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This programme contains some strong language | 0:00:02 | 0:00:06 | |
and scenes which some viewers may find upsetting | 0:00:06 | 0:00:10 | |
I had to get back the film, and I had to destroy it. | 0:00:10 | 0:00:13 | |
Did you tell your wife where you were going on Christmas day? | 0:00:13 | 0:00:16 | |
I don't want a baby. | 0:00:17 | 0:00:19 | |
I don't want two babies. | 0:00:19 | 0:00:21 | |
The boy? | 0:00:21 | 0:00:22 | |
SHE SPEAKS IN OWN LANGUAGE | 0:00:22 | 0:00:23 | |
They've taken the boy. | 0:00:23 | 0:00:24 | |
I think the NLF took Malik to force Yusra. | 0:00:25 | 0:00:27 | |
This suggests you're wrong about that. | 0:00:27 | 0:00:29 | |
Have you got it? Do you know where he is? | 0:00:29 | 0:00:30 | |
You have to move fast. | 0:00:30 | 0:00:32 | |
This is your one chance. | 0:00:32 | 0:00:33 | |
Joe, I think it's George. We've got him. George! | 0:00:33 | 0:00:36 | |
-George, come on! -Hey! | 0:00:38 | 0:00:39 | |
George! | 0:00:40 | 0:00:41 | |
We're going to get you to a hospital, but you bloody well stay with me, OK? Do you hear? | 0:00:46 | 0:00:50 | |
Breathe, breathe, come on! | 0:00:56 | 0:00:58 | |
ED GASPS | 0:00:58 | 0:00:59 | |
-SHOUTS: -Help! | 0:00:59 | 0:01:01 | |
ED GASPS | 0:01:03 | 0:01:06 | |
Why can't he breathe? | 0:01:11 | 0:01:12 | |
Collapsed lung. His chest cavity is full of air so his lung can't reinflate. | 0:01:12 | 0:01:16 | |
-This way! -We need to go. -This way! -Go! | 0:01:16 | 0:01:19 | |
You stay with us, OK? Jesus Christ! You stay with us, damn it! | 0:01:19 | 0:01:24 | |
Damn it! | 0:01:25 | 0:01:26 | |
Take me to the hospital now! | 0:01:31 | 0:01:33 | |
They're all out, ma'am, looking for George - the whole unit. | 0:01:33 | 0:01:36 | |
It's just me. | 0:01:36 | 0:01:37 | |
So you drive me. What's the bloody problem, Orchover? | 0:01:37 | 0:01:42 | |
An officer's wife has to be... | 0:01:42 | 0:01:44 | |
What? What? | 0:01:44 | 0:01:46 | |
Protected, ma'am. Someone needs to ride shotgun. | 0:01:46 | 0:01:48 | |
I can't drive you and keep you safe at the same time. | 0:01:48 | 0:01:51 | |
-Well, give me your gun. -Ma'am? | 0:01:52 | 0:01:54 | |
Give me your stupid gun and I'll protect myself. | 0:01:54 | 0:01:58 | |
I don't think I... | 0:01:58 | 0:01:59 | |
My husband has been shot! He needs me there. | 0:01:59 | 0:02:02 | |
Christ, has the Army shut your brain down, Corporal? | 0:02:02 | 0:02:05 | |
Is he dying? | 0:02:17 | 0:02:18 | |
-I don't know. -Don't lie to me. | 0:02:19 | 0:02:21 | |
I really don't know, ma'am. | 0:02:21 | 0:02:23 | |
Let's go. | 0:02:25 | 0:02:26 | |
SHE SIGHS | 0:03:54 | 0:03:55 | |
Ed was close. | 0:04:04 | 0:04:05 | |
He nearly made it. He was moments away from rescuing George. | 0:04:09 | 0:04:12 | |
Your husband is a hero. | 0:04:16 | 0:04:18 | |
Aden - where East meets West. | 0:04:25 | 0:04:27 | |
Vital as an oil refinery, as well as a Gulf trade route. | 0:04:29 | 0:04:32 | |
The beach here at Aden is lovely. | 0:04:34 | 0:04:36 | |
The sand is warm, | 0:04:36 | 0:04:37 | |
and the sharks are not always hungry. | 0:04:37 | 0:04:40 | |
The occasional outbreaks of violence are | 0:04:46 | 0:04:49 | |
caused by what are officially called dissident tribesmen. | 0:04:49 | 0:04:52 | |
As long as there's trouble, there must be troops. | 0:04:54 | 0:04:57 | |
The Queen has full confidence in Aden's future, | 0:04:58 | 0:05:01 | |
describing it as the perfect example of colonial rule. | 0:05:01 | 0:05:05 | |
What's the pressure doing? | 0:05:12 | 0:05:13 | |
MUFFLED TALKING | 0:05:13 | 0:05:16 | |
ED GASPS | 0:05:16 | 0:05:20 | |
Hold him! Hold him down! | 0:05:20 | 0:05:21 | |
ED GASPS | 0:05:22 | 0:05:25 | |
CAR ENGINE RUMBLING | 0:05:42 | 0:05:44 | |
What did she think about you? | 0:06:24 | 0:06:27 | |
What's that? | 0:06:27 | 0:06:28 | |
Yusra. You were head over heels. What about her? | 0:06:28 | 0:06:32 | |
You wouldn't understand. | 0:06:32 | 0:06:33 | |
Ah. The love that passeth all understanding, eh? | 0:06:33 | 0:06:36 | |
Your understanding, anyway. | 0:06:38 | 0:06:39 | |
Has anyone heard from my husband? | 0:06:42 | 0:06:44 | |
No, ma'am. | 0:06:45 | 0:06:47 | |
Still at the hospital, ma'am. | 0:06:47 | 0:06:49 | |
What are you doing? | 0:06:54 | 0:06:55 | |
The Royal Scots had a grenade lobbed into the Land Rover. | 0:06:59 | 0:07:02 | |
What happened? | 0:07:02 | 0:07:04 | |
It got stuck under a seat. | 0:07:05 | 0:07:06 | |
Why do they want to do this to us? | 0:07:12 | 0:07:14 | |
Don't know, ma'am. | 0:07:16 | 0:07:17 | |
But we should know, shouldn't we? | 0:07:18 | 0:07:19 | |
The NLF, we think, delivered the film this morning. | 0:07:29 | 0:07:34 | |
-I want to see it. -I don't think that's a good idea. | 0:07:35 | 0:07:37 | |
I have a right to see what they did to my son. | 0:07:39 | 0:07:43 | |
-Mary... -Don't you dare patronise me. | 0:07:43 | 0:07:45 | |
He's my son. You will take me to see this film, and you will do it now. | 0:07:47 | 0:07:53 | |
-Again. -Mary. | 0:08:48 | 0:08:50 | |
Play it again. | 0:08:50 | 0:08:51 | |
The parting! In his hair. | 0:09:06 | 0:09:09 | |
What? | 0:09:10 | 0:09:11 | |
Yusra does that. She's sending us a message, Harry. | 0:09:11 | 0:09:15 | |
She's with him, and she's helping him. | 0:09:17 | 0:09:20 | |
I knew it. | 0:09:24 | 0:09:25 | |
NLF FIGHTERS SPEAK IN OWN LANGUAGE | 0:09:39 | 0:09:43 | |
NLF FIGHTER SPEAKS IN OWN LANGUAGE | 0:09:53 | 0:09:55 | |
NLF FIGHTER SPEAKS IN OWN LANGUAGE | 0:10:04 | 0:10:06 | |
MALIK SPEAKS IN OWN LANGUAGE | 0:10:09 | 0:10:11 | |
Malik! Malik! | 0:10:12 | 0:10:14 | |
SHE SPEAKS IN OWN LANGUAGE | 0:10:14 | 0:10:15 | |
Malik! | 0:10:17 | 0:10:18 | |
SHE SPEAKS IN OWN LANGUAGE | 0:10:18 | 0:10:23 | |
You go on, darling. I'll catch you up. | 0:10:32 | 0:10:34 | |
What monsters these people are. What do they want? | 0:10:47 | 0:10:51 | |
Kadir, in exchange for George. | 0:10:53 | 0:10:56 | |
They're offering a swap, Harry. | 0:10:57 | 0:10:59 | |
There's a rule. | 0:11:07 | 0:11:08 | |
We have a rule. | 0:11:12 | 0:11:13 | |
We don't talk to terrorists. | 0:11:17 | 0:11:18 | |
They have to know where they stand, these people. | 0:11:20 | 0:11:24 | |
TILBROOK CLEARS HIS THROAT | 0:11:26 | 0:11:27 | |
There's one more thing. | 0:11:29 | 0:11:30 | |
But I don't quite know how to put this, Harry. | 0:11:33 | 0:11:36 | |
Then just say it. | 0:11:36 | 0:11:37 | |
Like with children? | 0:12:20 | 0:12:21 | |
Hm? | 0:12:21 | 0:12:22 | |
We let them get away with it once. | 0:12:23 | 0:12:25 | |
Mary, there's something Harvey didn't want you to know. | 0:12:30 | 0:12:33 | |
I'm afraid there's a deadline. | 0:12:38 | 0:12:40 | |
How long? | 0:12:44 | 0:12:46 | |
Eight hours. | 0:12:49 | 0:12:50 | |
Does Harvey Tilbrook have children? | 0:13:07 | 0:13:09 | |
Don't go. | 0:13:53 | 0:13:54 | |
Stay with me. | 0:13:59 | 0:14:00 | |
I'm here. | 0:14:02 | 0:14:03 | |
Joe saved your life. | 0:14:24 | 0:14:26 | |
Baxter? | 0:15:09 | 0:15:10 | |
Sir. | 0:15:13 | 0:15:14 | |
At 18:00 hours... | 0:15:16 | 0:15:17 | |
Sir. | 0:15:19 | 0:15:21 | |
At 18:00 hours, | 0:15:21 | 0:15:22 | |
I have it on good authority that the NLF will be ending my son's life. | 0:15:22 | 0:15:26 | |
-I want you to... -We'll do everything we can, sir. | 0:15:28 | 0:15:31 | |
What's the point, Alec? What good could it do their cause? | 0:15:39 | 0:15:42 | |
What's in it for them? | 0:15:42 | 0:15:45 | |
They'll say that they made an offer and that, by refusing that offer, | 0:15:45 | 0:15:49 | |
they'll say that it was us who killed him, not them. | 0:15:49 | 0:15:56 | |
That's what they'll say, sir. | 0:15:57 | 0:15:59 | |
-You've always been honest with me, Baxter. -Yes, sir. | 0:16:07 | 0:16:10 | |
That's why I trust you. That's why I trust you. | 0:16:10 | 0:16:13 | |
Permission to carry on, sir? | 0:16:20 | 0:16:23 | |
Yes, yes, of course. | 0:16:23 | 0:16:24 | |
KNOCK ON DOOR | 0:16:48 | 0:16:49 | |
-Ma'am. -Oh! -I was looking for the CO. | 0:16:54 | 0:16:58 | |
Come in. Please. | 0:16:59 | 0:17:00 | |
Would you like some lemonade? | 0:17:02 | 0:17:04 | |
No, thank you, ma'am. | 0:17:04 | 0:17:05 | |
I was just making summer pudding - George's favourite. | 0:17:06 | 0:17:10 | |
Yes, ma'am. | 0:17:10 | 0:17:11 | |
SHE CHUCKLES | 0:17:11 | 0:17:13 | |
I wanted to say, um... Sorry, I know he's not dead, I just... | 0:17:13 | 0:17:18 | |
I just wanted to tell you that, um... | 0:17:18 | 0:17:20 | |
..he was such a good lad. | 0:17:22 | 0:17:24 | |
Sorry, I keep saying "was", like he's, um... | 0:17:26 | 0:17:28 | |
I shouldn't have come. | 0:17:34 | 0:17:35 | |
I'm so glad you did, Corporal Stoneham. | 0:17:36 | 0:17:39 | |
People have become frightened of me, because of what's happened, you see. | 0:17:42 | 0:17:46 | |
But not you. | 0:17:47 | 0:17:48 | |
And I'm very grateful. Thank you. | 0:17:51 | 0:17:54 | |
How's Lieutenant Laithwaite, sir? | 0:18:15 | 0:18:16 | |
He's a fighter, Sergeant. He wants, very badly, to live. | 0:18:16 | 0:18:21 | |
How did you get him back on your own, sir? | 0:18:21 | 0:18:24 | |
I just did. | 0:18:24 | 0:18:25 | |
Bloody hero, if you don't mind me saying, sir. | 0:18:25 | 0:18:28 | |
You don't think, do you? The training takes over. | 0:18:28 | 0:18:31 | |
So not brave, not a hero, just... being in the British Army. | 0:18:32 | 0:18:37 | |
Just doing your job. | 0:18:39 | 0:18:40 | |
And now that you've finished buttering me up, | 0:18:43 | 0:18:44 | |
why don't you tell me what it is you want? | 0:18:44 | 0:18:46 | |
It's the CO, sir. He's not himself. | 0:18:51 | 0:18:53 | |
That's hardly surprising. | 0:18:55 | 0:18:56 | |
Would you do me a favour, sir? Drop the English. | 0:18:56 | 0:18:58 | |
I'm sorry? | 0:18:58 | 0:18:59 | |
Keeping calm and carrying on - it's just posh folks' idea of virtue, | 0:18:59 | 0:19:03 | |
like cold showers and thrift. | 0:19:03 | 0:19:05 | |
But where I come from, it's all bollocks, | 0:19:06 | 0:19:08 | |
if you'll excuse the Glaswegian. | 0:19:08 | 0:19:10 | |
I'd walk through fire for that man. In fact, I have - more than once. | 0:19:10 | 0:19:14 | |
So please don't ever tell him I said this. | 0:19:16 | 0:19:18 | |
It would kill him if he knew. | 0:19:18 | 0:19:20 | |
You've lost trust in him. | 0:19:21 | 0:19:22 | |
He'll get it back. | 0:19:27 | 0:19:28 | |
Yes, sir. But we need a leader, sir - now. | 0:19:28 | 0:19:31 | |
I don't know if I can do this, Honor. | 0:19:55 | 0:19:57 | |
Joe! | 0:19:57 | 0:19:58 | |
Mm. | 0:20:01 | 0:20:02 | |
Joe? | 0:20:28 | 0:20:29 | |
My husband's tired. | 0:20:39 | 0:20:41 | |
He wants you to bring me to the hospital in his place. | 0:20:41 | 0:20:43 | |
AMBULANCE SIREN WAILS IN DISTANCE | 0:20:54 | 0:21:02 | |
Time to go home, Mrs Laithwaite. | 0:21:03 | 0:21:05 | |
I'll stay here, thank you. | 0:21:06 | 0:21:08 | |
You can't do that. | 0:21:08 | 0:21:10 | |
Why not? What will happen? | 0:21:13 | 0:21:18 | |
Is there a problem? | 0:21:36 | 0:21:37 | |
No. | 0:21:38 | 0:21:39 | |
Mrs Laithwaite, visiting hours... | 0:21:39 | 0:21:41 | |
Jesus Christ! Rules, rules, rules! | 0:21:41 | 0:21:45 | |
There's a reason why... | 0:21:45 | 0:21:46 | |
Yes! Everything put in a box. | 0:21:46 | 0:21:49 | |
Everything described and put in a fucking box | 0:21:49 | 0:21:52 | |
and made never to leave or else the world might end! | 0:21:52 | 0:21:54 | |
-You're getting needlessly... -What? | 0:21:54 | 0:21:57 | |
I'm getting out of my box, and you can't stand it or understand it. | 0:21:57 | 0:22:01 | |
You're a pregnant woman. You don't know what you're saying. | 0:22:01 | 0:22:04 | |
You're the one making me have these babies! | 0:22:04 | 0:22:06 | |
What else is there, Mrs Laithwaite? | 0:22:08 | 0:22:10 | |
What exactly am I stopping you doing? | 0:22:10 | 0:22:12 | |
Is there anything more cowardly than a man asking questions | 0:22:13 | 0:22:16 | |
he already knows the answer to for the purpose of humiliating someone? | 0:22:16 | 0:22:21 | |
-What's the matter with you? -Oh, yes! | 0:22:21 | 0:22:23 | |
There is something more cowardly - a man who avoids answering | 0:22:23 | 0:22:26 | |
a question he doesn't like by asking a question himself! | 0:22:26 | 0:22:29 | |
Here's my question, Mrs Laithwaite - what kind of wife, | 0:22:29 | 0:22:32 | |
with a man as brave as your husband in the condition | 0:22:32 | 0:22:34 | |
he's in, behaves this selfishly? | 0:22:34 | 0:22:36 | |
SHE LAUGHS | 0:22:36 | 0:22:38 | |
The character of my husband? Is that it? | 0:22:38 | 0:22:43 | |
What can a woman possibly complain about if her husband is a good egg? | 0:22:43 | 0:22:46 | |
And what's wrong with that? | 0:22:49 | 0:22:50 | |
SHOUTS: Because he's not me! Because I exist! Look! Here I am! | 0:22:52 | 0:22:58 | |
A human being, all by myself! | 0:22:59 | 0:23:02 | |
Alison? | 0:23:03 | 0:23:04 | |
Breathe deeply. | 0:23:12 | 0:23:14 | |
ALISON LAUGHS | 0:23:14 | 0:23:17 | |
Is that what your mother's book says? | 0:23:17 | 0:23:19 | |
How to deal with collapsed lungs and hysterical women? | 0:23:19 | 0:23:22 | |
No, it's just common sense. | 0:23:23 | 0:23:25 | |
Goodness me, how quickly you're growing up! | 0:23:28 | 0:23:31 | |
That's what everybody says, isn't it? Well done, she's crawling! | 0:23:34 | 0:23:39 | |
Her first word! She can walk! | 0:23:39 | 0:23:42 | |
Why are we so desperate for children to grow up? | 0:23:42 | 0:23:46 | |
All the prizes in life - coming of age, getting married... | 0:23:48 | 0:23:54 | |
..are all for getting older. | 0:23:57 | 0:23:58 | |
Well done on getting closer to death! | 0:24:01 | 0:24:04 | |
Do you remember hurting yourself? | 0:24:07 | 0:24:09 | |
What do you mean? | 0:24:11 | 0:24:12 | |
Falling over. | 0:24:14 | 0:24:15 | |
Wasn't it wonderful? | 0:24:18 | 0:24:19 | |
God, the shock of it! | 0:24:21 | 0:24:24 | |
The ground in your face! | 0:24:24 | 0:24:26 | |
Bam! BAM! | 0:24:26 | 0:24:29 | |
Knees, elbows. | 0:24:29 | 0:24:30 | |
When was the last time you gave your elbow a second thought? | 0:24:30 | 0:24:34 | |
The taste of fresh scab - good and salty and bloody. | 0:24:34 | 0:24:40 | |
I miss pain. How far away from childhood people go. | 0:24:44 | 0:24:50 | |
That's one of the things I love about you. | 0:24:56 | 0:24:58 | |
Sometimes, when I hear you laugh, I could scream with pleasure. | 0:25:01 | 0:25:05 | |
Don't grow up, Honor. | 0:25:08 | 0:25:09 | |
I'll die if you turn into one of them. | 0:25:12 | 0:25:14 | |
I have to. | 0:25:17 | 0:25:18 | |
I think I have to. | 0:25:21 | 0:25:22 | |
It's a driver escort job for you. | 0:25:26 | 0:25:27 | |
MARY SLICING BREAD | 0:25:27 | 0:25:29 | |
And can't one of the men...? | 0:25:29 | 0:25:31 | |
It has to be you. | 0:25:31 | 0:25:32 | |
But George is... | 0:25:34 | 0:25:35 | |
The deadline, sir. | 0:25:38 | 0:25:39 | |
This takes precedence. The order comes from high command. | 0:25:40 | 0:25:43 | |
-I'll take Armstrong and Baxter as my wingmen. -No, no. Just you. | 0:25:45 | 0:25:48 | |
-Can I ask why? -No. | 0:25:51 | 0:25:52 | |
Strictly need-to-know, Captain Martin, and hush-hush. | 0:25:54 | 0:25:56 | |
It must be connected to George, sir. | 0:25:58 | 0:26:00 | |
Sir. | 0:26:05 | 0:26:06 | |
PETER CRYING | 0:26:16 | 0:26:20 | |
What if George were a prince? | 0:26:23 | 0:26:24 | |
What? | 0:26:26 | 0:26:27 | |
What if Prince Charles had been kidnapped by terrorists, | 0:26:27 | 0:26:31 | |
and a swap was offered? They'd take it. They'd make the swap. | 0:26:31 | 0:26:37 | |
The thing that matters is the identity of the kidnap victim. | 0:26:39 | 0:26:44 | |
They don't think our son is important enough. | 0:26:44 | 0:26:47 | |
What do you want me to do? | 0:26:50 | 0:26:52 | |
Go and tell them, Harry. | 0:26:56 | 0:26:57 | |
At six o'clock, our son will be put to death. | 0:26:58 | 0:27:01 | |
He's our son. There's a rule. | 0:27:02 | 0:27:07 | |
It can be broken. If it's broken, our son will live. | 0:27:07 | 0:27:11 | |
I want you, for the first time in your life, to go and make a fuss. | 0:27:11 | 0:27:19 | |
That was base, ma'am. | 0:27:22 | 0:27:23 | |
Just to let you know, ma'am, your husband left an hour ago. | 0:27:23 | 0:27:27 | |
What? Where to? | 0:27:27 | 0:27:28 | |
He wouldn't say. | 0:27:28 | 0:27:29 | |
Er, Armstrong, would you mind taking me somewhere else? | 0:27:43 | 0:27:46 | |
Certainly, ma'am. | 0:27:46 | 0:27:47 | |
PHONE RINGS | 0:27:51 | 0:27:53 | |
Tilbrook here. He's landed. | 0:27:53 | 0:27:54 | |
The Gordon Hotel. | 0:28:24 | 0:28:26 | |
Sir. | 0:28:26 | 0:28:27 | |
CAR HORN BEEPS | 0:28:32 | 0:28:34 | |
PROTESTORS SHOUTING | 0:28:34 | 0:28:35 | |
Move out the way! | 0:28:39 | 0:28:40 | |
Move out the way! Move out the way! | 0:28:43 | 0:28:44 | |
Move out the way! | 0:28:46 | 0:28:47 | |
CAR HORN BEEPS | 0:28:50 | 0:28:51 | |
GEORGE HAVING ASTHMA ATTACK | 0:28:56 | 0:28:58 | |
I can't breathe! | 0:28:58 | 0:29:00 | |
HE GASPS | 0:29:00 | 0:29:03 | |
George, do you have the...the... | 0:29:03 | 0:29:05 | |
No? OK. | 0:29:07 | 0:29:09 | |
OK. Wait. I'm going to the pharmacy. I won't be long. | 0:29:10 | 0:29:14 | |
OK? | 0:29:14 | 0:29:15 | |
HE GASPS | 0:29:17 | 0:29:20 | |
NLF FIGHTER SPEAKS IN OWN LANGUAGE | 0:29:35 | 0:29:37 | |
HE GASPS | 0:29:42 | 0:29:46 | |
Hello, I'm here to see Martha Franklin. | 0:29:53 | 0:29:55 | |
Room 271, madam. | 0:30:03 | 0:30:05 | |
Thank you. | 0:30:06 | 0:30:07 | |
TYPING | 0:30:16 | 0:30:18 | |
KNOCK ON DOOR | 0:30:21 | 0:30:22 | |
Open! | 0:30:22 | 0:30:23 | |
800 words on the hemline of the miniskirt for The Times! | 0:30:34 | 0:30:38 | |
What can you say in 800 words? | 0:30:40 | 0:30:44 | |
Jean Shrimpton wore a mini-dress to Ascot and scared the horses? | 0:30:44 | 0:30:49 | |
Mary Quant did or didn't invent the damn thing? | 0:30:49 | 0:30:51 | |
There's blood on your blouse. | 0:30:51 | 0:30:53 | |
Where do you stand on how far below the panty line | 0:30:54 | 0:30:57 | |
the mini can safely go? | 0:30:57 | 0:30:59 | |
I don't know. | 0:31:02 | 0:31:03 | |
I don't like my knees. | 0:31:03 | 0:31:04 | |
The blood? | 0:31:08 | 0:31:09 | |
A man. | 0:31:10 | 0:31:11 | |
A protestor, I don't know. | 0:31:11 | 0:31:13 | |
So? | 0:31:18 | 0:31:19 | |
How can I help? | 0:31:21 | 0:31:22 | |
You don't know me? | 0:31:23 | 0:31:25 | |
No. | 0:31:25 | 0:31:26 | |
I'm Captain Martin's wife. | 0:31:28 | 0:31:30 | |
Do you do that at home? | 0:31:35 | 0:31:37 | |
Sorry? | 0:31:37 | 0:31:38 | |
Do you, "Pass the sugar, Captain Martin?" | 0:31:38 | 0:31:40 | |
-"Oh, certainly, Mrs Martin." -What's the matter? | 0:31:40 | 0:31:42 | |
Huh? | 0:31:42 | 0:31:44 | |
It feels like you're... | 0:31:44 | 0:31:46 | |
You're jumping all over me. You don't know anything about me. | 0:31:46 | 0:31:49 | |
I expect it's the same for Joe, isn't it, when he's here? | 0:31:51 | 0:31:54 | |
So this is not a... | 0:31:55 | 0:31:57 | |
..friendly visit. | 0:31:58 | 0:31:59 | |
I don't know. I... | 0:32:00 | 0:32:02 | |
I love him. | 0:32:02 | 0:32:03 | |
You do, don't you? | 0:32:05 | 0:32:06 | |
Have you ever been in love? | 0:32:09 | 0:32:11 | |
Often. All the time. | 0:32:11 | 0:32:13 | |
No. | 0:32:16 | 0:32:17 | |
Men love you. | 0:32:20 | 0:32:21 | |
Often, all the time. | 0:32:23 | 0:32:24 | |
I suppose they do. | 0:32:27 | 0:32:28 | |
Is that enough? | 0:32:30 | 0:32:31 | |
I don't suppose it is. | 0:32:33 | 0:32:34 | |
SHE WHISPERS: How can they help themselves? | 0:32:36 | 0:32:38 | |
He hasn't. | 0:32:43 | 0:32:45 | |
Joe, Captain Martin, has never... | 0:32:45 | 0:32:48 | |
You wouldn't... | 0:32:48 | 0:32:50 | |
You wouldn't lie to me? | 0:32:50 | 0:32:52 | |
How could anyone lie to you? | 0:32:53 | 0:32:55 | |
How old are you? | 0:33:00 | 0:33:01 | |
21. | 0:33:03 | 0:33:04 | |
How old are you? | 0:33:07 | 0:33:09 | |
Oh. Hello, Harvey. What are you doing here? | 0:33:16 | 0:33:20 | |
I'm having a chin-wag with a journalist. | 0:33:20 | 0:33:22 | |
Setting her straight on a few things. | 0:33:22 | 0:33:25 | |
American journalist, Martha Franklin. | 0:33:25 | 0:33:28 | |
Just now? | 0:33:28 | 0:33:30 | |
Yes. I wouldn't go near her, if I was you. She does bad things. | 0:33:30 | 0:33:34 | |
And why are you here, Honour Martin? All on your own here? | 0:33:34 | 0:33:38 | |
I... We didn't have a honeymoon, | 0:33:38 | 0:33:40 | |
so I thought we could spend a night in The Gordon. | 0:33:40 | 0:33:42 | |
A bit dear. | 0:33:43 | 0:33:45 | |
Yes. | 0:33:45 | 0:33:46 | |
Yes, I didn't know. | 0:33:46 | 0:33:47 | |
I do now. | 0:33:50 | 0:33:51 | |
HORN BLARES | 0:34:02 | 0:34:04 | |
THEY ARGUE IN OWN LANGUAGE | 0:34:04 | 0:34:06 | |
PHONE RINGS | 0:35:18 | 0:35:20 | |
Royal Military Police. | 0:35:21 | 0:35:23 | |
What was all that about? | 0:35:40 | 0:35:42 | |
Pharmacist in Crater on the Aden Road. Bit odd, actually. | 0:35:42 | 0:35:46 | |
Why? | 0:35:46 | 0:35:47 | |
Does George Markham want a second inhaler? | 0:35:49 | 0:35:51 | |
What? | 0:35:54 | 0:35:55 | |
What? | 0:35:55 | 0:35:56 | |
What? | 0:35:58 | 0:35:59 | |
Look, I think it's where they are. I think she | 0:36:16 | 0:36:19 | |
left this at the pharmacy so we know where their location is. | 0:36:19 | 0:36:23 | |
It could be. We need to be careful. | 0:36:23 | 0:36:24 | |
It could be a trap. | 0:36:26 | 0:36:28 | |
But it's not. It's not, it's Yusra. She's not like that. | 0:36:28 | 0:36:30 | |
-She loves George. -I'm not sure we can take that risk, Armstrong. | 0:36:30 | 0:36:33 | |
-Captain Martin? -Sir? | 0:36:33 | 0:36:35 | |
I've another driving job for you, I'm afraid. | 0:36:35 | 0:36:37 | |
-But keep it low key, would you? -Who is it, sir? | 0:36:37 | 0:36:39 | |
It's... | 0:36:39 | 0:36:40 | |
It's Kadir. | 0:36:42 | 0:36:43 | |
Starfish. | 0:36:44 | 0:36:45 | |
You're to take him to a secure location on the coast. | 0:36:45 | 0:36:49 | |
Intelligence suggests there may be a rescue attempt, | 0:36:49 | 0:36:51 | |
so to be safe, take a man with you. | 0:36:51 | 0:36:53 | |
Sir. | 0:36:55 | 0:36:56 | |
He treats us like we're his guests. | 0:37:48 | 0:37:50 | |
Two more seconds of him looking at me like that, | 0:37:52 | 0:37:55 | |
I'd have broke his neck. | 0:37:55 | 0:37:56 | |
Timing, one of his many qualities. | 0:37:56 | 0:37:59 | |
You sound like you admire him. | 0:38:01 | 0:38:02 | |
Yes, I do. | 0:38:03 | 0:38:04 | |
I hate him with all my heart. | 0:38:06 | 0:38:07 | |
But I recognise a worthy adversary, Harry. | 0:38:07 | 0:38:09 | |
If I didn't, I wouldn't have my job. | 0:38:09 | 0:38:11 | |
Mary was wondering whether you had any children. | 0:38:15 | 0:38:18 | |
I realised, I didn't know. | 0:38:18 | 0:38:21 | |
One of each. | 0:38:21 | 0:38:23 | |
-Have they been out? -Their mother doesn't like the heat. | 0:38:23 | 0:38:26 | |
I want you to re-consider, Harvey. | 0:38:36 | 0:38:38 | |
Course you do. | 0:38:38 | 0:38:39 | |
I was a year older than George when I went to boarding school. | 0:38:42 | 0:38:46 | |
My father dropped me off on the first day. | 0:38:49 | 0:38:52 | |
Seven years old. | 0:38:52 | 0:38:53 | |
A week later, towards the end of the day, he came back for a visit. | 0:38:55 | 0:38:58 | |
And they'd already started beating out of me | 0:39:00 | 0:39:03 | |
whatever it is they saw they didn't like. | 0:39:03 | 0:39:05 | |
When he came back that day, I was playing football. | 0:39:07 | 0:39:11 | |
Just a kick-about. | 0:39:12 | 0:39:14 | |
He stood there and watched. | 0:39:14 | 0:39:16 | |
I wanted my father to go away. | 0:39:19 | 0:39:20 | |
I couldn't bear the thought of having to go through it all again. | 0:39:24 | 0:39:27 | |
I didn't want to stop playing the game. | 0:39:27 | 0:39:29 | |
I was rejecting him... | 0:39:31 | 0:39:33 | |
..so I could get on with forgetting about him. | 0:39:36 | 0:39:38 | |
That was the lesson. | 0:39:38 | 0:39:39 | |
-You had to grow up fast. -Yeah. | 0:39:39 | 0:39:41 | |
But I promised myself, when George was born... | 0:39:45 | 0:39:51 | |
I've never told anyone this, not even Mary... | 0:39:55 | 0:39:58 | |
..that I would never leave him... | 0:40:00 | 0:40:03 | |
..with that absolute and desolate feeling of being alone | 0:40:05 | 0:40:10 | |
in a place where nobody loves you. | 0:40:10 | 0:40:12 | |
And you're not. | 0:40:12 | 0:40:14 | |
As a father, you have done - are doing - everything you possibly can. | 0:40:14 | 0:40:18 | |
I respect that. | 0:40:18 | 0:40:19 | |
Which is why it's right that you came to see me. | 0:40:21 | 0:40:23 | |
And it's why it's the hardest thing I've ever done... | 0:40:25 | 0:40:28 | |
..in my life... | 0:40:30 | 0:40:31 | |
..to say no to you. | 0:40:33 | 0:40:35 | |
Harvey, I can't go back to Mary and tell her I've failed. | 0:40:35 | 0:40:38 | |
Yes, you can. | 0:40:38 | 0:40:39 | |
Yes, you will. | 0:40:43 | 0:40:44 | |
It's straight on for the coast, sir. | 0:41:16 | 0:41:18 | |
And left for Al-Hinna Farmhouse. | 0:41:20 | 0:41:23 | |
George. | 0:41:24 | 0:41:25 | |
I don't want you to have anything to do with this, Armstrong. | 0:42:05 | 0:42:08 | |
Sir, I... | 0:42:09 | 0:42:10 | |
-Nobody need know you were involved in any way. -I'm coming with you. | 0:42:10 | 0:42:13 | |
-The penalty for allowing... -You won't pull this off without me. | 0:42:17 | 0:42:21 | |
With two of us, we stand half a chance. | 0:42:21 | 0:42:22 | |
It's not a job for one man. | 0:42:22 | 0:42:23 | |
You love her, don't you? | 0:42:26 | 0:42:28 | |
Sir, yes, sir. | 0:42:33 | 0:42:34 | |
He's not here. | 0:43:17 | 0:43:19 | |
Kadir left an hour ago. | 0:43:19 | 0:43:20 | |
If he's not with you, where the hell is he? | 0:43:21 | 0:43:23 | |
THEY SPEAK OWN LANGUAGE | 0:44:24 | 0:44:27 | |
Tony. | 0:44:49 | 0:44:50 | |
HE SPEAKS OWN LANGUAGE | 0:45:04 | 0:45:06 | |
How do we know you have our leader, Kadir? | 0:45:08 | 0:45:10 | |
THEY SHOUT IN OWN LANGUAGE | 0:45:12 | 0:45:13 | |
HE SPEAKS OWN LANGUAGE | 0:45:22 | 0:45:24 | |
How do we know he's alive? | 0:45:24 | 0:45:26 | |
Because if he's not, we have nothing to exchange for George. | 0:45:26 | 0:45:30 | |
SHE SPEAKS OWN LANGUAGE | 0:45:30 | 0:45:31 | |
How did you know we were here? | 0:45:39 | 0:45:41 | |
Kadir told us. | 0:45:48 | 0:45:49 | |
He seems to know everything. | 0:45:51 | 0:45:52 | |
OK, OK. | 0:46:08 | 0:46:09 | |
One more thing. | 0:46:10 | 0:46:11 | |
Yusra comes with George. | 0:46:14 | 0:46:16 | |
No. | 0:46:26 | 0:46:27 | |
Please, take George. Leave me. | 0:46:28 | 0:46:30 | |
One woman and a child in exchange for your great leader. | 0:46:30 | 0:46:34 | |
Is he not worth this? | 0:46:34 | 0:46:36 | |
Tell them. | 0:46:40 | 0:46:41 | |
Tell them! | 0:46:42 | 0:46:43 | |
OK. | 0:46:57 | 0:46:58 | |
What is happening? | 0:47:10 | 0:47:11 | |
We're giving you back. | 0:47:11 | 0:47:13 | |
I see. | 0:47:14 | 0:47:15 | |
It doesn't matter. | 0:47:20 | 0:47:21 | |
Do you have my glasses? | 0:47:22 | 0:47:23 | |
It's OK. | 0:48:41 | 0:48:42 | |
-Sir. -Sir. | 0:48:57 | 0:48:58 | |
WATCH TICKS | 0:49:03 | 0:49:05 | |
SNAKE HISSES | 0:49:19 | 0:49:21 | |
GEORGE GASPS | 0:49:22 | 0:49:23 | |
Why's he stopped? | 0:49:24 | 0:49:25 | |
Don't know. | 0:49:27 | 0:49:29 | |
George... | 0:49:29 | 0:49:31 | |
walk around it. OK? | 0:49:31 | 0:49:33 | |
Hold my hand, walk slowly. | 0:49:33 | 0:49:35 | |
Come on. Come on, George, come on. | 0:49:36 | 0:49:39 | |
Yes, yes, George. | 0:49:39 | 0:49:41 | |
You did it. OK, let's go! | 0:49:42 | 0:49:44 | |
Come on, let's go. | 0:49:45 | 0:49:46 | |
Go, come, come! | 0:49:46 | 0:49:48 | |
THEY SHOUT IN OWN LANGUAGE | 0:49:50 | 0:49:52 | |
CLOCK CHIMES | 0:49:57 | 0:49:59 | |
RADIO: ..second time around, and this time we know | 0:52:09 | 0:52:11 | |
for a fact that he's safe at home to hear his favourite song. | 0:52:11 | 0:52:15 | |
-So stand up, everyone, join in... -George. | 0:52:15 | 0:52:17 | |
-Listen. -..sing along with Michael Flanders, Donald Swann, | 0:52:17 | 0:52:20 | |
and George Markham. | 0:52:20 | 0:52:21 | |
# All singing this haunting refrain. # | 0:52:21 | 0:52:24 | |
That's you! | 0:52:24 | 0:52:26 | |
-ALL: -# Mud, mud, glorious mud | 0:52:26 | 0:52:30 | |
# Nothing quite like it for cooling the blood | 0:52:30 | 0:52:35 | |
# So follow me, follow, down to the hollow | 0:52:35 | 0:52:41 | |
# And there let us wallow in glorious mud. # | 0:52:41 | 0:52:49 | |
MUSIC: You Really Got Me by The Kinks | 0:53:17 | 0:53:22 | |
I've been thinking that, if nobody says anything about | 0:53:26 | 0:53:31 | |
them not being mine, not ever, not to anyone, certainly not | 0:53:31 | 0:53:35 | |
to our children, then... | 0:53:35 | 0:53:37 | |
..I'm going to be a father. | 0:53:39 | 0:53:40 | |
That's it. | 0:53:41 | 0:53:43 | |
I just want us to be happy. | 0:53:43 | 0:53:44 | |
You're going to have a baby. | 0:53:46 | 0:53:47 | |
Out of your vagina. | 0:53:48 | 0:53:50 | |
Joe, I don't know how we can ever thank you. | 0:53:54 | 0:53:56 | |
I let him go the first time. | 0:53:56 | 0:53:58 | |
I wasn't going to let it happen again. | 0:53:58 | 0:54:00 | |
Oh, let yourself be a hero, for God's sake, Joe. | 0:54:00 | 0:54:03 | |
We're heroes, Joe. | 0:54:03 | 0:54:05 | |
Yes. Now, go and say thank you to Lieutenant Laithwaite. | 0:54:05 | 0:54:09 | |
Thank you. | 0:54:13 | 0:54:15 | |
Sir, can I have a word, please, about Yusra? | 0:54:15 | 0:54:17 | |
What do you suggest we do? | 0:54:17 | 0:54:18 | |
-Look after her. -How? | 0:54:18 | 0:54:20 | |
Erm, protect her, summit...? Look, the NLF know what she did. | 0:54:21 | 0:54:25 | |
-Does she have family? -Yeah. | 0:54:25 | 0:54:28 | |
And do they know where they live? | 0:54:28 | 0:54:30 | |
Yes, sir. | 0:54:30 | 0:54:31 | |
Well, we can't really bring the whole family | 0:54:31 | 0:54:34 | |
into our care now, can we? Excuse me. | 0:54:34 | 0:54:37 | |
Well, then they'll kill them. | 0:54:37 | 0:54:38 | |
They will kill them. | 0:54:42 | 0:54:44 | |
-Watch where you're walking! -LAUGHTER | 0:54:53 | 0:54:55 | |
-INSIDE: -Ten, nine, eight, seven, | 0:55:12 | 0:55:15 | |
six, five, four, three, two... | 0:55:15 | 0:55:20 | |
one! | 0:55:20 | 0:55:22 | |
SCREAMING AND CHEERING | 0:55:22 | 0:55:24 | |
Happy New Year, everyone! | 0:55:26 | 0:55:27 | |
There we go, come here! There you go! | 0:55:27 | 0:55:29 | |
Happy new year! | 0:55:31 | 0:55:33 | |
Come on! | 0:55:33 | 0:55:34 | |
-ALL: -# Should auld acquaintance be forgot and never brought to mind? | 0:55:34 | 0:55:42 | |
# Should auld acquaintance be forgot, for auld lang syne? | 0:55:42 | 0:55:50 | |
# We'll take a cup o' kindness yet, for auld lang syne... | 0:55:53 | 0:56:01 | |
-HONOUR: -# We two have run about the slopes | 0:56:04 | 0:56:08 | |
# And picked the daisies fine | 0:56:08 | 0:56:13 | |
# And we wandered many a weary foot | 0:56:13 | 0:56:17 | |
-SHE TRAILS OFF: -# For auld lang sy... # | 0:56:17 | 0:56:21 | |
Captain Martin... | 0:56:24 | 0:56:25 | |
..I'm placing you under arrest for allowing the escape | 0:56:27 | 0:56:30 | |
from lawful custody of a prisoner of war. | 0:56:30 | 0:56:33 | |
He saved my life. You can't do that. He's a hero. | 0:56:33 | 0:56:36 | |
I'll explain. | 0:56:36 | 0:56:37 | |
I'll explain everything and then everything will be OK. | 0:56:42 | 0:56:45 | |
If you decide to fight us... | 0:57:13 | 0:57:14 | |
Will they shoot him, Daddy? | 0:57:16 | 0:57:18 | |
Don't wait for me. Find a new life. | 0:57:18 | 0:57:20 | |
Disobeying an order can be the right thing. | 0:57:23 | 0:57:26 | |
I want an abortion. | 0:57:26 | 0:57:27 | |
I'm asking you to help me. | 0:57:27 | 0:57:30 | |
True independence is not given away. | 0:57:30 | 0:57:32 | |
It's taken. | 0:57:32 | 0:57:33 | |
Are you talking to them? | 0:57:33 | 0:57:35 | |
There's nothing to worry about. | 0:57:35 | 0:57:36 | |
-Where are you going? -The NLF will kill Yusra for what she did. | 0:57:36 | 0:57:39 | |
I'm not having that. | 0:57:39 | 0:57:40 | |
Where is she?! | 0:57:40 | 0:57:42 |