Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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Oh, God! | 0:00:12 | 0:00:13 | |
If it all gets too much, I say we take the next train to Morocco. | 0:00:13 | 0:00:17 | |
Apparently, it's the most marvellous place to get lost. | 0:00:18 | 0:00:22 | |
Any sign of Hector? | 0:00:23 | 0:00:26 | |
Hm. No. Eyes on the prize, sweetheart. | 0:00:27 | 0:00:31 | |
Sissy, try Mr Madden at his club again. | 0:00:34 | 0:00:36 | |
Yes, Miss Rowley. | 0:00:36 | 0:00:37 | |
Keep calling. | 0:00:55 | 0:00:56 | |
Ten minutes, ladies and gentlemen. | 0:00:56 | 0:00:58 | |
We have a show starting and a new Head of News to impress. | 0:00:58 | 0:01:02 | |
Mr Wengrow. Change your shirt, wear a tie. You might be needed. | 0:01:02 | 0:01:06 | |
-Right. Right. Really? -Slim pickings. | 0:01:06 | 0:01:10 | |
Er, Mr Brown...? | 0:01:19 | 0:01:22 | |
HE HUMS A TUNE | 0:01:22 | 0:01:24 | |
A-hem! It's time to... | 0:01:27 | 0:01:31 | |
Defer no time. | 0:01:31 | 0:01:33 | |
Delays have dangerous ends. | 0:01:33 | 0:01:35 | |
-Has Mr Madden been found? -Any moment. | 0:01:39 | 0:01:42 | |
He's cutting it fine. | 0:01:43 | 0:01:44 | |
HE LAUGHS | 0:01:46 | 0:01:48 | |
Mr Brown, as you may be aware, | 0:01:53 | 0:01:55 | |
the last nine months have been an exercise | 0:01:55 | 0:01:57 | |
in maintaining the direction and morale of The Hour. | 0:01:57 | 0:02:00 | |
-Pleasure! -LAUGHTER | 0:02:00 | 0:02:02 | |
-Excuse me, Mr Madden, would you mind? -Of course. | 0:02:02 | 0:02:06 | |
It's Dorothy. | 0:02:06 | 0:02:08 | |
Uncovered are snapping at your heels. | 0:02:08 | 0:02:11 | |
And, despite ITV's attempt to colonise many aspects of the show, | 0:02:11 | 0:02:16 | |
The Hour is still exemplary in its field. | 0:02:16 | 0:02:20 | |
-Imitation is the highest form of flattery. -Exactly. | 0:02:20 | 0:02:23 | |
Except it's better. | 0:02:23 | 0:02:25 | |
I'm sorry? | 0:02:26 | 0:02:28 | |
Uncovered's better. | 0:02:28 | 0:02:30 | |
Hold on! Going down? | 0:02:30 | 0:02:33 | |
-It's better? -Yeah. -Well, how exactly? | 0:02:36 | 0:02:38 | |
Tighter. Newer. Fresher. | 0:02:38 | 0:02:41 | |
And also, I presume, with a presenter who's on time. | 0:02:41 | 0:02:44 | |
Very good, Mr Wengrow. Loosen your tie and smile. | 0:02:47 | 0:02:51 | |
I will castrate Hector if he's late again. | 0:02:51 | 0:02:53 | |
Final checks, please, ladies and gentlemen. | 0:02:53 | 0:02:57 | |
Final checks, please. | 0:02:57 | 0:02:58 | |
-Hello. -Good evening. | 0:02:58 | 0:03:00 | |
-You have a replacement? -Yes. -On the floor. | 0:03:01 | 0:03:03 | |
Just in case, Mr Wengrow. | 0:03:03 | 0:03:06 | |
A man has no more character than he can command in a time of crisis. | 0:03:06 | 0:03:09 | |
OK, camera one. | 0:03:09 | 0:03:11 | |
-Miss Rowley, I do not wish to state the obvious... -Then don't. | 0:03:11 | 0:03:14 | |
-..but you have no show if you have no presenter. -Mr Wengrow, stand by. | 0:03:14 | 0:03:17 | |
-Keep the change. -We have a show, we have a running order, | 0:03:17 | 0:03:21 | |
we have cameras, we have... | 0:03:21 | 0:03:23 | |
-Evening, Suzy. -Evening, Mr Madden. -Right, cue grams. | 0:03:23 | 0:03:26 | |
-Camera two, stand by, please. -Thank you, Nora. | 0:03:30 | 0:03:32 | |
Breathe, Mr Wengrow. | 0:03:34 | 0:03:36 | |
Thank you, Betty. | 0:03:38 | 0:03:39 | |
Counting down, Miss Cooper. | 0:03:39 | 0:03:42 | |
-Fade grams. -Ah, he's here! | 0:03:44 | 0:03:47 | |
And...we are saved. | 0:03:48 | 0:03:51 | |
Five...four... | 0:03:51 | 0:03:54 | |
Hit it, ladies and gentlemen. | 0:03:54 | 0:03:56 | |
-Let's give the new boy something to shout about. -..one. | 0:03:56 | 0:03:59 | |
What a pity, Mr Wengrow. And you look so smart in your suit. | 0:03:59 | 0:04:02 | |
Good evening and welcome to The Hour. | 0:04:02 | 0:04:04 | |
Sputnik 2. | 0:04:38 | 0:04:39 | |
Is Britain facing a growing nuclear threat | 0:04:39 | 0:04:41 | |
with every Soviet advancement? | 0:04:41 | 0:04:43 | |
What does this latest development in the Russian Satellite Programme | 0:04:43 | 0:04:47 | |
mean for Britain, and indeed for the arms race as a whole? | 0:04:47 | 0:04:51 | |
Also on tonight's programme - | 0:04:51 | 0:04:53 | |
Spend, spend, spend, says the Chancellor. We've never had it so good. | 0:04:53 | 0:04:56 | |
But what is the long-term forecast. for boom time? | 0:04:56 | 0:05:00 | |
Last but not least, a little bit of Hollywood touches down | 0:05:00 | 0:05:03 | |
amidst the glitz and glamour of Soho. | 0:05:03 | 0:05:06 | |
The toast of London Town, Mario Lanza, has just arrived. | 0:05:06 | 0:05:10 | |
But now back to Sputnik 2 and a very special passenger. | 0:05:10 | 0:05:14 | |
A three-year-old bitch, newly nicknamed Laika, | 0:05:14 | 0:05:18 | |
who has been found on the streets of Moscow | 0:05:18 | 0:05:21 | |
is now orbiting the earth at... | 0:05:21 | 0:05:23 | |
# With Hiltone she's got a full engagement book. # | 0:05:23 | 0:05:26 | |
Hiltone hair lightener brings exciting hair radiance | 0:05:26 | 0:05:29 | |
with the shade lighter look. | 0:05:29 | 0:05:31 | |
See the glamour Hiltone gives. | 0:05:31 | 0:05:33 | |
Do join us next week for more breaking news from home and abroad. | 0:05:33 | 0:05:37 | |
Thank you and good night. | 0:05:37 | 0:05:38 | |
And we're clear. Thank you, ladies and gentlemen. | 0:05:40 | 0:05:43 | |
He dropped that second paragraph. | 0:05:44 | 0:05:47 | |
The main points were, I think, still well made. | 0:05:47 | 0:05:49 | |
I said if he cuts my work again then I will not play nice any more. | 0:05:49 | 0:05:53 | |
What did you think? | 0:06:00 | 0:06:02 | |
Hm. | 0:06:02 | 0:06:04 | |
Right. | 0:06:05 | 0:06:07 | |
It was a good cut. | 0:06:07 | 0:06:08 | |
I told you last week and I'll say it again, it is not yours to tamper with! | 0:06:08 | 0:06:11 | |
Thank you, darling, I knew you'd agree. | 0:06:11 | 0:06:14 | |
One always feels a tiny victory when that woman's riled. | 0:06:15 | 0:06:18 | |
Oh, you're deplorable. Late, late, late. | 0:06:18 | 0:06:21 | |
Where the hell have you been? | 0:06:21 | 0:06:23 | |
Ah, Mr Brown! | 0:06:23 | 0:06:24 | |
Sorry I was not here to greet you earlier. | 0:06:24 | 0:06:26 | |
Delighted to have you on the team. I hope we pass muster. | 0:06:26 | 0:06:29 | |
The light, too bright on your face. | 0:06:29 | 0:06:31 | |
Bounces around, amplifies the cheeks. | 0:06:31 | 0:06:34 | |
But apart from that... | 0:06:34 | 0:06:36 | |
Thank you, ladies and gentlemen. | 0:06:37 | 0:06:39 | |
9am tomorrow morning, editorial conference. | 0:06:39 | 0:06:42 | |
Debrief. | 0:06:42 | 0:06:44 | |
Wunderbar! | 0:06:46 | 0:06:48 | |
Mr Madden's timekeeping may not be entirely orthodox... | 0:06:50 | 0:06:53 | |
We are in agreement. | 0:06:53 | 0:06:55 | |
..but that doesn't take away from the brilliance of his delivery. | 0:06:55 | 0:06:58 | |
Maintaining the quality of a 60-minute programme | 0:06:58 | 0:07:01 | |
when I am pursuing most of the stories myself and writing the copy, | 0:07:01 | 0:07:04 | |
I cannot also be the Head of News. | 0:07:04 | 0:07:07 | |
With Mr Fendley in prison and one of my top journalists gone... | 0:07:07 | 0:07:11 | |
Ah, yes, Mr Lyon. | 0:07:11 | 0:07:13 | |
Um...was dismissed. | 0:07:13 | 0:07:15 | |
Whilst you fought to stay. | 0:07:15 | 0:07:18 | |
Why would you say Uncovered is better? | 0:07:20 | 0:07:23 | |
It's just newer. People like what's new. | 0:07:23 | 0:07:25 | |
Why would you say that? | 0:07:25 | 0:07:27 | |
Competition is good. | 0:07:27 | 0:07:29 | |
Yes, it is. Competition is good. | 0:07:29 | 0:07:31 | |
When I was a girl, I was very competitive, um... | 0:07:31 | 0:07:34 | |
badges, medals. High jump was my thing. | 0:07:34 | 0:07:38 | |
But without resources, we may compete, but we can't win. | 0:07:38 | 0:07:42 | |
Lix is brilliant. | 0:07:44 | 0:07:46 | |
And Mr Wengrow, um... | 0:07:48 | 0:07:51 | |
Mr Wengrow is...is coming along fine. | 0:07:51 | 0:07:53 | |
But it's my right-hand man... | 0:07:53 | 0:07:57 | |
But it's...it's my right-hand man that I...that I miss. | 0:07:58 | 0:08:04 | |
-There is a certain something... -Yes. -..lacking. | 0:08:04 | 0:08:08 | |
-Yes. -An edge. | 0:08:08 | 0:08:10 | |
A bite. | 0:08:10 | 0:08:11 | |
-The prick of the hair on the back of the neck. -I thought you might say that. | 0:08:17 | 0:08:20 | |
The tingle from the top of the head to the balls of the feet. | 0:08:20 | 0:08:23 | |
-When one watches The Hour, it's almost... -Too smooth. T-Too slick. | 0:08:23 | 0:08:26 | |
The last time I watched this programme, and admittedly that was some time ago, | 0:08:27 | 0:08:31 | |
THEN one could feel the tingle. | 0:08:31 | 0:08:34 | |
Hear the tick. | 0:08:34 | 0:08:36 | |
Let me hear your tick, Miss Rowley. | 0:08:37 | 0:08:39 | |
My tick? | 0:08:39 | 0:08:41 | |
Editorial conference, 9am. I look forward to it. | 0:08:41 | 0:08:45 | |
He...he fiddles with things. | 0:08:57 | 0:09:00 | |
What...what is he? What have they sent us? | 0:09:02 | 0:09:05 | |
I'm going to go home, drink a bottle of vodka and sleep and not wake up. | 0:09:09 | 0:09:13 | |
Yes. Brilliant. | 0:09:13 | 0:09:15 | |
The thing is, darling, | 0:09:15 | 0:09:17 | |
the powers that be must have some method to their madness. | 0:09:17 | 0:09:21 | |
Otherwise, the whole Paris bureau | 0:09:21 | 0:09:23 | |
who declared him the best chief they ever had got it completely wrong. | 0:09:23 | 0:09:27 | |
Acapulco. | 0:09:38 | 0:09:40 | |
Ha-ha! Ridiculous boy! | 0:09:40 | 0:09:43 | |
-Oh, nice shoes. Are they date shoes? -Engagement party. | 0:09:44 | 0:09:47 | |
Pity invite. | 0:09:47 | 0:09:49 | |
But you, on the other hand... | 0:09:52 | 0:09:54 | |
Not biting. | 0:09:54 | 0:09:56 | |
When Hector enquired how well I knew Mr Brown, I said not at all. | 0:09:56 | 0:10:01 | |
Please don't make me lie to you as well. | 0:10:01 | 0:10:03 | |
BIG BAND MUSIC | 0:10:08 | 0:10:10 | |
# Who's got a match worth striking? | 0:10:14 | 0:10:17 | |
# Don't say it all depends | 0:10:17 | 0:10:21 | |
# Who wants to help me burn my candle at both ends? | 0:10:21 | 0:10:24 | |
Mr Madden! | 0:10:24 | 0:10:26 | |
Thank you, sir, have a good evening. | 0:10:26 | 0:10:28 | |
# Who's got a light he's hiding | 0:10:28 | 0:10:31 | |
# Under a bushel, friends? | 0:10:31 | 0:10:33 | |
Dining alone tonight, Mr Madden? | 0:10:33 | 0:10:36 | |
Er...no, not tonight. | 0:10:36 | 0:10:37 | |
# At both ends | 0:10:37 | 0:10:40 | |
Enjoy your evening. | 0:10:40 | 0:10:42 | |
# It's possible it may not last a night | 0:10:42 | 0:10:47 | |
# While it burns what a wonderful light... # | 0:10:47 | 0:10:53 | |
-Good evening. -Evening, Mr Madden. -Hello. | 0:10:53 | 0:10:56 | |
-Mr Madden, good evening! -Good evening. | 0:10:59 | 0:11:01 | |
Wonderful show this evening. | 0:11:01 | 0:11:04 | |
We never miss it. | 0:11:04 | 0:11:05 | |
The doggy, so sweet! | 0:11:05 | 0:11:08 | |
-Thank you. -Prego. | 0:11:08 | 0:11:10 | |
Yes, very droll. Sending a bitch into space. | 0:11:10 | 0:11:13 | |
Yes, they're calmer, apparently. | 0:11:13 | 0:11:15 | |
How's your Head of News settling in? | 0:11:15 | 0:11:18 | |
What's it to you? | 0:11:18 | 0:11:20 | |
Don't forget who saved The Hour, Hector. | 0:11:23 | 0:11:26 | |
If it was up to the rest of them at Westminster, | 0:11:26 | 0:11:28 | |
you'd all be out on your ear after they pulled the plug. | 0:11:28 | 0:11:30 | |
-Thank you very much. -Thank you. | 0:11:31 | 0:11:34 | |
One can't have a traitor at the BBC. | 0:11:34 | 0:11:38 | |
No. Mr Lyon took the rap, you remained at the helm, | 0:11:38 | 0:11:40 | |
Miss Rowley kept her job and... | 0:11:40 | 0:11:43 | |
..MI6 got their man. | 0:11:46 | 0:11:48 | |
It was still a lie. | 0:11:52 | 0:11:55 | |
A lie has no legs. | 0:11:55 | 0:11:59 | |
But a scandal... | 0:11:59 | 0:12:01 | |
now, that has wings. | 0:12:01 | 0:12:03 | |
-Mr Madden, would you mind, just one for the album? -Of course. -Thank you. | 0:12:03 | 0:12:07 | |
-Salute! -ALL: Salute! | 0:12:11 | 0:12:13 | |
Grazie. Excuse me. | 0:12:14 | 0:12:16 | |
Yes. Bloody wop! | 0:12:16 | 0:12:19 | |
We're all immigrants, Angus. | 0:12:19 | 0:12:22 | |
Whisky, no ice. | 0:12:22 | 0:12:24 | |
-So, what is your name? -Miss Delaine. | 0:12:24 | 0:12:27 | |
Kiki Delaine. I'm an actress. | 0:12:27 | 0:12:29 | |
Oh, a performer. I'm one of those. | 0:12:29 | 0:12:32 | |
THEY LAUGH | 0:12:32 | 0:12:33 | |
THUD! | 0:12:56 | 0:12:58 | |
From this day, Britain will rank beside America and Russia | 0:13:03 | 0:13:06 | |
as a major nuclear power. | 0:13:06 | 0:13:08 | |
Britain is no longer dependent on anyone for this ultimate deterrent. | 0:13:08 | 0:13:12 | |
Everyone who will be on deck puts on... | 0:13:14 | 0:13:17 | |
Ladies and gentlemen... | 0:13:17 | 0:13:20 | |
if we cannot debate that which troubles our society, | 0:13:20 | 0:13:23 | |
and more importantly troubles our government, | 0:13:23 | 0:13:26 | |
then we cannot, in all honesty, call ourselves a democracy. | 0:13:26 | 0:13:30 | |
If we cannot question our leaders | 0:13:30 | 0:13:34 | |
as they embark on what some call an illegal military action... | 0:13:34 | 0:13:38 | |
MUTED | 0:13:38 | 0:13:40 | |
Commander Stern. | 0:14:00 | 0:14:01 | |
These are all you found? | 0:14:07 | 0:14:10 | |
Back room's stuffed with 'em. | 0:14:10 | 0:14:12 | |
Shut it down and board it up. Straight away. | 0:14:17 | 0:14:20 | |
Yes, sir. | 0:14:20 | 0:14:21 | |
Let's go! Come on! | 0:14:21 | 0:14:24 | |
-You take the back, I'll check the cellar. -Yes, sir. | 0:14:34 | 0:14:38 | |
UPBEAT MUSIC | 0:14:42 | 0:14:44 | |
THEY CHUCKLE | 0:14:50 | 0:14:52 | |
Come on. | 0:14:52 | 0:14:54 | |
Commander Stern. | 0:14:56 | 0:14:58 | |
Captain Madden. I hoped I might see you here. | 0:14:58 | 0:15:01 | |
-Hello. -Miss Delaine, may I introduce Commander Stern, | 0:15:03 | 0:15:06 | |
soon to be Deputy Commissioner. | 0:15:06 | 0:15:09 | |
-Stern is fine. -I hear it's only a matter of time. | 0:15:09 | 0:15:12 | |
Now, be gentle with him, he's appallingly shy. | 0:15:12 | 0:15:14 | |
So, how are our London streets? | 0:15:14 | 0:15:17 | |
Filled with the usual stench of decay and decline, but we do our best. | 0:15:17 | 0:15:21 | |
Indeed. | 0:15:23 | 0:15:25 | |
Would you be free tomorrow? Say, after nine? | 0:15:25 | 0:15:27 | |
I've got something for that story you've been working on. | 0:15:27 | 0:15:30 | |
Commander Stern. Your boys have been busy tonight. | 0:15:30 | 0:15:33 | |
Yes, we try. | 0:15:33 | 0:15:35 | |
-Aren't you staying, Commander? -It's a bit noisy for me... | 0:15:35 | 0:15:38 | |
HECTOR CHUCKLES Why don't you come with me? | 0:15:40 | 0:15:42 | |
You're a fine chap, but by God your job made you boring. | 0:15:42 | 0:15:45 | |
You go home, sleep tight. I'm going to enjoy my evening. | 0:15:45 | 0:15:49 | |
-Do you know, this man saved my life. -Did he really? | 0:15:49 | 0:15:51 | |
-Did you see service? -I-I did, I did. | 0:15:51 | 0:15:55 | |
Broadcast service, wasn't it, Angus? In leafiest Surrey. | 0:15:55 | 0:15:59 | |
HECTOR LAUGHS | 0:15:59 | 0:16:01 | |
-Hope to see you again, Commander. -As I'm sure you will. | 0:16:01 | 0:16:04 | |
Good night, everyone. | 0:16:04 | 0:16:06 | |
Mr Madden, the champagne is from | 0:16:06 | 0:16:08 | |
the two gentlemen at the table in the corner. | 0:16:08 | 0:16:10 | |
Oh, it's the chaps from ITV. | 0:16:10 | 0:16:15 | |
I've been very impressed with their coverage lately, don't you agree? | 0:16:15 | 0:16:18 | |
They've got their eye on you. | 0:16:18 | 0:16:20 | |
Best call it a night. | 0:16:21 | 0:16:24 | |
Hm. I was just starting to enjoy myself. | 0:16:24 | 0:16:27 | |
Ah! A couple of chaps are going to have a drink at their suite. | 0:16:27 | 0:16:31 | |
First rule with temptation, | 0:16:31 | 0:16:34 | |
yield to it slowly. | 0:16:34 | 0:16:37 | |
So much more satisfying in the end. | 0:16:37 | 0:16:39 | |
Won't you join us, Miss Delaine? | 0:16:39 | 0:16:41 | |
I'll just get my fur. | 0:16:41 | 0:16:43 | |
Hector? | 0:16:43 | 0:16:44 | |
What the hell! Why not? | 0:16:44 | 0:16:46 | |
TV: Smother with scrambled egg mixed with curry powder, | 0:16:51 | 0:16:54 | |
top with sweet pickle and cover. | 0:16:54 | 0:16:58 | |
It's delicious! | 0:16:58 | 0:17:00 | |
# When it's time to have a bite Have a sandwich | 0:17:00 | 0:17:03 | |
# Morning, noon and night Have a sandwich. # | 0:17:03 | 0:17:06 | |
ANIMATED CHATTER | 0:17:06 | 0:17:08 | |
Making a break for it already? | 0:17:17 | 0:17:18 | |
Um...she's the friend of a very distant cousin. I won't be missed. | 0:17:18 | 0:17:22 | |
-Hm. -But it was a perfectly marvellous party | 0:17:22 | 0:17:25 | |
and you didn't hear me say otherwise. Have a nice evening. | 0:17:25 | 0:17:29 | |
You missed a trick with the Macmillan story. | 0:17:29 | 0:17:32 | |
-Sorry? -Tonight. | 0:17:33 | 0:17:35 | |
They're overstretched in Health and Defence. | 0:17:35 | 0:17:38 | |
Rumour has it Macmillan has seen the civil estimates | 0:17:38 | 0:17:41 | |
and is urging ministers to slash where they can. | 0:17:41 | 0:17:43 | |
A fan of The Hour. | 0:17:43 | 0:17:45 | |
Actually, I prefer Uncovered. | 0:17:45 | 0:17:47 | |
That's just news with advertisements. It doesn't count. | 0:17:47 | 0:17:50 | |
-Really? -You try running stories with a kick | 0:17:50 | 0:17:52 | |
whilst levelling out those that cause too much of a ruckus. | 0:17:52 | 0:17:55 | |
That must be exhausting, having to circumnavigate the truth. | 0:17:55 | 0:17:58 | |
I-I knew someone, and he believed that the truth... | 0:17:58 | 0:18:01 | |
Is something you don't have to lie about. | 0:18:01 | 0:18:05 | |
Exactly, yes. | 0:18:05 | 0:18:07 | |
Do you want to get a drink? | 0:18:09 | 0:18:11 | |
-Yes. What would you like? -No. Not here. | 0:18:11 | 0:18:14 | |
Sorry. I've got somebody waiting for me at home. | 0:18:14 | 0:18:18 | |
Naturally. | 0:18:18 | 0:18:21 | |
Thanks for the tip. | 0:18:21 | 0:18:23 | |
MUSIC: Move It by Cliff Richard and The Shadows | 0:18:25 | 0:18:29 | |
# Come on, pretty baby Let's a-move it and a-groove it | 0:18:40 | 0:18:45 | |
# Shake, oh, baby, shake, oh, honey Please don't lose it | 0:18:46 | 0:18:50 | |
# The rhythm, it gets into your heart and soul | 0:18:52 | 0:18:55 | |
# Let me tell you, baby It's called rock and roll... # | 0:18:58 | 0:19:01 | |
TV: When I say I'm not talking to the press now | 0:19:24 | 0:19:28 | |
or to Leslie Grade, who represents me in Europe, | 0:19:28 | 0:19:31 | |
or Mr Val Parnell or just anyone at all, | 0:19:31 | 0:19:35 | |
it took a long time, but I just want to talk to you, | 0:19:35 | 0:19:38 | |
the English people, it took so much time, | 0:19:38 | 0:19:41 | |
may I say hello. That's all. | 0:19:41 | 0:19:43 | |
APPLAUSE | 0:19:43 | 0:19:45 | |
Now an aria from the opera Tosca. | 0:19:53 | 0:19:56 | |
APPLAUSE | 0:19:56 | 0:19:58 | |
MUSIC: "E Lucevan Le Stelle" | 0:20:02 | 0:20:05 | |
# E lucevan le stelle | 0:20:21 | 0:20:26 | |
# E olezzava la terra | 0:20:32 | 0:20:36 | |
# Stridea l'uscio dell'orto | 0:20:36 | 0:20:43 | |
# E un passo sfiorava la rena | 0:20:45 | 0:20:50 | |
# Entrava ella, fragrante. # | 0:20:53 | 0:20:58 | |
How did you get in? | 0:21:15 | 0:21:17 | |
A-hem! So, ladies and gentlemen, | 0:21:32 | 0:21:34 | |
as it is nine o'clock, and in the absence of your producer, I shall begin. | 0:21:34 | 0:21:37 | |
Though I appreciate you are only a year into this programme, | 0:21:37 | 0:21:41 | |
I assume nine o'clock is the start of our working day. | 0:21:41 | 0:21:44 | |
In fact, the start of a whole new week. | 0:21:44 | 0:21:47 | |
So, first, all good art dies after a revolution. | 0:21:47 | 0:21:51 | |
It's only when one is fighting to overthrow any kind of oppression | 0:21:51 | 0:21:55 | |
that real work, good work thrives. So in that spirit, Miss Storm... | 0:21:55 | 0:22:01 | |
Windscale Enquiry. The report is out today. | 0:22:01 | 0:22:05 | |
Doesn't entirely instil confidence | 0:22:05 | 0:22:07 | |
when there's a fire in the reactor and it isn't put out for days, | 0:22:07 | 0:22:10 | |
but the wider issue is the implications for Britain | 0:22:10 | 0:22:12 | |
in its position in the nuclear arms race. | 0:22:12 | 0:22:16 | |
The Soviets have stolen a march on everyone with Sputnik 2 | 0:22:16 | 0:22:19 | |
and Eisenhower is cowering in the corner. | 0:22:19 | 0:22:22 | |
You haven't fallen for that? Nonsense. | 0:22:22 | 0:22:24 | |
In every American, there's an incorrigible air of innocence | 0:22:24 | 0:22:27 | |
which in fact conceals a diabolical cunning. | 0:22:27 | 0:22:29 | |
The Americans knew this was coming. | 0:22:29 | 0:22:31 | |
What's a race if you can't be beat? But maybe item two. | 0:22:31 | 0:22:33 | |
Mr Wengrow, home desk, what have you got? | 0:22:33 | 0:22:35 | |
They suggest if you have no time before you see the flash of the bomb, | 0:22:49 | 0:22:52 | |
move to the nearest doorway, avoiding flying glass. | 0:22:52 | 0:22:55 | |
It's blatant scare-mongering designed to cause nightmares, | 0:22:55 | 0:22:58 | |
while we are left unquestioning | 0:22:58 | 0:23:00 | |
and with no opinion other than the one they need, | 0:23:00 | 0:23:03 | |
which is, "Hell, yes, let's arm ourselves to the hilt." | 0:23:03 | 0:23:06 | |
How can we support the Chancellor | 0:23:06 | 0:23:08 | |
when he is increasingly spending public funds on nuclear weapons... | 0:23:08 | 0:23:11 | |
Whilst stirring fear in the British public | 0:23:11 | 0:23:14 | |
when the funding of public services is compromised. | 0:23:14 | 0:23:17 | |
Exemplary, Moneypenny, as ever. | 0:23:17 | 0:23:20 | |
-Mr Lyon! (I can't believe you're here!) -Hello, Sissy. | 0:23:20 | 0:23:22 | |
Interesting angle. | 0:23:22 | 0:23:24 | |
However, in keeping pace with our rivals, | 0:23:24 | 0:23:26 | |
we cannot ignore today's press conference, | 0:23:26 | 0:23:29 | |
so I suggest keeping focus on the issues in hand. | 0:23:29 | 0:23:31 | |
Public paranoia and general fascination | 0:23:31 | 0:23:34 | |
with the nuclear arms race. | 0:23:34 | 0:23:36 | |
Yes, it is, Mr Lyon. | 0:23:36 | 0:23:38 | |
And I hope you'll all welcome him back to The Hour. | 0:23:38 | 0:23:41 | |
I've thought long and hard as to how he might fit back into the team. | 0:23:41 | 0:23:45 | |
Last night confirmed Mr Madden needs backup. | 0:23:45 | 0:23:49 | |
And Mr Lyon is the obvious swing man to Mr Madden's trapeze. | 0:23:49 | 0:23:54 | |
Mr Lyon will be co-hosting the programme. | 0:23:54 | 0:23:57 | |
Miss Rowley, a word, if you please. | 0:23:57 | 0:24:00 | |
LOW CHATTER | 0:24:00 | 0:24:02 | |
Are you completely insane? | 0:24:15 | 0:24:18 | |
Mr Lyon was one of the conditions of my joining this team. | 0:24:18 | 0:24:21 | |
You knew. You...you knew last night. | 0:24:22 | 0:24:26 | |
A new co-host, without even consulting me? | 0:24:26 | 0:24:30 | |
And you announce it in front of my whole team! | 0:24:30 | 0:24:33 | |
Do you...do you see how that undermines me? | 0:24:35 | 0:24:38 | |
Everything that I have done here in the last nine months. | 0:24:38 | 0:24:41 | |
And you have made me look ridiculous! | 0:24:41 | 0:24:43 | |
-Hold your fire, Miss Rowley. -What fire?! | 0:24:43 | 0:24:46 | |
I assumed that this would be welcome news. | 0:24:46 | 0:24:49 | |
Well...it is. I-I mean...no! | 0:24:49 | 0:24:52 | |
Have you even interviewed him for the post? | 0:24:57 | 0:25:00 | |
In Paris, he was surprisingly persuasive. | 0:25:00 | 0:25:03 | |
-Certain that his skills had been missed. -Paris! | 0:25:03 | 0:25:06 | |
A couple of months' secondment to the bureau. | 0:25:06 | 0:25:08 | |
We caught him on his travels. | 0:25:08 | 0:25:10 | |
I believe a long stint in America, then Paris. | 0:25:10 | 0:25:12 | |
But he was clearly eager to come back. | 0:25:12 | 0:25:15 | |
-Hector... -Will be fired if he opposes. | 0:25:15 | 0:25:18 | |
A sign of celebrity | 0:25:20 | 0:25:22 | |
is that his name is often worth more than his services. | 0:25:22 | 0:25:26 | |
I presume it is not his wife who's keeping him this late. | 0:25:28 | 0:25:31 | |
Ah! | 0:26:06 | 0:26:08 | |
Sorry! Sorry! | 0:26:30 | 0:26:34 | |
-Let's go up to my office. -No. | 0:26:34 | 0:26:37 | |
I've only got five minutes. | 0:26:37 | 0:26:38 | |
Made the front page again. | 0:26:41 | 0:26:43 | |
Not now, not now, not now. | 0:26:47 | 0:26:49 | |
These are the minutes of a meeting that took place when the crime figures first came in. | 0:26:51 | 0:26:55 | |
In that meeting, I raised my concerns | 0:26:55 | 0:26:57 | |
that policing is being woefully under-resourced. | 0:26:57 | 0:27:00 | |
My fear is the filth and depravity I see on the streets every day | 0:27:00 | 0:27:03 | |
is not simply being ignored, it's being denied. | 0:27:03 | 0:27:06 | |
These figures are only half of what we see. | 0:27:06 | 0:27:09 | |
You might find the Home Office Minister's comments...interesting. | 0:27:09 | 0:27:13 | |
You deserve another medal for this. | 0:27:16 | 0:27:18 | |
It's the war at home I'm worried about. | 0:27:18 | 0:27:20 | |
Hm! | 0:27:21 | 0:27:22 | |
You know, I worry about you sometimes, Hector. | 0:27:25 | 0:27:28 | |
Everybody wants a piece of you nowadays. | 0:27:29 | 0:27:32 | |
You should be more discerning. | 0:27:32 | 0:27:34 | |
Trust in those who care. | 0:27:36 | 0:27:38 | |
Los Angeles. Wow! | 0:27:46 | 0:27:48 | |
Then before that, Mexico. | 0:27:48 | 0:27:50 | |
-Oh, calm down, dear boy. -Then across to New York | 0:27:50 | 0:27:52 | |
and I wrote for The Village Voice for a few months. | 0:27:52 | 0:27:55 | |
Amazing! Inspirational, Mr Lyon! | 0:27:55 | 0:27:57 | |
-Aren't you, sweetheart! -Ladies and gentlemen, the working day has started. | 0:27:57 | 0:28:01 | |
I want that all again, but this time with whisky. | 0:28:01 | 0:28:04 | |
Welcome back, beautiful boy. | 0:28:04 | 0:28:06 | |
-I'll just move my stuff. -Oh, no rush. | 0:28:06 | 0:28:09 | |
You've rearranged. | 0:28:20 | 0:28:22 | |
Plants? How very unlike you. | 0:28:23 | 0:28:27 | |
Yes, plants. | 0:28:27 | 0:28:29 | |
You had that cactus, you hated it. You hate plants. | 0:28:29 | 0:28:31 | |
Not now. | 0:28:31 | 0:28:33 | |
I even enjoy the cinema alone. | 0:28:33 | 0:28:35 | |
A lot less fidgeting | 0:28:35 | 0:28:37 | |
and you don't get the annoying commentary on the bus home. | 0:28:37 | 0:28:41 | |
What did you write? | 0:28:41 | 0:28:42 | |
Interesting stuff on Eisenhower in the aftermath of McCarthy. | 0:28:42 | 0:28:45 | |
-Really? -Hm. | 0:28:45 | 0:28:47 | |
A bit 1953. | 0:28:47 | 0:28:49 | |
It's usual to say welcome back, | 0:28:49 | 0:28:51 | |
-or some other superlative. -You left. | 0:28:51 | 0:28:54 | |
-And yet you stayed. -And you could have told me you were coming back. | 0:28:54 | 0:28:58 | |
-It wouldn't fit on a postcard. -Paris? | 0:28:58 | 0:29:00 | |
-Paris is practically here. -Big pond of sea between here and.... | 0:29:00 | 0:29:03 | |
-Did you grow bored with trying to find yourself? -Yes, actually. | 0:29:03 | 0:29:07 | |
-I still miss your father. -Thank you. | 0:29:12 | 0:29:15 | |
I wrote you a letter. | 0:29:16 | 0:29:19 | |
From San Diego. | 0:29:19 | 0:29:21 | |
And then another one from New York. | 0:29:21 | 0:29:23 | |
You didn't write back. | 0:29:24 | 0:29:26 | |
Was it a good read? | 0:29:32 | 0:29:34 | |
It's rubbish. | 0:29:34 | 0:29:36 | |
Doesn't even tell you what happens in the end. | 0:29:36 | 0:29:39 | |
And the other stuff. | 0:29:39 | 0:29:40 | |
Um...this might be something. | 0:29:42 | 0:29:43 | |
30 per cent rise in crime and vice in the last year. | 0:29:45 | 0:29:49 | |
Holy cow! It's Sigmund Freud. | 0:29:49 | 0:29:50 | |
Or Moses. | 0:29:51 | 0:29:53 | |
Seemed like a good idea on the other side of the Atlantic. | 0:29:55 | 0:29:58 | |
Where the hell have you been? | 0:29:58 | 0:30:00 | |
-This is unacceptable. -It is. | 0:30:00 | 0:30:03 | |
Please don't be angry. | 0:30:03 | 0:30:05 | |
-Sissy, Coffee. -Did you have a marvellous time? | 0:30:05 | 0:30:08 | |
I did. As did you, by the smell of it. | 0:30:08 | 0:30:10 | |
You missed the flowers and moving welcoming speech. | 0:30:10 | 0:30:14 | |
How the devil did you worm your way back in? | 0:30:14 | 0:30:16 | |
Mr Brown's appointment. | 0:30:16 | 0:30:17 | |
Jolly good. We've lacked a bit of zip around here! | 0:30:17 | 0:30:20 | |
As new co-host. | 0:30:20 | 0:30:24 | |
You didn't know? | 0:30:24 | 0:30:26 | |
No. No! | 0:30:28 | 0:30:32 | |
No! | 0:30:32 | 0:30:33 | |
You've been late every day for the last six months. | 0:30:33 | 0:30:35 | |
Smelling cheap. Mr Brown is insistent. | 0:30:35 | 0:30:38 | |
You're splitting apart at the seams, Hector. | 0:30:38 | 0:30:41 | |
If I see one more picture of you | 0:30:41 | 0:30:43 | |
splashed across the front page of a tabloid, | 0:30:43 | 0:30:45 | |
unless it's for picking up the Nobel Prize | 0:30:45 | 0:30:48 | |
or journalist of the year, then you are out. | 0:30:48 | 0:30:51 | |
And that is not my decision. | 0:30:51 | 0:30:53 | |
We have a new Head of News. It's out of my hands | 0:30:53 | 0:30:56 | |
but it is the one thing that Mr Brown and I agree on. | 0:30:56 | 0:30:58 | |
How can we be the serious face of news when you are pressed up | 0:30:58 | 0:31:01 | |
against so much mink and cigar smoke it looks like you're in a harem? | 0:31:01 | 0:31:05 | |
You're jealous. | 0:31:06 | 0:31:07 | |
No. | 0:31:09 | 0:31:10 | |
The word is "popular". | 0:31:12 | 0:31:14 | |
For what? Because it's certainly not for presenting news. | 0:31:14 | 0:31:18 | |
That's not what everyone thinks. | 0:31:18 | 0:31:21 | |
Good God! ITV? Which programme? | 0:31:21 | 0:31:25 | |
Uncovered? Oh, I bet it's Uncovered. | 0:31:25 | 0:31:28 | |
-Perks are good. Car with chauffeur. -Oh, please. | 0:31:28 | 0:31:30 | |
You'll be hosting Sunday Night at the London Palladium next. | 0:31:30 | 0:31:33 | |
-You know you'd miss me if I left. -SHE LAUGHS | 0:31:33 | 0:31:36 | |
Or maybe you're not interested in what I have to offer? | 0:31:36 | 0:31:39 | |
Thought it might spur on your Soho crime story. | 0:31:39 | 0:31:42 | |
My God. Finally coughed up. | 0:31:42 | 0:31:44 | |
Shush. I can't divulge my sources. Page two. Second paragraph. | 0:31:44 | 0:31:49 | |
See who the minister is? | 0:31:49 | 0:31:51 | |
SHE CHUCKLES | 0:31:51 | 0:31:53 | |
Dynamite. | 0:31:53 | 0:31:55 | |
Speaking at the civil defence press conference. I'm coming. | 0:31:55 | 0:31:58 | |
-Me too. -My bloody story. | 0:31:58 | 0:32:00 | |
Then how do you plan to use it? | 0:32:00 | 0:32:02 | |
Ask for a one-to-one, post press conference. | 0:32:02 | 0:32:05 | |
Wrong. Wrong. Wrong. | 0:32:05 | 0:32:09 | |
Ah, good. Working as a team. | 0:32:09 | 0:32:12 | |
Mr Brown, I want a word. | 0:32:12 | 0:32:16 | |
Busy now. My office, 4.00. | 0:32:16 | 0:32:19 | |
I've got one of them. Downstairs flat. | 0:32:25 | 0:32:27 | |
-It's empty if you want it. -Really? It's for Sey. | 0:32:27 | 0:32:30 | |
The doctor? | 0:32:30 | 0:32:31 | |
He's been thrown out three times now. Rent's doubled twice. | 0:32:31 | 0:32:34 | |
He's threatening to return to Nigeria. | 0:32:34 | 0:32:36 | |
£1.03 a week. It's a bit scruffy. | 0:32:36 | 0:32:39 | |
Really? | 0:32:39 | 0:32:40 | |
-Wouldn't he be happier back home? -Oh, don't be silly, he is home. | 0:32:40 | 0:32:44 | |
Still? | 0:32:44 | 0:32:45 | |
Desperation never succeeds, Isaac. | 0:32:45 | 0:32:49 | |
Really? So what's your method? | 0:32:49 | 0:32:52 | |
What can I say? | 0:32:53 | 0:32:55 | |
I've obviously been missed. | 0:32:55 | 0:32:57 | |
LIFT DOOR DINGS | 0:32:57 | 0:32:59 | |
Whilst there is continued threat, there is also positive action. | 0:33:15 | 0:33:19 | |
Every home in Britain may sleep a little safer tonight, | 0:33:19 | 0:33:23 | |
confident in the knowledge that if, in the event of a nuclear attack, | 0:33:23 | 0:33:28 | |
we find ourselves facing the worst, the British public will be protected. | 0:33:28 | 0:33:33 | |
Thank you. | 0:33:33 | 0:33:35 | |
Thank you. Lovely. The Minister will be taking questions now so, | 0:33:35 | 0:33:38 | |
-shall we start with...? -Now. Stand up. Do it now. | 0:33:38 | 0:33:40 | |
Now? | 0:33:40 | 0:33:41 | |
No, Not yet. Not now. | 0:33:41 | 0:33:43 | |
Over there. Mr Kendall. Uncovered. ITV. | 0:33:43 | 0:33:48 | |
Muffed it. | 0:33:48 | 0:33:50 | |
Thank you, Mr McCain. | 0:33:51 | 0:33:52 | |
Minister, one million of these defence manuals, | 0:33:52 | 0:33:55 | |
I understand, have been printed, | 0:33:55 | 0:33:57 | |
but this is not even a fifth of what will be needed | 0:33:57 | 0:33:59 | |
if every home were to have one. | 0:33:59 | 0:34:01 | |
Do you intend to increase circulation? | 0:34:01 | 0:34:04 | |
Our commitment is to ensure the safety of the public | 0:34:04 | 0:34:07 | |
in the light of this very real nuclear threat. | 0:34:07 | 0:34:10 | |
-Now. -Thank you, Minister. -Yes, all right, now. | 0:34:10 | 0:34:13 | |
My contact, my question. | 0:34:13 | 0:34:14 | |
Oh, bloody hell, Hector. | 0:34:14 | 0:34:16 | |
Frederick Lyon, The Hour. | 0:34:16 | 0:34:18 | |
Minister, may I ask at what cost to the general public? | 0:34:18 | 0:34:22 | |
Well, I don't have the figures exactly. | 0:34:22 | 0:34:24 | |
Does the 30% increase in crime not prove | 0:34:24 | 0:34:26 | |
that the greater threat is at home? | 0:34:26 | 0:34:28 | |
We are not here to discuss crime today, Mr Lyon. | 0:34:28 | 0:34:31 | |
If you haven't noticed, this is in fact focusing on civil defence | 0:34:31 | 0:34:34 | |
and the nuclear threat. | 0:34:34 | 0:34:36 | |
176 murders in the past year, that's 37 more than the year before. | 0:34:36 | 0:34:40 | |
A surge in violent crime in areas of London, | 0:34:40 | 0:34:42 | |
particularly in Soho and the West End, | 0:34:42 | 0:34:46 | |
and concerns raised by leading members of Scotland Yard | 0:34:46 | 0:34:49 | |
that the London force is woefully understaffed. | 0:34:49 | 0:34:52 | |
Is your government taking crime seriously? | 0:34:52 | 0:34:54 | |
Absolutely. Public safety is of primary concern. | 0:34:54 | 0:34:58 | |
We are working hard with Scotland Yard to attempt to tackle | 0:34:58 | 0:35:03 | |
this rise in criminality. | 0:35:03 | 0:35:06 | |
Really? | 0:35:06 | 0:35:08 | |
I have in my hand the minutes from a recent meeting to discuss | 0:35:08 | 0:35:10 | |
the budgetary pressures on the Metropolitan Police. | 0:35:10 | 0:35:14 | |
When asked why you were cutting Scotland Yard's budget | 0:35:14 | 0:35:17 | |
and increasing Defence's, you replied, | 0:35:17 | 0:35:19 | |
"There will always be crime but when faced with total annihilation | 0:35:19 | 0:35:25 | |
"there is no need to waste our resources | 0:35:25 | 0:35:28 | |
-"on the odd body here and there. -CROWD MURMUR | 0:35:28 | 0:35:30 | |
"We need to put our money slap bang in the face of the Soviets | 0:35:30 | 0:35:33 | |
"and the nuclear threat." | 0:35:33 | 0:35:35 | |
Murder victim, only of mild concern? | 0:35:35 | 0:35:39 | |
I'm sure that's very comforting to your voters. | 0:35:39 | 0:35:42 | |
Any comment that I have made... | 0:35:42 | 0:35:44 | |
Thank you, perhaps another question.. | 0:35:44 | 0:35:46 | |
Is it not the truth that you are scaremongering the public into | 0:35:46 | 0:35:49 | |
supporting the increase in defence expenditure | 0:35:49 | 0:35:51 | |
-at a cost to their own safety? -Any comment... | 0:35:51 | 0:35:53 | |
Good, thank you very much. | 0:35:53 | 0:35:54 | |
Thank you, Minister. | 0:35:54 | 0:35:56 | |
Welcome back! | 0:36:04 | 0:36:06 | |
Miss Rowley. | 0:36:16 | 0:36:18 | |
Deceitful. Conniving. Ubiquitous. | 0:36:24 | 0:36:28 | |
And yet still worthy of asking for a drink. | 0:36:28 | 0:36:31 | |
Had I known that you worked for Uncovered... | 0:36:31 | 0:36:34 | |
Congratulations, The Hour has just broken quite a story. | 0:36:34 | 0:36:36 | |
I'm sure Uncovered are already writing it up. | 0:36:36 | 0:36:39 | |
Every broadsheet and broadcaster will do just that, | 0:36:39 | 0:36:42 | |
but no-one can deny its source. | 0:36:42 | 0:36:43 | |
Perhaps I didn't make our position clear. | 0:36:43 | 0:36:47 | |
If you try to steal Mr Madden from The Hour | 0:36:47 | 0:36:50 | |
-I will personally hunt you down... -I look forward to it. | 0:36:50 | 0:36:53 | |
Mr Lyon. | 0:36:53 | 0:36:54 | |
A man with nerve, challenging the Minister. | 0:36:54 | 0:36:57 | |
They've executed men for less. | 0:36:57 | 0:36:59 | |
Mr Madden. You have some competition. | 0:36:59 | 0:37:01 | |
Um, Mr Lyon is The Hour's new co-host. | 0:37:01 | 0:37:04 | |
Interesting. | 0:37:04 | 0:37:05 | |
-Isn't it? -I'd kill to know where you acquired that quote. | 0:37:05 | 0:37:08 | |
I was given it in the strictest confidence. | 0:37:08 | 0:37:11 | |
I'm not in the habit of divulging my sources. | 0:37:11 | 0:37:15 | |
Miss Rowley, Mr Lyon. | 0:37:15 | 0:37:17 | |
Nice chap. | 0:37:21 | 0:37:22 | |
It's deceptive. | 0:37:22 | 0:37:23 | |
Ah, interested to know where you got those minutes. | 0:37:23 | 0:37:27 | |
Well, no-one's to be trusted in Westminster, Angus. You know that. | 0:37:27 | 0:37:31 | |
Bit late for breakfast. | 0:37:39 | 0:37:41 | |
When you're away you crave the home comforts, | 0:37:43 | 0:37:46 | |
then when you return you forget why you missed them at all | 0:37:46 | 0:37:49 | |
and long for the things you have left behind. | 0:37:49 | 0:37:52 | |
I grieve for the croissant. | 0:37:52 | 0:37:53 | |
I will not apologise. | 0:37:53 | 0:37:54 | |
I offer no regrets and I will not talk about the past. Is that clear? | 0:37:54 | 0:37:58 | |
Whatever game you are playing I am not interested, | 0:37:58 | 0:38:02 | |
I simply do not know why you are here. | 0:38:02 | 0:38:04 | |
Oh, for God's sake, Randall. | 0:38:04 | 0:38:06 | |
In what insane way could you possibly think it was a good idea | 0:38:06 | 0:38:10 | |
for you to come here, for you to work here? | 0:38:10 | 0:38:13 | |
Dust on the lens. | 0:38:13 | 0:38:14 | |
Didn't I always tell you what happens | 0:38:14 | 0:38:17 | |
if you leave the cap off the lens? | 0:38:17 | 0:38:19 | |
Get this down to the soup kitchen | 0:38:28 | 0:38:30 | |
and ask them to develop it sooner than quick. | 0:38:30 | 0:38:32 | |
Yes, Mr Lyon. | 0:38:32 | 0:38:34 | |
What? | 0:38:34 | 0:38:36 | |
Isaac has virtually been running the home desk in your absence. | 0:38:36 | 0:38:39 | |
And I'm back. | 0:38:39 | 0:38:40 | |
Tread carefully. | 0:38:40 | 0:38:42 | |
HE CHUCKLES | 0:38:42 | 0:38:43 | |
What, Isaac? He can't be trusted to run an entire desk. | 0:38:43 | 0:38:46 | |
Oh, so what are you suggesting, that you write and present now? | 0:38:46 | 0:38:49 | |
Yes. | 0:38:49 | 0:38:51 | |
You see, this? This, I haven't missed. | 0:38:51 | 0:38:55 | |
Egotism, the childish belief that you can do...control everything. | 0:38:55 | 0:39:01 | |
You can't. | 0:39:01 | 0:39:04 | |
This is what keeps you on your toes. | 0:39:04 | 0:39:05 | |
This is what stops you from merging into | 0:39:05 | 0:39:09 | |
-some amoebic primitive life form. -SHE TUTS | 0:39:09 | 0:39:11 | |
We have just broken a brilliant story. Admit it. | 0:39:11 | 0:39:15 | |
I thought I might lead with the death of Dior. | 0:39:15 | 0:39:17 | |
-Absurd. You're not serious? Dior? -Please. | 0:39:17 | 0:39:20 | |
You speak of the founder of one of the world's finest fashion houses. | 0:39:20 | 0:39:23 | |
You are wasted. You are really wasted here. | 0:39:23 | 0:39:25 | |
Call Tatler immediately or, even better, Vogue. | 0:39:25 | 0:39:29 | |
You're pleased. Just say it. | 0:39:29 | 0:39:31 | |
Just let me hear it from your lips. | 0:39:31 | 0:39:35 | |
Bravo. Yes. It was one of my better ideas. | 0:39:35 | 0:39:38 | |
Ha-ha! It's all in the execution. | 0:39:38 | 0:39:41 | |
Of course, we will lead with my police story. | 0:39:41 | 0:39:44 | |
Don't worry, you'll get your moment in the sun. | 0:39:44 | 0:39:47 | |
And, by the way, who's been dressing you? | 0:39:47 | 0:39:49 | |
The beard has to go but the suit... | 0:39:49 | 0:39:51 | |
The suit is nice. | 0:39:53 | 0:39:55 | |
You've rearranged yourself. | 0:39:57 | 0:39:59 | |
A little. A lot. | 0:39:59 | 0:40:02 | |
It was a good trip? | 0:40:03 | 0:40:05 | |
It was. You come back... | 0:40:05 | 0:40:07 | |
Maybe it was the light, | 0:40:09 | 0:40:11 | |
everything just seemed clearer, brighter, | 0:40:11 | 0:40:15 | |
I realised what I wanted. | 0:40:15 | 0:40:18 | |
Um, I left something for you on your desk. My little Soho obsession. | 0:40:22 | 0:40:26 | |
Sorry. | 0:40:37 | 0:40:39 | |
No. No, you stay here. It's your desk now. | 0:40:39 | 0:40:42 | |
You seem to be managing very well. | 0:40:42 | 0:40:44 | |
I'll stick to writing copy and fitting in where I can. | 0:40:44 | 0:40:49 | |
And anyway the view is... | 0:40:50 | 0:40:52 | |
The view is better here. | 0:40:55 | 0:40:57 | |
I know you. Mr Cilenti. | 0:41:17 | 0:41:21 | |
I'm late, I know. I'm sorry, darling. | 0:41:21 | 0:41:25 | |
Did you order? | 0:41:27 | 0:41:29 | |
Two fingers, please. No ice. | 0:41:29 | 0:41:32 | |
Telegraph is in. Lunching with the Sunday Times. | 0:41:34 | 0:41:39 | |
How is your new Head of News? | 0:41:39 | 0:41:41 | |
HE SIGHS | 0:41:41 | 0:41:43 | |
Neurotics and traitors, that's all they can send us. | 0:41:43 | 0:41:45 | |
Well, I'm sure once he's settled in... | 0:41:45 | 0:41:47 | |
Always the optimist, darling, | 0:41:47 | 0:41:48 | |
but what transformative powers can he really offer? | 0:41:48 | 0:41:51 | |
Mr Lyon is back. Bloody stole my story this morning. | 0:41:51 | 0:41:54 | |
Really. But how? | 0:41:54 | 0:41:56 | |
It's all change at the top. Well, they'd better get ready, | 0:41:56 | 0:41:59 | |
because they should be paying me treble what they're paying. | 0:41:59 | 0:42:03 | |
It's an insult. I said so at the last review. | 0:42:03 | 0:42:07 | |
This time they'd better do a bloody sight better. Thank you. | 0:42:07 | 0:42:09 | |
I wonder what Mr Lyon is on. | 0:42:09 | 0:42:12 | |
Can you believe they've asked him to co-host? | 0:42:12 | 0:42:15 | |
But he might just be what's needed. | 0:42:15 | 0:42:17 | |
You'll still be the lead presenter. | 0:42:17 | 0:42:19 | |
Exactly, I present. But I could be doing much, much more. | 0:42:19 | 0:42:24 | |
I'm a valuable commodity, to be drawn from. | 0:42:24 | 0:42:26 | |
I could be shaping the show. My input doesn't count for anything. | 0:42:26 | 0:42:31 | |
Sorry. Am I boring you? | 0:42:33 | 0:42:35 | |
Yes, you are. You are boring me. | 0:42:35 | 0:42:38 | |
I am bored. | 0:42:39 | 0:42:41 | |
I spend my days trying to break the monotony of homemaking | 0:42:41 | 0:42:46 | |
when there is nothing to home-make for. | 0:42:46 | 0:42:48 | |
Darling. | 0:42:48 | 0:42:50 | |
18 months of trying, Hector. | 0:42:50 | 0:42:53 | |
I want you to go and see Dr Blakeson. | 0:42:53 | 0:42:56 | |
You should play some bridge, you haven't played bridge for months. | 0:42:56 | 0:43:01 | |
Don't wait up. | 0:43:24 | 0:43:26 | |
LOUD MUSIC ECHOES | 0:43:36 | 0:43:38 | |
Good evening, Miss Delaine. | 0:43:57 | 0:43:59 | |
Cover it with your hair. | 0:44:02 | 0:44:03 | |
I'll tell the boy to bring the lights down quickly | 0:44:03 | 0:44:06 | |
on your final number. | 0:44:06 | 0:44:08 | |
HE SIGHS | 0:44:08 | 0:44:10 | |
You OK? | 0:44:10 | 0:44:12 | |
See what happens when you don't listen to me? | 0:44:14 | 0:44:16 | |
Angel girl. | 0:44:18 | 0:44:21 | |
Interesting. | 0:44:39 | 0:44:41 | |
That's what I thought. Second suit, same face, 15 years younger. | 0:44:41 | 0:44:45 | |
They look like the Marx Brothers. | 0:44:45 | 0:44:47 | |
It's something to think about. | 0:44:47 | 0:44:49 | |
Background on recent unsolved killings. | 0:44:55 | 0:44:58 | |
Ignoring the obvious scenes of domestic violence, | 0:44:58 | 0:45:02 | |
it's the random acts of brutality, | 0:45:02 | 0:45:05 | |
the beatings in the back alley in the West End that really stay with you. | 0:45:05 | 0:45:08 | |
This is crime as a means of control. | 0:45:08 | 0:45:12 | |
Makes you wonder who's in charge. | 0:45:12 | 0:45:15 | |
So the word is you're leaking our scoops? | 0:45:15 | 0:45:19 | |
We are the scoop. | 0:45:19 | 0:45:21 | |
Paying off already, Mr Lyon. | 0:45:21 | 0:45:23 | |
I hear ITV had their cameras in and all eyes were on you. | 0:45:23 | 0:45:26 | |
Someone's nose is going to be out of joint. | 0:45:26 | 0:45:29 | |
KNOCK ON DOOR | 0:45:35 | 0:45:36 | |
Yes? | 0:45:36 | 0:45:38 | |
You missed our four o'clock. | 0:45:43 | 0:45:45 | |
Christ, it's going home time already? | 0:45:46 | 0:45:48 | |
I hear it went well today. | 0:45:48 | 0:45:51 | |
Yes. | 0:45:51 | 0:45:53 | |
Mr Lyon is back. | 0:45:53 | 0:45:55 | |
You're an alcoholic. | 0:45:59 | 0:46:01 | |
That was the first sentence my Head of News ever said to me. | 0:46:02 | 0:46:07 | |
The second? "Congratulations, you're in good company." | 0:46:07 | 0:46:09 | |
Think of Mr Lyon as your very own Sputnik-2. | 0:46:13 | 0:46:16 | |
The beep-beep on your radar. | 0:46:16 | 0:46:19 | |
A constant reminder that someone is flying high | 0:46:19 | 0:46:22 | |
and for once it's not us. | 0:46:22 | 0:46:25 | |
Good for you. Makes you work harder. | 0:46:25 | 0:46:27 | |
Are you trying to oust me? | 0:46:27 | 0:46:28 | |
No, I'm confident you are doing a perfectly good job of that yourself. | 0:46:28 | 0:46:32 | |
You fail to make one more editorial meeting | 0:46:32 | 0:46:35 | |
or are late back from one more lunch, | 0:46:35 | 0:46:37 | |
and I will personally escort you from this building. | 0:46:37 | 0:46:41 | |
You should know that my father-in-law is on the board. | 0:46:43 | 0:46:47 | |
That has only sustained you for so long. | 0:46:47 | 0:46:50 | |
Your contract's up for review. Don't ask for any more. | 0:46:50 | 0:46:53 | |
You are trying to oust me. That's why you've brought him back. | 0:46:53 | 0:46:58 | |
Mr Lyon may not have your presentational skills or charm, | 0:46:58 | 0:47:01 | |
but he can be relied upon to deliver an unquestionably good story | 0:47:01 | 0:47:06 | |
and THAT is what is wanted now. | 0:47:06 | 0:47:08 | |
You nasty little man. | 0:47:17 | 0:47:19 | |
-Sorry? -Wheedling your way in. | 0:47:19 | 0:47:21 | |
HE LAUGHS | 0:47:21 | 0:47:23 | |
I'm not wheedling. I've come back through the front door. | 0:47:23 | 0:47:26 | |
Last time I was marched out the back and where were you? | 0:47:26 | 0:47:29 | |
Quaffing champagne with your chums. | 0:47:29 | 0:47:32 | |
Don't patronise me. | 0:47:32 | 0:47:33 | |
Why not? It's what you've always done to me. | 0:47:33 | 0:47:35 | |
I should thank you, it was the best thing that could have happened. | 0:47:35 | 0:47:39 | |
I went somewhere. America, and you know what? | 0:47:39 | 0:47:42 | |
Being a nobody in a country where everybody thinks | 0:47:42 | 0:47:45 | |
they can be a somebody, that's infectious. It's exciting. | 0:47:45 | 0:47:49 | |
I want that. | 0:47:50 | 0:47:52 | |
For me. | 0:47:52 | 0:47:54 | |
Keep up, Hector. | 0:47:54 | 0:47:56 | |
THE DOOR SLAMS Hector... | 0:48:03 | 0:48:04 | |
What did you say to him? | 0:48:12 | 0:48:14 | |
-The obvious. -Marvellous. | 0:48:14 | 0:48:16 | |
Well, that went well. | 0:48:19 | 0:48:21 | |
Your father died. | 0:48:31 | 0:48:33 | |
It comes to us all. | 0:48:35 | 0:48:36 | |
The most important event and the most poignant loss in a man's life. | 0:48:36 | 0:48:42 | |
Freud. | 0:48:42 | 0:48:43 | |
He didn't get on with his father. Yet he blamed himself for his death. | 0:48:44 | 0:48:49 | |
It accounted in part for his obsession with his own mortality | 0:48:51 | 0:48:54 | |
and an ever-nagging guilt that he believed follows when a father dies | 0:48:54 | 0:49:00 | |
and his child lives. | 0:49:00 | 0:49:01 | |
When my father died, I bought a boat. | 0:49:02 | 0:49:05 | |
One of many rash decisions. And you? | 0:49:05 | 0:49:08 | |
I'm sorry? | 0:49:08 | 0:49:10 | |
One can't be driven by guilt. | 0:49:10 | 0:49:13 | |
Shake it up. Shake it all up, Mr Lyon. | 0:49:15 | 0:49:21 | |
Glad you haven't disappointed. | 0:49:23 | 0:49:26 | |
Oh, the GPO are planning to introduce "postcodes" rather than addresses. | 0:49:28 | 0:49:33 | |
Orwell was right. We are all numbers. | 0:49:33 | 0:49:36 | |
Miss Storm. | 0:49:41 | 0:49:43 | |
Well done. You've decimated the team in the space of 24 hours. | 0:49:43 | 0:49:48 | |
Actually, I hope it's the opposite of that. | 0:49:48 | 0:49:51 | |
Miss Rowley. | 0:49:51 | 0:49:52 | |
Thank you, Sissy. | 0:49:52 | 0:49:54 | |
She's a brilliant producer. | 0:49:54 | 0:49:56 | |
I never doubted it. | 0:49:56 | 0:49:57 | |
But no harm in checking her pulse from time to time. | 0:49:58 | 0:50:01 | |
He, um, staying too? | 0:50:14 | 0:50:16 | |
Definitely. | 0:50:16 | 0:50:18 | |
Are you off? | 0:50:29 | 0:50:31 | |
Yes, I've got a date with a packet of Fairmount | 0:50:31 | 0:50:33 | |
and the last chapter of my book. | 0:50:33 | 0:50:36 | |
You? | 0:50:36 | 0:50:37 | |
Oh, I thought I might go home. | 0:50:37 | 0:50:40 | |
You know, really, darling, you are not getting any younger. | 0:50:40 | 0:50:43 | |
Surprise me. Buy a bottle of wine, drink yourself silly | 0:50:43 | 0:50:47 | |
and dance all night with some inappropriate man, like you used to. | 0:50:47 | 0:50:50 | |
Much better than staying in with a good book. | 0:50:50 | 0:50:54 | |
Me? I'm old, I've made my mistakes. | 0:50:54 | 0:50:57 | |
But you? Too pretty. Don't let it go to waste. | 0:50:57 | 0:51:01 | |
Run away for too long and they stop loving you back. | 0:51:01 | 0:51:04 | |
-Good night, Miss Bishop. -Goodnight. | 0:51:08 | 0:51:11 | |
Goodnight, Miss Storm. | 0:51:11 | 0:51:13 | |
Mr Madden, so glad you could join us again this evening. | 0:51:46 | 0:51:49 | |
Your usual table? | 0:51:49 | 0:51:50 | |
No. Not tonight. | 0:51:50 | 0:51:51 | |
This is Ed and Tom. | 0:51:53 | 0:51:55 | |
Good evening, Mrs Goldman. | 0:52:03 | 0:52:06 | |
Nice to have you home again, Freddie. | 0:52:06 | 0:52:09 | |
Thank you, Mrs Goldman. | 0:52:09 | 0:52:10 | |
She's very pretty. Is this her? | 0:52:10 | 0:52:12 | |
What? Nah. I'm just helping me fella move in. | 0:52:12 | 0:52:14 | |
No, no, no. This isn't her, Mrs Goldman. | 0:52:14 | 0:52:17 | |
We've been watching you and we like your style. The Hour is very impressive. | 0:52:19 | 0:52:23 | |
Undoubtedly, it's your ship and you sail it well. | 0:52:23 | 0:52:25 | |
We'd just like to see you sail it over to our side. | 0:52:25 | 0:52:28 | |
Thank you. | 0:52:34 | 0:52:36 | |
It's not much to look at, but you can give it a coat of paint or... | 0:52:36 | 0:52:42 | |
-Anyway, I hope it's all right. -It's perfect. Thank you. | 0:52:42 | 0:52:45 | |
I'll just get the next box. | 0:52:45 | 0:52:46 | |
Moneypenny. | 0:52:49 | 0:52:51 | |
Don't say anything. Let's just... | 0:52:51 | 0:52:55 | |
say hello and start from there, all right? | 0:52:55 | 0:52:57 | |
I've brought wine and steak and even rum baba. | 0:52:57 | 0:53:01 | |
Freddie? | 0:53:01 | 0:53:04 | |
It's just me, Camille. | 0:53:04 | 0:53:05 | |
I'm chopping onion. | 0:53:08 | 0:53:09 | |
This is Sey. | 0:53:10 | 0:53:12 | |
Oh, hello. | 0:53:12 | 0:53:14 | |
And Sissy. | 0:53:14 | 0:53:16 | |
And this is Miss Rowley. | 0:53:19 | 0:53:21 | |
Oh. So delighted to meet you. Freddie has spoken so much of you. | 0:53:21 | 0:53:26 | |
And this is... | 0:53:26 | 0:53:28 | |
my wife. | 0:53:28 | 0:53:30 | |
-Um...Camille? -Yes. | 0:53:37 | 0:53:40 | |
Like the film, with Greta Garbo and... | 0:53:40 | 0:53:42 | |
Robert Taylor. | 0:53:42 | 0:53:44 | |
Robert Taylor. | 0:53:45 | 0:53:48 | |
Married? | 0:53:53 | 0:53:54 | |
-Yes. -Two months ago. | 0:53:54 | 0:53:57 | |
Just outside of Paris. | 0:53:57 | 0:53:58 | |
Ooh, how romantic! | 0:53:58 | 0:54:02 | |
Um... I should get, um... I have to go now. | 0:54:02 | 0:54:05 | |
Bel? | 0:54:11 | 0:54:12 | |
Bel. | 0:54:13 | 0:54:14 | |
Married. | 0:54:18 | 0:54:19 | |
That's wonderful. And it's... it's just what you need. | 0:54:21 | 0:54:26 | |
I mean, it's what you deserve and I...I just couldn't... | 0:54:26 | 0:54:30 | |
I couldn't be happier for you. | 0:54:30 | 0:54:32 | |
After you. | 0:54:45 | 0:54:46 | |
Thank you. | 0:54:46 | 0:54:47 | |
Austin Hereford? Very nice. | 0:54:53 | 0:54:54 | |
-Is it yours? -Nah. It's my boyfriend's. | 0:54:54 | 0:54:57 | |
Filthy nigger! | 0:54:59 | 0:55:00 | |
THEY LAUGH | 0:55:00 | 0:55:02 | |
-What happened to you? -None of your beeswax. | 0:55:15 | 0:55:17 | |
-I'd never let my fella do that. -Don't worry. He's got what's coming to him. | 0:55:17 | 0:55:21 | |
# You must never do a tango with an Eskimo | 0:55:29 | 0:55:33 | |
# No, no, no Oh, dear, no | 0:55:33 | 0:55:37 | |
# When a lady from Nebraska's at a party in Alaska | 0:55:37 | 0:55:41 | |
# She must never do a tango with an Eskimo | 0:55:41 | 0:55:45 | |
# You can do it with Aladdin, from Manila to Manhattan... # | 0:55:45 | 0:55:49 | |
SONG CONTINUES | 0:55:49 | 0:55:51 | |
Busy tonight? | 0:55:57 | 0:55:59 | |
All the usual suspects. | 0:56:00 | 0:56:02 | |
You must be doing something right, Detective. Your deal. | 0:56:05 | 0:56:09 | |
# You'll get the breeze up And you'll end up with a freeze up | 0:56:09 | 0:56:12 | |
# You must never do a tango with an Eskimo | 0:56:12 | 0:56:16 | |
# No, no, no, no, no, no No, no, no. # | 0:56:16 | 0:56:19 | |
# You must never do a tango with an Eskimo | 0:56:49 | 0:56:53 | |
# No, no, no Oh, no, no... # | 0:56:53 | 0:56:57 | |
One, two, three four... | 0:57:25 | 0:57:27 | |
Oi! | 0:57:27 | 0:57:29 | |
She won't withdraw the charges. | 0:57:29 | 0:57:31 | |
Hector, what have you done? | 0:57:31 | 0:57:34 | |
-He didn't do it. -I hope you're right. | 0:57:34 | 0:57:36 | |
You've been sniffing around my team. I'd rather you didn't do that. | 0:57:36 | 0:57:39 | |
A prophet or an achiever must never mind an occasional absurdity. | 0:57:39 | 0:57:42 | |
You're giving airtime to a fascist? | 0:57:42 | 0:57:44 | |
I have been very worried about. Mr Madden of late. | 0:57:44 | 0:57:47 | |
So much more fun in the dark. | 0:57:47 | 0:57:49 | |
'They are very serious allegations.' | 0:57:49 | 0:57:52 | |
-Who did it? -I bet you have a past. | 0:57:52 | 0:57:55 | |
Bet you do, too. | 0:57:55 | 0:57:56 | |
-Your husband must be very proud of you. -Absolutely. | 0:57:57 | 0:58:01 | |
Subtitles by Red Bee Media Ltd | 0:58:26 | 0:58:29 |