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MOBILE RINGS | 0:00:02 | 0:00:07 | |
I was wondering if you'd call. | 0:00:07 | 0:00:10 | |
Tonight? | 0:00:11 | 0:00:13 | |
Yeah, tonight's perfect. | 0:00:13 | 0:00:15 | |
Yeah, OK. | 0:00:16 | 0:00:18 | |
BOTTLE CLINKS ON PAVEMENT | 0:01:16 | 0:01:18 | |
-GUNSHOTS -Oh-h! | 0:01:25 | 0:01:28 | |
Peter Rooker, 38 years old. Found 40 minutes ago in an alleyway in Soho. | 0:02:22 | 0:02:27 | |
Gunshot wounds to the leg and head. | 0:02:27 | 0:02:29 | |
-No witnesses. -How is he still alive? -By a miracle. | 0:02:29 | 0:02:31 | |
The bullet passed between the frontal lobes. | 0:02:31 | 0:02:34 | |
-Nothing. Still VF. -Adrenaline wide. | 0:02:35 | 0:02:37 | |
-Looks like he was a photographer. -OK. | 0:02:37 | 0:02:39 | |
Victim's wallet, mobile phone, keys, camera | 0:02:39 | 0:02:42 | |
and what looks like a coat tag from a club, | 0:02:42 | 0:02:45 | |
-Number 19? -It's on Wardour Street. | 0:02:45 | 0:02:47 | |
We'll need to shock him again. | 0:02:47 | 0:02:48 | |
-Clear! -We found his press card. -Cheers. | 0:02:48 | 0:02:52 | |
-No. Going again. 360 Charge. -360. | 0:02:53 | 0:02:57 | |
Clear! | 0:02:57 | 0:02:59 | |
-CONTINUOUS BEEP -Asystole. That's it. Everyone in agreement? | 0:02:59 | 0:03:04 | |
We'll stop resuscitation there. | 0:03:04 | 0:03:06 | |
Er, time of death 22.15. | 0:03:06 | 0:03:10 | |
Doctor, is there anything else you can tell me? | 0:03:13 | 0:03:16 | |
Er, well I don't think it's the first time he's been shot. | 0:03:16 | 0:03:19 | |
This looks like an old bullet wound. | 0:03:19 | 0:03:21 | |
And by the scarring, I'd say that was a back-room job. | 0:03:21 | 0:03:24 | |
-What, not done in a hospital? -Well, if it was a hospital, it wasn't this country. | 0:03:24 | 0:03:28 | |
Ah, you have that look in your eyes, both of you. | 0:03:39 | 0:03:43 | |
The look that says you're not planning to go home any time soon. | 0:03:43 | 0:03:48 | |
You gonna put me in a cab? | 0:03:48 | 0:03:50 | |
What and wave you off into the night? What kind of man do you think I am? | 0:03:50 | 0:03:55 | |
Found the body yet, Lafferty? | 0:04:02 | 0:04:04 | |
Very droll. Might have found the murder weapon, though. | 0:04:04 | 0:04:08 | |
Bit of a gift, if it is. | 0:04:08 | 0:04:10 | |
I'll do a check on it. There's no need to dress up for us. | 0:04:10 | 0:04:13 | |
Thought we'd show the proper respect your work is due. | 0:04:13 | 0:04:15 | |
About time, too! How's it goin', Mrs Lynley? You back with us? | 0:04:15 | 0:04:19 | |
-No, this is someone's idea of showing a girl a good time. -Anything else? | 0:04:19 | 0:04:22 | |
Murder weapon not enough for you? | 0:04:22 | 0:04:24 | |
-POSSIBLE murder weapon. -This is where he fell. | 0:04:24 | 0:04:28 | |
Paramedics found him on his back. | 0:04:28 | 0:04:31 | |
The entry wound for the second shot was in the middle of the forehead. | 0:04:31 | 0:04:34 | |
The entry wound for the first shot was the back of the knee. | 0:04:34 | 0:04:38 | |
-Which suggests... -The killer was behind him. | 0:04:38 | 0:04:40 | |
OK, we've got the head here, feet there? | 0:04:40 | 0:04:42 | |
And Rooker is travelling in this direction down the alley, | 0:04:42 | 0:04:46 | |
with the killer behind him. Shoots him in the leg. | 0:04:46 | 0:04:49 | |
He drops here. Rolls over. | 0:04:49 | 0:04:50 | |
-Sees the killer. -Coming towards him. | 0:04:50 | 0:04:53 | |
-Shoots him in the head. -You don't really need me! | 0:04:53 | 0:04:55 | |
No, but you brighten the place up for us, you know. You do. | 0:04:55 | 0:04:58 | |
Where was he headed then? Where'd he come from? | 0:04:58 | 0:05:01 | |
There's a pub round the corner. The hospital said he stank of booze. | 0:05:01 | 0:05:05 | |
-Check it out. -Um, excuse me, can I go home now or have you got a surprise visit to the mortuary planned? | 0:05:05 | 0:05:12 | |
I'm sorry. It IS going to be a late one, isn't it? Here, I'll see you at home, take the car. | 0:05:12 | 0:05:17 | |
That is a bit of a first. | 0:05:17 | 0:05:19 | |
Go on - before I change my mind. | 0:05:21 | 0:05:23 | |
-I'm going. -Get on to Winston, tell him to go round to Rooker's flat and see what he can find. | 0:05:23 | 0:05:31 | |
Hey, is that what I think it is? | 0:05:34 | 0:05:35 | |
Sorry, mate, that camera's just for show. | 0:05:39 | 0:05:42 | |
-There's no film, Mr McGuire? -No, brewery said they were going to fix it. -Exciting night? | 0:05:42 | 0:05:48 | |
No more than usual. We cater for real drinkers here, the real Soho, | 0:05:48 | 0:05:52 | |
not your poncey media types with their bottles of foreign lager. | 0:05:52 | 0:05:56 | |
Have you seen this man before? | 0:05:56 | 0:05:58 | |
-No. -Can you try looking at the picture first, please? | 0:05:58 | 0:06:03 | |
-Was he in here tonight? -Could have been. This is the West End, luv. | 0:06:03 | 0:06:07 | |
We get a thousand plus punters in 'ere every week. I ain't that good with faces. | 0:06:07 | 0:06:12 | |
Who uses the alleyway? | 0:06:12 | 0:06:16 | |
Dealers, methadone addicts, pros, people taking the shortcut to Tottenham Court Road tube. | 0:06:16 | 0:06:21 | |
It's like one big filthy urinal. | 0:06:21 | 0:06:24 | |
Hello? | 0:06:51 | 0:06:53 | |
Police. | 0:06:54 | 0:06:56 | |
-DC Nkata - Control. -VOICE ON RADIO -Requesting backup. | 0:06:58 | 0:07:02 | |
Suspected break-in at 25 Elliot Street, Marylebone. | 0:07:02 | 0:07:06 | |
Intruder possibly still on the premises. I'm entering now. | 0:07:06 | 0:07:11 | |
-DOOR CRASHES -Oh! | 0:07:41 | 0:07:44 | |
Calm down, calm down. | 0:07:49 | 0:07:51 | |
It's OK. I'm a police officer. | 0:07:51 | 0:07:57 | |
My ID...is in my pocket. | 0:07:59 | 0:08:04 | |
Will you let me get it? | 0:08:04 | 0:08:06 | |
OK? | 0:08:13 | 0:08:15 | |
Now... | 0:08:15 | 0:08:18 | |
I need you to put the gun down and tell me exactly what happened here. | 0:08:18 | 0:08:24 | |
OK? | 0:08:24 | 0:08:26 | |
Can you do that? | 0:08:27 | 0:08:29 | |
OK. | 0:08:39 | 0:08:42 | |
Oh! | 0:08:47 | 0:08:49 | |
Should've done more to stop her. | 0:08:53 | 0:08:55 | |
No, you did the right thing. | 0:08:55 | 0:08:57 | |
-She had a gun, you didn't. -Did you get any sense of who she might be? | 0:08:57 | 0:09:01 | |
Didn't get a sense of anything. She never said a word. She looked traumatised. | 0:09:01 | 0:09:06 | |
-Was she injured? -No. | 0:09:06 | 0:09:07 | |
-So it's not her blood then? -Rooker's? | 0:09:07 | 0:09:11 | |
Both his injuries would have been sustained in the alleyway. | 0:09:11 | 0:09:14 | |
-Third party? -Well, we'll run a DNA profile as soon as possible, see what it throws up. | 0:09:14 | 0:09:20 | |
And check out the A&Es at all the local hospitals, will you? | 0:09:20 | 0:09:22 | |
So, Rooker suffers a fatal shooting... | 0:09:22 | 0:09:27 | |
in Soho, and then there's a second firearms incident at his flat in Marylebone. | 0:09:27 | 0:09:33 | |
Well, she shot Rooker first and then came here? | 0:09:33 | 0:09:35 | |
But there was a gun in the alleyway and her second gun. Why does she need two guns? | 0:09:35 | 0:09:39 | |
Whatever. He must've been involved in something pretty deep. | 0:09:39 | 0:09:43 | |
Well, here's a theory. Whether she killed Rooker or not, she breaks in and gets a nasty surprise. | 0:09:43 | 0:09:49 | |
-Yeah, someone else is here. -She shoots them. | 0:09:49 | 0:09:51 | |
-Third party is wounded, but escapes. She stays here. Why? -She's looking for something? | 0:09:51 | 0:09:56 | |
Probably something difficult to find. Liked the lived-in look, didn't he? | 0:09:56 | 0:10:00 | |
This is her. | 0:10:00 | 0:10:01 | |
You're kidding me? | 0:10:01 | 0:10:04 | |
I just found it on his bedside table. | 0:10:04 | 0:10:06 | |
They were close then. Girlfriend? | 0:10:06 | 0:10:08 | |
Seems odd that she had to force the door. You'd think she'd have a key. | 0:10:08 | 0:10:12 | |
Perhaps they'd fallen out. Not much evidence of a woman's touch here. My guess is she doesn't live here. | 0:10:12 | 0:10:18 | |
Unless she's a slob, too. | 0:10:18 | 0:10:20 | |
Winston, head back. Circulate the photo, put out an observation call. Make sure they know she's armed. | 0:10:20 | 0:10:25 | |
Priority. We need to find her as soon as possible. | 0:10:25 | 0:10:28 | |
Havers, I don't care if it takes all night, this flat is going to get turned upside down. | 0:10:28 | 0:10:33 | |
It already is, isn't it?! | 0:10:33 | 0:10:35 | |
So he was that kind of photographer. | 0:10:40 | 0:10:42 | |
-Paparazzi? -Paparazzo. | 0:10:42 | 0:10:45 | |
Paparazzi is plural. | 0:10:45 | 0:10:46 | |
If you're trying to make me look stupid... He wasn't exactly in demand. | 0:10:46 | 0:10:50 | |
The only entry in his diary this week is a car registration number. | 0:10:50 | 0:10:56 | |
Ooh, no, hang on, er, he had a meeting last week with a Melissa Booth. | 0:10:56 | 0:11:00 | |
Ooh, isn't she, um, the newspaper editor? | 0:11:00 | 0:11:02 | |
One of the big tabloids. Maybe things were looking up for him? | 0:11:02 | 0:11:06 | |
You said you'd ring me back early this week. ..Right, OK, I'm here waiting. | 0:11:10 | 0:11:16 | |
David! | 0:11:18 | 0:11:21 | |
-Three minutes. -David! | 0:11:21 | 0:11:23 | |
-What's this supposed to be? -Piece on the teenage crime wave. | 0:11:23 | 0:11:28 | |
I don't think so. There's a theory that if you give an infinite number of monkeys | 0:11:28 | 0:11:33 | |
an infinite number of typewriters, they'll eventually write Hamlet. | 0:11:33 | 0:11:36 | |
THIS is what you get from fewer monkeys in less time. | 0:11:36 | 0:11:40 | |
Give me a teenage crime wave, David. | 0:11:40 | 0:11:44 | |
And who are you? | 0:11:44 | 0:11:47 | |
A photographer meeting directly with the editor of a tabloid newspaper is out of the ordinary. | 0:11:47 | 0:11:51 | |
-Usually would be. -Isn't that a job for the picture desk? -Yeah. | 0:11:51 | 0:11:57 | |
-How did you hear about his death? -I got a call at 3am this morning from my chief crime correspondent. | 0:11:57 | 0:12:04 | |
-He thought I'd want to know. -How did you take the news? | 0:12:04 | 0:12:06 | |
With a Valium and a large scotch. | 0:12:06 | 0:12:09 | |
-You were close then? -Once, yes. Very. -DOOR OPENS | 0:12:09 | 0:12:13 | |
I just heard the news. All those war zones he came back from and he winds up dead in London. | 0:12:13 | 0:12:18 | |
I'm so sorry. | 0:12:18 | 0:12:19 | |
Don't. Inspector Lynley, Eddie Price - my husband and my boss. | 0:12:19 | 0:12:24 | |
A very hands-off one. Not much choice with her in the chair. | 0:12:24 | 0:12:28 | |
Obviously, this is not a good time. | 0:12:28 | 0:12:30 | |
Darling, if you need me, I'll be down the hall. | 0:12:30 | 0:12:32 | |
Oh, the last time I saw Peter, he looked a bit worse for wear. | 0:12:32 | 0:12:38 | |
Maybe he'd run up a tab he couldn't pay off? | 0:12:38 | 0:12:41 | |
You're talking about it him like he was some kind of addict. | 0:12:41 | 0:12:44 | |
-We don't have to trample his name in the dirt already, do we? -We would if he was anyone else. | 0:12:44 | 0:12:49 | |
I'm sorry. Your husband said "war zones". | 0:12:55 | 0:12:59 | |
I thought Mr Rooker was paparazzo. | 0:12:59 | 0:13:01 | |
First Gulf War. | 0:13:01 | 0:13:03 | |
-He was good, wasn't he? -He was a real talent. | 0:13:03 | 0:13:07 | |
Was that the kind of picture he was trying to sell you last week? | 0:13:07 | 0:13:11 | |
He packed in real photography when he came back from Bosnia. | 0:13:11 | 0:13:14 | |
When he was down to his last 50 quid, he tried to beat the paparazzi at their own game. | 0:13:14 | 0:13:19 | |
Maybe it wasn't the soft option he thought it was. | 0:13:19 | 0:13:23 | |
If you could get me the property that matches this tag please? | 0:13:23 | 0:13:30 | |
-Can I help you? -Er, sorry. You are? | 0:13:30 | 0:13:35 | |
Michael Wren. I manage this place. | 0:13:35 | 0:13:37 | |
-I'm Detective Sergeant Havers. I'm investigating the murder of a Mr Peter Rooker. -Peter? | 0:13:37 | 0:13:43 | |
Yeah, I'm afraid so. | 0:13:43 | 0:13:45 | |
Are you sure? | 0:13:45 | 0:13:47 | |
-Has he been identified? -We're sure. | 0:13:47 | 0:13:52 | |
-Murdered how? -He was shot. | 0:13:54 | 0:13:56 | |
I heard there was a shooting in an alley off Dean Street? | 0:13:56 | 0:14:00 | |
So you knew Peter Rooker? | 0:14:00 | 0:14:03 | |
-You could say that. -What does that mean? | 0:14:03 | 0:14:07 | |
He was the best friend I ever had. | 0:14:07 | 0:14:09 | |
How did you meet? | 0:14:09 | 0:14:11 | |
Belfast 1983. | 0:14:11 | 0:14:15 | |
He was on an assignment for the New York Times. I was with the Paras. | 0:14:15 | 0:14:19 | |
We both drank in the same pub. | 0:14:19 | 0:14:21 | |
He could drink me and all my men under the table and make us laugh while he was doing it. | 0:14:21 | 0:14:26 | |
-And what about recently? How was he? -He could barely raise a smile. -DOOR OPENS > | 0:14:26 | 0:14:31 | |
What kind of pictures did he try and sell you last week? | 0:14:36 | 0:14:39 | |
Some C-list celebrity. | 0:14:39 | 0:14:40 | |
-Did you buy them? -Yes. | 0:14:40 | 0:14:44 | |
-When did they run? -They didn't. | 0:14:44 | 0:14:46 | |
I've bought dozens of Peter's pictures over the last ten years and I think I've used them once. | 0:14:46 | 0:14:53 | |
It drives Eddie mad, but it's my prerogative. | 0:14:53 | 0:14:55 | |
Sounds like charity... or something deeper. | 0:14:55 | 0:14:59 | |
Is that what Mr Price really gets mad about? | 0:14:59 | 0:15:04 | |
No. ..Eddie's always known and accepted that Peter Rooker was my first big love. | 0:15:06 | 0:15:13 | |
What went wrong? | 0:15:15 | 0:15:17 | |
Well, I don't know. Peter changed. | 0:15:17 | 0:15:20 | |
He lost his spirit. | 0:15:20 | 0:15:22 | |
Actually, that's an understatement. | 0:15:22 | 0:15:25 | |
How did he seem to you when you saw him last week? | 0:15:25 | 0:15:28 | |
Particularly anxious about anything? | 0:15:28 | 0:15:30 | |
Oh, Peter was anxious in his sleep, Inspector. | 0:15:30 | 0:15:33 | |
Awake, he was a nervous wreck. | 0:15:33 | 0:15:35 | |
Awake and sober, at least. | 0:15:35 | 0:15:36 | |
-SHE SIGHS -"Self-medication", he called it. | 0:15:36 | 0:15:41 | |
Four large vodkas and a Diazepam was what it took to drag him down to mere anxiety. | 0:15:41 | 0:15:46 | |
Did you still see him, socially? | 0:15:46 | 0:15:50 | |
No. I love my husband. | 0:15:50 | 0:15:54 | |
Being mates with exes never works, does it? | 0:15:54 | 0:15:58 | |
-So when did you last see Mr Rooker? -Yesterday. -At what time? | 0:16:01 | 0:16:05 | |
He was here about seven. | 0:16:05 | 0:16:07 | |
Is he a member of the club? | 0:16:07 | 0:16:10 | |
Unofficially. Through me, if you like. | 0:16:10 | 0:16:12 | |
-So, he came to speak to you? -Yeah. | 0:16:12 | 0:16:14 | |
-What did you talk about? -Nothing. | 0:16:14 | 0:16:17 | |
So you had a conversation that consisted of total silence? | 0:16:17 | 0:16:22 | |
Nothing significant. | 0:16:22 | 0:16:24 | |
..Look, he was talking about how he was sick of Melissa Booth's handouts, | 0:16:25 | 0:16:30 | |
that if she didn't print his pictures, he'd send the cheque back. | 0:16:30 | 0:16:34 | |
I told him not to be so stupid as to bite the hand that feeds. | 0:16:34 | 0:16:38 | |
-He didn't like that. -So it's fair to say he left under a cloud? | 0:16:38 | 0:16:42 | |
Perhaps that's why he forgot his coat? | 0:16:42 | 0:16:44 | |
He didn't have much choice. I slung him out. The place was heaving. | 0:16:44 | 0:16:48 | |
-I couldn't have one of his tantrums. -What, especially with him not being a member? -Exactly. | 0:16:48 | 0:16:54 | |
Did he say where he was going to? | 0:16:54 | 0:16:56 | |
-No. -Well, what time did he leave? -It was about eight o'clock. -Are you sure? -Yeah, why? | 0:16:56 | 0:17:03 | |
Well, shots were heard at 9.10. | 0:17:03 | 0:17:05 | |
The alleyway that he was killed is, what, a five-minute walk max from here? | 0:17:05 | 0:17:10 | |
So what was he doing between eight and nine? | 0:17:10 | 0:17:12 | |
This is Soho, Sergeant. He could've been doing anything. | 0:17:12 | 0:17:16 | |
-Like? -Well, he was drinking heavily, already. He was off his head on something. | 0:17:16 | 0:17:22 | |
-Take your pick with Peter. -Do you know her? | 0:17:22 | 0:17:26 | |
Her name's Nina. | 0:17:27 | 0:17:29 | |
-How do you know her? -She works here. | 0:17:29 | 0:17:32 | |
And what's her relationship with Peter Rooker? | 0:17:32 | 0:17:35 | |
Peter was her legal guardian when she first came over from Bosnia in '95. | 0:17:35 | 0:17:40 | |
Is she working today? | 0:17:40 | 0:17:42 | |
She's supposed to be, but she's been off for a couple of days with flu. | 0:17:42 | 0:17:46 | |
-Right, I'll need an address. -Don't have one. | 0:17:46 | 0:17:49 | |
She's cash in hand, you know. | 0:17:49 | 0:17:51 | |
-Are you telling me you don't have your employees' addresses? -Of course, but, er, | 0:17:51 | 0:17:56 | |
-she's not been here long. -OK, next of kin? | 0:17:56 | 0:17:59 | |
Well, that would be Peter. | 0:17:59 | 0:18:02 | |
-Is she in some kind of trouble? -Yeah, well, lets just say she's in possession of a firearm | 0:18:02 | 0:18:07 | |
and not in a stable frame of mind. So if there's anything that you can tell us to help us find her. | 0:18:07 | 0:18:12 | |
Like I told you, I-I-I can't help you with what I don't know. | 0:18:12 | 0:18:17 | |
OK, do us a favour, check your records, see if you can't rustle up a surname. | 0:18:17 | 0:18:21 | |
-Look, I-I've told you... -It'll save me having to go to the tax office. | 0:18:21 | 0:18:26 | |
Just get it done by tomorrow morning, all right? Cheers. ..Idiots. | 0:18:31 | 0:18:35 | |
Mr Price, can I have a word? | 0:18:35 | 0:18:37 | |
I've got a car waiting. Call my secretary. | 0:18:37 | 0:18:39 | |
-She'll book an appointment. -Peter Rooker. | 0:18:39 | 0:18:42 | |
-Did you know him? -A little. | 0:18:42 | 0:18:44 | |
And his relationship with your wife? | 0:18:44 | 0:18:47 | |
-Ended years ago. -I'm sorry. | 0:18:47 | 0:18:49 | |
I meant his professional relationship with your wife. Is that what the dig about his habit was about? | 0:18:49 | 0:18:55 | |
I was just trying to be helpful. | 0:18:55 | 0:18:58 | |
Not how Ms Booth interpreted it. | 0:18:58 | 0:19:00 | |
Nasty bruise on your cheek there, sir. | 0:19:00 | 0:19:04 | |
-What are you suggesting? -Nothing. | 0:19:04 | 0:19:07 | |
-Just wondering how you got it? -There's a sordid little scene playing out in your head, | 0:19:07 | 0:19:12 | |
-isn't there? -I wasn't aware of one. -My wife's ex-lover comes back into her life | 0:19:12 | 0:19:16 | |
and they embark on a steamy affair? | 0:19:16 | 0:19:18 | |
I find out about it and I beat seven bells out of him. | 0:19:18 | 0:19:22 | |
I suppose I give him some sort of macho speech about staying away from her. And then what? | 0:19:22 | 0:19:26 | |
I smell his cheap aftershave on her some time afterwards, | 0:19:26 | 0:19:30 | |
take the gun from my desk drawer, | 0:19:30 | 0:19:33 | |
which I keep there just for such an occasion, and I blow his head off? | 0:19:33 | 0:19:40 | |
Bit cliched, isn't it? | 0:19:41 | 0:19:43 | |
So, offer me an alternative. | 0:19:43 | 0:19:45 | |
I got Melissa on the rebound. I knew it then and I know it now and I was still the luckiest man in the world. | 0:19:45 | 0:19:52 | |
Fun, smart AND beautiful. | 0:19:52 | 0:19:56 | |
Truth is, I don't think she even loved me the day we got married, | 0:19:56 | 0:20:03 | |
but I told her love can grow...and it has. | 0:20:03 | 0:20:08 | |
Plus she got to be editor of a national newspaper, of course. | 0:20:08 | 0:20:12 | |
-She was always honest about her ambition. -Like she was about her relationship with Peter Rooker? | 0:20:12 | 0:20:17 | |
Trust is the basis of a happy marriage. | 0:20:17 | 0:20:19 | |
Sure I wasn't crazy about her paying for those photos we never ran with. | 0:20:19 | 0:20:23 | |
But it wasn't jealousy, I just hate waste. | 0:20:23 | 0:20:27 | |
That's the way I was brought up. But it made Melissa happy and if she's happy, I'm happy. | 0:20:27 | 0:20:33 | |
Must've stuck in some people's throats, you parachuting her in to the top job? | 0:20:33 | 0:20:37 | |
Newsrooms are shark pools. It's not so much sink or swim as swim or get chewed to death by 11.30. | 0:20:37 | 0:20:43 | |
If Melissa couldn't hack it, me being the owner of the paper wouldn't mean anything. | 0:20:43 | 0:20:48 | |
-And the bruise? -I walked into a bog door, after a few drinks. | 0:20:48 | 0:20:52 | |
Well, thank you, Mr Price. You've been very helpful. | 0:20:52 | 0:20:57 | |
That's all right. Oh, if you wanna speak to me again, | 0:20:57 | 0:21:01 | |
give me some notice and I'll bring my lawyers. | 0:21:01 | 0:21:05 | |
-Rooker was Nina's guardian. Anything else? -She works for Wren at the club. She hasn't been in the last two days. | 0:21:15 | 0:21:21 | |
He claims not to know where she is. | 0:21:21 | 0:21:23 | |
Do you believe him? Well, it's a start. What's the club like? | 0:21:23 | 0:21:27 | |
Exclusive hangout for celebrity types. | 0:21:27 | 0:21:29 | |
Well, it fits with him being a paparazzo. | 0:21:29 | 0:21:31 | |
Yeah, it must have been handy for Rooker to have a mate who runs a bar for C-listers. | 0:21:31 | 0:21:36 | |
It's hard to see why these kind of pictures should lead to him taking a bullet. | 0:21:36 | 0:21:40 | |
You don't have to be Quincy to ascertain cause of death as a gunshot wound to the head. | 0:21:40 | 0:21:45 | |
The angle of entry, the blood spray at the scene, the position of the body confirm | 0:21:45 | 0:21:49 | |
that the killer was behind Rooker, shot him in the leg, and then in the head once he was on the ground. | 0:21:49 | 0:21:55 | |
-Range? -There's smoke-soiling around the entry wound, | 0:21:55 | 0:21:58 | |
and propellant burns and soot-tattooing across the forehead. | 0:21:58 | 0:22:02 | |
The gun can't have been fired from more than a metre away | 0:22:02 | 0:22:06 | |
for that second shot. But the leg shot was further back. | 0:22:06 | 0:22:09 | |
More than a metre because there's no soot or burns. | 0:22:09 | 0:22:13 | |
Worth noting, also, the angle of entry and exit. | 0:22:13 | 0:22:16 | |
The leg was extended back at the moment of impact. | 0:22:16 | 0:22:20 | |
Rooker was running? So why not shoot him in the back? | 0:22:20 | 0:22:23 | |
It's a much bigger target. | 0:22:23 | 0:22:25 | |
Because if you shoot him in the back, he might kill him straightaway. He doesn't want it to be over too fast. | 0:22:25 | 0:22:31 | |
This way, you shatter the kneecap which immobilises him and causes him a hell of a lot of pain. | 0:22:31 | 0:22:36 | |
Yeah, but why do it like that? Why take more time and risk being caught in the act? | 0:22:36 | 0:22:40 | |
Maybe the killer wanted him to know who it was who was killing him? | 0:22:40 | 0:22:45 | |
I don't know what this gives you, but your man was so living on borrowed time. | 0:22:45 | 0:22:49 | |
We heard he wasn't exactly clean-living. | 0:22:49 | 0:22:52 | |
He'd suffered severe liver damage, had excessively high alcohol content. | 0:22:52 | 0:22:56 | |
-But he was also riddled with tumorous tissue. -What? Cancer? | 0:22:56 | 0:22:59 | |
When we're done here, we should pack him off to the Science Museum. | 0:22:59 | 0:23:03 | |
He was a dead man walking. There's something else, too. | 0:23:03 | 0:23:07 | |
As you can see, they're yellowing, | 0:23:07 | 0:23:09 | |
which means they predate death by at least one day, at most a few days. | 0:23:09 | 0:23:15 | |
And there's broken skin and swelling on his knuckles. | 0:23:15 | 0:23:18 | |
-All signs that he was in a fight. -Anything else? | 0:23:18 | 0:23:23 | |
The bruising is stronger down the right-hand side, | 0:23:23 | 0:23:26 | |
which would suggest that the attacker was left-handed. | 0:23:26 | 0:23:30 | |
Well, the question is whether the beating and the death are connected. | 0:23:30 | 0:23:34 | |
And if the beating was a warning, what did Rooker do...or not do? | 0:23:34 | 0:23:38 | |
The gun found at the scene is not the murder weapon. | 0:23:43 | 0:23:46 | |
That would've been far too easy. | 0:23:46 | 0:23:48 | |
It's a recommissioned firearm. Nice job, too, apparently. | 0:23:48 | 0:23:51 | |
I bet my pay check whoever did this is well-known to the firearms division. | 0:23:51 | 0:23:55 | |
Well, I'll get some names and cross-reference it with West End Central. | 0:23:55 | 0:23:59 | |
Ballistics say it'd never been fired. | 0:23:59 | 0:24:02 | |
Well, that would suggest it's a recent purchase. | 0:24:02 | 0:24:03 | |
How would Rooker get his hands on it? | 0:24:03 | 0:24:05 | |
It's his prints all over it. | 0:24:05 | 0:24:06 | |
Well, why did he feel he needed a gun? | 0:24:06 | 0:24:09 | |
Melissa Booth talked of his pathological anxiety. | 0:24:09 | 0:24:12 | |
Well, maybe his anxiety wasn't quite so pathological. | 0:24:12 | 0:24:15 | |
-How's it going, Winston? -Slowly. | 0:24:15 | 0:24:17 | |
There's thousands of images here. What am I looking for? | 0:24:17 | 0:24:20 | |
Anyone or anything that could've caused his death. | 0:24:20 | 0:24:23 | |
-I might not know it when I see it. -I have complete faith in you. | 0:24:23 | 0:24:26 | |
No pressure, then(!) | 0:24:26 | 0:24:28 | |
This is all I got so far. | 0:24:28 | 0:24:30 | |
This, from two weeks ago. | 0:24:30 | 0:24:32 | |
-Two weeks and one day, to be precise. -That's Melissa Booth. | 0:24:32 | 0:24:34 | |
For a guy who looked like he might ask you for 20 pence, he was pretty thorough with his indexing. | 0:24:34 | 0:24:41 | |
-These were taken 15 days ago? -Exactly. | 0:24:41 | 0:24:43 | |
Mr Price wouldn't be quite so Zen about things if he'd seen these. | 0:24:43 | 0:24:46 | |
They'd resumed their relationship. | 0:24:46 | 0:24:48 | |
-Looks like they never fell out of love. -Yeah, funny she didn't mention it. -Isn't it? | 0:24:48 | 0:24:53 | |
-Shall we hit her with it? -No, no, lets keep our powder dry. | 0:24:53 | 0:24:57 | |
See if we can find out what else she's not telling us. | 0:24:57 | 0:25:00 | |
Sir? Peter Rooker's bank statements. | 0:25:10 | 0:25:12 | |
For the last year, there's been a monthly debit of 400 quid going to a letting agency in Camden. | 0:25:12 | 0:25:16 | |
-I thought he lived in Marylebone? -He's been paying the rent on a one-bedroom flat on the high street. | 0:25:16 | 0:25:22 | |
The tenant's name, Nina Delic. | 0:25:22 | 0:25:24 | |
Well, that was hard work. | 0:25:36 | 0:25:38 | |
They tried to say you've gotta knock first and if they don't answer, you've gotta come back later. | 0:25:38 | 0:25:43 | |
What is it with lettings people? | 0:25:43 | 0:25:45 | |
You try going through life not quite smart enough to even make the sales team. | 0:25:45 | 0:25:50 | |
-This is much nicer than Rooker's flat. -Obviously takes his guardian duties very seriously. -Yeah. | 0:25:52 | 0:25:57 | |
Tough guy with a heart? | 0:25:57 | 0:25:59 | |
You know, the more we find out about this bloke Rooker, the less he adds up. Bit like when I first met you. | 0:26:01 | 0:26:08 | |
-Meaning? -Well, posh guy with a heart. | 0:26:08 | 0:26:11 | |
Didn't quite make sense. | 0:26:11 | 0:26:13 | |
Thanks very much, Havers(!) Science-defying. | 0:26:13 | 0:26:16 | |
Hmm, this morning's post. | 0:26:16 | 0:26:21 | |
She must've been here today. | 0:26:21 | 0:26:24 | |
Hmm, junk, junk, junk. | 0:26:24 | 0:26:28 | |
Well, it's small but perfectly formed. | 0:26:28 | 0:26:32 | |
Who the hell are you? | 0:26:32 | 0:26:35 | |
-We were under the impression that Nina lived here alone. -She does, officially. I sublet. | 0:26:35 | 0:26:41 | |
You know what rents are like in London. I sleep in here. | 0:26:41 | 0:26:44 | |
We're investigating the death of Peter Rooker. Did you know him? | 0:26:44 | 0:26:49 | |
Yeah, yeah. He's Nina's guardian. | 0:26:49 | 0:26:53 | |
-He rents this place for her. -Do you know where Nina is? | 0:26:53 | 0:26:57 | |
-No, she hasn't been home the last couple of nights. -Has she called? | 0:26:57 | 0:27:00 | |
No, and she always does if she's spending the night out. | 0:27:00 | 0:27:04 | |
-Have you've tried her? -Yeah, her...her mobile's switched off. | 0:27:04 | 0:27:08 | |
Do you know where she might be? | 0:27:08 | 0:27:10 | |
Um, her boyfriend Michael's? | 0:27:10 | 0:27:12 | |
-Michael...? -I don't know his surname, but he runs Number 19 in Soho. | 0:27:12 | 0:27:17 | |
-Michael Wren. Rooker's friend. -PHONE RINGS | 0:27:17 | 0:27:21 | |
-Sorry about that. -Er, did Rooker know about the relationship? | 0:27:24 | 0:27:28 | |
..Peter always wanted the best for Nina, but he could be quite controlling. | 0:27:28 | 0:27:34 | |
She said he'd go crazy if she had to drop out of college. | 0:27:34 | 0:27:37 | |
Well, why would she have to drop out? | 0:27:37 | 0:27:39 | |
-No specific reason. -Is that what Michael wanted? | 0:27:39 | 0:27:42 | |
SHE never said that. | 0:27:42 | 0:27:44 | |
Then why was she discussing leaving college at all? | 0:27:44 | 0:27:47 | |
Look, if you think in holding something back, you're somehow being loyal to Nina, you're mistaken. | 0:27:49 | 0:27:56 | |
She's pregnant. | 0:27:59 | 0:28:01 | |
I want an unmarked car parked outside. | 0:28:06 | 0:28:08 | |
-We've got a trace on Nina's phone, haven't we? -We should have. I'll double-check. | 0:28:08 | 0:28:12 | |
I thought you army chaps were meant to be big on loyalty. | 0:28:20 | 0:28:24 | |
Cut to the chase, please. I've got a party of 70 coming in at one. | 0:28:24 | 0:28:28 | |
You're the father of her child and you couldn't even give me an address. | 0:28:28 | 0:28:32 | |
It was when you mentioned her waving the gun around. | 0:28:32 | 0:28:37 | |
I knew it was my gun. | 0:28:37 | 0:28:39 | |
She must've taken it from the drawer in my office. | 0:28:39 | 0:28:43 | |
So you knew your gun was missing? | 0:28:43 | 0:28:45 | |
Never crossed my mind it was Nina, though. | 0:28:45 | 0:28:49 | |
You did report it missing? | 0:28:49 | 0:28:50 | |
I thought I'd have a go at getting it back myself. | 0:28:50 | 0:28:53 | |
-In violation of your licence. -My licence expired eight months ago. | 0:28:53 | 0:28:57 | |
-And it also stipulates that it should be kept in a locked steel cabinet. -Exactly. | 0:28:57 | 0:29:02 | |
Tell us about Nina? | 0:29:04 | 0:29:06 | |
She could be a laugh. She's great-looking, obviously. | 0:29:06 | 0:29:10 | |
-When she told me she was pregnant, I didn't freak out or anything. -But? | 0:29:10 | 0:29:16 | |
She has an unpredictable side. I don't know if I can handle that long term. | 0:29:18 | 0:29:23 | |
And you told her that? Is that why she hasn't been here for the past two days? | 0:29:23 | 0:29:27 | |
She's not ill with flu, is she? | 0:29:27 | 0:29:29 | |
No, I didn't tell her that. She just took off in the middle of the day. | 0:29:29 | 0:29:34 | |
Said she wasn't coming back. | 0:29:34 | 0:29:36 | |
Look, I've wracked my brain thinking about what I might've said or done. | 0:29:36 | 0:29:40 | |
So do you think Rooker found out about the affair and talked Nina out of it? | 0:29:40 | 0:29:43 | |
-It crossed my mind. -That would have made you quite angry, wouldn't it? | 0:29:43 | 0:29:47 | |
The thought of Rooker telling her that she could do better than a barman. | 0:29:47 | 0:29:51 | |
-I'm not a barman. -Yeah, even if it IS a posh Soho club. | 0:29:51 | 0:29:55 | |
Look, I know where you're going with this and you're miles off. | 0:29:55 | 0:30:00 | |
-That's what you were arguing with Rooker about last night? Nina, wasn't it? -Yeah. | 0:30:00 | 0:30:06 | |
OK, so Rooker left here at eight, | 0:30:06 | 0:30:08 | |
-he got shot at nine, ten. -And the alley is only five minutes' walk away from the bar. | 0:30:08 | 0:30:13 | |
-We did this last time. -But last time you withheld to the point of lying. | 0:30:13 | 0:30:17 | |
I told you - I don't know where he went. | 0:30:17 | 0:30:19 | |
-What were you doing between eight and nine? -I was right here. | 0:30:19 | 0:30:23 | |
Right here the whole time. | 0:30:23 | 0:30:25 | |
Look, I wish I knew something. | 0:30:27 | 0:30:29 | |
I wish I could help you find whoever it was who killed my mate. | 0:30:29 | 0:30:34 | |
Oh, save it, please. I could arrest you for the things you didn't tell my sergeant. Where is Nina now? | 0:30:34 | 0:30:41 | |
-I don't know. -Where might she be? | 0:30:41 | 0:30:43 | |
I'll ask around, talk to the other girls... | 0:30:43 | 0:30:46 | |
Thanks. We're already onto that. | 0:30:46 | 0:30:48 | |
-And what will you do if she does contact you? -Well, I'll call you straight away. | 0:30:48 | 0:30:52 | |
-That's right. You won't try and sort it out on your own. -Look, I'm not stupid. | 0:30:52 | 0:30:56 | |
Let's hope that proves to be true. | 0:30:58 | 0:31:00 | |
Got a result from that registration number we found in Peter Rooker's diary. | 0:31:05 | 0:31:09 | |
-Anything interesting? -A black Mercedes, registered to a private chauffeur-hire company. | 0:31:09 | 0:31:14 | |
-It's a sole trader - Andrej Pavletic. -That makes life easier. | 0:31:14 | 0:31:17 | |
But that's not the interesting bit. | 0:31:17 | 0:31:20 | |
One of his main clients is Eddie Price. | 0:31:20 | 0:31:22 | |
Wren's just turned up at Nina's flat. | 0:31:22 | 0:31:25 | |
-Has he come out yet? -No. -OK. Anyone else gone in? -No, ma'am. | 0:31:36 | 0:31:41 | |
We going in? | 0:31:41 | 0:31:42 | |
Nah, let's leave it a little bit longer, see if anything turns up. | 0:31:42 | 0:31:46 | |
Mr Pavletic? | 0:31:53 | 0:31:55 | |
Fancy a stroll, Winston? | 0:32:06 | 0:32:08 | |
Perfect day for it. | 0:32:08 | 0:32:10 | |
-Maybe this, erm, Peter... -Rooker... | 0:32:19 | 0:32:21 | |
Rooker. Maybe he was a customer? | 0:32:21 | 0:32:24 | |
Then surely you would remember him? | 0:32:24 | 0:32:26 | |
I pick up so many people, from actors, musicians, restaurateurs | 0:32:26 | 0:32:32 | |
and on top of that I have my regulars. | 0:32:32 | 0:32:35 | |
Like Eddie Price? | 0:32:35 | 0:32:37 | |
Yes. | 0:32:38 | 0:32:39 | |
-Do you talk to Mr Price much when you're driving him around? -Hmm, sometimes. | 0:33:28 | 0:33:32 | |
What do you talk about? | 0:33:32 | 0:33:34 | |
Does he talk about his personal life? | 0:33:34 | 0:33:37 | |
We talk but about weather, football, politics sometimes. | 0:33:37 | 0:33:43 | |
But I wouldn't know anything about his private life. | 0:33:43 | 0:33:46 | |
-So you wouldn't know how he got that bruise on his cheek? -No. | 0:33:46 | 0:33:50 | |
Quite a nasty bruise on the cheekbone. Quite recent. | 0:33:50 | 0:33:53 | |
No, sorry. | 0:33:53 | 0:33:55 | |
Er, this is a picture of Peter Rooker. | 0:33:55 | 0:33:57 | |
Are you sure you don't know him? | 0:33:59 | 0:34:01 | |
Sarah. | 0:34:04 | 0:34:06 | |
You'd better go inside. | 0:34:06 | 0:34:09 | |
OK, you see where our friend is heading. I'll go light a candle. | 0:34:22 | 0:34:26 | |
Hello, Clare. | 0:34:44 | 0:34:45 | |
-You going away somewhere? -No. | 0:34:49 | 0:34:50 | |
-What's going on? -Nothing. -I'm not stupid. | 0:34:50 | 0:34:53 | |
I bet you if I opened that bag, I'd find Nina's stuff. | 0:34:53 | 0:34:57 | |
-Don't tell me. You had Nina's best interests at heart? -I did. I DO. | 0:34:57 | 0:35:01 | |
Well, so do we. | 0:35:01 | 0:35:03 | |
Look, I'm sorry. | 0:35:06 | 0:35:08 | |
She sounded so scared. | 0:35:08 | 0:35:10 | |
-Where was she calling from? -I don't know. | 0:35:10 | 0:35:13 | |
OK, so you were supposed to meet her here, then what? | 0:35:13 | 0:35:16 | |
-She said she had to get out of London. -And then what was the plan? | 0:35:20 | 0:35:26 | |
Clare? | 0:35:27 | 0:35:29 | |
My sister lives in Cornwall, Nina was gonna stay with her for a bit until things blew over. | 0:35:29 | 0:35:35 | |
OK, so where is she now? | 0:35:35 | 0:35:37 | |
I swear I don't know. She was meant to meet us here. | 0:35:37 | 0:35:40 | |
-What, you and Michael? -Yeah. | 0:35:40 | 0:35:43 | |
He had to get back to the club. I thought I'd hang around for a few more minutes, see if she showed up. | 0:35:43 | 0:35:48 | |
Is there something else you want to tell me? | 0:35:52 | 0:35:55 | |
When I talked to Nina... I mean, she was worried about you guys and what happened with the gun but... | 0:35:58 | 0:36:03 | |
..I don't think that was the main thing. | 0:36:06 | 0:36:09 | |
In fact... | 0:36:09 | 0:36:10 | |
I'm sure it wasn't. | 0:36:10 | 0:36:13 | |
Look, I've worked hard to build up my business and Eddie Price is my best customer. | 0:36:18 | 0:36:24 | |
He's also very powerful. | 0:36:24 | 0:36:26 | |
We're the police, Mr Pavletic. We have one or two powers of our own. | 0:36:26 | 0:36:31 | |
Right. | 0:36:31 | 0:36:33 | |
-I think I know why this man Rooker had my registration number. -Good. | 0:36:33 | 0:36:39 | |
On Tuesday afternoon I picked Mr Price up from a club in Soho. | 0:36:39 | 0:36:45 | |
-Which one? -Number 19. | 0:36:45 | 0:36:47 | |
-He's a member there. -Go on. | 0:36:47 | 0:36:50 | |
We'd only been going a minute when he told me to stop the car. | 0:36:50 | 0:36:53 | |
He got out, crossed the road to a man on the other side. | 0:36:53 | 0:36:57 | |
..Thanks, Sarah. | 0:37:04 | 0:37:05 | |
She's worried I'll say something that'll lose me my income. | 0:37:11 | 0:37:16 | |
It WAS this man. | 0:37:17 | 0:37:19 | |
They started arguing. | 0:37:19 | 0:37:21 | |
-What about? -Well, I couldn't hear it, but it got physical. | 0:37:21 | 0:37:26 | |
Hence the bruise on his cheek. | 0:37:26 | 0:37:28 | |
It was nothing serious, though. | 0:37:28 | 0:37:30 | |
Just a silly playground scrap. | 0:37:30 | 0:37:32 | |
When you say nothing serious, 24 hours later one of them was dead. | 0:37:32 | 0:37:35 | |
Of course. | 0:37:35 | 0:37:38 | |
Look, I really want to help you, | 0:37:38 | 0:37:41 | |
but is there a way you can not tell Mr Price you heard this from me? | 0:37:41 | 0:37:46 | |
He could ruin me. | 0:37:46 | 0:37:47 | |
I appreciate the concern for your business, | 0:37:47 | 0:37:50 | |
but it's not one of my priorities, I'm afraid. | 0:37:50 | 0:37:52 | |
Melissa Booth was having an affair with Peter Rooker, Eddie Price flies into a jealous rage. | 0:37:55 | 0:38:00 | |
-Too cliched, apparently. -Well, every cliche has a kernel of truth. | 0:38:00 | 0:38:04 | |
Get Eddie Price in to make a statement. MOBILE PHONE RINGS | 0:38:04 | 0:38:07 | |
Havers. ..What? That's fantastic! | 0:38:07 | 0:38:12 | |
-..OK, thanks. You might want to hold off on getting Eddie Price in for a couple of hours. -Why? | 0:38:12 | 0:38:16 | |
They've found our wounded intruder. | 0:38:16 | 0:38:19 | |
-Was there any particular reason to break into Mr Rooker's flat last night? -Who says I did? | 0:38:37 | 0:38:42 | |
Uh, your shoulder wound and the blood that we found at the scene. | 0:38:42 | 0:38:46 | |
-Answer my question. Why Mr Rooker's flat? -Random selection. | 0:38:46 | 0:38:49 | |
Really? What were you after? | 0:38:49 | 0:38:52 | |
-Items of value. -Like what? | 0:38:52 | 0:38:55 | |
-I was interrupted by a mad girl with a Magnum. -If it'd been a Magnum, | 0:38:55 | 0:38:59 | |
you would've needed more than a plaster at A&E. | 0:38:59 | 0:39:02 | |
-You're not a petty thief, Luke. I've seen your criminal record. You're classier than that. -You flatter me. | 0:39:02 | 0:39:08 | |
There's fraud, bugging, deactivation of alarm systems. | 0:39:08 | 0:39:11 | |
Whatever you were doing in Rooker's flat is in that ballpark. | 0:39:11 | 0:39:16 | |
When you were last in court, you should've gone down, | 0:39:16 | 0:39:20 | |
but your youth and your ability with electronics persuaded the judge to spare you | 0:39:20 | 0:39:24 | |
if went to technical college. | 0:39:24 | 0:39:26 | |
Yeah, how's that course going? | 0:39:26 | 0:39:28 | |
I don't know, I dropped out. | 0:39:29 | 0:39:31 | |
Which won't go down well with the judge this time. You'll need a kind word from me. | 0:39:31 | 0:39:36 | |
-Thanks for the offer. -No, no, no, it's the difference between six months and three years. | 0:39:36 | 0:39:41 | |
-What do you want? -What've you got? | 0:39:46 | 0:39:49 | |
-All right. I was removing some bugs I'd put in a few weeks back. -At whose request? | 0:39:53 | 0:39:58 | |
That's a middleman, I don't know. | 0:39:58 | 0:40:00 | |
You're gonna need that kind word, Luke. | 0:40:00 | 0:40:02 | |
-Come on, help me to help you. -I have. | 0:40:02 | 0:40:05 | |
-I-I told you what I was doing there. -Three years, Luke. | 0:40:05 | 0:40:09 | |
Well, that's 15% of your short, sad life... More. | 0:40:09 | 0:40:13 | |
Who paid you to put the bugs in? | 0:40:13 | 0:40:17 | |
Eddie Price. | 0:40:19 | 0:40:21 | |
You're a clever man, Mr Price. | 0:40:29 | 0:40:31 | |
You almost made me believe you weren't like the rest of us - insecure, jealous, selfish. | 0:40:31 | 0:40:37 | |
But you are, aren't you? Just like the rest of us, only more so. | 0:40:37 | 0:40:41 | |
You probably get this all the time but I really don't know what you're talking about. | 0:40:41 | 0:40:47 | |
I'm talking about your wife. | 0:40:47 | 0:40:49 | |
I'm talking about your attitude to your wife and your attitude to her lover, Peter Rooker. | 0:40:49 | 0:40:54 | |
He's not her lover. | 0:40:54 | 0:40:55 | |
You even managed to posit the theory before I could that you'd killed him. | 0:40:55 | 0:41:00 | |
You dismissed it as cliched, if I remember. | 0:41:00 | 0:41:03 | |
-And it was. -So is claiming that you had a collision with a toilet door. | 0:41:03 | 0:41:08 | |
Are you going to bark all day or are you going to bite? | 0:41:08 | 0:41:12 | |
We have several witnesses who saw you attack Peter Rooker | 0:41:15 | 0:41:19 | |
in Wardour Street three days ago. | 0:41:19 | 0:41:22 | |
-We had a row, it ended in a scuffle. -I think it was more than that... | 0:41:22 | 0:41:25 | |
-Who are these witnesses? -..which is why you lied to me when I asked if you'd seen him. | 0:41:25 | 0:41:31 | |
This row was about your wife, wasn't it? | 0:41:33 | 0:41:35 | |
-I trust my wife. -You said that more convincingly the first time. | 0:41:35 | 0:41:41 | |
It's true. | 0:41:42 | 0:41:44 | |
This argument, this fight - what was the flashpoint? | 0:41:44 | 0:41:49 | |
Nothing. It was silly. I was sick of him sponging off her. | 0:41:49 | 0:41:53 | |
-Oh, so it was just business? -Right. | 0:41:53 | 0:41:55 | |
And you're a rich prominent figure in society - well, almost famous - | 0:41:55 | 0:42:01 | |
but you jump out of your car in broad daylight and you attack a man in the street in the middle of Soho? | 0:42:01 | 0:42:07 | |
Now, that smacks to me more of personal than business. | 0:42:07 | 0:42:10 | |
-I had a few drinks at lunchtime. -You were in a jealous rage. -I was stupid. -Stupid to show how violent | 0:42:10 | 0:42:16 | |
-your paranoia can make you. -I'm not paranoid. -And not violent either, I suppose? | 0:42:16 | 0:42:20 | |
You're only paranoid when there's nothing going on. | 0:42:20 | 0:42:24 | |
You and Peter Rooker had rekindled the flame, hadn't you? | 0:42:26 | 0:42:30 | |
-Yes. -Starting when? | 0:42:30 | 0:42:32 | |
-Two or three months ago. -Why? | 0:42:33 | 0:42:36 | |
I suppose it was always a case of when, not why. | 0:42:39 | 0:42:42 | |
So what made you wait ten years? | 0:42:42 | 0:42:44 | |
-I resisted my feelings. -Plus you had the distraction of being given a national newspaper to run. | 0:42:46 | 0:42:52 | |
-I wasn't given it. -If Eddie Price had been an ordinary guy you wouldn't have gone near him. | 0:42:52 | 0:42:56 | |
I resisted because I took...TAKE marriage seriously. Because I knew | 0:42:56 | 0:43:00 | |
that me getting back together with Peter was Eddie's worst nightmare, what he'd always dreaded. | 0:43:00 | 0:43:06 | |
Yeah, but that didn't stop you. | 0:43:06 | 0:43:08 | |
No. | 0:43:08 | 0:43:11 | |
Are you enjoying this? | 0:43:14 | 0:43:15 | |
No! I'm trying to reconcile Peter Rooker being the love of your life | 0:43:15 | 0:43:20 | |
with your refusal to cooperate in our murder investigation. | 0:43:20 | 0:43:23 | |
I am cooperating! I didn't want to hurt Eddie's feelings. | 0:43:23 | 0:43:27 | |
Because without Eddie you'd have to make it on your own, right? | 0:43:27 | 0:43:30 | |
-No, that's not it! -You know that he beat Rooker up in the street? | 0:43:30 | 0:43:35 | |
-Peter gave as good as he got. -Do you know he paid someone to break into Rooker's flat, | 0:43:35 | 0:43:41 | |
to bug it so he could listen to the two of you together? | 0:43:41 | 0:43:44 | |
What? | 0:43:46 | 0:43:47 | |
That's impossible. | 0:43:47 | 0:43:50 | |
Eddie didn't know about us. | 0:43:50 | 0:43:52 | |
Evidently he did. | 0:43:53 | 0:43:55 | |
-You're bluffing. -I have a signed confession | 0:43:55 | 0:43:59 | |
from the man who planted the bugs. | 0:43:59 | 0:44:01 | |
Ms Booth, how well do you know your husband? | 0:44:03 | 0:44:07 | |
Helpfully, Luke made copies of all the tapes before he passed them on to you. | 0:44:11 | 0:44:16 | |
Is it necessary we hear these recordings? | 0:44:16 | 0:44:18 | |
Well, in so far as it was necessary for your client | 0:44:18 | 0:44:21 | |
to pay someone to break into a private residence to make them, yes. | 0:44:21 | 0:44:24 | |
-MELISSA: -What are you doing? | 0:44:24 | 0:44:27 | |
Peter... | 0:44:28 | 0:44:30 | |
-Where's that freckle gone? -It's still there. | 0:44:30 | 0:44:33 | |
-Don't backtrack. What shall I do? -Do what you always do - please yourself. -You know that's not true. | 0:44:33 | 0:44:39 | |
-Do I? -Eddie's a good man. | 0:44:39 | 0:44:41 | |
-It's not that easy for me. -I don't think it could be easier. | 0:44:41 | 0:44:46 | |
-You're married to a man you don't love and you're sleeping with a man you do. -Can we leave it? | 0:44:46 | 0:44:51 | |
The truth hurts? | 0:44:51 | 0:44:53 | |
Forget Eddie for now. Come here. | 0:44:54 | 0:44:57 | |
THEY KISS | 0:44:57 | 0:44:59 | |
-Charge me or let me go. -Mr Price, why don't you...? | 0:44:59 | 0:45:02 | |
-Can I go now? -9pm last night, where were you? | 0:45:02 | 0:45:06 | |
Having dinner. | 0:45:07 | 0:45:10 | |
With my wife. | 0:45:10 | 0:45:12 | |
-We were together at Number 19, having dinner. -You were in Soho? | 0:45:13 | 0:45:18 | |
-Yes. -What time did you arrive? | 0:45:18 | 0:45:20 | |
8.30. We didn't finish till after 11. | 0:45:20 | 0:45:24 | |
And at any point during the dinner, did your husband leave the table? | 0:45:24 | 0:45:28 | |
Do you think that your husband is capable of murder? | 0:45:28 | 0:45:32 | |
-No! -By proxy? | 0:45:32 | 0:45:34 | |
Absolutely not! | 0:45:34 | 0:45:36 | |
-You don't know him, I do! -Yeah, but you've been asking yourself that question, haven't you? | 0:45:36 | 0:45:42 | |
It's ridiculous... | 0:45:50 | 0:45:52 | |
..but at the back of my mind | 0:45:54 | 0:45:56 | |
I always thought Peter and I would be together...some day. | 0:45:56 | 0:46:01 | |
Maybe you would have. | 0:46:03 | 0:46:05 | |
Do you think he killed Peter? | 0:46:08 | 0:46:10 | |
-Do you think he did it? -Thank you for answering my questions. | 0:46:10 | 0:46:15 | |
I appreciate the position you're in. | 0:46:15 | 0:46:17 | |
-We're gonna have to let Price go. -Well, she backs up his alibi. | 0:46:18 | 0:46:22 | |
As will everyone at Number 19. | 0:46:22 | 0:46:24 | |
I bet he was there all night and left a big fat tip just so the waiters would remember him. | 0:46:24 | 0:46:29 | |
-I asked her if she thought Eddie or anyone he knew was capable of it... -And of course she said no. | 0:46:29 | 0:46:35 | |
You know, actually, I think if she knew something she'd tell us. | 0:46:35 | 0:46:39 | |
-She loved Rooker. -I admire your faith in human nature, Havers. | 0:46:39 | 0:46:44 | |
-I am so sorry. -You're lucky. You only had another two minutes. | 0:46:56 | 0:47:00 | |
You'd have left without me? | 0:47:00 | 0:47:02 | |
-Yes. -That's nice, that is. | 0:47:02 | 0:47:05 | |
You still up for this restaurant? We don't have to. | 0:47:05 | 0:47:07 | |
No, no. You're looking forward to it. | 0:47:07 | 0:47:10 | |
-Well, I've been looking forward to it. -Tough day? | 0:47:10 | 0:47:14 | |
-Just lost our prime suspect. -That was careless. (Sorry.) | 0:47:15 | 0:47:20 | |
-You were at the crime scene. -For five minutes. | 0:47:20 | 0:47:24 | |
But what did you make of it? Did anything in particular strike you? | 0:47:24 | 0:47:29 | |
Oh, I'm sorry. Of course, you don't want to talk about this, do you? | 0:47:29 | 0:47:34 | |
I don't want to profile for the Met. | 0:47:34 | 0:47:36 | |
-That doesn't mean I wont help my husband with his homework. -No, you're right. | 0:47:36 | 0:47:40 | |
Sometimes work just takes over. | 0:47:40 | 0:47:43 | |
You tired? | 0:47:43 | 0:47:44 | |
-Er, more grumpy than tired. -Then let's forget the restaurant. | 0:47:44 | 0:47:50 | |
-No, I'll be fine. I just had a futile day, that's all. I'll be fine. -Come on. | 0:47:50 | 0:47:54 | |
Pizza delivery, bottle of plonk | 0:47:54 | 0:47:57 | |
and then an early night for you, old man. | 0:47:57 | 0:48:00 | |
Who are you calling "old man"? | 0:48:00 | 0:48:02 | |
You know what's a great feeling? | 0:48:02 | 0:48:04 | |
-What? -No matter how old we get, you'll always be older than me. | 0:48:04 | 0:48:08 | |
-You really know how to make me feel better about myself. -Thank you. It's something I pride myself on. | 0:48:08 | 0:48:14 | |
Are you sure you don't mind about tonight? | 0:48:14 | 0:48:16 | |
Let's go home. | 0:48:16 | 0:48:18 | |
I've been thinking about your crime scene. | 0:48:37 | 0:48:40 | |
Oh, yes? | 0:48:40 | 0:48:42 | |
Have you got five minutes? | 0:48:42 | 0:48:44 | |
All the restaurants throw their rubbish out here during the course of the evening. | 0:48:59 | 0:49:03 | |
A body under there would have remained undetected till morning. | 0:49:03 | 0:49:07 | |
-Maybe he panicked? -I don't think the nature of this killing indicates a person prone to panic. -What then? | 0:49:07 | 0:49:13 | |
I think subconsciously the killer wanted to make sure the body was found. | 0:49:13 | 0:49:18 | |
Because he wants to get caught? | 0:49:18 | 0:49:20 | |
Because he's proud of what he's done. | 0:49:20 | 0:49:23 | |
The actual killing - how would you characterise that? | 0:49:23 | 0:49:25 | |
Well, the manner of death is a possible indication of psychopathology. | 0:49:25 | 0:49:31 | |
The first shot's the important one. The killer wants to inflict pain and induce fear. It's a power thing. | 0:49:31 | 0:49:37 | |
He wants the victim to understand that he, the killer, has the power of life and death over him. | 0:49:37 | 0:49:43 | |
Was there anything to suggest, say, a military connection? | 0:49:43 | 0:49:47 | |
Er, bullets, full metal jacket - usually military issue. | 0:49:47 | 0:49:52 | |
-So someone with a military background, then? -Possibly, yeah. -I'd say probably. He's adaptable. | 0:49:52 | 0:49:57 | |
He shot a man dead in a busy area, which suggests the manner of killing is second nature to him. | 0:49:57 | 0:50:02 | |
He only has to concern himself with the environment. | 0:50:02 | 0:50:05 | |
Because he's killed before? | 0:50:05 | 0:50:07 | |
You're good, aren't you? | 0:50:16 | 0:50:18 | |
-At what? -Lots of things. | 0:50:18 | 0:50:20 | |
Some things. Not so good at getting home at a decent hour. | 0:50:20 | 0:50:24 | |
We have to get used to neither of us being at home very much. | 0:50:24 | 0:50:29 | |
-I'm prepared to be at home for the right reason. -Which is? | 0:50:29 | 0:50:34 | |
Oh, right, OK. You want to try again? | 0:50:36 | 0:50:39 | |
Perhaps we could just try and stop getting in the way of it... if that's what you want. | 0:50:39 | 0:50:45 | |
Yeah. I mean more than anything. | 0:50:47 | 0:50:50 | |
MOBILE PHONE RINGS | 0:50:50 | 0:50:53 | |
-Havers? -The trace on Nina's mobile's thrown up an interesting number. Michael Wren. -Our ex-para? | 0:50:53 | 0:50:58 | |
-Yeah, they've spoken twice. Funny he didn't mention it. -Well, run a background check on him. | 0:50:58 | 0:51:03 | |
-See what he's been doing since he left the Army, how he's adapted to civilian life. -Yep, will do, OK. | 0:51:03 | 0:51:10 | |
-I've been calling and calling. -I know. | 0:51:18 | 0:51:21 | |
Are you OK? | 0:51:21 | 0:51:23 | |
And the baby? | 0:51:23 | 0:51:25 | |
She's OK too. | 0:51:25 | 0:51:27 | |
She? | 0:51:27 | 0:51:29 | |
Just a hunch. | 0:51:29 | 0:51:32 | |
Look, you've got something I need back. | 0:51:33 | 0:51:37 | |
I need the gun, Nina. | 0:51:37 | 0:51:40 | |
I haven't got it. | 0:51:40 | 0:51:42 | |
-I got rid of it. -Oh, great. | 0:51:42 | 0:51:44 | |
-What the hell did you think you were doing? -DOOR OPENS | 0:51:44 | 0:51:47 | |
-Detective Inspector... -Bastard! | 0:51:47 | 0:51:50 | |
-Nina, I didn't call them! -He didn't, Nina! You wait with Wren. | 0:51:50 | 0:51:54 | |
Nina! | 0:51:54 | 0:51:56 | |
Nina! | 0:51:57 | 0:51:59 | |
-Nina! -Please! -Get up. | 0:52:33 | 0:52:37 | |
Where's the gun? | 0:52:39 | 0:52:41 | |
You said you wouldn't take matters into your own hands, | 0:52:41 | 0:52:44 | |
yet you met up with Nina, received two phone calls. Why didn't you tell us? | 0:52:44 | 0:52:48 | |
-She made me promise. -Yet she's been running around with your unlicensed gun? | 0:52:48 | 0:52:52 | |
-It was a mistake. -When WERE you going to involve us? Next week? | 0:52:52 | 0:52:56 | |
-I was gonna try and talk her round. Get her to come in. -Doesn't sound like it. | 0:52:56 | 0:53:00 | |
-She's fragile. Scared. -Of what? | 0:53:00 | 0:53:03 | |
Come on, she must've told you something. | 0:53:05 | 0:53:08 | |
-Look, if I could help you, I would. -You know, last time you said that, I believed you and regretted it. | 0:53:08 | 0:53:14 | |
But this time it's true. | 0:53:14 | 0:53:16 | |
It better be. | 0:53:16 | 0:53:17 | |
Where is the gun, Nina? | 0:53:26 | 0:53:29 | |
I threw it in the canal. | 0:53:30 | 0:53:32 | |
Which one? | 0:53:32 | 0:53:35 | |
What were you doing Friday night? | 0:53:38 | 0:53:42 | |
Oh, come on, Nina, | 0:53:43 | 0:53:46 | |
the night Peter was killed? | 0:53:46 | 0:53:49 | |
I was in his flat. | 0:53:49 | 0:53:51 | |
-But you have your own place? -I was hiding. | 0:53:51 | 0:53:54 | |
Who from? | 0:53:54 | 0:53:56 | |
From him? | 0:53:56 | 0:53:58 | |
I'd never seen that man before that night. | 0:53:58 | 0:54:01 | |
He just broke in? | 0:54:01 | 0:54:04 | |
Were you aware that Peter had started a relationship with his ex-girlfriend Melissa Booth? | 0:54:05 | 0:54:12 | |
-Did it bother you? -Why should it? | 0:54:12 | 0:54:14 | |
-Well, you weren't jealous at all? -I didn't kill him, all right? | 0:54:14 | 0:54:18 | |
Well, you let him have it. | 0:54:18 | 0:54:20 | |
-It was self-defence! -Nina, you stole a gun. | 0:54:20 | 0:54:22 | |
You were expecting to use it. Why? | 0:54:22 | 0:54:26 | |
What were you scared of? Who were you hiding from? | 0:54:33 | 0:54:38 | |
Nina, we CAN help you, but I can't do anything with silence. | 0:54:43 | 0:54:48 | |
Come on, sweetheart. | 0:54:52 | 0:54:54 | |
You must have some idea what she's scared of. | 0:54:55 | 0:54:59 | |
If I did, I'd tell you. | 0:54:59 | 0:55:01 | |
You know, Nina, whatever you think, you are safer here than out there. | 0:55:06 | 0:55:10 | |
Think of your baby. | 0:55:12 | 0:55:13 | |
I'm not getting very far, am I? | 0:55:21 | 0:55:24 | |
Tell them the truth. | 0:55:25 | 0:55:27 | |
-Come on, Nina. It might help them get whoever did this to Peter. -I doubt it. | 0:55:27 | 0:55:33 | |
We'll get through this. | 0:55:33 | 0:55:35 | |
No. | 0:55:36 | 0:55:38 | |
We won't. | 0:55:39 | 0:55:41 | |
-You don't have to feel guilty, Michael. Honestly. -I don't feel guilty. | 0:55:42 | 0:55:48 | |
-It's my responsibility. -Sweetheart, | 0:55:48 | 0:55:52 | |
-I'm as responsible in this as you are. -No. | 0:55:52 | 0:55:55 | |
No, you're not. | 0:55:55 | 0:55:58 | |
I still don't trust him. | 0:56:05 | 0:56:07 | |
So what do we do? | 0:56:11 | 0:56:13 | |
I think we bring in a psychologist, | 0:56:13 | 0:56:18 | |
on a provisional basis. | 0:56:18 | 0:56:20 | |
Anyone in mind? | 0:56:22 | 0:56:24 | |
My name's Helen. | 0:56:24 | 0:56:26 | |
I don't work for the police, Nina. | 0:56:26 | 0:56:29 | |
I work at the university. | 0:56:29 | 0:56:31 | |
I'm just a civilian. Like you. | 0:56:31 | 0:56:33 | |
Nothing you say to me can be used against you or Michael or anyone else. | 0:56:33 | 0:56:40 | |
In fact, it's against the law for any of our conversation to be repeated in court. | 0:56:40 | 0:56:45 | |
Did Peter take pictures of your town during the war? | 0:56:53 | 0:56:58 | |
Is that why you met? | 0:56:58 | 0:57:01 | |
By all accounts he was a bit of a character - liked a drink and a laugh? | 0:57:05 | 0:57:11 | |
But he had a big heart too, didn't he? He brought you back with him. | 0:57:11 | 0:57:16 | |
You formed a bond. | 0:57:17 | 0:57:19 | |
Like family. | 0:57:20 | 0:57:23 | |
Nina, all these people | 0:57:25 | 0:57:28 | |
want to protect you and find the man that killed Peter... | 0:57:28 | 0:57:33 | |
..but they need your help to do that. | 0:57:38 | 0:57:42 | |
He was kind to me. | 0:57:44 | 0:57:47 | |
He brought me to London. | 0:57:47 | 0:57:50 | |
Gave me somewhere to live, paid for the rest of my education. | 0:57:50 | 0:57:55 | |
-Right. -Nina, I need you to tell me what it is you're afraid of. | 0:57:55 | 0:58:00 | |
Is it someone from the past? | 0:58:02 | 0:58:05 | |
-From Bosnia? -You can't protect me. | 0:58:05 | 0:58:08 | |
From? | 0:58:08 | 0:58:10 | |
From my fate. | 0:58:10 | 0:58:12 | |
Look, if this man is in London, | 0:58:16 | 0:58:19 | |
we have a chance to catch him. You owe it to Peter to give us that chance. | 0:58:19 | 0:58:23 | |
I was going to my grandparents... | 0:58:37 | 0:58:39 | |
after school. | 0:58:39 | 0:58:41 | |
It was my brother's birthday and we had organised him a party. | 0:58:41 | 0:58:46 | |
My whole family lived together in the same town. | 0:58:46 | 0:58:51 | |
We were Bosnian Muslims. | 0:58:51 | 0:58:53 | |
My grandparents had this tiny house on the outskirts near the woods. | 0:58:53 | 0:59:00 | |
When I got there, the place seemed deserted, | 0:59:00 | 0:59:03 | |
and then I heard voices. | 0:59:03 | 0:59:06 | |
-I heard shouting. -MEN SHOUT | 0:59:07 | 0:59:11 | |
..and then gunshots. | 0:59:12 | 0:59:14 | |
GUNSHOTS | 0:59:14 | 0:59:17 | |
I was terrified. | 0:59:17 | 0:59:19 | |
I wanted to go home | 0:59:19 | 0:59:21 | |
but I was scared I'd be seen so... | 0:59:21 | 0:59:23 | |
-GUNFIRE CONTINUES -..I kept still. | 0:59:23 | 0:59:27 | |
And all the time the gunshots were going on and on... | 0:59:28 | 0:59:32 | |
not stopping. | 0:59:32 | 0:59:34 | |
I needed to know what was happening. | 0:59:34 | 0:59:37 | |
I was petrified, but I had to find out what was going on. | 0:59:37 | 0:59:40 | |
There were some bodies already lying in the dirt... | 0:59:49 | 0:59:53 | |
..my grandparents. | 0:59:56 | 0:59:58 | |
WOMAN SCREAMS | 0:59:59 | 1:00:02 | |
My little brother, Mahir, he... | 1:00:10 | 1:00:14 | |
he didn't stop crying. | 1:00:14 | 1:00:17 | |
Their leader, he was one of our neighbours. | 1:00:23 | 1:00:26 | |
He'd been a policeman during the war. He said... | 1:00:29 | 1:00:32 | |
he said, "Save the kid for me." | 1:00:32 | 1:00:36 | |
Napred gledaj! > | 1:00:37 | 1:00:39 | |
-Nemoj! -> | 1:00:39 | 1:00:42 | |
'And he shot him like a dog.' | 1:00:44 | 1:00:48 | |
'I heard someone behind me, I-I froze.' | 1:00:49 | 1:00:53 | |
It was Peter. | 1:01:02 | 1:01:04 | |
WOMAN SCREAMS | 1:01:04 | 1:01:05 | |
I heard my mother screaming. | 1:01:05 | 1:01:09 | |
MAN LAUGHS CRUELLY | 1:01:09 | 1:01:11 | |
I knew what they were doing to her. | 1:01:11 | 1:01:15 | |
WOMAN CONTINUES SCREAMING | 1:01:16 | 1:01:19 | |
Adje vie! | 1:01:24 | 1:01:26 | |
Then there were two more shots... | 1:01:26 | 1:01:29 | |
GUNSHOTS | 1:01:29 | 1:01:32 | |
..and the screaming stopped. | 1:01:34 | 1:01:37 | |
My father pleaded with them... | 1:01:37 | 1:01:40 | |
..but the man who shot my brother just laughed. | 1:01:43 | 1:01:46 | |
Ajmo! | 1:01:56 | 1:01:58 | |
They'd killed everyone. | 1:02:00 | 1:02:03 | |
After that, Peter didn't let me out of his sight. | 1:02:14 | 1:02:17 | |
He brought me back to London. | 1:02:17 | 1:02:20 | |
You said one of the men... | 1:02:22 | 1:02:25 | |
the leader...was a neighbour. | 1:02:25 | 1:02:30 | |
Do you remember his name? | 1:02:31 | 1:02:33 | |
No, but he is in London. | 1:02:33 | 1:02:36 | |
You saw him? | 1:02:37 | 1:02:39 | |
No, but Peter did... or thought he did. | 1:02:39 | 1:02:43 | |
He wouldn't rest until he was sure. | 1:02:44 | 1:02:47 | |
And he made sure? | 1:02:47 | 1:02:50 | |
Mr Price's driver. | 1:03:00 | 1:03:02 | |
Did Peter tell you that...himself? | 1:03:06 | 1:03:09 | |
It was our last conversation. | 1:03:10 | 1:03:13 | |
-We've got our man, Havers. -You think all this goes back to Bosnia? | 1:03:15 | 1:03:19 | |
Yeah, Rooker sees Pavletic in the fight with Eddie Price and he recognises him. | 1:03:19 | 1:03:23 | |
Then Peter Rooker takes matters into his own hands? | 1:03:23 | 1:03:26 | |
Well, let's find out. | 1:03:26 | 1:03:28 | |
-Is your husband in, Mrs Pavletic? -He's out on a job. | 1:03:38 | 1:03:41 | |
-When d'you expect him home? -He said he wouldn't be back till late. | 1:03:41 | 1:03:45 | |
Perhaps we could talk to you instead? | 1:03:45 | 1:03:49 | |
Sorry about the mess. | 1:03:49 | 1:03:51 | |
Have you ever heard your husband mention a Peter Rooker? | 1:03:51 | 1:03:55 | |
No, I don't think so. | 1:03:55 | 1:03:57 | |
Well, have you noticed any changes in your husband recently? | 1:03:57 | 1:04:02 | |
Well, he was worried about that Eddie Price business, | 1:04:02 | 1:04:05 | |
that he'd have to testify to Price beating that man up. | 1:04:05 | 1:04:07 | |
Ah, that man was Peter Rooker. | 1:04:07 | 1:04:09 | |
Right. I didn't know that. | 1:04:09 | 1:04:12 | |
Anyway, that's all done with now, isn't it? | 1:04:12 | 1:04:15 | |
Absolutely. Your husband was most cooperative on that issue. | 1:04:15 | 1:04:19 | |
Look, I really need to get on. | 1:04:19 | 1:04:22 | |
Is there anything else? | 1:04:22 | 1:04:24 | |
Two nights ago Peter Rooker was found murdered... | 1:04:24 | 1:04:27 | |
shot dead in Soho. | 1:04:27 | 1:04:29 | |
This is him. | 1:04:29 | 1:04:31 | |
I want you to think very carefully before you answer this question - | 1:04:31 | 1:04:35 | |
do you know the man in that picture? | 1:04:35 | 1:04:38 | |
He came to the house. | 1:04:43 | 1:04:45 | |
I didn't catch his name. | 1:04:45 | 1:04:46 | |
-When? -Three or four days ago. | 1:04:46 | 1:04:50 | |
He said he was a friend of Andrej's. | 1:04:50 | 1:04:52 | |
-He left a photo and his phone number. -Can we see it? | 1:04:52 | 1:04:56 | |
No, I gave it to my husband. | 1:04:56 | 1:04:58 | |
I don't know what he did with it. | 1:04:58 | 1:05:00 | |
Describe it. | 1:05:00 | 1:05:02 | |
Well, it was a photo of a road sign riddled with bullet holes... | 1:05:02 | 1:05:07 | |
-Sanski Most, Andrej's hometown. -And what did your husband say when he saw the photo? | 1:05:07 | 1:05:12 | |
It was an old friend and he'd give him a call when he had a chance. | 1:05:12 | 1:05:16 | |
I was quite relieved, to be honest. | 1:05:16 | 1:05:18 | |
-Why? -Well, I wasn't sure if the man really was a friend of Andrej's. | 1:05:18 | 1:05:22 | |
Well, he'd asked too many questions. | 1:05:22 | 1:05:25 | |
What kind of questions? | 1:05:25 | 1:05:27 | |
How long had he been here, and when did we get married, and was Andrej definitely from Sanski Most. | 1:05:27 | 1:05:33 | |
-But you answered them? -Yes. | 1:05:33 | 1:05:36 | |
Mrs Pavletic, two nights ago, what time did your husband come home? | 1:05:36 | 1:05:40 | |
10...10:30. | 1:05:40 | 1:05:42 | |
Did he do anything out of the ordinary? | 1:05:42 | 1:05:45 | |
Wash his clothes? Take a shower? | 1:05:45 | 1:05:47 | |
He just had a cup of tea and read the paper like he always does. | 1:05:47 | 1:05:50 | |
-Do you know if your husband owns a gun? -You think he killed that man, don't you? | 1:05:50 | 1:05:54 | |
-We have to eliminate him from our inquiries. -That's ridiculous. | 1:05:54 | 1:05:57 | |
Andrej's the most decent, hard-working man I've ever met. | 1:05:57 | 1:06:01 | |
In Bosnia he was a policeman like you, but you don't see that. | 1:06:01 | 1:06:05 | |
-You see a foreigner, an immigrant looking for a handout? -Mrs Pavletic... | 1:06:05 | 1:06:08 | |
My parents were the same, that's why I don't speak to them any more. | 1:06:08 | 1:06:12 | |
-Does he own a gun? -No, he doesn't - he's a chauffeur, for God's sake! | 1:06:12 | 1:06:15 | |
-Winston? Are we up and running? -Yes, we are. | 1:06:19 | 1:06:22 | |
If she calls his mobile or vice versa... | 1:06:22 | 1:06:25 | |
triangulation should give us his location inside three minutes. | 1:06:25 | 1:06:28 | |
Thanks. I'd better go. | 1:06:28 | 1:06:30 | |
-TYRES SQUEAL -Sir? | 1:06:31 | 1:06:34 | |
That's him! | 1:06:37 | 1:06:39 | |
TYRES SQUEAL | 1:07:06 | 1:07:09 | |
-HORN BLASTS -Sir - the van! | 1:07:29 | 1:07:32 | |
You all right? | 1:07:35 | 1:07:36 | |
Sorry, sorry... | 1:08:14 | 1:08:16 | |
..I panicked! I'm going to lose my driving licence now, aren't I? | 1:08:18 | 1:08:23 | |
You are under arrest on suspicion of the murder of Peter Rooker. | 1:08:23 | 1:08:27 | |
You do not have to say anything but it may harm your defence if when questioned you later rely on... | 1:08:27 | 1:08:33 | |
-Is he here? Where is he? -You're quite safe, Nina, but I need you to do something for me. -What? | 1:08:33 | 1:08:38 | |
-Look at these pictures. -Who are these people? | 1:08:38 | 1:08:42 | |
Random licence-holders... well, random apart from one. | 1:08:42 | 1:08:44 | |
I need you to identify the man you believe killed your family. | 1:08:44 | 1:08:48 | |
Well, I can't tell you this second where I was at eight o'clock | 1:09:01 | 1:09:05 | |
that night, but I keep a log so it shouldn't be a problem. | 1:09:05 | 1:09:10 | |
Is my home being searched? | 1:09:10 | 1:09:11 | |
-Does that bother you? -No, of course not. | 1:09:11 | 1:09:14 | |
As a policeman in Bosnia, did you receive firearms training? | 1:09:14 | 1:09:18 | |
-Yes. -Would you consider yourself a good shot? | 1:09:18 | 1:09:22 | |
About average. | 1:09:22 | 1:09:24 | |
Look, I did not kill this man. | 1:09:27 | 1:09:30 | |
-I'm a peaceful person and I always was. -Even in the war? | 1:09:30 | 1:09:34 | |
Especially in the war. I mean, it was an exercise in absurdity | 1:09:34 | 1:09:38 | |
but I tried as long and hard as I could to do my job, to uphold the law. | 1:09:38 | 1:09:43 | |
You told your wife that Rooker was an old friend. Is that true? | 1:09:43 | 1:09:47 | |
Sure, he-he was a photographer covering the war. We struck up a friendship. | 1:09:47 | 1:09:51 | |
So why after three years of living here, have you never tried to contact him? | 1:09:51 | 1:09:56 | |
According to your wife, he didn't even know that you'd settled here. | 1:09:56 | 1:10:00 | |
I'd tried to find him so we could kick around old times... | 1:10:00 | 1:10:03 | |
You're a liar, Mr Pavletic. | 1:10:03 | 1:10:07 | |
A bloody liar! Yes, you had some old times with Mr Rooker | 1:10:07 | 1:10:11 | |
but they weren't the kind that you would chat about over a cold beer. | 1:10:11 | 1:10:15 | |
But they were the kind that you might kill to keep from coming out. Like... | 1:10:15 | 1:10:19 | |
murdering entire families, for example. | 1:10:19 | 1:10:22 | |
Obviously, you have a witness... | 1:10:26 | 1:10:29 | |
someone from Bosnia who is claiming I did all these terrible things? | 1:10:29 | 1:10:34 | |
Are they reliable? Do they have photographs? | 1:10:36 | 1:10:40 | |
Do they have proof? | 1:10:40 | 1:10:42 | |
No, they've made a mistake. | 1:10:43 | 1:10:47 | |
Don't try and second-guess us. | 1:10:47 | 1:10:49 | |
What else can I do when you hold all the cards? | 1:10:49 | 1:10:52 | |
Did you call Rooker on the number he left your wife? | 1:10:52 | 1:10:56 | |
-Yes, I did. -And? | 1:10:56 | 1:10:58 | |
We arranged for him to come up to the house at the weekend. | 1:10:58 | 1:11:02 | |
So when Eddie Price attacked Peter Rooker, why didn't you go to defend your old friend? | 1:11:04 | 1:11:09 | |
Well, to tell you the truth, I didn't recognise him. | 1:11:09 | 1:11:14 | |
He'd put on weight, he looked...older. | 1:11:14 | 1:11:17 | |
I'm not a killer. | 1:11:23 | 1:11:26 | |
Back home I had authority. | 1:11:26 | 1:11:29 | |
Here I have nothing but my name | 1:11:29 | 1:11:32 | |
and you are destroying it with every second I'm here. | 1:11:32 | 1:11:35 | |
No-one wants to be driven around by somebody they think is a Serbian gangster. | 1:11:35 | 1:11:40 | |
I think I'd like my phone call now...if that's all right. | 1:11:51 | 1:11:55 | |
He's only got the best criminal lawyer in Christendom. | 1:11:56 | 1:12:00 | |
-Michael Ackland?! -Who paid for him? | 1:12:00 | 1:12:02 | |
Eddie Price? That's who he made his phone call to. | 1:12:02 | 1:12:05 | |
-How about the house search? -Forensics found nothing, ballistics or otherwise. | 1:12:05 | 1:12:09 | |
-But they've discovered he keeps a lock up nearby. -That sounds promising. | 1:12:09 | 1:12:13 | |
Better be or we'll have to tell Nina that he's walking. | 1:12:13 | 1:12:16 | |
-He's note perfect. -Oh, if he's a sociopath, that's no big surprise. | 1:12:23 | 1:12:27 | |
Robert de Niro, eat your heart out. | 1:12:27 | 1:12:29 | |
All we've got on him is Nina's story. | 1:12:29 | 1:12:31 | |
-So not enough to charge him? -Not yet. | 1:12:31 | 1:12:35 | |
You were a star in there with Nina, did I tell you that? | 1:12:35 | 1:12:38 | |
You didn't need to. | 1:12:38 | 1:12:40 | |
-Well, you were. -Look, I've not got much on. Do you want me to wait around and keep an eye on her? | 1:12:40 | 1:12:45 | |
Oh, you've done enough. Well, more than. | 1:12:45 | 1:12:48 | |
Tommy, if you have to let him go, she's going to be a mess and I don't reckon much to boyfriend Michael. | 1:12:48 | 1:12:53 | |
Mmm. | 1:12:53 | 1:12:55 | |
I love you. | 1:12:55 | 1:12:57 | |
..That's a bit OTT, Tommy. "Yes" would've done. | 1:12:57 | 1:13:00 | |
-Sir... Excuse me. -It's all right. -Background check's come through on Michael Wren. | 1:13:00 | 1:13:05 | |
Five years ago he was arrested after an arms trafficking bust. | 1:13:05 | 1:13:08 | |
He got off - lack of evidence - but four co-defendants weren't so lucky, including one Brendan McGuire. | 1:13:08 | 1:13:13 | |
-Now, McGuire squealed and they cut his sentence in half. -We never did find out where Rooker got his gun. | 1:13:13 | 1:13:18 | |
No, but McGuire seems like a good bet. | 1:13:18 | 1:13:21 | |
-Rooker needed you to broker the deal. -That's why you've been holding out on us from the start. | 1:13:21 | 1:13:25 | |
We could never figure out what he was doing between 8 and 9, the last hour of his life. | 1:13:25 | 1:13:30 | |
-He was busy buying a gun, wasn't he? -I've no idea. -Ballistics will trace that back to Brendan McGuire. | 1:13:30 | 1:13:34 | |
And on past form, McGuire will sing from the rooftops to avoid going to jail. | 1:13:34 | 1:13:38 | |
Which means he'll implicate you. | 1:13:38 | 1:13:41 | |
Look, Wren, whatever it is you've done, it's better that we hear it from you, not from him. | 1:13:41 | 1:13:47 | |
Look, Peter came to me, said he needed a gun, or he was a dead man. | 1:13:48 | 1:13:53 | |
He was my best mate - what was I supposed to do? | 1:13:53 | 1:13:56 | |
You're going to show me. | 1:13:56 | 1:13:59 | |
Nothing from Pavletic's lockup. | 1:14:02 | 1:14:05 | |
-What was in there? -Furniture, books, usual sort of household stuff | 1:14:05 | 1:14:09 | |
that'll see the rubbish tip before it sees another home. | 1:14:09 | 1:14:12 | |
-So what have we got on Pavletic other than motive? -Getting to Rooker before Rooker got to him? | 1:14:12 | 1:14:17 | |
That's the motive I mean. | 1:14:17 | 1:14:19 | |
Well, he was in the vicinity of the crime at the right time. | 1:14:19 | 1:14:23 | |
Access and motive. That's it. | 1:14:23 | 1:14:27 | |
That does not add up to a conviction. | 1:14:27 | 1:14:29 | |
-I know. -We're going to have to release him. We do not have anything substantial enough to hold him with. | 1:14:29 | 1:14:35 | |
Suppose we'd better lose the battle and win the war. | 1:14:35 | 1:14:39 | |
OK. OK, I'll release him. | 1:14:39 | 1:14:43 | |
I'll go and tell Nina the bad news. | 1:14:43 | 1:14:46 | |
So what time did you get here? | 1:14:52 | 1:14:54 | |
We left Number 19 about 8 o'clock, it's a 5-minute walk, so must've been about 5 past, 10 past. | 1:14:54 | 1:14:59 | |
-OK, and then what? -Made the introductions, headed back to the bar. | 1:14:59 | 1:15:03 | |
-It was a Friday night - busy, busy, busy. -What about Rooker? | 1:15:03 | 1:15:06 | |
-He finished his pint. Actually, it was his second pint. -On his own? -Brendan was chatting to him. | 1:15:06 | 1:15:12 | |
Wasn't he "busy, busy, busy"? | 1:15:12 | 1:15:14 | |
Peter'd just handed him two grand for a Smith & Weston, it was the least he could do. | 1:15:14 | 1:15:18 | |
-I've told you everything I know, can I go now? -Er, no. | 1:15:18 | 1:15:21 | |
Every time you've told us everything there seems to be a whole new thrilling instalment. Come on. | 1:15:21 | 1:15:26 | |
Sorry, mate. | 1:15:35 | 1:15:36 | |
How the hell did they trace it to me? | 1:15:36 | 1:15:38 | |
Doesn't matter, Mr McGuire, we did. | 1:15:38 | 1:15:40 | |
Peter Rooker spent the last hour of his life with you. What did you talk about? | 1:15:40 | 1:15:45 | |
-Are you kidding me? He was nuts! -Nuts, how? -Well, kept banging on about... | 1:15:45 | 1:15:49 | |
genocide and murder and scars that wouldn't heal and bodies that wouldn't stay buried... | 1:15:49 | 1:15:54 | |
But you illegally sold him a firearm, anyway? | 1:15:54 | 1:15:56 | |
-OK, yeah - he's a grown-up. -His mental condition didn't even give you pause for thought? | 1:15:56 | 1:16:00 | |
Well, HE told me that Rooker was a famous war photographer, that he could handle himself. | 1:16:00 | 1:16:06 | |
But we left here and an hour later, I heard there's a shooting round the corner. | 1:16:06 | 1:16:10 | |
-And you didn't get in contact with us? -I thought it was my gun. | 1:16:10 | 1:16:13 | |
Rooker never got a round off, not that it would've stopped much. | 1:16:13 | 1:16:16 | |
Look, I'm sorry the geezer's dead, but it weren't my fault. | 1:16:16 | 1:16:20 | |
-OK, when he left did you see anyone following him? -No. | 1:16:20 | 1:16:24 | |
Did you see anyone watching you while you were chatting? | 1:16:24 | 1:16:26 | |
Well, not that I noticed... | 1:16:26 | 1:16:29 | |
-But? -But when I said the CCTV weren't working round the back... | 1:16:29 | 1:16:34 | |
-What, you were lying? -It's no big deal, you can't make the bloke out. | 1:16:34 | 1:16:38 | |
-The quality ain't that good. -Trust me, it IS a big deal. | 1:16:38 | 1:16:41 | |
I need you to show me now. | 1:16:41 | 1:16:43 | |
-But I recognised him! I picked him out. -I'm sorry, but it's not over yet. | 1:16:52 | 1:16:57 | |
-Yes, it is. -Nina... | 1:16:57 | 1:16:59 | |
-Helen... -It's all right. Nina...! | 1:16:59 | 1:17:03 | |
PHONE RINGS | 1:18:23 | 1:18:26 | |
-Havers? -Sir, it's Pavletic. -Positive? | 1:18:28 | 1:18:31 | |
-Yeah, I've got video to prove it. -We've just let him go! | 1:18:31 | 1:18:33 | |
OK, I'm on my way back now. | 1:18:33 | 1:18:35 | |
-Winston? With me. -What? -Pavletic. | 1:18:45 | 1:18:47 | |
Nina, confronting him won't help. | 1:18:54 | 1:18:57 | |
SHE SOUNDS HORN | 1:19:01 | 1:19:04 | |
Nina... | 1:19:10 | 1:19:11 | |
Nina, don't. | 1:19:11 | 1:19:13 | |
Who are you? | 1:19:15 | 1:19:17 | |
-Nina...put the gun down. -They're taking him back in. | 1:19:35 | 1:19:38 | |
He's going to prison now, Nina. Put the gun down. | 1:19:38 | 1:19:43 | |
-You said that the last time. -No, this time, Nina, we've got proof. | 1:19:43 | 1:19:47 | |
Look, I'm not who you think I am... | 1:19:47 | 1:19:50 | |
..I swear to you. | 1:19:54 | 1:19:57 | |
Nina... | 1:19:58 | 1:20:00 | |
Get out of the way. | 1:20:01 | 1:20:03 | |
Don't ruin your life. | 1:20:04 | 1:20:07 | |
He's going to jail for the rest of his. | 1:20:07 | 1:20:10 | |
Please. | 1:20:11 | 1:20:14 | |
You don't need it any more, Nina. | 1:20:16 | 1:20:19 | |
Put the gun down, down on the ground. | 1:20:19 | 1:20:23 | |
No spine in Bosnians! | 1:20:45 | 1:20:48 | |
Winston! | 1:20:57 | 1:20:58 | |
She's gone. | 1:21:19 | 1:21:21 | |
You need to let me try, sir... | 1:21:21 | 1:21:24 | |
One, two, three, four, five, six, seven... | 1:21:26 | 1:21:30 | |
We have entrusted Helen to God's mercy, | 1:22:06 | 1:22:09 | |
in sure and certain hope of the resurrection to eternal life | 1:22:09 | 1:22:14 | |
through our Lord Jesus Christ, | 1:22:14 | 1:22:17 | |
who will transform our frail bodies... | 1:22:17 | 1:22:20 | |
What are you doing here? | 1:24:54 | 1:24:57 | |
I dunno. Just...letting you know, when you're ready, | 1:24:58 | 1:25:04 | |
that there IS a world out there. | 1:25:04 | 1:25:06 | |
Right. | 1:25:06 | 1:25:07 | |
That's just what she'd say. | 1:25:09 | 1:25:12 | |
I know. | 1:25:14 | 1:25:15 | |
And you know what I'd say back? | 1:25:15 | 1:25:19 | |
The world can wait a couple of minutes. | 1:25:20 | 1:25:24 | |
Subtitles by Red Bee Media Ltd. | 1:26:10 | 1:26:13 | |
E-mail [email protected] | 1:26:13 | 1:26:16 |