 | 0:50:23 | |
Everything that I have worked for the last 30 years, gone. | 0:50:23 | 0:50:28 | |
It was the truth. | 0:50:28 | 0:50:30 | |
The truth? | 0:50:30 | 0:50:31 | |
Righteous enthusiasm disguised as integrity? | 0:50:31 | 0:50:34 | |
Together, you and the entire team | 0:50:36 | 0:50:42 | |
of The Hour have dismantled the core of everything we have built. | 0:50:42 | 0:50:48 | |
Your positions are untenable. | 0:50:48 | 0:50:51 | |
You could not have disappointed me more, Freddie. | 0:50:53 | 0:50:56 | |
I told you about that transcript because... | 0:50:56 | 0:50:59 | |
-What? What was I meant to do with it? -Run it. Just bloody run it, Freddie. That's all you had to do. | 0:50:59 | 0:51:04 | |
-You told me not to say anything! -When have you listened to anybody who said to be quiet? | 0:51:04 | 0:51:09 | |
-You normally broadcast it to the world! -And slander the whole government? -Yes. | 0:51:09 | 0:51:14 | |
Why do you think I brought you in as part of this team, Freddie? | 0:51:17 | 0:51:21 | |
Because I saw something in you I once saw in myself. | 0:51:26 | 0:51:29 | |
The courage of my convictions. | 0:51:31 | 0:51:33 | |
If you were planning to expose us, me, | 0:51:33 | 0:51:36 | |
yourself in that way, at least make it worth it. | 0:51:36 | 0:51:38 | |
Save your speeches, because they don't work. | 0:51:38 | 0:51:41 | |
You blew the story, Freddie. | 0:51:41 | 0:51:46 | |
You, no, you, worse than that, | 0:51:46 | 0:51:47 | |
you teased us with a story that you did not deliver. | 0:51:47 | 0:51:50 | |
I gave you the story of your career, and you ran with a personal one. | 0:51:52 | 0:51:56 | |
You, you're useless to me now. | 0:51:56 | 0:52:01 | |
I cannot look at you. I can't. | 0:52:02 | 0:52:05 | |
You're no longer an asset. | 0:52:06 | 0:52:11 | |
It's you. | 0:52:18 | 0:52:19 | |
I'm your Brightstone. | 0:52:23 | 0:52:25 | |
What? | 0:52:27 | 0:52:29 | |
You put me on that list. | 0:52:29 | 0:52:30 | |
Clarence. | 0:52:34 | 0:52:36 | |
You put me on that list, like Darrall put Ruth. | 0:52:44 | 0:52:46 | |
"There's a Soviet agent working within the BBC, Freddie." | 0:52:49 | 0:52:55 | |
That's why you burnt the cigarette paper, | 0:52:55 | 0:52:58 | |
in case they traced it back to you. | 0:52:58 | 0:53:01 | |
It's not me they're watching, is it? It's you. | 0:53:01 | 0:53:05 | |
The click on the telephone. | 0:53:09 | 0:53:12 | |
It's not us they're listening to, it's you. | 0:53:12 | 0:53:15 | |
Tell me the truth. | 0:53:15 | 0:53:18 | |
Freddie, I... | 0:53:18 | 0:53:20 | |
Are you the Soviet agent working within the BBC? | 0:53:20 | 0:53:23 | |
No comment. Perhaps I might rephrase that. | 0:53:29 | 0:53:33 | |
My apologies. | 0:53:33 | 0:53:34 | |
In June, | 0:53:36 | 0:53:37 | |
a respected academic and Soviet spy, Peter Darrall, | 0:53:37 | 0:53:42 | |
was murdered in London. | 0:53:42 | 0:53:44 | |
Unfortunately, he was unable to do his drop that day | 0:53:47 | 0:53:51 | |
to inform his... what? | 0:53:51 | 0:53:55 | |
Colleague? | 0:53:56 | 0:53:57 | |
Associate? | 0:53:57 | 0:54:00 | |
You. | 0:54:00 | 0:54:01 | |
..that he'd been rumbled | 0:54:02 | 0:54:04 | |
and perhaps it'd be better if he "revert to Brightstone". | 0:54:04 | 0:54:08 | |
Find himself a new agent. | 0:54:08 | 0:54:10 | |
Did you have anyone particular in mind? | 0:54:10 | 0:54:13 | |
Perhaps me? | 0:54:13 | 0:54:15 | |
-Mr Fendley, I must ask you to reply. The nation is waiting. -There was a time, Freddie, when... | 0:54:18 | 0:54:24 | |
..when a man had to find other ways to defy his government. | 0:54:26 | 0:54:30 | |
This was mine. | 0:54:31 | 0:54:32 | |
My God, Clarence. | 0:54:32 | 0:54:34 | |
Join the bloody British Communist Party if you will, | 0:54:34 | 0:54:38 | |
raise a bloody flag if you must, but a spy?! | 0:54:38 | 0:54:41 | |
Why? | 0:54:41 | 0:54:43 | |
Did you not see what erm, Russia has just done in Hungary? | 0:54:43 | 0:54:46 | |
That pass you by? | 0:54:46 | 0:54:48 | |
Clarence! | 0:54:50 | 0:54:51 | |
I don't know why they don't suspect us more. Journalists. | 0:54:53 | 0:54:57 | |
We're thrust into world events, life-changing events | 0:55:00 | 0:55:05 | |
and they expect us not to be changed. | 0:55:05 | 0:55:07 | |
Well, it changed me. It changed my view of the world. | 0:55:11 | 0:55:14 | |
Suddenly it all... | 0:55:17 | 0:55:18 | |
suddenly it all made sense. | 0:55:19 | 0:55:21 | |
But to betray your country? | 0:55:21 | 0:55:23 | |
-Was there really no better way? -To defend what I believed in? I didn't think so. | 0:55:24 | 0:55:28 | |
Not until these last few months. Not until now. | 0:55:34 | 0:55:38 | |
Not until this programme. | 0:55:42 | 0:55:44 | |
Hope at the last hour. | 0:55:49 | 0:55:51 | |
You're a spy. | 0:55:53 | 0:55:54 | |
What do I do now? | 0:55:59 | 0:56:00 | |
What any good journalist would do. You... | 0:56:02 | 0:56:05 | |
..you run it. | 0:56:07 | 0:56:08 | |
Tell the world what I am. | 0:56:08 | 0:56:11 | |
For Ruth. | 0:56:14 | 0:56:15 | |
BEL: Freddie. | 0:56:15 | 0:56:17 | |
Is, is everything..? | 0:56:18 | 0:56:21 | |
I must go home to, to Edith. | 0:56:21 | 0:56:23 | |
Good night. | 0:56:36 | 0:56:38 | |
Freddie? | 0:56:45 | 0:56:47 | |
Are you all right? | 0:56:48 | 0:56:49 | |
Do you trust me? | 0:56:52 | 0:56:54 | |
-What? -Would I betray you? -No. | 0:56:55 | 0:56:57 | |
Yes. | 0:56:57 | 0:56:59 | |
Big betrayal or small betrayal? | 0:57:01 | 0:57:03 | |
-I'd never betray you. -No. | 0:57:03 | 0:57:05 | |
-I'm a good person. -Yes. | 0:57:06 | 0:57:09 | |
Do you trust me? | 0:57:11 | 0:57:12 | |
More than anyone else. | 0:57:14 | 0:57:15 | |
Not good enough. Missed the mark again. | 0:57:15 | 0:57:19 | |
I hate you. | 0:57:22 | 0:57:23 | |
I hate you. | 0:57:28 | 0:57:29 | |
HE LAUGHS | 0:57:36 | 0:57:38 | |
I hate you too. | 0:57:40 | 0:57:42 | |
C'mon. We've got a story to write. | 0:58:02 | 0:58:04 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:50 | |
E-mail [email protected] | 0:58:50 | 0:58:54 |