Episode 6 The Hour


Episode 6

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Transcript


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This programme contains some strong language

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-Is Mr Madden in? Allegations have been made against you.

-Did he punch you?

-Yes.

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The last time I watched the programme I could feel the tingle.

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-Hear the tick.

-I wrote you a letter. You didn't write back.

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Or jump when you want me. You have a wife for that.

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It's over. I miss you.

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Marnie's very keen I make the move to ITV.

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I can't give her children. She doesn't know yet.

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Who are Castlecore?

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That's you.

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They've been working on a deal. It's ready to be signed tonight.

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They will be in El Paradis.

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Bingo. Castlecore.

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We need to prove Satchell's involved.

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They will kill you.

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-Now!

-This is a raid! Stay where you are!

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Raphael Cilenti, I am arresting you for questioning in relation to

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the murder of Miss Rosa Ramirez.

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My parting gift.

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Daily Sketch. Madden caught in Soho Scandal. Get it here. Daily Sketch.

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Cheers, guv.

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Oh, hell!

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Here he is. That's him!

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Mr Stern, Mr Stern, have you charged Mr Cilenti?

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Are reports of Mr Madden beating up a woman who

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worked at El Paradis true?

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THEY GIGGLE

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'Mr James Clancy was the first to state surprise at the club's

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'closure last night.

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'He moved to dissociate himself from El Paradis stating it was

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'the place to see and be seen and I would be dismayed

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'if allegations made by police proved correct.'

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THEY LAUGH

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Apparently there were topless girls in back rooms

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spanking several members of the Foreign Office.

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Actually it was the Department of Trade. Good morning, Veronica.

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Morning, Mrs Madden.

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Thank you. Beautiful day!

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Are you all right?

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Yes, I'm fine. I was there with my husband. Alistair, please.

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Thank you. Where is he?

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You have a visitor. Mr Kendall.

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-Can I take this?

-No, no, no, Hector's need is far greater.

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It's like the sinking of the Titanic at ITV.

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All hands on deck, everyone calling their agents,

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desperate to get a place in the lifeboats.

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Too many of our lot there last night.

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Fortunately they didn't end up on the front page.

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Word from my source is they needed a face for the scandal.

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Mr Madden's was a perfect fit.

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There were any number of businessmen and ministers

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from every corner in that club.

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-Not all of them are accused...

-Wrongly accused.

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..of beating up a girl, a fact which you have clearly been hiding

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and yet is now in the press.

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-And you wouldn't have done the same?

-It wasn't on his curriculum vitae.

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You're withdrawing your offer.

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Yes.

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Hector is a brilliant journalist.

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And his stock has just crashed.

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-You were there, weren't you?

-Yes.

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Why do you always keep me at arm's length?

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Why didn't you tell me that was where you were going?

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It was one dinner. I'm very sorry.

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I don't care about the bloody dinner.

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I care that this, whatever this is, isn't going anywhere.

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I don't know what you want but it's not me.

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You're cold.

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This is impossible. YOU are impossible!

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Is everything all right?

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Hector, I'm sorry.

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It will pass.

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For your sake I hope it does.

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What does that mean?

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Perhaps you'd better talk to your agent.

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I was cleared.

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We're moving on. It hasn't worked out. I'm sorry.

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You know, for someone running an apparently discerning show

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you're very quick to believe the lies.

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And you say I'm cold?

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Is it Mr Lyon?

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You might tell him, and I say this from bitter experience,

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there's only ever room for one newsman in a relationship.

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-Drink your coffee.

-It's not single malt.

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I'm sorry, Hector.

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-Don't do this.

-Why?

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-I was only there cos you said...

-There was a story. There is.

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Not now.

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Now this is the story. I'm the story. Madden batters and assaults women.

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Wines and dines them in a Soho vice bar.

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Why can't they dig the dirt on someone else? Why not on you?

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Because, sadly, there is no dirt.

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Because you have a past that is ripe to be exploited.

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Because, despite the fact that I have been sitting next to you

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every week on screen, my face is oddly unmemorable.

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Whereas yours is.

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This is a cover.

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Someone knows we're on to them.

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STUDIO BELL RINGS

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Alistair, I am in the middle of a very delicate operation

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involving some wafer thin mille-feuille.

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Yes, I know, Marnie, but the chaps upstairs...

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SHE GASPS

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We are delighted with Name That Dinner Guest.

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Well, I'm glad.

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But, we think perhaps a couple of weeks with you off air,

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until this thing with Hector has blown over?

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It's all lies.

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But it does somewhat mar what one loves about you, Mrs Madden.

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The image you present no longer fits the homely ideal we wish to convey?

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What one SHOULD love about me is the fact that I am a strong

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and capable woman, perfectly capable of handling this storm in a teacup.

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Hardly a teacup.

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The lunchtime edition, just in.

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I see.

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What do you tell your wives when they ask why you are home so late?

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It was good to see you last night, Mr Roberts, and you, Mr Grogan.

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Marnie!

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I'm sorry.

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For what? We all let ourselves down from time to time.

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The only difference is my husband has made the front page.

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Think yourselves lucky you haven't ended up in the same place.

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Fine press coverage. A very impressive exercise, Commander.

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But, er, we would like to go quiet on this.

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We've already had a call from Westminster,

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keen to protect their own.

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Chaps like Howard Satchell were in there last night.

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So crack down, certainly,

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but we need to crack down on something else.

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So let's focus on the coloureds in Notting Hill.

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There's lots of tension, lots of petty crime.

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It's an absolute powder keg.

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Well, that's a pity, sir.

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Because I hoped we might push on with this.

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My concern is that Mr Cilenti's... activities have made certain

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chaps like yourself vulnerable to his demands.

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There are some photographs of you.

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-Do you have the negatives?

-Yes, I do.

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-Who else is implicated?

-Who isn't, sir?

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So, shall we start again?

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This is a cover up.

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This story was given to the press to discredit Hector and therefore us.

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-Well, how did they get it?

-A leak from Stern?

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-Laurie wouldn't do that, for all his faults.

-Wouldn't he?

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Well, he must have found something in this raid.

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Westminster are running scared.

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A sex scandal to cover a nuclear scandal. Which would you prefer?

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I called my contact at Castlecore's bank. They've gone quiet on me.

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-It's in total shutdown.

-See.

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We were planning to cover the launch of CND,

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the threat from abroad but, with the threat from home more pressing,

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I might suggest...

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We uncover the sex scandal and thereby the profiteering?

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Darling, isn't it a little provocative to focus on the perils

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of scandals with one of our presenter's past indiscretions

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unravelling so publicly?

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Aren't you a tiny bit relieved about ITV?

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It always made me nervous to think of you in a glittery waistcoat.

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Panel games. The small print said panel games.

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Stern owes us.

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If you can get him to give you anything

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we can use it to expose Cilenti, the blackmail racket, even Satchell?

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Tonight, on The Hour?

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We go live in eight hours. Are you completely deranged?

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The men who steer our nuclear policy lie, cheat and deceive their wives.

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Why should we be surprised when they do the same thing to the country?

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We are being sold a lie. That's the real threat.

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We need the proof to connect the nuclear scandal to the sex scandal.

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The one thing we can be sure of is if we focus on vice

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then we win viewers tonight.

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Had we known this scandal would have proved so popular, Mr Madden,

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we might have leaked the story ourselves.

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But it's risky, so let's get our facts straight.

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A little more notice next time would be nice.

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Let's get that bloody CND logo down and cancel Henrietta Williams.

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-Don't we need some contributor?

-I'll see what I can do.

-Mr Wengrow.

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Eight hours, ladies and gentleman.

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We have eight hours to pull this out of the bag.

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Hector. I'm sorry about Bill. I could have killed him.

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-He's just the messenger.

-Still, it wasn't the place to do it.

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Well, right now my real concern is Marnie.

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I've been trying her all morning. She's apparently in rehearsal.

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I'm going to try her again.

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You all right?

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No, no. Apparently I'm impossible.

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No, you're not.

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He was right. It was wrong. So he is right.

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-I AM impossible.

-More papers in.

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Hector.

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Details of my arrest and every allegation she levelled against me.

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No mention I had an alibi.

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There was no mention it was all a lie.

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Yes, and I'm sorry. It's very unfortunate.

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Convenient. Did you do this to me, Laurie?

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No, of course not. Now leave it. Sit down, Hector.

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The best thing you can do is let it pass, lie low.

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Let this ruin me? No. No. The best I can do now, is what I do best.

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Be a journalist. What did you find last night?

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Plenty.

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Now these were the ones I could get of you.

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Were there any photographs of Satchell?

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For Christ's sake, take the bloody photographs, Hector.

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We are trying to expose serious ministerial malpractice.

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Now if there's any photographs, paperwork,

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anything that implicates Howard Satchell, I need them, Laurie.

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We want to run the story but we've got no proof.

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Well, there were hundreds but they're police property now.

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They've been destroyed on the orders of my superiors.

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It was felt it was for best.

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Now for Christ's sake, I've done all I can to protect you.

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It's not about protecting me. This is bigger than me, Laurie.

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This whole charade goes way beyond any paltry scandal

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I might find myself in.

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-Look have a drink with me.

-What?

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They're going to make me Deputy Commissioner.

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This mess. This is your mess.

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You beat Miss Delaine.

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On what evidence, Hector?

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You know the difference is I am not denying it.

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I frequented that club. I did things I'm not proud of. But you?

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You live in this place where you don't acknowledge anything.

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You don't go anywhere that's too dark or uncomfortable

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because you're terrified of what you might find.

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Just button up that uniform and protect yourself.

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It will send you mad, Laurie.

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Take the bullet, Hector.

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I've already saved your life once.

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And I've been grateful for far too long.

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RADIO PLAYS

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Isaac?

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What you doing?

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Listening to my radio play.

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You've got... confetti in your hair.

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-Really?

-Tied the knot first thing this morning.

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Why didn't you say?

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It was only us and a couple of witnesses.

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We had to pull in people off the street.

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Took us ages.

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No-one wanted to do it when they saw Sey.

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But finally...

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I'm so frightened, Isaac, of it all.

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My dad wouldn't even give me away.

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Should have asked me.

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I would have given you away.

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Would you have?

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'We're trying to get out the finest programme we can.

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'Now get on with it, James.

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'Mr Radlow, have you finished that coffee yet?'

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Kiki!

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PHONE RINGS

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Piss off!

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Phone's been ringing non-stop. I don't know how they got my number.

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My mum thinks I work at Debenhams. What do I tell her now?

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Where you going to go?

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Anywhere. Somewhere?

0:16:040:16:06

They were signing something last night.

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There are always men signing something, men talking deals,

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men in whispered conversations, men passing money to other men.

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Castlecore.

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Did you see any paperwork anywhere with the name Castlecore on it?

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Anything that connects Cilenti to the government.

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We need proof.

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Mr Cilenti's been arrested. He will go to prison.

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You don't have to be afraid.

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What? Like Rosa didn't have to be afraid?

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I'm going to get my money and get out of here.

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I can do this.

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I can get away from Mr Cilenti.

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He thinks I can't but I can.

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He always goes to stop you when you try.

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Blinds you with a kindness, then yank!

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And you're on the floor again.

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But I can go somewhere else. Do something else. I can do it.

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Then why are you so scared?

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There is a thread.

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A thread Cilenti has found.

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And he pulls it.

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And as he pulls it,

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he pulls more and more men, successful men, in.

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Until they are all hanging off that thread.

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And you're on that thread too.

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You help us bring down Castlecore, bring down Satchell

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and I promise you we will keep you safe.

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How else are you ever going to escape this?

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The five o'clock double bill at the Curzon does me fine.

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I don't believe you.

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KNOCKING AT DOOR

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They're not going to leave you alone.

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This is a scandal to cover a much bigger story.

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Piss off!

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SHOUTING OUTSIDE

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Five o'clock at the Curzon then?

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Piss off! Piss off!

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Piss off!

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Nothing. The police destroyed everything they found,

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photographs, paperwork, everything.

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Oh, my God. There's no time. We've no time.

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LIFT BELL RINGS

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-She's going to get us what she can. Miss Delaine.

-Freddie.

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I pushed her. I hope not too far.

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I told her if she helped us, she'd be safe.

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But we can't promise that.

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Cilenti's been arrested, let the police deal with him.

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-I'm trying to stop the story falling apart in our hands.

-With what?

0:18:530:18:56

Isaac's already exhausted the entire newsroom contact list.

0:18:560:19:00

The Bishop of Woolwich says

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mothers who work are the enemies of family life. Perfect.

0:19:010:19:04

One better - Sugar Ray Robinson becomes middleweight champion

0:19:040:19:07

for the fifth time. Should squeeze a good ten minutes out of that.

0:19:070:19:10

If we don't run this story, who will? It will be fine.

0:19:100:19:15

Oh, my God. Even you're worried.

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-I'm not.

-You are. We are reaching the point of no return, Freddie.

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Isaac, any other story, anything we might have binned?

0:19:210:19:24

Don't be alarmed but McCain has just arrived.

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Last night that story about your arrest

0:19:300:19:34

was leaked by Westminster.

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It's a campaign in motion to discredit your programme

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and anyone associated with it.

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A key minister profiteering from the arms race.

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-You can't honestly believe there's only one.

-No, we don't.

0:19:440:19:47

It's oddly disconcerting to have you admit the same.

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There are just times when one becomes weary of hiding things.

0:19:510:19:56

I've spent the last 15 years lying for ministers,

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covering gaps and gaffes.

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And I think last night was the last time.

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Are you saying that you want to help us?

0:20:120:20:14

Yes, perhaps I am.

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We have had your help before, Angus.

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I would ask you not to reject this out of pride.

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Now you have smoked the hive.

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You need me more than ever now.

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And the question is who is willing to come out and withstand the sting?

0:20:310:20:37

-He works for me.

-Bit young, isn't he?

-I'm 17.

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All right, Kiki? Make the papers?

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Almost famous.

0:20:490:20:52

They didn't take you in too?

0:20:520:20:54

Well, why would they? I ain't done anything illegal.

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Is there money in the till? He hasn't paid me this week.

0:20:580:21:01

Ooh, when did you take over?

0:21:080:21:12

When I see an opportunity, I take it.

0:21:120:21:15

You should do the same.

0:21:170:21:19

You could be a star attraction.

0:21:190:21:21

Now, all that stuff in the press,

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they want to see more of that.

0:21:240:21:26

And I could help you with that.

0:21:260:21:29

Sex sells. Why hide it?

0:21:290:21:31

No, thanks.

0:21:310:21:33

I just want to pick up my things, get my money and go.

0:21:330:21:35

He'll be out and when he finds you drinking his whisky...

0:21:370:21:41

What?

0:21:410:21:42

You'll be out too.

0:21:420:21:45

Then why are you the one shaking?

0:21:450:21:47

We've talked to Miss Delaine.

0:21:560:21:58

Risky. Cilenti has been released.

0:21:580:22:01

Oh, my God!

0:22:020:22:04

There's even more reason to get this out.

0:22:040:22:07

There's a story we've been trying to sell

0:22:070:22:09

but we are limited in how we sell it.

0:22:090:22:11

So don't limit yourselves.

0:22:110:22:12

Expose it all?

0:22:140:22:16

Put the person on The Hour who knows better than anyone the comings

0:22:160:22:19

and goings of El Paradis.

0:22:190:22:21

We are running around trying to find a contributor,

0:22:210:22:24

trying to pull this show together. It's right in front of us.

0:22:240:22:26

But if we use her can we protect her?

0:22:260:22:29

Sometimes the best place to hide is in fame's spotlight.

0:22:310:22:35

One must simply know how to control the direction of the glare.

0:22:370:22:41

Such a mess.

0:22:550:22:57

Watch yourself. Don't cut yourself on the glass.

0:23:020:23:04

You cut yourself?

0:23:040:23:06

No.

0:23:060:23:08

For Christ's sake, I need a coffee!

0:23:080:23:11

I'll make it.

0:23:110:23:12

No.

0:23:120:23:13

You're leaving me?

0:23:190:23:21

Mr Pike didn't think you were coming back.

0:23:210:23:23

Norman.

0:23:230:23:25

He's not to be trusted. Coaxing you girls into his films.

0:23:250:23:29

Have you succumbed, Kiki? Starred in one of his dirty little pictures?

0:23:300:23:36

No.

0:23:360:23:38

Be careful.

0:23:380:23:39

You know what he did to Rosa when she betrayed us?

0:23:390:23:42

How can anyone do that to a person?

0:23:440:23:46

How can anyone just suffocate someone like that?

0:23:470:23:50

Bastard.

0:23:510:23:53

You know what's funny? That's true.

0:23:550:23:57

Mr Pike tells me The Hour have been sniffing around you.

0:24:000:24:03

Mr Lyon? You like Mr Lyon?

0:24:030:24:04

Little vulture, picking at my bones.

0:24:060:24:09

Did you tell Mr Stern where my photographs were?

0:24:140:24:19

You did.

0:24:190:24:20

You know what you need to know about Mr Lyon?

0:24:230:24:25

He will use you, like he uses me.

0:24:270:24:31

We're all nothing but whores.

0:24:310:24:33

Kiki?

0:24:380:24:40

See where she goes.

0:24:490:24:50

PHONE RINGS

0:24:530:24:56

-Put me through to the Commissioner.

-He's not in, Mr Stern.

0:24:560:24:59

'Well, when will he be back?'

0:24:590:25:01

He's out all day.

0:25:010:25:02

'Will you give him a message, please?'

0:25:020:25:04

Why have they released Raphael Cilenti?

0:25:040:25:07

Tell him I need to speak to him.

0:25:070:25:09

'I'm sorry, Mr Stern...'

0:25:090:25:10

..but no-one is available to talk to you today.

0:25:100:25:13

BACKGROUND CHATTER

0:25:180:25:21

Ladies and gentlemen,

0:25:210:25:22

two and a half hours to go and we've had a last-minute reshuffle.

0:25:220:25:26

We're sticking with the simple and direct approach,

0:25:260:25:28

starting with the intro on Soho,

0:25:280:25:30

then the growing influence of vice, the raid, and then

0:25:300:25:34

the examination of the blackmail ring and then finally an interview.

0:25:340:25:37

Hector, I realise that this is sensitive.

0:25:370:25:40

It's not. It's what we should do.

0:25:400:25:42

You need to mention the scandal. We can't deny it.

0:25:420:25:44

Let's hope you can get Miss Delaine, Mr Lyon.

0:25:440:25:46

I'm not coming back without her.

0:25:460:25:47

You'd better not otherwise you will be looking at an empty chair.

0:25:470:25:50

Be careful.

0:25:500:25:52

Worried you can't ride solo now, Mr Madden?

0:25:520:25:54

Worried I'll like it too much, Mr Lyon.

0:25:540:25:56

Freddie. Freddie!

0:25:560:25:57

Mr Madden, a word.

0:25:570:26:00

Freddie, you can't go on your own.

0:26:000:26:03

I sent her to the club, I have to find her.

0:26:030:26:05

It's dangerous!

0:26:050:26:06

You are not impossible. Impossible is just what hasn't been done.

0:26:060:26:11

It's not impossible when it's possible.

0:26:110:26:13

We need to talk. We haven't...

0:26:150:26:18

Haven't what?

0:26:180:26:20

We haven't...

0:26:200:26:23

About us.

0:26:230:26:25

No, we don't. We need to stop talking. We talk too much.

0:26:250:26:27

Instead we have to do something.

0:26:270:26:29

I am tired of it not being possible. It is possible.

0:26:430:26:46

You are possible.

0:26:460:26:48

You are possible with me.

0:26:480:26:50

Ditch the desk. Make the camera move with us.

0:27:080:27:12

It should be unpolished. It should be raw.

0:27:120:27:14

Single for the double bill, please.

0:27:190:27:21

I'll get these. Two, please.

0:27:210:27:23

Yes, I was wondering about setting up on my own.

0:27:270:27:30

A little office in Piccadilly.

0:27:300:27:32

Where there is fear there is also money.

0:27:320:27:36

One can capitalise on that.

0:27:360:27:38

You could be my first client.

0:27:380:27:41

And my first question would be have you called your lawyer?

0:27:420:27:47

What? And ask him to lie for me? The worst is out.

0:27:470:27:51

They got a story, they printed it. Who wouldn't have done the same?

0:27:510:27:53

Truth is, it's oddly liberating.

0:27:530:27:56

-You should try it.

-Angus.

0:27:560:27:58

One day.

0:28:000:28:01

Hector.

0:28:030:28:05

I've been trying to reach you all day.

0:28:050:28:07

They said you left this morning.

0:28:070:28:08

Are you all right?

0:28:080:28:09

ITV have withdrawn their offer.

0:28:220:28:25

Yes, well they think its best I stay off the air for a while too.

0:28:250:28:29

I'm sorry.

0:28:310:28:33

I'm not.

0:28:360:28:38

They had that awful woman from the Grove Family in this afternoon.

0:28:380:28:41

She can't act for toffee

0:28:410:28:43

and she has this barking passion for afternoon tea.

0:28:430:28:47

Do you know how difficult it is to make pastries for someone who

0:28:470:28:50

you know will neither appreciate it nor can act?

0:28:500:28:52

You can walk away now

0:28:580:29:02

and I'll understand.

0:29:020:29:03

Then what do I do?

0:29:060:29:07

There are things I've done in the last few months,

0:29:120:29:19

behaviour that I have in myself allowed

0:29:190:29:21

and have condemned in you.

0:29:210:29:23

But I want to make it right now. I really do.

0:29:290:29:31

Especially now.

0:29:340:29:36

Hector. I think I'm...I'm sure...

0:29:480:29:51

You're sure you're what?

0:29:560:29:57

I'm...

0:29:590:30:01

..three weeks gone.

0:30:040:30:05

Hector?

0:30:110:30:12

Well, isn't that wonderful?

0:30:280:30:29

Isn't that what you always wanted?

0:30:350:30:37

Yes.

0:30:380:30:39

Well, then aren't you clever, Marnie. You got what you wanted.

0:30:420:30:46

KNOCKING ON DOOR

0:31:030:31:05

Randall, Bel was wondering

0:31:050:31:07

if you might want to come down onto the floor a little earlier?

0:31:070:31:10

Sofia Malfrand. No E.

0:31:180:31:20

Born 24th June 1938.

0:31:220:31:24

They've...they've found her.

0:31:270:31:30

Moved to the outskirts of Paris, March 1940.

0:31:430:31:49

Died...

0:31:560:31:57

..June the same year.

0:31:590:32:00

Killed with both her parents...

0:32:030:32:05

..in an air raid.

0:32:080:32:09

Would you forgive me if I asked you to go?

0:32:170:32:19

I...I can't move.

0:32:230:32:26

Please.

0:32:330:32:34

-Please, I need you to.

-No.

0:32:360:32:38

No, Randall, I won't go. I won't.

0:32:460:32:48

You just...just do what you need to do.

0:32:480:32:51

Girls never do anything in these films.

0:34:220:34:26

They are either the ones in glasses or the ones screaming.

0:34:260:34:29

What do I do now?

0:34:320:34:33

You come on The Hour.

0:34:350:34:38

You say what you see at the club.

0:34:380:34:40

Me? On the television?

0:34:400:34:42

You talk about Satchell.

0:34:430:34:45

Talk about him signing papers, talk about what you do.

0:34:460:34:50

How you're used.

0:34:500:34:52

He'll kill me.

0:34:520:34:53

I can't promise to protect you, it was wrong to promise you that.

0:34:560:34:59

But the world knows about Cilenti now.

0:34:590:35:01

Fleet Street will want to know more from you.

0:35:030:35:06

You think they go after you now,

0:35:060:35:08

they'll go after you even more now that he's out.

0:35:080:35:10

The more you can control what you say and how you say it, the better.

0:35:100:35:14

That's how you protect yourself.

0:35:160:35:19

-You're the bomb.

-Me?

0:35:190:35:21

No, I'm not, I'm nothing.

0:35:220:35:25

I'm just a stupid fucking whore.

0:35:250:35:28

We broadcast tonight. If we leave now, we'll take a taxi,

0:35:310:35:34

we'll be there in half an hour.

0:35:340:35:36

You won't have to do anything you don't want to do.

0:35:360:35:38

-I'll be there, I'll look after you.

-You can't.

0:35:380:35:40

What time does the film start, darling?

0:35:400:35:43

-Go, now.

-All right, don't worry.

0:35:440:35:46

They are expecting you. Ask for Miss Rowley.

0:35:460:35:48

I'll follow you. Come on, go, now.

0:35:480:35:50

I'll keep them occupied.

0:35:500:35:52

Gentlemen.

0:35:560:35:58

-Good evening.

-Oh, good night.

0:35:580:36:01

-Miss Rowley?

-Yes. Mr Lyon?

0:36:260:36:29

-He's going to follow me.

-This way, please.

-Thank you.

0:36:290:36:32

It's just this way.

0:36:360:36:37

-Where's Freddie?

-God knows. Miss Delaine said he was following on.

0:36:400:36:43

Miss Delaine. Thank you for joining us.

0:36:430:36:45

Could you find Randall?

0:36:470:36:50

I'm just going to talk you through our plans for this evening.

0:36:500:36:53

-My makeup, I need to do my makeup.

-Oh, of course. Joan!

0:36:530:36:57

-Where's Liz? Find her.

-Right.

0:36:590:37:02

Ladies and Gentlemen, 30 minutes, please!

0:37:020:37:05

All right, Trevor?

0:37:150:37:16

Yeah, I'm fine, thanks, Mr Lyon.

0:37:160:37:19

Mr Cilenti asked you to do this, Norman?

0:37:190:37:21

Rough handle me down here?

0:37:210:37:23

I don't answer to Mr Cilenti any more.

0:37:230:37:25

Thought not. Thought he had a bit more style.

0:37:250:37:27

He's got style, all right.

0:37:270:37:29

You're not a good businessman if you can't see the future coming.

0:37:290:37:32

-You the future?

-Might be.

0:37:320:37:34

You got a fascist as your first recruit! That's impressive.

0:37:340:37:38

You do like to rile.

0:37:400:37:41

I confess, I do.

0:37:430:37:44

Miss Storm, Miss Delaine is here.

0:37:490:37:52

Oh, Sissy, is that you?

0:37:560:37:58

I'm just coming. Can you just give me a minute, please?

0:37:580:38:02

Try to stay calm.

0:38:100:38:12

Don't talk too quickly and try not to smile too much.

0:38:120:38:16

The questions will be direct and not complicated.

0:38:160:38:18

You just answer as truthfully as you can.

0:38:180:38:22

I was thinking we may need to reinvent a little.

0:38:220:38:25

Now, what name were you christened with?

0:38:250:38:27

Patricia.

0:38:270:38:29

Ah, Patricia Delaine.

0:38:290:38:31

It's the wrong colour. It drains my face.

0:38:310:38:34

Mr McCain, if you could wait in the green room?

0:38:340:38:37

Yes, of course.

0:38:370:38:38

I can't do this.

0:38:460:38:47

Miss Ramirez wanted to help us.

0:38:500:38:53

But she couldn't.

0:38:540:38:56

You can.

0:38:560:38:58

Mr Lyon will take you in and he will do the interview.

0:39:050:39:08

What if he doesn't get here?

0:39:080:39:10

Why wouldn't he get here?

0:39:110:39:13

No reason.

0:39:150:39:16

No reason, I don't know.

0:39:170:39:19

'And so tonight,

0:39:230:39:24

'with the launch of the Campaign for Nuclear Disarmament,

0:39:240:39:27

'we have one of the leading figures in the pro-nuclear debate,

0:39:270:39:30

'Mr Howard Satchell for the Conservatives and

0:39:300:39:33

'one of the anti-nuclear debate's strongest voices of support,

0:39:330:39:36

'Mrs Henrietta Williams...'

0:39:360:39:38

There is something she's not telling us.

0:39:380:39:40

He would have been here by now.

0:39:400:39:42

Let's give him ten more minutes.

0:39:420:39:43

Try calling him at home again.

0:39:430:39:45

He's Freddie, he'll, he'll get here.

0:39:450:39:47

Then why do you look worried?

0:39:470:39:50

I just want to see what Satchell has to say.

0:39:500:39:52

Uncovered has just started.

0:39:520:39:53

Will you turn it up?

0:39:530:39:56

'Now, this is not about money.

0:39:560:39:58

'Pure and simple, the nuclear age is here.'

0:39:580:40:01

No, No, No!

0:40:040:40:07

Is this how you have a conversation?

0:40:070:40:08

We're done with conversation.

0:40:080:40:10

Oh, really?

0:40:100:40:12

Norman here was just...

0:40:120:40:14

just telling me about his plans for your club.

0:40:140:40:17

I think he was hoping you were done for.

0:40:190:40:25

I'm not in the grave yet.

0:40:250:40:26

Are you going to let me go now?

0:40:300:40:32

Only we go out tonight.

0:40:330:40:36

Where is Miss Delaine?

0:40:360:40:37

Lost her. She was meeting him at the cinema.

0:40:370:40:39

A date now?

0:40:440:40:45

I wouldn't... I wouldn't flatter myself it was a date.

0:40:470:40:51

Attack Of The Crab Monsters. Have you seen it?

0:40:510:40:54

Don't.

0:40:540:40:56

What did she tell you?

0:40:560:40:58

Do you know the first...

0:41:030:41:04

Do you know what the first rule of journalism is?

0:41:040:41:07

If you want to get someone to tell you something,

0:41:070:41:10

you have to give something of yourself first.

0:41:100:41:13

You have no evidence.

0:41:160:41:17

Whatever it is you think you have, you have no evidence.

0:41:180:41:24

The police destroyed it.

0:41:240:41:25

That's a... That's a start.

0:41:270:41:28

'Commander Stern's office.'

0:41:360:41:37

Yes, it's Bel Rowley here.

0:41:370:41:39

I'm concerned with regards to one of my journalists who's gone

0:41:390:41:42

missing - Mr Lyon, of The Hour.

0:41:420:41:44

Could I speak to Commander Stern, please?

0:41:440:41:46

Commander Stern, Miss Rowley from The Hour is on the telephone.

0:41:470:41:50

Go home.

0:41:500:41:52

Hector, prepare.

0:42:010:42:03

He wouldn't miss this show.

0:42:080:42:09

Isaac, script. It might need some tweaking now it's in my hands.

0:42:130:42:17

There will be those who'll turn off their sets on seeing me tonight.

0:42:170:42:20

Then make sure they don't. Good luck.

0:42:200:42:22

Ladies and gentlemen, that's last checks, please.

0:42:270:42:29

We're in trouble.

0:42:310:42:33

That's the problem with trouble. It always starts out as such fun.

0:42:340:42:39

They hate you.

0:42:400:42:42

The businessmen and the ministers,

0:42:450:42:48

the clientele you've worked so hard to lure in.

0:42:480:42:53

They despise you.

0:42:530:42:55

The way you fawn, the way you seduce them, the way you rob them.

0:42:550:42:59

Yet you still naively think...

0:42:590:43:03

..that you will fit in.

0:43:050:43:06

Answer me. Where is she?

0:43:070:43:10

You'll never fit in.

0:43:100:43:11

You've no money and you didn't even go to the right school.

0:43:110:43:14

And in the new world order,

0:43:140:43:17

money...

0:43:170:43:18

..money is king.

0:43:200:43:22

You're the one trying to fit in.

0:43:280:43:31

You're the performer, Mr Lyon.

0:43:310:43:33

You don't know where she is.

0:43:360:43:37

You tried to get her to help you and she runs.

0:43:370:43:40

That's it.

0:43:400:43:42

BACKGROUND CHATTER

0:43:430:43:45

-KNOCK ON DOOR

-Kiki?

0:43:470:43:50

Freddie did say he was going to follow on?

0:43:500:43:52

He...he didn't imply that he was going anywhere else?

0:43:520:43:57

It's all Rosa left.

0:43:570:44:00

Couple of lipsticks.

0:44:000:44:01

I never got it when she said it to me.

0:44:030:44:06

"Your face is your future".

0:44:060:44:07

Twist it.

0:44:090:44:11

One minute, please.

0:44:250:44:27

BELL RINGS

0:44:270:44:28

I've got something coming up from the lab, can you watch out for it?

0:44:280:44:32

Where the hell is he?

0:44:330:44:34

You'll never have a face for television now.

0:44:380:44:40

Places, please, ladies and gentlemen.

0:44:420:44:45

Cue Grams.

0:44:570:44:58

Over.

0:45:060:45:09

Yes, it's over.

0:45:090:45:11

Turn it over.

0:45:120:45:14

Five,

0:45:160:45:18

four,

0:45:180:45:20

three,

0:45:200:45:22

two,

0:45:220:45:24

one.

0:45:240:45:25

'Good Evening,

0:45:250:45:27

'in a departure for The Hour tonight'

0:45:270:45:29

we will present an expose on the world of vice

0:45:290:45:33

and the secrets that it hides.

0:45:330:45:35

I apologise for the absence of my co-host,

0:45:360:45:38

Mr Lyon, who could not be with us tonight.

0:45:380:45:41

In presenting this special programme,

0:45:410:45:44

we are acknowledging his fearless pursuit of this story.

0:45:440:45:47

-'On a day that has been dominated...'

-Ready?

0:45:480:45:50

-'..by scandal and police raids...'

-Good luck.

0:45:500:45:53

'..here at The Hour we felt events could not be ignored

0:45:530:45:56

'even when those closest to the programme were implicated.'

0:45:560:45:59

Bring in camera one.

0:45:590:46:00

We've invited Miss Delaine

0:46:000:46:02

to be interviewed on the programme tonight -

0:46:020:46:04

a woman at the heart of the scandal.

0:46:040:46:07

A scandal that also involves me.

0:46:070:46:09

'Miss Delaine, thank you for joining us tonight.'

0:46:110:46:13

Bring in camera two.

0:46:130:46:14

'Now, I know you are nervous. So let's get started.'

0:46:190:46:22

Two months ago we met.

0:46:240:46:26

Yes.

0:46:260:46:27

And at that time you accused me of attacking you.

0:46:270:46:31

I did.

0:46:310:46:33

Though it was proved that I had an alibi

0:46:330:46:35

and you later withdrew the accusation.

0:46:350:46:38

Why was that?

0:46:380:46:39

Because I lied.

0:46:410:46:42

And why did you lie?

0:46:420:46:44

'Because the man who beat me up is someone important

0:46:450:46:49

'and I was seeking revenge.'

0:46:490:46:50

Can you name that man?

0:46:520:46:53

'Let's go back a little.'

0:47:010:47:02

How long have you worked at the club?

0:47:020:47:04

-'Four years.

-And in that time'

0:47:040:47:06

can you tell us about the men that you've met?

0:47:060:47:09

PHONE RINGS

0:47:090:47:10

Pick it up, pick it up!

0:47:100:47:12

-Is it him?

-It's Presentation.

0:47:120:47:14

They'll call back.

0:47:170:47:19

'And you're there to listen? Is that right?

0:47:190:47:22

'That's what we're there for.'

0:47:220:47:24

To hear things. To honeytrap.

0:47:240:47:27

'For the benefit of those viewers

0:47:270:47:29

'who may be unfamiliar with that term, what is a honeytrap?'

0:47:290:47:32

We're the bait. For Mr Cilenti.

0:47:330:47:36

He's the owner of El Paradis. Bait for what?

0:47:360:47:40

Just breathe.

0:47:410:47:42

'To trap them. To help them blackmail them.

0:47:440:47:48

'To help him make deals.'

0:47:480:47:49

You know the funny thing? I grew up near a British base in Italy.

0:47:580:48:03

My mother serviced any number of British soldiers until I was born.

0:48:030:48:09

What does that make me?

0:48:110:48:12

An English man.

0:48:140:48:16

'..Mr Cilenti at its heart.'

0:48:160:48:17

Tonight, on ITV's Uncovered

0:48:190:48:21

'there is a fierce debate raging regarding the Government's

0:48:210:48:23

'nuclear armament budget.

0:48:230:48:25

'The minister on that programme is justifying his campaign

0:48:250:48:28

'for increased spending, claiming it is for protection.'

0:48:280:48:31

I'm going down on the floor. Cue up the NATO film.

0:48:310:48:33

'Well, there's one company in particular'

0:48:330:48:36

that is set to make a lot of money in this arms race.

0:48:360:48:39

That company is called Tufnell Engineering,

0:48:390:48:42

the company co-owned by Mr Rafael Cilenti.

0:48:420:48:45

Now, it is our belief that a leading minister has personally

0:48:450:48:48

invested in this company in a deal brokered by Mr Cilenti.

0:48:480:48:52

Miss Delaine was a witness to this deal.

0:48:520:48:55

Miss Delaine, can you name that minister?

0:48:550:48:58

'Mr Howard Satchell.'

0:49:050:49:07

'Thank you to Mr Howard Satchell...'

0:49:070:49:09

'As a leading defence minister'

0:49:090:49:11

Mr Satchell attended the NATO summit late last year.

0:49:110:49:14

Here is footage of that same summit, where some of the key

0:49:140:49:17

decisions on the British nuclear defence policy were made.

0:49:170:49:21

Proof.

0:49:250:49:27

Miss Delaine was holding onto the negatives.

0:49:270:49:30

-Are you all right?

-Has Mr Lyon arrived?

0:49:300:49:32

They've got him.

0:49:320:49:34

Cilenti's got Mr Lyon.

0:49:340:49:36

Oh, God. Freddie!

0:49:390:49:41

Call the police! Somebody call the police!

0:49:410:49:46

Corporations have been enthroned

0:49:530:49:57

and an era of corruption in high places will follow

0:49:570:50:02

and the money power of the country

0:50:020:50:05

will endeavour to prolong its reign

0:50:050:50:08

by working upon the prejudices of the people

0:50:080:50:13

until all wealth is aggregated in a few hands

0:50:130:50:18

and the Republic is destroyed.

0:50:180:50:20

Abe Lincoln.

0:50:310:50:34

Abe Lincoln said it.

0:50:340:50:36

What did you say?

0:50:360:50:38

Money.

0:50:440:50:45

No money.

0:50:480:50:49

'I've just been handed some photographs by my producer.'

0:50:560:50:59

-Go to camera two.

-They're en route, the police will be there soon.

0:50:590:51:02

'I understand that you have provided these, Miss Delaine.'

0:51:020:51:05

May I ask where you acquired these?

0:51:050:51:07

A friend of mine believed every girl needs a little insurance.

0:51:080:51:12

'I'm going to hold one of these photographs up to the camera.'

0:51:140:51:18

Can you confirm that is Mr Howard Satchell?

0:51:180:51:21

Miss Delaine.

0:51:260:51:29

Yes.

0:51:290:51:30

'It looks like a very relaxed evening.

0:51:320:51:35

'There is clearly entertainment. What were you celebrating?

0:51:350:51:38

'They just got back from Paris. They were very pleased with themselves.

0:51:380:51:42

And what month was this?

0:51:420:51:45

December.

0:51:450:51:46

'Just after the NATO summit.'

0:51:470:51:51

Now I also note, in this second photograph,

0:51:510:51:56

I believe that's the Metropolitan Police Commissioner Laurence Stern.

0:51:560:51:59

Is that right?

0:51:590:52:01

'Yes. He's the man who beat me.'

0:52:030:52:07

'There will be those viewers undoubtedly shocked to see

0:52:080:52:11

'Mr Stern in so compromising a position.'

0:52:110:52:15

Is it your belief that Mr Stern has enabled Mr Cilenti's actions?

0:52:170:52:22

It is. And other officers.

0:52:220:52:25

'And are there other men who you could name, Miss Delaine?

0:52:270:52:30

'Yes. All names girls don't forget.

0:52:300:52:35

'The Commissioner of Police often visits.

0:52:350:52:37

'There are any number of officers in Cilenti's pocket.'

0:52:370:52:41

Are you aware of any other criminal activities

0:52:410:52:43

that have also been ignored?

0:52:430:52:45

'I know bribes were paid

0:52:450:52:48

'I know girls were brought into the country illegally

0:52:480:52:50

'and nothing was done.'

0:52:500:52:52

I know girls who were beaten and worse. I know of worse.

0:52:520:52:57

We would like to thank you, Miss Delaine.

0:53:040:53:07

Perhaps one last question?

0:53:070:53:09

What do you believe these men come to you for?

0:53:090:53:12

Comfort.

0:53:140:53:16

Company.

0:53:160:53:17

To tell you their secrets.

0:53:190:53:21

The things they can't say at home, to their wives.

0:53:210:53:24

They talk about things they're scared about.

0:53:260:53:29

Maybe stuff they've seen in the past.

0:53:290:53:31

And when they leave you, I don't know, in some hotel room,

0:53:330:53:38

you lie there, daylight creeping under the curtains,

0:53:380:53:42

your head full of their secrets, keeping you awake.

0:53:420:53:45

Knowing you've got to go back, the next night and the next.

0:53:470:53:53

We dance with them, drink with them

0:53:540:53:58

and they flatter themselves that we like them.

0:53:580:54:03

But we're just the ghosts in their lives.

0:54:030:54:06

Kevin, could you...

0:54:070:54:11

-..could you get my bag? I've left it upstairs.

-Yes, sir.

-Thank you.

0:54:120:54:15

Everyone, sooner or later, has to sit down to the consequences.

0:54:290:54:33

So they shouldn't be surprised when we come back to haunt them.

0:54:350:54:38

'Well, thank you, Miss Delaine, for talking to us.'

0:54:420:54:44

Well done, Hector.

0:54:440:54:46

There's that tick.

0:54:490:54:51

We're off air.

0:54:510:54:52

-Miss Delaine, Miss Delaine!

-Good evening, gentlemen.

0:55:130:55:15

Miss Patricia Delaine is unavailable for comment.

0:55:150:55:18

But she will release a statement in the morning.

0:55:180:55:21

Good evening, gentlemen. Thank you, thank you.

0:55:210:55:23

'Dear Freddie.

0:56:360:56:38

'So I got your letter. San Francisco - amazing.

0:56:380:56:43

'I'm sorry it's taken me so long to write back.

0:56:430:56:47

'There are life's natural heroes and then there's you.

0:56:470:56:51

'Your words.

0:56:510:56:54

'You always believe somewhere deep in you that there is a coward.

0:56:540:56:58

'I wish I'd told you that that's not true

0:56:580:57:01

'because you leapt while I stayed. Feet first into the unknown.

0:57:010:57:07

'Why should I have expected anything less than fearlessness from you?'

0:57:070:57:11

Money.

0:57:110:57:12

'But I am not as brave as you.' PHONE RINGS

0:57:120:57:15

'I want to write and say I'll be there.'

0:57:150:57:17

'I'll get on a plane, I'll come right now. I really do.

0:57:170:57:21

'But I can't. Not because I don't love you.

0:57:210:57:25

'I love you, Freddie Lyon.

0:57:250:57:27

'But because you won't even get this letter.'

0:57:270:57:30

Money.

0:57:300:57:31

'Because I won't ever send it.

0:57:310:57:32

'I'm the coward Freddie, not you.

0:57:320:57:37

'So, instead, I'm sending this prayer out there.'

0:57:370:57:40

Moneypenny.

0:57:400:57:42

'Just hoping that somehow you'll know to come home.

0:57:420:57:44

'Just please come home. Now, soon and

0:57:440:57:48

'maybe your courage will make me brave to.

0:57:480:57:51

'Just come home and I will leap too.'

0:57:510:57:54

Moneypenny.

0:57:540:57:56

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