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'The last nine months have been an exercise in maintaining | 0:00:02 | 0:00:05 | |
'the direction and morale of The Hour.' | 0:00:05 | 0:00:07 | |
Ten minutes, ladies and gentlemen. We have a new Head of News to impress. | 0:00:07 | 0:00:11 | |
-Uncovered are snapping at your heels. -Mr Kendall, Uncovered. ITV. | 0:00:11 | 0:00:15 | |
-Thank you Mr, McCain. -Tighter. Newer. Fresher. | 0:00:15 | 0:00:18 | |
And also, I presume, with a presenter who's on time. | 0:00:18 | 0:00:22 | |
-Shut it down and board it up. -Let's go! | 0:00:22 | 0:00:23 | |
May I introduce Commander Stern, soon to be Deputy Commissioner. | 0:00:23 | 0:00:27 | |
Last night confirmed that Mr Madden needs backup. | 0:00:27 | 0:00:29 | |
-Mr Lyon! -As new co-host? -You didn't know. | 0:00:29 | 0:00:33 | |
When you're away, you long for the things you left behind. | 0:00:33 | 0:00:37 | |
I will not apologise and I will not talk about the past. Is that clear? | 0:00:37 | 0:00:40 | |
-So, what is your name? -Miss Delaine. Kiki Delaine. | 0:00:40 | 0:00:44 | |
-I'm an actress. -Oh, a performer! | 0:00:44 | 0:00:46 | |
So delighted to meet you. Freddie has spoken so much of you. | 0:00:46 | 0:00:49 | |
And this is my wife. | 0:00:49 | 0:00:52 | |
JAUNTY MUSIC PLAYS | 0:01:26 | 0:01:28 | |
Must you? | 0:01:37 | 0:01:38 | |
The guests haven't even arrived. | 0:01:41 | 0:01:43 | |
DOORBELL RINGS | 0:01:43 | 0:01:45 | |
One, two, | 0:01:58 | 0:02:00 | |
three, four, | 0:02:00 | 0:02:02 | |
five, six, seven, eight. | 0:02:02 | 0:02:06 | |
One, two, three, four... | 0:02:06 | 0:02:10 | |
-Miss Delaine in yet? -No. | 0:02:10 | 0:02:12 | |
Miss Ramirez, be ready. | 0:02:16 | 0:02:18 | |
You might need to go on if Kiki's late. | 0:02:18 | 0:02:20 | |
Yes, Mr Cilenti. | 0:02:20 | 0:02:22 | |
Where are you from? | 0:02:22 | 0:02:24 | |
Costa Rica. | 0:02:24 | 0:02:26 | |
Seven, eight. | 0:02:26 | 0:02:27 | |
One, two... | 0:02:27 | 0:02:29 | |
BIG BAND MUSIC PLAYS | 0:02:29 | 0:02:31 | |
ANIMATED CHATTER | 0:02:31 | 0:02:32 | |
Thank you again for tonight. | 0:02:32 | 0:02:34 | |
-You're welcome. -Thank you. | 0:02:34 | 0:02:36 | |
-Sissy? -No, he's too shy. | 0:02:36 | 0:02:39 | |
I work late every night. | 0:02:39 | 0:02:41 | |
Come into the studio tomorrow, during the day, | 0:02:41 | 0:02:44 | |
let me tele-record you. You're a coloured doctor. | 0:02:44 | 0:02:46 | |
Don't tell me you haven't had a white patient reluctant to be treated by you. | 0:02:46 | 0:02:49 | |
You stick to your job, I'll stick to mine. | 0:02:49 | 0:02:52 | |
-Sissy, persuade him, please. -I can't. I've tried. | 0:02:52 | 0:02:55 | |
Hell! We're late. Come on. | 0:02:55 | 0:02:56 | |
Oi! | 0:03:05 | 0:03:06 | |
Be careful. | 0:03:06 | 0:03:08 | |
Yeah, go on. Go home. | 0:03:08 | 0:03:09 | |
Got a cigarette? | 0:03:20 | 0:03:22 | |
SMOOTH MUSIC PLAYS | 0:03:26 | 0:03:28 | |
ANIMATED CHATTER | 0:03:28 | 0:03:30 | |
How was the Chameleon Club? | 0:03:31 | 0:03:33 | |
-Fine. -Amazing! | 0:03:33 | 0:03:35 | |
We got so many beautiful interviews. | 0:03:35 | 0:03:39 | |
Beautiful is not always interesting. | 0:03:41 | 0:03:43 | |
Oh, clubs like these offer a positive view of immigration. | 0:03:43 | 0:03:46 | |
Part of a brilliant anti-fascist initiative. | 0:03:46 | 0:03:48 | |
But it's not a story if we don't also direct the camera at the other side. | 0:03:48 | 0:03:53 | |
Show the hatred, the fury towards these visitors. | 0:03:53 | 0:03:56 | |
Two days back, I come down, there's graffiti on our front door | 0:03:56 | 0:04:01 | |
because a young black man's moved in downstairs. | 0:04:01 | 0:04:03 | |
They're just boys. I see them on the street every day. | 0:04:03 | 0:04:06 | |
-Ripe for Mr Mosley's cause. -Or The Hour. -No. | 0:04:06 | 0:04:09 | |
We'd be playing into Mosley's hands. | 0:04:09 | 0:04:10 | |
If we let them join the debate on immigration... | 0:04:10 | 0:04:13 | |
We'll be giving Mosley's offensive views the airtime he dearly wants. | 0:04:13 | 0:04:16 | |
Give him the rope to hang himself, if he wants. | 0:04:16 | 0:04:19 | |
The BBC never broadcasts those views and they won't start now. | 0:04:19 | 0:04:22 | |
Hatred festers if ignored. | 0:04:22 | 0:04:23 | |
Don't patronise the public. Let them decide. | 0:04:23 | 0:04:25 | |
We're recording in front of the board tomorrow. | 0:04:25 | 0:04:27 | |
I'll certainly be curious to see what they have say. | 0:04:27 | 0:04:30 | |
-Well, I for one, shall boycott it. -Never! And let me take centre stage? | 0:04:30 | 0:04:34 | |
-Boys! -Don't worry. They do this all the time. | 0:04:34 | 0:04:37 | |
Let me show you notre maison. | 0:04:37 | 0:04:39 | |
God! | 0:04:39 | 0:04:41 | |
Miss Delaine. | 0:04:49 | 0:04:51 | |
This way. | 0:04:51 | 0:04:53 | |
It was the first night. Mother Courage. Have you ever seen it? | 0:04:55 | 0:04:59 | |
-No. -Brecht makes me want to cut my throat. | 0:04:59 | 0:05:02 | |
But I imagine in French, it's much improved. | 0:05:02 | 0:05:05 | |
-I thought you didn't like theatre. -I do a bit. | 0:05:05 | 0:05:07 | |
We stayed up until dawn and then ate breakfast on the bank of the... | 0:05:07 | 0:05:12 | |
-The Seine? -Oui. | 0:05:12 | 0:05:14 | |
Then I read him one of my poems and when I look at him, he is crying. | 0:05:14 | 0:05:18 | |
It's very polluted, apparently, the Seine. | 0:05:18 | 0:05:21 | |
So, how are you finding married life? | 0:05:22 | 0:05:24 | |
-Spectacular. -I love the house. | 0:05:24 | 0:05:26 | |
It was where Freddie was born. I like that. | 0:05:26 | 0:05:29 | |
Like his parents are still in the bones. | 0:05:29 | 0:05:31 | |
But he's a terrible husband. He works all the time. | 0:05:31 | 0:05:34 | |
Miss Rowley, please make sure he's at home by seven every night. | 0:05:34 | 0:05:37 | |
Well, you marry the man, you marry the job. | 0:05:37 | 0:05:40 | |
-Well, then, I must insist he resign. -Good idea. | 0:05:40 | 0:05:42 | |
I'll expect your letter on my desk in the morning. | 0:05:42 | 0:05:45 | |
-PHONE RINGS -Oh, I'll get that on my way out. | 0:05:45 | 0:05:49 | |
-Is it that time? Adieu, adieu. -I'll be back in a moment. | 0:05:49 | 0:05:52 | |
You don't like her. | 0:05:58 | 0:06:00 | |
No. | 0:06:00 | 0:06:01 | |
No. She's... | 0:06:01 | 0:06:03 | |
She's just very French. | 0:06:04 | 0:06:06 | |
You don't like her. It doesn't matter. I like her. | 0:06:06 | 0:06:09 | |
Presumably that's why you married her. | 0:06:09 | 0:06:11 | |
And Sartre? You've never read Sartre in your life! | 0:06:11 | 0:06:14 | |
-Yes, I have. -No, you haven't. -Yes, I have. | 0:06:14 | 0:06:17 | |
And Kerouac. And Ginsberg. | 0:06:17 | 0:06:19 | |
-You should read Ginsberg. You'd like Ginsberg. -Fine. | 0:06:19 | 0:06:23 | |
KNOCK AT DOOR | 0:06:23 | 0:06:24 | |
Excuse me, ma'am, is Mr Madden in? | 0:06:26 | 0:06:29 | |
We'd like you to come down to the police station, please, sir. | 0:06:31 | 0:06:33 | |
-And what's he done? -I'd rather not say, ma'am. | 0:06:33 | 0:06:36 | |
Hector? | 0:06:37 | 0:06:39 | |
Is there some problem, Officer? Some charge? | 0:06:39 | 0:06:42 | |
Allegations of an attack have been made against you, sir. | 0:06:42 | 0:06:44 | |
By whom? | 0:06:44 | 0:06:46 | |
A young lady. | 0:06:46 | 0:06:47 | |
-Oh, my God! Hector! -Probably best if you come now. | 0:06:47 | 0:06:51 | |
I just need to get my... | 0:06:53 | 0:06:54 | |
What do I tell everyone? | 0:07:03 | 0:07:05 | |
Tell them the office telephoned, a story's broken. | 0:07:05 | 0:07:08 | |
-Hector...? -You follow in the car. Mr Lyon will drive you. | 0:07:11 | 0:07:14 | |
No! The lavatory's at the end. | 0:07:14 | 0:07:17 | |
Ring Commander Stern. Marnie will give you the number. | 0:07:27 | 0:07:30 | |
Someone has taken leave of their senses. | 0:07:30 | 0:07:32 | |
Miss Delaine, I'm sorry that you've been hurt in any way. | 0:07:35 | 0:07:38 | |
-But your profession is such... -I'm an actress. -I'm not... | 0:07:38 | 0:07:41 | |
Yes, well, I apologise. But it is your word against Mr Madden's, | 0:07:41 | 0:07:45 | |
a very well-respected and successful man. | 0:07:45 | 0:07:47 | |
-Did he punch you? -Yes. | 0:07:49 | 0:07:52 | |
I would describe it as punching. | 0:07:52 | 0:07:54 | |
-And was there any other kind of weapon? -No. His fist was enough. | 0:07:54 | 0:07:59 | |
-Were there any witnesses? -No. It was early. | 0:07:59 | 0:08:03 | |
-Was it light outside? -Yes. | 0:08:03 | 0:08:05 | |
But you said it was night. | 0:08:05 | 0:08:07 | |
He's not the only one I could talk about. | 0:08:08 | 0:08:11 | |
You wouldn't believe what some of these important men get up to | 0:08:11 | 0:08:14 | |
in their private time. | 0:08:14 | 0:08:16 | |
They don't care for the consequences. | 0:08:16 | 0:08:19 | |
Where's my wife? | 0:08:28 | 0:08:30 | |
-The charges are... -Ridiculous. They're bloody, bloody ridiculous! | 0:08:30 | 0:08:34 | |
You don't believe I'm capable of something as despicable as this? | 0:08:34 | 0:08:38 | |
I'm struggling to understand why she's doing it. | 0:08:38 | 0:08:41 | |
-Let me talk to her. -No. | 0:08:41 | 0:08:42 | |
No, I can do what I can, | 0:08:42 | 0:08:44 | |
but I cannot rush this through simply because I'm the Commander. | 0:08:44 | 0:08:48 | |
-Such allegations have to be seriously investigated. -The lies of an actress? | 0:08:48 | 0:08:51 | |
She's a singer I picked up in a club. | 0:08:51 | 0:08:54 | |
You are honestly going to take her word over mine? | 0:08:54 | 0:08:57 | |
I had intimate relations with her, but I did not hurt her in any way. | 0:08:59 | 0:09:03 | |
I saw you that night. I told you to go home to your wife. | 0:09:03 | 0:09:06 | |
Don't lecture me, Laurie, you're not married. | 0:09:06 | 0:09:09 | |
What goes on between a husband and wife... | 0:09:09 | 0:09:11 | |
It's been difficult. It's been very difficult for some time. | 0:09:11 | 0:09:14 | |
But after, I did go home. | 0:09:14 | 0:09:15 | |
What time? | 0:09:15 | 0:09:17 | |
It was dark. I don't know. Around two. | 0:09:17 | 0:09:20 | |
Marnie can confirm that. I came home. I woke her when I went to bed. | 0:09:20 | 0:09:23 | |
-Where the hell she is...? -Christ, Hector! | 0:09:23 | 0:09:25 | |
I didn't bloody do it, Laurie! | 0:09:25 | 0:09:27 | |
You more than anyone know I'd never do that. | 0:09:28 | 0:09:31 | |
Why is this woman lying?! | 0:09:31 | 0:09:34 | |
What if she goes to the press? Madness! | 0:09:34 | 0:09:36 | |
Where is she? Where the hell is Marnie? | 0:09:38 | 0:09:41 | |
PHONE RINGS | 0:09:41 | 0:09:43 | |
No. | 0:09:57 | 0:09:58 | |
It was the 8th. We were doing Sputnik Two. | 0:10:00 | 0:10:03 | |
I had to go to a terrible engagement party. | 0:10:03 | 0:10:06 | |
-He was late the next morning. -Hungover. | 0:10:06 | 0:10:09 | |
-I'd just got back. -God! | 0:10:09 | 0:10:11 | |
He didn't do it! | 0:10:15 | 0:10:16 | |
-I hope you're right. -Freddie? | 0:10:18 | 0:10:21 | |
Well, even if he did not do it, which in my marrow, I want to believe, | 0:10:21 | 0:10:23 | |
there is a girl in there who says he did. | 0:10:23 | 0:10:25 | |
-She's lying! -Why? | 0:10:25 | 0:10:27 | |
A grudge, or...? | 0:10:27 | 0:10:29 | |
Or? | 0:10:29 | 0:10:30 | |
Perhaps he told her he'd leave Marnie. | 0:10:32 | 0:10:34 | |
They'd spend their life together. Perhaps... | 0:10:34 | 0:10:36 | |
-When your wife doesn't show, it is a bad sign. -Don't! | 0:10:36 | 0:10:39 | |
Beyond this girl's statement, we need to ask questions. | 0:10:43 | 0:10:46 | |
Has she done this before? Find the evidence. | 0:10:46 | 0:10:49 | |
Find the flaw in her statement. | 0:10:49 | 0:10:50 | |
What the hell am I going tell Randall? | 0:10:50 | 0:10:53 | |
What's she saying? | 0:10:53 | 0:10:55 | |
She claims he attacked her after a night at El Paradis. | 0:10:56 | 0:11:00 | |
The irony is I was with him that same night. | 0:11:01 | 0:11:05 | |
I wish now I'd stayed. | 0:11:05 | 0:11:07 | |
They're very serious allegations. | 0:11:11 | 0:11:13 | |
Um, can we...can we see him? | 0:11:13 | 0:11:14 | |
Five minutes. One of you. | 0:11:14 | 0:11:17 | |
Um...I'll, I'll be back. I'll be there. | 0:11:19 | 0:11:22 | |
Go home and...and change. Camille will be... | 0:11:22 | 0:11:24 | |
-Yeah. -I'll see you back at the office. The board are in at three. | 0:11:24 | 0:11:27 | |
She's not coming? | 0:11:37 | 0:11:39 | |
Oh, my God! | 0:11:39 | 0:11:41 | |
-Could...could she have gone to her parents' house? -No. | 0:11:41 | 0:11:45 | |
She wouldn't want to upset the apple cart yet. | 0:11:47 | 0:11:50 | |
-I-I could call by the house. -She's given up on me. -No. | 0:11:50 | 0:11:53 | |
-I didn't do it. -No, I know. I know you didn't. | 0:11:56 | 0:12:00 | |
-I'm supposed to be presenting this NATO... -It doesn't matter! | 0:12:02 | 0:12:05 | |
Let's just concentrate on getting you out. | 0:12:05 | 0:12:08 | |
Think back to that evening. This girl, after El Paradis...? | 0:12:08 | 0:12:13 | |
We went to a hotel in Mayfair. | 0:12:13 | 0:12:15 | |
Oh, Christ! | 0:12:17 | 0:12:18 | |
No time for self-pity now, Hector. You know you didn't do it. | 0:12:18 | 0:12:22 | |
(We just have to find out who did.) | 0:12:26 | 0:12:28 | |
Oh, God! | 0:12:28 | 0:12:30 | |
Oi! | 0:12:36 | 0:12:37 | |
Now you fit in. | 0:12:40 | 0:12:42 | |
HE IMITATES A MONKEY | 0:12:42 | 0:12:45 | |
Mrs Lyon. | 0:12:50 | 0:12:52 | |
Come on, come on. | 0:12:55 | 0:12:57 | |
PHONE RINGS | 0:12:57 | 0:12:59 | |
Hello. The Hour. | 0:13:01 | 0:13:02 | |
Hello. This is Bill Kendall. Could I speak to Mr Madden, please? | 0:13:02 | 0:13:05 | |
No, you can't. | 0:13:09 | 0:13:11 | |
I heard you like to have your fingers over everything, Miss Rowley, | 0:13:11 | 0:13:14 | |
but I did not realise that extended to answering the telephone. | 0:13:14 | 0:13:18 | |
-It's hard to get good people, I like to hold on to the ones I've got. He's not here. -Odd. | 0:13:18 | 0:13:22 | |
-We had a meeting this morning. He didn't turn up. -Unbelievable! | 0:13:22 | 0:13:26 | |
You're telephoning to flaunt your sad attempts to poach my staff. | 0:13:26 | 0:13:29 | |
I'd concentrate on finessing Uncovered. It could do with it. | 0:13:29 | 0:13:33 | |
And she does jokes, as well. | 0:13:33 | 0:13:34 | |
Obviously, you're going with the imminent NATO summit? | 0:13:34 | 0:13:38 | |
Obviously. | 0:13:39 | 0:13:41 | |
-That's all you're getting. -I'll go first. | 0:13:41 | 0:13:43 | |
Only the second time since '49 all the heads of government have met. | 0:13:43 | 0:13:46 | |
You will be anti-military. | 0:13:46 | 0:13:49 | |
-Don't make assumptions. -Yes, I'm right. | 0:13:49 | 0:13:51 | |
Well, in an atmosphere of insanity, | 0:13:51 | 0:13:55 | |
where the President of the United States may not make the summit... | 0:13:55 | 0:13:59 | |
Macmillan is naturally nervous. | 0:13:59 | 0:14:00 | |
The question is, will Eisenhower plant his missiles in Britain? | 0:14:00 | 0:14:03 | |
Does Eisenhower even have a plan? Where from? His sick bed? | 0:14:03 | 0:14:06 | |
It's a poker game being played by lunatics and invalids. | 0:14:06 | 0:14:09 | |
Have dinner with me. | 0:14:09 | 0:14:11 | |
And now you're flirting with me. | 0:14:12 | 0:14:14 | |
Openness, Miss Rowley, on all fronts, | 0:14:14 | 0:14:17 | |
is always my preferred policy. | 0:14:17 | 0:14:19 | |
Although clearly not in your marriage. | 0:14:19 | 0:14:22 | |
How would your wife feel if you were asking me out? | 0:14:22 | 0:14:24 | |
Or is this business? Sorry, I never finish before nine. | 0:14:24 | 0:14:27 | |
At best, it's a bag of chips on the way home. | 0:14:27 | 0:14:29 | |
Now, if you'll please excuse me, more pressing matters. | 0:14:29 | 0:14:32 | |
You all right there, sir? Lovely. My fella's going to show you... | 0:14:34 | 0:14:37 | |
Oh! Excuse me, excuse me. | 0:14:37 | 0:14:39 | |
Mr Lyon, Mr Lyon! | 0:14:39 | 0:14:41 | |
-New car, Norman? -Yeah, it is, it is. How are you, Mr Lyon? | 0:14:41 | 0:14:44 | |
-Fine, thank you. -And your wife? | 0:14:44 | 0:14:46 | |
Er...after the incident? She recovered? | 0:14:46 | 0:14:49 | |
-What? -Nasty little thug got her on the doorstep. | 0:14:49 | 0:14:52 | |
They don't like us shifting the coloureds in. | 0:14:52 | 0:14:54 | |
Don't worry. We're on the look-out. | 0:14:54 | 0:14:57 | |
They don't understand. Where else are our visitors meant to stay? | 0:14:57 | 0:15:00 | |
-Mr Lyon? -It's no wonder people like yourselves are moving out the city to the new towns. | 0:15:00 | 0:15:04 | |
She's fine. She's fine. A little shaken. I gave her a brandy. | 0:15:04 | 0:15:07 | |
Christ! | 0:15:07 | 0:15:08 | |
I told Sissy to tell your office. | 0:15:08 | 0:15:11 | |
I'll come in today. I'll do your interview. | 0:15:12 | 0:15:16 | |
-Mr Pike. -They say you're a doctor, Mr Ola. | 0:15:18 | 0:15:23 | |
-Yes. -Ah, your mother must be so proud. | 0:15:23 | 0:15:25 | |
Yeah? One second. | 0:15:25 | 0:15:29 | |
Hello, sir. I'll help you in there. | 0:15:29 | 0:15:31 | |
I hate this country. | 0:15:33 | 0:15:35 | |
Don't hate this country. | 0:15:37 | 0:15:40 | |
I live in this country. | 0:15:40 | 0:15:41 | |
And you love me. | 0:15:43 | 0:15:44 | |
Was it the same lad? | 0:15:47 | 0:15:49 | |
Yeah. | 0:15:51 | 0:15:53 | |
Freddie, wait! | 0:15:56 | 0:15:57 | |
-Oi! You! -Here we go! | 0:16:02 | 0:16:05 | |
-Think it's funny? Picking on a woman. -Piss off! | 0:16:05 | 0:16:08 | |
-How old are you? -17. | 0:16:08 | 0:16:10 | |
I remember you. You used to deliver my dad's paper. | 0:16:10 | 0:16:13 | |
Yeah? Proud of you, I'm sure. | 0:16:13 | 0:16:14 | |
Letting out his house to that blacko. | 0:16:14 | 0:16:18 | |
Looking out his window at his neighbours, everyone's a nig! | 0:16:18 | 0:16:23 | |
-What would your dad think of that, then? -You tell me. | 0:16:23 | 0:16:25 | |
Mosley says we just need to buy more sugar from Jamaica, | 0:16:27 | 0:16:31 | |
instead of trading with Cuba. | 0:16:31 | 0:16:33 | |
Then they can all go back to where they came from. | 0:16:33 | 0:16:36 | |
Riddin' Britain of the nigs! | 0:16:36 | 0:16:38 | |
Darkies live on cat food, I've seen 'em. | 0:16:38 | 0:16:40 | |
"A prophet or an achiever | 0:16:41 | 0:16:43 | |
"must never mind an occasional absurdity. | 0:16:43 | 0:16:46 | |
"It is an occupational risk." | 0:16:46 | 0:16:48 | |
Do you actually understand what you just said? | 0:16:48 | 0:16:51 | |
Yeah. | 0:16:51 | 0:16:53 | |
Fancy saying all that on television? | 0:16:55 | 0:16:57 | |
The Chameleon Club piece. | 0:17:01 | 0:17:03 | |
Erm...a positive view of the interracial social clubs | 0:17:03 | 0:17:07 | |
that are popping up across London. | 0:17:07 | 0:17:09 | |
Examining the face of modern immigration | 0:17:09 | 0:17:11 | |
and the growth of the anti-fascist movement | 0:17:11 | 0:17:14 | |
in the light of violence on the streets. | 0:17:14 | 0:17:16 | |
Let's hope it will play well in front of the board. 3pm. | 0:17:16 | 0:17:19 | |
-Our budget's under review. -Yes. I haven't forgotten. | 0:17:19 | 0:17:23 | |
-Mr Lyon? Mr Madden? They here? -On their way. | 0:17:23 | 0:17:26 | |
Cocktail dress. | 0:17:31 | 0:17:33 | |
Have I missed a party? | 0:17:33 | 0:17:35 | |
Sissy, telephone Mrs Madden. She's proving elusive. | 0:17:40 | 0:17:42 | |
Tell her I need to speak to her as soon as possible. | 0:17:42 | 0:17:46 | |
PHONE RINGS | 0:17:50 | 0:17:51 | |
Where is everyone? | 0:18:01 | 0:18:04 | |
And why are you still in evening dress? | 0:18:08 | 0:18:11 | |
Sissy, try McCain's office when you've finished trying Mrs Madden. | 0:18:11 | 0:18:14 | |
-Out with it. -We're in trouble. | 0:18:14 | 0:18:17 | |
Major or minor? | 0:18:17 | 0:18:19 | |
BOTH: Go away! | 0:18:19 | 0:18:20 | |
Hector's, um...Hector's been arrested. | 0:18:22 | 0:18:25 | |
He's been accused of beating some young girl. | 0:18:25 | 0:18:28 | |
Where? | 0:18:28 | 0:18:30 | |
El Paradis. I'm going there now. | 0:18:30 | 0:18:32 | |
Munchkin, it's better left to the police. | 0:18:32 | 0:18:35 | |
He didn't do it! | 0:18:35 | 0:18:37 | |
Heroes or villains, we are all somewhere in between. | 0:18:39 | 0:18:42 | |
The good do bad things and the bad are sometimes kind to their mothers. | 0:18:42 | 0:18:45 | |
Delaine. Kiki Delaine? | 0:18:45 | 0:18:48 | |
Do you know that name? | 0:18:48 | 0:18:50 | |
Am I to assume that she's a call girl? | 0:18:50 | 0:18:52 | |
Why would someone, anyone, lie about something like that? | 0:18:52 | 0:18:57 | |
Rich men come in every day, treating them like dirt. | 0:18:59 | 0:19:02 | |
One day, one of them's bound to lash out. | 0:19:02 | 0:19:04 | |
He didn't do it. | 0:19:04 | 0:19:06 | |
Jolly good, sweetheart, mustn't give power to doubt. | 0:19:06 | 0:19:11 | |
Freddie in? Randall's sniffing around. | 0:19:11 | 0:19:15 | |
-McCain? -He's not in until twelve. -Keep trying. | 0:19:15 | 0:19:18 | |
He needs to go to West End Central Police station. | 0:19:18 | 0:19:21 | |
Miss Rowley...? | 0:19:21 | 0:19:22 | |
And Freddie, tell him to knock that fascist story into shape. | 0:19:22 | 0:19:26 | |
-You want to let the stupid Nazi kid on the television? -Yes. | 0:19:29 | 0:19:33 | |
-You are inhumane. -Some might say the opposite. | 0:19:34 | 0:19:38 | |
Neither vilify nor condone. | 0:19:38 | 0:19:40 | |
Aren't you interested? Intrigued? | 0:19:40 | 0:19:44 | |
Intrigued? You have no passion. You don't care! | 0:19:44 | 0:19:47 | |
I'm sorry. | 0:19:51 | 0:19:54 | |
It was soot. It was horrible. I'm sorry. | 0:19:55 | 0:19:58 | |
But do nothing and he will come back again. | 0:20:03 | 0:20:06 | |
Give him the rope to hang himself. | 0:20:07 | 0:20:10 | |
Let's hear what he has to say. | 0:20:10 | 0:20:12 | |
-You don't love me. -What? | 0:20:14 | 0:20:17 | |
You love your stupid Hour! | 0:20:17 | 0:20:19 | |
Conard! | 0:20:19 | 0:20:21 | |
Egoiste! | 0:20:21 | 0:20:22 | |
You keep telling me to stand taller. What's taller than this?! | 0:20:25 | 0:20:29 | |
SHE YELLS IN FRENCH | 0:20:29 | 0:20:31 | |
She won't withdraw the charges. We're keeping her as long as we can. | 0:20:36 | 0:20:39 | |
The last thing we need is her talking to the tabloid press. | 0:20:39 | 0:20:42 | |
Will she want money? How much does she want? I have money. | 0:20:46 | 0:20:48 | |
The minute you start writing cheques, you're a guilty man. | 0:20:48 | 0:20:51 | |
Now, for Christ's sake, you are innocent. Pull yourself together. | 0:20:51 | 0:20:55 | |
-It's all such a mess! -I'm sure Marnie will help you. | 0:20:55 | 0:20:57 | |
She's not here, Laurie. | 0:20:57 | 0:20:58 | |
And to be frank, she stopped trusting me a long time ago. | 0:20:58 | 0:21:01 | |
We both know with good reason. This girl... | 0:21:01 | 0:21:05 | |
This girl is one of many stupid mistakes I've made. | 0:21:05 | 0:21:09 | |
Now, are you sure you left and it was dark? | 0:21:11 | 0:21:15 | |
It was night. | 0:21:15 | 0:21:16 | |
If Marnie won't, then we need to find McCain. McCain saw me leave. | 0:21:19 | 0:21:22 | |
He was there. He'll vouch for me. | 0:21:22 | 0:21:25 | |
Christ, Laurie, I can't even hold the bloody thing! | 0:21:25 | 0:21:28 | |
Always could rely on you. | 0:21:35 | 0:21:37 | |
Hollandaise. | 0:21:39 | 0:21:41 | |
As early as 1651, the great cook Francois Pierre Le Varenne | 0:21:41 | 0:21:45 | |
described a sauce very similar | 0:21:45 | 0:21:47 | |
to this delicious concoction of butter and eggs. | 0:21:47 | 0:21:50 | |
Avec du bon beurre frais, et un jaune d'oeuf pour lier la sauce. | 0:21:50 | 0:21:55 | |
And there you have it. Voila! | 0:21:56 | 0:21:59 | |
Oh! | 0:22:00 | 0:22:03 | |
Quelle desastre! | 0:22:03 | 0:22:05 | |
-Perhaps one more time? -No. | 0:22:05 | 0:22:08 | |
That was terrific, Mrs Madden. | 0:22:08 | 0:22:11 | |
Perhaps if you'd like to join us over here. | 0:22:11 | 0:22:13 | |
-Yes, of course. -I'll just... | 0:22:13 | 0:22:16 | |
-Mrs Madden? -Yes? | 0:22:18 | 0:22:20 | |
Duck...or a swan? | 0:22:48 | 0:22:53 | |
Vai a volare l'uccellino piccolina. | 0:22:54 | 0:22:56 | |
You walk like Bacall. | 0:22:59 | 0:23:00 | |
Thank you. | 0:23:01 | 0:23:03 | |
I understand that Mr Madden is often here. | 0:23:04 | 0:23:07 | |
-You his wife? -No. His producer. | 0:23:07 | 0:23:10 | |
Ah. Nice. | 0:23:10 | 0:23:12 | |
Er...he's in custody, | 0:23:19 | 0:23:21 | |
An incident with a young lady he met in this club. | 0:23:21 | 0:23:24 | |
That's unfortunate. | 0:23:24 | 0:23:26 | |
These girls work for you. | 0:23:26 | 0:23:28 | |
-What they do in their own time is no business of mine. -But it is mine. | 0:23:28 | 0:23:31 | |
-I have no front man. -People say I have a face for television. | 0:23:31 | 0:23:35 | |
-They're wrong. -Cute! | 0:23:35 | 0:23:38 | |
She's saying that he assaulted her. | 0:23:40 | 0:23:42 | |
HE SIGHS | 0:23:42 | 0:23:44 | |
These girls are little birds. | 0:23:44 | 0:23:46 | |
They're fragile in these men's hands. | 0:23:46 | 0:23:48 | |
All you can do is advise and guide. | 0:23:48 | 0:23:51 | |
We have stars, politicians, diplomats here. | 0:23:51 | 0:23:55 | |
They come to relax. The rest... | 0:23:55 | 0:23:57 | |
This is a nice place. | 0:23:57 | 0:23:59 | |
Elegant place. The other stuff... | 0:23:59 | 0:24:02 | |
That's not this place. | 0:24:02 | 0:24:04 | |
They are very serious allegations. | 0:24:07 | 0:24:11 | |
If you have any idea who might... | 0:24:11 | 0:24:13 | |
-I'm a businessman. Miss Delaine... -So you know her name. | 0:24:13 | 0:24:16 | |
..is such a sweet girl. | 0:24:16 | 0:24:18 | |
She's one of my best. | 0:24:18 | 0:24:20 | |
But ambition gets us all. | 0:24:20 | 0:24:22 | |
She's like a daughter to me. | 0:24:23 | 0:24:26 | |
The kind of girl that can stir the emotions of a man. | 0:24:26 | 0:24:29 | |
Who did it? | 0:24:33 | 0:24:34 | |
Ha! | 0:24:34 | 0:24:36 | |
Who did it? | 0:24:39 | 0:24:40 | |
A man who folds his own napkins | 0:24:42 | 0:24:45 | |
and you don't keep track of your own investments? | 0:24:45 | 0:24:48 | |
I bet you have a past. | 0:24:51 | 0:24:54 | |
I bet you do, too. | 0:24:55 | 0:24:58 | |
FOOTSTEPS APPROACH | 0:25:04 | 0:25:05 | |
FOOTSTEPS RECEDE | 0:25:12 | 0:25:13 | |
Now, what is key to us | 0:25:16 | 0:25:18 | |
is that the viewer is meeting not only a hostess, | 0:25:18 | 0:25:21 | |
but a woman totally in charge of the home. | 0:25:21 | 0:25:25 | |
In your own life, Mrs Madden, your husband is a very successful man. | 0:25:25 | 0:25:29 | |
So, what is the secret to your marriage? | 0:25:29 | 0:25:33 | |
I'm sure every wife wonders what her husband does with his day. | 0:25:33 | 0:25:36 | |
So when he does pass through that door, | 0:25:36 | 0:25:38 | |
one must try to make him feel loved. | 0:25:38 | 0:25:41 | |
Give him no reason to stray from the hearth and comfort of family life. | 0:25:41 | 0:25:44 | |
-You have children? -No, but we hope to soon. | 0:25:44 | 0:25:47 | |
Your husband must be very proud of you. | 0:25:47 | 0:25:49 | |
Absolutely. | 0:25:49 | 0:25:52 | |
If you could just perhaps | 0:25:52 | 0:25:53 | |
give us a few moments to deliberate, Mrs Madden. | 0:25:53 | 0:25:56 | |
Yes, of course. | 0:25:56 | 0:25:58 | |
Um...do you have a light? | 0:26:09 | 0:26:11 | |
Thank you. | 0:26:22 | 0:26:23 | |
Kiki's got a lot of friends. | 0:26:25 | 0:26:27 | |
Do you know any of them? | 0:26:29 | 0:26:30 | |
I hear she's an actress. | 0:26:33 | 0:26:34 | |
Yes. Yes, Miss Delaine's a very good actress. | 0:26:36 | 0:26:40 | |
Theatre? Film? | 0:26:40 | 0:26:43 | |
More...artistic photographs. | 0:26:43 | 0:26:46 | |
You can pick them up in any of the speciality bookshops around here. | 0:26:46 | 0:26:51 | |
If you know how to ask. | 0:26:51 | 0:26:53 | |
Do you know who attacked her? | 0:26:58 | 0:27:00 | |
Whoever it was didn't like those photos. | 0:27:03 | 0:27:05 | |
I like your hair. | 0:27:08 | 0:27:10 | |
What dye do you use? Silver ash or American birch? | 0:27:10 | 0:27:15 | |
Neither. | 0:27:15 | 0:27:17 | |
Mr Wengrow? Miss Rowley, on your travels, seen her around? | 0:27:22 | 0:27:25 | |
-I have. -And Mr Lyon? | 0:27:25 | 0:27:27 | |
Present and correct. | 0:27:27 | 0:27:28 | |
-Ready for this afternoon? -Yes. | 0:27:30 | 0:27:33 | |
I just need to sort... We have contributors. | 0:27:33 | 0:27:36 | |
Very interesting contributors coming in. | 0:27:36 | 0:27:40 | |
-Contributors? -Mm-hm. Sissy! | 0:27:40 | 0:27:44 | |
-Why are you following me? -Update. | 0:27:51 | 0:27:54 | |
NATO summit. Still going with the anti-military angle. | 0:27:54 | 0:27:57 | |
Any sense as to what Uncovered are running with? | 0:27:57 | 0:28:00 | |
They're less interested in the summit as a forum for political debate. | 0:28:00 | 0:28:04 | |
As to be expected. Miss Cooper. Mr Madden? | 0:28:04 | 0:28:07 | |
Newsroom. | 0:28:07 | 0:28:08 | |
-Just now? -Yes. | 0:28:08 | 0:28:10 | |
That's odd. I was just there. | 0:28:10 | 0:28:13 | |
Shall we go back there and see what he thinks? | 0:28:15 | 0:28:19 | |
How's Mrs Lyon? Sey told me. | 0:28:27 | 0:28:29 | |
Fine. Fine. She's fine, thank you. | 0:28:29 | 0:28:32 | |
-Is, um...Miss Rowley back yet? -No. | 0:28:32 | 0:28:34 | |
This afternoon, there will be a young man coming in. | 0:28:34 | 0:28:37 | |
-What, Sey? Yes, I know. -No. | 0:28:37 | 0:28:40 | |
-No, Someone else. -Who? | 0:28:40 | 0:28:42 | |
I'm just, er...firming up the details. | 0:28:42 | 0:28:46 | |
Isaac's writing a play. | 0:28:46 | 0:28:48 | |
What kind of play? | 0:28:48 | 0:28:50 | |
Domestic, in a way. Kitchen sink. In that genre. | 0:28:50 | 0:28:53 | |
-You haven't written it yet? -I have a title. | 0:28:53 | 0:28:57 | |
Get me 20 pages by the end of the week. I'll read it for you. | 0:28:57 | 0:29:01 | |
Oh, Mr Lyon, I hope you don't think me rude, | 0:29:01 | 0:29:03 | |
it's just a very different kind of writing. | 0:29:03 | 0:29:05 | |
The dramatic form. | 0:29:05 | 0:29:07 | |
And Mr Mackie in drama said he'd give it the once-over. | 0:29:07 | 0:29:09 | |
-Really? -But thanks for the offer. | 0:29:09 | 0:29:12 | |
It's just he's a bit experienced. Yeah, and he's published. | 0:29:12 | 0:29:15 | |
FREDDIE CHUCKLES | 0:29:15 | 0:29:17 | |
You lost, love? | 0:29:28 | 0:29:30 | |
-So...I've been summoned. -Hm. | 0:29:34 | 0:29:38 | |
Randall... | 0:29:42 | 0:29:43 | |
You've been sniffing around my team. I'd rather you didn't do that. | 0:29:43 | 0:29:47 | |
Mr Madden's the best out there. | 0:29:47 | 0:29:50 | |
You'll ruin his career. | 0:29:50 | 0:29:51 | |
You'll give him six months on Uncovered, | 0:29:51 | 0:29:54 | |
then he'll be earmarked for light entertainment. | 0:29:54 | 0:29:56 | |
He'll be in a sparkly suit, | 0:29:56 | 0:29:58 | |
spinning a cardboard roulette wheel on a quiz show by next Christmas. | 0:29:58 | 0:30:01 | |
I can assure you, I want Mr Madden for more than his croupier skills. | 0:30:01 | 0:30:05 | |
He is highly corruptible. | 0:30:05 | 0:30:08 | |
I'm sure he'll take whatever is offered. | 0:30:09 | 0:30:12 | |
He's also very self-destructive. Brilliant people often are. | 0:30:12 | 0:30:15 | |
Too much money is bad for him. | 0:30:17 | 0:30:19 | |
That's why I'd rather you didn't. | 0:30:19 | 0:30:21 | |
And if I do? | 0:30:21 | 0:30:23 | |
Your producer has already said she'll hunt me down. | 0:30:23 | 0:30:26 | |
That's covered, then. Good luck. | 0:30:26 | 0:30:28 | |
I'm sure she'll take you a few rounds. | 0:30:28 | 0:30:31 | |
May I help you? | 0:30:36 | 0:30:37 | |
I'm looking for some literature... For my husband. | 0:30:43 | 0:30:46 | |
Sorry? | 0:30:46 | 0:30:49 | |
Something artistic? | 0:30:49 | 0:30:50 | |
I'm sorry, I don't know what you mean. | 0:30:50 | 0:30:52 | |
I think you do. | 0:30:57 | 0:30:59 | |
Let me have a look... | 0:30:59 | 0:31:02 | |
Yes. | 0:31:02 | 0:31:04 | |
Thank you. | 0:31:04 | 0:31:06 | |
What I can tell you is that he was clearly very drunk. | 0:31:20 | 0:31:24 | |
I left. | 0:31:24 | 0:31:26 | |
I presume he stayed. What happened thereafter... | 0:31:26 | 0:31:28 | |
your guess is as good as mine. | 0:31:28 | 0:31:30 | |
Erm, however... I have been very worried about Mr Madden of late. | 0:31:30 | 0:31:36 | |
He's not been himself. | 0:31:36 | 0:31:38 | |
The great pity with London is that... | 0:31:38 | 0:31:39 | |
with all its...exotic flavours, er... | 0:31:39 | 0:31:44 | |
a man such as Mr Madden can so easily be lead astray. | 0:31:44 | 0:31:47 | |
Thanks for that. | 0:31:55 | 0:31:57 | |
I thought Hector was a friend of yours... | 0:32:00 | 0:32:04 | |
You know he's not capable of this. | 0:32:04 | 0:32:05 | |
I will say whatever is needed to... preserve my position, Commander. | 0:32:05 | 0:32:09 | |
What is more I will ensure that | 0:32:09 | 0:32:11 | |
if my name is even mentioned outside the interview room... | 0:32:11 | 0:32:14 | |
this story will be in the press by the end of the day. | 0:32:14 | 0:32:16 | |
Now you wouldn't want your association with Mr Madden to... | 0:32:16 | 0:32:19 | |
impair your future? | 0:32:19 | 0:32:21 | |
After all, I hear you are earmarked for Commissioner. | 0:32:21 | 0:32:24 | |
I presume I will see you tonight at the McClaren ball? | 0:32:25 | 0:32:30 | |
Good, good. | 0:32:30 | 0:32:33 | |
-Sissy...did you get Mr... -Drayton? | 0:32:37 | 0:32:39 | |
-A cup of tea? -No. | 0:32:39 | 0:32:41 | |
I don't know what you were thinking of, Mr Lyon, | 0:32:42 | 0:32:45 | |
but I'm not telling Sey that you want to put him on with a fascist. | 0:32:45 | 0:32:49 | |
Isaac, would you see Mr Drayton down to the set, please? | 0:32:52 | 0:32:55 | |
Dr Ola? Good afternoon. This way, please. | 0:32:55 | 0:32:58 | |
So, Miss Cooper's young man is coming in? | 0:33:20 | 0:33:22 | |
Yes. That's right. | 0:33:22 | 0:33:24 | |
Interesting... | 0:33:24 | 0:33:26 | |
One of Mr Lyon's contributors? | 0:33:26 | 0:33:28 | |
I believe so. | 0:33:28 | 0:33:30 | |
So let's run that after the summit. | 0:33:30 | 0:33:32 | |
Because in truth, the BBC board members are only here to gawk | 0:33:32 | 0:33:35 | |
at our star, Mr Madden. | 0:33:35 | 0:33:38 | |
So let's polish him up and make him shine for us in our hour of need. | 0:33:38 | 0:33:41 | |
Our budgets are down. I'd like to get it up. | 0:33:41 | 0:33:44 | |
All right. Very good. | 0:33:44 | 0:33:46 | |
No. You don't get away that easily. | 0:33:46 | 0:33:48 | |
Head of news and no idea what news I'm head of. | 0:33:48 | 0:33:51 | |
Fine. | 0:33:51 | 0:33:53 | |
When I tell you this, in normal circumstances, it would have you | 0:33:53 | 0:33:57 | |
re-arranging the paperclips on my desk. | 0:33:57 | 0:33:58 | |
But try, please. Just try to receive this news with | 0:33:58 | 0:34:03 | |
a sense of composure and calm. | 0:34:03 | 0:34:05 | |
And trust that good sense and the law will prevail | 0:34:05 | 0:34:07 | |
and please do not do what you normally do. | 0:34:07 | 0:34:12 | |
KNOCK AT DOOR | 0:34:15 | 0:34:16 | |
Where have you been? | 0:34:16 | 0:34:18 | |
Buying pornography. And you? | 0:34:18 | 0:34:20 | |
Picking up fascists. | 0:34:20 | 0:34:22 | |
Oh, marvellous. | 0:34:22 | 0:34:24 | |
Apparently, she did photographs... | 0:34:24 | 0:34:25 | |
Artistic ones. | 0:34:28 | 0:34:30 | |
I thought maybe if I found them, then... | 0:34:30 | 0:34:34 | |
What? What did you think? | 0:34:34 | 0:34:37 | |
I don't know. I don't know what I thought. | 0:34:37 | 0:34:40 | |
I thought they might lead us to whoever did this. | 0:34:40 | 0:34:43 | |
Perhaps I thought, that if I could find the girl in these photos, | 0:34:43 | 0:34:49 | |
if I could show them to the police, | 0:34:49 | 0:34:51 | |
then they would see that she was lying. | 0:34:51 | 0:34:54 | |
But all I can see are the men who buy these photos | 0:34:55 | 0:34:58 | |
and the men who make money from these photos. | 0:34:58 | 0:35:00 | |
And worse, I thought about Hector. | 0:35:00 | 0:35:03 | |
What if he did do it, Freddie? | 0:35:03 | 0:35:05 | |
What if we don't know him at all? | 0:35:08 | 0:35:10 | |
We just have to hope we do. | 0:35:14 | 0:35:16 | |
And what's that bloody fascist doing here? | 0:35:16 | 0:35:21 | |
No. | 0:35:25 | 0:35:26 | |
Just go with me on this, please. | 0:35:26 | 0:35:29 | |
Ah, almost a full house. Shall we take stock in my office? | 0:35:30 | 0:35:34 | |
The young gentleman I just saw going down with Mr Wengrove. | 0:35:38 | 0:35:41 | |
He's a young fascist. | 0:35:41 | 0:35:42 | |
The other gentlemen is Miss Cooper's young man, I understand? | 0:35:42 | 0:35:46 | |
He is a doctor. | 0:35:46 | 0:35:48 | |
Mr Lyon is going to interview them both. | 0:35:48 | 0:35:49 | |
And they both agreed? Are you aware | 0:35:49 | 0:35:51 | |
the board members will be here any minute? | 0:35:51 | 0:35:54 | |
-Yes. Yes we are. -Your other chap, Mr...erm? | 0:35:54 | 0:35:57 | |
Drayton. | 0:35:57 | 0:35:59 | |
Fascists don't normally play very well. | 0:35:59 | 0:36:01 | |
-He's a kid... -Fascist. | 0:36:01 | 0:36:02 | |
..with grievances. | 0:36:02 | 0:36:04 | |
You are aware of BBC policy regarding the broadcast | 0:36:04 | 0:36:06 | |
-of fascist views? -Sub policy. | 0:36:06 | 0:36:08 | |
Freddie. It's an unwritten rule, it's not a policy and therefore... | 0:36:08 | 0:36:11 | |
There might be better days to test-run this as an idea. | 0:36:11 | 0:36:14 | |
-Sundays are good. -We don't work Sundays. | 0:36:14 | 0:36:17 | |
-You're getting my drift. -What better way | 0:36:17 | 0:36:19 | |
to see if we can do it than to show the board first? | 0:36:19 | 0:36:21 | |
Board's here. | 0:36:23 | 0:36:24 | |
Mr Brown is saying no to freedom of speech on The Hour. | 0:36:24 | 0:36:27 | |
How passe. | 0:36:27 | 0:36:28 | |
Fine. But just because I'm curious. | 0:36:33 | 0:36:36 | |
And Mr Madden should be...? | 0:36:36 | 0:36:38 | |
-On his way. -Don't kid a kidder, kid. | 0:36:38 | 0:36:40 | |
Marnie... Where have you been? | 0:36:46 | 0:36:49 | |
I had a meeting with Name That Dinner Guest. | 0:36:51 | 0:36:53 | |
I'm sorry? | 0:36:53 | 0:36:54 | |
It's a new programme. | 0:36:54 | 0:36:56 | |
The doorbell rings and each week there's a different guest. | 0:36:56 | 0:36:59 | |
As hostess, I cook for them and you have to guess | 0:36:59 | 0:37:02 | |
who it is from what we're going to eat. | 0:37:02 | 0:37:04 | |
I got it. | 0:37:04 | 0:37:05 | |
But it's all right. | 0:37:05 | 0:37:07 | |
I'm here now and I expect you'll want to interview me. | 0:37:07 | 0:37:10 | |
This is where we will be doing the tele-recording. | 0:37:21 | 0:37:23 | |
Yes... No Mr Madden today? | 0:37:23 | 0:37:26 | |
It seems not. | 0:37:26 | 0:37:27 | |
Would you care to take a seat, gentlemen? | 0:37:28 | 0:37:32 | |
Hector was late... | 0:37:38 | 0:37:40 | |
I'd made him coq au vin. | 0:37:41 | 0:37:43 | |
But he didn't come home... | 0:37:43 | 0:37:44 | |
So I went to bed. | 0:37:44 | 0:37:46 | |
We are fortunate today to have two sides of a very potent | 0:37:46 | 0:37:51 | |
debate on immigration. | 0:37:51 | 0:37:53 | |
Er, Mr Lyon and Mr Wengrow will be tele-recording one of the | 0:37:53 | 0:37:59 | |
key pieces that we may show on Friday's programme. | 0:37:59 | 0:38:03 | |
I heard the door go and... | 0:38:03 | 0:38:04 | |
It was dark outside. | 0:38:09 | 0:38:12 | |
His feet were cold. | 0:38:12 | 0:38:14 | |
I was angry at him. | 0:38:14 | 0:38:16 | |
I didn't say but... | 0:38:17 | 0:38:20 | |
no-one likes to be woken in the middle of the night. | 0:38:20 | 0:38:22 | |
Cold feet rubbing with mine... | 0:38:25 | 0:38:27 | |
..but he was home. | 0:38:30 | 0:38:31 | |
He was definitely home. | 0:38:32 | 0:38:34 | |
I do so hate it when it's icy and he drives. | 0:38:34 | 0:38:36 | |
I'd like to begin by introducing Dr Sey Ola. | 0:38:36 | 0:38:41 | |
Hey, Mr Lyon, I'm not sure this is a good idea. | 0:38:41 | 0:38:44 | |
All you have to do is talk of your experiences. | 0:38:44 | 0:38:46 | |
-This isn't a debate... -He attacked your wife this morning! | 0:38:46 | 0:38:49 | |
She more than anyone would like to hear why. | 0:38:49 | 0:38:51 | |
-You want to give him the opportunity to rally more boys to do the same? -Mr Lyon... | 0:38:51 | 0:38:54 | |
Who's this? | 0:38:54 | 0:38:56 | |
Erm, Mr Trevor Drayton, Lord Reeves. | 0:38:56 | 0:38:59 | |
He's a member of the British Defence Union. | 0:38:59 | 0:39:02 | |
A fascist?! You're giving airtime to a fascist? | 0:39:02 | 0:39:06 | |
Essentially, yes. | 0:39:06 | 0:39:08 | |
-I'm sorry, but no, I won't. -Sey... | 0:39:08 | 0:39:10 | |
Excuse me. | 0:39:10 | 0:39:11 | |
I'm sorry, they didn't tell me. | 0:39:13 | 0:39:14 | |
DOOR BANGS | 0:39:17 | 0:39:18 | |
FOOTSTEPS APPROACH | 0:39:20 | 0:39:21 | |
Liar! | 0:39:30 | 0:39:31 | |
Sign her out. | 0:39:39 | 0:39:40 | |
Stupid tart! | 0:39:40 | 0:39:42 | |
What did you say? | 0:39:42 | 0:39:43 | |
Sorry, Sir. | 0:39:43 | 0:39:45 | |
Let's go with Mr Drayton. | 0:39:47 | 0:39:49 | |
And try to keep the board members out of his eye line. | 0:39:49 | 0:39:51 | |
Mr Brown, forgive me, but a number of us fought in the war and to | 0:39:51 | 0:39:55 | |
watch you effectively trade the views of Dr Ola for this...young man, | 0:39:55 | 0:40:00 | |
this fascist, quite honestly, our viewers will struggle to stomach it. | 0:40:00 | 0:40:03 | |
Would you rather we ignore these views? | 0:40:03 | 0:40:05 | |
Ring up Uncovered this week. Ask them what they're running. | 0:40:07 | 0:40:10 | |
I promise you there won't be a single story | 0:40:10 | 0:40:12 | |
that grabs you in the way that this one will. | 0:40:12 | 0:40:15 | |
The Hour is prized for breaking ground. | 0:40:15 | 0:40:18 | |
What could be more innovative than being the first | 0:40:18 | 0:40:21 | |
to witness the face of inter-racial Britain, good or bad? | 0:40:21 | 0:40:24 | |
I want this to feel as natural as possible. Just me and him. | 0:40:24 | 0:40:27 | |
Like it's a conversation you're lucky to be earwigging. | 0:40:27 | 0:40:30 | |
As we have no Mr Madden, | 0:40:30 | 0:40:32 | |
think of this as an opportunity to say yay or nay | 0:40:32 | 0:40:35 | |
to this obviously controversial item. | 0:40:35 | 0:40:37 | |
And roll cameras! | 0:40:37 | 0:40:39 | |
CHURCH BELLS TOLL | 0:40:41 | 0:40:43 | |
No, it's all right. I'll drive. | 0:40:45 | 0:40:47 | |
Mr Madden! Mr Madden! | 0:40:55 | 0:40:56 | |
-Would you mind? For my wife? -Of course. | 0:40:58 | 0:41:00 | |
There you are. | 0:41:06 | 0:41:07 | |
Marnie... | 0:41:13 | 0:41:14 | |
I don't want to know whether you did it or not. | 0:41:14 | 0:41:18 | |
It doesn't matter. | 0:41:18 | 0:41:20 | |
-You know I...I wouldn't. -No, I don't. | 0:41:21 | 0:41:23 | |
And what kind of husband does that make you, | 0:41:25 | 0:41:27 | |
when your own wife doubts you? | 0:41:27 | 0:41:29 | |
Even when you're not lying for once. | 0:41:29 | 0:41:31 | |
We won't talk about this again... | 0:41:40 | 0:41:42 | |
..but you need to know | 0:41:43 | 0:41:44 | |
that while our marriage may be intact on paper... | 0:41:44 | 0:41:47 | |
..it's over for me, Hector. | 0:41:48 | 0:41:50 | |
We will smile and be the perfect man and wife, | 0:41:52 | 0:41:55 | |
but from now on, what you do with your time | 0:41:55 | 0:41:57 | |
is of no interest to me and what I do is nothing to do with you. | 0:41:57 | 0:42:01 | |
I will do what I like. | 0:42:04 | 0:42:05 | |
Miss Rowley came and fought for you today, no doubt. | 0:42:07 | 0:42:10 | |
It's ridiculous. | 0:42:13 | 0:42:14 | |
Two sane, beautiful women wasted on you. | 0:42:15 | 0:42:18 | |
Aren't you ashamed - | 0:42:20 | 0:42:21 | |
the way you have us all fawning at your feet? | 0:42:21 | 0:42:23 | |
I presume you want to go back to the office? | 0:42:29 | 0:42:31 | |
I imagine your friends will be very relieved | 0:42:39 | 0:42:41 | |
to hear of your lucky escape. | 0:42:41 | 0:42:43 | |
We're not fascists. We're nationalists. | 0:42:45 | 0:42:48 | |
We've let in 90,000 immigrants from alien races in the last five years. | 0:42:48 | 0:42:53 | |
West Indians, Africans, Asians in our midst. | 0:42:55 | 0:42:59 | |
They take our jobs, they move into our houses, | 0:42:59 | 0:43:03 | |
they have inter-racial relationships... | 0:43:03 | 0:43:06 | |
It is a bastardisation of our country | 0:43:06 | 0:43:08 | |
by an unchecked immigrant community. | 0:43:08 | 0:43:11 | |
And so you attack them? | 0:43:11 | 0:43:13 | |
These people have come here in search of a better life, | 0:43:13 | 0:43:16 | |
they've come here in search of employment... | 0:43:16 | 0:43:18 | |
Yeah, yeah. Employment that we should be helping them find at home. | 0:43:18 | 0:43:22 | |
Can we have the first slide, please, Isaac? | 0:43:24 | 0:43:26 | |
This young woman. Where do you think she's from? | 0:43:30 | 0:43:33 | |
Somewhere in Africa? | 0:43:33 | 0:43:35 | |
Actually, Forest Hill. | 0:43:35 | 0:43:36 | |
HE SCOFFS | 0:43:36 | 0:43:38 | |
And this young woman, where do you think she's from? | 0:43:38 | 0:43:41 | |
She's a Londoner, but her grandfather was Russian and fled the pogroms. | 0:43:41 | 0:43:46 | |
Where would you like to see this young woman repatriated to? | 0:43:46 | 0:43:50 | |
And this man. | 0:43:52 | 0:43:54 | |
He's one of 300 men who served with the RAF during the Second World War. | 0:43:54 | 0:43:58 | |
All of these people believe in democracy | 0:43:58 | 0:44:01 | |
and some of them, as you can see, | 0:44:01 | 0:44:03 | |
have even fought for the country that they now consider to be their home. | 0:44:03 | 0:44:06 | |
Did you fight for your country? | 0:44:06 | 0:44:07 | |
No, no, I didn't think so. | 0:44:10 | 0:44:12 | |
No, Dr Ola did bring his skills as a doctor to Great Britain. | 0:44:12 | 0:44:16 | |
This man has more than proved himself worthy of our support | 0:44:16 | 0:44:19 | |
and so I would like to ask him... | 0:44:19 | 0:44:21 | |
if he is disappointed with the views expressed by this young man? | 0:44:21 | 0:44:25 | |
Yes. | 0:44:26 | 0:44:27 | |
But then it also... it also reminds me... | 0:44:30 | 0:44:33 | |
..why I wanted to come to this country in the first place. | 0:44:35 | 0:44:38 | |
This interview affirms for me | 0:44:40 | 0:44:43 | |
the strength of the British democracy. | 0:44:43 | 0:44:45 | |
And when someone is angry, someone does not always appreciate that. | 0:44:45 | 0:44:48 | |
As a country, | 0:44:49 | 0:44:51 | |
Britain has always thrived on open discussion and debate. | 0:44:51 | 0:44:55 | |
That...that this young man can say this sort of thing | 0:44:55 | 0:44:59 | |
and that he's free to say it, | 0:44:59 | 0:45:01 | |
it marks for me the power of the British democratic system. | 0:45:01 | 0:45:05 | |
That...that...that it is strong enough to face this fever, | 0:45:05 | 0:45:09 | |
to fight this rancid, toxic, racist disease | 0:45:09 | 0:45:13 | |
and to come out of it so strong. | 0:45:13 | 0:45:15 | |
That is the country where I want to live. | 0:45:16 | 0:45:19 | |
That is where my home is. | 0:45:22 | 0:45:24 | |
Turn and record, finished. Thank you, gentlemen. | 0:45:28 | 0:45:30 | |
BELL RINGS | 0:45:30 | 0:45:32 | |
Ah, Mr Madden! | 0:45:34 | 0:45:36 | |
Sey Ola, that was remarkable, thank you very much. | 0:45:37 | 0:45:40 | |
Er...Lord Reeves, Mr Hector Madden. | 0:45:40 | 0:45:43 | |
We didn't think you were coming. | 0:45:43 | 0:45:44 | |
Excuse me. | 0:45:44 | 0:45:45 | |
Mr Madden always pulls it out of the bag at the eleventh hour. | 0:45:46 | 0:45:50 | |
That was brilliant, Freddie. Well done. | 0:45:50 | 0:45:52 | |
But we have to talk about tomorrow... | 0:45:52 | 0:45:53 | |
I used to know a boy like you. | 0:46:04 | 0:46:06 | |
Filled with hate. | 0:46:07 | 0:46:08 | |
It just became so damned exhausting. | 0:46:10 | 0:46:12 | |
Not bad. | 0:46:18 | 0:46:19 | |
You might just have won them over. | 0:46:19 | 0:46:22 | |
Isaac, will you see Trevor out, please? | 0:46:22 | 0:46:25 | |
Mr Pike paid me. | 0:46:27 | 0:46:29 | |
What? | 0:46:30 | 0:46:31 | |
Mr Pike paid me. | 0:46:31 | 0:46:33 | |
To dump soot on your wife. | 0:46:33 | 0:46:34 | |
I'm sorry? | 0:46:34 | 0:46:35 | |
He's got his eye on your house. | 0:46:36 | 0:46:39 | |
And you don't say no to Mr Pike. | 0:46:39 | 0:46:41 | |
That's me done for. | 0:46:43 | 0:46:45 | |
-I'd bump up the Chameleon Club. -Really? | 0:46:53 | 0:46:55 | |
You are deliberately perverse, Mr Brown. | 0:46:55 | 0:46:57 | |
NATO summit is the story. | 0:46:57 | 0:46:59 | |
And it will still be there tomorrow. | 0:46:59 | 0:47:01 | |
Fascists on the BBC. Now that is news. | 0:47:01 | 0:47:04 | |
Is this what we have to look forward to? Continuous controversy? | 0:47:04 | 0:47:07 | |
Watch Uncovered poach the story and run with it next week. | 0:47:11 | 0:47:14 | |
You know their producer rang me and asked me out for dinner? | 0:47:14 | 0:47:17 | |
Bill Kendall? | 0:47:17 | 0:47:18 | |
Hmm, he was in earlier. | 0:47:18 | 0:47:20 | |
Was he? | 0:47:20 | 0:47:22 | |
I used to know his wife. | 0:47:22 | 0:47:24 | |
Picture editor. | 0:47:24 | 0:47:26 | |
-She was...such a pretty girl. -Was? | 0:47:26 | 0:47:28 | |
She died. About a year ago. | 0:47:28 | 0:47:32 | |
She left a little girl, I seem to remember. | 0:47:32 | 0:47:35 | |
Funny little thing. Terribly sad. | 0:47:35 | 0:47:37 | |
Straight home to bed tonight, eh, Hector? | 0:47:39 | 0:47:42 | |
(Thank you.) | 0:47:42 | 0:47:43 | |
-I presume today won't rebound on us, Mr Madden? -No, Mr Brown. | 0:47:45 | 0:47:48 | |
The clock is ticking on you. It really is. | 0:47:48 | 0:47:50 | |
Don't work too late. | 0:47:55 | 0:47:56 | |
Always. | 0:47:56 | 0:47:58 | |
Old enough to be her father. | 0:47:58 | 0:48:00 | |
Yes. | 0:48:00 | 0:48:01 | |
Why did you do that? | 0:48:13 | 0:48:15 | |
Why not? | 0:48:15 | 0:48:16 | |
Got your attention, though, didn't I? | 0:48:18 | 0:48:20 | |
Swear to me that you will never do that to me again. | 0:48:22 | 0:48:24 | |
And I am sorry. | 0:48:24 | 0:48:26 | |
Aren't I always kind to you? Aren't I always nice to you? | 0:48:29 | 0:48:33 | |
I hate it. | 0:48:33 | 0:48:34 | |
I hate the way that you live. | 0:48:36 | 0:48:38 | |
-It's acting! -No, it's not. | 0:48:38 | 0:48:40 | |
It's acting of sorts. | 0:48:40 | 0:48:42 | |
It costs if you want me just to be yours. | 0:48:45 | 0:48:49 | |
Beats cigarette cards. | 0:49:01 | 0:49:03 | |
It's not funny. | 0:49:03 | 0:49:04 | |
-Well, no-one makes them do it. -What? | 0:49:06 | 0:49:08 | |
-They look like they're having fun? -They get paid. | 0:49:08 | 0:49:10 | |
Oh, I doubt for every copy. | 0:49:10 | 0:49:12 | |
Fifteen bob for six photographs? | 0:49:13 | 0:49:15 | |
God, you don't even care, do you? | 0:49:16 | 0:49:18 | |
This girl, this sad, stupid, ambitious girl got beaten up. | 0:49:19 | 0:49:25 | |
If it wasn't you, then who was it? | 0:49:25 | 0:49:27 | |
-Hector? Really? You...you don't want to know? -Yes. | 0:49:27 | 0:49:30 | |
Then ask yourself, if Miss Delaine was posing for these photographs, | 0:49:30 | 0:49:33 | |
then why? What for? | 0:49:33 | 0:49:35 | |
Is that all she is? | 0:49:37 | 0:49:38 | |
Is that all any of us are to you? | 0:49:40 | 0:49:42 | |
No. You've got brains as well. | 0:49:42 | 0:49:45 | |
Sorry. I'm sorry. | 0:49:48 | 0:49:50 | |
Look, I... | 0:49:51 | 0:49:52 | |
I came to say thank you for today and, er... | 0:49:53 | 0:49:56 | |
-I'm sorry I'm so disappointing. -No, just get out. | 0:49:58 | 0:50:02 | |
I don't want to see your face this evening. | 0:50:02 | 0:50:04 | |
PHONE RINGS | 0:50:06 | 0:50:08 | |
Right. | 0:50:11 | 0:50:13 | |
Right. | 0:50:15 | 0:50:17 | |
Go to El Paradis tomorrow. | 0:50:22 | 0:50:24 | |
Try and see if any of these girls work there? | 0:50:24 | 0:50:27 | |
Maybe they'll talk. | 0:50:27 | 0:50:28 | |
Who took these photographs? | 0:50:32 | 0:50:34 | |
Who distributes them? | 0:50:37 | 0:50:39 | |
Someone must be in charge. | 0:50:39 | 0:50:41 | |
Why do these girls accept so little? | 0:50:41 | 0:50:45 | |
And what did she do...to get beaten like that? | 0:50:45 | 0:50:49 | |
Maybe just... | 0:50:49 | 0:50:51 | |
that. | 0:50:51 | 0:50:53 | |
Actually, there's a touch of Brando about him. | 0:50:54 | 0:50:57 | |
Mr Cilenti. | 0:50:57 | 0:50:59 | |
I'd better get back to Camille. She threw a cup at me. | 0:51:01 | 0:51:04 | |
-How's her aim? -Good. | 0:51:04 | 0:51:07 | |
-She'll forgive me. -Why? | 0:51:09 | 0:51:11 | |
Because when she stops being angry, she'll love me for it. | 0:51:13 | 0:51:16 | |
That's just... | 0:51:16 | 0:51:18 | |
the way things are with us. | 0:51:18 | 0:51:21 | |
Good night. | 0:51:21 | 0:51:22 | |
I wish you'd told me... | 0:51:22 | 0:51:24 | |
..before you did such a stupid... | 0:51:26 | 0:51:28 | |
..st...stupid... | 0:51:30 | 0:51:32 | |
..wonderful thing. | 0:51:36 | 0:51:38 | |
And what would you have done? | 0:51:38 | 0:51:41 | |
Those are unsubstantiated figures. | 0:52:19 | 0:52:20 | |
Those are...those are unsubstantiated... | 0:52:20 | 0:52:23 | |
We would like to show you some photographs... | 0:52:27 | 0:52:30 | |
We'd like to show you some photographs, Mr Drayton... | 0:52:30 | 0:52:33 | |
Those figures are unsubstantiated... | 0:52:33 | 0:52:36 | |
We'd like to show you some photographs... | 0:52:50 | 0:52:52 | |
We'd like to show you some photographs. | 0:52:52 | 0:52:55 | |
HE SIGHS DEEPLY | 0:53:11 | 0:53:13 | |
DOOR OPENS | 0:53:28 | 0:53:31 | |
Oh, I didn't see you there, Mr Madden. | 0:53:31 | 0:53:34 | |
That's all right, Miss...? | 0:53:34 | 0:53:37 | |
Peters. I'm new. On loan from the typing pool. | 0:53:37 | 0:53:40 | |
Want a light on? | 0:53:40 | 0:53:42 | |
No, thank you, Miss Peters. | 0:53:42 | 0:53:43 | |
So much more fun in the dark. | 0:53:46 | 0:53:48 | |
I was just... | 0:53:50 | 0:53:51 | |
..leaving for the night anyway. | 0:53:52 | 0:53:54 | |
SMOOTH MUSIC PLAYS | 0:54:01 | 0:54:03 | |
Commander, nice to see you tonight. | 0:54:09 | 0:54:12 | |
It's very difficult. | 0:54:13 | 0:54:15 | |
These "crimes de passion". | 0:54:16 | 0:54:18 | |
I know you're a very passionate man. | 0:54:18 | 0:54:21 | |
You care. | 0:54:21 | 0:54:23 | |
Too much. | 0:54:23 | 0:54:25 | |
Now, these are only photographs. | 0:54:26 | 0:54:29 | |
You get to touch the real thing. | 0:54:29 | 0:54:30 | |
I want her looked after. | 0:54:34 | 0:54:36 | |
Never underestimate how much I know about your business practices. | 0:54:41 | 0:54:44 | |
-I could close you down tonight. -Are you trying to blackmail me... | 0:54:46 | 0:54:49 | |
when it is you asking me to look after your whore? | 0:54:49 | 0:54:52 | |
Always welcome here, Commander. | 0:54:55 | 0:54:57 | |
But everyone has to pay for their drinks. | 0:54:58 | 0:55:00 | |
Even you. | 0:55:03 | 0:55:04 | |
You're like woodworm working your way through the legs of my chair. | 0:55:24 | 0:55:27 | |
Dare you sit? | 0:55:27 | 0:55:29 | |
Please don't tell me you've been here all afternoon. | 0:55:35 | 0:55:38 | |
-Then I was in search of Mr Madden. -And now? | 0:55:38 | 0:55:41 | |
Chips? | 0:55:41 | 0:55:42 | |
Take them. They're burning my hand. | 0:55:44 | 0:55:47 | |
TV COMMENTATOR CHATTERS | 0:55:51 | 0:55:54 | |
REEL CLICKS | 0:56:08 | 0:56:11 | |
TV COMMENTATOR: '..waiting to make history. | 0:56:12 | 0:56:14 | |
'For Britain's first hydrogen bomb is about to be exploded. | 0:56:14 | 0:56:17 | |
'From this day, Britain will rank beside America and Russia | 0:56:17 | 0:56:20 | |
'as a major nuclear power.' | 0:56:20 | 0:56:22 | |
"I saw the best minds of my generation | 0:56:22 | 0:56:26 | |
"destroyed by madness. | 0:56:26 | 0:56:28 | |
"Starving, hysterical, naked. | 0:56:30 | 0:56:33 | |
"Dragging themselves through the Negro streets at dawn, | 0:56:34 | 0:56:38 | |
"looking for an angry fix..." | 0:56:38 | 0:56:40 | |
THEY CHAT QUIETLY | 0:56:42 | 0:56:44 | |
Mr Madden, welcome back. | 0:56:49 | 0:56:50 | |
Give me a front table, I've nothing to hide. | 0:56:51 | 0:56:54 | |
Whisky, please. Double. | 0:56:57 | 0:56:58 | |
# Touch my lips | 0:57:00 | 0:57:03 | |
# So tenderly | 0:57:03 | 0:57:08 | |
# Softly, softly | 0:57:08 | 0:57:13 | |
# Turn the key | 0:57:13 | 0:57:17 | |
# And open up my heart... # | 0:57:17 | 0:57:24 | |
I'm trying to find out more about the man you work for. | 0:57:35 | 0:57:38 | |
-The testimony of a showgirl. Always bona fide. -Miss Delaine's missing. | 0:57:38 | 0:57:41 | |
Mr Cilenti is a businessman, so don't let your imaginations carry you away. | 0:57:41 | 0:57:45 | |
I have earned this, Hector. Don't you dare spoil this for me. | 0:57:45 | 0:57:49 | |
I have lied to you. | 0:57:49 | 0:57:50 | |
-I do NOT want to talk... -I do! | 0:57:50 | 0:57:52 | |
You're still looking into Miss Delaine? | 0:57:52 | 0:57:54 | |
-Best left to the police. -Best for whom? | 0:57:54 | 0:57:56 | |
You remain a first-rate journalist... | 0:57:56 | 0:57:58 | |
and you must decide what is best for you. | 0:57:58 | 0:58:01 | |
I read the police report. You sold me down the river. | 0:58:01 | 0:58:03 | |
Well, thank you. For that act of self-sabotage. | 0:58:03 | 0:58:06 | |
I believe that journalists who share their contacts | 0:58:06 | 0:58:08 | |
are ultimately rewarded. | 0:58:08 | 0:58:10 | |
I heard there was a scene. | 0:58:10 | 0:58:11 | |
Oh, no, no, nothing like that. | 0:58:11 | 0:58:13 | |
It was enough. | 0:58:13 | 0:58:15 | |
Subtitles by Red Bee Media Ltd | 0:58:38 | 0:58:42 |