Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-I don't know what you want from me. -You have more power than you think. | 0:00:03 | 0:00:06 | |
Your lady - I don't trust her. Take care of it. | 0:00:08 | 0:00:11 | |
Get out while you can, Kiki. Promise me. You can get free from all this. | 0:00:11 | 0:00:16 | |
So can you. | 0:00:16 | 0:00:17 | |
Guess who is on Mr Tufnell's board of directors? | 0:00:17 | 0:00:20 | |
-Raphael Cilenti. -And the name | 0:00:20 | 0:00:22 | |
of the company in line to secure a million-pound contract on the bases, post the NATO summit? | 0:00:22 | 0:00:26 | |
Tufnell Engineering. | 0:00:26 | 0:00:28 | |
The Chancellor is going to resign. McCain has offered us the exclusive. | 0:00:28 | 0:00:32 | |
Why is Mr McCain giving this to us? | 0:00:32 | 0:00:33 | |
-OK. -Somewhere, Cilenti is pulling McCain's strings. | 0:00:35 | 0:00:40 | |
-What if we're about to go live with the story Cilenti wants us to run? -Too damned late. | 0:00:40 | 0:00:44 | |
PHONE RINGS | 0:01:16 | 0:01:18 | |
RADIO: 'Opening the Commons' defence debate yesterday, newly-appointed Defence Minister, | 0:01:27 | 0:01:31 | |
'Mr Howard Satchell, told ministers that, until there's agreement on disarmament, | 0:01:31 | 0:01:35 | |
'any major attack from Russia, even with conventional forces alone, would have to be met | 0:01:35 | 0:01:40 | |
'with nuclear weapons. Without such devices, the West would have to submit to defeat and occupation. | 0:01:40 | 0:01:45 | |
'American missiles in Britain are essential, not only to the safety' DULL THUDDING | 0:01:45 | 0:01:49 | |
'of the country, but also to affirming a commitment to a nuclear alliance | 0:01:49 | 0:01:53 | |
'with the United States of America.' RADIO VOLUME RISES | 0:01:53 | 0:01:56 | |
'Now for news from home and the body of a woman has been found in a back street of London's West End. | 0:01:56 | 0:02:01 | |
'The woman, in her twenties, has yet to be identified, but is believed to be foreign to the country. | 0:02:01 | 0:02:05 | |
'The Metropolitan Police suspect she was murdered. Detectives are appealing to the public for help. | 0:02:05 | 0:02:10 | |
'The rise of...' | 0:02:10 | 0:02:11 | |
Bastards. | 0:02:15 | 0:02:16 | |
Still no Mrs Lyon? | 0:02:18 | 0:02:19 | |
She's, um, still with friends. | 0:02:21 | 0:02:22 | |
-Better scrub it off before she gets back. -I'm sorry. | 0:02:23 | 0:02:28 | |
It's not going to wipe the smile off my face today. | 0:02:28 | 0:02:30 | |
You're hiding something. | 0:02:32 | 0:02:35 | |
Want a lift? | 0:02:35 | 0:02:36 | |
-Sissy? -Not in yet. Miss Rowley, I was just wondering... | 0:02:44 | 0:02:48 | |
-Not now. When she gets here, tell her to try Miss Ramirez again. -Mrs Williams, CND, is in your office. | 0:02:48 | 0:02:54 | |
-She's very forceful. -And? | 0:02:54 | 0:02:56 | |
-You're late! -Sorry. Sorry. | 0:02:58 | 0:03:01 | |
-Miss Ramirez, try her at home and try her at the club. -I already... -Try her again! -OK. | 0:03:01 | 0:03:06 | |
-Henrietta Williams. -I just read her article in The Granta. -Did you listen to the radio this morning? | 0:03:06 | 0:03:12 | |
Yes. Why? | 0:03:12 | 0:03:14 | |
Apologies for keeping you waiting. | 0:03:16 | 0:03:19 | |
Someone's rattled today. A brilliant write-up on the Chancellor scoop. | 0:03:20 | 0:03:25 | |
Not a scoop. A plant, Miss Storm. | 0:03:25 | 0:03:27 | |
-Has anyone spoken to McCain yet? -Randall asked me to hold fire. | 0:03:27 | 0:03:31 | |
-Ha-ha! Which you ignored. -He's not taking my calls. Do they mention me anywhere? | 0:03:31 | 0:03:35 | |
No, but Mr Brookes from the Chronicle is very much in love with Hector's hair. | 0:03:35 | 0:03:40 | |
The toys they are playing with arm a silent war, | 0:03:40 | 0:03:43 | |
where fear is the currency to control us and our lives. | 0:03:43 | 0:03:46 | |
Politicians advocate armament as a means to maintain peace. It is a weary mantra that is designed | 0:03:46 | 0:03:54 | |
to disguise the truth. Are you a mother? | 0:03:54 | 0:03:56 | |
-No. -Yet you roll your eyes. | 0:03:59 | 0:04:01 | |
I patronise you if I assume you to be mother? | 0:04:01 | 0:04:05 | |
But is there nothing greater than to bring life onto this Earth? | 0:04:05 | 0:04:08 | |
And yet how terrifying that it is amidst such inevitable annihilation. | 0:04:08 | 0:04:13 | |
Look, I don't want to depress you, but Hiroshima, Nagasaki - | 0:04:13 | 0:04:18 | |
we cannot add London, Glasgow, Manchester to that appalling list. We are staring into an abyss. | 0:04:18 | 0:04:23 | |
-Well, you speak even better than you write. -It does not save | 0:04:23 | 0:04:27 | |
Hector from him helping him sideline us and that Cilenti was behind it. Do you have Tufnell's accounts? | 0:04:27 | 0:04:32 | |
I want to go through them again. There must be something ripe to trip Cilenti up with. | 0:04:32 | 0:04:36 | |
Christ! | 0:04:43 | 0:04:44 | |
Our views will be seen by the pro-nuclear world as hysterical, so find me a worthy opponent. | 0:04:44 | 0:04:48 | |
-We're talking to the newly-appointed Defence Minister. -Mr Satchell? Yes, please. | 0:04:48 | 0:04:52 | |
He's more in favour than anybody of the American-British alliance. | 0:04:52 | 0:04:56 | |
Excuse me a moment. | 0:05:00 | 0:05:01 | |
Oh, God. | 0:05:10 | 0:05:11 | |
What have we done? | 0:05:16 | 0:05:17 | |
What have we done? | 0:05:22 | 0:05:23 | |
ALARM CLOCK RINGS | 0:05:36 | 0:05:40 | |
Name that dinner guest! Ladies and gentlemen, | 0:05:49 | 0:05:52 | |
I wonder who's going to grace us with his presence? | 0:05:52 | 0:05:56 | |
Oh, Mr Hector Madden, star of The Hour. The face of the future! | 0:05:56 | 0:06:02 | |
-I haven't had the meeting yet. -A star in the making. | 0:06:02 | 0:06:05 | |
Sit down at my dinner table and let me tell you what is on the menu. HE LAUGHS | 0:06:05 | 0:06:10 | |
-Oh, don't. -Sorry! Sorry! | 0:06:10 | 0:06:15 | |
It is rather ridiculous. We had that funny little man that plays the banjo last week. | 0:06:15 | 0:06:21 | |
What's his name? I told him the best things come in small packages. | 0:06:21 | 0:06:26 | |
And he found it a hoot when I served him those little parcels of deliciousness. | 0:06:26 | 0:06:31 | |
Your invention, that first night. | 0:06:33 | 0:06:36 | |
You had one gas ring and nothing in your fridge, bar cheese and champagne and... | 0:06:39 | 0:06:46 | |
Olives. | 0:06:46 | 0:06:48 | |
CLEARS THROAT. | 0:06:52 | 0:06:53 | |
-Sorry. -Oh, no, no, Alistair. Hector was just leaving. | 0:06:53 | 0:06:59 | |
-He's got a meeting with Uncovered. Top secret. -Ah! | 0:06:59 | 0:07:03 | |
-Really? Good luck. -Thank you. | 0:07:03 | 0:07:05 | |
Oh! Give them your best. | 0:07:06 | 0:07:08 | |
So, do you think that Scottish smoked salmon starter blows it too soon? | 0:07:14 | 0:07:20 | |
We don't want to give it away! Disaster! | 0:07:20 | 0:07:23 | |
We don't want what happened. | 0:07:23 | 0:07:24 | |
Oh, Di Dors is back! Got bored of you, did he? | 0:07:30 | 0:07:33 | |
Bugger off. | 0:07:33 | 0:07:34 | |
-Morning, Kiki. -Where's Rosa? | 0:07:38 | 0:07:41 | |
-Holiday. -Liar. | 0:07:41 | 0:07:43 | |
Close the door, Mr Wengrow. | 0:07:59 | 0:08:01 | |
We need to stop pursuing this. We need to stop it now. | 0:08:06 | 0:08:09 | |
-He murdered our source. -All the more reason not to turn our backs on a story we've been trying | 0:08:09 | 0:08:14 | |
to sell for weeks. She sent us that photograph. She didn't want us to stop. | 0:08:14 | 0:08:17 | |
-Oh, so we carry on until another girl is murdered? -Shouldn't we go to the police? | 0:08:17 | 0:08:22 | |
-The police don't care. They're selling it as a racial attack. -Perhaps it was. | 0:08:22 | 0:08:26 | |
Cilenti warned us and he has made good on that warning. | 0:08:27 | 0:08:30 | |
While the police hover, inert. We should talk to Stern. | 0:08:30 | 0:08:34 | |
-Absolutely not. -Bullying is smoke, courage is fire. | 0:08:34 | 0:08:39 | |
I am not listening to this. | 0:08:39 | 0:08:40 | |
Don't back down now. We have rattled Mr Cilenti's cage. | 0:08:40 | 0:08:44 | |
He corrupts our programme, by blackmailing his Westminster goon | 0:08:44 | 0:08:47 | |
into feeding us a crafty backhanded scoop. | 0:08:47 | 0:08:49 | |
-We can expose McCain. -And sink to the level of the gutter press? | 0:08:49 | 0:08:53 | |
It's a good story, perhaps one of the most important stories. | 0:08:53 | 0:08:55 | |
A blackmail racket that's already controlling one of Westminster's leading press agents. | 0:08:55 | 0:09:00 | |
-Who else is in his grip? Who else will he silence? -But this is exactly my point. | 0:09:00 | 0:09:04 | |
We should have run the story when we promised we would. | 0:09:04 | 0:09:07 | |
It is too late now. We've put ourselves in too much danger. | 0:09:07 | 0:09:09 | |
-Well, you can run it, but I'm not. -Come on. It's another form of subterfuge. | 0:09:09 | 0:09:13 | |
-A girl dies. We feel bad. -And we stop asking the bigger question. | 0:09:13 | 0:09:17 | |
What other strings is Mr Cilenti pulling? And I'm not talking about hostesses and seedy affairs. | 0:09:17 | 0:09:23 | |
-Isaac. -I have looked into Tufnell Engineering. | 0:09:23 | 0:09:25 | |
As we know, Mr Cilenti is a silent partner, but there is a buyer investing heavily in their shares. | 0:09:25 | 0:09:30 | |
It's an offshore company, listed as Castlecore. | 0:09:30 | 0:09:34 | |
I'll bet Castlecore's also connected to Cilenti. | 0:09:34 | 0:09:38 | |
-Bel... Bel. -I leave it in your hands, Mr Lyon. Leave McCain to me. | 0:09:38 | 0:09:44 | |
-Go away. -Don't do that. | 0:09:49 | 0:09:52 | |
She's dead. I'm sorry. It's not right. | 0:09:52 | 0:09:54 | |
It's very far from right, but we're journalists. This is what we do. | 0:09:54 | 0:09:57 | |
We pursue the best story, the most important story. | 0:09:57 | 0:10:00 | |
Oh, my God! This is just about you - spinning on the ice! | 0:10:00 | 0:10:05 | |
If it exposes the unexposed, yes. If it gets the story, yes. | 0:10:07 | 0:10:11 | |
Winning applause and a perfect score? Why not? What's wrong with that? | 0:10:11 | 0:10:15 | |
Normally, they shoot the messenger. | 0:10:15 | 0:10:17 | |
Yes, exactly. You are charging towards a loaded gun | 0:10:17 | 0:10:20 | |
and you think you can miraculously dodge the bullet. Well, you can't. Not this time. | 0:10:20 | 0:10:24 | |
You couldn't before. You left for ten months and only came back because Randall | 0:10:24 | 0:10:27 | |
-flattered your vanity and so you could show off your new wife. Another well-laid plan. -Thank you(!) | 0:10:27 | 0:10:32 | |
Has Camille come back from wherever she was? You look terrible. | 0:10:32 | 0:10:36 | |
I'm fine. She's.. She's just with friends. | 0:10:36 | 0:10:42 | |
-Oh, Freddie! -I don't want to talk about it. | 0:10:42 | 0:10:45 | |
You just run through life scraping past injury. Nothing touches you. | 0:10:45 | 0:10:52 | |
You pretend it does, but it doesn't. Not really. | 0:10:52 | 0:10:55 | |
That girl... That girl sat in this office, in her best coat, and WE | 0:10:55 | 0:11:00 | |
persuaded her to rush US information for a story that we didn't tell. | 0:11:00 | 0:11:07 | |
So, tell it now! | 0:11:07 | 0:11:08 | |
It's too late. She's dead! | 0:11:08 | 0:11:10 | |
I want you to feel guilty. To feel like I feel. | 0:11:10 | 0:11:18 | |
Like.. | 0:11:18 | 0:11:19 | |
Like I've killed someone and I will never be able to look them in the eye and say, "I'm sorry". No! | 0:11:19 | 0:11:24 | |
-Miss Rowley... -Isaac, not now! | 0:11:24 | 0:11:27 | |
In the past... In the past, you WOULD have felt guilty. | 0:11:31 | 0:11:35 | |
If I feel guilty, I stop being able to do what I do best. | 0:11:35 | 0:11:39 | |
So I'm going to be excited. I'm excited. Be excited. | 0:11:39 | 0:11:45 | |
For what? YOUR ambition? | 0:11:45 | 0:11:47 | |
You didn't kill her. It's not your fault. | 0:11:48 | 0:11:52 | |
Then whose fault is it? | 0:11:52 | 0:11:53 | |
Rein this in, rein this in, now. You know what Freddie's like. | 0:11:59 | 0:12:03 | |
This from the woman who was always first in and last out on any front line. | 0:12:03 | 0:12:07 | |
Don't try that wry naivety with me, Randall. | 0:12:07 | 0:12:10 | |
You know exactly what you are doing. Reckless, to the core. | 0:12:10 | 0:12:13 | |
Paws off. That's Rosa's. | 0:12:20 | 0:12:22 | |
Ain't you heard? | 0:12:24 | 0:12:26 | |
She's dead?! | 0:12:43 | 0:12:45 | |
-She's dead. -She must have been attacked on her way home. | 0:12:49 | 0:12:52 | |
Don't upset yourself. It's very sad, but... | 0:12:55 | 0:12:59 | |
Table four, lots of smiles tonight. Play your part. | 0:13:09 | 0:13:14 | |
Yes. | 0:13:15 | 0:13:16 | |
So what do you think? | 0:13:25 | 0:13:28 | |
I take the offer very seriously. But I'm tremendously proud of what we're doing on The Hour. | 0:13:28 | 0:13:32 | |
It's a very hard programme to leave. | 0:13:32 | 0:13:34 | |
Chancellor scoop last week. I hope you were suitably lauded by your team. | 0:13:34 | 0:13:39 | |
Always. | 0:13:39 | 0:13:40 | |
Mr Satchell. You know Mr... | 0:13:40 | 0:13:42 | |
Mr Madden, never miss your show. What can you promise us this week? | 0:13:42 | 0:13:48 | |
We're toying with a story on the launch of CND. | 0:13:48 | 0:13:50 | |
Your pro-nuclear arguments are winning votes, but raising a lot of fear in the anti-nuclear lobby. | 0:13:50 | 0:13:55 | |
A frightfully arty lot, these CND people. A handful of renegades querying the debate. | 0:13:55 | 0:14:01 | |
Along with 9,000 scientists, petitioning for a ban on nuclear testing only last month. | 0:14:01 | 0:14:05 | |
Those same scientists who, in five years, will be thanking us | 0:14:05 | 0:14:09 | |
for the medical discoveries made as a result of that testing. | 0:14:09 | 0:14:12 | |
Isn't this really about who will be first to stick their flag on the moon? | 0:14:12 | 0:14:16 | |
Someone get the camera now and get them in the studio. | 0:14:16 | 0:14:20 | |
We're trying to convince Mr Satchell to come on the show. | 0:14:20 | 0:14:23 | |
-I believe we're trying to do the same thing. -Do I sniff a Cold War? | 0:14:23 | 0:14:27 | |
We'll be with you in five minutes, Mr Satchell. | 0:14:31 | 0:14:33 | |
We're hoping for Macmillan the week after next. | 0:14:38 | 0:14:40 | |
-That's quite a coup. -If the right man were in place. | 0:14:40 | 0:14:43 | |
Someone with integrity. Someone with a weight to square off against seated across the desk. | 0:14:43 | 0:14:50 | |
You've done this before. And we haven't even got to the small print yet. | 0:14:50 | 0:14:53 | |
Sign now, Mr Madden. As fun as this is, we've laid out our shop. | 0:14:53 | 0:14:59 | |
-We can close it just as quick, if need be. -No, that won't be necessary. | 0:14:59 | 0:15:04 | |
So, we are agreed? | 0:15:04 | 0:15:06 | |
-Talk to my agent. She can firm up the details by end of today. -Good. | 0:15:10 | 0:15:15 | |
-Does Miss Rowley know you're here? -Only if you told her. | 0:15:19 | 0:15:22 | |
I did not. | 0:15:23 | 0:15:25 | |
She's obviously not sleeping with the right people. | 0:15:26 | 0:15:30 | |
Shall I show you the dressing rooms? | 0:15:30 | 0:15:32 | |
Er...another time. Can't be late for Marnie. | 0:15:32 | 0:15:35 | |
Rumour has it she gets more fan mail than Noddy. You must be very proud. | 0:15:35 | 0:15:39 | |
Yes, I am. | 0:15:40 | 0:15:41 | |
A man goes to the doctor - "Doctor, there's a monster under my bed." | 0:15:51 | 0:15:54 | |
Doctor says, "There's nothing I can do. It's all in your head." | 0:15:54 | 0:15:57 | |
Next week, the doctor passes the man in the street and says, "Good day. You look remarkably well." | 0:15:57 | 0:16:02 | |
Man says, "Last night, I slept like a baby." Doctor's amazed. "What did you do?" | 0:16:02 | 0:16:07 | |
"Well, I looked again, I saw that monster, | 0:16:07 | 0:16:10 | |
"so I just cut the legs off my bed." | 0:16:10 | 0:16:12 | |
You're saying this because you think I'm frightened? | 0:16:14 | 0:16:17 | |
We all have different ways of dealing with our fear. | 0:16:17 | 0:16:19 | |
I just don't want anyone else to lose their life over this story. | 0:16:19 | 0:16:23 | |
That way, madness lies. | 0:16:23 | 0:16:26 | |
No man is sane who doesn't know how to be insane on the proper occasions. | 0:16:26 | 0:16:29 | |
Madness is a prerequisite for any good journalist. | 0:16:30 | 0:16:34 | |
-Come in, Mr Lyon. -Police stations make me nervous. | 0:16:44 | 0:16:49 | |
-I was about to leave. -But I caught you before you did. | 0:16:49 | 0:16:52 | |
-Such bravado, Mr Lyon. -Miss Ramirez's death. | 0:16:54 | 0:16:58 | |
-Miss Ramirez? -She worked at El Paradis. Found dead in an alleyway this morning. | 0:16:58 | 0:17:04 | |
Yes. | 0:17:04 | 0:17:05 | |
Doesn't it make you angry? | 0:17:05 | 0:17:08 | |
Doesn't a death on your watch make you angry? | 0:17:08 | 0:17:10 | |
Yes, of course it does. | 0:17:10 | 0:17:11 | |
There is a story that we will run. You can choose to do something. | 0:17:13 | 0:17:18 | |
If you do, we may be able to overlook your major indiscretion - | 0:17:18 | 0:17:22 | |
a police officer who beats girls, then desperately tries to hide it. | 0:17:22 | 0:17:25 | |
How many years would you get for that? | 0:17:28 | 0:17:30 | |
I suppose one can't arrest oneself. | 0:17:33 | 0:17:34 | |
Your refusal to curb Mr Cilenti's backroom dealings, his blatant corruption - | 0:17:36 | 0:17:41 | |
-I presume he has a number of officers in his pocket, as well as you? -Any internal corruption, | 0:17:41 | 0:17:46 | |
I can assure you, has been dealt with. | 0:17:46 | 0:17:47 | |
Transfers I've made over the last few weeks have put paid to any period of leniency to Cilenti and colleagues. | 0:17:47 | 0:17:52 | |
Go one better. Arrest him. Before he can kill anyone else. | 0:17:52 | 0:17:57 | |
Everyone loves a hero, don't they, Mr Stern? | 0:18:00 | 0:18:03 | |
But the person who loves him most of all, I tend to find, is the hero himself. | 0:18:03 | 0:18:07 | |
Why else would he polish his buttons so shiny? | 0:18:08 | 0:18:10 | |
KNOCKING / DOOR OPENS | 0:18:10 | 0:18:12 | |
Commander Stern? | 0:18:12 | 0:18:13 | |
We are going to expose Cilenti? You know we will do that? | 0:18:20 | 0:18:24 | |
And when we've finished exposing Cilenti, Mr Stern, the failures of your force will come to light. | 0:18:26 | 0:18:30 | |
You know, we're all polishing buttons, Mr Lyon, | 0:18:33 | 0:18:35 | |
otherwise, why would you be pursuing this story with such fervour? | 0:18:35 | 0:18:40 | |
You talk of my ambition, when all I can see is your own. | 0:18:40 | 0:18:44 | |
Take care. | 0:18:49 | 0:18:50 | |
Good evening, ladies and gentlemen, | 0:18:55 | 0:18:57 | |
and welcome to Name That Dinner Guest, | 0:18:57 | 0:18:59 | |
the programme where you, the audience, must guess who I'm cooking for today. | 0:18:59 | 0:19:02 | |
Well, he has worked his way into all our hearts | 0:19:02 | 0:19:06 | |
and if you slice him, you will find Wales to the core. | 0:19:06 | 0:19:10 | |
Now, the most important thing about lamb is that you mustn't be afraid of it. | 0:19:12 | 0:19:15 | |
You need a sharp knife and a lot of pluck, to bone the haunch. | 0:19:15 | 0:19:21 | |
Would you excuse me just for a brief moment? | 0:19:29 | 0:19:32 | |
Mr Brown. | 0:19:39 | 0:19:40 | |
Sit down. | 0:19:41 | 0:19:42 | |
-I didn't think you frequented this Westminster tavern. -I don't. | 0:19:45 | 0:19:50 | |
-That's you. -Oh, Christ. | 0:20:00 | 0:20:02 | |
Although another man might be sorely tempted to take your money | 0:20:08 | 0:20:11 | |
-or to use this against you, I hope that we, at The Hour... -"We"? | 0:20:11 | 0:20:15 | |
-Christ. Christ. Christ. -..are more fixated on the tale of the news story, | 0:20:15 | 0:20:20 | |
rather than financial gain. Sent anonymously to Miss Rowley. | 0:20:20 | 0:20:23 | |
The Chancellor story. | 0:20:27 | 0:20:29 | |
It was a good scoop and my simple attempt... | 0:20:29 | 0:20:31 | |
..to make amends to Mr Madden. | 0:20:31 | 0:20:33 | |
You failed. | 0:20:33 | 0:20:34 | |
At the NATO summit in December there was a man called Mr Francis Tufnell. | 0:20:40 | 0:20:45 | |
He owns Tufnell Engineering. | 0:20:45 | 0:20:47 | |
They have newly won the contract to supply the British missile bases | 0:20:47 | 0:20:50 | |
with air conditioning units and the like. A long-term associate of Mr Cilenti, it seems. | 0:20:50 | 0:20:55 | |
How did they get that deal? | 0:20:55 | 0:20:57 | |
Did you broker a meeting? | 0:20:57 | 0:20:59 | |
Who are Castlecore? | 0:21:06 | 0:21:07 | |
Pick it up. | 0:21:10 | 0:21:12 | |
How do you plan to use this? | 0:21:17 | 0:21:20 | |
I don't. Blackmail is an insidious crime. | 0:21:20 | 0:21:26 | |
It casts a shadow across the most private of intimacies. | 0:21:26 | 0:21:29 | |
And one should imagine, must make one so very tired. | 0:21:29 | 0:21:33 | |
Yes. | 0:21:35 | 0:21:36 | |
If you...change your mind... | 0:21:41 | 0:21:45 | |
They've been working on a deal. It's ready to be signed tonight. | 0:21:49 | 0:21:52 | |
They will be in El Paradis. | 0:21:52 | 0:21:54 | |
They? | 0:21:54 | 0:21:55 | |
Who's they? | 0:21:55 | 0:21:57 | |
-Where have you been? -Nowhere. Mr Wengrow? | 0:22:10 | 0:22:13 | |
Darling, do you really want to keep this up? | 0:22:19 | 0:22:22 | |
It's the cost, Lix. It's the cost of what we do. | 0:22:22 | 0:22:26 | |
That girl was dumped in a back alley just for talking to us. | 0:22:26 | 0:22:30 | |
Does it not weigh heavy on you? Am I the only one? | 0:22:30 | 0:22:33 | |
I refuse to become immune to the consequences of what we do. | 0:22:33 | 0:22:37 | |
We may work in a man's world, but I will not become as brutal as them. | 0:22:37 | 0:22:40 | |
And this is why we won the vote? | 0:22:40 | 0:22:43 | |
Ah, ah! Is that real? Are we getting married? | 0:22:44 | 0:22:49 | |
-Popped the question this morning. -Congratulations! | 0:22:49 | 0:22:52 | |
Sissy, that's wonderful. | 0:22:52 | 0:22:54 | |
Maybe we should all find ourselves a nice doctor. Now there's an idea. | 0:22:54 | 0:23:00 | |
Let's marry the whole office off! | 0:23:00 | 0:23:02 | |
-Miss Rowley. We've got the civil defence film this afternoon. Shall I... -Yes, thank you, Sissy. | 0:23:05 | 0:23:10 | |
You're late. | 0:23:16 | 0:23:17 | |
I'm so sorry, Dotty. | 0:23:17 | 0:23:19 | |
We overran and then Alistair insisted I stay and chat | 0:23:20 | 0:23:24 | |
to this frightfully dull man from Bisto, determined that | 0:23:24 | 0:23:27 | |
I should be plugging his gravy on the programme. | 0:23:27 | 0:23:29 | |
Now, it does add a certain bite to a consomme, but it simply does not stand alone. | 0:23:29 | 0:23:34 | |
So...what did they say? | 0:23:36 | 0:23:38 | |
They want you. Joint contract. | 0:23:38 | 0:23:40 | |
Oooh, didn't I say, Hector, didn't I say? Alistair hinted as much. | 0:23:40 | 0:23:45 | |
-Dotty, you are a marvel! -Calm down, dear girl. | 0:23:45 | 0:23:48 | |
-No need to inflate. -What are they offering? | 0:23:48 | 0:23:51 | |
-12 months. Plus advertising revenue. -Advertising? | 0:23:51 | 0:23:55 | |
Soap. Custard powder. Mr Bisto. That might be a link-up for you both. | 0:23:55 | 0:24:00 | |
Isn't that marvellous, darling? | 0:24:00 | 0:24:02 | |
-I want to read it first. -Of course. | 0:24:02 | 0:24:04 | |
Better have the plaice. Steamed. You need to watch your figure. | 0:24:05 | 0:24:08 | |
I wasn't talking about your wife. | 0:24:10 | 0:24:12 | |
Mr Madden, Civil defence film. All to attend. | 0:24:29 | 0:24:32 | |
Really? What, now? | 0:24:32 | 0:24:34 | |
BBC initiative. All departments have been asked to view it. | 0:24:34 | 0:24:38 | |
Nice of you to join us. | 0:24:38 | 0:24:39 | |
Have you, er... read about Miss Ramirez? | 0:24:41 | 0:24:43 | |
I'm so sorry. | 0:24:44 | 0:24:45 | |
-It's my fault. -No it's not. I brought in the McCain scoop. | 0:24:48 | 0:24:52 | |
Hector, look. | 0:24:52 | 0:24:54 | |
What's this? | 0:24:55 | 0:24:56 | |
VOICEOVER: At last there's a firm that's taking | 0:25:00 | 0:25:02 | |
the manufacture of anti-nuclear shelter seriously. | 0:25:02 | 0:25:05 | |
There has to be everything to make it possible to stay down there | 0:25:05 | 0:25:08 | |
until the fall-out's dispersed and it's safe to come up. | 0:25:08 | 0:25:10 | |
What a marvellous place to play in. | 0:25:10 | 0:25:13 | |
When the warning system has given the alarm, there's complete | 0:25:13 | 0:25:16 | |
protection against fall-out as soon as father closes the hatch. | 0:25:16 | 0:25:19 | |
Preparing for an H bomb exercise... | 0:25:19 | 0:25:22 | |
Stock went up in Tufnell Engineering. | 0:25:22 | 0:25:24 | |
Straight after the summit. | 0:25:24 | 0:25:25 | |
Castlecore bought up as many shares as they could | 0:25:25 | 0:25:27 | |
before the missile base's contract was signed. | 0:25:27 | 0:25:29 | |
It was a tip off? Government have their fingers all over it. | 0:25:29 | 0:25:32 | |
It's insider trading. | 0:25:32 | 0:25:33 | |
You buy quickly on the nod and sell just as fast as soon as | 0:25:35 | 0:25:37 | |
the share price reaches its peak, which I'd say is about now. | 0:25:37 | 0:25:40 | |
Gosh, one could buy a minor country | 0:25:40 | 0:25:42 | |
with the loose change from the sale of these shares. | 0:25:42 | 0:25:45 | |
Tufnell and Castlecore are blatantly profiteering from the arms race. | 0:25:46 | 0:25:50 | |
Do you have any other names? Perhaps who's heading Castlecore? | 0:25:50 | 0:25:53 | |
There's a Swiss bank account.. | 0:25:53 | 0:25:55 | |
-Brick wall. -Then how to get them? | 0:25:55 | 0:25:58 | |
Randall? | 0:25:58 | 0:25:59 | |
You might try El Paradis. | 0:25:59 | 0:26:00 | |
McCain seems confident that Castlecore are meeting there | 0:26:00 | 0:26:03 | |
to sign an important deal tonight. | 0:26:03 | 0:26:05 | |
Is that all McCain gave us? | 0:26:05 | 0:26:07 | |
We work with what we have. | 0:26:07 | 0:26:09 | |
You might want to gather your troops. | 0:26:09 | 0:26:11 | |
This may be your only opportunity to see who's involved. | 0:26:11 | 0:26:14 | |
What are you doing in the dark? | 0:26:39 | 0:26:40 | |
Trying to find a safe place. | 0:26:40 | 0:26:42 | |
Every office needs to mark a safe place to hide in the event | 0:26:42 | 0:26:45 | |
of a nuclear attack. | 0:26:45 | 0:26:46 | |
Well, we won't all fit in here. | 0:26:46 | 0:26:48 | |
Maybe if we took out the shelves? | 0:26:48 | 0:26:49 | |
It won't help, Sissy. We'll be toast. | 0:26:49 | 0:26:52 | |
No-one's going to survive. | 0:26:52 | 0:26:54 | |
Don't say that. What's the matter with you today? | 0:26:54 | 0:26:56 | |
They're recording my play. Now. Right now. And I'm in a cupboard. | 0:26:58 | 0:27:03 | |
Not that I don't like being in a cupboard with you. | 0:27:03 | 0:27:06 | |
Well, aren't you going to say anything? | 0:27:08 | 0:27:10 | |
The ring? | 0:27:13 | 0:27:15 | |
Yes. | 0:27:15 | 0:27:16 | |
KNOCKS ON DOOR | 0:27:31 | 0:27:32 | |
-Ready? -Yes, just, er...just give me a minute. | 0:27:32 | 0:27:35 | |
Do you think it's a bit odd if we walk out together? | 0:27:39 | 0:27:41 | |
You go first. | 0:27:43 | 0:27:45 | |
Good. Good. | 0:27:45 | 0:27:46 | |
Don't be nervous. | 0:27:49 | 0:27:50 | |
No, I'm not. | 0:27:50 | 0:27:52 | |
Well, I am, a bit. | 0:27:52 | 0:27:54 | |
Well, we're just going to go to the embassy and ask them to verify that she is who she is. | 0:27:54 | 0:27:58 | |
Then, at some point, if she would like, we could... | 0:27:58 | 0:28:02 | |
Yes. | 0:28:02 | 0:28:03 | |
KNOCK ON DOOR | 0:28:37 | 0:28:39 | |
I know where you've been. | 0:28:40 | 0:28:43 | |
How was the interview? | 0:28:43 | 0:28:44 | |
Marnie... | 0:28:47 | 0:28:48 | |
Yes? | 0:28:48 | 0:28:49 | |
Marnie's very keen I make the move to ITV. | 0:28:51 | 0:28:54 | |
Of course. | 0:28:54 | 0:28:56 | |
It could be very good for us. | 0:28:56 | 0:28:57 | |
I can see that. | 0:28:57 | 0:28:58 | |
Dotty's optimistic. | 0:28:58 | 0:29:00 | |
There are a number of opportunities, in the future and.. | 0:29:00 | 0:29:03 | |
Did Bill not... | 0:29:03 | 0:29:05 | |
No. | 0:29:05 | 0:29:07 | |
Well, I've been a pretty awful husband. | 0:29:09 | 0:29:11 | |
She's a remarkably good wife. | 0:29:11 | 0:29:13 | |
Together we're dynamite apparently! The golden couple. | 0:29:14 | 0:29:17 | |
Perhaps that might be fun. | 0:29:17 | 0:29:19 | |
I can at least give Marnie that. | 0:29:20 | 0:29:22 | |
I can't give her children. | 0:29:25 | 0:29:27 | |
She doesn't know yet but, er... | 0:29:29 | 0:29:30 | |
seems that the problem is with me. | 0:29:30 | 0:29:33 | |
So I was hoping the move might soften the blow. | 0:29:36 | 0:29:38 | |
Oh, Hector. | 0:29:38 | 0:29:39 | |
So I'll serve out the rest of my contract and then... | 0:29:39 | 0:29:41 | |
I haven't told Randall yet. | 0:29:41 | 0:29:43 | |
No, of course. | 0:29:43 | 0:29:44 | |
But I am going to sign. | 0:29:46 | 0:29:48 | |
You're terribly angry. | 0:29:52 | 0:29:53 | |
Furious. | 0:29:55 | 0:29:57 | |
I've had the best 18 months of my career with the best team. | 0:29:57 | 0:30:00 | |
So stay. | 0:30:00 | 0:30:01 | |
Damn you, Hector. It's not you. | 0:30:07 | 0:30:09 | |
Why did you have to tell me something so sad? | 0:30:11 | 0:30:14 | |
Oh, best not. | 0:30:14 | 0:30:15 | |
She...she didn't even have a family. | 0:30:23 | 0:30:25 | |
No-one...no-one came to collect the body. | 0:30:31 | 0:30:33 | |
I telephoned and I sent flowers but... | 0:30:33 | 0:30:35 | |
she isn't even having a funeral. | 0:30:37 | 0:30:41 | |
And all Freddie cares about... | 0:30:41 | 0:30:44 | |
God, he's so frustrating! He really is! | 0:30:45 | 0:30:47 | |
Well, don't smile. Why are you laughing? | 0:30:51 | 0:30:53 | |
Because for someone so brutally honest with everyone else, | 0:30:53 | 0:30:56 | |
you display such blatant deceit when it comes to yourself. | 0:30:56 | 0:31:01 | |
-Freddie's... -Back. | 0:31:01 | 0:31:02 | |
I hear his wife is still away. | 0:31:03 | 0:31:05 | |
Well, you always did have a penchant for the married man. | 0:31:07 | 0:31:11 | |
Are you, um... actually working today? | 0:31:14 | 0:31:17 | |
Yes, actually... | 0:31:17 | 0:31:19 | |
Going through tomorrow's show. | 0:31:19 | 0:31:21 | |
Then I'm leaving. | 0:31:21 | 0:31:22 | |
Cuban Revolution. Castro's new front. | 0:31:23 | 0:31:27 | |
He's calling on the government to make a stand, flush out corruption. | 0:31:27 | 0:31:30 | |
Britain has agreed to supply arms for the opposition. | 0:31:30 | 0:31:33 | |
It'll go after CND and the alliance. | 0:31:33 | 0:31:35 | |
And I thought we should start looking at Little Rock | 0:31:35 | 0:31:38 | |
and de-segregation. | 0:31:38 | 0:31:39 | |
Uncovered are vying for Satchell. | 0:31:39 | 0:31:41 | |
Really? Isaac, call Satchell again. | 0:31:41 | 0:31:43 | |
We need him on the show to oppose CND. | 0:31:43 | 0:31:45 | |
Hector, El Paradis, tonight. | 0:31:45 | 0:31:47 | |
No. Hector, you say "no". | 0:31:47 | 0:31:48 | |
I'm not asking you to come, just letting you know in case... | 0:31:48 | 0:31:51 | |
In case we find you with a bullet to your head?! | 0:31:51 | 0:31:53 | |
-So dramatic. -Really? You know what they do with their unwanted guests? | 0:31:54 | 0:31:58 | |
I promised I'd pick Marnie up for dinner. | 0:31:58 | 0:32:00 | |
What are you doing? | 0:32:03 | 0:32:04 | |
I'm meeting Bill. | 0:32:04 | 0:32:05 | |
You don't want to meet Bill. You want to come out with me. | 0:32:05 | 0:32:07 | |
No, I want to go for a civilised evening with a civilised man. | 0:32:07 | 0:32:10 | |
I don't know what this is about. | 0:32:15 | 0:32:17 | |
I don't know why you're behaving like this. It's scared you. | 0:32:17 | 0:32:20 | |
I understand that, but this isn't you? | 0:32:20 | 0:32:22 | |
How do you know what's me? | 0:32:22 | 0:32:24 | |
Because I do. | 0:32:24 | 0:32:25 | |
Someone in a position of power is profiteering from this nuclear race. | 0:32:25 | 0:32:29 | |
I want to know who Castlecore is and I think you do too. | 0:32:29 | 0:32:32 | |
I'm going out with Bill. | 0:32:32 | 0:32:34 | |
And Bel. The flowerpot men. | 0:32:34 | 0:32:35 | |
It's not funny. | 0:32:35 | 0:32:37 | |
It is. It's very funny. | 0:32:37 | 0:32:40 | |
Cut you to your core, you'll find news running through your spine. | 0:32:40 | 0:32:43 | |
Stuff dinner. Come with me. | 0:32:45 | 0:32:47 | |
Oh, jump when you want me, you have a wife for that. | 0:32:47 | 0:32:49 | |
It's over... | 0:32:52 | 0:32:53 | |
It's, um... | 0:32:55 | 0:32:57 | |
it's just over with me and Camille. | 0:32:58 | 0:33:00 | |
-Freddie... -I'm not missing her. | 0:33:00 | 0:33:03 | |
I'm not missing Camille. I want to. | 0:33:03 | 0:33:05 | |
I know that I should, but I'm not. | 0:33:06 | 0:33:09 | |
I should go. | 0:33:13 | 0:33:14 | |
I...I miss you. | 0:33:14 | 0:33:17 | |
I miss YOU more. | 0:33:20 | 0:33:21 | |
I, um... | 0:33:25 | 0:33:26 | |
I wrote you two letters. | 0:33:27 | 0:33:29 | |
One from San Diego. | 0:33:29 | 0:33:31 | |
One from New York. | 0:33:31 | 0:33:33 | |
-And I said... -Freddie... | 0:33:33 | 0:33:34 | |
Just get on a plane. Just get on a plane and come. | 0:33:34 | 0:33:37 | |
And I said... | 0:33:39 | 0:33:40 | |
And you... | 0:33:43 | 0:33:44 | |
you didn't write back. | 0:33:44 | 0:33:45 | |
And I told myself, of course, it's because you love news more. | 0:33:46 | 0:33:50 | |
That doing this will always be more important than any man. | 0:33:51 | 0:33:55 | |
So I will see you tonight, at El Paradis. | 0:33:58 | 0:34:01 | |
Because this is what we do. | 0:34:03 | 0:34:05 | |
FOOTSTEPS APPROACHING | 0:34:19 | 0:34:20 | |
-Mr and Mrs Brown. -Yes. | 0:34:24 | 0:34:25 | |
-Good afternoon. -Hello. | 0:34:25 | 0:34:27 | |
I lied. Just, just go with it. | 0:34:29 | 0:34:30 | |
Yes. So we have a name... | 0:34:46 | 0:34:49 | |
Malfrande with an 'e'. | 0:34:49 | 0:34:51 | |
No, no, no. It's Malfrand without an 'e'. | 0:34:51 | 0:34:54 | |
There's no 'e'. | 0:34:55 | 0:34:57 | |
Lazy filing. I will call again. | 0:34:57 | 0:35:00 | |
We have had a copy of her passport through. | 0:35:00 | 0:35:02 | |
Oui. Allo. C'est Madame Duval a l'appareil. | 0:35:09 | 0:35:12 | |
Oui. Le passport que nous avons commande de... | 0:35:13 | 0:35:15 | |
de Mademoiselle Malfrande. | 0:35:15 | 0:35:17 | |
C'etait bien sur avec un 'e' la fin? | 0:35:17 | 0:35:19 | |
C'est ce que j'avais pense. | 0:35:21 | 0:35:22 | |
It's the wrong date. | 0:35:22 | 0:35:24 | |
Alors, je les ai aupres de moi, je les informerai. | 0:35:24 | 0:35:27 | |
Merci, au revoir. | 0:35:27 | 0:35:29 | |
No, no. You've made a mistake. | 0:35:29 | 0:35:31 | |
When I called, I said she was born on the 24th of June. | 0:35:31 | 0:35:34 | |
Yes, and...and this says the 24th of July. | 0:35:34 | 0:35:37 | |
Sh...She was born on the 24th June. | 0:35:39 | 0:35:42 | |
There are always false trails. | 0:35:42 | 0:35:45 | |
Of course. | 0:35:47 | 0:35:48 | |
Yes. | 0:35:50 | 0:35:51 | |
One must not give up hope. | 0:35:56 | 0:35:57 | |
-You ready? -You coming? | 0:36:02 | 0:36:04 | |
Yes. Strength in numbers. | 0:36:04 | 0:36:06 | |
-Thank you, Mr Madden. -I need to see Marnie first. | 0:36:06 | 0:36:08 | |
You know, it would look better if we had Marnie with us. | 0:36:08 | 0:36:11 | |
Oh, no. | 0:36:11 | 0:36:13 | |
Congratulations. | 0:36:16 | 0:36:18 | |
He's a lucky chap. | 0:36:18 | 0:36:20 | |
Thank you, Isaac. | 0:36:20 | 0:36:21 | |
Bill... | 0:36:40 | 0:36:42 | |
I'm sorry, I'm so sorry. | 0:36:42 | 0:36:44 | |
Hellish day? | 0:36:46 | 0:36:47 | |
Oh, just a bit. | 0:36:47 | 0:36:49 | |
I've ordered some wine. | 0:36:49 | 0:36:50 | |
How was your day? | 0:36:52 | 0:36:53 | |
Good. Fine. You? | 0:36:53 | 0:36:56 | |
Freddie's off on some mad antic. | 0:36:56 | 0:36:59 | |
He'll be fine. I hope he'll be fine. | 0:36:59 | 0:37:02 | |
Maybe he won't. Who knows with Freddie? | 0:37:02 | 0:37:04 | |
SHE CHUCKLES | 0:37:04 | 0:37:05 | |
Hector will keep him in line. | 0:37:05 | 0:37:08 | |
Has Hector told you yet? | 0:37:09 | 0:37:11 | |
I'm sorry. | 0:37:13 | 0:37:14 | |
It's what he wants. | 0:37:15 | 0:37:17 | |
No-one likes to lose a member of their team. | 0:37:19 | 0:37:21 | |
I knew it was coming. | 0:37:23 | 0:37:25 | |
I just hope he reads the small print. | 0:37:25 | 0:37:28 | |
It might be better if he didn't. | 0:37:28 | 0:37:30 | |
He'll be with Uncovered for six months at most. | 0:37:31 | 0:37:33 | |
It's not that we don't want him, | 0:37:33 | 0:37:35 | |
it's that Entertainment want him more. | 0:37:35 | 0:37:37 | |
He's a face now, and that increases his value to them. | 0:37:37 | 0:37:40 | |
The irony is the more he's worth to them, the less choice he'll have. | 0:37:40 | 0:37:44 | |
They're a brand. | 0:37:44 | 0:37:46 | |
What shall we eat? | 0:37:46 | 0:37:48 | |
You're delighted! | 0:37:55 | 0:37:56 | |
HE CHUCKLES | 0:37:56 | 0:37:57 | |
-No. -Composing my obituary already. | 0:37:57 | 0:37:59 | |
HE CHUCKLES | 0:37:59 | 0:38:01 | |
No. | 0:38:01 | 0:38:03 | |
Not quite yet... | 0:38:03 | 0:38:05 | |
-but it's bloody brilliant. -Is it? | 0:38:05 | 0:38:08 | |
You don't sound very sure. | 0:38:08 | 0:38:10 | |
I'm not. But if you want to convince me. | 0:38:10 | 0:38:12 | |
Do you know what The Hour can do with the money they spend on you? | 0:38:15 | 0:38:19 | |
You're a very expensive racehorse and now we can buy two geldings. | 0:38:21 | 0:38:25 | |
I've already talked to Randall about it. | 0:38:25 | 0:38:27 | |
Bastard! | 0:38:27 | 0:38:28 | |
THEY CHUCKLE | 0:38:28 | 0:38:29 | |
What, were you expecting some kind of lament? | 0:38:30 | 0:38:33 | |
I will not lament a man who has a long road | 0:38:34 | 0:38:36 | |
of selling Brylcreem ahead of him. | 0:38:36 | 0:38:38 | |
You'll make a bloody fortune! | 0:38:38 | 0:38:40 | |
THEY LAUGH | 0:38:40 | 0:38:42 | |
MUSIC PLAYS | 0:38:43 | 0:38:45 | |
Evening, girls. | 0:38:45 | 0:38:46 | |
Evening, Mr Cilenti. | 0:38:46 | 0:38:48 | |
Let's pick it up tonight, yes? Give them something to remember. | 0:38:48 | 0:38:52 | |
All right, Miss Delaine? | 0:38:55 | 0:38:57 | |
Good girl. | 0:38:58 | 0:39:00 | |
Oh! | 0:39:26 | 0:39:27 | |
Sorry. I was just trying out some flan cases. | 0:39:27 | 0:39:31 | |
Thank you. I like to tidy up myself at the end of the night. | 0:39:31 | 0:39:34 | |
Make sure everything is in order. | 0:39:34 | 0:39:35 | |
So I thought Caprice. | 0:39:35 | 0:39:37 | |
Now, Alistair said we'd never get a table, | 0:39:37 | 0:39:39 | |
but I said call and say my name, and voila - table at eight. | 0:39:39 | 0:39:42 | |
Darling, I can't. I have to work late. | 0:39:42 | 0:39:45 | |
Of course. | 0:39:48 | 0:39:50 | |
I'll take a taxi. Really, it's fine. | 0:39:52 | 0:39:54 | |
Come with me. If you like. | 0:39:54 | 0:39:57 | |
-Where are you going? -El Paradis. | 0:39:57 | 0:39:59 | |
Freddie thinks there's a story. | 0:39:59 | 0:40:00 | |
SHE CHUCKLES | 0:40:00 | 0:40:01 | |
I'm sure. | 0:40:01 | 0:40:03 | |
Oh, Christ, Marnie, it's work. | 0:40:03 | 0:40:05 | |
Freddie's waiting in the car. | 0:40:05 | 0:40:07 | |
If I'm going to step into that club again, | 0:40:07 | 0:40:09 | |
I'd rather it was with my wife. | 0:40:09 | 0:40:11 | |
-Right, don't wait up. -Hector. | 0:40:14 | 0:40:16 | |
Do they serve dinner? I'm starving. | 0:40:18 | 0:40:20 | |
You were a fantastic drunk. | 0:40:26 | 0:40:29 | |
It has been said. | 0:40:29 | 0:40:30 | |
I'm too old to change. | 0:40:32 | 0:40:34 | |
Why not drink? We might all die tomorrow. | 0:40:35 | 0:40:37 | |
SHE CHUCKLES | 0:40:37 | 0:40:39 | |
But I don't want to die without knowing what happened to her. | 0:40:40 | 0:40:42 | |
They'll find her. | 0:40:42 | 0:40:44 | |
Why didn't you just let me sleep, Randall? | 0:40:45 | 0:40:49 | |
Why did you have to... | 0:40:49 | 0:40:51 | |
come back and wake me up? Give me hope? | 0:40:51 | 0:40:55 | |
Hope is all we have. | 0:40:55 | 0:40:57 | |
Randall. | 0:41:14 | 0:41:15 | |
That's a start. | 0:41:34 | 0:41:36 | |
Smile for the camera. | 0:41:38 | 0:41:40 | |
# Betcha getcha, very soon | 0:41:42 | 0:41:45 | |
# It won't take a shiny moon... # | 0:41:45 | 0:41:49 | |
Good evening, Mr Cilenti. | 0:41:49 | 0:41:50 | |
Mr Lyon. Mr Madden. | 0:41:50 | 0:41:52 | |
You find us a little subdued this evening, Mrs Madden. | 0:41:52 | 0:41:55 | |
A terrible tragedy. You might have read. | 0:41:55 | 0:41:57 | |
-Yes. -We lost one of our girls. | 0:41:57 | 0:41:59 | |
-Yes, I'm so sorry. -Please. | 0:41:59 | 0:42:01 | |
Some might think it respectful after such a death | 0:42:02 | 0:42:05 | |
to close the club for a night, Mr Cilenti. | 0:42:05 | 0:42:07 | |
And then, where would all my guests go? | 0:42:07 | 0:42:09 | |
We'd miss you so, Mr Lyon, if you were gone. | 0:42:09 | 0:42:12 | |
When are you going to invite me to dinner, Mrs Madden? | 0:42:13 | 0:42:15 | |
Oh, veal escalope with capers on the side and for dessert... | 0:42:15 | 0:42:19 | |
No, dessert... | 0:42:19 | 0:42:20 | |
Oh, quel dommage. | 0:42:20 | 0:42:22 | |
-I'm afraid we only have this corner table. -That'll be fine. | 0:42:22 | 0:42:25 | |
What are you doing with this man? | 0:42:25 | 0:42:27 | |
Everything. | 0:42:27 | 0:42:28 | |
Dangerous place for foreigners, don't you think? | 0:42:30 | 0:42:33 | |
The streets of London? | 0:42:33 | 0:42:34 | |
Well, I wouldn't know... | 0:42:35 | 0:42:37 | |
as a British citizen. | 0:42:37 | 0:42:38 | |
Enjoy your night. | 0:42:41 | 0:42:42 | |
Freddie. What exactly do we do when we find Castlecore? | 0:42:44 | 0:42:48 | |
Don't know yet. | 0:42:48 | 0:42:49 | |
Maybe I will when we find out who they are. | 0:42:49 | 0:42:52 | |
There's one or two familiar faces. | 0:42:52 | 0:42:54 | |
Mrs Madden. | 0:42:54 | 0:42:55 | |
Thanks. | 0:42:56 | 0:42:57 | |
You just need to keep smiling. | 0:42:57 | 0:42:59 | |
Jane couldn't sleep last night. She has nightmares. | 0:43:03 | 0:43:07 | |
She wakes bolt upright | 0:43:07 | 0:43:08 | |
and I have to sit with her until she falls back to sleep. | 0:43:08 | 0:43:11 | |
She says, "Where shall we go when the bomb drops, Daddy? | 0:43:11 | 0:43:14 | |
"Shall we go under the stairs?" | 0:43:14 | 0:43:16 | |
And I always say, "The bomb won't drop, darling, | 0:43:16 | 0:43:18 | |
"because the nice men at Westminster will have their finger on the button first. | 0:43:18 | 0:43:22 | |
"The bad men wouldn't dare." | 0:43:22 | 0:43:25 | |
You should have told Jane that when the bomb drops we won't know. | 0:43:25 | 0:43:28 | |
I need to be somewhere. | 0:43:32 | 0:43:33 | |
-I'm sorry? -I need to be somewhere else. | 0:43:33 | 0:43:35 | |
May I have my coat, please? | 0:43:35 | 0:43:37 | |
-Now? -Yes. I'm so sorry, now. | 0:43:37 | 0:43:39 | |
-I need to be with Freddie. He needs me. -Mr Lyon. | 0:43:39 | 0:43:42 | |
Is all we have now that you've peeled Hector away. | 0:43:42 | 0:43:45 | |
-Thank you. -Prego. -You are angry. | 0:43:45 | 0:43:47 | |
No, I'm not, I'm really not. I just... I can't do this. | 0:43:47 | 0:43:50 | |
I can't be this. | 0:43:50 | 0:43:52 | |
Yes, you can. There's more to life than chasing history. | 0:43:52 | 0:43:55 | |
No, there isn't. | 0:43:55 | 0:43:56 | |
The truth is something you don't have to lie about. | 0:43:56 | 0:43:59 | |
You should have told Jane | 0:43:59 | 0:44:01 | |
there won't be any time to press that button. | 0:44:01 | 0:44:03 | |
That's the point. That's the idiot lie. | 0:44:03 | 0:44:05 | |
There isn't time. It's now. | 0:44:05 | 0:44:07 | |
MUSIC PLAYS | 0:44:13 | 0:44:17 | |
Minister for Trade to the left. | 0:44:17 | 0:44:19 | |
Oh, he's a frightful bore. | 0:44:19 | 0:44:21 | |
Got stuck next to him at a dinner once. | 0:44:21 | 0:44:22 | |
Outspoken critic of everything. | 0:44:22 | 0:44:24 | |
Thinks we give too much to pensions and not enough to education. | 0:44:24 | 0:44:27 | |
Cites the American model as inspirational. Pro nuclear. | 0:44:27 | 0:44:30 | |
That Lawson to his right? Undersecretary to... | 0:44:30 | 0:44:33 | |
Foreign office. | 0:44:33 | 0:44:34 | |
Tufnell's here. | 0:44:36 | 0:44:37 | |
If McCain's right, we're en route to Castlecore. | 0:44:39 | 0:44:41 | |
I don't know what anyone's talking about. | 0:44:48 | 0:44:51 | |
The trick is to make it look like you do. | 0:44:51 | 0:44:53 | |
SHE CHUCKLES | 0:44:53 | 0:44:54 | |
Watch where he sits. | 0:44:58 | 0:44:59 | |
Nice table. | 0:45:03 | 0:45:05 | |
Who's he waiting for? | 0:45:05 | 0:45:07 | |
# ..A merry go round. # | 0:45:07 | 0:45:11 | |
APPLAUSE | 0:45:11 | 0:45:13 | |
Will you excuse me? | 0:45:13 | 0:45:15 | |
I must go to the ladies'. | 0:45:15 | 0:45:17 | |
DOOR OPENS | 0:45:20 | 0:45:22 | |
SHE SOBS | 0:45:22 | 0:45:25 | |
It's lavender scented. Good for a cold. | 0:45:33 | 0:45:36 | |
MUSIC PLAYS | 0:45:39 | 0:45:40 | |
Bel. | 0:45:48 | 0:45:49 | |
-I knew you'd come. -Don't wear that one out. | 0:45:52 | 0:45:55 | |
You're very pretty. | 0:45:57 | 0:45:59 | |
Thank you. | 0:45:59 | 0:46:00 | |
Why did you accuse my husband? | 0:46:07 | 0:46:10 | |
Was it revenge? | 0:46:10 | 0:46:11 | |
Because I'll give you a little tip. | 0:46:11 | 0:46:15 | |
Success is the best revenge. | 0:46:15 | 0:46:17 | |
It really is. You shouldn't waste yourself on anything else. | 0:46:18 | 0:46:22 | |
You're too pretty for it. | 0:46:22 | 0:46:24 | |
ENGINE RUNNING | 0:46:43 | 0:46:46 | |
Miss Rowley, may I help you? | 0:47:10 | 0:47:13 | |
Oh, I was just looking for the ladies. | 0:47:13 | 0:47:14 | |
Let me show you. Please. | 0:47:14 | 0:47:17 | |
It's good to see you again. | 0:47:19 | 0:47:21 | |
You know, I watch you ladies primping and preening | 0:47:23 | 0:47:26 | |
and I often ask myself, "What's it for?" | 0:47:26 | 0:47:29 | |
Because underneath all that lipstick and perfume, flesh and bone, | 0:47:29 | 0:47:35 | |
you women are all the same... | 0:47:35 | 0:47:38 | |
showgirls and whores. | 0:47:38 | 0:47:40 | |
Bel. | 0:47:41 | 0:47:42 | |
We are on a stake out. | 0:47:44 | 0:47:45 | |
He's watching us. | 0:47:51 | 0:47:53 | |
Calm. | 0:47:53 | 0:47:55 | |
Oh! | 0:47:55 | 0:47:56 | |
HE LAUGHS | 0:47:56 | 0:47:57 | |
Hector, good evening. Marnie. Mr Lyon. | 0:47:57 | 0:48:00 | |
Miss Rowley. All here. | 0:48:00 | 0:48:01 | |
HE LAUGHS | 0:48:01 | 0:48:02 | |
We are. | 0:48:02 | 0:48:03 | |
May I introduce Vera? | 0:48:03 | 0:48:05 | |
-Hello. -Hello, Vera. -Hello, Vera. | 0:48:05 | 0:48:07 | |
-Nice to meet you. -Lovely. | 0:48:07 | 0:48:08 | |
And perhaps you would like to go and be seated, my dear? | 0:48:08 | 0:48:13 | |
Angus, I thought you'd give this place a wide birth. | 0:48:13 | 0:48:16 | |
Well, you know the thing with El Paradis - | 0:48:16 | 0:48:18 | |
you are no-one unless you are here. | 0:48:18 | 0:48:20 | |
So when one wants to be photographed, | 0:48:20 | 0:48:22 | |
perhaps with some new young lady friend, | 0:48:22 | 0:48:24 | |
then, this is quite simply the best place to be. | 0:48:24 | 0:48:27 | |
I do hope you've had some luck with Castlecore. | 0:48:29 | 0:48:32 | |
Angus, who is Castlecore? | 0:48:32 | 0:48:34 | |
You are looking at Castlecore. | 0:48:40 | 0:48:41 | |
Satchell? | 0:48:41 | 0:48:43 | |
He's the king of the castle. | 0:48:43 | 0:48:45 | |
Excuse me. | 0:48:45 | 0:48:46 | |
War is a game played with a smile. | 0:48:48 | 0:48:52 | |
-Mr Madden. Twice in one day. -Indeed. | 0:48:52 | 0:48:55 | |
You've met Marnie and the team. | 0:48:55 | 0:48:56 | |
This is the man who gave me a good pasting | 0:48:56 | 0:48:58 | |
when he wasn't even interviewing me. | 0:48:58 | 0:49:00 | |
Unfortunately, I have decided to say yes, to Uncovered. | 0:49:00 | 0:49:04 | |
Very flattered that The Hour has been chasing me, | 0:49:04 | 0:49:06 | |
but felt they were the...safer option. | 0:49:06 | 0:49:10 | |
Wait for it... Wait for it... | 0:49:16 | 0:49:17 | |
Five... | 0:49:19 | 0:49:21 | |
..four... | 0:49:21 | 0:49:22 | |
..three... | 0:49:22 | 0:49:25 | |
..two... | 0:49:25 | 0:49:26 | |
..one. | 0:49:26 | 0:49:28 | |
Bingo. | 0:49:28 | 0:49:29 | |
Now, let's prove he's involved. | 0:49:31 | 0:49:32 | |
I need to get closer in. | 0:49:32 | 0:49:34 | |
-How? -You'll see. | 0:49:34 | 0:49:36 | |
Good evening, Miss. | 0:49:36 | 0:49:38 | |
Now, Sir? | 0:49:47 | 0:49:48 | |
Not yet. | 0:49:48 | 0:49:49 | |
Your very own secretary, Mr Cilenti. | 0:50:18 | 0:50:21 | |
Yes, take a letter, Miss Delaine. | 0:50:21 | 0:50:23 | |
THEY LAUGH | 0:50:23 | 0:50:25 | |
They will kill you. | 0:50:31 | 0:50:32 | |
Now! | 0:50:56 | 0:50:57 | |
This is a raid! | 0:51:05 | 0:51:07 | |
PEOPLE SCREAM | 0:51:07 | 0:51:10 | |
GLASS SHATTERS | 0:51:10 | 0:51:11 | |
Bel! Get out now. | 0:51:25 | 0:51:26 | |
-Freddie, no. You have to... -Hector, take everyone out now. -Freddie! | 0:51:26 | 0:51:29 | |
-Come on! -Freddie! | 0:51:29 | 0:51:30 | |
Laurie. Laurie. | 0:51:42 | 0:51:44 | |
Go home! | 0:51:44 | 0:51:45 | |
How dare you? | 0:51:58 | 0:52:00 | |
You gutter press. | 0:52:00 | 0:52:01 | |
Stoop down too low, be careful what you might find, Mr Lyon. | 0:52:02 | 0:52:06 | |
You thief. | 0:52:06 | 0:52:07 | |
Murderer. | 0:52:08 | 0:52:09 | |
Mr Lyon, go home. | 0:52:13 | 0:52:16 | |
Raphael Cilenti, I am arresting you for living off immoral earnings | 0:52:19 | 0:52:22 | |
and for questioning in relation to the murder of Miss Rosa Ramirez. | 0:52:22 | 0:52:26 | |
No Detective Attwood? | 0:52:26 | 0:52:27 | |
Glasgow. | 0:52:27 | 0:52:29 | |
Transferred. | 0:52:29 | 0:52:31 | |
Take him out. | 0:52:31 | 0:52:32 | |
Come on! | 0:52:39 | 0:52:40 | |
Bel. | 0:52:40 | 0:52:41 | |
Quickly. | 0:52:41 | 0:52:43 | |
WHEELS SPIN | 0:52:59 | 0:53:02 | |
Hell. | 0:53:02 | 0:53:03 | |
-Yes. -That was scandalous! | 0:53:03 | 0:53:05 | |
It was a conflict of interest, surely? | 0:53:06 | 0:53:08 | |
Satchell, the most pro-nuclear voice in our cabinet | 0:53:08 | 0:53:11 | |
blatantly profiteering from the spoils of the Cold War? | 0:53:11 | 0:53:15 | |
-Well, there's your story. -We can't sell an assumption. | 0:53:15 | 0:53:17 | |
So we get more evidence. | 0:53:17 | 0:53:19 | |
We get it first and we get it right. | 0:53:19 | 0:53:21 | |
Could you come with me, please? | 0:53:28 | 0:53:30 | |
Miss Delaine, I am arresting you for soliciting. | 0:53:33 | 0:53:36 | |
I'm going to pick up my bag now. | 0:53:36 | 0:53:39 | |
And I'm going to leave out that back door. | 0:53:39 | 0:53:42 | |
And you are not going to stop me. | 0:53:43 | 0:53:45 | |
My parting gift. | 0:53:52 | 0:53:54 | |
I hope you all go to hell. | 0:54:01 | 0:54:03 | |
We're clear, Sir. | 0:54:09 | 0:54:10 | |
Sir? | 0:54:15 | 0:54:16 | |
Give me your stick. | 0:54:23 | 0:54:24 | |
-I don't want to sleep. -I can't sleep. | 0:54:49 | 0:54:52 | |
Erm... I, I want to walk. | 0:54:52 | 0:54:54 | |
What, now? | 0:54:54 | 0:54:55 | |
Yes, I want to walk. | 0:54:55 | 0:54:57 | |
I want to be outside in the cold. | 0:54:57 | 0:54:58 | |
Hector, will you stop the car, I'll walk from here. | 0:54:58 | 0:55:01 | |
Well, you can't go on your own. | 0:55:01 | 0:55:03 | |
-I'll walk with you. -Thank you. | 0:55:03 | 0:55:04 | |
8am tomorrow. I presume it's your last day. | 0:55:15 | 0:55:18 | |
Read the small print before you sign. Promise me you'll do that. | 0:55:21 | 0:55:24 | |
I'm shaking. | 0:55:31 | 0:55:32 | |
SHE SHIVERS | 0:55:43 | 0:55:45 | |
If it all ends tomorrow... | 0:55:45 | 0:55:47 | |
Yes? | 0:55:49 | 0:55:50 | |
..I don't want to leave without saying that... | 0:55:50 | 0:55:53 | |
Without saying what? | 0:55:55 | 0:55:56 | |
Um... Oh, let's, let's just walk. | 0:55:57 | 0:55:59 | |
SHE CHUCKLES | 0:55:59 | 0:56:00 | |
I've put another sheet out for you. | 0:56:07 | 0:56:09 | |
The other one had a hole. | 0:56:09 | 0:56:10 | |
Thank you. | 0:56:15 | 0:56:16 | |
That was quite a night. | 0:56:18 | 0:56:20 | |
Is it always like that? | 0:56:21 | 0:56:23 | |
No, not always. | 0:56:23 | 0:56:26 | |
I understand why you love it so. | 0:56:26 | 0:56:28 | |
-Good night, Marnie. -Hector... | 0:56:30 | 0:56:32 | |
Do you think you'll be happy? | 0:56:35 | 0:56:36 | |
Do you think it's all going to be all right? | 0:56:39 | 0:56:42 | |
-Marnie. -Dotty's right, you know, you have a face for entertainment. | 0:56:42 | 0:56:46 | |
Don't waste it on earthquakes in China and... | 0:56:46 | 0:56:49 | |
political whatnot in Guadeloupe. | 0:56:49 | 0:56:51 | |
Everyone thinks so. | 0:56:53 | 0:56:55 | |
Do they? | 0:56:55 | 0:56:56 | |
Because, in spite of everything... | 0:56:56 | 0:56:58 | |
..I do want you to be happy. | 0:57:00 | 0:57:01 | |
Darling. | 0:57:10 | 0:57:11 | |
It's too cold to sleep on the sofa bed tonight. | 0:57:12 | 0:57:15 | |
Is this all right? | 0:57:35 | 0:57:36 | |
Yes, darling. | 0:57:37 | 0:57:38 | |
Westminster are running scared. | 0:57:48 | 0:57:49 | |
It's a sex scandal to cover a nuclear scandal. | 0:57:49 | 0:57:52 | |
Mr Pike tells me The Hour have been sniffing around you. | 0:57:52 | 0:57:54 | |
You don't have to be afraid. | 0:57:54 | 0:57:56 | |
Like Rosa didn't have to be afraid? | 0:57:56 | 0:57:57 | |
-I've already saved your life once. -And I've been grateful for far too long. | 0:57:57 | 0:58:01 | |
There are just times when one becomes weary of hiding things. | 0:58:01 | 0:58:04 | |
-Are you saying that you want to help us? -Expose it all. | 0:58:04 | 0:58:07 | |
-Who else is implicated? -Who isn't, Sir. | 0:58:07 | 0:58:10 | |
We don't run this story, who will? | 0:58:10 | 0:58:11 | |
Three, two, | 0:58:11 | 0:58:13 | |
one. | 0:58:13 | 0:58:14 | |
CLICKING NOISE | 0:58:14 | 0:58:15 | |
Subtitles by Red Bee Media Ltd | 0:58:38 | 0:58:41 |